#//write you a novel cause

[qiu-yan]

MDZS and asshole victims: thoughts on the second siege of the burial mounds scene

this post is not about morality judgments. this post is about reader sympathies only.

one rather clever rhetorical trick MDZS employs is putting all the more background "surviving victims of wei wuxian's actions" into one big angry mob at the second siege of the burial mounds, instead of letting them crop up anywhere else in the story. it's easy for a first-time reader to write off the guy who lost a leg at nightless city, or the guy whose parents died at nightless city, because both of those guys are being dicks. they're part of an angry mob baying for wei wuxian's blood--unfairly baying for wei wuxian's blood, because this time he didn't even do the thing they're saying he did. by putting these two victims into a mob of not just fellow victims but also unaffected individuals (ie. sect leader yao, who just showed up for kicks), the story can effectively equate these victims' grievances (ie. "you killed my parents") with unreasonable mob rule--even if these two things might not actually be equivalent.

the effect of this rhetorical trick, then, is that the reader can at once perceive the themes about mob mentality MXTX wishes to convey, and also effectively write off the victims' complaints. "yes, i did that to you, but i literally died already, what more do you want me to do? shall i walk on my knees repenting?" becomes easier for the reader to accept. and more importantly--wei wuxian's likability as a moral and just protagonist is not impacted.

ngl tho. it would be a bit more difficult for the reader to write off these victims' complaints if, instead of meeting said victims in an angry mob, the reader instead met these victims almost anywhere else. imagine if, instead of meeting mr. "you killed my parents" at the second siege of the burial mounds, we instead met him getting smashed at the local bar and crying about how his parents are dead. imagine if, instead of meeting mr. "you chopped off my leg" as a member of an angry mob, we instead met him begging for alms on the side of the road because his disability rendered him unable to work in a wuxia-esque setting. or imagine--if either of these background characters, overcome with survivor's guilt and trauma from nightless city, hung himself in his bedroom, and the next day his body was discovered by his 15-year-old daughter.

all of these scenarios are entirely plausible. you could easily include any of them into the story without changing the main plot at all. but suddenly shit just got a lot more depressing.

however, no such scene would ever be included in MDZS. the reason is that, as a work of fiction, MDZS's single most ardent goal is for us the readers to conclude not just that "we like wei wuxian as a character," but also that "wei wuxian is ultimately a morally righteous person." when the narrative focus shifts onto the people who were actually helped by wei wuxian's actions (mianmian and her family, lan sizhui, the few months of dignity the wen remnants were afforded) this becomes much easier for us to conclude; wei wuxian does indeed look like a hero. but the more narrative focus is given to the negative impacts of wei wuxian's actions--the more the "victims of wei wuxian" (whether actual victims or not) are given a face, instead of abstracted away by broad summaries--the more the reader might side-eye wei wuxian instead. every new victim given a name, given narrative attention that isn't just focused on making them look like an asshole, arouses the reader's sympathies in the opposite direction--and thus increases the risk that the reader might ultimately disagree with the novel's conclusion of "wei wuxian is a righteous person."

tbh, this does not seem like a risk MXTX particularly wants to take. instead, she's mastered the art of writing Asshole Victims.

which is an entirely valid writing decision, because imo basically every work of genre fiction out there does this to some extent.

[xchronicles]

After watching the Screen Rant interview, I want Season 3 of Prodigy without Admiral Janeway or Chakotay appearing at all. Holo Janeway is more than enough. Kate is clearly against J/C for whatever reason, and she even went after Brett for wanting Gwyn/Dal. I'd rather enjoy Season 3 with the Protostar kids only and not get frustrated with the J/C stuff. Please, I'm begging. Brett, my beloved.

Media and art are escapism. We live in super messed up times, and I just want two imaginary, make-believe characters to kiss so my mind can escape into something positive and feel the love that the world is so clearly missing. People find comfort in art and can feel a bit of love through imaginary characters in this messed up world. The rest of Prodigy is about hope; J/C is about (romantic) love, and it's a positive path to take, especially in times where men are being taught to hate women by idiots like Tate. And here you have a character, a man (Chakotay), who gives zero fucks about power dynamics and gender roles. We want them together as a middle finger to the gender roles imposed by social norms. Janeway hates to cook and do house chores, Chakotay does not. Janeway likes to be in command, Chakotay is fine being her support. They are breaking the tiresome stereotypes, and dunking on the shippers for wanting them to be together is just playing into the 'a strong woman can only be strong if she is forever alone' trope. It's an outdated mindset.

That is why Kate. For every girl and woman who was told repeatedly she'll be alone and that no man would want her because she didn't fit the gender role. Because she wanted to be in power and be loved at the same time. For daring to want both. Women can have both. Women are allowed to have both. Being in a romantic relationship is not weak, and it's freaking weird to be saying that having two characters be in a romantic relationship who clearly love each other beyond words would do them a disservice. What does that teach the kids? That you have to choose? That having a powerful bond and a romantic relationship is mutually exclusive? It's weird, and I'm tired of pretending that it's not.

[degenerateshinji]

DAY 5

Stormbringer soukoku lets get it. This is a scene from page 299, ill paste it below.

Rare pic of Dazai smiling. Why're you looking at him like that, Dazai? Are you gay, Dazai?

Unrelated but I like the monotone ver of this one

-

He turned his back to Chuuya and began walking toward the hatchway, leaving Chuuya behind.

Dazai's eyes were fixed on the pocket watch. Two more minutes. Nowhere near enough time to decide how to live the rest of one's life, but that was all the time they could spare. Dazai's mind was already forming a backup plan at an incredible pace just in case Chuuya decided not to go through with this.

He walked six steps until he reached the hatchway, then began to descend. Right as he had made his way down three steps, he heard a refreshing clank from behind. It sounded like someone had just leaped off a metal plank.

The moment Dazai realized what the sound was, he looked back in surprise.

There was nobody on top of the platform anymore.

After staring in mute amazement for a brief moment, his lips eased into a smile.

"Show-off."

It was an annoyed yet relieved smile. He then promptly began giving orders into the radio.

"Everyone, prepare for battle. Chuuya is heading toward the target."

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[kacievvbbbb]

Idk why I find the fact Mihawk writes Y/N Reader inserts so funny but so true and I have reader inserts blocked on here like I hate them but oh my god so in character for him.

And he does not give a shit. Absolutely go king and getting fantasy dicked down by all the hot guys in one piece world I support! Also him being a sengoku shipper iconic. I was say maybe he thinks about Kuzan but I think he’s out off by his general laziness and apathy and not in a fun apathetic way like Barsolino in a depression way. ( he’s looking in a mirror and does not like it.) but if he learns Dragon used to be a marine and friends with Akainu he’s making the most toxic relationship of them friends to enemies to nemesis type shit.

He’ll write a new book and it will be a sensation and no matter the fact he changed the names everyone with a brain cell will be able to figure out who it’s about.

Sorry this took so long to reply! but

YES YES YES!!! I don't really like self insert stuff either but it's so in-character for him I'm so obsessed.

And yeah it really is just the adventures of reader as they travel across the grand line getting dicked down is definitely one of his most beloved and acclaimed series. Shanks goes hot and cold on that series a lot because while the idea of watching mihawk getting dicked down by another man is very hot Shanks is also a jealous man and he is very jealous of these "fictional" men. He tries to find out if mihawk has ever fucked any of them in real life and maybe 👀.

Also yeah I just threw in the marine thing because I thought it was funny but I'm glad it stuck out! 😂. I don't think he self ships with any of the marines (maybe in his GILF era sengoku or fujitoro) I think because none of the really strong marines appeal to him but he would fuck smoker if he was stronger. and just because I remembered dude and I think it would be so funny imagine if his only self x marine ship is with Ryokugyu (the tree admiral) I think he'd hate him in life but he's not blind. I think this realllllly pisses shanks off because he does not like him and honestly its a bit of a snake eating his own tail because a lot of the reason he doesn't like him is because of Mihawk's fanfiction of him.

I think Mihawk's natural reaction (mostly because it's mine) is to ship Sengoku with Garp but he hates Garp and even the thought of picturing him in that way is enough to make him want to pour his ears to bleach his brain. I think it be funny if during one of his lackadaisical checking out marine headquarters rooms (because realistically who is going to stop him) he stumbles upon and old picture of Garp Sengoku and Tsuru when they were young and he is very intrigued by thetwo hot young men then he notices that one of them is Garp and he almost throws up, the thought wont leave him alone tho.

Also yes i don't think Mihawk actually knows dragon but he has definitely heard of him and being Garps son is enough cause for pettitness in his eyes. Dragon's identity is a little harder to parse out I the books but Akainu's is so fucking obvious. And it is a loved and well-cherished series. Anytime that Mihawk attends a warlord meeting or just genuinely has an unpleasant interaction with akainu (which is every interaction) he puts pen to paper. It'd be funny if this was the most "tame" series though more focused on the fictional romace which confuses dragon and pisses akainu off even more because what? do they think he can't take it? and mihawk is very pleased with himself. he drops a new edition right before he goes to any warlord meeting so he can watch akainu seethe in real time as the new talk of the town takes root (this series specifically is very popular in marine towns)

as for the real life identities. I think he definitely makes it a bit hard not to protect anyone. Still, because he thinks it's fun to make people guess and adds to the mystery so there is definitely a fan club (which Shanks leads) dedicated to putting the clues together on just who all the different men are (shanks needs this for....research purposes 👀) some of them are obvious if you're in the know like the Benn ones or Crocodile while others are just plain obvious because the Red Haired Emperor is definitely shanks like if you know shanks you know its him there is only two people with hair that red. It's not kidd( it does give both kidd and shanks a bit of a reputation of some islands because his book counterpart is infinitely more dashing and "masculine" that shanks' bum and kid's manica energies) and I think he makes the Akianu ones very obvious to anybody that literally even if you've just ever heard of him you know its him just to fuck with him.

[mejomonster]

Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).

They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).

Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.

The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).

Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.

And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.

Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo

[ferronickel]

In typical Ferronickel fashion, I am now plagued with thoughts about how the Brontë's juvenilia would be different in a world where the military had dragons, a subsection of interests that is so irrelevant to everyone else that it's barely every worth mentioning on this site, let alone creating any fanworks about.

I'm gonna do a little incomprehensible rant in the tags about it and the go on my merry way. Please ignore the following

[trans-tom-gurney]

GUYS I’m alive and I’m in another bully hyperfix hopefully I can . draw something ❤️ . just wanna say though I’m scouring the cutting room floor for bully cuz one of my favourite things abt this game is how much deleted content we have access to and I just wanna say The Townies Were Robbed So Hard it’s unbelievable . look at this unused dialogue for Busting In

ft labels of who I think is talking at different points btw

im dying im weeping why does Omar talk like this WHY DOES HE CALL THE CLIQUE ‘our order’ like a cult…ohhh my gosh . also 4/9 of the townies canonically double up as asylum patients now. they are my everything i wish we talked about them more . Edgar and Omar could’ve been completely wack . insane. crazy . I highly recommend u watch videos about cut content from chapter 5 missions or something it’s stupidly interesting at least to little old me . they get put with the most rushed part of the game and it’s not fair grr …

also it’s so insane how much Edgar misses out on cause stuff with him got cut . visual representation of me finding the 500th instance of Edgar content that went unused . you were gonna meet him earlier😭😭😭 in the game😭😭 there is a whole cutscene with him that got deleted !!cause they changed the story! HEEEELP

[i-like-books-and-women]

Okay so I haven't listened to the book in the past couple days but there's this line from one of Zach's chapters that I can't stop thinking about cause it's like "good God that's so fucked" he says something along the lines of "I might have to work to transition from cute to hot but Rubens already there" and potentially in the same line but also maybe not cause I don't remember he says something close to "I have to make the switch from cute to hot if I want to have a career" which is like? Like it's so gross dude. Zach and Angel are barely 18 like tf- like yeah sex sells but Jesus christ what in the fuck. And then like the internalized issues?? Like it's not quite the same vein it's similar tho. I've always been "the fat kid" since I was in elementary school and let me tell you comparing your body to your friends' is literally the quickest way to start resenting them and hating yourself. Quite literally chorus was kinda pitting them against each other and started instilling body image issues in very impressionable teenagers and then was like *surprised Pikachu face* when they were all starting to show signs of depression and anxiety and started fighting and started doing dumb shit and drugs to try and cope.

[cafesweetvn]

How’s the demo coming along? /genq (Sorry if this is rude, I’m just curious ^^’’)

NO WORRIES I DON'T FIND IT RUDE!! honestly it's been a bit slow, I wanna pick up my pace again and be on that GRIND like how I was cause that felt good!! I'm also planning to delete the game on ren'py since I'm having issue with some of the coding even though I'm following the tutorial exactly as shown so I'm hoping that deleting the game(which isn't that big of a set back for me, I really only had the title screen in there so far) and then just start from scratch cause I don't know if the game file is glitching or if I'm just REALLY bad at coding(though tbf I haven't coded anything since the required coding class in high school and I wasn't even using ren'py for that) Although my plans have changed a bit, I don't plan on going to college this semester(which my dad is NOT going to like so I'm really dreading even TELLING him), rather I want to focus on getting a job(which will still take up my time as well as having to take care of everything at this place) BUT hopefully I'll be less stressed and at least have more free time(I take FOREVR to do college assignments, I'm a really slow worker, I always have been) but I'm hoping that I get a job and make money and save it up so I can GET OUUUUUUT of this place which would lower my stress and give me significantly more free time. And then I wanna do trade school, I wanna use my own money, not my dads, if I'm out of here and use my own money I don' have to worry about anyone else's expectations other then mine so that's also less stress YIPPEE! Progress is slow but tonight I wanna find some music, which thankfully I already have an artist(Peritune) that I REALLY like so I'll just be looking through more of their stuff! Now that I have most of the scenes written out it should be easier to find music and backgrounds! Anyways long story short progress has been slower than I'd like but I'm feeling that motivation kick! I'll try to post more updates as well, sorry for just going MIA!!

[pancakeke]

it's always kinda depressing when I make a post about real people and their actions in real life only for the post to collect a bunch of tags from people relating it to their OCs or other fictional characters. like you guys have gotta make some real life personal connections and learn about actual irl experiences rather than picking this stuff up through a lens of fiction.

[renegadeknight]

ooooo so interested in Treacherous!!

Okay this one is still very much an outline/mess of notes so I don't have any snips to share and it's probably the one I'm most shy about, idk why exactly, just feels like it would be less interesting to other people, so I'm just vibing by myself lol.

Anyway! It is an Anna!Lives AU where she ends up as a FEDRA lab rat for ~10 years and escapes right after Marlene finds and sends Ellie off with the fireflies. So then Joel and Tess take Anna to try to catch up at the state house but they miss them. Tess still gets bit (sorry) and then it follows Joel and Anna across the country to try to track down Ellie and as they spend more time together Anna keeps telling him more and more about little Ellie from when they were together a few years before they got separated. By the time they catch up to Ellie, Joel's ready to level the hospital for a kid he hasn't even met, and her mother.

Fun fact, I actually mentioned this one in an earlier chapter of Stubborn Love. It's one of the books Ellie gets at the library 😁

Thank you for the ask!

[deoidesign]

where'd you draw inspiration for T&TA and how long did it take you to comprise a legible script [a fellow, curious- and pretty young writer]

The most immediate inspirations for Time and Time Again were Jaws, Quantum Leap, and Psych. I grew up watching a ton of detective type shows and so there's a lot of background radiation in my brain taken up by those. I tend not to take much stock in inspiration though, and generally am comfortable just powerhousing through things (it's kind of what I went to school for). Inspiration happens when it happens, but if it doesn't, my work still needs to get done!

It took me about 7 months to write the first season, which is 4 complete stories. To be clear, though, I don't script! I outline major character events, and then I make about 100 more detailed outlines until I get to one that hits all the development points I want and feels interesting to me. This takes me weeks of writing sometimes 10+ pages a day, putting together boards with strings, etc. until I feel I've got an outline of events that I'm happy with!

I actually get to writing and finessing dialogue while I'm making thumbnails, and 1 episode can take me anywhere from a day to 2 weeks. The longest ones are when they're arguing, and I'm struggling with the minutiae of the implications of their words, where I want them both to be sympathetic without making their dialogue feel unnatural.

So, one complete arc takes me about 4-6 months from start to finish, I think.

My writing is at its best when I get to plan everything up front, and it's at its worst when I'm forced to deliver week-to-week and I can't see the whole story as it is. But, I've also been writing for a long time and I know myself and my process pretty well! Every writer is different, and some people need a lot more time than others. Let yourself relax, don't try to do things "the right way" because there is no right way. Just make stories! Make the process fun for you, and your skills will grow the more stories you tell. As long as you're having fun, the stories are serving their purpose.

[rotisseries]

the tiger can’t actually heal wounds but NEGATE them??? HUH???

I KNOWWWWW IT'S SO FUCKING CRAZY. IT'S SO CRAZY. IT'S SO. HELLO. HELLO????? HI. UM. WHAT. GIRLIE.

[futchmemes]

i think i've finally hit on a huge part of why m/m fan content is more compelling to me than f/f a lot of the time and it's because people refuse to let women be stupid and funny and embarassing the way they do with men. and i absolutely include myself in that because in order to do that i've found myself basically having to imaging female characters as men first, setting up the plot, and then switching them back to women which feels like an insane thing to need to do, considering i am a woman and a lesbian with almost exclusively female friends who has been thinking about misogyny since i was like, conscious. it's fucking crazy how deep that shit gets embedded in your brain its nearly impossible to fully excise but by god i'm trying. for the stupid embarrassing lesbians. we need to try for them (us)

[owlf45]

where can i sponser a chapter :) just like give a tip on tumblr :) or like is there a site?

uhm. erm. well the erm. the 'sponsor' goal is:

its on my kofi. the link to which you can also find in my tumblr bio.