#//i'm pretty happy with this but also a part of me wants to tweak the sleeves and shirt design LOL

[mechahero]

made lambda in rh just for fun

[osachiyo]

✧˚ 𝐄𝐌𝐁𝐀𝐑𝐑𝐀𝐒𝐒𝐈𝐍𝐆 𝐌𝐎𝐌𝐄𝐍𝐓𝐒 𝐃𝐔𝐑𝐈𝐍𝐆 𝐒𝐄𝐗 — dazai, chuuya, akutagawa, atsushi & tetchou .ೃ࿐

˚➶ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆𝐒 — female reader, n/sfw content (mdni), fluff + crack some of y'all will get second hand embarrassment, prolly the only thing i'll write about period sex, breaking the bed, spicy cunnilingus, accidental anal, reader hits her head in one of these but dw it's fine, overall just some silly stuff ! wc for each character is like 300-400 words long :) not proofread !

˚➶ 𝐍𝐎𝐓𝐄 — i've been putting this off for too long 💀 anyways, happy reading and enjoy ! also is it tetchou or tecchou idfk how to spell this dude's name 😭

"Nghh - fuuck— you're s'good at this, angel—" Dazai moaned, encouraging you to bounce on him faster. He had you in reverse cowgirl— watching your ass bounce on his pelvis as you jumped up and down on his cock, desperately trying to chase that release you've been working for.

"Feels— feels so g-good!" You cried out, pretty nails digging into his thigh, making him let out a pornographic moan - which made you clench on him even more.

Dazai groaned, grabbing handfuls of your ass and spreading them apart to see the mouthwatering view of your cunt greedily swallowing his cock. That's when he saw little streaks of blood coating his cock - mixed with your slick and his precum... and he realized that you must be starting your period.

If Dazai was being completely honest - he didn't really care about the blood, and no way he was stopping right now— when you're riding him so deliciously and looking so fucking sexy while doing it - he'd be insane (like he isn't already) if he were to stop you now. Plus, he didn't want you to get embarrassed— no, that's the last thing he wanted.

He definitely told you after sex, though. He was like, "oh yeah, you're on your period, by the way." It kind of shocked you how casual he was about it - which he noticed, of course. He'd laugh at your bewildered face, chuckling as you ask him if he's not grossed out. He'd wave you off, "sweetheart, do you think i'm a boy? Trust me, a little bit of blood doesn't bother me."

You were about to reply when a cramp hit you straight in the guts - making you hiss out and curl into yourself in pain. Dazai frowned, quickly sitting next to you to brush your hair out of your face - "you alright, sweet girl?" You groaned in response, "mm - yeah, j-just these damn period cramps are killing me."

Dazai pretended to think for a bit, even rubbing his finger on his chin to add the extra effect, making you roll your eyes at his silly antics. he looked deep in thought for a moment until you heard him snapping his finger, pointing at you with a wink - "aha! I know exaaactly how to get rid of your cramps." Your eyebrows pinched together at his words, knowing it's gonna be something dumb.

"Let's go for another roun— oumph!" You threw a pillow at him, resulting him falling backwards on his butt. "I knew you were gonna say that!" You groaned, kicking your legs - snickering at the way he rubs his bottom. "Gosh, you are just the meanest, aren't you?" He whined - making you giggle, "oh? well, that would make you the horniest!"

"Hey! I was serious - it really works— oumph!"

You were currently face-down, ass-up on Chuuya's lavish bed— as he pushed your face further into the pillow, cunt greedily sucking his fat cock in. He didn't even bother with taking off your clothes— just ripping them and grumbling about buying you new ones when you went to protest.

"Argh— shhiiiit- takin' m-me s'well, babydoll," growling, he pulled you up by your hair - back against his chest and fuck, you could feel him in the deepest part of you - hammering inside of your puffy pussy while reaching a free hand to play with that tiny clit. "Chuuya— C-chuuya!" You squealed, face landing on the pillow with an "oof!" as he pushed you back against it. "S-shut it, fu—ck! 'yer so tight," he almost whimpered, hand untangling itself from your hair to pinch and tweak at your nipples - before landing a mean smack on your ass.

He was speeding up - almost at an inhuman pace, as the headboard continuously slammed against the wall. But the both of you failed to notice the cracking noise - too lost in the pleasure, before the bed came crashing down.

'fuck, you're doin' so good ba— whAT THE FUCK—?!" Chuuya screeched as you both fell on the floor along with the broken bed. "Shit - are you okay, baby?" He quickly checked you for any injuries— only to see that you were still dazed, your mouth agape and eyes glossed over— too cockdrunk to even process that the bed broke.

“Argh— fuck it,” he thought, just going back to pounding your cunt as if it didn’t just break down. Making his pretty girl gush all over him was way more important— and plus, he could easily buy another bed.

You scolded him after getting your back blown out. But he couldn’t care less, if he was being completely honest.

In reality, it actually turned him on even more— his new goal from now on is breaking the bed everytime while fucking - from the sheer force of it. So um.. goodluck walking..?

You were cuddled up on the couch with your boyfriend of 6 months, watching a cute movie when you suddenly felt something stiff poking against your ass— how cute, you thought - biting your lip as you ground back against him, earning a sharp gasp from Atsushi.

Things escalated from that to you being on top of him— fervently making out, shy fingers digging into the plush of your hips as you continued grinding on his dick— moaning into each other's mouths.

Eventually you ended up on your back, with Atsushi rutting into you fast and hard as you threw your head back. He was inexperienced— but you had to say, what he lacked in technique, he made up for in enthusiasm. His face was buried in your neck, letting out puffs of hot air as he suppressed the urge to bite down on your shoulder and mark you up— he didn't want to hurt or scare you off.

"Oh— god, 'sushi that feels so—" you moaned, lips parting as you silently begged for a kiss - to which he gladly complied. "Fuck— yes, s'good—!" Atsushi moaned, eyes rolling back slightly as you clamped down on him further, you were close and so was he.

But somehow, he managed to slip out of your tight cunt— making him whine and quickly try to push it back in, desperate to feel your warm walls around him again. He slipped in with some issues— it felt like you had gotten tighter but he didn't mind. Holy shit though, it felt so much warmer and tighter no— "OW OW—! ATSUSHI!"

He immediately jumped upon hearing your pained shriek, "what's wro—" "Pull out - right now!" You sneered, glaring at him as he complied. "That was the wrong hole— you idiot!" You scolded, but your gaze got softer when you saw him sulking - he didn't mean to hurt you!

"I- I'm so sorry— it just accidentally slipped out a-and then I tried to push it back in and—" he was speaking really fast, trying his best to explain himself before you put your hand up, palm against his chest.

"I get it— sorry for yelling at you," you sighed, wrapping your arms around his neck as you climbed onto his lap. He nodded, still sulking because he felt so guilty— god, he just can't do anything righ—

"Don't beat yourself up for it, okay? It wasn't your fault," you spoke as if you could read his mind, making him relax his tensed shoulders as he nodded.

..You two just decided to continue the movie and cuddle the night away.

Akutagawa had you backed up against some large shelves inside a storage room, while you two were on a mission. He'd normally prefer to have you somewhere else— somewhere more private and comfortable but you just had to be a damn tease the whole fucking day, and now he's finally got his hands on you.

"So— fucking— desperate—" each word that fell from his chapped lips were accompanied by a mean thrust, the tip of his cock brushing against that one spot inside of your walls. He had you completely trapped against the large set of shelves with rashōmon— leaving you with no ways to escape him. "Haah— d-did a little bending g-get you this worked u-up?" You added fuel to the fire— making his right eye twitch in annoyance, what a lousy mouth you had.

He said nothing, though— only speeding his pace up, as heavy breaths and pants left him— an unusual flush spread across his cheeks. "You really— shit!— d-don't know when to shut the fuck up," he growled, as a pale hand found your tits— slapping the jiggling fat before landing a harsh slap to each.

Your back arched with each pound of his hips into your gooey cunt— both of you feeling lightheaded from the pleasure circulating through your veins. So lightheaded in fact, you both somehow failed to notice the heavy book on top one of the shelves inching closer and closer towards the very edge— a small impact against the wood would most likely make it fall.

"oh— AkuOWW—!" And fall it did— right on top of your head before it bounced off and fell on the floor. You yelled in pain, the dull pain making you head throb. Akutagawa just...paused— eyes wide like a deer caught in the headlights. He didn't know what to say— should he ask if you're okay? He's never been good at this stuff — so he just.. kinda... stood there and stared.

Made sure you're alright after he was over the initial shock, though — telling you that you should've seen it coming, earning him a few curses from you.

Tetchou had you spread on the couch, strong hands holding your thighs against your chest, giving him a perfect view of the soaked cunt he was about to devour.

"You look so pretty between my legs," you cooed, running your fingers through his burgundy locks. "Yeah? Well, I wish you could see my view, gorgeous girl," he spoke while nibbling the insides of your thighs— placing sloppy, open mouthed kisses wherever his lips could reach. His face was lightly flushed pink — your praises always made him hot and bothered, it encouraged him to do even better — make you feel even better.

A small moan caught in your throat when your boyfriend slowly peeled away the slick-soaked panties from your juicy cunt, pulling them down your legs before flinging them off somewhere. The cold night air hitting your bare sex made you try to clench your thighs back together — but to no avail, as Tetchou kept them apart firmly. He felt himself salivating at the sight of your exposed cunt — wanting to dive right in.

And dive right in he did, licking a fat stripe up your cunt, collecting your juices on his tongue before smearing them all over your clit, feeling your thighs shake and tummy clench at the stimulation. "Don't hold them back f'me," he let out a muffled grunt. "Your moans — don't hold 'em back," he clarified, before shamelessly shaking his head back and forth on your cunt — causing you to arch your back as your fingers tightened their grip on his hair.

"A-ah, Tetchou—" you threw your head back with a whine, trying to lift your hips up to grind into his mouth, to which he responded to by pushing you even further into the couch, "don't move," he panted, basically growling into your pussy. He couldn't help but hump into the couch — way too turned on by your pleasure.

It was all going great — amazing even, until you felt a light burn on your cunt, confusion lacing all your features. It didn't take long for the burning sensation to build up — the pleasure slowly disappearing, as discomfort kicked in.

"W-wait — Tetchou," you panted, trying to pull his head away from your aching (literally) cunt. Tetchou only growled in response, latching onto your pussy harder — you knew better than to interrupt him during a meal.

But it fucking burned! So you just yelled out, "it burns!" And felt him immediately pause — slowly lifting his head from the spot between your thighs and looking utterly confused, "what?"

"I — I don't know, but my pussy fucking burns," you snapped, worry laced all over your features.

Then suddenly, a look of realization mixed with mortification fills your boyfriend's face. You cocked an eyebrow at him, "what is it?"

"... I forgot I ate those... spicy noodles and... some of the sauce was probably still on my lips...."

©sachiyoh— do not copy, plagiarize and repost my works to any platform, reblogs are very appreciated♡

tags ・ @hopefulpain @inkmooon @constant-existential-terror @nda-approval @mellieellie @seiiushi @lynxxyyy @kentopedia

@sorasushik1 @himebwrries @nopethenope @neviex @fyodorisbbg @stygianoir @saharei @x-lunawrites-x @munnaitorei @emyyy007 @dearhoney-31 @the-foreigner @angoisfine @osaemu @honeycombflowers-blog @yuiiasathesilly @kaithegremlin @sukiischaotic @squigglewigglewoo @cupidszvlvr @ashthemadwriter-archived @bloobewy @mrs-bakugou @hauntedsol @ask-me-or-not @hanakotateyama @kissesmellow21 @dazaichuuya69 @xxsilverjackalxx @gettinshiggywithit @deaths-presence @sugaredpersimmon @rjssierjrie @iheartpieck @angelof-darkness @dazaisimpletmereadfanficspls @hellokitty-4-lele @scinclaitnoir @aly-insanity @kemis-world @bisexuawolfsalt @thateldribitch

[thebearer]

would you be willing to write something along the lines of casual dominant Carmy taking care of his girl who’s injured, maybe working at the restaurant with him? like maybe he’s super pissed at the carelessness causing injuries but also super concerned and caring

(may or may not be inspired by me breaking my finger and having it taped up, chipping the bone in my ankle and hurting most of the toes of the same foot 😅)

i tweaked the plot just a bit but same scenario lol. hope you enjoy!

"Hands!" Carmen yelled, plating the finished bolognese for Tina to grab, nodding at the perfected response. It was busy today, far busier than he expected with the stormy, summer weather, but he couldn't complain. The team was moving like a well oiled machine, customers were happy, and even Richie was in a good, upbeat mood.

"Corner!" Sydney announced, turning the corner abruptly, hand on the store's phone. "Chef, I need you."

"What?" Carmen looked over, adding the finishing garnish to the dish before putting it on the serving station. "What's the matter?"

Sydney hesitated, turning to Tina. "Tina, can you cover please? Just for a second?"

"Yes, Chef." Tina nodded, moving to Carmen's station, and ripping another order out.

"What's goin' on? Is it the freezer again? Fuckin' Richie-"

Sydney shook her head, nodding towards Carmen's office. "It's for you." Nodding to the phone in her hand.

"For me?" Carmen's eyes bulged, heart skipping a beat. "Are they mad?" His voice dropped low, eyes cutting to her's.

"No, no, not like that." Sydney shook her head. "It's a personal call. Look, I-I'll go cover for you."

Then Carmen was left, standing alone in his office, cradling the phone with a blinking hold line. He recognized the number nearly immediately- your number. Why would you call him at work? On the store phone? Suddenly, he was taken back to New York, standing in the kitchen after the dinner rush, looking at Sugar's name flash over and over and over on his phone.

His stomach turned, hands shaking when he answered it. "H-Hello?"

"Hi, Carmy." Your voice sounded small, a little wobbly- like you'd been crying. He was sure he was gonna be sick now.

"Hey," Carmen breathed, trying to still the beating in his chest. "What-What's goin' on? You alright? I-I didn't have my phone on me, but-"

"I'm alright." You soothed. "Well, I mean, for the most part. I... I'm at the emergency room."

That was all Carmen needed to hear, snatching his things out of the top drawer and bounding around the corner towards the back, shouting at Sydney to handle it, and cursing furiously when the line went dead.

Carmen walked through the dreaded halls of the emergency room, under the sickening fluorescence until he found your room. You looked up at him, eyes still red rimmed with left over tears, your friend chatting next to you.

"Hey, you alright?" Carmen pushed through the door, clumsily bounding towards your bedside. He still had his apron on, drove here in his fucking clogs he could barely press the pedals on, mind racing too quickly to care.

"Yeah, 'm alright." You muttered, looking down at your bandaged arm. "I burned myself and it was pretty bad. Jordie got scared and wanted to make sure it was treated." You nodded towards your friend.

Carmen felt the lump in his throat, bobbing with every movement of his head. "Yeah, I, uh, I see that." He looked carefully at the gauze.

"I'm gonna go," Jordie said, looking over at you gently. "If you're good with that."

"Yeah, I'll be alright now. Thank you." You hugged her with your good arm, Carmen muttering a thank you as she left.

Carmen sat beside you, hand falling over your leg. "How'd you do that, baby? What happened?"

You sighed, frustrated, maybe a little embarrassed. "It's so stupid." You could feel the tears flooding your water line again, Carmen's hand soothing them with tiny rubs. "I was making brownies for me and Jordie so we could have, like, a chill little movie day. And-And I wasn't even thinking, we were just talking, and I grabbed the tray out of the oven without a mitt." Your lip wobbled.

Carmen's eyes softened, cooing at you lightly. "And-And I freaked and didn't want to drop the tray so I threw it in the water, and then I ran my hand under cold water, like you said to do, but it was blistering really bad already and-and I don't know it looked like it was bleeding, and we were both freaking out because it hurt so fucking bad, so she took me here."

"That was good." Carmen nodded, your watery gaze meeting his. "No, that-that was the right thing to do. Could get infected."

"It's gonna cost so much." You muttered, looking down at your feet. "I-I should've called you- I tried to, but you didn't answer and... I just got scared."

"Don't worry about it." Carmen shook his head, reaching out to wipe a stray tear with the pad of his thumb. "You got insurance, we'll figure it out, alright? Just... You did the right thing, baby."

You took a shaky breath, curling into his touch, cheek to the palm of his hand. "The doctor said it was third degree." You muttered.

Carmen sucked a breath in. "Ouch. That's gonna hurt tomorrow. They give you anything for it?"

You nodded. "It's at the pharmacy. Some cream and bandages and something for the pain."

"Good." Carmen nodded. "We'll stop on the way home, ok? You gotta make sure you keep it clean, alright? Be gentle with it. Take it easy, ok? Can't get it infected."

You rolled your eyes lightly, rubbing your eyes with your free hand. "I will." You nodded.

"I know you will. I'll make sure you do, alright? I'll help you, baby." Carmen cooed, taking your wrist gently in his hand, pressing a soft kiss to the bottom of the bandage.

"I didn't mean for you to leave, Carmy." You sighed, blinking at him gently. "You didn't have to leave for me-"

"-Yeah, I did." Carmen said, a finality in his tone that left no room for argument. "Don't say that to me. You know I'm gonna come check on you. You're hurt."

"And it's dinner." You countered. "I was just letting you know."

"And I'm glad you did." Carmen said sincerely. "But I wanted to come. Syd's got it. I called Sugar on the way here, and she's gonna help Richie out front, and I'm gonna take you home. Make sure you're all good."

Carmen took extra caution, listening to the doctor's orders before your discharge- as if he didn't know most of the protocol. He was meticulous about your schedule for the next few days, texting you when to take your medicine, clean your gauze, not hold your phone in your injured hand. Everything he could to make sure you felt better, even making those brownies for you- from scratch, this time, which beat your Betty Crocker box ones.

[just-some-user-hunny]

Hi, how do you think the Targaryen family would react if Bastard Reader got along with Cregar Stark and he "joked" about marrying her? By the way, I like your content.

Poor Cregan Stark cannot possibly understand the mere danger he's put himself in for even breathing the work marriage in regards to their princess. Naturally he's smitten by her- glowing in pretty fabrics and gems, lovely and endearingly rebellious. He may not be the only admirer, but he's certainly a rather untouchable admirer

(meaning Daemon cannot lop his head off, he's too valuable 😌 cue Daemon glaring at the northman with a contemplating look, his palm cradeling the handle of his sword). He's not going to be happy with it, Rhaenyra is really going to need to work wonders to keep him from starting a fight. The moment the little joke left the northmans tongue, Daemon merely stares in silence. His glare burning the dark haired man. (Although truthfully, there is a part of him a little impressed by how ballsy that was to say in front of him).

Rhaenyra isn't too keen on you marrying, but seeing a smitten, well mannered lord fawn over you- it may tweak her opinion on the concept of you marrying. (She just wants you to be happy and home, but most of all, safe). If Rhaenyra were to hear the words from the Lord herself, a wry smile would befall her expression, but it would be vaguely stern. She'd eye the boy carefully, her grip upon you is tenfold protective now since little Luke is gone now.

Jace is 100% going to be protective. He side-eyes Cregan hard, because did this man just hit on his sister, right in front of him like that? Please, do excuse him whilst he searches for a nice bush to wretch into. He may be on pleasant terms with The Lord stark, but he's not eager to hand his sister away like that. The word of marriage has never occurred to him, and the thought of you getting packed up and moved away to such a cold place? It doesn't sit well with him. His mother is going to have to hold his hand and reassure him that even if you were to fall smitten with the Stark lord, there's no way it'll be ideal unless you stay home.

Cregan definitely says it with that signature stern expression of his, a genuine small smile on his face as his eyes befall upon the princess- and Jace cannot help but roll his eyes a little, but then side-eye bastard!reader hard when she starts to 👀 💕

(let me have this Jace, he's pretty!!)

The twins are all for it however, in a complete stark reaction to the rest of team black. (Ylike what I did there). Baela and rhaena think it's sweet. Risky, with the possessiveness of the targs, but sweet. In their eyes, even if you were to leave home and love in the north- you'll always be there to see upon dragon-back. The reputation of loyalty of northern men too is a bonus in their eyes, they want their sister to settle with the right person who'll treat them right.

Nonetheless I like the idea of Cregan Stark and bastard!reader having some sort of pining situration going on! The targs are careful with their position and their need for reinforcement- so although they may not be keen, they'd endure.

I can imagine Rhaenyra having you sent off with Jace to meet with lord stark, because I think the idea of her sending one of the prettiest targarian princesses to go meet and cement a partnership with the Starks is pretty funny 😭 take a gander at what you'll be defending, Lord stark 👀

I've done mostly team black here, but if anyone wants to hear from team green, I can probably cook one up! Just tell me your thoughts! 😌💕

Also yes. I'm still sick, but I may get a few things written here and there!

[genericpuff]

Not me biting my knuckles waiting to see Perse's trauma, lol. Also thank you two so much for Hera, you have unlocked a new part of my brain I didn't know it existed and now I'm more lesbian.

aaahhhdfsakla ;-; <3 I'm so glad people like Hera's design, I was a little nervous because she's definitely one of the characters who's undergone a redesign, like on the one hand in the spirit of it being an LO rewrite I want to keep the original LO characters as close as possible to their original designs, but on the other hand some of those designs are just... in desperate need of some distinction, and Hera is a prime example of that because by the end of S3, she really does just look like a yellow Persephone 😭 I really liked how she looked in S1-

-and while I kinda wanted to lean completely into this look, especially with the differently hued hair against her skin, I also didn't want her to look quite so young. She does at least look older in S2-

-but by that point she was completely yellow and lost a lot of what originally made her design interesting. So it kind of became a balancing act between separating her design from the other female characters and still striking that S1/Pilot look that I really liked.

I'm glad people seem to like her design in LR, I was really worried it wouldn't appeal to people but so far the reception's been pretty positive <3 Granted, I'm sure there are those who don't like the design and that's fine too, unfortunately that balancing act means not everyone will be happy with the design choices I make, but Hera is one that I hope will ultimately be worth the "risk" of tweaking for the sake of giving her a more unique look that actually matches her personality as a sharp-witted Queen >:3

[giulliadella]

Speculative Biology of Euclydeans (and Bill Cipher) part 4

Part 1, Part 2, Part 3

Euclydean society and Bill Cipher's disability

Reading the first part is highly recommended before reading this one, since in that part I explained how Euclydia functions as a dimension.

This part is going to talk about disability, discrimination and eugenics of geometric shapes, so tw if you're sensitive to that.

Society

Euclydeans were intelligent, sapient organisms that lived in a complex society. From Bill directly, we find out that they had schools, jobs, families, social structure and developed medicine. This makes them seem very much like humans here on Earth.

We know that Bill had a family, his mother and father, however, we don't know whether those two were married. So I can't tell you whether the institution of marriage even existed in Euclydia. Bill never talks about marriage, so I'm inclined to believe that they didn't really have wedding vows, but rather, a pair would stay together because they loved each other and for their children.

However, Bill does talk about divorce. He sees his falling out with Stanford as divorcing, so it's pretty clear that Euclydean "marriage" consisted of a pair being together and deciding to spend their life together, but if they wanted to break up, that was called a divorce and they probably had disputes over who gets house and kids.

And when we're speaking of love, Bill claims that he can't see the difference between love and fear in humans. This is kind of true: both intense feelings of love and fear activate the sympathetic nervous system which causes the heart to beat faster, deepens and quickens the breathing and makes us all sweaty and flushed. Love in humans causes the same things to happen as fight or flight response and Bill is too dense to accept that there is a difference.

This, however, tells us that in Euclydeans, feelings of love do not activate their equivalent of fight or flight. Bill is a person very prone to angry outbursts at slightest provocation. But Ford can do a lot more to him than any other person before he gets angry. This means that love in Euclydeans is a soothing feeling. Love makes them feel calmer and safer. Hell, Stanford's mindscape was Bill's safe space. Now, of course, love in Euclydeans isn't all about calm - they also get excited. Excitement upon seeing the one you love, but expressed as happiness, with most likely slower heartbeat. Again, loved ones in Euclydeans are seen as a safe space, a little lighthouse in a stormy sea to hang onto.

Euclydeans also express love in a similar way to mammals: they bring gifts (Bill catching rats and arranging them to form Ford's name), they want attention from the other person and their affection, they share food and drinks and overall want to spend time and have fun with their companion.

But when it comes to anger, fear and joy I don't see any significant differences between humans and Euclydeans. Sadness is a tough one, because Bill expresses it by not expressing it. This man is in so much denial that he could flood the Nile. However, distress in Bill is more or less the same as in humans. He also gets drunk after break up and acts as a drunk person would. This tells me that sadness is expressed somewhat similarly in Euclydeans as in humans with maybe some tweaks here and there.

Bill is obsessed with The Great Gatsby, so much so that he dedicated a chunk of his book to literally citing the second chapter of it. This is a very concerning behavior (but, to be fair, most of his behaviors are). However, I believe that his obsession comes from a feeling of nostalgia and familiarity. When I look at Bill's attire I see a guy wearing a fancy hat and a bow tie which were a staple for evening dress of 1920s gentlemen. He also sports a cane, which they also wore. I can't remember much from The Great Gatsby and I'm too lazy to read it again, but it does take place in 1920s America. So, maybe the society Bill was born into resembled that time period.

If that was the case, the societal structures and certain expectations would have been rigid. Euclydia is very much based on Abbott's Flatland and, while that world is a critique of 1800s Britain, it depicts a very sad and bleak society where everyone has to fit in a role that was determined by their shape. In Flatland, Triangles were the lowest class, with isosceles being the lowest of the low and used as slaves and soldiers, while equilateral Triangles (like Bill) could rise in the society and perform the roles of merchants. Scalene Triangles were considered abominations and were killed as kids.

I don't think that Euclydia was exactly as Flatland. However, some Gravity Falls material point towards triangles being lower class citizens. I sadly don't have Journal 3, but I know about the page where Stanford goes to a second dimension and he talks about how Triangle people are low class citizens and Circle people are high class citizens. This is very similar to Flatland, but what about Bill?

Well, Bill was probably from a lower middle class family. Him wearing oversized shoes that were probably bought on sale or given by someone whose child had grown out of them, speaks about them being kinda poor. Bill was also bullied by his peers at school, but notably by rhombuses and trapezoids. These shapes were one class above him, because they had four sides. Better off kids bullying a poorer, disabled kid is a tale as old as time.

The eugenics policies in Euclydia were probably much less strict than in Flatland. However, if they were anything like laws controlling disabled people in 1920s USA, then Bill and his mother were probably forcibly sterilized because of his mutation.

2. Bill Cipher's disability

Bill was born with a disability - well, to be fair it was more akin to superpower - of being able to see into the "third dimension". Bill could see outside of Euclydean borders because he had his eye placed on the front of his face and not on the side, like other Euclydeans. This allowed him to see the stars of the surrounding universes. (please check part 1 of this analysis where you have detailed sketch of Euclydia in relation to other universes).

However, because of his mutation, even though he had much broader view of the universe, Bill was considered legally blind by his peers. Because his eye was on the front and he could move only sideways, Bill was seeing his home dimension only with his peripheral vision. He could make out basic shapes and colors, but not the details. He probably draws his parents as blue and red triangles because that's how he saw them. He could never see the details of their faces. He could, of course, recognize them by touch, smell and voice, but he could never see them as they could see him.

Bill also behaves a lot like a person with ADHD. Now, I have ADHD and I got that diagnosis when I was SEVENTEEN. My early school years were hell. If Bill does have ADHD, he was probably a problematic child at school and that just added more fuel for his bullies. The lack of control over his emotions and his special interest in stars were definitely a reason for him to get bullied, maybe even more than his disability. There were no schools for special needs children in 1920s USA, which doesn't mean that they didn't exist in Euclydia. But, since little Bill was from a poor family, he didn't get to go those schools if they existed.

Another quirk of his mutation in Euclydia meant that Bill had problems feeding himself. Since Euclydeans use their eye as a mouth, Bill had to eat sideways. Imagine if your mouth was on your back and you had to reach behind to feed. Bill was lucky that his eye was much bigger than other Euclydeans which made his mouth bigger as well. His parents also accommodated his needs - his mom was removing crust from his bread and he was also given his medicine in liquid form.

I made art to explain this more easily:

So, with Bill being bullied and rejected by his society because of his disability (and likely neurodivergency), there was no wonder he wanted to somehow prove himself. Talking about stars and the existence of something outside of Euclydia was considered illegal, but why? Well... stick around for part 5, where I will explain how I believe Bill Cipher accidentally destroyed his entire dimension. It will be fun ;P

@ok1237 and @unoriginal-starwalker I hope you'll enjoy this =D

PS: I hid Dipper and Mabel in the art! Can you find them?

[stringlessau]

IT'S STRINGLESS' 1 YEAR ANNIVERSARY (+ early concept art compilation)

Posting this dumbass little video to start off the day since we have a lot of little gifts for our awesome community today.

One of those things is something i've been wanting to do for a very long while: posting a lot of the original concept art for stringless (since ive always enjoyed seeing other people's early concepts) some of these i have posted massively before, some are completely unseen, so it'll be fun

This one is the page that started it all, his design is at the same time largely unchanged and also completely different

All i have to say is that it originally said (regarding spamton and swatch) "they bicker like an old married couple" but then i thought about it and i changed it so theyre literally just married

Didnt mean to make swatchton, made it anyway lmfao

Right after that, i got working on neo designs, I wanted to make him really scary looking, the original concept was to make him look skeletal and generally for him to look insane and like he had been reanimated from the dead, but a lot of people had told me over time that they didn't really like the design, I was very defensive over it but I ended up taking criticism and i actually really like the new neo, it balances the uncanniness of the original design with the sleekness of my new art

Payton was a natural next step, without someone to sell the thorn ring there'd be no neo, so although his design visually stayed almost the same, he went through a lot of color revisions (thanks mostly to @maskedalterego, who helped me to nail his final color palette), he suggested the gloves, and helped me to balance the saturation of the design since really I've never had a good eye for color.

His final design, color wise, was just me experimenting using the colors of my sona at the time on him, which I was hesitant to do but was so happy with the palette that I kept it.

It's interesting that he was originally intended to be the pink addison (since he sells one of the snowgrave required rings), and the reason he ended up being the blue addison was corey beepington (and the eviction notice short which I have taken one too many concepts from), this still influenced me to make his outfit pink initially, which still is a huge part of his character design

That exact same night, I created concept art for Raster (weirdly, I was sure I created them before Payton, but it might be because I was generally uninterested in Payton earlier on), their design is also largely unchanged, I just got better with shapes and color, I also ended up changing their cheek markings after seeing some swatchton fanchild art by ne0nbandit

A first until now, the first concepts for payton neo were made on paper

I took very long on this design, and I only updated it every few weeks to make tweaks because I felt the concept was too good but my execution didnt make it justice

I'm very proud of how the design looks now, as of the latest neo redesigns, I feel I could finally make this idea justice

Swatch's design went through some last minute changes, I wanted to use this color palette for swatch to contrast with spamton, but decided against it, then i changed their hair to be longer, to make their Stringless design distinct from their regular Deltarune design

Historically, these two are pretty important, the first pieces of art I ever made featuring Rakhin's old design, when he wasn't part of stringless and I was just befriending rope (he made me Payton fanart first, fell in love with his style), the contrast is beautiful

Now to finish this post, here's some unseen Snowgrave route art I made over the time Stringless has been in development, they're all pretty quick sketches, but i love them nonetheless

Thanks everyone for the insane reception this AU has gotten, I haven't been feeling very good this whole year for a huge amount of reasons I can't get into, but Stringless and its community always helps me to remember why I do the things I do

Thanks for everyone's comments and everyone's kindness, thanks especially to @theropeaaa , for being the literal other half of this AU, without whom I couldn't have ever done the Stringless pages, @maskedalterego for helping me and listening to my ramblings since the start, @scamp-boxx for being this AU's biggest hype man (the first ever comment on the first spamton concept art was by them, and they helped me nail so much of the snowgrave route), @boykisserwoah and @weirdohno , for also being here from the start and making an absolutely insane amount of fanart oh my god, @gutamajunk , for motivating me to create Raster, and writing several story outlines on the first days of stringless that were the foundation for the pages, and diaryous milch and rory, our friends that have helped with character designs, story ideas, voice acting and have generally been instrumental to what stringless is today

THANKS EVERYONE <3

-Nick

[ruershrimo]

an update on ‘take me back (take me with you)’

hi guys! first of all, I’m so sorry chapter 9 is taking a long time. I’ve actually finished writing the events in chapter 9, but I’ll need to tweak it a little bit first. I’m worried if it’s going to be a disappointment, because a lot of what makes chapter 9 important only comes up in chapter 10 or in the previous chapters. despite writing and rewriting the parts over and over, I’m not sure if chapter 9 is going to make people feel as I intended it to, especially with chapter 10 still incomplete. for now, it’s also kind of short (pretty sure it’s going to be shortest or the second shortest chapter?) and I do worry about it being underwhelming 😓.

the second matter I wanted to talk about was that as I was (very slowly) writing this chapter, I heard about the events happening at the end of jjk. the thing is, I really intend for this story to continue on until the end of the series, and a little bit more than that. that was my plan from the start.

the problem is, I’ve realised that this series will have to actually be very long for that to be true. there will probably be some parts of the story where reader doesn’t play a big role/is somewhere else so that the story is spared from being one big rewrite of jjk with her just inserted into. jjk as a whole and this series I’m writing is very important to me, and there’s no problem with other people writing fics that way (fanfiction is supposed to be fun!) but I have a passion for this and they’re very beloved to me, so I want to take it a bit more seriously. [name] is a part of me, and a part of the people I know and experiences I’ve lived or heard others living through. I made her for myself and for other people to relate to her.

which brings me to my point: the series as a whole will be broken into several parts (kind of like a show with several seasons). I’m still not sure how to go about naming it all— whether to keep ‘take me back (take me with you)’ as the name for the series as a whole, or whether to keep it as the title for only the first part of the series. but, I’ve decided that the end of the first part will most likely be chapter 10.

with that said, I also know that I have a very small audience, so please let me know what you think about the titling of the series and its parts, or anything you’d like to see in the story! I can only expect to get busier as time goes on, so I’ll probably start to write small snippets in [name]’s universe or make extra content just so it doesn’t seem as if I’ve abandoned it or the people reading it.

lastly, I’d also like to thank you all for accepting the shortcomings of both this series and my writing. I say this a lot, but I'm very sorry if there are any parts that disappoint you. to tell you the truth, this is the first time I’ve had to craft a story spanning such a long period of time. I’ve loved writing since I was little, but in many regards I’m still a novice, and I often worry about how that may show in the quality (or lack thereof) in my work. so I just feel very thankful to you all, especially those who are still following the story despite it last being updated more than half a year ago!

so, thank you so much for everything! I’ve met some very wonderful people through this story and realised lots of things about myself and the people around me just by having to put myself in [name]’s shoes, and for that I feel extremely blessed and grateful for all of you.

thank you so much, and happy lunar new year! 新年快乐，恭喜发财，万事如意！

taglist:

@bakananya, @sindulgent666, @shartnart1, @lolmais, @mechalily, @pweewee, @notsaelty, @nattisbored

[bronx-bomber87]

Hello amazing fandom :) I have been itching for this ep since the moment D sent me the ep description for it. I'm glad they didn't spoil much of this ep at all. I have a lot of feelings for this one so might be so mini LOL Off we go.

6x05 The Vow

Oh my lord starting out hot with a romantic dinner and a kiss. Also want to talk about they both light up when they see each other. Like they're still in that honeymoon phase somewhat. They’re both so happy to see each other I wanna die. haha Lucy of course has to question the gift. Saying gift giving is not his love language. Damn they cute. Tim saying he is trying to change things up. I’m squeeing and we’re like less than a minute in everyone.

Damnit he’s so romantic with what the gift is. It’s her radio from last week. Oh my word. Lucy is in awe of this man standing before her. Oh my goodness we get a second kiss I’m squeeing so hard. *screams into a pillow* A thank you kiss no less. Loving how he has his hand wrapped around her arm. Pulling her in close for both misses. You know I should've known this ep was going to hurt with getting two kisses within the span of 3 minutes and a cute ass moment to boot.

Like in a video game where they let you stumble upon a bunch of ammo right before a massive fight scene. You know shit is about to go down with them supplying you like that. How I felt with getting cuteness and two kisses right away. I am so excited Tamara has appeared. Wouldn’t be the return of her if she didn’t cock block them. Tim shaking his head too. Classic. Lucy telling her it’s ok. Also LOVING that they have a pre-planned date night. Be still my heart.

Tim gets his cryptic ass phone call and immediately takes off. Lucy looks crushed for a couple reasons. First that he can’t stay. She was clearly looking forward to a night with her man all day. Second the fact he's so short with her. Breaking my heart 'Just wait.' Her Tim radar is going OFFFF Lucy looks SHOOK with his hasty departure. Her heart just walked out the door and it shows.

Oh my word I knew It would be from his military past. The blind spot for the most part we have with his character. I was hoping it would be. The Tim fan girl in me is psyched af. I was thinking who is this Ray and why is Tim so spooked? Then we find out this dude killed their friends and there’s a promise.... Uhhhh the promise is to kill him? Uh Timothy, my love you are a cop….

Oh Lucy is anxious af without him. Ugh she knows something is wrong immediately. Knows this man too damn well. Side tangent about to start. I know some people complained how long it took for them to get together blah blah. BUT I wasn’t. These moments right here are exactly why.

The fact that the very second he took that call she knew deep in her gut something was wrong with him. That is not a connection you get with someone overnight. That is years worth of working together, leaning on each other, learning about one another and seeing each other through a lot of things together. That connection and instinct on someone is built over time.

The beautiful recipe they have now wasn’t ready till we got close to it in s4 and even then they still had some tweaking to do before we reached S5. That being said I love her missing him. My guess is other than 6x01 they’ve scarcely spent a night apart. Also her Tim radar is going bonkers right now. She looks so sick to her stomach when she hangs up.

Tim seeing Lucy’s call going off and not being able to answer. It's clearly killing him. We see him take a beat and a deep breath. Clearly doesn’t want to be here rather be there with her. Last thing he wanted was his date night interrupted. Also she is his ‘go to’ for pretty much everything. You know its actively tearing him up to not answer her.

Oh my he was called the 'Reaper'? Holy hell why is that so attractive? Everything with Tim usually is. But hot damn that being his nickname in the service? I am fanning myself. Idk if that's wrong but I am haha But it does give us insight to who he was in the service tbh. You don't get called 'The Reaper.' without good reason.... Why Greer thinks Tim is going soft on him.

I do love Tim reinforcing the law also very attractive oh my goodness. You tell ‘em love. I don’t love this guy guilting Tim into keeping this pact. He’s SOOOOO loyal he’s gonna keep to it. Even at his own detriment. The man shoulders SO MUCH he already doesn't need to. Ugh Tim saying they’ve built lives. Yes you have. With Lucy. The love of your life you walked away from tonight to be here right now. After this chat I knew this ep was going to hurt so good. I could feel it.

The jokes in the car are cute was hoping he’d ask Tim about Lucy. Sadly we didn't' get this. This whole situation makes me nervous af. God Tim looks extra fine in this episode street clothes on him are a wonder. A delicious one.

My god this list of crimes this guy has done sweet lord. Stole money. Called in an air strike on his own men when they came for him holy shit …Wasn't enough to bury in a shoe box.....fuck they both lied to get Ray’s wife and kid death benefits and if they bring him in it’s a problem.

Crap this is so bad Tim... Saying they’ll get fired from their current jobs and be dishonorably discharged from the service. I’m nervous…this isn’t a good situation. Also not surprised in the least he broke the rules to take care of someone. That empathy of his ran deep before it got buried by his Isabel trauma later on.

First off let me say Eric KILLED ME in this scene. I was tearing up at how tore up he is about all of this. Tim wanting to take the fall.... Damnit Timothy you have a life too. Don't fall on your sword my god imma cry. Tim’s integrity is one of his sexiest traits IMO. I too have a deep sense of integrity drives everyone I work with insane. He’s in tears saying he would arrest him. Oh my word. I'm crying again. Eric killing me softly holy hell. I'm so mad at Greer for putting that on him. I had a bad feeling about Greer the minute he guilted Tim into this side OP.

How dare you put that on my Tim. He already has so much on his soul. A chunk of it not even his fault. The man is a deeper empath than he gets credit for. He absorbs the feelings and pain of those around him and shoulders things he doesn't need to. I'm learning in therapy I do the same thing. My therapist told me one thing to be empathetic. It's another to feel responsible for other's feelings or the outcome of actions I've taken and how it affects others. I feel like Tim is the same way. He's such an empath he's taken that responsibility to the extreme and is carrying things he doesn't need to be.

I wanna hug him oh my god. His sigh when Greer left. My heart. I'm sure part of the reason he's hiding this from Lucy is the shame he feels. This man (Ray) stole half a million from the government then bombed his own people on his watch. Tim breaks the rules to make sure his widow and child are taken care of and its bites him in this ass. There is a reason he was/is so damn rigid as a cop. 'Rules matter boot.' His PTSD in a line. Anytime he has let his guard down and skirted the rules people have been injured (Mitch) or in this case killed. Ugh. My poor boy. The hitch in his breath like he couldn't breath that entire convo. I'm hurting so much for him in this episode.

Poor Lucy kept it together at work but lost it when he finally gets home. That look of hope when he walks through the door then instant anger. ‘Telling me you’re alive is not optional.’ Ugh she’s not wrong....I can only imagine what her anxiety was doing to her until he walked through that door. It's shown in her lines above. Her imagining him bleeding out somewhere.

She is not wrong it wasn't ok he didn't even tell her he was alive. I get why he didn't but he should've. Lucy straight confronting him. Asking him what the actual hell is going on with him? No one knows you better than her. You can't hide what you're going through. Tim of course wants to protect her from being fired and refuses to tell her what he's torn up about. Only alluding to it's serious enough if she knows she will be jeopardizing her standing at work.

Her saying 'Then what are you doing here?' God damn Lucy... telling it like it is. Holy hell. Poor Tim is so taken aback by her response. He breaks my heart when he says 'I came to see you.' Lucy has become his safe place. His comfort zone. So by default he came here to seek that comfort. She is home now and he came home. But she can’t comfort you when she doesn’t know what to comfort you for. This scene hurts to watch. Because he is DYING for her compassion, her warmth and just her. He is denied access because she is setting a boundary with this as she should. Tim needs to share the load with her. To tell her the truth. She is willing to risk her standing for him.

My god if she actually knew she would be kicking herself for how much he needs her right now. But she doesn't know so she sends him away. The tears in both their eyes His 'Understood'. Man is about to cry in front of her. I’m dying. Someone revive me. I’m dead and not in a good way. I’m crying. Eric and Melissa out here crushing it though. Gah Tim would rather blow them up and protect her than not ugh Timmmmmmm I get both sides of this. Tim thinks since this is pre-Lucy and could get her in trouble he needs to bear this alone. When she is begging him to let her share the load of this. Sending him away is her setting a boundary. That he needs to think not just of her but of them. To tackle things together. To stop protecting her.

They’re both hurting in this scene. But the issue at hand still is them only thinking in terms of 'Me' not us. Even though when one of them does this it’s to protect the other. That’s fine and dandy but when it come to them as a whole it’s a problem. Shit hits the fan they eject away thinking that’s the best course of action. It’s been an issue for some time this lack of communication. This is just bringing it to a head. They don’t think how can we tackle this together? They think how can I protect my person from this? Or protect their feelings by lying.

Also think that radio being in this scene was there for a reason. That radio is the representation of Lucy not telling Tim exactly how not ok she was in 6x04. She was so willing to pretend she was ok. And instead of leaning on him. Voicing that so they could tackle it together. She ran into the line of fire recklessly instead to prove herself worthy again. Almost killing herself in the process. Because she was in her head instead of communicating to Tim. These two gonna be death of me...

Wanna hug Lucy. She is desperate for any kind of help. So she reaches out to Nolan. John per usual is completely useless for her in a crisis. Man is as useful as using a fork to eat soup. These are the moments I miss Jackson for Lucy so much. He would’ve had a much better an answer. Then just ‘you're shit out of luck.’ That’s not enough damnit.

Nolan basically saying. "What are you gonna do?' with a shrug. If I could clock you John I would. I don't normally watch the preview for the next ep till I'm done assembling my thoughts. But with this one I couldn't wait. This is why Lucy goes to Angela next week about Tim instead. She needed a real grown up to help her with Tim.

We rejoin Lucy looking at her phone. Trying so damn hard not to reach out. To be the trusting girlfriend for her man. I know we're in a bad spot but Lucy calling Tim 'her man' gah yes please more of that. I am grateful for Tamara. She needs her right now since Nolan is useless af. Lucy is trying so very hard not to spiral out atm. She confronted him and it didn't go well. Lucy is feeling at a loss right now and rightfully so. I adore Tamara for making her laugh in this moment so very much.

The lesson's Tamara has learned is too damn cute. I loved it so much. Lucy needed this moment of levity and her pseudo daughter crushed it. We pan back to Tim also starting at his phone wanting to call. Ugh Tim what are you gonna do babe? You can’t kill him. Can’t turn him in. I feel sick lol Also once again amazing song to close it out. I watch the ep with my gaming headphones on. One because I love hearing Eric’s voice straight in my ears not gonna lie. Don’t judge me ha Also catch onto music more so with them on.

But back to the matter at hand…Now do I think they’re gonna break up cause he’s gonna protect her? I don’t. Their angst since they got together has always been productive. Is it gonna hurt like a son of a bitch before we get there? Yes.

My hope is this drives them to depend on one another more and not just straight protect each other at the detriment of the one they're ironically trying to protect. Better communication which has been an issue for some time. To learn to face these challenges not only head on but hand in hand while they do so. These are the types of things they need to learn before their relationship gets any more serious than it is tbh. So while this hurts like a lot it'll be good for them in the long run.

This season has EXCEEDED my expectations ten fold. If you aren't happy with this season idk what will make you happy tbh. I said the same thing about S5 as well. I cannot wait for next week. Which I am hoping is full of worried/feral Lucy and their reunion and growth from it. Phew feel free to comment any theories or thoughts on my first take thoughts I love them so. Also thank you everyone supporting these mini reviews you're amazing and makes the effort always worth it.

Side notes -non Chenford

Ok Aaron seeing his therapist at the bar excited for him I knew low key there would be something there.

Bailey and John seem so cold I know they’re on duty but even grey held his wife’s hand at the hospital…

Of course Smitty takes his break at a therapist office

Lucy’s joke about Celina omg LOL I'm impressed with such a solid joke when she was low key worried the love of her life was dying in a ditch somewhere...

Also clearly his therapist is a lying liar who lies but how can she not be? She's his therapist and WORK one at that. Be interesting to see how this unfolds.

[cator99]

I was inquiring about a cell phone store's services the other day and the worker thought I was a male minor. People are so nice to me because they think I'm vulnerable. Told her I was 28 and she congratulated me on my youthfulness ok thanks but I ultimately decided to look around for a used phone before potentially getting it set up there and then a well-known crackhead who lives down the alley from me showed up and started acting silly in the corner so I started chatting her up I really don't mind crackheads when they're women I've run into her before at night and she scared the hell out of me emerging from the dark with her giant pitbulls but nah she's chill doesnt hurt anyone just acts a little tweakish. I can sympathize. It's the meth heads that u dont fw across the board cant even hold a conversation with them anymore with the shit they're making it out of nowadays. Saw her yesterday too out walking her dogs again and said hi while i was skinning my deer in the shed and she was happy to see me– out of all the crack heads on the block she's the chillest even if she walks around with leashed up WMDs she doesnt hurt anybody. The ones across from her on the other hand are so wack even she doesn't fw them not because of the drugs but because they're stupid assholes... they're the kind that will steal your kids bike ykwim. Last month their crackshack in the backyard went up in flames and took part of the neighbours shed with it, shit was insane... they put up a bunch of halloween decorations on their front porch all very cute yknow might draw unsuspecting kids in and then right on the door, a huge sign that says "FUCK OFF!". Which is kind of funny but if you're going to be a community nuisance you'd think the least you could do is put a bowl of candy outside for the kids that are drawn to your house by the halloween decor but I guess it's for the best... I wouldn't want candy from them either. Also the people they had living in their mini-trailer (now burnt down) decided to move into the shed on the other side of them where the house is for sale... people found out pretty fast once they had a bunch of extension cords heading straight out of the crack house right out into the shed lmao. the guy on the other end of the alley has people living in his shed too..... and you'd think they might all hang out, as fellow shed-dwellers, but from what I understand, they seem to be opposing factions... with the ones on the other end staying with a guy who is well-known as having recovered from addiction, now living a productive healthy life, working, doesnt associate with any users, so I'm assuming the people he lets live in his shed are similar, just trying to get themselves put together despite their circumstances. I've seen them and they seem clean, well-dressed, no signs of tweaking, bringing warm drinks and food into the shed, which is in noticeably shittier condition compared to the one the crackheads are squatting in, but at least no one can complain to the cops about it since they're there with permission.......

[kimeoshi]

HEY YOU

Um...

Hi hope you're having a a wonderful day

I just wanted to ask since you're a digital artist... how do you color your art?? Because I'm a traditional artist trying to become a digital artist but I have no clue how to color my work (I made the mistake of using 'fill' on ibis paint before realizing oh wait that's not how digital artists color their work dummy) like I know base color and all that but the layers... how... How color? Line art no fun...

*cries*

I have no idea what I'm doing 😭

Don't feel pressured to answer this or anything, just thought to ask you since your art is so CRUNCHY I LOVE IT

Hello there!! I hope you're having a nice day as well

Sure! I'm very happy you like my art and as I also started as a traditional artist, I'm glad to entail some tips! :]

Base colors:

After finishing the lineart (can be sketch too), I use the Magic Wand tool and click it on outside of the lineart. This will give you a silhouette, but in the wrong space. Therefore, we have to go to 'Selection -> Inverse selection', after, you can proceed to use the fill tool on a separate new layer, beneath the lineart.

(Advanced tip: if you use Clip Studio Paint (CSP), there's an asset called 'Erase Along Edge'. Set your lineart layer to a reference layer (light house icon) and you can continue to erase and adjust the silhouette more easily with this eraser!)

Next, make a folder, clip it down to the silhouette, within this folder, add separate layers for each base color. This will help you manage your colors more effectively.

Shading:

This is extremely tricky and I cannot give a standardized process for this, but I'll attempt to do so. There are much better ways to do this I'm sure, the one I entail on forward is a bit time consuming (but it might only be a personal thing as I tend to over-render)

My method:

For a simplified method, skip all the purple colored parts of text.

We are going to continue working here:

I fill a separate layer with all black, and set the layer to color mode. This is to help us see the values better. Should we play around with contrast, brightness, focus points etc.

Then, with a layer, set to multiply mode, I begin shading shadows. Can be grey for now.

After I'm done, I use a layer to block out bright parts, with white. It makes it very dramatic, bless. (You can use different colors for this of course, I just keep this specifically very bright.)

Additionally, make a separate layer, use it for reflection lights with a lightish gray.

Adjust, add, tweak layers to ensure your overall image meets your expectations, including background. Most of the times, I even additionally paint a complete image by blocking out bigger shapes (messy and undefined) to see how the values should match in this stage.

Simplified demonstration:

We'll come back to these layers later.

Hide the previous black color layer. We now have colors again, but it's all so muddy.

Therefore, we alpha lock our previous layers of shading, and fill it over with colors. Unsatisfied by any colors? Use the Hue/Saturation/Brightness sliders or add a new correction layer. Important thing to note that you can use other colors than this purple/blue one in the image below for the multiply layer.

I use correction layers unapologetically. My favourite is Tone Curve + Gradient Map.

Naturally, I have a lot more layers than this in the demonstrated picture, such as Overlay layers to emphasize focus points or further darkening parts with multiply layers, etc. I do most of the hard work during rendering stage! Excuse me for the low effort rubber duck also hahah. Here's a closer example for what I usually do:

All we got left to do is Rendering (painting over mistakes) and Effects. I cannot give much advice on Rendering, it's pretty much the same as in traditional art.

Effects:

I sometimes leave little speckles/sparkles over my art to make it more detailed.

After, there can be correction layers, simply to adjust the final look.

I usually save the image as png or jpg (or in CSP case, merge all visible layers to a new layer) and add noise.

Sometimes, when I just want to post a sketch I add a 3d effect but in Photoshop. It helps a bit in faking extra details.

That's the end of my process! I hope this proved of help, and I wish you a smooth journey :D In the future, I can post timeline speed paints, if there is interest.

My other related threads are this (on my process) and this (on mindset and learning).

You can see me working in action through gifs here. (The gifs include extra planning stages (mentioned in the previous 'on my process' thread, but they follow the same principles I mentioned.)

----

Another note: it is possible to get a cracked version of CSP, which I won't entail because of account safety reasons, but if you research it, a pointer I can give is that the distributor's name starts with 'o'.

[diakittyau]

The making of Knuckles' facial expressions in Kuchizuke.

Hi! Today I want to tell you about the making of facial expressions and how difficult it was for me to come to a satisfactory result. ( •̯́ ₃ •̯̀)

Facial expressions have long been one of the most important elements of my work, to which I pay special attention. I really enjoy conveying characters feelings through their facial expressions and body language too. It's been years since I figured the way to work with expressions of certain characters, like Sonic and Rouge for example. It really helps that the models I use have additional shape keys for the eyebrows, which gives me a lot of freedom. When it comes to work with characters faces, I try my very best to be AS FAR as possible from the official Sonic games cutscenes, because they always lack emotions and keep using eyelids to express anger/sadness. They ended up being a good example for me on "how not to do facial expressions". xD

But the hardest for me was Knuckles. The reason is that he has a unique eyes shape not like any other Sonic character. It's a mix between separated eyes, like with Tails, and stylised "one eye" with the brow in the middle, like Sonic's. The brow in the middle of Knuckle's eyes can't be moved, but thankfully it had 2 shape keys for changing its size and smoothing out, that's in addition to another 18 shape keys. And yet, I kept struggling. Knuckles has the narrowed look by default, but it always felt like I just can't make him angry enough, it just wasn't the right amount.

Also, the eyebrows always felt very thin (that's true even for Sonic or other male hedgehogs current 3d models), so around two years ago I started playing a little more with the brow bones so make them more visible. I always wanted characters to have expressions as close as possible to the official 2d artwork, but with those 3d models it seemed impossible.

In comparison, 3d models facial expressions are pretty flat.

And of course, that's not something that can't be done in 3d, as some great 3d artists have shown otherwise. But I am still not as experienced in 3d modeling and by the time I worked on Kuchizuke, making changes to Knuckles' model wasn't my priority, due to having a deadline of 3 months to make a 5 minute long animation. So, I just kept working with what I have and tried to make the impossible. Actually I kinda enjoy doing that, so it's totally fine. xD

So when I got to the scenes with Rouge's true identity reveal, I once again came to the same issue I had before: I can't make Knuckles angry enough. So, out of curiosity, I tried moving the brow bones closer to the center and playing with their scaling. And what do you know? I was finally satisfied with the results! Here you can clearly see the differences. The left side is the final render and the right side is how the expressions would've (presumably) looked had I not tweaked the bones.

It wasn't an easy thing to do, but at least I was very happy with how it turned out.

Then come the scenes with weakness and fight against passing out. I honestly didn't think that I'll be able to make good expressions for this, but ended up surprising myself.

And the last challenge I had, is that in the last scenes I needed to convey both hatred towards Rouge and the weakness from going numb in his expressions.

And I love the result so much, but it was actually really painful to animate him. Like it just pains me to do this to my boy. o(TヘTo)

So in the end I'm glad that I was able to get better at this. I obviously will be making changes in Knuckles' model somewhere in the future for other parts of "Deluding Moonlight", but for what I could have done at the time it turned out very well.

Thanks for reading! Have a great day. ヾ(＾∇＾)

[aerequets]

Do you have any tips on how to draw different poses? Any kind of movement just fucks me up so bad 😭😭

hoo boy poses! an eternally difficult frustrating teeth clenching jaw aching part of drawing 🤩 JK but i def get where you are coming from. i was trying to think of the best way to reply to this and just ended up making a whole step by step of my process LOL

BEFORE WE BEGIN THOUGH i should mention that i am NOT a professional, nor have i learned these techniques anywhere other than the internet and so there's obviously room for improvement and this is not the end-all-be-all, just how i personally draw poses ATM.

now with that out of the way! keep reading for my tutorial on posing :D

i figured the best way to show this would be to take one of my old drawings and repurpose it. so:

rayla. january 11 2020 rayla. she looks a lil smug maybe? a lil confident? her arms are crossed and her head is kinda tilted and her expression seems that way, but all in all it's kinda grey. this is the first thing you should do when making a pose for your character:

what is your character feeling?

define it clearly. are they angry? close their pose up, cross their arms. happy? open it up, give them big gestures. lazy or tired? slouching, etc. posing is pretty much just body language so figure out what you want your character to say when they aren't speaking.

now i'll just show what the base sketch for this drawing looks like:

that's fine and all, the building blocks are there, but now i'm gonna redraw it and show what i would do differently now:

what's different about this sketch from the first one? three main things which i will break down!

The Lines

when i say "the lines", i mean the horizontal lines of the body if that makes sense? i'm sure there's an actual term or something, but basically, the parts of your body that can tilt. don't make these parallel! that can end up making the character look unbalanced and unnatural, or stiff if the lines are just flat. in the 2020 sketch, they aren't parallel, but they aren't exaggerated either. the more you exaggerate the differences in your posing, the more dynamic it will look. so in this sketch, i've exaggerated them more. gotta make rayla look real cocky yk

The Blobs

when i used to sketch bases for my characters, it would be a bunch of boxes and rectangles connected by sticks. i stopped doing that and it helped. human bodies are soft and squishy and curvy, we aren't robots with metal edges. drawing the base shapes as blobs personally helps me with getting rid of stiffness in the pose. lots of ppl make the boxy method work though, so if that's what you wanna do, by all means.

another thing i noted is "forget about the limbs". limbs are basically just branches, so if you get caught up in drawing them before their foundation (torso + lower half) is down, it could look wonky. get the basis down first, and then go on with the joints and limbs.

The Line (Singular)

AKA the line of action, which is a very popular term + method for posing. this is basically a line that runs down the spine, and the more bendy/curvy it is, the more dynamic your pose will look. tbh in the sketch i did right now it's not very action-y, but rayla is also just standing there, so if you want to do a fighting pose or something similar make sure the line of action is hella curved. even for stationary poses though, a little curve is helpful.

so! with these things in mind, i redid (extremely very roughly lol) the drawing. let's see the difference:

eyy hows that? she looks a helluva lot more arrogant! lol jk. but we can definitely get a better grasp of her character from the first image than the second. ofc there are other factors at play here like line weight and expression, but nevertheless, a few small tweaks go a long way.

anyways this got kinda long but i hope i could be of help!

[genericpuff]

Absolutely love the rendition to the panel of Hades holding Persephone. Lovely to see it rendered as a more mutual act with Perse holding onto Hades instead of just letting Hades hold her, and ofc seeing Persephone actually look like an adult woman. (Not to even mention the colors and rendering because whoaa those were lovely)

And I have a question about this new rendition if I’m allowed to make it! The original had very dramatic and sharp composition with the angles and being off centered which conveyed much of the emotions and style that made early LO very striking. In adapting it, was it a conscious choice to change the composition or what were the deciding factors that made you and banshriek decide centering Perse and Hades worked better in this situation? :0

Ahhh thank you ;w; It took a few rounds of sketching to get the pose just right, the flats thankfully weren't as difficult as I was worried they'd be, but the challenge was definitely in trying to get the pose right while maintaining the height difference that's there.

As for your question, a lot of the posing and sketch composition is something I do, and then Banshriek typically goes wild with the backgrounds while making adjustments to those compositions if necessary, often times I leave the backgrounds up to their discretion as they're 10x more skilled at that sort of thing than I am and they often bring new perspectives to the table. This means that it often ends up being a game of give and take between what we contribute, sometimes I'll have sketches that they feel need to be adjusted, other times I'll have to add little tweaks to their backgrounds if it's missing something. We're both working off a base rough sketch, but we both get to contribute to the final scene in our own ways; splitting it between background and character flats has been a happy middle that's worked well for us :)

Depending on the scene, sketches can range from minimal to more detailed. Here's the original base sketch for that scene:

So originally there was a larger tree working over the side but I didn't really know how detailed we wanted to be in the actual full background, much of it depended on how complex Banshriek wanted to get. You can also tell that Persephone's face was originally buried into Hades' chest in the original panel, which I originally flatted in, but then wound up changing because I wanted her eyes to be visible to reflect both of their expressions of relief at the same time.

That said, with the pose changing from what it was in the original (from Persephone almost laying on Hades vs. him holding her and lifting her up) the composition had to change with it so I decided to just make them a bit more centered, that way the focus would be fully on them and the balance of the scene wouldn't feel "off" due to the pose change. I tend to follow the Rule of 3 here !

So yeah! That's pretty much why centering it felt a little better in this case. Though part me of does wish I was able to keep the original pose, when breaking that scene down into its bones I found it had to take a lot of liberties with its anatomy and proportions, as many LO scenes do. You can't really tell just on a surface level but Persephone's head is huge and the rest of her body is tiny (her hips literally come up to Hades' sternum and her feet meet at his knees). With the character design changes made in Rekindled to make Persephone a little less tiny and more consistent in her body type (while still maintaining the size difference between them) and to reflect their character arcs at this point (as I'm not rushing them into intimacy quite like the original comic did) certain things have to change to balance it out and accommodate. If you're a math person, think of it like solving algebra equations - what you do to one side of the equation needs to be reflected and adjusted on the other side.

And of course Banshriek did a lot more to really exemplify the mood shift in the almost labrynth-like forest Persephone grew within Tower 4. There are still trees and plant life everywhere, but instead of feeling like an endless maze with its tones of deep red that we saw Hades navigate, it now feels like a soft and gentle meeting point for the two. Like the original scene, the color change is used to change the mood of the scene and reflect the calmness of Hades and Persephone as they've found one another.

At the end of the day we did what we ultimately thought would work best for the way Rekindled is drawn, giving both Banshriek and I the freedom to fully utilize our respective skillsets. That way we were able to pay tribute to that original scene while also creating something new out of it <3

That said, I'm sure @banshriek can also chime in with their own design notes on this episode, if they have a minute to spare! I'm sure they'll have lots to say about the fun they had working with those new brushesヽ(・∀・)ﾉ

[lemonsrosesandlavender]

2024 Reflections

Thanks for the tag, @redroomroaving . I was literally reading Lia’s version of this at that exact moment, thinking that I might pinch the format without a tag - and then lo and behold, you pop up in my notifications ;) I'll tag the usual suspects, @forget-me-maybe @dutifullylazybread and @darkurgetrash <3

What's been your biggest learning point this past year?

I've learnt a lot of things about writing.

I can push through a writers' block. Sprints are the answer, and I may go in several wrong directions until I get through, but I will get there. And when it starts flowing again, it will ALL be worth it.

No amount of sprints can make me exceed a certain writing speed, or stop editing as I go completely. I've practised, and I've got better at just writing [synonym for hot] or whatever in brackets when I can't pin down the exact word I'm after - but writing stuff I'm really annoyed by will throw me off my rhythm and I just have to exorcise the issue. 500-600 "good" words in an hour is a pretty decent top speed, and I'm happy with what I'm writing, so I've learnt to accept the slower pace I work at than some people I know in fandom!

Relatedly, I'll never have time to write everything I'd like to, and I have to accept that and prioritise accordingly. Early in the year, I happily offered to take SFW prompts, did a few, and realised that although I liked what I'd written, my heart was not truly in it and therefore it wasn't sustainable. NSFW ones I find more easy to do; it's a fun and filthy way of giving back to my followers, which is one of the main reasons I like doing it. (And also there's been some DELICIOUS ideas that I wouldn't have come up with on my own!). But I've let myself be more judicious about it, picking ones that really inspire me to write whole ficlets/fics for, and trying not to stress about the pile.

I also found a process for my own fic ideas that I love and desperately want to write, but don't think I have time for: I make notes, discuss eagerly with @krawwan ... and then leave it to sit. The germs of the story are safely written down, and the idea will either grow roots or disappear. If it grows, I'll probably open my computer at some point and find I have one of those top-speed writing sessions, and win-win, it's a WIP now. If not, that's alright! There's always a chance it'll sprout in the future, but for now it's clearly not captivating enough to spend time on.

How has your writing developed this past year?

I've got better at layering subplots. I think, anyway. I've got better at outlining, that's for damned sure! I've also had fun trying out small tweaks to style/voice.

Finally, I've tackled heavier subjects. That isn't to say all writing should - but I feel like whilst Sharp Teeth and its follow ups took a pretty light touch, Planar Tears has given me the space to explore. Depression, guilt, grief and racism/oppression (via Rolan's story) all come up at various times, and we're going to run face-first into Lorroakan all too soon.

(That's not to say a light touch isn't good too; fantasy adventure stories tend to err on the light side as a genre, and I'm writing in a world full of conniving hags and tentacle-waving baddies. I don't think Sharp Teeth would have benefited from anything more "difficult"; sometimes you don't need to dwell on a theme in detail for it to be evident, and I've been a bit worried that some of Planar Tear's more intense discussions have been too heavy in tone. But that's all part of developing as a writer, or so I keep telling myself; you have to experiment to find out).

Bad writing habits?

Writing too late at night.

Convincing myself that THIS is the time I've really gone and lost my writing skills for good when I've got writers' block.

Yapping every three sentences about my writing when I should just be writing.

Mmmm... I wouldn't say it's "bad" per se, but sometimes I realise that either I make an interesting decision, that requires time and thought and research, or I make a simple, easy one, and get something finished. (It's hard to point to exact examples, because I often forget them afterwards, but it's definitely a feeling I've had several times). I think many writers find themselves trying to nail their own personal equilibrium between "good" and "finished", and sometimes I think I let the lure of the posting button summon me a little early.

Favorite thing you wrote?

Every time I say Planar Tears, lol. But honestly, I'm proud of everything I've got up on AO3; I've re-read and enjoyed them all.

Biggest win?

More than having written a lot (and of consistent quality)? Finding a (small in the scale of the BG3 fandom) audience who enjoy my writing. I love seeing returning commenters and kudos-ers across my different works and Rolan pairings. On the occasion I've got comments like "I was supposed to go to bed and then I got THIS EMAIL", I've felt both very happy and very lucky. It's one thing for someone to stumble over my fics and enjoy it enough to kudos it once; it's another for them to like it so much they sign up for emails and chew through all the stuff I've written. That's amazing and inspiring and wonderful.

(It's also very motivating in terms of knowing that if I post, someone's probably going to crack it open pretty soon and take a good look!)

Goals for the new year?

Be a little more balanced about writing. Balance is not a thing I am good at; I'm an obsessive person, an all-or-nothing person, forever burning the candle at both ends. My real life job is also a lot of mental work, and between that and writing I went hard this year. The job is a non-negotiable, and very important to me - so whilst I've got through this year, I've got to be more sensible. (Don't worry, my job is fine - but taking care of myself fell by the wayside a bit)

OOOOOOOOOONNNNNNN THE OTHER HAND, it is so easy to feel guilty about writing fanfiction for a hobby, especially smut. It's easy to put down every cold to some karmic punishment for having stayed up too late writing the perfect orgasm - when plenty of people are cutting into their sleep with more regular hobbies like Netflix or early morning runs or whatever. Naturally, I think I suck more than all of these people.

So I'd like to pry apart the twisted braids of "genuinely having so much creative energy that I want to expend on stuff I love", "needing to post constantly because I love being productive to a pathological degree", "cleaning out the vestiges of shame and general societal opinion about my hobby" and "literally just go the fuck to bed please". We'll see how well I do!

(Oh yes, and finish Planar Tears!)

Your favorite words of the year, aka the words you check each chapter for, making sure you didn't repeat them 788 times?

Rolan has an allotted amount of scowling, and Catrin only SO many lip twitches, that they're allowed to do in each installment of Planar Tears. Calm it down, kids.

I also love a filthy smut noise, and have to do the moaned/groaned/gasped/whimpered comb-through to check I haven't repeated them in close succession. Rolan will do all four basically every time though, I've got no shame about that.

What are you excited for in the new year?

Finishing WIPs! I've got three oneshots 50-70% drafted, and I know they'll be so satisfying to finish. I'd like to clear the decks before I crack open my NEXT bunch of short fic ideas.

Returning to give Fae Bindings and In Service of Magic new chapters. I love these fics, and I'm very grateful for the readers who care about them despite the updates being on the slow side. (I do think it's less urgent in very smut-oriented fics, because although I care too much about the plot of both of them, you don't need to be following it particularly closely to get horny about it... is my attempt to reassure myself anyway lmao).

Life stuff. I'm going on a short holiday soon to meet a beloved tumblr friend, and that's very exciting. My work is also going to be a big focus of this year, and I'm feeling very positive about what I might be able to accomplish.

In short - exciting things <3

[loupy-mongoose]

I don't know how you shade things so perfectly! I'm excellent at blending colors but I can't shade even if my life depended on it!😅🤣

How do you do it so good? Could you lend me some tips?

First off, thank you very much, but I refuse to accept my shading as "perfect". I'm proud of how far I've come, but it ain't perfect!

Tips... Hmmmm...

I have a pretty good understanding of the characters' and objects three-dimensional shape in my mind, so when I shade I subconsciously keep in mind how the light will affect them and where shadows will form.

Don't be afraid to look at books, references, tutorials, and Youtube videos! Take advantage of the vast library of resources at your fingertips!

I've spent a lot of my teen years watching speedpaints--Twarda8's Pokemon paintings on Youtube are old favorites of mine. Ironically their playlist called "Junk'n'Old" played a MASSIVE part in my artistic upbringing. One man's trash is another man's treasure~ I've also looked at many many mannnyyyy tutorials over the years, some of them multiple times, taking in how different shapes affect the shadow outcome. For example, sharp cut-offs will result in solid lines of shadow, while rounder shapes will have softer transitions from dark to light.

Take, for instance, my latest masterpiece; The eyebrows are meant to somewhat sharply overhang the eyelid, so they cause a sharper shadow cut-off.

While rounder parts of the body have smoother shading.

Mix and match them depending on the shapes present! (Hopefully that's coherent enough. X3)

A few extra things;

-Different light sources and surroundings can influence shadows as well. For example, the sun will create sharp, defined shadows, but clouds will soften the shadows considerably.

-When shading colored artworks, try to avoid using pure black to shade. If possible with your tools, use a darker color set to the Multiply or another darkening blend mode. Experiment! (I have another post about my painting process here if you're interested, although the canvas size in that may be incorrect now.)

-Find brushes you're comfortable with! I don't want to advocate that an artist can't be good without certain brushes, but I do think it's important to love the tools you use. But also don't feel like you have to stick with them for eternity--Every once in a while I get dissatisfied with my brushes and tweak them a bit, or dump them for others.

-For doodle shading like the above, I scribble in rough chunks where I want the shadow to be, then smudge and erase them as I see fit. All on a separate layer from the line-art, of course.

That may be more than you bargained for, but you can pick and choose what you want to take from this, if anything at all. I just felt like dumping. Happy shading! ^w^