#/the dedication to art is real B)
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vannyblutea · 1 month ago
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(@ Yoku) Soooo what does your arm -n possibly face?- do exactly?? You wanna show off a bit??
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shararan · 1 year ago
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Pardon the fire emblem spamming the beast (my love for male byleth) escaped confinememt
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needfantasticstories · 7 months ago
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“Many places I have been
Many sorrows I have seen
But I don't regret
Nor will I forget
All who took that road with me”
-The Last Goodbye by Billy Boyd
This is an Adjuration by @not-freyja, after 86 chapters, 300k words, and 10 months of joy, laughter, tears, heartbreak and love, has finally reached its end. 
Adjuration is a tragedy that is nothing short of an act of love. That much is clear in the passion and dedication put towards the story, the characters, and the message Freyja is trying to convey. This fic will teach you about love. About death. About the inevitability of existence and why despite knowing it will all come to an end, there is still meaning in trying and hoping and loving each other. In loving yourself. You will laugh, you will cry, you will hope and you will despair as you read this story, but you will not be able to put it down.
It’s hard to say goodbye to something that has been so important to and loved by so many people. So we won��t. Instead, we will say thank you for this incredible journey and the community this fic has built. For the friendships that have been made and the endless inspiration you have given us. Thank you for wanting to tell a story, and for letting us join you around the campfire to listen.
Thank you.
(If you like Linked Universe and haven’t yet read Adjuration, see below for spoiler free reviews of this fic and artist credits.)
This is an Adjuration is the kind of story you fall in love with, the kind of story you think keep thinking about long after you put it down. The kind you keep finding hidden details in after you think you’ve got it figured out. 
The characters are distinct and people with their own voices, motivations, relationships and histories. You’ll have your favourites but love them all. They influence how you’ll see the characters in everything else. 
It’s full of moments where everything clicks and everything before is recontextualised in a way that’s so satisfying and make the whole story very re-readable. A time travel story where all loops are already closed, where you can know but not yet understand what will happen. It’s long, complex, and beautifully, meticulously planned and detailed. It’s clever and considered, funny and heartbreaking. 
A story that whispers ‘it matters’ over and over. It is worth it to love, it is worth it if it doesn’t last forever, it is worth it to give someone a little more time, it is worth it to fight. It’s about loving others and your world and finding grace for yourself. 
It’s loss and tragedy and the cruelness of fate. It is the sacrifice and the breaking. 
Full of heart to both fill yours and break it in the best possible way. 
It’s about love. Always.
By @toyouhellohowareyou
Sometimes, it’s hard to explain to others why art moves us.
I could tell you This is an Adjuration will make you cry, laugh, and sit at the edge of your seat in anticipation. And it’s probably true - I did all of that as I read, often with a coffee in one hand, early in the morning as I got ready for the day. 
But that’s not the reason why I’m writing this.
The real reason is how it followed me during the rest of the day.
You see, at a certain point I realized this isn’t a story about Links going on adventures. Well, it does feature Links, and they do go on adventures, so let’s talk about that for a minute.
The first thing that caught my attention about this book was the characters. Each individual is unique, interesting, and exciting to follow. Not only are the Links individually compelling, but one thing that stands out in Adjuration is how the relationship between each Hero and their own worlds matter, and these connections shift, evolve, break and grow as the plot progresses.
Freyja does an incredible job of bringing together impactful storytelling with humor and heart. This is an Adjuration starts with an interesting premise, and then twists and turns in directions you wouldn’t expect. It’s rich in thought-provoking moments, soft joy and intense action, blended in with carefully crafted time travel and magic.
Adjuration sucked me into the world it builds, combining believable characters with fascinating stories, an unnervingly devious antagonist, plot twists, and lovingly crafted details that slip unnoticed until you’re surrounded on all sides. It made me cheer for characters I feel as if I’ve known intimately for years, made me worry for their safety as I would for that of a loved one, kept me hunting for hints and hidden references, pulling on a thread to try to find the end only for it to twist and loop into itself and show me a completely new side to the story.
Yes, This is an Adjuration is a fanfiction piece that explores the winding river flow of the Legend of Zelda timeline and how the stories of each Hero merge into each other. It also stands out for its heavy emotional content, and it doesn’t shy away from angst and hurt.
But to me, Adjuration is an epic journey that taught me how the choices we make, make us in turn. It’s a tragedy that deals with pain and healing, and it bares naked the non-linear nature of grief. It’s a celebration of the things that make us unique, of our flaws, an essay of the impact of little acts of love. Indeed, it’s a story about love.
I can tell you now, This is an Adjuration moved me. It still does. It has a special way to surface in my mind in unexpected ways at seemingly random times, from something as simple as tossing an apple core, to watching a lightning storm in the distance, or finding a picture of an old friend.
And every time, without fail, it makes me think about love.
By @sunny-porridge
This is an Adjuration is a wonderfully and beautifully crafted story about love, loss, and choice as the various incarnations of Link come together and travel through time. Freyja seamlessly weaves a tapestry of setup and payoff across different timelines and loops, in the best-constructed time travel plot I’ve ever seen on page or screen. Even at its surface, Adjuration is an emotional rollercoaster involving tragedy and the soft moments that make that tragedy worth it. But the deeper you look, the more meaning you can pull from every chapter of this amazing work. This work has made me cry, squeal with delight, and think more deeply about its themes all while having an absolute blast reading it. So in summary: READ IT. READ IT. READ IT NOW. YOU WILL NOT REGRET IT.
By @life-in-winter
While I love that every chapter is emotionally enthralling, with carefully woven, visceral tension you crave in any good story, yet Adjuration is more than that, and you feel it in the careful weave of each character and plot point. Nothing is lost or unanswered. It's the kind of story that, by the end, makes you stop and take a hard look at your own life. Are you appreciating the now? Are you savoring joy? Are you so wrapped up in fear that you can hardly take care of yourself? Do you know who you are?
This story is more like an external experience. It's riding atop a tsunami. How do you handle that ride, Link?
There aren't enough words to describe how amazing this fic is.
@needfantasticstories
Artist credit
Legend: @gia-d
Hyrule: @bittirsweeteer
Time: @toonblade
Sky: @noorahqar
Warriors: @whitewinterstar
Wild: @weavingstarlight
Twilight: @bluury2
Wind: @thewitchdoctor39
Four: @lunaopus
Red: @peepthatbish
Blue: @glowingmin
Green: @winterfen
Vio: @waterfallstream
Shadow: @deleetrix
Wolfie: @linkiscool333
Fierce Deity: @awildsilver
Ravio: @lele5429
Malon: @tooner-tastic
Dink: @passerinesoncaffeine
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weebsinstash · 11 months ago
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Kinda obsessed with the idea of a reader pregnant with Lucifer's kid and just he's really into it and wants to get married while the readers there being like damn I just wanted the bragging rights of saying I fucked the king of hell and now I have to be married to him !?!
Reader: ugh oh my god that dick was so fucking good, thanks Lucifer
Lucifer, currently painting sigils with his own blood on your tummy: oh my god, no, I know, right, it was amazing, I had an amazing time
Reader: hey uhhhhhhh by the way, what are you
Lucifer, taking a break from speaking ancient Latin incantations: oh hey, no don't worry about it it's totally cool I'm just, doing a thing here
Reader watching the very foundation of Hell shake around them like an earthquake as all the candles in the room burn higher and the unseen spirits of the damned sing comgratulatory praises for their dark lord: you know this kiiiiiiiiinda feels like you miiiiiight be doing something kinda sinister and magic-y right now
Lucifer, watching his symbol appear on your belly: whaaaaaaaaat, no, that's crazy! It's just a little.... surprise! Nothing to worry about! So hey also completely unrelated but I kind of need to splash some of this goat's blood on you--
I feel like sleeping or even FLIRTING with Lucifer is the ultimate case of fuck around and find out because at the very least you have an all powerful clingy depressed obsessive boyfriend in THE DEVIL and at his very worst you have you know THE DEVIL, treating you as his equal half, wanting all to bow before you, worship you, erecting churches with stained glass telling the Epic Tale of how you two fell in love, wanting you draped in fineries, at his side at all times, having only the best
I just feel like... he's one of those yandere that really could take you 0 to 100. You fuck the guy ONCE as like a drunken one night stand, a real "fuck it why not maybe it'll be fun" kinda romp, and then he's making plans behind your back about marriage because, well, he just loves you so much already that he can't see doing anything else! 🥰 like can you imagine going from getting cream pied to like only a week later some church is getting constructing with like biblical art of "oh how the king of hell met another and fell in love" and it's foretelling some epic saga that hasn't even. Happened yet. Like imagine the whiplash of finding out the guy you casually fucked is dedicating buildings to. A story of. How he impregnated and married you and you guys "lived happily ever after" and you still barely know him
I like the contrasting options of Lucifer intentionally impregnating you vs unintentionally because THE VISUAL of like. He's just nutted and you're laying there amd he looks down and suddenly there's this little glowing moving picture on your skin of a snake twining around, circling, becoming an apple with a heart or some-- this is a real specific genre of fetish I'm discussing here ok we don't need to like exactly describe whatever magical mark of pregnancy the devil gives you fjdnfjf. But the apple appears and he's blinking at it and, finally, it clicks, and he's all "BABY! B-BABY! IT'S A BABY HHHOHHHHH MY GOD" and he's like EXCITED but also just like. Do you think he'd get a little biblical drooling about 'your womb being blessed' or some shit. Your absolute fucking LUCK OR LACK THEFEOF if Lucifer turned out to ACCIDENTALLY BE CORRECT and you kind of WERE created to be his wife or end up with him, like GOD is up there, "yeah Luci I threw you a bone, enjoy it 👍" like SHIT the one time you ARE cosmically fated to have a mate and it's AFTER YOU DIE? It's also LUCIFER MORNINGSTAR???
I feel like, genuinely the only way Lucifer would mistreat the Reader is completely unintentionally, like he has a bout of depression and neglects you a little, or he becomes socially withdrawn and you think he doesn't like you but really he's just feeling sad or working on something that's really important to him. I mean. This is BESIDES the possibility of confinement but that's for your protection and it's not like you're in PRISON. This guy is clearly packed with goofy loving positive energy. He'll be taking you to the circus and to musicals with his daughter like you've always been a member of the family, getting you your own special throne to sit beside his own. He's having audience with like some wretched soul, there are flames, he's being TERRIFYING, telling them how they've betrayed him and he's going to tear their soul to pieces and sentencs them to eternal suffering, and then he turns to you, "I'm sorry am I making it too hot in here shnookums 🥰 I don't wanna make you and our lil hellion uncomfy 🥰" like.... truly, you got yourself a man that can do both
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4evermutated · 13 days ago
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bayverse! April headcanons
because i hate the way megan fox was sexualised in the movies i wanna give her more personality than just being hot and smart 😭 i heart u bayverse April
- she thrifts! not just expensive 'real vintage' designer labels but everything, she also finds clothes than can be easily upcycled and tweaked for the boys. Her signature color is yellow so you KNOW she has rare and whimsical pieces she collects in her wardrobe
- speaking of which; she sews! Mikey often rips or breaks his stuff (like shoes and shirts) and hes always giving her bits and pieces to fix up. As much as Donnie is a tech wiz, Aprils expertise lies in the art of DIY! shes tried to teach Don how to sew but ironically its one of the few things he cant crack
- shes a stem nut, OBVIOUSLY! her and Don bond the most over new technology and the advancement of science and digital technology. her and Don made her a pc from scratch and its one of her most precious memories
- April has a really bad sweet tooth, when the guys get pizza for the rare nights in, she's reaching for Mikeys candy stash for sure (she makes sure to replenish it with all their shared faves)
- her favourite candy is anything sour! but actually sour, we're talking throat numbingly sour to the point where at the end of the bag all you taste is blood 💀 it freaks everyone out lmao
- she has a masters in journalism and a degree social sciences, its so important to her to give visibility to the stories rarely talked about. Shes very dedicated to her profession and genuinely gets mad that all vern cares about is attention from fans and the camera
- April is also very passionate about nutrition and fitness! she goes total big sister mode when the turtles neglect their protein intake especially with how big and physically demanding their jobs are. a few times she's tried to teach Leo how to cook for his brothers and hes just about learned how to not burn eggs on toast but shell be damned if she starts cooking for 4 6ft men 😭 respectfully not her job!
- she's incredibly protective of her friends, whoever they may be, even Vern. she doesn't take lightly to disrespect and she WILL trash talk you to silence if you make anyone she cares about feel less than
- when she was younger she wanted to be a zoologist or anthropologist. Like her dad, she's always had a love for science and research, but she loved animals so much as a kid and it crushed her when she realised her father was experimenting on animals
- she feels personally responsible for the turtles and Splinter, she visits them atleast once a night, whether on face time or in person. the fact that they feel theyll never be accepted in society weighs heavy on her heart. she wishes things were different
- she knows Mikey has a crush on her, but she doesn't know how to let him down gently and honestly doesn't wanna open that can of worms, so she just pretends she doesn't notice his very desperate flirting
- sleeper build april. SLEEPER BUILD APRIL. people treat her like shes fragile just because she's beautiful but shes also incredibly strong with amazing endurance. i mean hello?! SHE CAN RUN IN HEELS. thats badass
- she loves game nights w the turtles and Casey, she loves playing MK and her go-to character is ofc Mileena (goated and no im not biased)
- she may or may not have a dedicated collection of disguises for super sleuthing and recon. shes very proud of it and will give a tour if asked
- she wants to learn ninjitsu, just doesn't know if she should ask or wait to be asked. she feels awkward and sometimes wonders if its not her place, even though in reality Splinter would be happy to train someone so dedicated to justice.
- her favourite drink is banana protein smoothie!! the lair has a smoothie just for her 😭 they have to hide it from Mikey before he gets back into his liquid pizza phase again
- she likes hero comics/shows (like 2012 leo!). Naruto was her childhood and its kinda beautifully ironic that she's like a ninja by proxy now
thats all for now! its been like 5 years since ive written headcanons so sorry if the format is boring, lmk if you want more headcanons! ok bai
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meirimerens · 22 days ago
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how do you cope with boring/difficult classes and assignments or general tips on how to best enjoy and perhaps even romanticize university?
i'm going to be a hundred and also recognize how #lucky i am but I don't have boring classes. there's not one class where i'm like "damn i wish i wasn't there rn". as far as difficulty goes, it's only my first year so it's now Insanely Difficult either and basically every time i have stressed like hell for an exam SO FAR AND MAY IT STAY THAT WAY GODDESS WILLING GODDESS WILLING i've actually done real well so i'm unsure how like Compelling of tips i can give but here's what i got going on for me:
taking notes by hand. my medieval art history teacher says neuroscience shows that writing stuff down by hand makes it easier to memorize stuff, i'm finding stuff that goes in that way but i'm a firm believer of If It Works. i find taking notes by hand allows for way more freedom of form than typing; you can put arrows, do little idea "maps" or "trees" that you'd be spending 5 full minutes on on computer. it also makes me feel 1) less stressed because i don't have to worry about a very expensive piece of material being stolen/running out of battery midtype 2) like a #scholar and gives me a sense of Locking In that i don't have with typing because i spend so much time on computer typing Unscholarly things. if you catch by drift
as soon as possible after a class, condensing the lecture notes in small concise sheets that i carry around in their own dedicated small folder. it's a tip from my boss (who also did an art history degree): don't retype all of your handwritten note on computer, make like. "memory items" study sheets. i like to use different highlighter colors (orange for dates, green for places, purple for Concepts, blue for Objects,... etc) so it's easier to navigate. they can look like this. if you so desire
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you'll notice all my little arrows and the drawing; all those existed in my hand-written lecture notes
3) try to eat well and sleep enough. don't do as i do. i eat well but i sleep like shit and then wonder why i feel like i'm about to snap by hour 5 of class of the day.
4) hate to say it but bring a water bottle. and on long days, bring a thermos with either hot black tea or cold energy drink, something with caffeine in it. genuinely helping me not fall asleep on my desk when 3PM hits and i've been awake since 6:30. i'm lucky enough that i only truly "need" such a pick-me-up twice a week so. don't overdo it. that could make everything worse.
as far as #romanticizing the uni life, my tips:
a) your campus probably has a library: go borrow one (1) book from it. doesn't even have to be about your major, i'd say it's Even Better if it's not about your major, but related to your interests. you'll feel like you're #taking advantage of the #unilife by borrowing a book, And you will feel good when you read it.
b) have a dedicated #lockingin behavior for studying. at home for me it's 1) a bunch of playlists. you can and will and must indulge in some "romanticizing studying and reading in a snowy day (dark academia playlist)" or "studying like a scholar in the baroque period (playlist)" who cares. 2) one (1) scented candle that i only light for #lockingin time. and 3) a snack and a tea before lol don't study on an empty stomach your brain needs fuel.
c) if you can, go study in the library. you might not have the gorgeous #academia #romantic library of the people of the world, but even just putting yourself in a sea of #knowledge and surrounded by people who equally #grind gets you in the mood. + typicall less distractions because the wifi is too bad to scroll on the apps at the same time LOLLLL
d) might be obvious but Study something you love. the reasons i am not bored in class and am willing to put myself through the stress of exams and of feeling left behind and slowly losing it etc is because i fought like a little devil to be able to get back to uni, and in this branch specifically. all of this ^ will only be a bandaid on a deeper dissatisfaction if you don't like what you're studying.
be strong... we will smoke them all. onward!!!!
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sustiawan-author · 24 days ago
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Richard Cameron SFW Alphabet . ݁₊ ⊹ . ݁˖ . ݁
The long awaited content for your favorite, morally grey redhead! This is dedicated for my Cameron girlies sitting in the corner, waiting for content. I've got u.
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A = Affection (How affectionate are they? How do they show affection?)
This is so cute because he's like... the opposite of Neil. He doesn't show affection too overtly, okay, I'm sorry. But you know what he does?
Richard has this thing where he makes sure your needs are taken care of. Often times, he slips on your shoes for you while you sit on the bed, and even kisses your ankle like a sweet oath before putting it on. But you have to pretend you didn't see or else he'll get bashful and deny it.
He calls Todd a stiff but my God is he one lol. But you find it cute. You don't mind. You like to tease him a lot about it.
He's such a 'but what will they say?' guy to a fault. Obviously. So you pull his arm and whisper real nice to his ear for him to settle down, and you have a talk to him about his problem. He listens, and you comb his hair tenderly.
It ends with him crying against your shoulder. He regrets it all, even after years being out of Welton Prep. It's like he's been doused with a bucket of ice water. He's so glad he's met you.
Richard would've worked himself to death ('m not kidding) had you not been with him. All he needs is for you to put your arms forward and softly call out his name and he'll surrender.
His touches (when in public) probably limit to a hand on your waist or a bit lower to your hips if he's tired, but he absolutely melts when you flirt with him all sweet. He just forgets resolve and does not care anymore — to home you'll go!
B = Best friend (What would they be like as a best friend? How would the friendship start?)
Honestly, I have to say you two probably met at university at the very least. He isn't the friends to lovers type y'all. If he wants you as his woman, then as his woman you'll be.
That's it. This is who you sign up for.
He'll spot you as "that cute girl across the room" (his words), and he'll begin 'courting' you. Like some wild animal.
But it's alright, he's the traditional type. Almost to a fault. He gives you roses one day, a nice dainty bouquet, and some courtesy chocolates. They're so tart and nice, and you can't help but question the rumors going around about how 'stuffy' and 'rigid' he is.
"Oh, thank you," you beamed, hugging the gifts tightly. He just looks down on you with a proud, half lidded gaze,
"It's no problem, what's not to give?"
He's entranced, girl. LOL.
C = Cuddles (Do they like to cuddle? How would they cuddle?)
(Don't tell anyone) He LOVES it. So much. Probably relies on them a little bit.
Come on, he's a man deep down alright. He loves being hugged and loved by a beautiful woman and you are the only one he wants.
You probably end up cooing and doting on him a lot because he's so cute. And this might be the right time to tell you he makes BIG money, girl (more on the next letter!)
D = Domestic (Do they want to settle down?How are they at cooking and cleaning?)
Okay, hello, this man brings home mighty cash. And he's so stable too.
Fine, in the context of poetry and art, he's an admitted loser at it. But that's only because his values align elsewhere; he's so ready to settle down, be loved by someone he devotes his life to, and treat them as they deserve to be treated.
There's a reason why he comes home at night with exhaustion on his eyelids, and somehow you still get presented with a medium-sized, deep turquoise velvet box that's shaped like a heart. Inside is a lovely necklace with an ornate ruby as the charm.
You kiss him with devotion and say your 'thank you's against his lips. He accepts them, limp with exhaustion. His briefcase plops on the floor as you take his hands. You're so proud of your husband. ଘ(੭◌ˊᵕˋ)੭* ੈ♡‧₊˚
G = Gentle (How gentle are they, both physically and emotionally?)
He's gentle to you, not so much with himself;
Richard isn't too comfortable with anything below excellent. It's how he's been raised. When you mess up, he takes a deep breath, kisses your head and cleans the mess together with you — in any shape or form.
But when he makes a mistake? He feels like a total screw-up. He doesn't know what to do, he beats hinself up, he scowls and tries harder but he never takes it out on anything — let alone you.
One time, you noticed him being quite hard on himself, and you prepared him a cup of hot tea, some biscuits you made, and massaged his shoulders. He melted against you and cried against your lap.
This man is an anxious mess of someone who always tries their hardest. Reassure him and you'll be great.
H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)
He's the sweetest, most tender hugger. You feel so safe in his arms, it's like a shield around you.
Richard always has everything — and I mean every little thing — under control; he manages the bills, does the taxes (he prefers doing them for you, but you assure him you'd like to sit by him and accompany him. He's so thankful for this), and he always makes sure you get the best of the best. That's what he promised your father before he married you anyway, and he's big on keeping promises.
He hugs you when you're sad, brushes your stray hair away and kisses your forehead and temples. He lets you sit on his lap facing him, rubs your back, assures you you're his bestest girl and "we're gonna go through this together okay, hun?"
Yeah.
I = I love you (How fast do they say the L-word?)
Quite slow ^_^ he wants it to mean as much as he values it, and he's a bit more modest with his emotions, so even he has to figure it out first.
But when he pursues you seriously, it'll only take him less than 2 months to profess. He knows what he wants, and he is not looking to waste your time.
He planned the whole thing out; dinner, nice refreshments, then under the moonlight will he tell you about his feelings. He even took note from Keating's lessons, albeit his love-hate relationship with them, and got a bit sentimental with it.
But it was all thrown off the hook when he saw how gorgeous you looked in your dress, all dolled up and ready to see him, smiling sweetly as you took his arm and greeted the night.
He blurted it out before the pasta even got to the table.
J = Jealousy (How jealous do they get? What do they do when they’re jealous?)
Richard would never admit it, but he gets more than a little bit bothered if his old alumni paid a little bit more attention to you than necessary;
They came over to your house, and of course Richard insisted you two serve them your prided jars of homemade cookies and some warm tea.
Charlie probably brags about his stocks being higher than usual or whatever it is business people discuss, and when you came downstairs, all went hurrahs in excitement to see how you're doing.
Once they all had their fair share of greeting you, of course your man had to dish them his classic "alright, alright, guys that's enough! settle down"
Yeah. You like him that way.
K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)
He does NOT want me to answer this one folks.
He kisses like a promise, like a little secret shared between the two of you. Only you know how truly sweet he can be.
He kisses to taste you, to tenderly encompass you in something that is truly his and yours, to grasp your chin between his thumb and forefinger and whisper something adoring against your lips.
He kisses like he's going to be there with you forever, like time stops and nothing else matters in this world. He knows you're his world, his globe, his life, all the essence that keeps him rejuvenated.
He needs you.
L = Little ones (How are they around children?)
Awkwardly sweet. He doesn't know what to do with his hands.
Say, you're supposed to babysit your best friend's son for the day, and for some reason he keeps babbling specifically for Richard.
You just stir his food on the stove and casually ask your husband to 'please watch over the baby, dear.'
He ends up reading a sports almanac for the tot.
Don't be mad at him, in his eyes it's genuine effort. And it keeps the baby occupied and entertained!
When the baby falls asleep after all is done, Richard smirks proudly at you.
'Ready to be a father,' he boasted, snaking an arm to your waist and leaning down to give you a kiss.
Lol.
M = Morning (How are mornings spent with them?)
He's a groggy guy, but he'll wake up early before the first bird even gets to chirp.
Richard kisses your temple, tucks you further in the blanket, slip into his robe and slippers and spends his time downstairs, on the porch.
He watches the neighbors go by on their bikes or on their daily stroll and smokes his pipe, polishing it with his satin handkerchief before and after each use.
Then he'll probably make you some pancakes (which lacked in sugar, so it just tasted like wheat) and diligently added a heap of blueberries and maple syrup on top.
You ate it together.
N = Night (How are nights spent with them?)
He is exhausted. The only leisure day for him is Saturday, so he'd prefer his nights then to be uninterrupted.
You'll run him (or both of you) a bath, and soak there before spending it in front of the fireplace. If it's Sunday, then he'll do his due work with the papers, pens, and manila files strewn across the carpet and coffee table. But if it's Saturday, then he'll just have an arm around your shoulder and discuss your next date out.
He has a scheduled life, okay. And you respect it (and find it attractive) 👀
O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)
AWWWWWWW If you've actually seen him, you'll know how sensitive he is.
From the beginning, he likes to talk about you, and he loves it when you talk about yourself. But when you asked about him, he nervously stammered.
He couldn't believe a girl as gorgeous as you could care so much about someone like him. It's impossible! he thought, but you beg to differ.
The more you spend time with one another, the more you knew about him. Richard told you about his mother, how he used to help her knit when his father's not home. He also spoke somewhat lovingly about his old man, how he used to take him to his work to learn all about the industry, even when he was small. But he also told you about how much pressure he faced when he was younger, how difficult it is to keep up with the others.
But he never, ever complains. Especially not when you smile so brightly each time he brings home something he bought on his own, or when he sees how beautifully you've decorated and maintained the home he's bought for the both of you.
He would never, ever think of trading his life with another. Not a chance.
P = Patience (How easily angered are they?)
He's a grumpy little baby, according to you. Never with others, just with you. His girl.
He would never openly admit if he's struggling or frustrated with something, unless you're there; then it's all "Aw, honey, I nicked my finger :((" or
"Man! I was excited for that game. Now it's all bull," and plops on your lap.
You just giggle and brush his hair back, kissing his forehead. Then he melts into your touch and you realize it was all a ruse.
Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)
Honestly, he's like a basic man, besides the fact that he stores every single thing he knows about you in his organizer.
Yes, he has a book dedicated for data inputting. That's Richard Cameron for ya.
He puts in your birth date, your favorite color, your favorite fabric, your favorite dress outlines and even ones he loves most on you, the spendings he's put out for you and planning for what's next (a.k.a. a section dedicated for you only).
Self explanatory.
R = Remember (What is their favorite moment in your relationship?)
Awwww he loved it when he took you to his parents' house and after (the very intense) dinner, you two sat on his doorstep and just... talked.
He held your fingers since they were freezing from the autumn cold, and you heave cold breaths against his blazer.
None of you wanted to go inside. He was giggling happily, all kissing your hair and hugging you close.
He wishes he could relive it again.
S = Security (How protective are they? How would they protect you? How would they like to be protected?)
Okay, he is way too protective. It's like?? Your wife won't run or get kidnapped if you leave her side for one second dude you can chill out.
No, I'm so serious he is such a type-A so when you have to be separate from him, you have to be back at the time you tell him, or at least give him a call or a heads-up inbetween or else he'll get all anxious and worried about your wellbeing.
Your presence takes over his life girl </3 please take care of bro
T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)
A lot. And I mean... a little worryingly so.
He takes things seriously, has a principle that anything in life should be done with utmost excellence or else it's not worth it at all. This bleeds into your relationship in... interesting ways!
He gets you a teddy bear for your first anniversary. No, not those drugstore ones, an actual luxury brand teddy bear with a bejewelled neckline. Yes, its eyes sparkle too. And yes, you loved it.
He also planned a nice dinner with a view and an orchestra singing in the cafe (he aligned your schedules with the timetable the restaurant provided just to be able to see them), and you adored him the rest of the night.
In return, you've gifted him a nice watch with your initials embedded within it. He cried at the restaurant (he just couldn't hold it in) and ended up cuddling your teddy bear until you two got to the car.
U = Ugly (What would be some bad habits of theirs?)
This is so funny but he'd think you two are possibly the best couple out there in comparison to... like, anyone and everyone.
You've told him not to boast, but his life's hard work is invested in your relationship. It's hard for him not to!
Richard makes sure each time you two go out together that you are feeling your utmost best so he could relax the whole evening and! Well! Pridefully shove your existence to every conversation he can join.
You remind him later that everyone began rolling their eyes, but he shrugged and got some grapes for you two instead.
V = Vanity (How concerned are they with their looks?)
A lot. PLEASEEE did y'all see the GIF where he was joking around with Todd? Richard loves looking his best.
If Neil takes his time on doing house chores, Richard makes sure to put meticulous effort in ironing his shirts, gelling his hair, and even putting his trousers on the neatest he could.
He just knows looks mean everything in a shallow world, okay.
W = Whole (Would they feel incomplete without you?)
YES. Lol.
I know I talked about secure attachment and all that on Neil's post, but with this boy? If you ever leave him, his breath would be taken out of his throat.
He's the sobbing breathless and stutters, struggling to sy how he feels type.
Please take care of yourself. If you ever even fall sick with the slightest fever, he would never leave your bed. And this creates such a moral conflict because he knows he has to work but seeing his darling all red in cold sweat and whimpering in pain leaves his heart aching too much for him to think straight.
He ended up calling out of work. Don't worry, of course he scheduled it ahead. Classic.
X = Xtra (A random headcanon for them.)
He loves your childhood home. If you still lived there before you got together, once you did, he'd ask to visit you there almost every week.
It gives him a nice sense of optimism about the life you two could build together, and seeing your old pictures on the wall from when you were small tugged a heartstring he didn't even know he had in him.
Also he finds your bed there really snug.
Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)
He doesn't like any sense of laziness or sloth.
Richard is... a hard worker, to say the least. He's stable, he's reliable, and he's straightforward. He would be way down if his partner takes advantage of that or worse, refuses to meet him halfway.
He loves your spontaneity, but he also values the stability he could bring. If you two could find a good balance, then he'll find it so much more magical to cruise the waves of your love.
Yes, he calls it that.
Z = Zzz (What is a sleep habits of theirs?)
He puts in snore blockers, like those clamps on your nose to keep you from snoring.
Richard read an article once or twice about the statistics of people's lives being affected negatively by sleep apnea and he's been shaken ever since.
It's okay, you take it off for him if you wake earlier and kiss him good morning right after.
Howzzat for a redemption arc, baby?
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taglist ⤷ @xpumk1n-p13x @olemotionalass @the-river-rix @freakyblud @the-undead-poets-society @irishcoffeeeyes @lc-27 @adriannlily @stephtuckerauthor @wolfstvrr
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twentyeightif · 4 months ago
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The Invisibles: Issue 1 Page 18 (art by Steve Yeowell) ©Grant Morrison
"On October 9 1993, which would have been John Lennon’s 53rd birthday had the Arch-Beatle not been shot dead by Mark Chapman in 1980, I performed a ritual intended to incarnate Lennon as a god." - Grant Morrison
"I wanted to make a dedication at the beginning of what was a whole new life for me in many ways. I wanted to summon a spirit of pure psychedelic inspiration into a Lennon-shaped environment. I sought not to manifest the real man; the troubled, cruel and violent Lennon with his flaws and contradictions but instead evoke Lennon the twisted mystic, the pop star intellectual, the elemental Air of the four Beatles as stripped back to their cartoon archetypes.
To get in the mood, I wore a Paisley shirt, skinny jeans and Chelsea boots. I sat at the centre of a circle made of Beatles albums and had Tomorrow Never Knows playing on a loop. My new 12-string white Rickenbacker stood in for a wand. As sacrament, I took a microdose of LSD, not enough for a full-blown trip but sufficient to soften consensus reality.
People sometimes misunderstand when I talk about what happened that night – I was not possessed by the ‘spirit’ of Lennon. This was not a mediumistic example of ‘channelling’ the alleged dead. This was magic. Intention Willed into Form.
I altered the temple environment using sounds, smells and images as powerful triggers, to push out of my consciousness all associations that did not relate to Lennon.
This overload of environmental cues was organized or compressed by Will into a singular, visible compound idea of Lennon-ness, so that everywhere I looked reminded me of John Lennon, everything I heard was Lennon, until all other qualities the space around me may have once possessed were edited out and replaced by the Lennonsphere!
[...]
This total possession of the ritual space by a coherent manifestation what I was looking for and it expressed itself visually and audibly as a 4-foot tall head that fit inside my temple space but felt much bigger, made of thousands of intricate multi-coloured and chiming shards of what resembled musical notation as rotated through a higher direction – intense flashing colours, digital high fidelity, shimmering musical glissades and drones.
I bathed in an electric fluorescent creative kaleidoscope – searing yellows and electric pinks, UV blues – receiving a download of powerful effervescent excitement and creativity. It felt most like the imagined Lennon of Revolver and Sgt. Pepper. A psychedelic god on acid.
[...]
As a more minor side effect of the ritual, I found myself with this song I’d strummed into life, composed almost automatically, complete with lyrics and music. It always sounded to me, at best, like a throwaway B-side from 1965 as imagined by the Rutles but that’s why I’ve always liked it. It’s a very authentic scribble of the moment…
It is emphatically NOT a communication from beyond the grave."
- Grant Morrison, "John Lennon Like You"
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chaotic-orphan · 1 year ago
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hiii!! so i am asking (reaaaally nicely) if you are able to continue 'intoxicating fear'? its so good and your work is amazing. thanks for your time <333333
-athena (@andtheysaidspeaknoww
Intoxicating Fear — part X
ATHENA?! BADASS IN THE ARENA?! UNMATCHED, WITTY AND QUEEN OF THE BEST STRATEGIES WE’VE SEEN?!
I am honoured, I have always loved your work except for a couple questionable things with Medusa but I understand…
Of course! This is for you @andtheysaidspeaknoww I hope you enjoy it <3 I also want to dedicate this part to @xxgalgurlxx for making ART of the boys™️ which I’m attaching to the bottom because it is so cool and I love it a lot :;) ENJOY SOME FLUFF/comfort for Kit (Hero).
Also! In case you haven’t seen Hero and Villain have names now! Hero’s name is Kit, and Villain’s name is Ambrose. I will link their character descriptions here.
Read part one here
Continued from this part here
I hope you enjoy this part!
*~*~*~*~*
Kit cleaned his arms of the leftover blood, gritting his teeth and hissing when the water ran over his cuts. He screwed his eyes shut, trying to ignore them as much as possible, but it was hard to when they still hurt. When Kit stood from the bath his tracksuit bottoms clung uncomfortably to his legs. He stepped out with a squelch of his socks hitting the tile and dabbed the towel gently over his arms.
The towel came back with bright red streaks across it, and he wanted to scream. He can’t even have a towel in his own fucking house. Kit stormed out of his bathroom and straight into his room, slamming the door shut. Just for effect. Just to show Ambrose that he was pissed, and he would let him know it.
Though, now that he thought about it, the sadist probably got off on his anger or something.
Change out of those clothes.
The command echoed off the walls of Kit’s skull, but he just stood with his back against the door, hands on his knees. His breaths coming out laboured and rattly. Kit tightened his grip on his knees until his knuckles turned white, trying to hold himself back from obeying Ambrose’s command.
If he fought it long enough… when Superhero came back, he’d see.
Kit squeezed his eyes shut and grit his teeth as he felt his body fighting against his mind.
Come on, Kit pleaded with his limbs. Please. Listen to me, not Ambrose. Obey me.
Even if Kit wanted to disobey this particular command, he couldn’t fight the damp coldness permeating from the wet clothes. If he stayed in them any longer, he’d probably get sick for real. The sleeves on his shirt weren’t wet per se, just damp, cold and irritating. And his tracksuit clung to his legs awkwardly making Kit feel colder than he actually was.
Kit let out a sigh.
He would change, he decided, and that was important. That Kit decided to change, not Ambrose and his stupid power.
Kit took his hands off his knees and straightened up before stepping into the room and grabbing the bottom of his shirt and pulling it up over his head. Once his shirt was off, he already felt ten times better as he obeyed the command got out of his wet clothes. He quickly slipped out of his tracksuit; the soggy fabric slapping wetly against the wood. Kit took his socks off and dropped them on the dirty pile to bring to Ambrose.
He opened his wardrobe; eyes drifting lazily over the selection of clothes and froze. His eyes caught the multiple cuts on his inner wrist, and he wanted to throw up. Kit swallowed the dry lump in his throat as he reached over gingerly to run his finger down along one of the deeper cuts. He felt the ridges the knife created against his skin, the valleys between the flesh of his wrist and how much was cut away.
Kit stepped back, casting his eyes to the ceiling to stop the tears from falling. It wasn’t like they were the first scars Kit ever had, but it didn’t feel like a scar he got from fighting some random Villain. It was so much more personal than that.
So much more violating because Kit had done it to himself, but it was Ambrose’s marking. His brand. His sign of ownership over Kit his strings. Ambrose decided exactly how many cuts, the varying depth of each of them. A cruel, insidious reminder that Kit really was nothing except what Ambrose wanted him to be. That even if Kit fought tooth and nail against Ambrose, he would never be able to win.
A sudden, helpless fury overtook Kit, the energy coursing uncomfortably under his skin. Tight and wired and itching to be released. Kit drew his fist back and punched the wall of his wardrobe, and without waiting delivered a second harder punch.
“Kit?” Ambrose called from some other part of the apartment. “Everything okay in there?”
Kit swallowed a sob, a mix of anger and despair clogging his throat. He wiped the tears from his cheeks and swallowed again before calling back: “yeah fine.”
Kit pretended it didn’t come out as pathetic as it sounded, because that’s all he could do anymore. Pretend. Fool himself. Cower in his imagination away from Ambrose. Make himself appear more like a Hero and less like a… Fuck, what even was he anymore?
Kit grabbed a black crew neck jumper from his wardrobe and another pair of slate grey joggers. He slipped on another pair of socks before scooping up the wet clothes and walking out their door.
“Here,” Kit grumbled, handing Ambrose the wet clothes. Ambrose smiled down at him.
“Thank you, Christopher.”
“Don’t call me that,” Kit snapped. “It’s not my name.” Ambrose grinned and pinched his cheek like Kit was a child.
“But you did such a good job following orders,” Ambrose cooed. Kit slapped his hand away with a huff and turned on his heel towards his room again.
He hadn’t even taken a step forward when Ambrose spoke. “Ah, where are you going?”
Kit’s hands balled into fists at his sides. “To my room. Is that allowed?”
“Hmm… why don’t you ask nicely?”
Fury winded through Kit again as he turned, eyes blazing at Ambrose who stood with the wet clothes still in hand just smiling at Kit’s anger.
“Haven’t you humiliated me enough already today?” Kit demanded.
“Clearly not if you think you can take that tone with me,” Ambrose replied nonchalantly, cocking an eyebrow at Kit when he took a step forward.
“Please, just give me peace, for…” Kit said all anger leaking from his frame once he knew he wasn’t getting anywhere with it. He ran a shaky hand through his hair, licking his lips before continuing: “For an hour or two, I’ll be good I’ll just go into my room and make no noise or do anything bad I promise just please can I have a moment alone? Please?”
Ambrose said nothing for a minute. Instead, he just drank in the desperation oozing from Kit’s tired frame, his sunken shoulders and his hands out, palms facing up as if to show he was no threat.
Begging.
Maybe Ambrose’s lesson finally sunk in this time. Maybe he did crack a little of Kit’s usual steel resolve.
Ambrose inclined his head. “Fine. I didn’t really have anything else planned for the day anyways, so your time is yours.”
“Thank you,” Kit said with a breath. Closing his eyes and savouring the moment. Kit turned for his room again, walking towards it waiting for Ambrose to speak again. To laugh or say “gotcha” and force Kit to do another horrible thing to himself or…
Kit’s hand touched the handle of his bedroom. The cool metal beneath his palm and fingers a shock to his system, that Ambrose was actually allowing him to relax. Kit licked his lips in anticipation and opened the door. Before he walked in though, Kit looked over his shoulder at Ambrose. His dark eyes were following Kit the whole way, and when they met Kit’s the corner of his lips twitched up with amusement.
“Thank you,” Kit said again, forcing his gratitude and relief into his voice. Ambrose blinked, tilting his head slightly as if trying to see from what angle Kit was trying to get over him. “Really.”
Kit turned again and walked into his room after that, letting the door close behind him. Ambrose stood rooted to the spot, staring at the closed door where Kit had disappeared.
He swallowed, only remembering the wet clothes in his arms. Ambrose cleared his throat, ignoring whatever that was all about and focusing instead on getting the clothes out of his arms.
Perhaps he went too far… perhaps he did more than crack the little Hero. Ambrose’s gaze flickered back to the door.
Only time would tell.
*~*~*~*~*
Continued here
This is @xxgalgurlxx art for Kit and Ambrose. Which I love, thank you again <3
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The Orphanage (plz lemme know if you want to be added or removed <;3) - @nameless-beanie @andithewhumper @annablogsposts @whumpasaurus101 @0eggdealer @rejectedbytheempty @sleepy-pearl @n3rv0usn0v4 @whumpatize-me-captain @steh-lar-uh-nuhs @sunshiline-writes @burningkittypoet @honeyed-euphrates @sacredwrath @theonewithallthefixations @acer-gaysimpstuff @m3rakii @xxgalgurlxx @princess-bubble-blossom
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afreakingdork · 4 months ago
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Inflorescence
RotTMNT Donatello x Original Female Character One-Shot
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The absolutely stunning chapter art was done by @goodforwho
Rated: Explicit
Warnings/Tags: Sex, Rough Sex, Vaginal Sex, Autoerotic Asphyxiation, Creampie, Yearning, Love, Established Relationship, Touch-Starved, Light Bondage, Light BDSM, Plant Bondage, Married Couple, Aged-Up Mutant Ninja Turtles, Penis In Vagina Sex, Gift Fic, One Shot
Synopsis: From a young age, Jun resigned herself to being alone. It's been years since and that hunger has not abated.
This one shot is dedicated to, inspired by, and a gift for @grumpytheunicorn who's OC, Jung-Hwa "Jun" B. Lee, fills me with nothing but glee. I hope you like it.
Also available on Ao3
LAST WARNING FOR THE 🍋 UNDER THE CUT. MINORS DNI!
Intimacy.
It wasn’t something Jun ever thought she would have. It wasn’t just that she convinced herself; it was a patent impossibility. She was untouchable in this world. There was family that evaded that rule when she was younger, but that time was finite. Clinging was something shy children grew out of. They grew into anxious adults that were plagued with loneliness until they did something about it.
What if there was nothing to do?
Starvation was baked into Jun’s skin. It was etched in the very green lines that Donnie was tracing with his tongue. It didn’t matter how much he touched her, it would always be there. It ghosted over every inch of her and only asked for more. This was what came from her lineage. Genetics had laid out designs on her very being. She was a colorful rendition of darted toxicity in amphibian form. For as visible as she was to ward off others, the years of neglect weren’t. Those were palpable, not tangible. It was hers alone to suffer with. 
Did Donnie know?
He acted like it sometimes. He would look both at her and through her to see that wraith draped over her shoulders. He’d tug her close under the guise of possessiveness or slap a hand onto her shoulder to keep the spectre at bay. Late at night when she was sure she would be consumed, he would roll over and wrap around her like a security blanket. He was everything she wanted and more.
It wasn’t enough.
Not when she was built to keep others at bay.
Not when her personality was wretched.
Not with the ilk that invited death painted her skin.
There was more still.
For her hunger, she had teeth.
A row of pretty sharpened fangs lined up in her mouth.
Why?
She was enough of a carnivore. 
Why did she of all things need a secondary defense mechanism?
Why was she the one cursed to be alone?
Donnie grabbed her then.
He moved on from his tasting to gripping and kneading. This, he didn’t know and never would. He couldn’t know that all of this was unnecessary. She loved the gambit of lovemaking and would never tell him that he alone soaked her. Her years of intangible fantasy nearly equaled those where she convinced herself she would be a solitary creature.
The two went hand and hand in what once stabilized of her sanity. If she couldn’t have touch in real life, then she had it in spades in the immaterial world. Through fiction and fantasy she fed and by the time Donatello came along he fit the mold of insertion whether he knew it or not.
Guilt had eaten away at her for fantasizing about her friend all those years ago.
How she yearned to tell her younger self that it would be okay.
That he would be the one.
That he would be holding her now, in vivo, and more.
Her life partner.
Her Nightshade.
The man that was unknowingly wasting his time with foreplay.
She threw her claws in to not be a passive participant. Those she minded less. They were wasted on pricking fingers when even the tap of a tip had enough toxic mucus to kill a lesser being. They were cosmetic in that sense and she fancied them. Her nails were pointed lines that made it easier to pick books or tick up page corners. They weren’t the mark of a prey animal needing to be protected.
Not that Donnie saw her like that.
To him, she was the predator. How, she would never know, but his face said it all. Even when he looked down on her, he was looking up at her might. His eyes shined with that spark of fear and it was in that where she always wondered.
It couldn’t have just been her being.
It had to be more.
He hadn’t been scared off by her fear.
He hadn’t been scared off by her poison.
He hadn’t been scared off by her teeth.
What was left?
He had to know about her hunger. He had to know that she wished to devour him. He had to know that despite their bond, their years, their time, their pledges, their children, and their culmination that she wanted more. That being twisted up around him only furthered the ache. That she wished to splice her genes with him until they were finally one being and she could know the true peace of another.
In that way, she supposed she was a predator.
She stalked and sought and her beloved matched her by wrapping the whole of his hands around her body. It was his might she craved and he gave it by lifting her. Another hand dipped between her legs to find the debased nectar that had been leaking from her since the moment their kiss promised sex.
She was ready.
She was always ready.
She had always been ready.
For him.
She was nothing, but an object to be moved as he lined her up. Sure, he spoke. He asked and she answered, but that wasn’t where she was. She was on a cellular level examining how close their particles could match. Her outer appearance was something that read a green means go, but inside she was wary stoplights. She needed to etch all those feelings before they evaporated as they always did. Coupling was another finite act and she needed to remember.
His scorched tip seared her entrance and marked her like words to a page. His ink would pen legions and be filed away amongst the scripture. It was a stroke, a rub to keep blotches from forming and she counted chapters off with the ridges of his cock. She descended each line of them with shivers and shakes. To the end of one section and onto highlight another, she was the bibliophile. She was a savant and voracious to a fault.
It wasn’t enough.
Not when he bottomed out.
Not when he used her like a frog shaped stroker.
Not when sweat beaded down her body and dropped like acid around them.
Not when he was holding her and she equally had him.
She was too small.
Not for the act, but for the play.
She needed more of him.
She needed once for him to truly know.
No more scientific hypotheses.
Donatello deserved to know.
For all that he had given her.
He was too lost in the throes to see the green mysticism crop up.
It blossomed within her like the color of his skin and she always wondered if it had foretold his arrival. It circled the brown of her eyes in the way he encircled her heart and burst forth with the only might she truly believed she had. Plants blossomed around their martial bed. They crept and snuck the way her mind had. Hidden from view, but breaking ground, they were the ill-fated weeds.
No plant was truly unwanted.
She had long learned that.
They only needed to find their place.
Their life.
Their match.
She pulsed around Donnie’s length and waited for the moment his eyes shut in ecstasy. She had always been a merciless fit for him and clenching his length siphoned more. She struck then, flora reaching out tendrils that only then gave her any form of pause. She had to meter them here. She had to exert control.
As much as she desired, this wasn’t just about her.
To be with another was to know their struggle.
Donatello knew hers, but not its depths.
She knew his the same.
Equal and opposite.
One could never truly be there.
He would never really understand her years of seclusion just as she would never know Krang possession.
She would never make him relive that.
Her plants weren’t hyphae.
She was Belladonna, not fungus.
She wasn’t trying to worm her way under his skin.
She blanketed him.
She coveted him.
She protected him.
More than her tiny fingers could ever reach of his muscles, vines thick with her mystical life blood curled up and over his biceps. He jarred at them and he wasn’t privy to the new bedmate until he realized there wasn’t one. Jun was enveloping him and it only took a flick of his pupil to give his consent.
He was hers to have and to hold. 
It lit further green flames in her eyes and she let loose her consumption.
Plant life licked and swallowed the jade of Donatello’s skin. It ate inward, clinging and growing over the expanse of his huge body. For every bulge, it wrapped and clung until his trellis was adorned. He was a stunning picture of greenery that enhanced his landscape. Pockets of need beaded between growth and caused a slip and slide of the water plants craved. They leeched it away from his skin and sought further until she was the one fucking herself on his cock.
She bounced as he gave way to the many limbs and felt wickedness leak into her expression. He was within her bondage and one snap of her mystical energy drew the ropes. It strung him backwards, pulling his deltoids to peak protuberance and knotted cuffs around his hands. Grips slid up his brain stem to capture the width of his mind and tugged to full attention. He was primed for the Ludovico technique in which he couldn’t look away. This was his rare glimpse at her true depth and he took it with only that fearful awe she never quite understood. It shone bright in his eyes and a wrap of root tucked itself around his throat. For a moment she let herself think about his life in her hands for once and she squeezed.
It cut off his oxygen and she waited with bated breath.
Her dark lips parted plump because she could take in whatever she wanted while he couldn’t.
He mouthed a few times for her until he got his lips in order.
She slammed down his length to take one last jab of his cock before she coaxed him closer to her tympanum.
The restriction of his esophagus caused his irises to swim as a murky bubble leveled with her eye line.
“I love you.” He rasped.
She could have come right then.
Hearts puckered her pupils and she bequeathed him his life back by letting go of his throat. He wheezed stars and she tore into the unrelenting nature of his plastron for a hold. There wasn’t one amongst the nicks and wear, so she made one with her vegetation. Holding the reigns around his body, she fucked him mercilessly. He gave up his power in the dynamic easily in favor of euphoria. 
He’d cum just like this, she decided, and felt the slap of her tits against her torso. It marked the speed at which she was plowing him and, for once, he was the tender field. She would elicit any number of crops from him depending on how she proceeded, but all she wanted was the climax. She wanted to see him give way to her and his winding was imminent by the way his eyes disappeared in a roll.
She could join him.
She decided she would.
As a treat for her little reveal.
She held him steady and, in a swivel of her hips, she caught her favorite pleasure points. Ones deep inside and only accessible and reachable by her Donatello, she struck a dangerous flint to stone. It was her mortal enemy's tinder, her flora’s ever opposite’s flame, and her great undoing that within only a few strokes she was close.
He was closer and it was the pump and pinch of his cum that sent her over.
The seeding a palpable one, she gave wholly over to the sensation and quivered for the sake of it. The blotch painted her insides and leaked out of the tiny space and back down to him, its owner. In a sudden unfurling, the plants tucked backward to blossom and a sea of calla lilies burst forth to signify their union. It was a white on white from her stunted vision and the yellow only came in after as a pistil’s lick of the beared fruit.
“I love you too…” She ushered the end of their session with her response before collapsing into him like sleeping petals who had temporary satiation from the sun.
At least for now, until the appetency came for her once again.
💜💚
(If you'd like to support me or keep up to date on what I'm posting, I've got my Patreon)
An extra special thanks to my betas who still deal with me even when I coldcock them with something like this out of nowhere @tmntxthings and @thepinkpanther83
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linka-from-captain-planet · 9 months ago
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Rating BG3 Ladies Oral Game
By popular (1 anon) demand. With a bonus segment, Does She Eat Ass?
Ratings based on vibes and also facts opinions (controversial: not everyone can be a sex god).
all the main and supporting women + my background babes: Florrick, Talli, Alfira, Lakrissa, Araj, Nocturne, Skoona, Adrielle, Z'rell, Nine-Fingers, and special guest star Philomeen
*Sex is like pizza, so average results are in fact still pretty good. Only 2, 1, and 0/10 are truly trash head. So a 5 or 6 is still a compliment!*
Lae'zel: 10/10. Her appetite is voracious. Her will is steel, and her tongue is silver. As a lifelong try-hard, Lae'zel can't settle for anything less than stellar, and eating out is no exception. She can be a bit too clinical with it at the start, but once her heart is freed from its stone prison, her sensuality comes pouring out her lips and tongue.
Shadowheart: 9/10. This is her wheelhouse. This is what she's been up to for the last 30 years. She loses a point because her brand of teasing and/or being coy occasionally doesn't translate; there's a difference between a slow burn and letting a lover go cold, and she can slip up sometimes and forget she's pleasuring, not torturing. But overall? Who knew such a delicate touch could make you come apart like that.
Karlach: 11/10. She's a natural, and she's ravenous. For touch. For affection. To please, to be good. She tunes all the way in. No notes. She's all up in and/or on that thang, front, back, side to side, not a drop left when she's done with it. The most finesse? No, but a hammer doesn't need frills and lace to knock in a nail.
Minthara: 12/10. Even better than her stroke game. It feeds her ego like no other, and what feeds Minthara's ego is also good for her lover. Dominant even when giving head, and she puts that nose and chin to werk. You're done when she's done, not the other way around. Eats 110% of it, leaves no crumbs.
Jaheira: 6/10. Frankly, Jaheira is just not that horny and so, while her skills are well-honed, she just doesn't have that killer instinct to catapult her into higher tiers. She's too busy to spend two hours between someone's legs, so she aims to get it done nice and quick, but thorough. She's no quitter, after all, and her dedication to the goal is unshakeable.
Isobel: 8/10. A little too much of a tease for anyone who's not an edging enthusiast, but she puts her money where her mouth is. She's incredibly in-tuned with a partner, so once she's zoned in, she's got it locked down. Her focus is unbreakable. Doesn't have the most stamina, but she more than knows how to make up for it. You don't need hours and hours for Isobel to take you apart.
Aylin: 7/10 or 100/10 IF her face is being sat on. My controversial take for this post. But I think that while Aylin's tongue is GOATed and she loves pleasing her partner, it's just an act that isn't enough for her. She wants to touch, feel, suck, lick, caress, tease it all, not just a fraction of her beloved. Her hands and tongue wander. She flits around, sampling it all. Keeping her in that one place, on-task, can require some input from her partner, so they can't quite relax all the way and melt under her. This is where the face-sitting specification comes in. Surrounded so, held down (even by someone MUCH smaller), being taken as much as she gives--------- that's where she really shines.
Mizora: -100/10. Again... get real.
Orin: 5/10. She is a rolling stone. She is a whimsical sort. Eating out requires focus that she certainly has, but can she employ it on a dependable enough basis? She can also get too artful with it. Sometimes A->B is the right path and you don't need to murder someone and stash their corpse in an abandoned one-room house inbetween licks, ya know?
Florrick: 9/10. Look at that profile. That nose. That chin. Those lips. Observe her delusional confidence, her endless fidelity, her relentless pursuit of her goals. Did you feel that tremble? It was your [preferred genital word]. She comes home from a long day of bossing people around and serving the greater good, ready to pamper someone, to serve herself, and she's hungry. Her only downside is that she can be a bit efficient with it; it takes her time to warm up emotionally, and not treat you like just another item on her to-do list.
Talli: 8/10. Happy to be of service, always. A very thorough, straightforward, good-game-giving mouth. Lacks creativity, but completely consistent, reliable, and (if desired) romantic.
Alfira: 8/10. A little clumsy, a little distractible, but you can't beat the dedication. Amazing breath-holding capacity. Unlike some other be-fanged women, she loves her teeth and knows how to deploy them. She keeps ya guessing, which does have a few negatives, but overall? More than makes up for her complete lack of stroke game.
Lakrissa: 6/10. She talks a big bigger game than she actually has, surprisingly. She's a little too restless, a little too fidgety. She likes to use more of her body than she can while going down, so it's kind or boring for her tbh. She likes the taste and the emotional/mental experience for herself, more than she likes actually doing it. But for her love? Anything. She'll sit down there for hours if need be.
Araj: 2/10. The future Matron Mother of the Restored House Oblodra does not get on her knees. You try to tell her that there are many other options, but she doesn't listen. Only goes down when she's trying to steal your secretions for her alchemy. It's not worth it.
Nocturne: 7/10. Like Shadowheart, she had to be entertaining herself somehow for all the decades in the cloister so her skills are above average. But she's a little more submissive, and tends to pigeonhole herself; she can't quite pull off a toppy tongue sesh. If she's not on her knees, she doesn't quite know how to do it. Certified biter, interested in the intersection between pleasure and pain.
Skoona: 7/10. A little self-conscious of her tusks, but she's always found the act romantic and fulfilling. Likes to hold hands during.
Adrielle: 3/10. She's a little self-conscious, a little too intimidated. A little too desperate to be good. In one's own head is the worst place to be when trying to go down on someone, and that's where she is. Will get you there, but hardly a world-shaking experience.
Z'rell: 1 Billion/10. Look, it's still not for YOU, but in case you were wondering: at least 17 someones out there are getting it ATE. Front, back, side to side, axes that don't even exist in our plane. You're missing out. Pathetic.
Nine-Fingers: 7/10. Makes your legs shake, but can be a little too intense. She can come on too strong. She can make it feel like a competition, or like there's something else on her mind that's not you. Keeping her engaged is a You problem, but if you can? Very good.
Philomeen: ?/10. She does not go down, ever; she's made that mistake before long ago (making the hoes think she cares about them) and she's nawt gonna make it again!!
In addition: Does she eat ass?
Eats ass completely unprompted: Lae'zel, Minthara, Orin, Z'rell Offers to eat ass: Shadowheart, Karlach, Aylin, Florrick, Nocturne Eats ass if asked: Jaheira, Isobel, Lakrissa, Nine-Fingers Considers it, but decides eating ass isn't for her: Alfira, Talli, Skoona Definitely doesn't eat ass: Mizora, Araj, Adrielle, Philomeen
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artonice · 6 months ago
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Am I delulu?
Anyways... seriously y'all. I started publicly sharing B/V stuff in March. I'm just a girly from Boston who is obsessed with ice dance and the athletic, emotional moments it creates. I also enjoy its connection to art. Their 2023 FD reminds me so much of the above painting. I like to post comparisons and Kiki with the girls. Ice dance slays so hard bc I've never seen anything like it before! I really earnestly just enjoy all of the mechanics.
The dedication, the performance. Y'all caught me vicariously living, babes! We all wish we could've been something like a ballerina or an ice skater. Seeing Bella skate, inspires me to do the things that little me dreamed of. Still! Which I enjoy just as equally. Because everyone seems so grumpy all the time and I love having something to cheer for and believe in. I've competed for 2 bike races since following Bella. Because I'm rooting for someone who does cool stuff and think, wait I can do cool stuff too. And the duo for sure inspires me to paint and write and listen to good music and all that other important stuff. Like a good tv show or my favorite book would.
But this is my crutch, y'all. These are very real people. Celebrity and influencer culture makes us depersonalize the figures sharing their lives. I can def see how I get lost in the delulu of their skating story, and Bella's underdog lore (which is mainly why I'm here y'all). I know it's still a risk that skaters can see this post, but I just wanna yap to no one about how weird the modern world is. And I think Tumblr is probably the most private place out of all socials to yap anyways.
So, my point. I feel weird! I feel so weird making edits and talking about how inspired I am by these strangers, especially when the inspiring strangers can see😭. Bella follows my insta account (as well as a bunch of others) bc she's a cool and connective girl broooo like Bella pls don't unfollow girly I'm just saying I don't wanna freak anyone out 😭🫶. Cause I couldn't imagine all these people being so focused on my life and what I do, it might stress me out bad yall.
I know I'm delulu, but more so I'm sensitive. That's why I like this sport. And I like to chit chat!!! Combined with this hyper digital, often fantasy focused world we live in (movies, tv, sports, books) I don't want to be confused with some crazy person who can't decipher boundaries bc I run an active stan account. And no hate to my fellow Stan accounts, this scenario feels unique bc ice skating fan accounts have audiences that often include people in the skater's communities or families, if not the skater themselves. It's not like I'm posting about Taylor Swift who won't see it. Girl, my T-swift is 5'ft tall and can jump 6ft high in the air. Her Eras Tour starts in Lake Placid this July😭. And you bet your ass I need to talk about it!
But I also gotta remind myself that this isn't my favorite TV show but people's real lives. Like fr. Sometimes the competition is so good you'd think it was scripted, y'all. God, like let me keep yapping forever huh?
Anyways, I am so glad I get to connect with my favorite athlete, as I'm sure her other fans appreciate it too. She's honest and open to chat for a reason, it keeps us feeling like we are on the road to the Olympics with her. I'm gunna keep posting cause I love the idea of turning all of booktok on her lore and getting a million people to root for them so I can see them at freaking SKAM 🤨. The conversation between influencer and audience is just hella interesting. And I hope I'm towing the line okay!
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ladychlo · 1 year ago
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How do we Boycott Correctly?
( transcript of BDS video made by Abdallah Denwar + ressources)
We can split the products we're boycotting into 4 categories:
A. Products made in Israel: Most of them are not distributed in the Arab region but activists in the West have begun to talk about them and raise awareness on the necessity of boycotting them. (including: Ahava cosmetics, Sabra Hummus, SodaStream...etc.)
B. Products that enable the Occupation: Carrefour is involved in real estate projects within the settlements, HP provides technologies and software systems that facilitate the monitoring and suppression of Palestinians in and outside prisons. CATerpillar designed bulldozers dedicated to the occupations which contributed to the demolition of Palestinians' infrastructure and demolish their homes and Puma is the official sponsor of the Israeli national football team.
C. Brands supporting the Israeli State: this is the most important thing we have a role in because these are the products that are directly involved in our lives. Food, drinks, skincare perfumes and so on. Cutting these products is influential because:
1) we are pressuring companies whose founders support the occupation and directly decreasing their profits.
2) we plant fear within any new companies from considering future partnerships with occupation, thus losing their credibility as a natural entity that can create successful economic relations.
3) we provide opportunities for local products to develop and increase their production.
(products including: Starbucks, McDonald's, Nestle, Coca-Cola, Papa John's, Disney+, Marks & Spencer, L'Oréal, Domino's, Maggi, Nestle...etc)
D. Events and activations by the occupation: Includes Conferences, concerts and tours of artists that take place Events and activities include art exhibits, film screenings, festival, plays, conferences, performances (music, dance, etc.), tours, among other activities.
-Boycott, Divestment, Sanctions: Building Solidarity with Palestine
-BDS FAQs page
-BDS list
-Join a BDS campaign near, select your country to get informed
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dailycharacteroption · 6 months ago
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Living Vessel (Pathfinder Second Edition Archetype)
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(art by xiaofanchuanart on DeviantArt)
It’s a fun trope that’s seen a lot of traction these days, the hero with an entity bound inside them, granting them power at the cost of having a volatile roommate inside their head.
While said entities are traditionally malevolent, not all of them are evil or demonic in nature. Some might be eldritch entities beyond the concept of good and evil, have almost mortal motivations, or even be outright benevolent. However, their behavior is not always in line with the character’s desires or methods, leading to conflict occasionally or often, depending.
Additionally, there is the question of how the entity ended up bound to the hero in the first place. Perhaps it was a willing pact between two entities, or a forcible one where one or both had no say in the matter, such as an offered bargain with a fey, or being dragged onto an altar for a foul ritual, or being bonded by pure accident.
An interesting aspect of this archetype is that it can be thematically involved as much as you like with your base class, either being entirely separate, or flavored as being the reason you have the abilities of the class in question in the first place, such as a witch whose pact is with an entity that is also partially possessing them, or a sorcerer or psychic channeling the power of the bound entity as their own.
Additionally, the archetype also does suggest that your GM might allow you to take one of the pact feats from the pactbinder archetype for even more thematic powers.
On that note, since the exact nature of the living vessel is left vague, you should work with your GM to possibly modify the feats of the class, or even homebrew new ones that fit with the bound entity. For example, Exude Abyssal Corruption might deal fire damage instead if the entity is a devil rather than a demon.
With all this in mind, this archetype offers plenty of leeway to grant new powers or reflavor old powers to be the results of another entity within themselves, with all the quirks and roleplaying opportunities that represents.
The base dedication of the archetype grants the bond with the entity, which must be regularly appeased (the specifics being worked out between you and the GM). If not appeased so, the entity becomes irate (granting greater penalties) and can only be appeased by being granted full control for a day, letting it pursue it’s own agendas. However, the entity comes through for you in emergencies, taking over when the hero would fall unconscious to keep them in the fight a little longer, albeit under their control.
Oftentimes, the entity transforms a limb of it’s host, or extrudes one through their body to grant them a physical attack that they can manifest.
Living Vessels can sometimes tap into the life force of the entity to heal their wounds, but some of the entity’s psyche comes with it, blurring the line between the two until assuaged. The specifics are vague and can range from roleplaying changes to priority shifts or even GM control after repeated uses.
Some bound to demons might ooze with demonic corruption, infusing their attacks and touch with poison.
Those with a fey bond might benefit from illusions that make it difficult for foes to target the real vessel.
Meanwhile, eldritch bondmates may aid in grappling foes with their unknowable limbs, assaulting them both physically and mentally.
The most powerful, through either mastering their control of the entity or coming to a true understanding, may truly merge with the entity and temporarily take on a hybrid form blending the two together, improving their combat prowess and bolstering various generic abilities associated with the archetype.
Finally, don’t forget that your GM might let you take a pact feat from Pactbinder or a modification of such.
For all it’s flexible abilities, this archetype is pretty unintrusive, but it can grant anything from the basic ability to keep standing in an emergency with buffs with a cost, to a natural attack for emergencies, healing, and of course a powerful battle form alongside whatever flavorful abilities you choose to take based on the entity’s nature. In this way, it can provide some useful abilities without inhibiting your main class, making it useful for pretty much all of them.
No matter if you using this archetype to emulate older 1st edition entities like medium or shaman spirits, the alternate self of the abomination psychic discipline, or want to do something entirely new, the dynamic between the character and the entity can be as varied as any other relationship. Perhaps they are truly monstrous and demand horrible acts to be placated, or maybe they’re a playful trickster, a misunderstood grump, or something else. Creativity is absolutely your friend here.
When the angel Lowentiel fell, it was not arrogance or disobedience  that brought him low, but a thirst for justice that had forgotten mercy. And so rather than join the ranks of the Erinyes, he had to be sealed away lest he tear his way through Hell on his bloody quest. However, while his name is striken from records and his true self locked away, there are those who find his name on their lips when vengeance and punishment are on their minds…. Who can invite a measure of the fallen demigod angel into themselves.
If there is anything the azarketi, or gillfolk know too much about, it is the eldritch horrors that sleep beneath the sea awaiting the proper alignment of the stars. However, despite being better informed of the danger than most, some are still seduced by the tales of those that invite the dreaming minds of such horrors into themselves, all for power.
While the party is visiting a village on the outskirts of the kingdom, they manage to spot a brownie house fey. While normally this would be merely a rare chance encounter, the tiny fey recognizes something about the party’s mage… not them themselves… but the fey entity bound to their soul, making the brownie the only lead they have to discovering the true identity of this being.
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homestuckreplay · 3 months ago
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Webcomics at Day 100 #5: Bob and George
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Pages read: 4/1/2000 – 4/5/2002; 718 pages (including author’s commentary)
Reason for selection: Bob and George was a pioneer of the ‘sprite-based’ comic genre, where video game sprites (or custom sprites) are used in place of original character art to reduce the artist’s workload. B&G is also famously meta, almost entirely disregarding the fourth wall.
Original run: 4/1/2000 – 7/28/2007; daily updates with 2658 total pages. Completed before Homestuck began.
Content warnings: homophobia and mild ableism (comic), cultural insensitivity, centrism, and severe ableism (author’s commentary)
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Overall thoughts:
‘Now, there is something to say of the nature of creativity. How creating a fictional world makes you akin to a creator god. You could say that, sure - if you were fucking nuts. It's a fucking story. It's not real. I don't give a fucking dick's shit how many readers there are, how fucking huge it is - every fictional world is exactly that, fictional.’ – John S.
‘The jokes are bad, the art is plagiarism, and I firmly believe the only people that can appreciate this comic are 14 years old or younger.’ – Cesar R.
Some people on the internet like to spend large amounts of time talking about things they hate, and both of the above quotes come from Bob and George reviews on blogs dedicated to discussing webcomics the authors think are bad. I don’t personally have much respect for the Avowed Hater, but I cannot express how much I love these quotes.
However. I think this webcomic rules.
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Here’s a brief overview. David Anez invents two characters – the titular Bob and George – in middle school. Aged 20, at the turn of the millennium, he decides to make a webcomic about these characters, despite having no idea how to draw. He plans to start on April 1, 2000, but can’t source a scanner by then, so begins making placeholder comics using 8-bit and 16-bit sprites from Megaman games, telling a potential audience that the comic isn’t ready yet – meaning that from day one, Megaman knows that 1. he’s in a comic created by an author, and 2. he’s not supposed to be the main character.
Months later, Anez sources a scanner and begins to draw Bob and George. They’re two college aged brothers who are also a superhero-supervillain duo. By this point the strip already has readers, and they don’t like this format as much. It’s also more difficult for Anez to make, so he returns to the Megaman sprite comics, but also edits some sprites into representations of both Bob and George, who become characters transported to the Megaman universe from another dimension. The story cycles through ‘retellings’ of the first six Megaman games interspersed with original storylines, dimension hopping, time travel, predestination paradoxes, alternate versions of characters, fan created characters, at least two characters who are explicitly the author, and other characters reading the comic they’re a character in. It goes from a simple story about George passing the days at his summer job before college, to a huge, whirling, spiraling mess of continuity and temporality.
In July 2007, after just over seven years, Anez brings the story to a conclusion, goes through the archives to add author’s commentary to each and every strip, and then… disappears. He focuses on his day job and his wife, and he never does another internet project again.
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I genuinely love amateur art. I think Anez can be too self-deprecating in his author’s commentary – because he’s right, the jokes can be repetitive and don’t always land, the hand drawn art is ridiculous, the characterization is inconsistent and the ideas are unoriginal, but art can be all those things and still be meaningful. ‘I could have made this’ should be a compliment. It should mean: this makes me think I could create; you have achieved something and have inspired me by doing so, because this is within my grasp, too.
Unlike Cesar R. above, I don’t think sprite comics are plagiarism – these are firmly transformative works. Anez rearranges the Megaman sprites, gives them dialog and puts them in situations, and recaps and expands on the game storylines. He credits Capcom with the sprites’ creation, and wrote a homage to the games, not a substitute for them. However, due to the copyright issues, sprite comics are famously un-monetizable. Some original-art comics were occasionally able to turn webcomics into income, but even when Bob and George was at its peak of 25,000 daily site visitors, Anez wasn’t able to sell character merchandise or books and could only source small donations via PayPal. In this way, he sits among hundreds of big name fans who have created wildly popular fanfiction and fanart that’s almost entirely unpaid labor.
Anez’ author’s commentary is sometimes highly problematic but gives fascinating insights into his process. On October 19 2001, Anez included the Author - an established character - in the day's comic, wearing a helmet for the first time. In the author's commentary, he states that 'the Helmeted Author was never intended to be a new character' and that the helmet's inclusion was necessary due to artistic limitations with the sprites. However, the Helmeted Author stuck around and became a separate and important character. Similar instances recur in the commentary, where an accidental continuity error or an out-of-character moment ends up being folded into the overall story, becoming smooth and seamless in retrospect despite being entirely unplanned. It’s an open and honest look into how serial narratives work in practice.
An ice cream joke followed immediately by a self-deprecating joke is pretty standard issue for this drivel. Seriously, look at yourself. You're reading a sprite-based webcomic with Megaman characters, and they were just arguing about the merits of ice cream. I can't believe you read this stuff. Hell, I can't believe I wrote it. That being said, it's a fun way to waste your time, isn't it? – David Anez (author’s commentary for 10/23/2001)
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Relevance to Homestuck: [ooc – vague spoilers for the entirety of Homestuck]
Bob and George feels like a rough draft for a LOT of things Homestuck would end up doing in (relatively) more artful, complex ways. It’s often painfully explicit about what it’s doing, hammering its own themes and experiments into the ground via the small amounts of dialog there’s space for instead of advancing a plot – but it’s the earliest webcomic I’ve personally looked at that’s actually testing what the medium is capable of. Anez begins with a simple four-panel strip, and primarily sticks to this style throughout, but from early on he thinks that some strips would look better animated and that the fourth-panel punchline format is a ‘severe restriction’, especially with battles.
As time goes on he begins to experiment with art size, style and aspect ratio, animate part or all of some strips, include interactive strips where readers can click through the panels at their own pace, and include panels in the wrong orientation or that aren’t physically connected as they should be – all elements that would become hallmarks of Homestuck. Characters even comment on the change in panels, and in art style (such as their own change from 8-bit to 16-bit to 32-bit sprites). In commentary for July 2nd 2001, Anez says, ‘I suppose these comics are my non-animated contributions to the infinite canvas nature of webcomics, huh?’
B&G never reaches the extremes of Homestuck, but it’s still a multimedia story. It recaps its own storylines, celebrates its own anniversaries, and folds fan contributions into its main arcs. Prominent fan creators have custom sprites made of them which are included in panels, including the Second Party arc, where a character ‘interviews’ fancomic creators and references their work and their activity in the forums and chatrooms. As such, to have a complete understanding of B&G, it’s necessary to also read prominent fanworks, and to understand its surrounding community – much of which is no longer archived. ‘Subcomics’ are differentiated and elevated from officially-hosted ‘fancomics’ which are again differentiated from fancomics which didn’t make the cut, and a hierarchy based on official recognition is born in the community, not unlike the elevation of Homestuck fanartists to official contributors.
B&G is similar to Homestuck in themes as well as form. From early on it asks questions about the meaning of ‘reality’ and an ‘official’ or ‘canon’ timeline, and explores ideas of what it means to have free will (or not) when you’re a character in a story, you know what’s going to happen next, you’ve met the guy who wrote it, and that guy may or may not be dead. It’s about physically two-dimensional characters who are in both a video game and a comic, and continually blurs the boundaries between those mediums. In both comics, an author – born in 1979 – has grown up witnessing the birth of technology that is going to change everything about how the world operates and break down our interactions with physical space and time, and they’ve made weird, longform, and often technically ‘bad’ art exploring what that means. These comics are holding hands as two links in a chain of a broader artistic movement.
Continue reading? I cannot WAIT to read the rest of Bob & George.
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arcadiabaytornado · 5 months ago
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if you could rewrite Elliot, what would you change? Or would you just remove him from BTS all together?? (Also side note I love how almost everyone in this fandom hates him lmao. He isn’t just an awful person he’s also so forgettable as hell too)
I literally forgot Elliot was a "character" before you sent this ask, so...that's not good in terms of memorability.
But personally, if I were to write him I would either:
A: Use his character to further explore Chloe's loneliness after William died and Max moved.
B: Use his character to flesh out the nuances of Rachel and the relationship between her and Chloe.
For point A: For this scenario, I would write Elliot's character as someone totally different from Chloe. I think I would write him as a guy who's a bit preppy and pretentious. I would also have him be extremely straight-laced and dedicated to his academic pursuits. Like, this is the type of guy who thinks a high school plays need to be nothing less than fine art.
More Undercut
I would have him be someone the player wouldn't think Chloe would get along with...and when they interact it's clear they really don't. The guy talks more at Chloe than to her, and we hear in Chloe's internal monologue that she doesn't LIKE talking to this guy....but, hey, most people don't talk to her much so she'll the interaction she can get.
I think I would use their dynamic to show how desperate Chloe was for a real connection when she met Rachel. Because she's trying to fake one with Elliot, but it's just so obvious that neither of them really care much for each other. In this scenario, I would probably have Elliot be Chloe's "main friend" in Episode 1, and then have them hardly talk at all in Episode 3 after Chloe makes a real connection with Rachel.
For Point B: I would write Elliot as a worried friend who saw some of the more alarming aspects of the Amberprice relationship. I know he does kinda sorta do this in canon, but when he stalks Chloe and won't let her leave a room it's hard to take any of his concerns seriously.
I would have him simply be just a worried friend. Nothing more or nothing less. I would have him bring up valid concerns about their relationship (Like the fact that they're moving too fast, the fact that they're reckless together, the fact that Rachel is very free spirted and doesn't need to same iron clad relationship Chloe does.) and have Chloe brush them off.
Like, I would have Elliot say "Hey. Chloe. I know you really care about Rachel, but you've only known her for three days. Maybe you should slow down a bit," and have Chloe respond with "Look man. When you know someone is going to change your life you just know it...and shit." The point in me doing this would be to show the nuance in Chloe and Rachel's relationship. It definitely had unhealthy elements, but for Chloe it was far more than just a messy teen relationship. It was something worth fighting for.
I think I would end the game by having Chloe end her friendship with Elliot because he's so critical of Rachel. Which would be portrayed as a negative thing because Chloe is throwing something that could keep her grounded out the window for something that is recklessly passionate.
That's how I would rewrite him personally! I can't for the life of me how to end this post so...I'm just going to end it here. Thanks for reading!
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