#//what IS he without her

[adamsappl]

anonymous sent: K but have you considered that Adam was apparently the "first soul in heaven" Meaning either he died before his entire family OR none of the rest of his family who died before him, like Abel, got to go to Heaven.

I have talked about this before actually!! my adam is of the timeline that he was the only one in his family to go to heaven, and that fact is one of the biggest reasons he got so much worse throughout his afterlife. adam is/was caught in a cycle of losing ... pretty much everything he cares about. first lilith, then the garden, then abel, then (upon death) eve and the rest of his family -- and being the only human soul in heaven for such a long time, he eventually found it easier to just stop caring about people. can't lose what he never had to begin with. the only person he's really cared about since his death is lute ( and, to a lesser extent, the exorcists as a whole ) but he's not just going to CHANGE because he cares about someone. they encourage his shitty behavior, if anything.

WHY the rest of early humanity went to hell, i don't know. but that complete disconnect from the rest of humanity after his death fucked adam up.

[pyururen]

One last dance, please

[littlefankingdom]

I feel like everytime the batkids are together in the comics and Bruce tells them to not do something, just after he left, Dick turns to his siblings to be like "So, what we do here is never listen to B. So we are going to do it." and one of them will be like "This is not going to end well.", and they follow Dick in the danger Bruce told them to stay away from.

It's incredible how Bruce still trust Dick SO MUCH when he is pulling this bs ALL THE TIME.

[speench]

nsbu fans listen to me, listen, most of the cast hasn't had an Ify moment yet where they talk directly to their ?? alter egos?? and before we see dynamics unfold with other characters I need everyone to consider: Liv and Kingskin as unwilling father and his newfound ride or die child trope that is all

[justaz]

hunith comes to camelot to visit merlin and absolutely no one can understand how this sweet, loving, caring, polite woman sired The Menace that is merlin. especially uther. he normally doesn’t care for peasants but since arthur is fond of merlin and merlin insists on…being merlin, he’s intrigued by how different hunith is. hunith keeps things civil tho she detests his policies on magic and the whole purge business, but then she sees firsthand how uther treats her son in law- i mean arthur. her anger grows quick and she sees it reflected in merlin but merlin adores arthur and doesn’t want to put his position at arthur’s right hand in jeopardy so he bites his tongue. hunith has no such reservations. she stands before uther, back straight and eyes meeting his. she speaks evenly as she rips him a new asshole for how he treats arthur before socking him in the jaw so hard he stumbles back and has to grab the table to stay on his feet. as shes glaring down at him everyone suddenly sees just how merlin is her son.

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[fifthnailinstevesbat]

steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’

robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend

steve “…this isn’t about nancy” harrington.

robin “wha-?… oh. oh steve.” buckley.

he still wears the vest.

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[lunacias]

these are the silt verses, and I name our disciples thus

[claraoswalds]

#mrs flood who are you: time lord edition

[aerequets]

trying to erase the trace of...

[rottiens]

i believe the first time you let (virgin) kakashi play with your pussy, it comes accompanied in an unusual way of talking on his part. it's almost like he takes notes to himself, almost like he doesn't talk to you. the tired gaze is set between your sticky thighs, watching carefully how your folds stretch as he puts his finger in and pulls it out, you exhale. 

"oh, here?" he slowly bends it and pushes, you cry out. "too much?" 

he doesn't even look at you as you gaze at him in raw adoration. you don't even know what expression he has because he refused to take off his mask. 

"you're squeezing so tight." his eyebrows draw together for a second before returning to his usual expression. with the thumb of his free hand he squeezes and strokes the bundle of nerves. "so wet." kakashi pushes deep, faster this time and your legs tremble, you call out to him and he ignores you with a hoarse throaty purr. "here. i like that sound." 

wet clicks fill the office. kakashi fucks your pussy with one finger and then adds another with perspicacity, careful of every step he makes next. 

"I think it's gonna cum for me." your looks become one, unbreakable as he massages you like someone with experience and makes you wet his knuckles, juices dripping down his fingers and wetting his gloves. you scream his name clinging to that intangible, rushing to hold on to his thick white strands pulling him further into you. 

kakashi do it, he's guided by your fingers leading him further in; to take a glimpse of how you open up for him, how you tremble, how you squeeze. "does it always get so swollen?" he asks, and you know once again he's not talking to you. he leans in and the tip of his nose brushes the lovely sore nub back and forth almost as if he's teasing, then he takes a deep, shameless inhale, and you forget to breathe. "cute. you can cum now, I have to try again to see your reaction one more time."

[edorazzi]

Page 18 of my Miraculous Mentor AU comic A Matter of Trust! In which Felix brutally debunks whatever Adrien heard from Bri about their 'fairytale relationship' (she was trying to be nice! 🥲), and outlines how their Miraculous' powers of Fortune worked! 🪄🏰

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[blaithnne]

Live Mel reaction

[nicollekidman]

it’s so. good. that buffy has to feel self loathing about what she’s doing with spike specifically because the underpinnings of the show require that vampires be Bad Monster Creatures who Cannot Feel and are just Lifeless Demons otherwise everything comes into question. about everything. except that spike is the crack in the foundation of the show itself and in that, he makes the show better! he’s the only end that makes sense for her because he sets her free!!!