#< added image for clarity

[brionnnne]

if you need any further convincing that anime/manga demographic labels mean nothing, a major manga award is doing away with the labels entirely

[uchanuku]

Was rewatching Islands, there are sooo many interesting things left open ended!!!

Like the islands had to have had at least one more human migration (other than Two-Bread Tom and his folks) to explain the Swedish language population. Possibly there were even more, the islands seem pretty multicultural and Two-Bread Tom’s group was pretty small.

There’s also the Guardian and MoCo’s involvement in settling the islands! Presumably the islands would have had to establish contact with the main continent (there wasn’t any indication in Stakes that Moe was involved yet) Was there a time before they got super isolationist where there was still such a thing as human-Ooo relations?

BMO is compatible with all the human tech so that seems to imply either tech hasn’t changed that much or Moe was involved in standardization practices too! BMO also uses galaxy standard parts which is more evidence for all of Moe’s weird projects, but super cool if human tech might be compatible with the wider galaxy if they ever make their way there. BMO likely was around at the time too! He’s one of the first Mo’s and knows of the existence of Fraiser.

Moe has had his hands in like a million other unexplained things!!! We know nothing about his involvement with Mars or the Fire Giants! Overall he seemed just so secretive and I hope the factory kept records so all the information on these crazy projects didn’t die with him.

I also like really want to know more about the humans after Susan left. Minerva coming into power was a massive change to the entire structure of society, Seeker/Hider/Experimenter classes seem to no longer even be around. Generally the insane levels of authoritarianism has been toned down a bit. Like this is equivalent to a massive overthrowing of the government, and all of this happened within a single lifetime too! I really want to read like a fanfic or something that fills in the time period of re-ed to modern day in Frieda’s life. Lol should just try and write it myself probably but big projects like that are tough.

And lastly, this is less of a niche thing but also HOW DID MARTIN GET TO SPACE???

Anyway this was me rambling about the things that make me insane. Islands was sooooo great man. Like I am squeeing with joy as I write this (although I am also sad that a lot of this I will never have canon answers for).

[eastbluecrewed]

strategy for getting through final weeks of school year. draw sabo 1 billion times

[feralratzone]

i am so wikibrained i love it. i love knowing everything i can about the things i like. i want other people to have the access to this information. i want this information to be clear and understandable.....

[butchlifeguard]

gear 5 bendr. shes my son

[ID: drawings of an original character. in the first she is drawn to resemble gear 5 luffy from one piece, with an incredibly big smile and swirling, cloudlike hair, which still appears to have an undercut. the second is a reference photo of them. her normal hair is light and shoulder lengh with an undercut. in both drawings they are drawn from the chest up and wearing a tank top. end ID.]

[the-arts-of-being]

HI POLUX

what does cy (character) look like? |/? (like the profile image?)

[rowan-ashtree]

[Image ID:

A screenshot of several messages on Discord, sent by "Deleted User", on 02/24/2018.

First message: "Some of my music". Second: "If it sends". Third message is a large, closeup photo of an orange. Fourth message: "Thats a fucking orange". Fifth: "Ok lets retry".

End ID.]

[sirvinter]

Make a poll of your favorite female characters (no limits) and see which your followers like the most

tagged by @lilnoctua

tagging anyone who sees this and wanna do it as well

[remxedmoon]

your friends don’t know what to do.

so!! i redrew every single enemy in the game. in the span of like 9 days (excluding the king i made him right after the last update). that’s abbbout 79* drawings total, with only 3 custom ones for once!! i’m so normal. as always, these are free to use with credit!! go nuts!! spritesheets are included <3

got some notes under the cut, along with As Many Enemies As I Could Fit without making this post obnoxiously long. and i failed. i had to swap between the app and browser several times and i still couldn’t fit every drawing. open this post at your own risk (silly).

okay so first of all. what’s with the asterisk. well. I Drew A Lot More Than 79 Assets Actually. they’re getting posted separately, because this post is ABSURDLY long. you can find most of them in the miscellaneous folder, but for a bit of clarity, i added the teleport map and a bunch of ui elements that reference sprites from the icon sheet. and also the game over and loop back animations but i haven’t finished the spritesheets for those because they’re a pain in the ass so they’re not in the drive yet

if you missed my complaining a few days ago, a few enemies might look a bit crunchy in the actual game? specifically, calamité and désespoir were drawn at the wrong size, because their images in the files do not match the spritesheets! i avoided the issue with most of the other enemies, those two just blindsided me. sorry about that!

^sadnesses having inconsistent designs was actually a running theme with these. détresse rock has an unused design in the files (which i managed to catch before having to redo it thankfully), anxiété has extra spikes that don’t appear on the spritesheet (sorry i was too lazy to fix that one), even the version of the friend rescue in the files doesn’t match any of the frames in the spritesheet. hfjfhfj. sorry about the quality issues.

tangentially related to that, massive thank you to @riggedbones for grabbing the individual frames for the animations for me!! they made my life so much easier. vs friends would’ve been so annoying…

speaking of the animations! hi can you tell i’m not an animator. these were my first time doing Anything animation related since, like, middle school. super sorry for the Jank in some of these! the friend rescue looked way better when i drew it 💔💔.

bourdon’s hands also might act a bit odd, my apologies. the sizing ingame is SUPER inconsistent (why is one of the hands SMALLER than the other????). once i’m able to actually test the mod, i’ll try to fix it wauaua.

the 3 custom sprites are for the triplets! i ended up making two versions for each, one that follows the ingame art, and one with my personal designs for them. i like my own designs for them, but they’re a lot easier to tell apart? so if you want to use the ones that fit the gimmick better, they’re also in the drive 👍

this update. was originally going to have way more custom art. i’ve actually got an act 6 siffrin enemy asset in my art program! but school started and i decided it’d be better to just get the normal stuff done. so the mod can actually come out in a reasonable timeframe. promise that’ll all come out Later! sorry about the wait 😓😓😓

also adding this because i almost forgot: no i don’t know if these are compatible with sasasaap. i don’t have the game still and it’s not my main priority atm, apologies!

okay! that was a lot! and there’s a ton of art down here! thank you for reading all this, i’ll be back with the game over animations and teleport map pretty soon! like. within the weekend. enjoy!!!

[writingwithcolor]

Happy New Year 2025 from WWC

Hello everyone,

Merry, cheery holidays! The WWC team and I have been making many silent strides closer to a writingwithcolor.org.

What we've been up to

While the going has been slow, we've made a lot of progress since raising donations from you guys to go towards a .org, which we've secured ever since. With this support and encouragement, we plan to maintain the blog as a permanent resource.

As for progress and use of donations

Times have been busy and oh, so trying, but we're trying harder. Also, donations (and free time) have been going to good use.

For instance, we've:

Cleaned up (Added, removed, renamed, combined) WWC post tagging for clarity and consistency.

Created mirroring pages on new blog (e.g. navigation, stereotypes and tropes navigation, etc.)

Migrated all blog posts to our standalone blog (4000 some posts)

Maintained the URL ($12 a year, Writingwithcolor.org, hidden from view lately as we get closer to launch, although we've had it redirecting to Tumblr only until recently)

Overall building out blog content on the host site ($15.99 a month)

Next steps are to:

Finalize our theme (The fun part)

Finish blog post cleanup on the migrated posts (WIP!).

More actions at a latter date after publishing

Currently, I have been going through each and every post, one-by-one, to:

Edit, update and refine content

Fix broken links

Improve accessibility, particularly on image-heavy posts

A lot of changed in the world since 2014, so we want even our earliest posts to reflect today's standards or at least note if something is olden days or we have a more helpful post or resource since.

Example of a post on the .org. Final theme and colors not applied yet

Soft launch and new hopeful publish date

This is the end stretch before we have an official SOFT LAUNCH!

We're considering it soft since there are just some things we can't easily correct yet or will just make everything take even longer to wait on. We'll continue to cross-link between here and there as we work on getting it all centralized, though.

But to be clear, as intended, we'll continue to post on tumblr as well as long as it sticks around.

Our new prospective publish date is for Spring 2025, in which we can also re-open to questions, release new guides, invite new members, etc. etc.

But who knows - perhaps we will get a chance to answer some questions in between then.

Thank you and let's catch up!

All of your support and patience has been so appreciated. Thank you for sticking around throughout the extended hiatus. Nonetheless, I do hope our robust depository of existing answers, detailed guides, recommendations, reblogs and so on has been helpful with your creative, professional and academic pursuits.

What have you all been up to? What strides have you made in 2024 and what goals do you have for 2025? Have you published any works? We want to hear it all. Share with us on this post!

Wishing you all a happy and healthy 2025,

~Colette and WWC team

[canonkiller]

Accessorizing With Disability ✨

I've seen a lot of people (Yes, For Real) reluctant to add disability aids to their characters because those aids are visually unappealing (and in case of character designs, "boring") or they do add aids, but so over the top on aesthetics that they wouldn't actually function (anyone who replaces a wheelchair with a living breathing animal, really)

So here is literally just a list of Shit I've Found While Decorating My Wheelchair. Feel free to add on.

Wheelchair Modifications

Some of these are for fun, some of them are for function, some are both. Many are chosen with intent to be stated at on purpose instead of for the wheelchair itself due to who I am as a person. This is the category I've done the most brainstorming in.

Custom paint jobs / decals (pictured example below, first image)

Bike horns / bells

Bike handlebar streamer thingies

Custom hubcaps and wheel covers (pictured example below, second image)

Clip on, usually folding rear view mirrors

Stickers / decals on seat backs (or patches for fabric chairs)

Handlebar or back bags

Colored / high visibility tape on wheels

Noisemakers / bells on wheels (admittedly these get annoying pretty fast)

Custom seat / armrest cushions

Clip on cup holders

Clip on cane holders

Eyes + Vision

Glasses chains

Pocket magnifiers worn as necklaces or on pocketwatch chains

Sunglasses

Goggles (tinted, to protect from irritation / dry eye, to magnify vision, etc)

Patterned fabric eye patches (pictured example below, first image)

Colored / embossed leather eye patches (pictured example below, second image)

Hearing

Hearing aid stickers / skins (pictured example below, first image)

Hearing aid jewelry (pictured example below, second image)

A note on hearing aid jewelry: I originally got an anon ask that I added here about dangly jewelry causing issues during sign, which was then refuted by other users, so I've removed it. For total clarity it's 2am where I am and I'm trying to minimize misinformation before looking through things when I'm more awake. Sorry for the confusion.

Mobility That Isn't Wheelchairs

Custom paint jobs (pictured example below, first image)

Stickers / decals

Keychains on wrist loops

Attached decorations (within reason) (or without reason I guess) (pictured example below, second image)

That's all I've got for now. Thanks 👍

[woso-dreamzzz]

Melting Pot III

Alexia Putellas x Child!Reader

Jenni Hermoso x Child!Reader

woso-dreamzzz Kids x Child!Reader (Bambi)

Summary: The weight of responsibility

You have three siblings.

(But Mami is thinking about adding another soon).

Only one is a boy.

He's the youngest, still a baby. His name is Jaume and Mami had him with her new girlfriend.

The next youngest is Osita. Mama had her after the breakup with Mami and two failed pregnancies before her.

You are the oldest but not by a lot.

Pequeñita is your twin, younger than you by not very long at all.

Mami says Pequeñita needs help sometimes. Even though you are twins, Pequeñita is different to you. She needs help with certain things. Mami says accommodations need to be made for her because of the way things affect her.

Osita is similar, you think but not the same. You asked Mama once if Osita had the same thing as Pequeñita did but she doesn't. Osita is similar to Pequeñita but in a different way.

Your sisters get a lot of attention because they need it. Your brother gets a lot of attention too.

You don't need it as much.

You are a big girl. You are independent. You don't need much. You do well on your own.

You think you are made to be on your own.

But then your twin slips her hand into yours when you walk to school and your youngest sister drags you over to her plushie collection and your brother toddles towards you when you come through the door.

You don't need much attention. You don't need it like Pequeñita and Osita do. You are happy with your trains, shepherded into the corner of the room to play while Jaume demonstrates his walking abilities.

You are not the biggest at school. You are not the loudest like Tia Mapi's girls are. You are not the most popular girl either, not like the Williamson girls or the new Swedish girl.

You are just you and you can't understand why anyone would care too much about you.

You think you must be made to be alone but every time you think that, you're reminded that you aren't.

You aren't made to be alone because you didn't come into this world alone.

You have always been a part of a pair.

"Alright girls," Alexia says softly to you, zipping up your jacket all the way up to your chin," Have you got everything?"

Pequeñita nods, her backpack secure on her back.

You don't respond, just staring off into space again.

But then Pequeñita slips her hand into yours and you look at her again, clarity coming back into your eyes.

She smiles to you, like a mirror image of something you can never be.

You smile back though because Pequeñita is your twin and you love her.

Pequeñita is not at fault for all the things that swirl in your heart. You came into the world with your twin. You don't know how you could cope with it all if she wasn't be your side.

Sometimes, you feel like you're being forced down a river, the rapids beating you around as you float down to somewhere unknown. Sometimes you feel like you can think of nothing but the whirlpool that is forcing your head under the tides but then there's a little hand pulling you out.

A little hand pulling you up onto the raft and there's a familiar mirror image of yourself looking back at you.

Pequeñita understands you like you don't think anyone else can understand you. But Pequeñita is where all your icky feelings started to spark.

You pull your hand from hers as Alexia helps you into the car.

You don't glance at the shocked look on your twin's face as you turn away from her, slipping off from the safety of the raft.

Alexia can see you in the rear view mirror. You've been having episodes like this a lot lately, turning away from all comfort, even from Pequeñita.

She'd hoped your weekend spent with Jenni and Osita would brighten you up but you'd returned even more sullen and quiet and nothing she tried to do helped.

it's a mystery as to what's going on and you refuse to give her even an inch to work with.

"Are those my girls?"

Jenni's opened the car door before Alexia's even had the time to turn the car off.

"Hi, Mama!" Pequeñita says, unbuckling her seatbelt and shuffling over so Jenni can help her out. "Hi, Osita!"

Osita waves.

You sit in the car though, even when Jenni's unbuckled your seatbelt. You just stay there, staring out of your window.

Jenni runs her finger over your cheek and you finally look at her, tearing your eyes away from the outside.

"Hey, you," She laughs," I don't get a kiss and a cuddle?"

You're tense as you give her what she asks for before slipping out of the car.

Alexia purses her lips as you and your sisters walk ahead on the short trip up the road to the front gate.

Jenni's frowning.

"Did something happen this morning?" She asks," Bambi isn't..."

"I don't know," Alexia admits," She's just having one of her moments again."

Jenni stares at the back of your head, the way you're slighting curled into yourself, the way you're not touching either of your sisters.

They're talking, voices carrying across the road.

But you're not.

You stay silent.

"Pequeñita!" Alexia calls," Come here!"

"Osita!" Jenni calls as well," Wait a minute!"

All three of you were about to go and line up with your classes without saying goodbye.

Pequeñita and Osita shuffle back towards them but you stay by yourself at the gate, staring longingly at the school building.

You don't cross the gate but you don't go back to your mothers either.

You just wait there.

Pequeñita and Osita get smothered in kisses and cuddles and reminders to be good and to eat all their lunch.

Alexia's hand lands on your shoulder. "You look after your sisters, alright? You know they need a little help sometimes."

You nod.

"You're a good big sister," She tells you.

You shrug her hand off your shoulder and accept the hair ruffle Jenni gives you.

You are the one in charge when you cross the threshold of the gate.

You take Osita to her class' line.

You take Pequeñita to the line you share.

She slips her hand into yours. You stare at it, little brow furrowed in confusion.

You spare a glance over at Tia Mapi's daughters. They have the other set of twins in the school.

Bebita and Skatt are twins but they don't seem to be like you and Pequeñita. You're not sure how they are different but they are.

Bebita is not in charge of Skatt like you are in charge of Pequeñita. Cub is not in charge of Sunshine and Teeny like you are of Osita.

Bebita is the oldest twin and Cub is the oldest daughter. You fill both of those roles in your family and, yet, they do not fill their roles like you do.

Their sisters don't need help like yours do.

You suppose it should make you happy that you are responsible enough to look after your sister. You suppose you should feel important but you don't.

You don't think you're important at all.

Sometimes, when you push yourself off the raft Pequeñita has made for you, you feel fragile. As the waves batter you, you can feel yourself cracking, like you're a piece of glass.

The waves crash and crash against you and you fracture in every place you can think of, right down to your very core.

Pequeñita is your twin and you love her. Osita is your little sister. You love her too.

But sometimes you wish that it was just you.

You came into the world with a pair, a mirror image that's not really a mirror.

But you've always been built to be alone.

Pequeñita's hand is in yours.

You pull away from her, walking to the front of the line, leaving her behind.

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

[describe-things]

This post is made with speech to text because my hand hurts from typing so much today. Please forgive any typos or speech to text swapping similar sounding words.

If you would like to start writing your own image descriptions, feel free to ask any questions.

The main things to keep in mind is that they should begin with some variation of image description start or ID, and end with some variation of image description and, and ID or something like that. This distinguish the image description from the caption or anything else.

Image descriptions should not be written in italics, bold, all caps, or any colors. If text in the image is in all caps, write it in regular case, and simply note before or after it that it's in all caps.

Image descriptions should describe all images in the post, without skipping any. This includes images that are nothing but text.

Plain text image descriptions in the body of the post are more accessible than alt text alone, because many people who need image descriptions cannot use alt text, and Tumblr is known for its glitches, so the accessibility of the alt text all by itself varies widely over time.

It is more accessible to have the image descriptions indented than not, because this helps to visually separate the image description from the caption. Having brackets or parentheses at the end is also helpful for this. This allows people to easily distinguish between the caption and the image description if they need to.

If you are an artist, writing image descriptions for your art will give you full control over the image description, and will allow you to correctly identify details that others might miss. This gives you the opportunity to show which parts of your art hold meaning to you and are important to notice.

If you are describing real people who are unknown to you, unless it is specified within the post or you are already aware, please do not assign any gendered terms to them, or any " male presenting or female presenting" terms like that. This is completely unnecessary and leads to misgendering. It is best to simply describe visible facts about the people. Hair color, length, clothes and style, pose, expression, the light or darkness of their skin, things like that. Do not assume that someone is white simply because they have light skin.

Do not use image descriptions to lie to the audience in any way and do not use image descriptions to make jokes where the audience reading the image description is the butt of the joke.

As an example, if there is a very clearly fake screenshot, do not say that it is simply a screenshot, or if a photo is very blatantly photoshopped, do not say that it is simply a photo. Say an edited photo, a badly edited photo, a screenshot with editing, something like that to indicate the changes have been made and then what you are going to be describing is not the natural version.

As an example, you would say a crab photoshopped to be driving a car. Rather than a photo of a crab driving a car.

Unless you are transcribing a text within the image, do not use meme speak within image descriptions. Do not refer to dogs as doggos for example, unless it is to specify that the dog in the image is, within the image, labeled as a doggo. Do not describe someone walking downstairs as breasted bubbly downstairs, even if it is an actor humorously walking down the stairs to imitate that sentence. Describe the facts of the movements, and then you can make the comparison for clarity.

If someone adds an image description to your post whether this be an original post or a reblog that you have added an image to, it doesn't matter how many notes to post already has, please copy and paste that image description into the original post or your original reblog. If it is a new post that has only a few notes from friends, after you update the original, you can just ask your friends to delete the reblogs of the inaccessible version and reblog the new one. Most people who are good people and care about disabled people will happily do so.

Keep in mind that image descriptions are accessibility tools. Treat them as such.

Anyone can write image descriptions. You do not need any special qualifications or training. As long as you are willing to take constructive criticism if you make a mistake, an image description written by someone who's new to it and honestly doing their best with good intentions is better than no image description at all.

I'm sure I'm forgetting some things, so please feel free to add on more tips and advice.

[diamonddaze01]

DIY (why)

pairing: non-idol!yoon jeonghan x gn!reader | wc: 1.0K genre: humor, fluff, established relationship | rating: e for everyone! warnings: none! a/n: based on an a conversation with @ylangelegy about how jeonghan has never lifted a tool in his life. enjoy!

You weren’t sure what you expected when you came home, but it certainly wasn’t Jeonghan standing in the middle of the living room, looking like he’d fought a losing battle with the entirety of IKEA.

“Hey, you’re home early!” he greeted brightly, though his tone was suspiciously similar to someone caught mid-crime.

The sight before you was equal parts baffling and hilarious. Picture frames were propped up against the walls, a half-built IKEA coffee table leaned precariously to one side, and what appeared to be a bag of screws had spilled across the floor like tiny, mocking breadcrumbs.

“Jeonghan…” You stepped inside cautiously, toeing a stray Allen wrench out of your path. “What is going on?”

He set down the manual in his hand, holding it up like he’d been caught red-handed. “I thought I’d surprise you by putting the house together while you were at work.”

Your eyes scanned the scene: the lopsided coffee table, the crooked picture frames on the walls (one of which was upside down), and the faint scent of burning plastic wafting from the general direction of the kitchen.

“Surprise?” he added weakly.

“You—” You paused, trying to find the right words. “You thought this would be a good idea?”

He pushed his hair back, smearing what looked like drywall dust across his forehead. “I didn’t think it would be this bad. How hard could it be to hang some pictures and assemble a table?”

Your eyebrows shot up. “Jeonghan, you’ve never used a tool in your life.”

“I watched a video,” he defended, pointing at his laptop, which was paused on an overly enthusiastic DIY vlogger holding up a power drill. “And I read the instructions. Well, most of them.”

You crouched next to the IKEA manual on the floor, flipping through it. “This is not most of them. You circled the diagram of the coffee table like it’s a treasure map.”

He peeked over your shoulder. “Because it didn’t make sense! What’s a cam lock? Why does IKEA use pictures instead of words? Are Swedes allergic to clarity?”

You pinched the bridge of your nose to stop from laughing. “Let me guess—you skipped steps?”

“I skipped suggestions,” he corrected with a smirk, only for it to falter when the table creaked ominously behind him. “Okay, fine, maybe a couple steps. But this is IKEA! They don’t even include all the screws sometimes! It’s like they want you to fail.”

“You’re blaming IKEA for this mess?”

“Do you see this pile of screws?” he exclaimed, gesturing wildly. “I’m convinced it’s more than what came in the box! I think they’re reproducing!”

You tried not to laugh, but the mental image of IKEA screws plotting your demise was too good. “You’re ridiculous.”

“And you love me,” he shot back easily, his grin almost enough to distract you from the tilted bookshelf you hadn’t noticed until now.

You stared at it, horrified. “Is that—did you hang a bookshelf?”

“It’s fine,” he said quickly, following your gaze. “It’s modern. You know, asymmetry is trendy.”

“It’s also unsafe.”

He gave a one-shouldered shrug, the very picture of nonchalance. “It hasn’t fallen yet.”

“Yet,” you echoed, crossing your arms.

Jeonghan stood, brushing off his knees and sidling closer to you with his trademark smirk. “Look, it’s not perfect, but I was trying to be romantic. Doesn’t that count for something?”

You raised an eyebrow. “You think lopsided furniture and upside-down picture frames scream romance?”

“It screams effort,” he said dramatically, throwing an arm around your shoulders. “Do you know how many hours I spent on this? I used a drill, babe. I risked my life for you.”

You blinked at him. “You risked your life… hanging frames?”

“Yes!” he exclaimed, pointing at one particularly sad attempt that was dangling by one screw. “Those things are dangerous! The drill kicked back, and for a second, I thought I was going to meet my maker.”

Despite yourself, you started laughing, the image of Jeonghan flinching away from a power drill too absurd to ignore.

“Fine,” you said, pulling away just enough to look at him. “But you’re cleaning this up, and I’m fixing everything. Including that bookshelf before it kills someone.”

“Deal,” he said quickly, pulling you in again. “But after dinner. I worked hard today, and I’m starving.”

“You worked hard?” you teased, poking his chest. “You mean you made a mess and called it a day?”

“Same thing.” He grinned and leaned in to press a quick kiss to your forehead. “Now, how about takeout? Thai?”

You smirked, reaching up to straighten the crooked frame. “I’m starting to think you just wanted an excuse to make me do all the work.”

He gave you a wide-eyed look that was anything but innocent. “What? Me? Never.”

“Uh-huh.” You glanced back at him, your tone teasing. “You’re lucky you’re cute, Yoon Jeonghan.”

“Lucky?” he echoed, grinning as he slid closer to you. “I’m the luckiest. I’ve got a handy, patient partner who’ll fix all my mistakes and keep me fed. Truly, what more could I ask for?”

“Less drywall dust on the floor, for one,” you shot back, flicking at his shirt where a fine layer of powder clung.

“Details.” He leaned in and pressed a quick kiss to your cheek. “I’ll clean it up after dinner. Maybe.”

“Jeonghan.”

“Okay, definitely.”

It was impossible to stay mad at him for long—not with that mischievous twinkle in his eye and the crooked, boyish smile that said he’d get away with this, too. You rolled your eyes and reached for your phone.

“Fine. But you’re watching me hang the rest of these,” you grumble goodnaturedly, gesturing to the mess he had left behind. 

“Deal,” he said, plopping onto the couch with a satisfied grin. “You know, we really make a great team.”

You sighed, shaking your head but unable to stop smiling. “You’re impossible, Yoon Jeonghan.”

“And you love me for it,” he said smugly, dodging your playful swat as he grabbed his phone.

As you watched him settle onto the couch, surrounded by chaos but entirely unbothered, you couldn’t help but laugh. The furniture might have been a disaster, but somehow, it still felt like home—with Jeonghan, it always did.

[patchwork-crow-writes]

I feel I should clarify for those unaware - THIS is what the aforementioned Punchinello looks like:

Look at this loser - he's a freaking mutated aubergine who lives in a mine. Is he not the most pathetic creature you've ever laid eyes on?

Okay, but seriously, what's Punchinello's deal?

He's just some random part-gourd part-gremlin nobody who lives deep in a mine and makes bombs for a living? And you'd think he'd be affiliated with Smithy because of the aforementioned bomb thing but he just isn't...? He's his own weird scrunchy idiot man thing who's weirdly obsessed with becoming famous, only to end up being crushed to death by his own giant bomb.

...oh God, he's basically the proto-Tumblr sexyman, isn't he...?