#//PLEASE DO NOT READ IF YOU ARE NOT IN A SPACE TO DO SO

[cheolism]

CREATURES OF DESIRE.

✰ — choi seungcheol x yoon jeonghan x f!reader ✷ — summary: a scene between you, your advisor, and bodyguard. ✰ — wc is approx. 4k ✷ — tropes: royalty au; princess x bodyguard, princess x advisor; forbidden relationship; (blank)-with-benefits. ✰ — warnings: member x member x reader, threesome; undefined relationship. degradation kinks (cheol x hannie); praise kinks (cheol/hannie x reader), corruption and innocence kinks. blowjob (cheol receiving); anal (hannie receiving); oral sex, fingering (reader receiving). breeding kink (one mention). bickering (use of: brute, bitch, etc between cheol n hannie); adoration (use of sweet thing, precious, etc towards reader). strong influences of societal standards concerning female virginity. ✷ — rating: mature, nsfw; mdni. ✰ — note: this, to me, moreso reads as a snippet to a series, or a larger work, rather than a simple stand-alone. as such, if there is interest, i am willing to explore this story further. if you reach the end of the story and like it and are interested in seeing more, please let me know. there is outright gay sex between cheol and hannie in this, so if you don't like it please don't read it. thank you @seokgyuu for looking this over. this is a product of conversations between @wonustars, @hannieween, and @okiedokrie. tagging @shinysobi, @nebulousbrainsoup, @yuncheoligans, and @kwanisms bc you expressed interest once and i'm a slut for attention. apologies for the chunky warnings and note.

“there you go princess,” jeonghan coos, fingers tangling into your hair. his voice is deep, or as deep as jeonghan’s voice could go, and silky; it settles against your skin like a thin sheet, cloaking you in a soft, airy space. 

his fingers tighten their grip on your hair. you try to be good for him, try to let jeonghan take complete control. his fingers trail along your shoulder, slide underneath the silver chain of your necklace, and then he’s pressing your head forward. 

“good girl,” he hums, his free hand going to wipe a cheer from your cheek. “take cheolie’s cock like a good girl, princess.”

you’re doing your best. it’s just so hard. you’ve warmed up over the weeks with hannie’s cock, testing the waters with jeonghan’s smaller dick. it had been, admittedly, hard. you were applauded for your chastity, and in fact it was your selling point, what had so many suitors clamoring for your virgin hand in marriage. you had done nothing remotely like this before.

and you wanted to learn. for the last few years jeonghan and seungcheol had devoted themselevs to you. not only officially, but personally. you don’t know how many times you’ve had their fingers or tongues lapping at your pussy. but you wanted more. you wanted to do more than just dip your toes into the pool of desire. you wanted to completely submerge yourself. 

jeonghan had cooed and cupped your face in his hands when you came to him, pouting and begging for him to teach you how to suck cock. 

“sweet girl,” he had said, your advisor pressing a kiss to your hairline. “we’ll start easy.”

jeonghan’s cock, while smaller than seungcheol’s, still was not “easy.” seungcheol had helped ground you as you slowly, torturously, tried to take more and more of jeonghan’s cock with every passing week. he had settle heavy hands over your body as you tried to take jeonghan’s dick, words sweetly encouraging. from simply suckling on the tip to swallow around jeonghan’s length they had guided you, though seungcheol more than jeonghan. 

“he likes it when you choke on it,” seungcheol had murmured, nipping at your earlobe, “because he’s mean like that.” 

and you had choked on it. you couldn’t even get a fourth of the way without gagging at first. eventually, though, you were able to swallow down jeonghan’s dick until your nose was pressing against the base of his dick. you were able to let jeonghan fuck your mouth, though only if he were gentle. seungcheol had to guide him then, standing behind jeonghan with his hand’s on the younger man’s hips, rolling them forward and delivering sharp smacks to jeonghan’s ass every time jeonghan tried to fuck his dick deeper. 

you had been able to feel jeonghan’s cockhead press to the back of your throat and swallow around it; had been able to take it as jeonghan rocked his hips, dick slipping in and out of your mouth. 

but that was jeonghan’s dick; this was seungcheol’s. 

when jeonghan had untucked seungcheol’s dick from his trousers, you had, rather justifiably in your opinion, gawked. seungcheol’s dick is thick and long, and jeonghan had praised it as he fucked seungcheol’s cock with his fist. 

“get some of the lust out of him,” jeonghan said, throwing you a smile. “he gets rather pent up really easily. we don’t want him bruising that pretty little throat of yours when the american delegation is arriving in a few days.”

now, on your knees with your mouth stretched impossibly wide – again, in your opinion – and barely able to do anything other than suck at his cockhead, you can’t help but think your throat will end up bruised regardless of method. 

seungcheol’s hands were clutching at the underside of the fainting couch. his breathing was raggedly and loud, just as yours is. you try to look up at him from underneath your lashes, but then jeonghan shifts your head forward again, forcing more of seungcheol’s dick into your mouth, and you can’t help but squeeze your eyes shut. 

his cockhead rests heavily on your tongue. you have perhaps a quarter of it in your mouth. it’s just – his dick is so incredibly thick and your lips hurt at the corners from where it forces your mouth to stretch wide. 

“fuck,” seungcheol hisses out. his hand goes to your hair. seungcheol barely manages to scrape his nails against your scalp before jeonghan’s hand is shooting out and grabbing his wrist, forcing seungcheol’s hand back to the seat.

“hands off the princess,” jeonghan scolds, “and use proper language. you’re trying to help her suck dick, not taint her mind with your brutish language.”

you want to remind jeonghan that you’ve been tainted every since jeonghan asked you three years ago if you needed help taking the edge off before the gala intended to honor your promotion to heir apparent; that he was the one who introduced carnal desire, that he was the first one to ever press his face to your – your pussy and lick at the juices that spilled there. 

but he knows this. 

you peak up at seungcheol. he’s glaring at jeonghan, thick brows furrowed. seungcheol seems to feel the weight of your gaze upon him. he looks down, big brown eyes meeting yours. 

immediately, and not coincidentally, a thick pearl of precum hits your tongue. he groans. you can’t help but swallow around his cockhead, tongue pressing against his dick as you try to swallow the pre on your tongue. 

seungcheol’s hips fuck forward in response. his dick is suddenly shoving further into your throat than you had anticipated, fat cockhead striking the back of your throat. 

you choke and gag, fat tears springing to your eyes. seungcheol curses; jeonghan shoves him back, seungcheol’s dick forced from your mouth.

“you idiot,” jeonghan hisses. you cough as jeonghan kneels beside you, one of his hands sweetly cupping the back of your neck while his other wipes at your tears. “don’t cry, sweet princess. it’s okay. ignore that beast. he just can’t help himself.”

“shut up.” seungcheol joins jeonghan on the floor. his brows are furrowed, eyes shining with concern. jeonghan, for all of his animosity, allows seungcheol to gather you into his arms. “i apologize, princess. i should have had more control over myself.”

“yes, you should.” 

seungcheol ignores jeonghan. instead he begins pressing sweet, gentle kisses to your face. you adjust yourself so he can kiss your face easily, and he does so. his kisses are light and you bask in them. 

he hesitates before your mouth. kissing is not prohibited. but it’s difficult.

you make the decision for seungcheol. you straighten in his hold, pressing your mouth to his. 

the kiss is chaste. the smack of your lips against his makes you flush. seungcheol pulls away after a quick second. kissing is so difficult between the three of you, or perhaps more accurately between you and your men, because it was always chaste and quick. they never nipped at your lips or slipped their tongues inside of your mouth; never allowed themselves to pour passion and desire into the kiss. you don’t know how they are able to seperate themselves from their lust. you, after all, are a creature of desire now; it is because of this you chase after seungcheol when he pulls away, trying to catch his mouth. 

seungcheol laughs, lifting his chin and turning his face from you. “can’t do that, princess,” he says. “i won’t be able to stop if you do.”

you pout at him. you don’t want him to stop. you never want either of them to stop. they stood behind you as an advisor and member of your personal guard. they kneeled before you in closed rooms, kisses to your neck and thighs and pussy. if you were a creature of desire, they were creatures of lust and corruption. they were the snake that sang in eve’s ear to take a bite of the apple, and now that you had devoured that apple whole you can’t help but want more and more and more. 

you don’t want them to stop. you never want to stop. 

“she’s been such a good girl,” jeonghan says, turning your head from seungcheol. jeonghan, too, presses a chaste kiss to your mouth. “we need to reward her.”

“i didn’t get to pleasure him thoroughly,” you protest. 

jeonghan frowns at you, as if you were a petulant child begging for sweets. he cups your cheeks. “you did well enough,” jeonghan announces. “and you did your best. that deserves rewarding, sweet girl.”

“but seungcheol –”

jeonghan sighs, as if you were impressing something severe and torturous upon him. “fine,” he says. “seungcheol may find his pleasure in me. i shall pleasure you, princess. this is more than the animal deserves.”

jeonghan helps you stand. despite the fact they never had you kneel without using a cushion, your knees still ached and legs protested. jeonghan cooed at you, pressing a kiss to your forehead. 

“up on the bed, princess,” seungcheol softly commands. he offers his hand to you despite the fact the bed – not your bed, for neither were willing to disrespect your virginal bed – was a mere few feet away. seungcheol leads you to the bed, helps you climb upon it. 

“to the head,” he says. 

you do as he says, feeling ridiculous as you climb to the head of the bed, knees catching the fabric of your dress. you huff and yank, and when you finally settle with your back against the elaborate wooden headboard it is to the sight of seungcheol devouring jeonghan. 

it’s horrid, you think faintly, at how wet the sight makes you. 

seungcheol is rough with jeonghan. he grabs at jeonghan, hands greedy and powerful. his mouth is insistent upon jeonghan’s, tongue dominating jeonghan’s mouth and refusing to allow jeonghan do anything other than whimper. one of seungcheol’s hands goes to jeonghan’s trousers, and then he’s yanking them down and revealing the pale skin of jeonghan’s legs.

seungcheol grabs a fistful of jeonghan’s black hair. he pulls jeonghan from him, and then he’s moving both hands to jeonghan’s waist to throw him onto the bed. 

“climb,” he says. 

jeonghan does as seungcheol says. he’s smirking when he meets your eyes, a devilish curl at his lips. 

“please kneel, princess,” seungcheol instructs.

you do as he says. 

jeonghan lays before you, his clever hands quick to shove down his trousers. he kicks them over the side of the bed. his dick is hard, erection making it curve prettily up towards his stomach. 

the bed dips under seungcheol’s weight. he has rid himself entirely of his clothing. his shoulders are broad and the outline of his chest curves gently, his dark nipples stark against his skin. his dick, just as jeonghan’s is erect. you marvel at it despite having had it – well, some part of it – in your mouth minutes ago. it’s big and, though you’ve only seen one other dick in your life, impressive. 

seungcheol braces himself against the bed, and you watch, mouth dry and pussy wet, as the muscles in his biceps bulge. 

jeonghan snorts. “arrogant show-off.”

seungcheol raises a thick brow, and then he’s climbing onto the bed. you watch, breathless, as seungcheol keeps his eyes locked on jeonghan’s. he looms over jeonghan, imposing. 

in another world, you think, he would be king. seungcheol commands a room better than any other; better than yourself, a blue-blooded royal. he is all authority. his body is thick with it, but more than that there is something about seungcheol’s soul that seems to radiate pure golden power.

you could bow to him. he wouldn’t dare ask of it – no one would without repercussions – but you would do it. 

seungcheol’s hands go to jeonghan’s knees. he tries to peel jeonghan’s thighs apart. jeonghan fights, laughing. seungcheol huffs. “don’t be a fucking bitch,” he says. 

“language,” jeonghan returns, letting seungcheol pry his legs apart. 

you wish – you try to swallow back these thoughts as if they were a particularly repugnant vegetable offered by a foreign dignitary – that you could be like them. you could offer all your gold and silver and silk and lands, and none of it would matter. you could never be like them. you were born to a life that forced you to be suspended above all others; to walk on roads glittering with emeralds and diamonds. expectations had to be upheld regardless of how you hungered. 

you wish you could take your desire as liberally as they did. how your cunt throbbed for this wish. you wish it was you parting your thighs for seungcheol; you beneath jeonghan. you imagine seungcheol between your thighs and jeonghan pressing his cock to your lips. 

you wouldn’t be able to take both, wouldn’t be able to handle jeonghan’s dick in your mouth while seungcheol’s was in your pussy. but you would try; could try; want to. 

jeonghan groans loudly and wantonly as seungcheol fucks his cock into jeonghan, the jade plug that so often was within jeonghan’s ass discarded onto the bed. jeonghan’s back arches off the bed, and you watch, completely entranced, as seungcheol’s cock sinks deeper and deeper within your advisor. 

jeonghan’s hand shoots out. he grabs at the fabric of your dress. you lean down and hold his fingers, jeonghan’s hand twisting to lace his lean fingers with yours and squeeze. 

“brute,” jeonghan gasps. “absolute beast –”

“shut up,” seungcheol bites. your pussy throbs with this selfish, horrid want as seungcheol draws his hips back. you can see the dark flesh of his dick as he does so, can hear the lewd squelching of the lube in jeonghan’s ass as seungcheol removes himself. 

seungcheol fucks back in. 

jeonghan moans, brows pinched together and mouth ajar. 

seungcheol thrusts roughly a handful of times before stilling, slapping his hand against jeonghan’s thigh. “take care of the princess’s pleasure, you selfish creature.”

“if you’d stop brutalizing me,” jeonghan retorts. 

“one of these days i will fuck you beyond the power of speech,” seungcheol says. 

“that would require you to be good at it,” jeonghan bites. he looks up at you, smiling despite himself. he releases your hand, grabbing at your dress. “lift your skirts for me, sweetheart. you need to mount my face.”

you blink down at him. you don’t quite understand. “mount your face . . . ?”

“imagine him an animal,” seungcheol clarifies. “that shouldn’t be too hard.”

“kneel around my head,” jeonghan says, ignoring seungcheol. “and i will pleasure you.”

confused, you do as he says. you bunch your skirts around your waist and awkwardly shuffle to kneel around jeonghan’s head. 

jeonghan’s hands slip underneath your skirts. you can feel his palms, warm and light, skim over your skin. he smooths them up your legs and kneels and thighs. they settle on your thighs, thumbs digging into the inner flesh. he parts your legs. 

then jeonghan is raising his arms, shoving the fabric of your skirts up further. he wraps his arms around your waist, and then he’s pulling you down. 

you let out a startled yelp, falling. you catch yourself on his chest. “jeonghan!” you curl your hands against his shirt, lifting your hips up off of him. “i will crush you!”

“good,” seungcheol says. 

“you won’t.” jeonghan’s voice is slightly muffled. you can feel his hot breath against your pussy and you realize just exactly what is about to happen. 

“if only you weren’t wearing your skirts,” jeonghan announces, “then i might see your pretty pussy.”

you gasp. jeonghan thrusts his tongue between the lips of your pussy, and then he is licking a broad stripe up your cunt. 

the surprised noise that leaves you is horribly loud against the quiet of the room. jeonghan licks at your cunt, and the warmth you have come to associate with carnal desire seeping into your soul begins to thicken. 

“you –” his tongue is clever and quick, licking from your clit to your hole and repeating. you want to speak, to protest. but his arms are tight around your middle, keeping you from moving away, and his tongue forbids any real speech. 

then jeonghan suckles at your clit. your knees weaken, and you slump against him further. 

you can’t see jeonghan, but you can most certainly hear him. the noises are absolutely lewd. they don’t belong here, you think, aren’t meant to be heard by your ears. the sounds are slick and loud and your pussy only seems to react positively. you can feel more fluid leak from your cunt, can hear jeonghan slurp against your pussy as he swallows it up. 

jeonghan’s body jerks beneath you. you gasp out, looking up. 

seungcheol is slowly fucking jeonghan. his hips are rolling forward. he isn’t fucking with abandon, but instead obviously taking his time, relishing in the sight before him. 

seungcheol smiles when your eyes meet. “how pretty you are,” he says. “our pretty princess.”

you open your mouth to speak but are cut off with a squeal. jeonghan is suckling at your clit, quick, sharp movements of his mouth. one of his fingers thrusts within your cunt, aimed the front of your body and striking that stretch of muscle that always sends a tingling sensation across your groin. the intrusion of his single finger isn’t so much, the slender digit spurring the hungry, all-consuming desire within you, making you want more.

“and how pretty you sound,” seungcheol chuckles. he fucks jeonghan aimlessly, unconcerned. “our sweet princess with her pretty little mouth and noises. always knew you’d sound sweet, princess.”

you furrow your brow. jeonghan pulls his finger from your cunt. he circles two of his fingers around your hole, relaxing the muscle, and then he’s sliding both of them inside. 

your lips part in a soundless moan. his two fingers burn considerably more than his single finger. it’s a sharp, burning, but not entirely uncomfortable pain as your hole stretches to accommodate the stretch. you can’t help but clench down on his fingers. your pussy gushes around them, and you feel blood flush to your face as the lewd noise. you duck your head, pressing your face against the fabric of jeonghan’s shirt. 

“how fucking precious,” seungcheol says. “hiding like that. how cute you are. how sweet.”

jeonghan pulls from your cunt with a slick noise that sends another gush of fluid from your pussy. “such a wanton little princess,” he says. you clench around his fingers again. “it’s cute how she reacts.”

“makes me want to fuck her,” seungcheol agrees. 

“could,” you gasp out, nose pressing against jeonghan’s navel through his shirt. “want you to. want you to – to fuck me.”

seungcheol curses, loud against the room. he begins fucking jeonghan with earnest. even if you couldn’t see seungcheol’s dick disappearing and reappearing inside of jeonghan’s ass, you could feel it with how every single thrust impacted jeonghan’s body. 

jeonghan’s mouth is forced from your cunt in favor of whining. his voice is high as he does, though still not loud. the sound of seungcheol’s hips slapping against jeonghan’s ass is decisively louder. 

seungcheol is – well – he’s fucking jeonghan like, you think, he’s desperate. he’s quick and harsh. 

“want you to fuck me like that,” you say, each word spilling from your mouth without you realizing it. immediately you feel blood rush to your face and fluid gush from your cunt. 

jeonghan moans against your cunt. seungcheol groans, and then his hand is darting out to tangle in your hair. the tips of your fingers dig into your scalp as he brings your face up and towards him, and then –

and then he’s kissing you. it’s not like any of the chaste kisses you have become accustomed to throughout the relationship between you, jeonghan and him. it’s – it’s like he’s trying to devour you, as he had with jeonghan earlier. his mouth is insistent, his tongue pushing through your lips. 

you instinctively try to close your mouth. you’ve never been kissed like this before. it’s – it’s bizarre, and you don’t know how to react. seungcheol growls, this low, devilish thing deep within him. his hand moves from your hair to your jaw, thumb hooking between your lips. seungcheol forces your mouth open so he can push his tongue back in, laying claim. 

they’re kissing you on both ends, you realize. seungcheol is claiming your mouth, jeonghan your cunt. 

you can’t think much after that. seungcheol spills inside of jeonghan, his kisses becoming less ravaging and more sure and stern. 

jeonghan whines. seungcheol exchales a laugh against your mouth. “make the princess cum first,” he commands, “and then i’ll think about you.”

jeonghan mumbles something against your pussy, but then he’s focusing on licking at your cunt again. he teases and sucks and presses against your clit, those warm sparks spreading through your groin. you can’t decide whether to chase the sparks or squirm away from them. 

seungcheol shifts, and then his hands are on your shoulders. he’s moving you, gentle. you whine as jeonghan is separated from your pussy, but allow seungcheol to continue. 

he settles you against the bed. he grabs a pillow, and as he does, you glance over at jeonghan. the other man’s chest is heaving as he fights to catch his breath. his face, you notice is utterly drenched. 

seungcheol lifts your lower half to settle the pillow beneath your hips. “have to do everything myself,” he says, pushing your skirt up. 

seungcheol spreads your knees apart, giving him a view of your fluttering pussy. he hums. “seems like he did a good enough job. unexpected.”

jeonghan exhales a curse. 

the man before you ignores this. instead he focuses on your pussy. seungcheol gives your pussy a sharp, though not painful, slap with the flat of his hand. you jump beneath him, gasping. 

“won’t take much to get you to cum,” seungcheol either observes or promises. 

then his fingers, far thicker than jeonghan’s, are pressing against your clit. immediately you are bucking up into them, trying to rub your clit against his digits and force stimulation. 

“how desperate you are,” seungcheol says. “i think i could really fuck you like this. bet i’d just slip in.”

“please,” you sob out. 

“you know i can’t,” seungcheol replies, voice gentle and apologetic. 

he slips his fingers on either side of your clit. he rubs at the muscle, and you imagine the sparks of electricity shooting through your body at the sensation. you always focus on the muscle on either side of your clit when pleasuring yourself, and it’s like seungcheol knows this. he rubs against it, hand heavy, words coated in silk and silver escaping from his plush lips. 

“so beautiful,” he praises you. “always so fucking beautiful. i can’t stand it. wanna ruin ‘n worship you. would you let me, you precious little thing? let me fuck you? would you sit on my cock like a throne, princess? let me fuck you and spill in you and make you heavy with babies?”

it’s like a rug being pulled from underneath you, or perhaps like falling. it’s sharp and dramatic as your orgasm rips through you, loud and demanding. you can’t think, can only feel, and even this is overwhelming. seemingly every part of your body tenses as your orgasm causes you to plummet, and you go blind with it. 

when you come to, you’re surrounded by jeonghan and seungcheol. seungcheol is nosing against your neck, humming and wrapped around you. jeonghan is completely nude, shirt discarded and dick flaccid. he is kissing at your jaw, sweet and lazy. 

“hannie,” you call out. 

“no sweeter sound has fallen from mortal lips,” he teases, pressing a final kiss to the hinge of your jaw. 

you whine. seungcheol laughs against your neck. “don’t tease our princess,” he says, though any bite has vanished from his voice. 

“our princess teases me,” jeonghan claims. he pouts back at you. “kissing seungcheol like that. you’ve never kissed me as he did you.”

you roll your eyes at him. you shift, sliding your hand into his long hair and tugging. 

jeonghan’s mouth meets yours easily, and you can’t help but hum as his tongue presses against the seal of your lips. you thought about teasing him, about pressing your lips firm and refusing him access within. 

but then you thought of your cunt, and how neither seungcheol or jeonghan would fuck it; how empty you were, how desperately you wished to be marked inside-out. it couldn’t happen; wouldn’t happen. no matter how much you lusted and desired there were lines that would not be crossed. 

you were a creature of rabid desire, only to be denied your hunger. you had to take what you could, what was offered. 

and so you let jeonghan lick into your mouth and seungcheol grab at your hips from behind you, settling into their touch. 

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[xx-reverie-xx]

Hihi!! I just read your Sevika HCs and I absolutely love them!! I wanted to know if you could (please) write HCs for Sevika and Vi after an argument with their partner? :) Whether it’s an argument the reader started or they started can be completely up to you! Or you could even do both scenarios if you prefer! 💕

Thank you and I hope you have a nice day/evening 💖

🖤Sevika and Vi after an Argument🖤

men dni men dni men dni men dni men dni men dni men dni

🤎Sevika🤎

I don’t think arguments would be common in a relationship with Sevika.

When she locks into a serious relationship, she means serious. She covers all the important bases for a healthy relationship; communication, loyalty, respect, trust, and so much more.

Covering these bases, especially communication, helps to avoid frequent arguments.

It won’t completely cut out the occasional argument though.

When you two do argue, it’s almost always about bigger things. For example, her working so much and not taking much time for herself, or maybe her drinking and smoking.

Post-argument time usually has as “how can we avoid this in the future” moment where you guys have a heart to heart about whatever started the argument.

If you start an argument:

Be prepared to apologize first. And only apologize if you’re really sorry.

You should always finish what you start, after all.

Your apology may be met with an affectionate an eye roll and a huff.

She never stays mad at you for long.

Once you apologize she usually makes space for you wherever she’s sitting and wraps her arm around just to let you know it’s really okay.

If you’re just apologizing because you feel like you need to, don’t. She can see right through you if you’re bullshitting her.

If you’re stubborn like her, sometimes apologizing can genuinely be difficult. She gets that. Which is why her patience with you is a blessing.

Again, when you’re ready to apologize , she’s affectionate and accepts it.

If she starts an argument:

This woman is stubborn. For her to apologize, it just doesn’t feel right.

She’s only ever been truly sorry a few times in her life. In the Undercity, living a life like hers, she never had time to be sorry.

Being sorry gets you hurt. It gets you killed.

But…

It’s obviously different when it’s you. You aren’t a big bad wolf waiting around the corner. You’re her partner, her ride-or-die.

In the heat of the moment, what she said felt right. It felt like something you needed to hear.

The thought of you feeling hurt by something she said just eats her alive.

She comes to you first.

It isn’t anything crazy, usually just a simple, gruff “I’m sorry.”

She’s awkward and stiff about it, but completely genuine.

Asks what she can do to make it up to you, if anything.

❤️Vi❤️

Violet runs hot. She isn’t a loose cannon but someday’s it can be hard trying to keep all of her emotions under wraps.

This has definitely lead to arguments over petty things like dishes in the sink or eating the last of her favorite snack.

It’s also lead to arguments about very serious things. Her pit fighting, drinking, and her occasional impulsivity.

Arguments always hit her hard, even the petty ones. No matter how old she gets, arguments always make her feel like a little kid, just waiting for the ball to drop. The ball being losing you.

That feeling of dread, like this argument could be the last, if that makes sense.

Physical touch is usually present in the make up process after an argument. It helps ground her.

The good news is, the two of you always make up very quickly.

If you start an argument:

If the argument is a petty spat about dishes or snacks, she still apologizes first, albeit rather begrudgingly.

This links back to her feeling like this argument could be the last. What if she never hears “You promised you’d take out the trash this week” ever again?

You, however, shut that down. “It’s my fault, I should be the one apologizing.” You tell her.

These arguments are extremely easy to come back from because you two are always on the same level. Two halves to make a whole, equals

There isn’t a point in staying hung up on petty nonsense for long.

If you start a big argument, you apologize first.

She distances herself and you have to go to her.

You’ll usually find her someplace where she shouldn’t be, like a bar. Or, you might find her someplace safe, like with Loris or another friend she feels comfortable around.

Not only should you apologize, but it would also be a good chance to thoroughly explain why you’re upset or might think something is a bad idea.

Once you do that, she’ll open her arms up to you and usually things can be resolved somewhat easily after that.

If she starts an argument:

Again, she apologizes first.

If she starts an argument, big or small, the dread of possibly losing you over this hits her like bricks.

For smaller arguments, she approaches you casually. If you let her, she’ll wrap her arms around you. An apology hug, if you will.

Says, “I’m sorry, baby,” in the softest voice she can muster.

These smaller arguments are always easier to come back from just because she’s so sweet. How can you ever stay upset when she’s such a sweetie?

Big arguments are something else though.

After she’s said whatever it is that she’s said, the weight of it all is suffocating.

If she said something really stupid and hurtful in the heat of the moment, she might need some space for a bit. Things like that take her back to that day.

But she’ll come to you when she’s ready.

May or may not have a little gift for you for extra measure. Usually it’s something simple like your favorite candy bar.

She tells you she’s sorry and explains why she got so worked up. Usually this leads to a steady and warm embrace and you let her know it’s okay.

hello!!! thank you for the request ♥️ please let me know if you enjoyed it or not. i had so much fun writing these. i kind of got carried away with vi’s headcanons 🙈. . i was purposefully vague about what started the argument so you can sort of imagine your own scenario for why the argument started!🎠

ask box is open for multiple fandoms and nearly every arcane character! check my pinned for rules, fandoms, and characters. i write headcanons, reactions, drabbles, and more!

[sandersstudies]

What do you mean when you say, "correcting children"? Are you referring to corporal punishment? I hope this doesn't come off like I'm judging you, this is simply a topic I find really interesting and considering how much thought you put into your posts on childcare, it might be interesting to hear your thoughts, positive or negative, on this topic as well.

The fact that you read “correcting” and assumed “physically hitting the child” is actually wild to me. I’ve never put my hands on a child violently in my adult life, and I grew up in a home where I never had violent hands put on me by an adult.

Correcting children, to me, is usually just saying “hey, actually, we can’t do that.”

It could be moving a younger child away from a dangerous item (socket) or moving them because they are becoming dangerous to other kids or animals (hitting and biting).

It could be telling an older child “your behavior is distracting others, please step outside for a minute and calm down before you come back.”

It could be pulling a teenager aside and saying “your sexual remarks toward other students are not acceptable.”

If just our conversation alone is not enough, the discipline involved might be “if you can’t use kind hands with friends, you cannot sit with the other kids.” “If you push buttons in the light booth, you cannot go in the light booth anymore.” “If you continue to make inappropriate remarks about other students, I will be contacting your mom to pick you up.”

To me that’s what “correction” and good discipline is — facilitating the logical consequences of kids’ actions so they can learn to be kind to others and follow the reasonable rules of the space.

[sheep-from-rad]

How would the batfamily react if they found out that the singer/influencer reader was dating one of the villains?, imagine the reader has friends with benefits from the villains

(What kind of jokes do you like?)

Batman is so scary, even bullets are afraid to hit him. That's why they aimed for his parents. (sorry)

anon 🦌

Note: 🦌anon please send more jokes. After the Solmare announcement regarding the Obey me series, I am one push away from drinking every wine in my fridge.I’m gonna need more jokes (˃̣̣̥ᯅ˂̣̣̥) I don't give permission to have my fics posted to other sites, copied, or fed to AI. Thank you.

Masterlist 

divider by: @strangergraphics-archive and @strangergraphics. Please do support them ♡

You heard that? That’s the collective sign of every Batfamily member sighing in disappointment and collective glare towards Bruce. Like father like child, of all genes to be inherit you inherited his taste (ಠ_ಠ). Getting entangled with a villain is not something new in the Batfamily because they are either related to one (Cassandra, Stephanie, Damian) or romantically involved with one (Bruce with Talia, Poison Ivy, Catwoman and sometimes Harley. Dick with Catwoman II. And Jason with… you know what let’s not talk about Talia and Jason. That one is weird on all levels). 

If you’re romantically involved with someone who does not know Batman’s real identity then it’s not much of a problem. The family is just going to visit said enemy and scar them for the rest of their mortal life. It will be so bad they will just quit being a villain and leave Gotham all together. If you’re romantically involved with someone who knows Batman’s real identity, then it will be a chaotic event. Bruce is already fighting villains and now he’s fighting his blood pressure too. 

Riddler would be so smug about it. He would rub it in every Batfamily member’s face and would constantly drop your name in fights like ‘How would they react if you hurt me?’ or ‘Oh they will be mad if I come back bruised!’. Riddler would be so insufferable like the madman he is. If you’re dating Harvey Dent, you’re technically dating two persons (in most media depictions, Harvey is the same age as Bruce so let’s go with that one). His incorruptible part is basically filling every space that Bruce neglected to fill. He’ll teach you about legals and laws, tell you stories about their days and he protects you from those who dare to come close. His corrupted part, Two face, is kind of mean. He will never miss the chance to remind you of the potential parental issues you have. 

Headcanon that Harley will make it her mini mission to keep you away from Joker because let’s face it, Joker will not love you. He will only use you and break you like how he did to Harley. 

Honestly, it doesn’t matter if the relationship you have is good or bad. To the family it’s a parasite that needs to be terminated immediately before it grows. You’re grounded. You’re not allowed to go out alone. If you don’t live in the estate anymore, you will just randomly find your apartment sold to someone else and you’ll be taken back to the estate. No metahumans in Gotham rule but Damian already has the permission from Bruce to have the Titans stay for a while as reinforcements. Even Jason is patrolling more and everyday now he will make a report to the estate. 

During those days they were full on babying you to the point of infantilization. They’ll give you ‘the talk’ especially if you’re in a friends with benefits relationship with a villain and sometimes they’ll go so far into showing you every other person they had been with. They are not above poisoning the relationship too. They’ll show you expertly doctored photos showing their ‘infidelity’. Guilt trip you into reading old cases and gaslight you. You’re not in love with them, you were just manipulated into thinking that you are. 

But of course, what is a Wayne if not stubborn? Month of being grounded and being in heavy watch and you’re done. You already have their shifts memorized down to who checks on you at night. After hours once you’re certain that everyone is now asleep or busy on their patrols (or finished checking your room), you start acting out the plan of running away. You passed each security detail without triggering them, passed every room without alerting anyone, and passed Titus without waking him up. However before you can even reached the doorknob, you heard Dick and Jason behind you:

“Looks like someone took lessons from Catwoman” 

“You know we saw your lover today. We were going to let them go but I guess no one’s picking you up anymore” 

The next time you wake up, you are greeted by the fresh warm breeze and the sound of water hitting the shore. As you descended down the stairs, news about a villain going missing was on the headlines along with the date on the screen saying ‘Thursday’. It has been three days since you got caught by Jason and Dick and Tim just entered the door carrying take outs from Mad Yak cafe. You’re in Happy Harbor, far away from Gotham and your lover is missing. Was the no kill rule violated? You can only pray it’s not.

[tasteracha]

a/n: when my angel @astraystayyh asks me for something i deliver. or make an attempt to. anyways please watch this before reading. warnings: subby hyunjin, mentions of alcohol, smut - MINORS DNI.

you loved all the colors of hyunjin. how could you not?

the deep shaded power with which he dances, sweat dripping off his temples and a fierce look in his eyes that only show when he’s on stage or pounding into you late at night. the carefree pastels that breeze through his hair when he has a day off, spending all his spare time with you with your fingers interlocked like he would lose his way otherwise. the soft mauves and grays of his sleepy eyes in the morning while you draw your fingers across his scalp, tracing along his nose down to his lips to feel the plushness underneath your skin. 

but the one that holds a fonder space in your heart was the one you were looking at now. his face is painted with the brushstrokes of a glass of wine, redness on his cheeks and stained across his lips. he’s warm, you know he is, even if you haven’t touched him yet. your own half full glass sits forgotten on the nightstand, the heat from the alcohol just enough to burn at your stomach and scorch high on your cheekbones. 

he’s talkative, speaking about everything and nothing while he holds you in the palm of his hand with just his eyes. soft giggles escape his lips, given to you freely despite how precious every sound that comes from his lips are. you take his hand in yours, finally drinking in the warmth of his palm as you hold it to your lips for a chaste kiss. it was innocent, a helpless motion that you don’t even realize you’re doing, but the look he gives you in response is anything but that. his eyes darken for a moment before he groans, sliding onto his back and stretching out his tired limbs. his cardigan rides up, exposing a sliver of his shoulder, taught skin over hard muscle, and you can feel your mouth begin to water. 

he’s left with his head tilted back, his neck a blank canvas begging to be colored by you, and your heart begins to beat faster. 

“god, i love you,” he turns his head towards you, letting his hand fall onto his stomach right above the waist of his pants. his legs are spread, beckoning you to fill the space between them. “did you know that?”

he’s not drunk, at least not from the wine. he’s drunk off of you, the mere presence of your body in bed with him is enough to make him lose a bit of his sanity. 

it’s not as if you’re any better with the way your body is singing for him. 

“yes, silly boy,” you smile, leaning over him to brush your lips against his jaw. “you only tell me every day. it’s not as if i could forget it.”

you throw your leg over his and slot yourself into the space that he left for you, and for the first time in the night he is silent. he watches your every move and his breath hitches when you place your hand next to his, ghosting across the muscles rippling on his stomach. 

“i love you, too,” you lock your fingers with his, squeezing them together. “do you want me to show you how much?”

he barely gets time to breath out a yes before you’re leaping forward, kissing him with a passion that never depletes no matter how much time passes by. he opens his mouth for you and you take the invitation, sliding your tongue against his. you can’t get enough of his taste, wine and his cherry lip balm and him. you move your lips down to his neck, biting sharply then soothing the spot with a lick. his arms wrap around your waist and pull you closer to him, but before he can get too far you take his wrists into your hands and pin them to the mattress at his sides. 

“keep these here, okay?” he nods so quickly that his hair shakes with the movement. satisfied, you sit up and slide down, dropping to your knees in front of him. freeing his cock from his pants comes more easily to you than breathing, the movements committed to memory like the way his feet move when he’s dancing. you leave his pants hanging off of his knees, too impatient to maneuver them off of him. 

you take his cock into your mouth, sucking lightly and hollowing out your cheeks. you look at him through your lashes, and the innocent look paired with the obscene sounds coming from your mouth making him growl fiercely. he reaches his hand towards your head, moving to card his fingers through your hair.

“darling, you’re so-” he cuts off when you pull away, fixing him with a look. 

“what did i say?” you move your eyes to his hand, still hovering in the air by your head, and he drops it back to the bed with wide eyes. 

“good boy,” you smirk when he shudders, giving him a moment to adjust before going back down on him. you lick a stripe up your hand to ease the slide of your hand on his cock, pairing it with sucking and licking at his head. you take him a bit deeper and you can feel his hips shift. the muscles on his stomach ripple in restraint, and you feel a swell of pride at him doing what he’s told. 

he’s so good to you. 

“where do you want to come?” you move away, leaning your head on his inner thigh as you lazily pump your hand along his shaft. he’s been so good, he deserves to make this choice. 

“i- what?” his eyes are hazy, your words not registering in his pleasure soaked brain. 

“on my face? in my mouth?” your breaths his hit exposed skin and he twitches, his bottom lip capturing between his teeth. “it’s your choice, baby. your reward, for being so good.” 

in truth, he’s barely done anything to deserve a reward, but the fondness you feel for him makes you want to praise him over and over. 

“in-” he clears his throat when his breath catches. “in your mouth, darling, please.”

you run a soothing hand down his thigh but it does nothing to calm him down. you shake your head fondly before taking his cock into your mouth for the last time. you speed up, sucking harder than before, going deeper, moving your hand in a flurry. the sudden change of pace makes him release a series of noises that make your head spin. little whimpers mix with soft moans, and he throws his head back as his entire body goes taut. strands of white paint the inside of your mouth, and the taste doesn’t bother you because it’s him.

you keep him in your mouth, swallowing his release around him and suckling him clean until he starts to whine in sensitivity. he releases his hands from their invisible prison and pulls you up and close to him, tucking your head into his neck and wrapping his arms around you. his hold is so tight, like he’s afraid you’d disappear if he didn’t hold you in a death grip. 

“you?” he whispers, stretching his languid body underneath you and sliding one hand down to cup your ass. 

“i’m okay, you can pay me back later,” you giggle against his neck and he sighs, his entire body going slack as he lets himself relax in his post-orgasmic bliss. 

“did you know that i love you?” he says against your hair, and you snort out a laugh. 

“do you want to do this again?” you roll your hips against his softening cock and he squeaks, tightening his arms around you even more than they already were. 

the sound of your shared laughter echoes through the room, taking the shape of affection that doesn’t need to be spoken.

[cheyisagirlkisser]

Hi can u pls do like a tag team type thing with Ellie Williams and vi or vi and Caitlyn please. Thank you!

Hi anon, thank you for this request. You gave me the perfect opportunity to try writing a threesome! I hope you enjoy this, I know it's more Vi-centric but I love my girl Ellie too.

Content: 1.5k words, Slight virgin/corruption kink (reader is their good girl and they gotta take her virginity!!), fingering (r! receiving), nipple-play (r! receiving), strap-on sex (r! receiving), use of pet names, not edited so may have some spelling errors

“I know what you want, angel.”

Vi’s voice cuts through your daydream. You were stuck on the way Ellie’s veins were visible through her hands and how you wanted her fingers deep inside you..you shouldn’t, ‘cause she’s supposed to be just a friend. Still, you’re a sick slut who’s imagining Ellie fucking you into outer space.

Not only that, but Vi, too. Her back, oh fuck..it’s so hard to think when she is wearing a wife-beater and her burly build is on display. You wanna claw into her back-

You’re so fucking obsessed with your two best friends, it’s unreal.

Ellie, for one, is a dream. She’s more standoffish and quiet—not shy, but prefers to keep to herself unless she’s with you and Vi. She feels comfortable, but she’s not like Vi in really any way that matters.

Where Ellie is into playing the guitar and reading comics, Vi’s into boxing and sports. You’re their cute best friend who somehow puts up with their bullshit. And right now, it’s so hard to study when Ellie suddenly shifts closer, and Vi’s words are on the other side of you, words spoken softly but teasingly into your ear.

You’re supposed to be doing peer review in your bedroom..

“W-What are you even talking about, Vi?!” You feign innocence.

Vi only laughs, and your core is heating up. How the hell did you go from playful banter to the room suddenly dripping with sexual tension, laid on so thick you swear it’s already filling your nostrils.

“Don’t act dumb, angel. We see the way you look at us. C’mon..” Her voice is alluring, soft, and it doesn’t help that Ellie is just staring at you with hungry eyes. She isn’t like Vi, not teasing and comedic when it comes to romance. That’s what is so enticing about the situation you’ve found yourself in; you have two completely different but beautiful girls in your bed! You’re somehow getting more pussy than the average masc, and you’re sporting stocking for fuck’s sake.

When your face goes all read and your fingers are trembling, it almost goes unnoticed by Ellie the way your thighs are squeezing together. She lays a hand on your left thigh, the side of you she’s sitting next to, and slowly traces her touch up and down, soft patterns as if she’s making sure you’re really into all this.

Ellie and Vi both know you’re into this..these bitches read your journal in which you talked about getting drilled by both their straps!

“Gonna get all shy on us now, angel?” Vi murmurs into your ear, lips hardly making contact with your soft skin. The funniest thing about all of this is that Ellie is the one touching you and she hasn’t said a single word. It’s Vi guiding this, and Ellie adds onto your neediness.

Then, you feel Vi’s soft lips trace over the side of your neck. You could’ve came right then and there, and Vi earned herself a gasp.

“P-Please..” Is all you can even say. Your brain is much too fucked to process anything else, to think of anything but getting fucked by your two friends who you cherish more than anything in this world.

Your thighs squeeze and Ellie leans closer into you. Now, her lips are smothering the opposite side of your neck. You’re currently feeling all the blood in your body rush down to your clit. Your panties are as soaked as they’d be at a water park.

“Please what? C’mon, baby..tell me ‘n Els what you need.”

“I need you to make me feel good!”

You sounded so breathless already, it was pretty cute. They couldn’t deny you when you were like this.

-

You were left in absolutely but your thigh-high stockings—Vi and Ellie mutually agreed to keep those on. You’re laid out, Vi holding your legs open so you don’t shy away, with your slick pussy on full display. You’re already a goner.

Vi has a huge dildo attached to the harness around her waist. You did not know she brought that monster. Ellie definitely knew this, it had to be planned.

Vi needs to prep you first, she doesn’t wanna hurt her and Ellie’s good girl. Her fingers first trail over your pussy lips, eliciting already desperate moans from you. Ellie is watching and you swear she has hearts in her eyes. She pressed her middle finger into your pussy slightly, making you immediately clench your thighs together around her hand, but she doesn’t let up because you’re giving her soft little little pleas, “p-please, Vi..”, all she wants is to please you.

“Fuck, you’re so tight.” She groans as she slides her finger knuckles deep into your sopping pussy, watching your reaction to make sure you’re doing okay, and then slowly pulls out and adds another, stretching you open slowly as your inner walls swallow her fingers up.

Ellie is sat beside your sprawled body, groping your tits and leaning down to swallow your little whines of need with her mouth.

Kissing Ellie is like another level of heaven. It’s what you imagine being high to be like, if you ever actually smoked weed. Her lips are so soft, so warm. Her tongue licks all over your mouth and it makes you moan even more. When she pulls away, you’re breathless.

“Think you can take my dick, baby?” Vi inquires, and you immediately let out a slutty moan.

“I can, I promise!! Please give it to me, Vi..”

Vi nearly loses her shit when she hears that. It’s always the good girls that are most desperate, am I right?

“Give it to her, Vi. She’ll take it.” Ellie assures the pink-haired girl, and it makes you even wetter that she is talking to Vi as if you’re not there, like you’re basically too dumbed down to understand what she is talking about.

Vi doesn’t seem to wanna waste much time. She pulls her fingers out slowly, making you whine in protest before letting Ellie lick them clean. She spits down and rubs it all over the silicone cock, then she runs the cock up and down along your pussy, making you dizzy with need.

She finally parts your pussy lips and slides just the tip in when she’s got enough of your slick on her dick, and your legs automatically wrap around her waist, making her almost say “fuck it” and pound into you like you’re just some whore.

Ellie watches with hunger as Vi slowly fucks her cock into you. There’s less resistance with all of your juices and Vi’s own..lubricant, but she can practically tell your pussy clamping down on the cock. She realizes just how long she has been sitting in complete awe and leans down to wrap her lips around one of your nipples, making you moan even louder and tangle your fingers into Ellie’s hair.

Getting fucked feels so dirty, and yet so, so good. You’ve got Vi pounding into you now, the ridges of the cock slamming into your spongey walls right where you need it. You’ve got Ellie’s eager tongue flicking against your nipples, taking turns with each while her hand is between you and Vi’s bodies, rubbing tight circles onto your clit.

Your eyes want to just close and feel what these girls are giving you, but you can’t. The sight is so embarrassing for you to watch, but it makes it all the more better to just watch Vi groan as she thrusts into you, and watch as Ellie softly bites your tits.

“Baby’s getting close, hm?” Vi teases, making you involuntarily clench on her cock, only hastening your upcoming orgasm. Ellie’s mouth leaves your nipple, much to your disappointment, to whisper into your ear.

“Cum for us.” Her words are so vulgar, but the soft pecks she plants on your neck is what really sends you over.

You cry out their names like you’re worshipping them, frantically grasping onto Ellie’s hair and tugging at it to keep her mouth all over you, her tongue on your throat, and Vi is saying the most filthy things you’ve ever heard her say as your orgasm crashes through you like waves.

“Fuckkk, swear I can feel your pretty little cunt milk me.”

“There you go, good girl..just cum for me and Ellie.”

When you finally come down from your high, Vi slows down and Ellie’s mouth leaves your neck to plant a few soft kisses on your lips, her fingers leaving your clit to squeeze your hand.

You’re all blissed out, cute little stockings still adorned, and panting with closed eyes.

You just know you’re gonna get the best aftercare.

[cosmicdahlias]

Top Student

Ford Pines x Reader

MINORS DNI

Professor Pines has seemed a little down lately. You stop by his office with the intention of raising his spirits, as well as… other things.

tags: professor ford au, teacher/student relationship, oral, multiple orgasms, biting, fdom/msub, bondage, praise kink, p in v, creampie

okay confession this is inspired by a crush i had on a teacher in my senior year of high school, dude was a total nerd but in like a hot way. i literally applied myself so hard for him that i finished top of the class, still got the medal to prove it lmao. i’ve always had a thing for well read older men and that ain’t ever changing!!!

You stood outside the door to your Astronomy professor’s office. As of late Professor Pines had seemed less like himself, appearing to be not nearly as engaged in his lectures. He covered the material just fine, but his passion for the subject matter just wasn’t there anymore. He always looked exhausted and worn out as well. Were it any other professor, you still would’ve cared, but there was an ulterior motive that led you to stand at his door. You gave a knock.

“Come in!” Professor Pine’s voice called from behind the door.

You opened it and took in the sight of his office. The room was softly lit by both a floor and desk lamp, giving the space a cozier feel than what overhead lighting could achieve. Well stocked bookshelves stretched to the ceiling and multiple PhD diplomas lined the walls, from what you’d heard he had accumulated at least twelve. His desk faced the window and a couch sat in the corner. You stepped into the room.

“Oh hello, y/n. What a pleasant surprise.” He said.

“Evening, professor.”

“Good evening to you too. Please, take a seat.”

You sat on the couch, it was almost far too nice for just an office. Professor Pines really went above and beyond to make sure his students were comfortable. He turned in his chair to face you.

“So, what can I do for you?” He asked.

“Well, to be blunt I’m a little worried.”

His brow furrowed in concern.

“I’m surprised to hear you say that. You’re doing incredibly well in my course. Don’t go spreading this around, but you’re top of the class. I promise you have little, if anything, to worry about.”

“No, I wasn’t talking about myself. I meant you, professor.”

He gave a confused chuckle.

“Forgive me, I’m afraid I don’t quite understand.”

You took a deep breath.

“You’ve just been so… sad lately. It’s subtle, but you seem distant during your lectures, like you’re just going through the motions. You look so exhausted too.”

Professor Pines fidgeted with his hands.

“I appreciate your concern, but I can assure you I’m doing just fine. I promise.”

You looked at him directly in the eyes.

“Professor…”

“I’m sorry, I really do value your worries, but the life of your professor isn’t something you need invest yourself in. You’re incredibly sweet, but seriously I’m fine.”

“I know depression when I see it, I wouldn’t be a good student if I didn’t care.”

He let out a long sigh.

“If I really cannot dissuade you, then alright. Just promise to keep this between us.”

“Of course.”

“Things haven’t been going well for me romantically. It seems to be one failed relationship after another. They start off great for a few weeks, or if I’m lucky maybe a month or so, but no one has seemed to enjoy my company long term. I’m not exactly romantically adept, so it’s more my own fault than them, but still I’m starting to lose hope of finding someone. I’m not getting any younger and at my age you become painfully aware of just how little time you have left in the grand scheme of things. It’s really starting to feel like loneliness might be it for me.“

“Oh, professor. I had my suspicions that it might’ve been something like this, but I’m so sorry.”

He gave a small, dejected smile.

“You know, I really thought I was doing my best to hide it. Foolish of me to assume that you, my top student, wouldn’t catch on with that intuition of yours. I apologize if it’s affected the quality of my teaching.”

“Is there anything I can do?”

“Oh goodness, no. You don’t need to do anything for me.”

“Are you sure?” You said, standing and coming close to him.

“Wh- what are you doing?”

“I suppose now is as good a time as any, but I’ve always found you attractive, Professor Pines.”

His cheeks turned a dusty pink.

“Um… I- ah- thank you. I’ve always thought you were incredibly attractive as well, but perhaps you shouldn’t be standing so close like that.”

You moved a hand to his chest, there was a slight firmness to it. You moved in closer, your lips brushing against his ear.

“I think I could benefit from some private instruction, don’t you?” You whispered.

His breath shuddered. You leaned down and kissed him, he moaned softly into your mouth before pulling away.

“N- no, this is wrong. I- we can’t do this. Look, you can sit back down and we can discuss anything pertaining to my class, or you can leave and I’ll see you for tomorrow’s lectu-“

You sat on his desk, spreading your legs and slowly pulling up your skirt.

“I know you want this as badly as I do.” You cooed.

“I can’t- oh dear god, you weren’t wearing anything underneath that skirt this whole time? Did you… plan this?”

“I just figured I could help out my favorite professor.”

You slipped a finger to your clit, Professor Pines watched intently.

“You’re so wet, is this because of me?”

“Wouldn’t be the first time I’ve touched myself to you.”

“I’ve seen a lot in my time, but someone as radiant and stunning as you with your hand between your thighs and dripping onto my desk for me is by far the least expected.”

“I don’t think you give yourself enough credit, professor. Do you know how many people would throw themselves at a silver fox like you?” You purred.

Professor Pines moved himself out of his chair to stand in front of you, he cupped your cheek, kissing you passionately.

“If your flattery is a means to get me on my knees for you, I’d say you’ve won me over.” He said as he sank to the floor, his face level with your pussy.

He allowed his hot breath to linger on you for a moment before dragging his tongue up your dripping lips.

“You taste so good, sweetheart.” He said, his mouth finding your clit as you tangled your fingers in his hair.

Despite claiming to be romantically inept, he certainly wasn’t at pleasuring his lover. You had no idea what his past partners didn’t see in him, he could be as awkward as humanly possible, but his looks and skilled tongue would keep you cuffed.

He stopped for a moment and looked at you.

“How does that feel?” He asked.

You stroked his cheek.

“You’re so good for me.” You praised.

Your praise seemed to invigorate him, he returned his mouth and tongue to your clit, lapping at you furiously.

You felt yourself growing close and you tightened your grip on his hair. You moaned loudly as you came, bucking yourself against his face. He held your hips steady, keeping his mouth on you and making you cum again in record time. He refused to stop, not even allowing you to catch your breath before making you cum again and again until you lost count. Your ears rang by the time he removed his mouth.

“Holy fuuuuuck. You’re incredible, Professor Pines.” You panted, your final orgasm subsiding.

“Please, just call me Ford. After making you cum on my tongue that many times I think we’re past the need for formalities.” He said as he stood to kiss you.

“Well then Ford, how about we move this to the couch?” You said as your hearing fully returned to normal.

“But of course, sweetheart.”

He picked you up underneath your thighs and sat on the couch with you straddling his lap. You felt his hard cock press against you through his pants as you kissed him passionately, pulling down the turtleneck of his maroon sweater. You were about to bite his neck when you noticed a cartoonish tattoo of a smiling star giving a double thumbs up with the words “Hey now, I’m an all star.” You failed to stifle a laugh.

“What is it?” Ford asked.

“Nothing.”

You bit down on him, he gasped.

“Oh god, no one has ever done this to me before. People my age aren’t nearly as adventurous.” Ford whimpered.

You laughed again.

“You think that’s adventurous? Let me ask you something, have you ever been dominated before?”

He blushed hard.

“I- no, never. My partners have always preferred I take the dominant role.”

You kissed him deeply, biting his lower lip as you pulled away.

“I’m about to blow your mind, Stanford Pines. Now lie back.”

He followed your command, shifting himself to lay on the couch with you still on top of him.

“You ever had someone tie you up before?” You asked.

He looked away, embarrassed.

“…Not in a sexual way.” He mumbled.

You raised an eyebrow.

“Just what were you doing before you became a college professor?”

“You wouldn’t believe me if I told you.”

“Guess I’ll just have to fuck the information out of you.” You teased.

“You drive a hard bargain, my dear.”

You unbuckled his belt, pulling it free from his pants. You pinned his arms above his head, looping the belt around his wrists and fashioning it into handcuffs.

“How’s that, not too tight?” You asked.

“No, it feels snug.”

“Good.”

You let your hands travel to his pants, unzipping them and pulling out his cock.

“Goddamn, your previous partners are idiots. Who would pass up a cock like this?” You said, giving him a few strokes.

“Mmmnn, your hand feels so good.”

“I think I know something that’ll feel even better.”

You moved yourself to hover over his cock, slowly sinking down his length. He throbbed as you reached the base of his shaft. You looked down at him and smirked, staying still.

“Y- you can’t just sit there with my cock inside you and not move. Don’t tease me like this.” Ford whimpered.

“I need to hear you tell me how much you want this.”

“Please, I need you.” He said as he frantically attempted to buck his hips.

You pulled yourself off of him.

“No no no, please no, you can’t stop now.” He whined pitifully.

You cupped his chin, your thumb stroking his lips.

“You have to beg. Tell me just how badly you need your top student to fuck you.” You commanded.

“Oh god, please y/n. I need you. I fucking NEED you. Ever since that first day you walked into my class I’ve desired you so intensely. You don’t know how many times I’ve had to stroke myself because I lay awake at night thinking of you. I’ve even touched myself in the lecture hall between classes after seeing you sit in the front row in those little skirts, crossing and uncrossing your legs, your panties just barely visible. I’ve never longed for someone the way I have for you. Please fuck me, I can’t take much more of this.”

“Ugh you’re adorable when you beg, music to my ears.”

You took his full length back inside you, he let out a loud gasping moan as you began to lift and drop your hips.

“Thank you, dear Moses thank you. You feel so good, s- so warm and tight.” He shuddered.

You slipped your hands under his sweater to his nipples, pinching and tugging them. He was a mess of moans and whimpers.

“You like that, smart guy?” You purred.

He looked up at you in surprise.

“Did I say something?” You asked.

“No, I just- it’s funny, you’re not the first person to call me that, but I like it far better coming from you than I did him.”

“That’s my good boy.” You purred.

You felt him throb hard inside you.

“Nnngh, no one has ever said that to me before. Your praise alone could make a man cum.”

“I’ll have to keep that in mind.”

You gripped his shoulders, moving your hips to fully slide him out and back in over and over. Your name left his lips with a moan and he looked up at you, eyes full of pure lust.

“Oh god, just like that. Don’t stop, don’t ever stop.” He whined.

“So needy, you’re doing such a good job for me.”

You felt him throb repeatedly as his moans and whimpers increased in volume and prevalence.

“I’m so close, m- may I cum in you? I need to know what it’s like to fill you with my seed. Please, y/n.” Ford begged.

“Very good, handsome. I didn’t even have to tell you to beg. That alone deserves to be rewarded.”

You picked up your speed and felt the pulse of his cock one final time as he came deep inside you. He bucked his hips, trying his hardest to go as far in you as he could.

“Y- you’re s- s- so incredible.” He stuttered.

“And you make for one hell of a ride, handsome.” You purred, stroking his cheek.

You pulled yourself off of him and he looked down, his and your cum had completely stained the front of his pants.

“Oh god, we’ve made a mess.” He said, putting his hand to his forehead.

You giggled at the sight of him.

“Don’t laugh, you’re wearing a skirt, you can get away with it.” He groaned.

“Sorry, I just like the idea of leaving you with a little reminder of myself.”

Ford took your hand.

“You really are amazing, sweetheart. No one has ever come close to feeling like you.” He whispered.

“Yeah? How would you like to do this again sometime?”

“R- really?” He asked.

“Oh without question.”

“Then by all means, feel free to stop by tomorrow. Perhaps you could let me see you sans clothes next time.”

“Good boy, sounds like a plan.” You said, leaning down to kiss him.

[bowandbrush]

Ideas/things I think are underutilized in rottmnt fanworks:

-Piebald

-Leo’s “lucky rock” (air turtle ep. for reference)

-the fact that Big mama willingly participated in the “doom dome” and maybe even at the Nexus at one point

-Lou Jitsu’s past and relatives

-the multitude of spirits seen in the s2 finale

-mystic trinkets and artifacts (you can never have too many!)

-yokai background characters

-the hidden city seemingly being run by fear (mobsters, power, etc.)

-more hidden cities outside of NY

-Baron Draxum being driven to a villain role only because he sought to protect the yokai race (he isn’t all that evil)

-Leo’s disgust of romance (…at least develop Leo into a romance role…)

-Donnie isn’t averse to EVERYTHING goopy and weird. (Like the yokai pizza he ate w/Leo in “operation: normal” and the Joey pouch he sat in with Leo in “hidden city job”)

-Sunita. look, she clearly has a taste for fashion (the fashion turtle pointed THAT out) and she chose to go into SCIENCE/biology class, out of many options. She would be besties with Donnie.

-those crab brothers

-tmnt iteration crossovers (there isn’t enough out there)

-Donnie (probably) being the medic (y’all are gonna hate me for this. But. I honestly don’t see that much to support medic Leo. it makes an excellent headcanon though! It looks like Donnie designed the entire medbay and patented the suits and whatnot in “down with the sickness”. Also he started spewing medical-talk when unmutated piebald fell out of the fishbowl.

-MAYHEM

-Senor Hueso’s son (Hueso Jr?)

-other Yojimbo/samurai rabbit characters! I’m tired of ONLY seeing usagi. Where’s gen? Chizu? Katsuichi? At least do your research y’all pleassseee. At least read a wiki page because so many usagis I’m seeing are so ooc that he’s just there to be Leo’s love interest. Cmon.

-Draxum’s son sloppy joe(seph)

-Characters from the rottmnt comics.

-Battle Nexus monsters (Lou Jitsu mostly fought hydras, big creatures, etc.)

-Renet!!!

-other characters from pre-existing tmnt iterations (Rocksteady, leatherhead, tigerclaw, Lita, Bebop, I could go on….)

-the turtles adopting a cat (rise Mikey hasn’t had the best of luck with cats though)

-space adventures! Triceratons! Aliens! Robots! please

-sibling kisses. Hugs and stuff. Now.

-Big Mama redemption arc??? I still haven’t seen one. She was actually pretty close to redemption towards the finale. We haven’t seen her in the movie, so who knows?

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[maxdibert]

Having a shitty past is no excuse for being a horrible person, and Snape was a horrible person. Snape fans always try to turn him into a tragic hero, but there was nothing heroic about him when he was just an obsessive bigot who followed a group of genocidal maniacs

Well, I think I’ve said this a million times already and explained in exhausting detail why growing up in a particular environment—lacking social, emotional, economic, or essential support—and being subjected to violence during the most crucial years of cognitive development creates the perfect breeding ground for antisocial behavior. It also makes vulnerable or socially excluded youth prime targets for sectarian groups (whether religious, political, or otherwise) that prey on their situation, offering them promises of protection, safe spaces, surrogate parental figures, or social progress. These groups actively seek out kids with emotional voids caused by dysfunctional family dynamics, minimal to no financial resources, and a profound sense that the system has failed them at every turn. They offer these kids an alternative system—one that gives them a roof over their heads, a hot meal, a place to belong, and people who won’t marginalize them like the rest of society has—at the simple price of blindly following the group’s ideology. And they do it. Of course, they do. Because what other choice do they have? This group gave them life, a place in society, and restored their status as human beings.

But since I’ve spoken about this at length before and about how Severus’s life shaped his decisions, I feel like I’m starting to sound like a broken record. So, since I’m also reading a legal ruling I need to memorize by Friday, I’m going to indulge myself and dissertate as freely as I please—because hey, if you’re going to throw hate, I’m going to grant myself the privilege of replying however I want.

Here’s a question: why does it even matter? Seriously, what does it matter if he was a shitty person? Do you know that people go to space today thanks to the work of physicists and engineers who were literal SS members? That after WWII, all the top scientists, physicists, chemists, and engineers were granted amnesty and fast-tracked into citizenships so they could work on government projects? That people working within a stone’s throw of concentration camps are the pioneers behind some of the greatest technological advances of the 20th century? And you don’t care that the products you consume are derived from the work of collaborators with mass genocide, but you’re upset that people find a fictional character interesting? I don’t want to sound cynical, but honestly, it’s ridiculous to get so morally high and mighty about a character who doesn’t exist and who followed an extremist cult for, what? 3 or 4 years tops? and then canonically worked actively to take it down. If we put Severus in a real-world, wartime context, the guy would be a literal war hero with medals to his name. No exaggeration. If he survived, he’d be recruited with a fat paycheck to work in internal affairs for some major world power’s secret projects. That’s just how the world works.

And yeah, he was obsessive. But in an era where everyone suffers at least one anxiety episode a month, where the best-case scenario is that your panic attacks don’t spiral into chronic mental health issues—can we really judge him for that? Like, most of the people I see being ultra “snater” are folks who openly declare themselves neurodivergent, and one of the common denominators of all neurodivergence is obsessiveness. All of them. Whether it’s chronic anxiety, depression, OCD, ADHD, paranoid schizophrenia, bipolar disorder, borderline personality disorder or autism. Every single one has an obsessive component. So it’s kind of ironic—and even hypocritical—for people who are themselves pretty obsessive (because let’s face it, we’re all compulsively doomscrolling here to soothe our anxious compulsions with little dopamine hits) to judge this character’s obsessiveness as a negative trait. Maybe let’s take a good look in the mirror, too.

And let me just say, no court would convict Severus of collaborating with a terrorist group. Not a single one. Impossible. Especially since he literally collaborated against said group, so any judge would happily clear him—not after the war, but the moment he struck his deal with Dumbledore. Severus is what’s known as an informant. He worked from the inside, exposed himself to greater dangers than regular agents. Legally speaking, there have been cases where people guilty of heinous crimes—including crimes against humanity—were let off because they provided critical information. So imagine someone like Severus, who, as far as we know, didn’t even kill anyone during his time in the group, willingly spilling the beans and agreeing to work as a spy. He’d be celebrated as a hero of war. Hell, they’d probably buy him a mansion in Florida if he wanted one. That’s just how our system works, and honestly, this kind of moralist posturing is pretty cringy because you’re talking about a guy who literally saved half of magical society’s asses and without whom the kid destined to save the world would’ve died in his first year at school.

You can dislike him or think he’s a jerk, but he was damn good at his job. And compared to the people he’s often unfairly measured against (Sirius, James, Remus...), he actually did something. They didn’t. Absolutely nothing. Contribution: negative one.

[sleepyparalysisdmon]

Ateez being vulnerable with a partner

Requested? Yes! Request: ‘ateez members being vulnerable with their partner’

Hongjoong Ah, the burden of being a leader. I’m sure he feels like he has to carry the weight of the world on his shoulders sometimes. Members or management might ask how he’s doing, and he’ll probably always say, “I’m good!” But if you ask after a long day, he might finally let his overwhelm show. Be gentle, because he really just needs to vent sometimes. When he’s done venting, he’ll just want to lay in bed and let you hold him.

Seonghwa As the oldest, he’s used to taking care of everyone else’s needs. I feel he’d probably not easily accept others taking care of him though. So he might be a little resistant when you do things to make his life easier, insisting that he’s thankful but you really don’t need to do anything for him. But if you catch him on a particularly bad day, he might just fold and let you take care of something for him. Like if he comes home from a brutal practice and you put a warm meal in front of him, he might become a little emotional. Please keep insisting on doing these things so he’ll get used to it.

Yunho He’s a mood maker of the group, which is great! Except that he always has to be in a good mood or everyone suffers. So, I can picture that he might become frustrated with something and have to stifle that reaction to keep the peace. He’ll probably stifle that reaction around you as well out of habit. But when he crawls into bed late at night and you ask how his day was sweetly, he might explode. You should let him, gently rubbing his back while he lets it all out. Even if you don’t have any advice for him, the fact that you listen makes him feel lighter.

Yeosang This one might be a little unique, but I think there’s something particularly vulnerable about letting someone know that you’re upset with them. It could be something small, but those little things accumulate over time and become overwhelming. You notice that he might not be happy with little things you do - he reorganizes the dishwasher after you’ve loaded it, or he refolds his clothes that you just folding. Small stuff that he bites his tongue about to keep the peace. When you ask him to tell you about those little things so you can fix them, he hesitates. But he’ll eventually come to you and say, “Can you please do it this way next time?” He might need some reassurance that you aren’t mad that he asked, but progress is progress.

San I have a hunch that he’s probably pretty vulnerable with a partner to begin with. Where I think an issue might come in is when he feels like him being vulnerable with you all the time is a burden. He doesn’t like to come home and unload all of his stresses onto you, especially when you might have also had a hard day. You’ll have to be pretty direct that it’s okay to be vulnerable with you because he also creates a safe space for you to be vulnerable.

Mingi Sometimes, certain things are hard to say. So he often doesn’t say them. You’ll find a page or two of notebook paper with some of those little vulnerable thoughts written down. At first, you thought he left it out accidentally and you apologized for reading his private thoughts. He insisted he left it out for you, and it’s a regular habit now. It lets you know when he needs a little bit of extra love, even if he’s uncomfortable directly asking for it.

Wooyoung This man is so confident 99.9% of the time. But in those .1% times, he might turn to you and ask some crazy vulnerable questions. ‘Am I attractive?’ ‘Is this hair color bad?’ ‘Do you love me?’ ‘Why do you stay with me?’ It just might break your heart to hear it, but answer kindly. May also need some physical comfort when he’s feeling like this, so baby him for a bit until he’s back to his usual confident self.

Jongho He strikes me as someone who is not as physically affectionate as others. Not that he hates it, it’s just that he likes to show his love in other ways. But you’ll know something is up when he comes home and all but collapses on top of you. It’s so unlike him that you’ll ask if he’s okay. Will not admit that he needs the physical affection to soothe whatever he’s dealing with, but you rubbing his back and running a hand through his hair will make him forget whatever he was feeling bad about.

[stormz369]

☕💖 Can I Get Your Number? ☕💖 Ch 29

Jason Todd x (f)Chubby!Reader

written with a female reader in mind, first person pov, no use of Y/N, NSFW, MDNI, let me know if there's anything else I should tag this with!

warnings/labels: poor parenting discussed, Talia may or may not be ooc (if she is, fear not! I have received 2 separate permits, and have been told I may do as I please!), mild cussing, fluff, angst, a smidge of fear

wc: 2.4k

Chapter Selection

“... Babe, I know you've described Damian's mom as a ‘real piece of work', and Bruce told me a bit about how she raised him before he came here, so I do know she's not what I would consider a good mom. But that doesn’t explain why her visiting means we can't go to the manor?”

Jason sighed, setting his phone aside. He cupped my cheeks, purring my name; “darling, light of my life. I mean this in the best possible way. … You cannot be trusted to keep your cool with her.”

I blinked several times, frowning; “what on earth does that mean?!”

“You are … passionate. You love fiercely, and I love that about you. Seriously, I don't want you to think this is a bad thing; the way you love us makes me feel so safe, and I know Damian agrees. But … you've already yelled at one of his teachers, his principal, and Bruce. You will not be able to hold your tongue with Talia. And holding our tongues is necessary with her. … If she believes living at Wayne Manor is making Damian weak, she will take him away 'for his own good’.”

“How on earth would I make her think he's weak?”

“Talia is the type of person who believes attachment makes us weak. The things we care about can be used against us, the people we love are the people who will hurt us the worst. She believes it's better to be feared than loved. She's why he's so good at masking his feelings. Why he doesn't always understand his own feelings; his early education did not include processing and recognizing emotions. But she's … incredibly astute. She's analytical, and brilliant, and terrifying, and … she's his mother; she taught him everything he knew before he came here, and now she can read him without trying, even when he tries to hide his feelings from her. So if she sees how you two are around each other, even if neither of you so much as acknowledge each other, she'll know how you feel about him, and how he feels about you, and we'll probably never see him again.”

I growled softly, clenching my jaw. “… Bitch…”

He chuckled softly, holding me close. “I know. Which is why we have to keep our distance. … She doesn't visit often, and when she does she never stays long. She'll probably be here for a week at most, stalking the kid to make sure he's not slipping, and once she's gone I’m certain he'll show up on our doorstep.”

I sighed softly. “... Ok. … If you see him between now and then you have to find a way to tell him that I’m missing him and I love him very much, ok?”

He groaned softly. “Aw, come on, babe. The Red Hood can't lean in to give Robin a hug during patrol!”

“I'm not asking you to hug him - don't hug him! Just make sure he knows that I'm thinking about him. Please?” I pouted, snuggling against his chest; “for me?”

“Ughhhhh …. Fine. For you.” He sighed, running his fingers down my spine.

I grinned, snuggling against him happily. “Thank you~”

“Yeah, yeah …” he chuckled, kissing my temple. We sat on the floor, curled against each other, for a long while before Jason finally moved us to the bed to get some sleep.

Jay quickly started moving his things into my place. I gave him my spare key and made space in the closet. When I got home from the next girls night some of his clothes were hung up next to mine. The next day there was one of those cheap plastic dressers next to my nice wood one, and sitting on top of it was Jason's cologne, a book, and his deodorant. His shampoo, conditioner, and shower gel joined mine on the side of the tub. We bought more towels and a new set of sheets.

All these little changes made me giddy; his things slotting into position next to mine just felt so right, and I would get used to the weapons that were suddenly stashed all over the apartment. We had a thorough gun-safety presentation that night, and he showed me where everything was. On the next gym-and-range day, we finished training with an exercise where he would, entirely at random, shout “intruder” and time how long it took me to have a weapon trained on him. My best time was two seconds; he had expected me to go for the gun in the drawer, not the knife block in front of me on the counter.

Soon I started packing Jason a lunch for patrol. Mostly because I wanted to take care of him in some way, but a part of me also hoped he'd run into Damian out there and share the cookies I made. He rolled his eyes at me the first time I pressed the insulated bag into his hands, but accepted it anyway. I sent him off with a kiss and a wave, and settled in to wait for him to come home. Hours later I fell asleep on the couch, and when I woke up it was 4:30am and he was unlocking the door. The exhaustion rolled off him as I pulled him into a tight hug, and we collapsed into bed. When I woke up for real around 11 the lunch bag was sitting on the kitchen counter, empty and clean. I grinned, filling it again that night, and Jason didn't offer so much as a token resistance before taking it.

A week and a half passed before he ran into Robin on patrol. Jason assured me that he had passed along my message, Damian was perfectly healthy and definitely missed me too, and he had even been forced to share the brownies I'd packed. I beamed, kissing his cheek in thanks, and we curled up in bed.

The next day, we started looking at houses online. We obviously only looked at what was available in Red Hood's territory; on top of him wanting to stay close to his patrol area, it was on the opposite side of Gotham from the well manicured lawns of Bruce's gated neighborhood and thus the perfect place to set up my clinic. Whether our home or the cave was closer, the bats would never be more than 30 minutes away from medical care. Jason took note of a few addresses he wanted to go check out, promising to swing by during patrol to see if they were securable.

“No reason to arrange a showing if I'm not gonna be able to make it safe for you.” He kissed my forehead, wrapping an arm around my waist. I chuckled softly, leaning against him. I was pretty sure he was the one who would need the most security measures to feel safe in our new home, but I wasn't going to argue. The way he lit up when providing for me was too precious a sight; if I complimented his cooking he turned pink and mumbled it was nothing. I thanked him for switching over the laundry and he sighed happily, nodding. When he saw progress in my training he beamed. And when he came home safe in the early hours of the morning, all anxiety and stress melted off of him the second he was in my arms.

In a lot of ways, life was starting to feel incredibly normal. We were like the picturesque 1950’s family I'd been taught to simultaneously idealize and vilify; until the spring semester at GU started I was free to spend my time how I pleased, and with Damian's mother still in town, that mostly meant finding new ways to feel like I was giving Jason as much as he gave me. I made sure he always had enough treats in his lunches, in case Damian was out too. When Jason returned from patrol I inspected him for any small wounds my first aid knowledge would fix. I doted on him every chance I got, and he doted right back. It was wonderful, truly.

But when he left for work, and I was alone with my thoughts, the stillness in the apartment quickly became overwhelming. At first Damian's sudden absence from my life had been annoying but acceptable. But after the first couple days it started to feel like a rabid dog was using my heart as a chew toy. Why was his mother still here? What was she doing? What was she saying to him? He had been making such incredible progress; he smiled more, he initiated hugs, he accepted them more readily. He was painstakingly tearing down the walls around his feelings brick by brick. It was a difficult process, and he was being so brave, I couldn’t be prouder! But what was she doing to those walls while I was kept away?

It had been two weeks, and I was starting to wonder if she planned to stay for the holidays. I didn't want her to stay for the holidays! I had plans, and I couldn't do my plans if I couldn't go to the manor! Being barred from Wayne Manor meant no Damian, but it also meant no Steph, no Dick, no Tim, none of them! We had decided it would be best if it looked like I was just Jason's girlfriend; as far as Talia knew he was indifferent to the family, if that. So I had to appear indifferent at best as well.

I was still able to go to girls' night, because that was being held at Barbara's home. There was no reason to believe Talia would know or care about that. But I missed training with everyone. I missed finding new ways to tease Tim. I missed Dick's good natured laugh. God help me, I even missed Bruce! He pissed me off, but he was still kind to me for the most part, and he was a good trainer. I wanted things to get better with him, for Jason and Damian's sake. I wanted him to be the dad they deserved, the dad Dick believed he wanted to be. I was pretty sure he had it locked away inside him, he just needed … something. What exactly that was, I wasn't sure; maybe to see how happy Damian was with simple childhood experiences? Or to see the peace on Jason's face when we cooked together. Or maybe he needed to experience some of that for himself. But whatever he needed, I was sure he wasn't getting it, and until Talia al Ghul left I wouldn't find out.

I tried to busy myself with crafting and baking. With the winter holidays on the horizon I really should have started on presents around Halloween, especially considering how many people I was making gifts for this year. But better late than never, so I used the time alone to get started. Jason would be gone for hours, I had plenty of time. Or, I would have if not for the knock at the door.

I jumped, looking up incredulously. I wasn't expecting guests, especially this late at night. Anyone I wanted here had my phone number, and no one had called or texted. I grabbed my phone, just to be sure, but I was right - no unread texts, no missed calls. A moment later there was another knock, this one more insistent.

I grabbed one of Jason's guns and my phone, ready to call him with the push of a button, and looked through the peephole. A beautiful woman was standing at the door, an unamused look on her face. Her clothes were too elegant for this neighborhood, she definitely didn't just wander to the wrong door. I sighed, a sinking sensation in my gut as I cracked the door open just enough to reveal my face.

“... Hello?” I frowned.

She raised an eyebrow; “... is hospitality well and truly dead in this country, or are you going to invite me in?”

“At eleven o'clock at night, in this neighborhood, with an uninvited stranger on the doorstep? It’s dead. Now, would you like to introduce yourself, or should I shut the door?”

She tsked; “I am Talia al Ghul. Why have you been spending time with my son?”

I silently cursed, but forced my expression to remain bored and distrusting; “... Your son?”

“Damian …” she sighed, “I believe he's using his father's last name now, Wayne.”

“Oh, Jason's brother? He's not here.”

“Obviously not.” She snapped; “are you going to let me in?”

“Why? He's not here.”

“I know he's not here! I want to know why you've been spending so much time with him.”

“I dunno about ‘much’. I've met him.”

“You are his emergency contact at that paltry excuse for a school he is enrolled at.”

“Oh, is that what you're so upset about?” I shrugged; “'m just doing a favor for Jay by doing a favor for his dad.”

“... Elaborate.”

“Mr. Wayne is a busy man, I am not a terribly busy woman. Emergency contact at the school was a simple enough thing to take off his plate. Kinda thing that seems bigger than it actually is. He now associates me with his life being ever so slightly easier. He already associates me with Jason, ergo he now associates Jason with his life being slightly easier.”

She frowned deeply. “You are emotionally manipulating Bruce into … what, being kinder to his second son?”

“... I suppose so, yeah. Didn't really think about it that way. 'Manipulation' makes it sound so much more convoluted and … effort-full. All I did was sign a piece of paper.”

Her expression morphed into a small smirk; a very Damian-like expression. “... And you are Jason's … girlfriend?”

“Yep.”

“... Hm.” She nodded once. “... Very well then.”

“... Okaaay. … So are you like, sticking around or somethin'? Do you want to be the emergency contact now?”

“No, there is no reason for that…” she pursed her lips; “establishment to have my phone number.”

I shrugged again. “Alright… Anything else?”

“... No, I suppose not.”

“Kay. I'm goin' back to bed then. Goodbye.” I shut the door, locking it, and looked through the peephole again. She glowered at my door, seemingly considering something, and finally left.

I watched her walk away until she was entirely out of sight, then slowly retreated to the couch to text Jay.

Me: Everything is fine, do not panic; but I just met Talia. 11:20pm

Jason: I'm coming home. Don't open the door to anyone. 11:35pm

Me: 👍❤️ 11:36pm

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[wisecura]

Sheets

megumi fushiguro x fem-reader

p.1

p.3  ( ⸝⸝꩜ ᯅ ꩜⸝⸝;) p.5

p.4

AN: Thank you for reading! Please reblog and like if you enjoy this series!

warnings: yandere, obsessive behavior, possessiveness, mommy kinks, mommy issues, arranged marriages, forced marriages, angst, eventual smut, clan politics, age gap (5 years from meg, and a little over 10 with toji), toji aint the best dad, mentions of child abuse, slowww build.

birthdays and interrogations

Megumi’s foresight was right on the money.

His father hadn’t returned home after their spat—not for several days.

You couldn’t help but wonder how often things unraveled like that between them, the tension simmering beneath the surface until it inevitably boiled over.

The next few months with Megumi fell into a steady routine. 

Megumi had started joining you for breakfast regularly, his quiet presence at the table becoming a comforting part of your mornings.

Though he didn’t say much, the steady rhythm of shared meals filled the space with a sense of easiness, one that felt unexpectedly grounding. More than you could expect from the unexpected blend. You were on somewhat friendly terms with him now.

After school, he would return home, spending his evenings—occasionally— in your company, whether it was in the living room while you tidied or in the kitchen as you cooked.

He still carried his signature scowl more often than not, but it had softened over time, losing its sharpness. He was warming up to you, slowly but surely. Feisty, yes—but no longer as…distant.

You'd learned soon that Megumi wasn’t much of a talker, yet the conversations you did share held weight. There was a quiet vulnerability in the way he’d let his guard down in small, careful increments. It wasn’t much, just glimpses here and there of the boy beneath the tough exterior. You felt for him. You really did.

He’d ask questions about your day, mention things about school, or make begrudging comments about Toji’s latest absence or fight. These moments, fleeting and subtle. You asked him about his day and the things he enjoyed. He was always a little more reserved, but you were still able to worm some information from him. You truly wanted to get to know the boy you called your stepson.

When Megumi's birthday rolled around, you wanted to throw him a party—something simple, but enough to show him you cared. When you mentioned the idea, he brushed it off, his scowl deepening as he muttered something about birthdays being no big deal.

You could tell by the way his eyes lingered, a mix of disbelief and hesitation, that no one had ever gone out of their way for his birthday before. His embarrassment was almost endearing, and you couldn’t help but smile at the thought of surprising him. How would the kitty puff up this time?

Toji, unsurprisingly, was nowhere to be found on the day. You hadn’t expected him to show up, but that didn’t matter. You were determined to make Megumi’s day special.

You decorated the kitchen with a few streamers and a handwritten “Happy Birthday” sign. It wasn’t much, but you hoped it would make him happy. You’d even baked a small cake—a recipe you’d found in an old cookbook—and the scent of frosting and sugar lingered in the air even after you finished baking.

The biggest challenge had been deciding on a gift. Your clan had given you a small stipend—a rare concession you’d managed to secure during one of your carefully planned visits. You’d met with them once or twice, offering just enough feedback to maintain their interest without revealing anything significant. It was a fine line to walk, but it granted you the luxury of a little extra money.

Megumi wasn’t exactly forthcoming about his interests, but he’d mentioned a thing or two. It didn’t hurt that you just so happened to notice the gaming system in his room. It hadn’t taken much effort to discreetly check the brand and do a little research on popular titles that might suit him. You triple checked his current collection, making sure you didn't buy him a copy. You wrapped the games neatly, setting them on the table alongside his cake.

When he walked in and saw the setup, his reaction was everything you’d hoped for, even if he tried to downplay it. His scowl deepened, and his cheeks turned faintly pink as he mumbled, “You didn’t have to do all this.” But you caught the way his eyes softened, the way his lips quirked up ever so slightly, despite his efforts to hide it.

“You’re allowed to celebrate, you know,” you teased gently, pushing the wrapped gift toward him. “Come on, open it.”

He hesitated for a moment before finally reaching for the package. As he unwrapped the games, his expression betrayed a flicker of surprise, followed by something you might’ve called gratitude. “How’d you even know?” he asked, holding up one of the titles.

You shrugged with a small smile. “I have my ways,” you said, keeping your answer vague. No need to admit you’d snooped a little.

The two of you spent the evening together, enjoying the quiet celebration. You’d cooked one of his favorite meals—something he’d mentioned in passing weeks ago—and lit candles on the cake, insisting he make a wish before blowing them out. For all his protests and attempts to act unbothered, you could see it meant something to him.

As the evening wound down, Megumi sat at the table, fiddling with one of the new game cases. He didn’t say much, but the faint smile on his face spoke volumes. It wasn’t a big celebration, but it was something. For the first time in a long time, Megumi felt that someone cared.

Toji, meanwhile, continued his sporadic visits to the apartment. His presence was like a weather shift—unpredictable. Sometimes, his arrivals brought an icy chill, marked by curt exchanges and a tension you could almost taste. Other times, his visits erupted into heated arguments with Megumi, their voices echoing through the walls.

You’d learned when to stay silent, carefully observing the dynamic between them until you felt absolutely needed. When you did speak, your words were short, clipped, and almost always in Megumi’s defense.

You couldn’t help it. The boy had a way of stirring up your protective instincts, and you hated seeing the rift between father and son grow deeper with every spat.

And Toji was never around long enough to deal with the aftermath of these arguments. Megumi would sulk in his room for the rest of the day, shutting himself away in a silence that filled the house. You couldn’t help but associate Toji’s sporadic presence with Megumi’s absence, and it made you feel…lonely.

You’d grown so attached to the boy—his quiet company, his rare smiles. And it was becoming harder not to resent the man you’d married. But you told yourself it could always be worse.

Your interactions with Toji weren’t all bad. He had moments of surprising thoughtfulness—checking in on you, asking if you needed anything. It was a nice gesture, though you weren’t sure how much sincerity lay behind it. Seemingly trying to play the role of “husband”. Thankfully he hadn’t tried to sleep with you. He’s was gone more times than not. And when he was home, he never stayed long enough to share a bed.

He was tolerant. Leaving you somewhat restless. What did he want from you. From your marriage?

One evening, as you tidied up after dinner, Toji leaned casually against the counter, arms crossed, his sharp eyes watching you with an unreadable expression. This night was more tense, Megumi left almost immediately after dinner, the two of you bathed in silence. Another session of you ending their ‘conversation’ short.

“You seem awfully protective of the kid,” he said, his voice low but pointed. “Almost makes me wonder if you’re planning something.”

You froze for a moment, his words catching you off guard. Placing the dishcloth down deliberately, you met his gaze evenly. “What’s that supposed to mean?”

He shrugged, his smirk half-formed, but his eyes remained serious. “Means I’m not blind. I see how you hover around him—how careful you are with your words. Makes me wonder if you’re working an angle.”

You bristled at his insinuation, your tone firm as you replied. You’d never show Toji much softness that was for sure. But Megumi. Megumi was different. “Megumi has nothing to do with this. I wouldn’t drag him into… whatever games my clan is trying to play. He doesn’t deserve that.”

Toji’s expression shifted slightly, something thoughtful flickering behind his sharp features. “So, you are reporting to them?” he asked, his voice quieter but no less piercing. He'd already assumed, but you were being so open with him. Your clan had some ulterior motives not that that was surprising. What clan didn’t? But to tell him so forwardly…especially knowing he could send you away.

“Yes,” you admitted, though your voice softened with a hint of frustration. “But…I’m not telling them much. Just enough to keep them off my back. I’m not here to be their little spy, and I won’t let them use Megumi for their bullshit.” Perhaps you were hoping to gain some sympathy with your situation. You were being honest. Could you appeal to the better nature in the wild card standing before you?

For a moment, Toji said nothing, his sharp eyes studying you with a weight that made the air feel heavier. He hadn’t expected your sudden outburst, the emotion laced in your voice cutting through the practiced composure you always seemed to carry.

Around him, you’d been nothing but polite, your speech prim and proper—even when you occasionally butted into the heated arguments he had with Megumi. You’d been a quiet presence, never revealing too much, always staying just on the edges of their fractured household dynamic.

Hell, this conversation had only started because he’d noticed Megumi’s growing attachment and acceptance towards you—something that had caught him off guard.

He couldn’t quite wrap his head around it. The kid was prickly and aloof with just about everyone, but with you? He was… different. More open, even if it was subtle. Toji hadn’t decided if he liked it yet, or if it made you a bigger threat. He wasn’t entirely sure if he could trust you—or if he even should.

His gaze boring into you as if trying to peel back your layers. Deciding that you likely weren’t lying, he continued.

Unexpectedly, he chuckled, though there was no humor in it. “You’re pretty sharp for someone so young. Playing your clan like that… takes guts. Or recklessness.”

“I’m not reckless,” you said firmly, your voice tinged with defensiveness. “I just know how they operate." You mumble more to yourself. "And I know how to survive.”

His smirk returned, but it lacked its usual edge. “Yeah, I can see that. But you’re still a kid. You shouldn’t have to play those kinds of games.”

You blinked, caught off guard by the faint trace of concern in his voice. “I’m not a kid,” you replied softly, the words echoing with a tone of defiance that felt uncomfortably similar to Megumi’s.

“You’re eighteen,” he countered, his tone gruff. “That’s young. Too young for this kind of shit. You’re not wrong about the clan. Hell,” he added, his voice tinged with a dark sort of humor, “they’ll probably have someone else lined up for you by the end of the week.”

Your chest tightened at the reminder, though you forced yourself to keep your expression neutral. “Why did you agree to the marriage then?” you asked, the question slipping out before you could stop it.

Toji’s gaze darkened, his smirk fading entirely. “Figured it was better than leaving you to someone worse,” he said, his tone evasive. “Doesn’t mean I like the clan bullshit. Never did. But I get it. You didn’t have much of a choice.”

There was an uncomfortable silence before he added, almost begrudgingly, “You need protection, too.”

You tilted your head slightly, studying him. His words didn’t entirely align with the aloof, dismissive man you’d been learning to navigate. “So, can I trust you?” you asked, half-teasing but with an edge of sincerity.

He snorted, his smirk returning faintly. “Trust is a stretch. But for now, yeah, you’re safe here.”

The unspoken sentiment hung in the air, heavier than the words he’d spoken. You couldn’t tell if it was a warning or a promise—or maybe both. Still, there was a flicker of something protective in his demeanor that gave you pause. Toji might not be easy to read, but for now, it seemed he wasn’t your enemy.

Your clan hadn’t let up during that first year. The snippets of information you’d provided weren’t enough—they needed more, demanded more, than you were willing to give. Representatives began knocking on your door with frustrating regularity, their polished smiles hiding their growing impatience.

The landline rang incessantly, as though they were hoping to catch you off guard and glean some tidbit you hadn’t shared during your carefully measured visits.

You’d done your best to subtly turn them away, declining their offers with polite firmness and brushing off their pointed reminders of your “obligations.” But their persistence only grew.

Sometimes, they even came during your shared dinners with Megumi, the unwelcome interruptions souring the brief moments of peace you’d managed to build. It was enough to leave a bitter taste in your mouth, leaving you somewhat salty. 

You hadn’t wanted him to get involved, but the way his sharp eyes followed you each time you returned from the front door told you he was paying attention.

He wasn’t oblivious to the frequent visits, even if he didn’t say anything. Megumi had been kept out of clan affairs for most of his life, and you wanted to help keep it that way. Yet, every time you came back from one of those interactions, he seemed quieter, more withdrawn.

It was as if a silent itch gnawed at the edges of his mind, questions he wasn’t ready to voice aloud. He never asked you about it directly, but his watchful gaze and the tension in his shoulders said enough.

The questions they’d been asking lingered in your mind: Was Megumi truly as promising a sorcerer as they claimed? Would he eventually be adopted back into the Zenin clan and rise to take over as its head? If Toji Fushiguro doing anything suspicious?

And you—were you doing your part? Building trust, forming a bond with the two, setting the foundation for future alliances? Should you be left at that house? Are you being useful?

The implications were clear.

You weren’t there because you were wanted as a person; you were there as a tool. The reasoning behind their persistence loomed like a shadow over every waking moment.

But you had Megumi now.

And Toji

Even if he seemed to doubt you. He had every right to. But as long as Toji backed you, this was your home. This was where you belonged. For the first time in your life, you felt like you had something real—a family. A place that felt safe.

Megumi noticed the tension in your shoulders, the tightness in your jaw, every time you returned from one of those exchanges. Though you tried to hide it, you never quite managed to mask your emotions fully—not from him.

He’d developed the habit early on of reading you, attuned to the subtleties in your demeanor. Without even realizing it, he’d become quietly vigilant, watching over you in those moments. Then again it was hard not to memorize something so radiant and warm.

In the short time you’d been there, Megumi felt like he’d come to understand you better than he expected. He’d learned so much about you—your kindness, your charisma, your warmth, and the way you had a knack for smoothing over the jagged edges in his life.

It baffled him that you’d stuck around for as long as you had, but it also stirred something in him that he couldn’t quite define. Relief? Gratitude? Maybe even a flicker of hope. You wouldn't be leaving...right?

At first, he’d been hesitant to let himself get used to you. Because...people left—that was the one constant he’d come to understand.

No matter how much you wanted them to stay, they always found a way to slip through your fingers. And good people—people like you—seemed to bear the brunt of the world’s cruelty.

Whether it was bullying at school or tragic accidents that seemed to plague life around him, he’d learned that the world punished goodness more often than it rewarded it.

And then there were the visitors—those constant knocks at the door, pulling you into conversations you clearly didn’t want to have. You'd always laugh and wave it off, but he could tell you weren't exactly comfortable with it.

Each time, his unease grew, an itch at the back of his mind he couldn’t scratch. He couldn’t shake the feeling that something—or someone—would pull you away. Test your place in his life. Because that’s how it always went. Something always happened. It always did.

After a full year of hesitation and wondering. Something happened.

And everything…shifted.

p.5?

AN: Thank you for reading! Please reblog and like if you enjoy this series!

[daenysx]

hii angel, can i request modern aemond as dad or with a pregnant reader for the sleepover??i miss dad!aemond

thanks, my love, i hope you enjoy <333

modern!aemond targaryen x pregnant fem!reader

"you can't help yourself, can you?" aemond steps in, catching you on your feet as you try to reach to a book on the higher shelf. "you need to be resting."

you scoff, irritated and honestly so tired. "i wanted a book."

"you should've told me."

"i can do things by myself."

"you are seven months pregnant and the doctor told you to keep things easy. trying to reach a book that high is not easy."

you roll your eyes. what does he want you to do, just scream his name every time you need the tiniest thing? you know he means the best, but this is getting tiring at this point, same conversations over and over, and you just want to relax. your back hurts, your legs get numb when you lie down too much. it's not easy to carry a baby.

aemond gives up. you look like you're gonna cry, frustrated and kind of cute. he takes a few steps to come next to you. he's quiet as he leans down to brush a shallow kiss on your forehead.

"i never want you to be upset." he says.

"i know."

"i apologise if i become overbearing." aemond whispers. he surrenders easily as he puts a hand on your belly. "i just want both of you to be okay."

"you're not overbearing." you tell him with a soft voice. he just wants to be better, he can't fail this. "i'm tired and i miss doing things by myself."

he hugs you in a weird angle, neither of you care. he smells so nice and his sweater is soft against your cheek, he feels safe and strong when you lean to his chest. he kisses your head, you close your eyes. it's so nice to think you'll have a baby with him in less than two months.

"which book did you want?"

"i don't want it anymore." you say. "any chance you'd like lie down with me?"

"sure." aemond accepts your offer casually. you look lovely when you get what you want, all glowy and pretty, it's a funny feeling to know his dreams came through. he takes you to couch, your new favorite spot to lie down, the fluffy blanket is thrown over and ready to be used.

you got used to adjusting your body in a comfy position before you sleep. aemond gives you space to use the couch however you want, he settles down next to you when you're ready.

"my baby." he whispers, putting his hand on your belly. you like it when he drags his fingers all over you, circles and lines, his fingertips rest nicely on your skin.

you let out a good breath as the weight on your back decreases slowly. your hand goes on your belly to catch aemond's fingers. will the baby have his hair? you are so curious of the details, it lessens the ache in your body. will she have your eyes? the possible combinations of your looks are endless, aemond keeps wishing she could look like you.

"i can rub your back." he offers, gently. "or i can read your book out loud if you want to fall asleep after. just please- let me do things for you."

"you're doing so many things for me." you murmur to his chest.

"i need to do more, sweetheart." he whispers. "nothing feels enough."

the urge to take care of you is stronger than ever. it's for his sanity, really.

"you'll be a really good dad, aemond." you say before falling asleep, and aemond will never forget your words. "i'm sure she'll tell you this exact same thing when she grows up."

dreamer girl sleepover ♡

[mysteryanimator]

Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!

Breaking down episode 06 / Breaking down episode 08

(Word count 6.3k I am so sorry HAHAHA)

I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.

By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.

(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)

To introduce people who may be reading my analyses for the first time:

I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!

These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.

Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.

--

Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.

Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.

The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.

I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds

We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.

This is a subversion.

Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.

(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)

The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.

Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.

This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).

This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.

It's simple.

It's straightforward.

It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.

The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.

It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.

The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.

This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.

This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.

Now we're actually getting into the meat of their actual discussions, knowledge, if you will.

By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.

This midshot of Mizrak's back is so much important then you think.

I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.

Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.

You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.

It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.

This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.

Olrox is right.

Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.

Close-up shot of Olrox!

Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...

(drum roll to the next shot)

This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.

He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be

VULNERABLE!

By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.

Mizrak though?

Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.

Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.

Multiple.

Times.

This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."

What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."

The stark difference here is crazy in this medium shot.

Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.

Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.

Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.

Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)

Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.

This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!

This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.

Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.

And they both look horrifically sad. An emotion we have not seen either of these characters make.

This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.

This one specific close-up is very important because it comes back to us in episode 08 and episode 06.

It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.

The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.

A moment that Olrox has to go through once again for episode 08.

In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."

This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.

I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.

So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.

While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.

Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.

Which while we're at it:

He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA

Ok lets jump back to the bed scene!

So this follows up the "So we use our heads." "Or lose them."

This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.

Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.

Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.

Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.

Props to everyone who worked on this shot he just looked really pretty here.

This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!

He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.

Also thank you to everyone who worked on this shot, Olrox is very pretty here too.

Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"

Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.

This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.

This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...

This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.

This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.

He's reacting to the conversation unlike how he has before.

Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.

Lol you thought I was done talking about divides and boxes, you are WRONG.

Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.

Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!

I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!

Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.

Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.

Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.

Ok, I have to skip some more shots to get to here.

"One God. And you think he can protect you?"

This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.

Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.

Psalm 102:19 NIV: The Lord looked down from his sanctuary on high, from heaven he viewed the earth,

Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.

There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.

Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”

Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.

(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)

Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.

It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.

To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.

Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB

(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)

If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.

A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?

Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!

Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!

[man-i-love-fanfiction]

To Share the Space with Simple Living Things - Hozier x Fem!Florist!Reader

Chapter One: Blue Hydrangeas- Gratitude

Summary: Your job as a florist has been the highlight of your day for years. It becomes even more exciting when a certain new customer becomes a regular.

Word Count: 2286

Author's Note: Hey guys! My first multi-chapter fic, i'm so excited!!! i don't have a strict posting schedule, but I won't go more than two weeks without an update. please bear with me here because I have no idea what it's like to be a florist. I hope you all enjoy!!

p.s. special shoutout again to @deprivedmusicaljunkie for beta reading, i can't thank you enough!

fic below the cut :)

You were a part of the small minority of people who actually loved their job.

The concept of this was strange to most people — strangers making small talk, men asking introductory questions on dates, even your own parents. Maybe because it wasn’t exactly a career; more so a job that someone has as a way to make rent while getting their degree, which is how you originally began to work at Earth's Laughter Florists. College had been years ago for you now, and yet you stayed behind the counter, making bouquets for customers with a genuine smile on your face. It got to the point that when the old owner decided it was time to retire, she chose you to take over. Of course, you immediately accepted; this job was the best part of your day. While all of your friends were going insane with their office jobs, you… admittedly still went insane from time to time, just in a much prettier workplace.

You had even taken it upon yourself to learn flower language: different types of flowers having different symbolic meanings. It was almost like extra credit. It gave you a new challenge of arranging flowers while keeping both color and symbolism in mind, and helped you create bouquets and arrangements with more meaning. This, in turn, gave your customers a new incentive to buy different flowers for different occasions based on what they meant. More business for you, more smiles on people's faces, and more money in your pocket. Everyone wins.

Another benefit of the job — your favorite part — was that it gave you small glimpses into the lives of other people. Flowers had a multiplicity of sorts. They were so versatile that people bought from you for almost every occasion. Weddings, funerals, birthdays, dance recitals, you name it. It made you more appreciative of others. Every day was a new insight into whatever your customers had going on. And today was no exception.

You arrived an hour before the store opened, as usual. You went into the back and threw on your apron, adjusting your name tag. Thoughts of everything you had to do before opening ran through your head, and you quickly began to busy yourself with everything from giving some flowers new vases of water to following up on an order for a wedding. Your two coworkers came in around a half an hour after your arrival, donning their aprons, saying their hellos, and also beginning their day. When the time finally came, you flipped around the sign hanging from the door, telling everyone outside you were open. You stood behind the counter and waited.

And waited.

And waited.

One of the only downsides of your job was that it required a lot of patience.

It's not like you were just staring at the clock, biding your time until a customer entered. You still had work to get done, mostly tying up loose ends from what you didn't finish before. Your coworkers were occupied with a tall order of arrangements, so they stuck to the back, with the occasional popping in to ask if you needed assistance. Politely, you declined.

Mundane was the word that kept repeating itself in your head as you did your odd jobs around the store. Not necessarily a bad thing. In fact, mundane meant nothing horrible was occurring (even though it meant nothing was occurring). Of course, mundane never does last long.

You had just finished creating an arrangement to put on display when your first customer of the day walked in.

The bell above the door rang, and you quickly walked back over to where you were supposed to be standing, not even bothering to see who had walked in until you were behind the counter.

The first thing you noticed was that he was taller than you had expected, with long brown curls that fell down to his shoulders. His outfit, a black turtleneck, a brown leather jacket, and black jeans, was the right mix of formal and casual; you could tell he had somewhere to be, but with people that wouldn't mind if he laughed a little too loudly.

To top it all off, he was handsome. You couldn't pull your gaze from him if you tried.

He walked forward, slowly looking around at all the flowers on display until his gaze locked onto you. He broke the silence between you.

“Hello. I need some flowers.”

You maintained your composure and brushed off your previous thoughts. You started your usual routine, asking him the same questions to get to know the situation (and him) better.

“What's the occasion?”

“It's my mum’s birthday.”

“Does she have a favorite flower?” You asked. He replied with no hesitation.

“She loves hydrangeas. Blue hydrangeas. She always has.”

His immediate answer brought a small smile to your face. You nodded intently and began to think of all the possible combinations of flowers that would work well.

“You're specific. I like that. That makes my job easier. Usually guys say something like ‘I don't know’ or ‘the purple ones’ or just ‘roses’. It's like some people don't even pay attention.”

“Well, that's all I know how to do.”

“A blessing and a curse, I imagine.”

“More of a blessing, believe it or not.”

“I have a similar blessing, though it seems to be laser-focused on plants of all things.” You joked. “Speaking of plants, let me start on your bouquet.”

You left your spot, walking over to the wall of flowers on display for you to pick from. You stopped and stood next to the man, fixated on the wall as you tried to decide what flowers would go well together, in meaning and in visuals. Mumbling, you thought out loud.

“Alright. For his mother. Blue hydrangeas… that's gratitude. What can go with that?”

The customer tilted his head in confusion, clearly having heard you.

“I don't mean to interrupt, but what's with blue hydrangeas and gratitude?” He asked. Your eyes widened, and you turned to face him as you started your explanation.

“Oh, it's flower language. I learned about it to help me make more symbolic bouquets. Back in the Victorian era, people would use bouquets of flowers to convey messages they couldn't say out loud. Most of the time it was a love confession, though you could also reject someone if you picked your flora wisely. Individual flowers have meanings, too. Blue hydrangeas, your mum's favorite, symbolize gratitude. There was even a change in the meaning based on which side the ribbon was on, or if they were given upside down, and…” You cut yourself off when you realized you’d been talking for much too long, your excited expression dropping. “I’m rambling about something you definitely don't care about. I’m sorry.”

He gave you a confused look, and a small laugh of disbelief escaped him.

“What? Don't apologize. That was fascinating. I don't know if I’ll ever see flowers the same way again. In a good way, of course”

The fact that he was actually invested in what you had to say pleasantly surprised you. People — not just customers, people you actually choose to surround yourself with — would often tune you out after the first two sentences.

You knew this man for two minutes and he was already raising your standards.

“Well then, I’m happy to give you a new perspective. I’ll get started on your arrangement.”

You stepped back to get a better look at the flowers lining the walls of the room. You already had a vague idea of what you wanted, you just needed to put it into action. Hydrangeas were grabbed first, and made the focal point of the bouquet immediately. Other flowers were picked up and put down, a trial-and-error of sorts until you found which ones truly matched.

Occasionally, you looked over your shoulder to find your customer still standing there, spectating you from a few feet away. He watched you with a certain gleam in his eye, one you would attribute to admiration if you didn't know any better.

Once your selections were made, you picked out a plastic sheet and took the flowers into the back, where there was a smaller room with a much larger table surface for a workspace. The wrapping was laid out, and meticulously, flowers were laid down. Rearranged. Shifted around. After a few small touches, everything was in the exact place you wanted it.

You finally finished up, wrapping the flowers in the silver plastic and tying it up with a blue ribbon. You went back behind the counter and held the bundle of flowers up, pointing at each one as you described the meaning of each specifically selected flower.

“There's the blue hydrangeas for gratitude, white roses for loyalty and beauty, and belladonna delphinium for protection and well-being. You're basically showering your mum with compliments with this thing.”

“It's gorgeous,” he replied, the look of astonishment from before lingering on his face.

“As nature tends to be.”

“I mean, you can't argue with that, but the way you’ve arranged them, it's… stunning. She’ll love it.”

His compliment surprised you; it wasn't too often you got such a compliment for a simple bouquet. It caused your heart to flutter in your chest in a way that definitely crossed the border of the employee-customer relationship you had going on. Frightening. Maybe if you kept acting unaffected, it would magically stop.

“Let me ring you up.”

There was no true cash register, and you instead relied on a pen, a yellow legal pad, and mental math for customers’ totals. It took a moment, but you calculated what he owed you.

“That'll be $54.”

He muttered in agreement, and you watched as he reached into his coat pocket. His hand stayed there, fiddling around. After a moment, he reached the opposite hand into the opposite pocket. He felt around for a second, pulling his hands out and placing them on his hips. His content expression was replaced by one that was much more panicked.

“Shit. Shit, shit, shit!”

Your brows furrowed in confusion.

“What’s the matter?”

“I…I forgot my wallet back at my house. Do you take any online payment?”

You shook your head.

“No, sorry. We're old school. That's alright though, I can put these to the side and you can run home and get your wallet.”

He let out a frustrated sigh in response, angry more at himself than anything else.

“That's the thing. I live thirty minutes from here and I’m meeting my mum in fifteen minutes, and I have specific instructions to be on time. I might just…”

He stopped his sentence, paused, and took a deep breath to calm himself.

“I’ll find something else. Thanks for all your help, though. You have a gift.”

You caught the sincerity behind his now bitter tone, and it made your heart ache. He turned to leave and took a few steps forward. You didn't process that you had said anything until his reaction.

“Wait.”

He immediately stopped in his tracks and turned around, and you realized your impulses led you to call out for him even though you had no plan whatsoever.

Biting at your lower lip, you thought of an idea. You genuinely wanted to help this man give his mother flowers… The fact you found him attractive was merely an added bonus. Besides, the pity you felt for him overrode that. Once the metaphorical light bulb lit above your head, you spoke again, leaning in closer and lowering your voice so only he could hear.

“Okay, I’m not supposed to do this, and this definitely isn't a good business practice, but I can tell you're not just doing this to steal flowers from me, so I’ll make an exception.”

He leaned in as well with a look of intrigue. You continued to explain.

“You can take the bouquet for now, and then within… I don't know, two days, you have to pay me back. I’d just need a name and phone number so I can contact you if you don't show up.”

You snatched one of your business cards from the display and flipped it over so the blank side faces upwards, leaving a pen in front of you so he could write. He picked up the ballpoint, seemingly scribbled for a moment, and then slid the card back over to you. Written in surprisingly beautiful handwriting, you read his name aloud.

“Andrew… Nice to meet you. I’m Y/N.”

“I know.”

This caught you off guard. For a second you wondered if maybe you did accidentally give a free bouquet to a shady guy.

“Excuse me?”

Andrew’s mouth went agape as he realized the connotation behind what he said, and he quickly muttered an explanation, flustered. “Oh my god! No. Not like that. You… your name tag.”

A sigh of relief escaped your lips, and you gave him a nod.

“Right. Forgot that was there for a second. Alright, take your bouquet. Happy birthday to your mother. And remember, two days.”

He gave you a gesture showing his gratitude, pressing his hands together.

“Thank you. So much. I don’t know how I’ll repay you.” He said, grabbing the bouquet.

“Hopefully with money in two days,” you joked.

He let out a laugh.

“Money would do the trick. I’ll see you soon.”

“See you soon.”

You watched as he left, the smile of your face growing as you noticed his appreciation of the flowers you had arranged by the doorway. He paused for a moment before opening the door and leaving, and you caught him humming a tune you'd never heard before.

You hoped he would come back much sooner rather than later.