#:333 !!!!!!

[slimecicle-fanblog]

POV: Bolas find you

POV: ???!?!?!?!!!?!?!????!!!!!!!????????

[procrastinationstationn]

✨wiggly✨

[uzi-x33]

i heart itafushi so much:3

[twentyfivemiceinatrenchcoat]

it has been a long day of psychologically torturing my mutuals ….. i shall go to sleep neow

[slimecicle-fanblog]

@ranboo-fanblog holy crap it’s the guys!!!

watched genloss and was soooo so normal about it!

[love0dragon]

💙🌊❄️☁️✨🤍✨☁️🪻👾💜

💜👾🪻☁️✨🤍✨☁️❄️🌊💙

What are they lookin at 🤔

Feels like forever since I've drawn them so here we go ✨ love them so much and am so greatful I've gotten to draw them so much this year 💜💙 YIPPEE!!!

•

✨Please Don't Trace/Steal/Repost my Art or Designs✨

💕Fanart is always appreciated. Please keep it kind and appropriate, and tag me so I can see it!💕

❤️I Do Not Consent For My Art To Be Used In Any AI Programs❤️

[longreads]

How Concerned Citizens Drove a Neo-Nazi Out of Rural Maine

Christopher Pohlhaus planned to build a fascist training compound in the woods of rural Maine. The local journalists, veterans, lumberjacks, and policymakers weren't having it.

Pohlhaus, 37, is a former U.S. marine, an itinerant tattoo artist, and a hardcore white-supremacist influencer. He is loud and hostile, and proud to be both. His voice is pitched surprisingly high, and he has a slight Southern drawl. He has a large body and small bald head; a blue-black tattoo crawls up the right side of his face, from his chin to his forehead. Over the years, Pohlhaus has collected thousands of social media followers, who know him by his nickname: Hammer.

Hammer had been living in Texas for a few years when, in March 2022, he bought the land in Maine. He told his followers that he was going to use it to build a haven, operational center, and training ground for white supremacists.

Check out our excerpt of The Atavist’s latest blockbuster story. 

[389]

PORTO ROCHA

[nanaluvbug]

🧀🥪🌶️🥭 The Ravening War portraits  🧀🥪🌶️🥭

patreon * twitch * shop  

[ID: a series of digitally illustrated portraits showing - top left to bottom right - Bishop Raphaniel Charlock (an old radish man with a big red head and large white eyebrows & a scraggly beard. he wears green and gold robes with symbols of the bulb and he smirks at the viewer) Karna Solara (a skinny young chili pepper woman with wavy green hair, freckled light green skin with red blooms on her cheeks. she wears a chili pepper hood lined with small pepper seeds and stares cagily ahead) Thane Delissandro Katzon (a muscular young beef man with bright pinkish skin with small skin variations to resemble pastrami and dark burgundy hair. he wears a bread headress with a swirl of rye covering his ears and he looks ahead, optimistic and determined) Queen Amangeaux Epicée du Peche (a bright mango woman with orange skin, big red hair adorned with a green laurel, and sparkling green/gold makeup. she wears large gold hoop earrings and a high leafy collar) and Colin Provolone (a scraggly cheese man with waxy yellow skin and dark slicked back hair and patchy dark facial hair. he wears a muted, ratty blue bandana around his neck and raises a scarred brow at the viewer with a smirk) End ID.)

[70sscifiart]

One of my favorites by Paul Lehr, used as a 1971 cover to "Earth Abides," by George R. Stewart. It's also in my upcoming art book!

[slimecicle-fanblog]

What the freak. I feel like this gust isn’t even real sometimes, like he’s just a skinwalker in a human form. This is wild /silly

why do i even like him

[taizooo]

もともとは10年ほど前にTumblrにすごくハマっていて。いろんな人をフォローしたらかっこいい写真や色が洪水のように出てきて、もう自分で絵を描かなくて良いじゃん、ってなったんです。それで何年も画像を集めていって、そこで集まった色のイメージやモチーフ、レンズの距離感など画面構成を抽象化して、いまの感覚にアウトプットしています。画像の持つ情報量というものが作品の影響になっていますね。

映画『きみの色』山田尚子監督×はくいきしろい対談。嫉妬し合うふたりが語る、色と光の表現｜Tokyo Art Beat

[layla-keating]

#thistension

XO, KITTY — 1.09 “SNAFU”

[nevver]

No one wants to be here and no one wants to leave, Dave Smith (because)

[slimecicle-fanblog]

OMG GOO GOOBIES YOOOO THOSE LOOK SO GOOD ACTUALLY

Scrumptious candies