#//Not really an analysis but just gonna put it there so I can find it easier later if need be asdfghjkl

[orcelito]

I do find it so funny that I will graduate college days away from my birthday. Like my birthday is literally in between the end of the semester ("graduation") and commencement

It really will be like a joint graduation & birthday party for me lmao

[o-sunny-day]

@forgettable-au FAN ANIMATION ! LOUD NOISE WARNING!

*What was it all for…?

Song: Vishnu <3 by Peter Cat Recording Co.

…okay.

The main inspiration for this…can be summed up with I LOVE HOW SAD THIS CONCEPT IS. BUT i also adore how WEIRD it is.

This whole thing must be pretty weird and creepy for the characters right??? Like- we dont know for certain what EXACTLY is gonna happen, but we know for a fact that Wingdings finds out hes in a game, then kills himself so he can be closer with god-

THATS PRETTY WEIRD 😭😭 also sad but we can ignore that for now

I also experimented a tad with this in working with silence, so timing things at my own pace! It was really hard! I HAD SO MUCH FUN!!!!!!!

But, time for my FAVORITE PART….ANALYSIS!!!

DISCLAIMER: some things stated as fact haven’t been said in the blog/arent canon to the au itself, just my animation/theories/interpretation, cause i’m silly and headcanoning :3

TITLE:

The proper title ive given this is “To You” which means 2 different and very vague things. What happened to you? and sending a message like “this is To You”.

In that case, “you” is whichever version of Papyrus/Wingdings/Gaster you want- Its not exactly clear which version of him means “you” which is kinda the point. The lines blur together sometimes…

But yeah, Gaster/crazy WD sends messages TOO himself so they’re “To You”

CONTEXT

Wingdings has JUST turned himself into Gaster. Ignore how impossible Sans interacting with him in this moment is, and just hear me out on the angst possibilities-

SCENE 1

As Sans approaches the mess- Gaster is encased in shadow, and looks at him. Expression not telling much- just looking blankly. Doesn’t even look like he’s alive… just… moving. Also the eye thats open, is just a slit. because- perspective. BUT I also had fun putting that there and going hehehehe it looks like WD/Papyrus’ eye

Sans approaches, and getting engulfed in the shadow, leaving the light.

His expression here was REALLY fun and REALLY hard to draw. Angry? maybe. stunned and terrified? DEFINITELY.

In this context (that doesn’t have a lot to go off of with the comics, YET) Sans knows that this was all very much intentional. He absolutely does not want to be angry, and is certainly only feeling it subconsciously.

But… he wanted so badly to understand, and enter his brother world. But now, Sans is just… Baffled. Hes like “what the fuck did you do???”

SCENE 2

Gaster continues to look blank. Looking up at Sans as he approaches, encasing him in even more shadow.

Sans’ hand reaches to Gasters face. From Sans’ perspective, his intentions are like checking for a pulse. Not literally ofc cause pulses arent on our face- but like, feeling for him. For a sign that something is there. (It’s also meant to be something motherly/comforting)

But then, Gaster leans into the touch, somewhat reciprocating this wordless “ive got you” gesture. That’s what makes Sans go from Terrified to just purely grief stricken. His brother is still alive. And he loves him.

But this form wont last for long…For universe fixing screw ups reasons :D 👍

SCENE 3

Gaster then opens his eyes, revealing hes even still got eye lights available for him. Thats what just SHATTERS the dam, and Sans embraces him suddenly.

SCENE(S) 4

Then, the “reset” happens, Gaster is gone, and Papyrus appears in place of Wingdings in his bed.

Nothing is boiling to add to a “frozen in terror” feeling!

Now- drawing all of the differences between the past and present rooms. DESTROYED ME. i HAD SO MUCH FUN BUT I ALSO CRIED 😭 There are no thank-you letters to santa, no racecar bed, no silly bone painting, no action figures, just BORING

I also wanted to keep everything monochromatic, so ofc we’ve got black and white for the void/Gaster, blue for Sans, red for Papyrus, and purple for Sans and Papyrus together.

The tape recorder and lab coat are still greyscale though cause Wingdings still has SOME of his stuff lying around. But the tapes are indecipherable, and Papyrus threw out that lab coat the first chance he got. It gave him the absolute worst feeling, worse than anything he’s ever experienced.

Something I also really enjoy is the fact that the dress shirts were still technically Wingdings’ but they’re red for Papyrus. The lab coat is the only real WINGDINGS thing that Papyrus wants absolutely no part in. Some things that were Wingdings’ are now Papyrus’ cause :D👍

in place of the bone painting are just family photos that I also have extra to say about. Someday I wanna make a comic of what happened to those/what I think would happen to em.

One day Papyrus is like “HEY UH- SANS! THESE PHOTOS! I DON’T LIKE LOOKING AT THEM! CAN WE NOT!?” Aka, he doesn’t remember these things happening/these photos being taken… BUT THEYRE PHOTOS OF HIM.

So he just feels really uncomfortable looking at memories he should reasonably remember, but doesn’t at all- and Sans gets that. But he keeps em in his drawer. Then! they hung up the bone thing in place of it cause SILLY!

But the family photos, I still had fun with. From left to right theyre a photo of Semi with the twins, the twins as baby bones, then as slightly older kids, then WDs graduation photo.

CONCLUSION!

This entire thing was so much fun, and I feel i’ve really grown as an artist over the process of experimenting and not being knocked down by annoying setbacks,

Also, as usual, Works In Progress’ plus extra behind the scenes stuff will be posted shortly after this!! YIPPEEE!!! HAPPY NIGHTMARES!!!!!

OHHHH ALSO EXTRA ART!!!

“AREN’T THEY BEAUTIFUL?”

That silly moment when your clone is really weirdly obsessed with stars and enthusiastically holds your eye sockets open to show you them

[scourgeofmyownbrain]

Good fucking day, Robot enjoyers! Gaze upon the updated semi-accurate height comparison of Bumblebee across the multiverse.

This is an updated version of a chart I made a few months ago. I had gotten some feedback and then TFOne came out and I kinda had to update it. I also added a Gen 1 Optimus Prime for scale, for fun... no other reason... (edit: slight adjustment made, just corrected a slight mistake in the order)

I am also working on at least two more character charts and one universe chart, so hopefully I can finish those soon (for some fucking genius reason I decided to do the characters that show up EVERY FUCKING UNIVERSE so I'm s u f f e r i n g)

*PST! Optimus, Megatron, Shockwave, Soundwave, Ratchet, and Ironhide ones are done now*

Master Post

Listed Heights, Explanations, and Justifications below the cut, bc you couldn't shut me up if you tried and I had shit to say.

Gen 1 - ~10 feet (TFwiki says greater than 3 meters so I rounded up to the first whole number because round)

Netflix Cybertron Trilogy - ~10 feet (He looks identical to Gen 1 so... the reason his photo looks weird is because I couldn't find a good full body photo with him standing straight up facing the camera so I put two images together to make the worst looking photoshop job you have ever seen)

Earth Spark - ~10 feet (There is no confirmed height yet, but using this screen shot (see below) of him standing in front of a barn door, I was able to make a reasonable guess, bc I'm so smart.)

One V1 - ~13 feet (I am well aware of what the TFWiki says: 26.429 feet. And I fully reject that number. A: These numbers are sourced from the Walmart Promotional AR Experience that came out before the movie. B: There are three decimal points, and that number does not convert into a whole number in meters (which is originally what I thought was weird about it). C: The director has said that this movie is both canon to the LA movies and its own separate canon, and Bumblebee in both sets of LA movies does not exceed 20 feet tall. Ever. So, for sanity's sake, I have used the KCV numbers as my baseline. Bee grows when he gets his t-cog so shrink this one down a few feet. Look, I'm working on the Optimus chart rn, and one of the numbers from Beast Wars on the wiki was very observably wrong, and if I can dispute numbers older than me, I can dispute numbers 2 decades younger than me from fucking Walmart. Also, yes, his picture is 3 images sandwiched together)

Animated - 13 feet 3 Inches (There is no actual given heights, but in the comments of the previous version, @phoenix-inanis told me that they had done their own analysis of TFA heights and, gonna be real with you, I am blown away by all of their work and how detailed it is. Go marvel at how much work they put in -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4 )

One V2 - ~15 Feet (Please see reasoning above. Since this is as tall as we see Bee get, he's the same height as KCV Bee. Sweet fuck, I have put way too much effort into this shit)

Knight/Capel-Verse - 15 feet (No actual numbers, but Mirage is stated to be 15 feet tall (TFWiki), and he and Bee are like the same height, so... Capel directed the ROTB movie if you're wondering why his name is there)

Bayverse V1 - 16 feet (TFWiki. This is like the first 3 movies minimum, I don't remember when he hits his growth spurt. Also mr bay is king, we have numbers for nearly every character in BV)

Cyberverse - 18 feet (I'm gonna be honest, the only info we have is from a really shitty screen shot of a magazine. SO if any one has a copy of this book from the video below, a high quality scan would be greatly appreciated and I will kiss the ground you walk upon. Yes I found the video where the screen shot comes from leave me alone)

Bayverse V2 - 18 feet (TFWiki. Movie 4-5 I can't remember which one, I'm not re-looking this up. I fucking love the bayverse tho, this is the only universe with concrete and consistent this-character-is-this-height info)

Aligned Cont. WF/FOC - 20 feet (TFWiki/Fandom. Video game info screens you godsend, kiss me sweetly)

Aligned Cont. TFP/RID15 - 21 feet (These two designs are canonically identical, like in ALC canon, Bee has not changed visually at all...Ok, yes I got this number from fandom and they give literally no source for where they got these numbers. But, I can fully believe these are accurate. Just by looking at these characters on the show I can verify these numbers in my mind. Here, let's Compare.

This is Sam compared to Bee from one of the BV movies, I'm too lazy to check which one. Sam is average size for a human and we know Bee is 16 feet tall in the first three movies. Checks out. Let's now look at a TFP Character who is also 16 feet tall.

Jack is average size for a human, and the size difference is about the same. Can you see why I can't question the Aligned heights, even if they don't have a source??!?! They specifically made this universe to be full of freakishly tall robots for some fucking reason.)

Not Pictured: Aligned Cont. Rescue Bots and Rescue Bots Academy Bumblebee - 21 Feet tall. Look, did you want to see all 5 versions of ALC Bee? No, you don't. They're all the same height anyway; the back row would have just been a wall of redundant yellow. 5 different fucking art styles in one universe, why is that one my favourite.

Here's the front row and the back row separated into their own jpgs. I know it's kind of hard to tell which Bumblebee is which when they're all together.

[terriblyrenderedenigma]

On Transformers and Human soulmate tropes...

(i do personally attack starscream at the end, i'm sorry starscream lovers, i love him too, but he's just a sad, devious little guy.)

Just a little thought here, so, I love soulmate tropes. Depending on the plot, they can be really fun and take so many interesting paths as a medium used within storytelling, whether romantic or platonic.

But what i want to talk about specifically is Transformer x Human soulmate tropes. Like, you have this super sweet side to it where the bot can be like 'I have waited my entire life to find you, finally, I can hold you in my arms and we never have to part again'. Depending on the character/story/type of SM (soulmate, shortening it because I'm not gonna keep writing it out) trope of course.

Can I just say how...instrumentally fucked this is though? So you have this race of robots who live for, what is essentially millennia out in the wild unless they catch the smoke. Their soulmate ends up being this little creature that lives for 80, maybe 100 years tops before dying. -Unless we're going for some kind of mind switch body type thing, but we all know how that went with spike in g1.

Our beloved robo blorbos will eventually have to cope with the fact that their soulmate, the person or creature they're MEANT to be with via laws of the universe, will die a LOT sooner than they will.

This especially hits hard with the decepticons who, depending on continuity -- hate humanity already. Bots who've gone through so much, losing their home, friends, and their dignities; have to learn to put up with and accept this creature as their fated mate/spouse/conjux endura, whatever you want to call it- SOULMATE.

Then the decepticons just have to deal with the fact that they're going to lose this person too, just like they've already lost everything else and oh GOD. Maybe they choose to forget about them and move on, stay alone and mourn what could have been if the universe hadn't had such a fucked sense of humor. Maybe they choose to accept it, but never let their SM too close because they know they'll just be hurt so much more hurt when the inevitable comes.

Then you have to think about decepticons having to possibly protect their SM from other cons! From being taken and 'saved' by the autobots.

Imagine some bots or cons just flying off the handle, going crazy just to try and keep their human alive in any way they possibly can, afraid of running out of time.

(Starscream lovers forgive me for the angst)

And Starscream especially, Maybe he'd try. He'd have a great time, take a chance, and give it a go. But what if he's actually terrified? Maybe he'd also self sabotage a little, knowing the relationship will never last too long anyways; not in the short blink of time it would be next to his life. Maybe, he doesn't actually know what to do with himself in a positive relationship after being, i dunno, consistently dogged on by megatron and he freezes.

There's something actually good for him, and since he isn't sure how to receive or accept that fact, he's gone. And maybe he'll come back, but the cycle could repeat.

(Im sorry, unless you put a tracker on him and call his ass and really give him some therapy. get him some god damn therapy.)

But yeah. All around, the angst potential is immense for this stuff and it makes me sad to think about so I thought i would share it instead of just write about it in an actual fic because my character analysis and ability to comprehend my own thoughts is so shit.

Okay, CIAOOOOOO~

[yimpysdiner]

Ridiculously long analysis of Jimmy's dialogue (PART 2)

PART 1 HERE Continuing with the next section,

Mimicking?

The whole ordeal of Jimmy copying Curly's "yeah?" in speech has already been pointed out, but there's something else I wanted to look into. This section is gonna be relatively short but this interaction still sticks with me. It's fairly easy to miss as you can brush it off but given Jimmy often repeats words or phrases from those around him I find it interesting.

This interaction was so awkward that it has me thinking about it over and over so honestly this may be one big nothing burger and more so headcanon territory but hear me out.

Jimmy gets quiet here as either 1, he expects them all to die on that ship as he said before crashing it or 2, he's terrified of any sort of attention their whole ordeal may get if they survive. The awkward silence is only filled by him commenting on ladies. Daisuke is no stranger to talking about "beach babes" and as Swansea puts it, "thinking with his downstairs long-nose." Honestly, Jimmy is a scumbag and gross around women, but I don't think this is the sort of situation where he cares to be impressing any ladies. This reads to me as him trying to "fit in" with Daisuke in a way. The way he often mimics people and says things they'd relate to defuse situations and get on their good sides feels like a form of masking. I'm no professional, no idea what in specific this would be, but Jimmy strikes me as the kind of guy who finds it really difficult to positively navigate a lot of social situations, especially if he feels uneasy like he was here. This parts super rambly sorry, this is just something interesting about him to me, how he'll latch on to other people's personality traits and mirror them.

Lashing out

We all already know Jimmy's not a very stable guy, very small things irritate him, he has levels to his anger however.

His base line irritation is just little remarks like this, things that you would scratch your head at but they're small so you can't quite bring them up. It's not completely aggressive, but it's definitely not very friendly either

I won't shove all the same screenshots of him lashing out during the birthday party here, but there he only lashes out in front of everyone else when he's able to make it seem like he's in the right. He insults everyone to their faces, but he's able to pin all the blame on Curly, letting out his anger while also in some sort of way getting people on his "side." Here he's *already* sewing seeds of doubt about Curly into the other's mind, so his little plan to blame Curly for the crash later on only works out all the more in his favor.

Then there's moments like when he's giving Curly his pills. He isn't exactly yelling, more so going on with his angry, paranoid rambles. This of course is followed by the implication he beats Curly while feeding him his painkillers, physically taking out his anger on someone who can't fight back. Side note, the only times he ever gets physical is when they're in a position of being unable to fight back (drugging Swansea, the implied drugging of Anya, and of course when Curly is left defenseless.)

I believe this is the first instance of Jimmy actually full on yelling while having one of his tantrums, which is why I say his anger is written in levels. It's not all one flat base of him cussing like a sailor and screaming his head off, remembering this and *what* exactly makes him tick helps me when deciding how I should write him reacting to certain situations. There's other instances where he's clearly panicked and flustered, stuttering and rambling because of high stress situations such as when Daisuke is on the brink of death and it's all his fault, which we'll get to later.

Hopelessness

Something I noticed when going back through everything is Jimmy seems completely and utterly hopeless about everything in his life. It starts out in the cockpit scene, one of the very few times he's genuinely vulnerable.

This line initially just seems like Jimmy is some power tripping guy who likes being the right hand man to the Captain, which is entirely possible (and true, given how quick he is to assume the Captains role himself), but it leads me to suspect something else as well.

These are out of order, but I think like this is better demonstrates Jimmy has never really felt the sense of control over his life like he has until he got this gig with Curly. He feels comfortable like this, which is why Curly wanting to "throw it all away" in his eyes baffles him. I really wish the devs gave some insight to what Jimmy's life on Earth was, why *he* ran from it all to assume a position where he felt he was finally in the drivers seat.

When Jimmy is faced with the reality of what he's done, his first worry is when he gets back home, he'll be caged in the same position he was, back at square one with no control over his life, rotting in a prison. Even if he did get out, as he said, none of it will matter, not with an assault on his permanent record. Maybe he held onto hope that he and Curly would find something new to do, but because he made the choice to force himself on Anya, that'll never happen. His knee jerk reaction to that? Kill himself. Kill himself and take everyone down with him, because if he's not in control, he may as well be dead. "The Tulpar crew was never found."

Remorse

Jimmy isn't entirely uncaring for what he's done. He suffers delusions for each and every one of the people he fucked over, all except Anya. Instead, he sees visions of the child he created, the ever looming reminder of what he did, no matter how hard he tried to block out Anya from his mind, it will always, always haunt him. Him crying to Curly and pleading forgiveness from someone who can't properly give it to him anymore is already a sort of in your face scene, that and the scenes with the horse delusions.

I want to talk about Daisuke and Swansea actually, as he had a much more direct role in their ends. In his mind he can say, oh, Curly ran in and did that to himself, oh, Anya swallowed those pills and did that to herself. It's Daisuke and Swansea who show up more broadly as themselves in his delusions as he was the sole reason for their passing. As Daisuke is dying, he is incredibly distressed the entire time.

Daisuke being so prominent in his mind has always struck me as interesting, seeing him in the vent, a grave, in the graveyard, all the flowers, the real genuine panic when trying to fix what he did. He never wanted him to die, he obviously feels immense guilt in making him crawl through that vent.

As for Swansea, Swansea can read him like a book, and he lets Jimmy know exactly what he thinks of him before he's shot and killed. He appears in the graveyard with Jimmy, also leaving a lasting impact on Jimmy's psyche.

To say Jimmy feels nothing over what he's done, or that he wouldn't care about people dying or anything like that is wrong on so many levels when the entire last half of the game focuses on him having to literally fight his own demons. It all culminates into him saying he fixed everything, deluding himself into being a hero as some sort of final comfort to his broken mind before he offs himself, "saving" Curly after dismembering him as if that makes up for all his wrongdoings. Jimmy is so layered and interesting and human, and that's what makes him a fantastically written character. It's what allows you to see yourself in him and reflect, see those insecurities he harbors, those toxic traits he exhibits, every little ugly part of him meant to be a mirror to your own actions. Denying him his humanity and making him an emotionless, aggressive, constantly angry person strips him of everything he's meant to be.

Sorry for the huuuuge yapsesh, but I thought going over these would be fun, it also helps me keep my characterization of him as accurate as I can possibly make it. If you have any thoughts let me know!!! I am very very invested in him and I love to hear what others think of him, even if I may agree or disagree.

[shadamyheadcanons]

Who would be the first to confess? Or the first to realize their feelings?

I’m of two minds on this. In my experience, the more common concept is “Shadow falls first, Amy falls harder.” This Twitter thread sums up the trope very well:

[Image ID: a screenshot of a tweet by user absolutesilly on April 17th, 2023 that reads, “it’s important to me that the “A fell first, B fell harder” trope ISN’T about B loving A more. it’s about A spending a long time just getting used to having this (seemingly) hopeless pining going on in the background 24/7, while B is just. hit by a truck with it all of a sudden.

fell first: been suppressing their emotions for so long that it’s like white noise to them. always there but mostly manageable. a bruise that only hurts when you press on it

fell harder: if We Don’t Get Married Tomorrow I’m Gonna Start Biting People” /.End ID]

And I don’t think I even have to clarify which one’s which. Shadow’s love is quiet and intense. He’s loyal and devoted. His affection is usually of the slow-burn variety. He hasn’t had any canonical crushes so far, but you can see it in his familial/platonic love for those he cares about. It’s natural to assume romance would be the same way.

And falling hard and fast is what Amy does. Need I mention Sonic? And her desire for marriage?

“Shadow has a crush on Amy for months/years until he suddenly sweeps her off her feet” is common for a reason. I’ve written plenty of it myself, including multiple WIPs. It was how I saw these two for a very long time, and there’s no denying that it’s compelling and in-character. If I were writing a shadamy-esque relationship in a movie, I’d write them that way.

HOWEVER...

I don’t think game canon is following that trajectory.

Under the cut: lots of ranting and images/hints, both old and new. You’ll recognize a lot of this if you’ve read my meta analysis posts, particularly why I ship them, how they’d resolve their arguments, and my feelings on TMOSTH. There’s a tl;dr and relevant headcanon at the end.

In my opinion, “Amy falls for Shadow later” doesn’t quite jive with canon because I think there’s ample evidence to suggest she already has a crush on him. It’s not as strong or obvious as the one she has on Sonic yet, but it’s there, just a little. To make a long story short:

She doesn’t look at someone like this...

[Shadow the Hedgehog 2005]

unless she has a crush on them:

[Sonic CD]

She doesn’t go out of her way to seek someone out this fervently...

[Sonic Battle]

...unless she has a crush on them:

[Sonic X]

She doesn’t insist on bringing someone along like this...

[The Murder of Sonic the Hedgehog]

unless she has a crush on them:

Wallpaper posted on Sonic Channel 2/22/21. Art by Yuji Uekawa

One fun aspect of all of this is that the social media team seems to agree with me and keeps noticeably leaning into it. The Twitter Takeovers obviously aren’t canon and I’m not putting those in the “evidence” pile, but it’s cute how they keep having Amy act flustered about her feelings regarding him, and it’s definitely not something I’m imagining this time. It’s most obvious at 18:14 here:

The gushing, the stuttering...it’s obvious what they’re implying. Cindy Robinson’s very convincing at sounding smitten with him, which isn’t surprising considering her feelings on shadamy:

The question before that one in the Takeover arguably counts, too, and the social media team was primarily in charge of The Murder of Sonic the Hedgehog, after all. This is consistent for them. There are plenty of other bits and pieces from them and the not-so-subtle marketing team these days, but I’d be ranting like a conspiracist and hunting down links all day if I got started on those.

^ Me at 2am.

I bring this up not just because it’s fun, but also to prove I’m not the only one who sees it. It’s definitely there, and it always makes me wonder what would’ve happened if she’d met Shadow first instead of Sonic. Would her little crush on Shadow have become the primary one if he’d entered her life first? Would we see this kind of thing all the time if Shadow were the protagonist?

[IDW issue 59]

Yes

We’ll never know, I guess! 🙃

Regardless, she met Sonic first, so her attention is...divided. She’s usually in-tune with her emotions, so even though her outlook on love is tinted somewhat by hero worship, I do think she’d figure out she had feelings for Shadow if her crush on Sonic were sidelined. As she got to know him better, she’d find even more things to love about him, and before long, she’d be hooked.

For Shadow’s part, it’s pretty clear to anyone who’s paying attention that he has a soft spot for her of some kind. In my experience, even non-shadamy fans will usually agree with this if asked. And why wouldn’t they?

1. He let her hug him and see him cry in SA2, then saved the world because she asked him to. There’s a reason fans hate it whenever Amy’s elevator speech at the end of SA2 is put in someone else’s mouth. It’s just not believable that he’d save the world for anyone else--not Sonic, not Chris Thorndyke--because the gentleness isn’t there for anyone but her. That had to be built and proven.

2. She inspired yet another heel-turn of his in the conspicuously-named “Miracle of Love” route in ShTH where “bad boy” Shadow ditches Black Doom to help her, resulting in a hero classification.

I think we undersell how big of a deal this is. For those who aren’t too familiar with Shadow the Hedgehog (2005), that story route starts out with Shadow ignoring Sonic and...*checks notes*...defeating fifty G.U.N. soldiers? The mission says “defeat,” not “kill.” But Black Doom says “finish off those soldiers,” “destroy them all,” “exterminate,” and “annihilate.” In a game where you’re explicitly encouraged to use firearms. On human soldiers. So this Shadow quite possibly has a significant body count by the end of the level, and then he immediately snubs Rouge to destroy Earth’s digital highway system. There’s a reason he can’t get a hero ending past that point if he doesn’t help Amy. Just like in SA2, she’s the only one left who can turn him into a hero. She speedruns his redemption with one jaunt through a haunted castle. This is the sequence:

[Source]

The way he trails off at, “I didn’t have any reason to help her, but since I was looking for the doctor anyway, I figured...” stands out, like he’d forgotten how good of a person he can be.

This brief Twitter thread summarizes the events in a much funnier way than I can:

3. The Murder of Sonic the Hedgehog is the most recent and blatant example. Goes to a party. Dresses up in a silly outfit. Embarrasses himself to get her a thoughtful gift. Agrees to go to a concert for a band he can’t stand just to make her happy. I don’t think I even need to explain this one, but if you want to see me do so anyway, here’s that link again.

4. In Team Sonic Racing, he’s sweet to her when they’re on the same team...

...and he’s borderline flirtatious when they’re on opposing teams. ;)

His lines are delivered in a snarky, teasing way, especially when he calls her cute, and she’s matching that competitive banter.

[Source: this Twitter thread by MeliCross22:

Absolutely worth a read, and it includes links to the lines so you can actually hear them.]

The question is whether his soft spot is romantic in nature, and as biased as I am...I don’t buy it. In the first two, she’s just reminding him of who he is by calling to mind his memories of Maria, and “Miracle of Love” isn’t meant in a romantic way. Likewise, in TMOSTH, it’s extremely sweet of him and he wouldn’t do that for anyone else, but it’s still not inherently romantic. TSR is less cut-and-dried. It could be flirtation, but it could also just be the race stoking their competitive spirits. It’s also just a side game, and while it’s still canon, I don’t know if Sega would put that kind of dynamic between them in the main series. It could be a case of the TSR writers being secret shadamy fans who are tossing us crumbs, but it could also just be them mixing it up so there isn’t yet another instance of Amy saying variations of “Sorry, but I’m in it to win it!” every time she hits someone with an item. Trust me, it gets old.

Canonically, I don’t see Shadow as being romantically interested in anyone to a significant extent at the moment, Amy included. He’s been too focused on his past, his identity crisis, the alien invasion, etc. I don’t think there’ll really be room for romance in his life until he fully makes peace with his trauma. This moment at the end of his game...

...just doesn’t do that. Shadow Dark Beginnings has made it abundantly clear that he hasn’t moved on.

And this is where Amy comes in, because I think she’s the ideal person for the job.

Sega seems to pivot back and forth between “Shadow has no friends” and “Shadow has two friends, but he even keeps them at a distance sometimes.” Without people in his life who are willing to reach out, he withdraws, and it’s really not good for him. A lot of fans feel he’s hesitant to bond with others because no one else is immortal and he knows how painful loss is. It’s not explicitly stated, but it’s consistent with his behavior. Isolating himself is easy. It’s safe. It’s something he can control.

But it’s not sustainable.

He needs love. He needs it so much. It’s his very purpose, in the most literal sense. Maria said it best in episode 2 of Dark Beginnings:

“You have a big heart! It may be difficult for you to express it, but I know that deep down you really do care. About me. About everyone! What you do is what defines you. I know you’re having a hard time finding answers, but I’m certain you will one day. Then, you’ll find even more people you can trust.”

^ This is what I mean when I say Maria would love Amy. Amy’s the only other character who feels love as deeply as Shadow does, the only one who could fully understand, and she just so happens to be a clingy girl who’ll reach out to anyone, even people who think they want to be left alone. It’s baffling that Sega basically hasn’t let them interact for two decades because she absolutely would insist on befriending him.

Shadow hides, but Amy chases. She loves a challenge and doesn’t shy away if she feels she belongs with someone, even if that person runs. If she decided Sonic wasn’t right for her, I think it’s only natural that she’d pursue Shadow given her obvious fondness for him. The only difference is that when someone chases Shadow, he doesn’t run. He clings. He clung to Maria, he clung to Team Dark, and he’d cling to her, too, and I don’t think he’d stand a chance against her charm from there. He’s a romantic in his own way, and that soft spot of his would turn rose-tinted in a heartbeat. If there’s anyone who could convince him that love is worth it, it’d be her; I highly doubt she’d regret her past love of Sonic, and if he thought about it, I don’t think he’d regret his attachment to Maria, either. Amy told him the people of Earth deserved a chance to be happy. Now he lives on Earth with her. Couldn’t she convince him that he deserves that chance, too?

And if he hesitated and tried to ignore his feelings for Amy, I could see Rouge stepping in to kick him in the right direction. It wouldn’t be the first time she talked some sense into him for the sake of his own happiness:

[IDW issue 36]

tl;dr: Amy already likes Shadow. If she spent more time with him, those feelings would grow, and it wouldn’t be long before she’d be pursuing him in earnest. With her talent for breaking down barriers and his existing soft spot for her, it wouldn’t be a very long chase.

This headcanon is the one that I think portrays it best. I don’t think I’ll ever fully stop writing Shadow Falls First, Amy Falls Harder because it’s so damn compelling, but I love this interpretation, too, and it lines up too well with canon to ignore.

[krems-chair]

Something Something Yeah It's Still Solavellan Hours (Mythal is kind of here, too)

I've seen a few very beautifully articulated posts talking about the conflicted responses players are finding themselves having in regards to the decision by writers* to have Solas' atonement route possible because of his conversation with one of the remaining fragments of Mythal.

(*honestly I hesitate to put the weight of bigger game events on their shoulders because of how much I know bigger players in the company were involved, so when you read 'writers' know I just mean whoever had final say on plot)

I love reading where people are at on this, and having now breathed, re-played the scene, cried, read some more theories, and then played the scene again enough times I think I'm now able to figure out where I'm at.

TLDR: in my humble opinion, the conversation Solas has with Mythal doesn't bring him any actual closure at all. It is only the version of the atonement ending that has Lavellan in which he is actually set upon a road to redemption.

This, like everything else where I lose my mind, will be long. I tried to restrain myself and here we are, unhinged as ever.

I was unhappy at first that Mythal's incredibly brief conversation with Solas where she releases him from her service seemed to be what finally allowed him to make a decision based on his wants and not hers. My concern stemmed mostly from the fact that a lot of us are trying to be active participants in a society that recognizes patterns of abuse and seeks to establish channels through which individuals can pursue healing without the approval, consent, or demise of their abuser.

But the more I look at the scene, the more I wonder what would have happened in a world where Veilguard got just a little more time in development. Could we have gotten a scene that more elegantly conveys the theme that we cannot heal every part of our loved ones, much as we might like to?

In an imperfect world it isn't always up to us how someone finds closure, which really sucks when you'd like to ensure a loved one finds it in a way that preserves their dignity and limits exposure to the individuals who have harmed them.

And while it could be left there, I'd like to actually push back on the idea that Mythal is in any way responsible for "healing" Solas in this moment.

I went on a different tirade a few days ago about how at the end of Inquisition, Mythal says words to Solas that on their surface seem well-intentioned or placating, but they actually just serve to further bind him in guilt and a position of servitude. In Veilguard's finale, she still does not take accountability for exactly how much of a role she played in the pain that Solas, a man others have revered and feared as a god, has gone through as he cowers, actually cowers before her.

Mythal's interaction with Solas conveys exactly two things to him as far as I am concerned (I'm going to botch these quotes but my laptop is dying so please accept some paraphrase as I rush to finish this before I go cry about this analysis to my uncaring dog):

"The terrible things we did, we did together." You are forever tied to me.

"I release you from my service." But what am I releasing you to?

Because up until Lavellan joins the fray here, all I take away from the physical and unwilling emotional cues Solas gives in this scene (he is a master in trickery, for goodness' sake, the thought of so many witnesses seeing him unable to hide behind a mask has to leave him feeling anguished on top of everything else) is that Mythal has once again reminded him of everything he did in her name and telling him that all that's left for him is to go back to the fade prison and, as he as always done, endure the crushing weight of his failures alone.

To me, in my interpretation, the Solas that hears this from Mythal with no Lavellan intervention may choose to willingly step down from his original plan (and yeah, that's gonna do some damage) but he is certainly not free of his past. He's going to be reminded of it every time he turns a corner and finds more blight to try and soothe, and even the moments that he rests will be filled with more manifestations of his regret. He says it himself: where he's going? It's terrible.

Enter Lavellan. Yeah, he couldn't bring himself to listen to her at her first plea (but like damn how many times are we going to have to watch her give a heartfelt speech only for him to be like 'something something beautiful elven rejection'). But I know that you know that our clever icon knows better than to take what Solas says at face value. She tells Rook plainly that he's absolute dogshit at lies of the heart, and she says it with her whole chest.

Lavellan sees the way his shoulders slump (in resignation yes, but you can't convince me there's not a little bit of relief there, too), she hears the agony in the "vhenan" that escapes his lips (which, don't even get me started on the fact that it's been like nine years and he has no hesitation at all calling her his heart, it just spills out of him). It is not the sound of a man delighting in the steps he's about to take. They're certainly not steps he does not dislike that lead to a destination he enjoys.

And then she watches Mythal (who I can't imagine she feels any sort of fondness or respect for) pull some weird nonsense on her love one final time, and she knows it's her moment to shine.

Mythal, I would argue, pushes Solas down one more time, shames him into seeking atonement, into once again being alone.

It is the romanced Lavellan that kneels so that he cannot fail to meet her eyes. It is she who invokes their connection, not to remind him of his failures but to reaffirm his greatest strength: their love and their love alone is inevitable. Not the consequences of his past, not the regret he thinks will consume him as he seeks to mend what has been broken. It has only ever been them.

"There is no fate but the love we share". We are forever tied together.

"There is no fate but the love we share." *I* am releasing you from everything else save for this love.

Put colloquially: get absolutely fucking wrecked, Mythal.

Body language comparison to chase up the dialogue one, anyone? The way Solas shrinks before Mythal as opposed to him walking off into the fade with Lavellan at his side and standing tall, and he does not flinch when she lifts a hand to his shoulder?

Ultimately, Mythal is a part of the atonement endings no matter what. But it is only Lavellan that refuses to let him walk alone. It is only Lavellan that guarantees that his dinan'shiral ends not in a prison of regret, but a place of promise.

Mythal bends Solas until he breaks one last time. Lavellan takes each piece, claims it as hers, and uses them to build the beginnings of a future.

[meowordeath]

hiiii!! Would it be possible to request Norton & Naib with a fashionable S/O? Always dressed up like they need to be the hottest person at breakfast.

Thank you !

Identity V characters with their Fashionable s/o! :3

w/ Norton Campbell, Naib Subedar and Bonus ! Eli Clark

A/N : I’ll never pass up on adding Eli, love him too dearly. I tried my best hopefully this is what you wanted! :]

Norton Campbell

Norton doesn’t get why you are always dressed to nines. You both spend the day running from Hunters, why are you wearing the brightest most shiniest outfit ever.

Side by side both your outfits clash hard, you always look like your about to walk a runway and he looks like he just threw on the first things of clothing he found.

Sometimes he likes to watch you prepare your outfit for the day. Usually ends in him giving his two-cents. “You should wear this.” He’d say as he lays the ugliest shirt pants combo you’ve seen.

“Norton… those two colors don’t even go together, plus!” You then end up giving a whole analysis on what he chose and why it’s ugly.

He listens with a very blank expression knowing he’s not gonna remember why these two items can’t go together.

Even if he doesn’t get it he likes it, but don’t expect him to be fashionable alongside you, he likes to pick out his own outfits which never go with what you’re wearing.

Naib Subedar

He doesn’t really notice how fashionable you are, I mean he always thinks you look nice but he’s never really cared for stuff like that. The other survivors like to compliment you to him, and he finds that weird.

He’d been sitting at the table waiting for the others, and William approached him talking about how nice you look today dressed up very fancy like.

“Yeah, I know, I saw their outfit earlier this morning.” He doesn’t really get the fuss about how nice you dress. sometimes he honestly thinks the others are trying to make him jealous by complimenting you to him.

He’s there when you’re creating your outfit for the next day and listens to you rant about how ugly another survivors outfit was that day. Usually while scarfing down a family sized bag of chips.

“You know perhaps I could create your outfit for tomorrow as well, lord knows the last time you washed that jacket!” You say opening his closet. He shrugged shoving another handful of chips. “Go ahead.”

He doesn’t really mind what he wears as long as it’s not super like flamboyant looking. But he’ll wear matching outfits with you, even allow you to do his hair and put accessories on him.

Bonus ! Eli Clark

The first person to compliment you every day. He can recognize how fashionable you are though he doesn't look very stylish.

“This shade looks really nice on you, i can tell you put alot of thought into it!” He tries to make it sound like hes very informed about fashion.

When putting on a new costume for the first time your always the first person who sees it so you get to remove the ‘ugly’ looking accessories or what-nots

He tries to be with you when your creating a new outfit look but sometimes he likes the surprise of seeing you with everyone else at breakfast. He has no shame complimenting you infront of the others.

When making Eli look more stylish you always make sure the material of the outfit you picked is something his owl wouldn’t mind.

I did struggle with Eli’s part I didnt know what to put but I still wanted to include him!!! Hopefully whoever requested this likes it :] !Not proofread!

[pixie-ass]

Tim LaFlour x F!Coquette(ish) reader

Readers a girl in his english class, inspired by the scene of him reading Langston Hughes. They're opposites bc I think the opposite aesthetic trope is so damn cute.

I have a lot of ideas for this trope that I'll try to add!

Warnings - none except for fluff with my fav punk!

°•♡•°

Tim was not the best at poetry. Needless to say, english literature wasn't one of his strongest suits. That's why when the professor had assigned a very long, very taunting poetry book along with an analysis, he was fucked. Not only that but he didn't really know anybody in that class to ask for help and he was sure his roommate, Daryl, was as clueless as him.

As class was dismissed and all the students were beginning to leave, Tim packed his stuff up, sighing as he began to think. The class size wasn't big, so as people walked out, he looked around for anyone who seemed helpful, only to catch eyes with a particular girl.

He'd noticed her since the beginning of the semester. She always sat second row on the right and would never talk unless called on. He noticed all her supplies were a light shade of pink, which he thought suited her. She'd always dress with light colors too, very put together. Tim sat in the row behind her a few seats to her left so he'd always find himself zoning out on her, only because she stood out.

“Do you know how to do this?” He'd take his chance and ask her, she seemed so sophisticated taking notes everyday, he was sure she'd know what she was doing. Her eyes widened and she seemed to go from shock, to confusion, to acceptance all in the span of a second. “Yeah, we're just going through the book assigned and analyzing the poems. Pretty easy.” She smiled as she swung her backpack (light pink of course) over her shoulders.

“I got that, but I don't get it, like how we're supposed to analyze. I suck at this class.” She giggled in response, causing Tim's brows to knit in confusion, he couldn't find what was amusing. “It's pretty simple, if you want, I can help you.” She offered him a sweet smile that caused him to smile. He nodded, “Yeah, that'd be awesome! We can work in my dorm.”

She nodded, “I'm y/n by the way.” She offered her hand out for him to shake. He slipped his hand into hers, feeling her soft skin and admiring how well taken care of her nails were. “Tim! Nice to meet ya." He stared into her eyes almost dumbfounded as he shook her hand, a dumb smile plastered on both their faces.

------

A knock on the door startled Daryl as he sat in the living room, tense from the drug effects. Tim opened the door to his dorm, quickly walking over to the front door and opening it, “Hey! Welcome, welcome, you can make yourself right at home. My rooms over here.” Daryl raised a brow as he watched the very opposite girl walk in. Her light clothed and accessories a blinding contrast to everything Tim owned. It was almost comedic.

“We’re gonna be studying, dawg, so don't interrupt so we can get smart.”

“Yeah man, don't worry. You have fun.” He responded, a teasing hint in his tone.

As the girl walked into his room, she couldn't help but look around, admiring all the punk posters and dark themes. She stood out like a sore thumb. Her white sweater, blue jeans, and pink accessories were almost blinding in there. Tim noticed straight away, letting out a small chuckle as he shut the door. “You listen to any of them?” He asked, pointing to his various punk band posters. As expected, she shook her head, “No, haha. They look sick, though.” This caused Tim to smile as she set her bag down on the floor next to his bed. He motioned for her to sit, and she did.

Immediately, she began pulling out the poetry book and some paper. I guess she was here for business. Tim sat down across from her, getting his own stuff out. As she got a paper, she began explaining, Tim nodding in response as he listened. It seemed a hundred times easier to listen to her than the professor. After explanations he began to understand, they'd take turns reading poems out loud, analyzing, highlighting, and annotating what they agreed was important, (though it was mostly Y/n who would point out most and Tim would just agree since she seemed so pleased).

Tim noticed that when she would concentrate she would chew on the end of her pencil, her glossy pink lips attracting him like a moth to light. She had pretty lips and he couldn't help but stare at them, his own mouth seeming to slightly open as he stared until he had to catch himself multiple times.

After about 2 hours of this, they'd finished more than half the assignment, and they were both more than exhausted. It was nearly midnight. Yawning, y/n shut the poetry book, packing her papers into her folder. They hadn't chit chatted a lot, Tim didn't want to interrupt her focus so as they cleaned up Tim spoke up.

“So do you enjoy poetry? You seemed really into all the poems.” Y/n shrugged as she packed away the last of her things, “I guess I do. I like the beauty and emotion put into poems. They're really beautiful if you read them right.” Her response was said in a sleepy tone but was so sincere, Tim found himself feeling a sort of admiration along with a tingling in his stomach.

He smiled at her as she broke out into a yawn again. “You seem tired, we should get to sleep, eh.” He suggested standing up and fixing his bed to rest. She also stood up, stretching her body. “How fars, your dorm? I can walk you. It's pretty late, so I wouldn't want you to get spooked.” She giggled as he said it. Mostly, his tone was what made her laugh.

“It's all across campus, on the other side of the main hall.” His brows raised in concern. “That far? That's like a 10 minute walk.” He knew it wasn't far but she seemed so tired he wasn't sure if she'd even make it, she looked one blink away from knocking over like a leaf in the wind.

“You'd be better off staying here.” She raised a brow at his comment, a frown appearing on her soft face, “I'm not dumb enough to stay in a college guys dorm for the night. If you're thinking what you are, know I'm not the one.” Her sleepy voice was now stern as she headed for the door, her walk telling him that his comment had made her upset.

“Hey, hey. I didn't mean it like that. I promise! I'm on a no sex, drugs, or anything sinful pact so I swear I didn't mean anything that you're thinking.” He raised his arms up in defense, watching as she stopped and turned around, eyeing him.

“I was just saying, since you look so tired. I think it'd be better for you to just sleep here than walk all the way over there.” She stared at him in silence for a few long seconds.

She was only thinking it through so much since she really found Tim to be cute. Ever since she'd laid eyes on him as he walked in through the door mid-lecture, she'd felt her cheeks go pink. Something about the way he looked, or carried himself, or talked, it all fascinated her, and soon enough, she found herself crushing on him like a high school girl.

Sighing, she responded, “Okay, fine. But only because I really am so exhausted.” Tim's face seemed to go from upset to a beaming smile quickly. “Awesome! You can borrow one of my T-shirts if you want. And you can take the bed. I'll take the floor.” He exited the room after tossing a t-shirt onto the bed, leaving her a very flustered and hot mess. Her heart was racing as she lifted up the shirt he'd left for her. It was of a punk band. It smelled just like Tim. She blushed as she put it on. She blushed as she got into Tim's very soft and warm bed, blushed at how sweet it was for him to offer to sleep on the floor.

As she tucked in, Tim knocked, walking in after she answered and smiled down at the view of her covered in his blanket, completely bundled from neck down.

"Thank you for helping me by the way. Learned more from you then the professor, goodnight.”

He shut the lights off, and y/n heard as he shuffled on the floor. Looking down, she saw him lying with a comically small blanket and a decor pillow. Her heart raced in her ears as she decided if she should speak or not.

“You can sleep on the bed, Tim. It's your bed anyway, so I'd feel terrible if you slept on the floor.” She was also pitied by the sight of his tall figure under that poor excuse of a blanket. She heard him shuffle and next thing he was standing.

“You sure? Really, I'm alright sleeping on the good ole floor.” He chuckled.

“Im sure.” She scooted over to the other side, patting the bed. He didn't hesitate even a second as he tucked in beside her, far enough to not make her uncomfortable. As her eyes adjusted, she could begin to make out his silhouette in the dark. That's when she realized how close he really was, and she found a new found heat on her face. She went to cover her head with the blanket as if he could see her reddened cheeks.

“Tim.? You still awake?” She spoke softly under the covers. The soft ruffle of the pillow case sounded, “Yeah. What's up?” He whispered back.

Her hands seemed to tingle along with the butterflies in her stomach. She uncovered herself and moved her body so she could stare at him and him at her, he was already facing her direction though.

“Thank you for letting me stay, I didn't tell you, but it means a lot that you care.” She offered a sleepy smile as she stared into his face. He smiled back, and though she couldn't see it, she could see the outline of his cheeks when he did so.

“It's no biggie. Just the right thing to do. You tell me if you had a pretty girl in your dorm who was tired and lived far away that you wouldn't feel bad if she was alone.” His statement caused her to let out a small giggle into the sheets, which in turn caused her heart to flutter.

She scooted closer to him, not much, not enough to be noticeable in the dark but enough to where she could feel how warm he was, a huge grin spread across her face. "Goodnight, Tim…" Her eyes were far too heavy to keep open now, she shut them, and without a thought cuddled into Tims side causing him to freeze.

He slowly looked down at her, watching the slow rise and fall of her chest, her closed eyes and her features. Gently he wrapped his arm around her, feeling her shift closer to him, his heart ramming against his chest. She was so small in his arms, so warm, he felt himself leaning into her head, resting his head against the top of hers, caressing her back as she slept. He wasn't sure why he was doing this or why he felt so much in his gut.

All he knew was that he was happy, holding her and admiring her. That he was feeling far too much all at once.

He'd have to talk to her about this tomorrow. His emotions would be the death of him.

[rayshippouuchiha]

Juuuust stopping in to say? Your 9/10ths AU? Legit was my Yandere Aizawa awakening! Never knew how WELL it fit until that moment but holy sh*t! :D so much red! All of it flags! Delightful~☆!

I legit can not WAIT for that precinct to fall apart? They are so sh*t to Izuku and yet rely so heavily on him? Have come to expect and take for granted a truely EXCEPTIONAL level of Analysis that honestly? At their level they would never be able to afford for even a FRACTION of the cases they get him to do it for.

He is a blessing from the gods. Ten thousand winning lotteries. Should be their best kept secret and most beloved staff member. But WHERE is he? A dusty closet.

Aizawa is gonna watch them fall apart and laugh. Oh boo hoo, reap what you sow. Izuku is his now. Good luck finding another analyst willing to take the same literally insulting, bordering on illegal, pay you had Izuku on! No one will take it!

NO ONE. Not even amateurs. Your budgets is f*cked, your case load just got countless times more dangerous and difficult, and? Words gotten out through a VERY unhappy Grand Torino (and Scheming Nedzu n Aizawa, but really can you PROVE that?) to the older and retired generations of Heros that you are "unreasonable bastards" who are "impossible to work with".

You know! The parents, grandparents, mentors, and bosses of all those promising young Heros you want to work with you! Huh. Wonder why they suddenly don't want to return your calls. Won't pool resources and Intel.

Gasp! If it isn't the consequences of our own actions! >:Dc

Just? Izuku merrily scribbling away back at the apartment. Finally full and freshly... rested. Having the first peaceful afternoon he's had in YEARS. All while his old workplace metaphorically burns to the GROUND. Aizawa brought Marshmallows. Isn't even gonna eat them. Just wants these f*ckers to know who started the fires.

BURN.

Like? Izuku thinks Aizawa just want out on lovely lil patrol. How peaceful! New apartment, freshly laundered clothes, dinner prepped and ready to go, music playing, the weather's nice~ mmmmm. Yes. He should look up cat toys for their future cat!

Smash cut to "I am the wrathful fist of god" Aizawa. Nedzu is cackling.

As always I am thrilled to be a gateway for you darling!

Ohh the precinct! It is going to be a major case of "don't know what you've got until it's gone" for that entire building only so so much worse because Aizawa and Nedzu are both going to end up involved.

Because yeah, they're never going to find someone of Izuku's skill level to replace him, and especially not with the pay/hours/abuse he tends to put up with. So, like you said, workload/budget/etc all that would have to take a hit to replace him.

And that's before Nedzu puts a black mark on them as a whole and then Gran finds out just how bad shit is because you called it, he's also gonna be pissed.

Like, RIP Tsukauchi and Sansa, you both might want to straight up move.

Once Aizawa is able to get Izuku home with him? Oh Izuku is gonna settle into this new domesticity (with some anxiety but full enthusiasm) meanwhile Aizawa has a kill list and no regrets.

[glytrp]

── ⋆⋅☆⋅⋆ ──

serial killer!Dabi x reader

headcanons (18+)

❥ I know this is popular but listen, he fits the bill. Dabi as a criminal could go so many ways, but one of my favorites is where he’s a serial killer.

❥ imagine him in his 30s, using an alias as he hops from town to town, city to city, racking up killings the more he gets comfortable.

❥ and his motive for murder his simple. he has anger issues. his victims are probably all older men that piss him off. but the daddy issues probably convinced him to do it, especially when the victims remind him of his dad (all of them do, in some way or another).

❥ he gets into a lot of bar fights, is generally aggressive and violent if provoked.

❥ but put him in front of a pretty girl and you can bet that tone is switching

❥ he’s still mean and aggressive, don’t get me wrong, but he knows how to manipulate.

❥ since he’s on the run, he needs someone to keep him company. and if that just so happens to be you, he’ll make his offer way way too tempting to refuse.

❥ you probably meet at a diner or neutral location. maybe you’re his waitress or another customer, but either way, he ends up seducing you into letting him crash for a few nights at your place.

❥ and you probably know you’re being seduced.

❥ Dabi does not put much of an effort into hiding his identity besides his alias, but you won’t catch onto the fact that he’s responsible for serial murders as much some other random crimes. he’ll even admit to robbery and other dumb shit he’s done. but you don’t need to know just how bad he could be. at least, not yet.

❥ this man does not get attached and can’t afford to stay in one place too long. you have fallen head over heels though, so you’re practically begging to go with him because of some internal desire to pursue that rebellion you never got to as a kid.

❥ and Dabi will take you along, sure, but he’s not gonna stop killing.

❥ you piece it together one day when you’re watching the news and Dabi’s sipping his beer, and you ask him where he was last night.

❥ like hell he’s going to admit it, but it’s unspoken between you both. and as terrified as you are, there’s damn near nothing you could do about it. are you scared of him? probably. but not entirely. knowing he was capable of cold blooded murder makes it harder to get in the mood so Dabi has to find ways of distracting you.

❥ through analysis, I think he’s a vengeful killer and will spend a while plotting before he makes his moves.

❥ is very emotionally motivated

❥ will use any weapon that he deems fit for the occasion. a gun, maybe a switchblade.

❥ doesn’t bother to hide most bodies unless necessary to get rid of evidence

❥ and now you’re an accomplice, so you were more terrified of ratting him out then being complicit in his crimes. Dabi will go as far as to cover your eyes and that’s all the mercy he’ll grant you.

❥ after a murder, Dabi likes to celebrate by having sex. his tactics are always crude but somehow his whispering obscenities in your ear and kissing along your neck makes it really hard to say no. even when he’s still covered in the victim's blood, and even when he’s still got that murder weapon in his hand

❥ the first time, you get sick. the second time, you’re sobbing. by the third, well. you didn’t have much of an excuse for how quickly you were convinced into warming his dick as a means to commemorate whatever sick behaviors Dabi chose to indulge in.

❥ and by the fourth? let’s just say you didn’t need any convincing at all.

[rootspiral]

Agatha All Along deep dive: episode 8 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

as usual, I'm billy. WE WOULD LIKE TO KNOW, JAC SCHAEFFER

jen filling the gaps with her own headacanons, i see you girl

they're kinda doing their own little agatha deep dive, lol. she's a fascinating specimen, okay? don't you just want to study her in a petri dish?

billy, who's definitely not been projecting his mommy issues on a whole coven (three dead, several unlocked traumas) and hasn't been following agatha around like a lost puppy in need of a mentor: it'S nOT LoYALitY It'S AnALYSiS

that's agatha's entire son, dear lord. 'maximoffs are so dramatic' my ass.

YOU'VE BEEN TRYING TO VIOLENTLY SHOVE HER IN THE WARM EMBRACE OF A COVEN FOR THE PAST THREE TRIALS. for fuck's sake, william.

he's acting so mature and cynical when in fact he's so hurt about the people who died and about agatha's betrayal. he's putting up barriers, he's trying to trick himself into not caring, when crying and letting himself mourn would be much healthier responses! in other words, he's learning alllll of agatha's shitty coping mechanisms.

no but I won't shut up about this, it's the kind of psychological response that really fascinates me. billy has had to learn to lie and censor his true self because he doesn't want to upset his parents. he went through something EXTREMELY traumatic (reincarnating in someone else's dead body? hello?) and he can't process it with the kaplans, he knows it would hurt them too much.

so he finds agatha who is, on paper, someone who can absolutely understand what he's been trough and could totally help and guide him. he's tried to win her over, he's tried to open up, to understand her and to be understood in return. and agatha, DESPITE LOVING THIS KID SO FREAKING MUCH, is so EMOTIONALLY CONSTIPATED that she has rebuked almost every attempt at a deeper connection. and when you do that to a kid, not only you hurt them, you teach them by example. billy is not mature enough to be the bigger person, he sees agatha hurting him, he'll want to do the same. that's the kind of shit parents imprint on you that will be hell to unlearn as an adult.

agatha, who is - I promise you! - truly hurt by billy's words: ahahaha ouch!

I want to strangle her

one moment of silence for jen who's now alone and stuck in the middle between these two

agatha has somehow managed to sell billy's immortal soul to her ex wife while ALSO breaking her own heart AND said wife's heart in the process. and she's having A TRULY NORMAL ONE about it.

aaaaand she goes straight for jen (no pun intended). starts slow and bratty with some kindergarten insults.

OUCH, AGATHA. WHAT THE FUCK?!! AND TWIRLING YOUR HAIR?!

YOU FUCKING BITCH.

oh dear lord look at jen's face. this is actually the first time I see everyone's faces (fuck you lighting department) and it's making agatha's behavior even harder to stomach. and yes by the way, this scene is absolutely a metaphor for microaggression. knowing that jen's big moment is coming is only a half-consolation.

also agatha falling on her face, that's maybe a quarter of a consolation.

of course it is. this is the green witch trial, it's about the circle of nature, it's about life and death beginning and ending and beginning again.

here comes the tantrum!!!

now she yells at billy. and he scrambles to justify himself. this is funny but also SO FUCKED UP??

lilia when billy makes a mess: that's okay baby I got you.

agatha when billy makes a mess: oh are you having a problem? I'M GONNA MAKE IT ALLLLLL ABOUT ME! I'M GOING TO MAKE IT FUCKING WORSE!!!!!!!!!!!!!!!!!!!!!!

(fuck she's literally my dad. jac schaeffer I'm sending you my therapy bill)

so, anyway. if a parental figure does this to you? they're being vile and immature. I don't care if they've got their own issues, this is abuse.

(and frankly, learn to recognize this pattern in friends and partners and family too. but it's especially egregious when it's done to a literal child.)

and billy going from apologetic to stone faced. barriers up. he needs to protect himself from her.

while agatha huffs and puffs, jen quietly gets on her knees when she sees the shoes. the camera goes from sharon's shoes to lilia's to alice's.

you guys, this episode is... it's so good? it's not in-your-face like episode seven, but it's doing a lot of subtle things that are getting under my skin

agatha of course plans to barrel through her problems like a rouge zamboni, and just look at jen's reaction! I'm astonished at what sasheer zamata is accomplishing in this scene. I admit the first time around I was too fascinated by hahn chewing scenery to look anywhere else, I got a poorer viewing experience for that. jen has had all her walls up, she's been doing her one note mean girl bit for seven episodes. look at her now. she is crumbling.

god I love me a show that takes very funny characters and let you enjoy them only to pull the rug from under your feet and go: now let's examine why all their funny traits are fucked up trauma responses!

JESUS CHRIST AGATHA

agatha notices billy looking at the shoes and of course mocks him about it. what are you going to do, pay actual respect? cry and properly mourn? like some weak baby???

pay attention now: billy gets mad, and agatha suddenly looks at him with interest and, dare I say, expectation? was she provoking him on purpose?

yes, yes she was. that's the evil of agatha harkness. and I'm not saying her tantrum wasn't real, she was absolutely upset and she relished pouring all her spite and anger and desperation into it. but agatha's theatrics are always happening for a reason. when she's alone she's much more subdued; when she's in public, she vents out her overwhelming emotions trough a big fucking show, so she can make it everyone's else problem. that's the equivalent of when an abuser throws a tantrum and somehow always ends up breaking your stuff, never their own. it's both self-soothing and a scare tactic, two birds with one stone. that's why she went after jen and immediately taunted her about lilia. her words were precise and on target. she enjoyed watching jen squirm.

and yelling at billy just now? it was another one of her calculated risks. what billy is going to do next is anyone's guess, but at least they're not stuck on the Road any longer.

I don't know if I'm making myself clear enough. it's like, how can agatha be so smart and such an idiot at the same time? because she's a coward. because she chooses to. because the alternative is facing her own fucking issues and admitting the truth.

and the truth is scary. the truth is too awful.

next up: billy lands them at the morgue.

great job there, agatha!!

go to episode 8 part 5

[bisonaari]

I don't know if it has been done here before because I don't look around, but I have thoughts about the album and I need to share them with someone or I'm gonna go INSANE

Put your tinfoil hats on for my analysis of everything around People's Champion under the cut (probably people have talked about it and I'm just gonna repeat stuff, be warned)

So I've been a bit insane about People's Champion and I've started to think super hard about the order of the songs. I think, in my opinion, that the songs are arranged to tell the story of his life and career from right after UMK 2023 until now.

Ready To Go: This is where we start. Just post UMK, people didn't fully believe in him yet. I remember people saying "oh yeah sweden is sending someone who already won esc, but we're sending… Jere from Vantaa????". Hence the chorus, where people want to see him fail. But he's ready, he knows that he can do it. He's gonna go through and give his EVERYTHING. The mood of the song is really hopeful, with big intense guitar.

Cha Cha Cha: Do I need to explain this one here? I'm still not over this hahaha, I don't think I'll ever be. But this is where events take a turn for him, hence why it's so early in the album, even though it's his biggest song. Because he has so much to say after Cha Cha Cha happened.

Takavoltti: This is where things start to fuck up. He doesn't want to stay on his butt now that he has achieved celebrity and starts to take on so many, many gigs. A lot of us were worried for his health when we saw how much he was performing during summer 2023. But in the song, he says that he only saw opportunities and he just had to continue to take them. It takes a toll on his body. It starts to hurt, but he goes through it. That mad man. Also a couple of times in the song, people ask him to do stuff. Like a little circus monkey. And he just ends up hurting himself.

Ruoska: The bad comments start to really get to him. In the video, Erika and Käärijä are both dressed and perform as aliens. They've completely been striped of their humanity. They're just gimmicks that you can insult anonymously on the internet. Who cares anyway, they chose this life for themselves. It's their own fault. While the previous song was still a bit on the funny side, this one digs straight into the hardships that they feel. There is no more humour, only pain.

Kot Kot: He's still doing too much. While everyone has gone home, he's still drunk on the dancefloor, trying to reach out for friends who were wiser and left. He's being dragged out of there against his will, because he's so stubborn. Pushing through isn't working anymore, and people around him aren't letting him hurt himself anymore.

Skit: An appointment with a therapist. Käärijä is being cut off CONSTANTLY by the therapist, who can't see Jere as a patient. He sees Käärijä, the star. Even when he's trying to seek help, he isn't listened to. Because he's not human anymore for people at that point.

Autiomaa: Käärijä is breaking down. In the video, the therapist from the skit is taking a picture of him during the appointment. The feeling of loneliness and emptiness is around him all the time, omnipresent, eating him alive. He just wants someone to see him as a person, to listen to him, to help him with the void.

Sex=Money: At that point, you know, might as well. You're not human anymore, who cares. Why not try to get some money selling your ass. Who's gonna care anyway, sex sells and that's what people want to see, right? He made so much money on onlyfans, the press is acting shocked that he would even do that. The song is back to a bit light-hearted. My interpretation would be that he just finds the situation ridiculous, and that's why we're getting humour back in the lyrics!

Bananas: I'm not sure how this one fits in my theory, but we're SO back for humour. Kääriä is getting better. I think that in this one he found resolve to just continue going on. He's annoyed because people still only see him as an object, but he has to go through and live his life. Show must go on.

Huhhuhhei: Quite interesting to put a love song in this timeline in the story. But I think it's because he wants to live in the present, and not in anxieties from the past and the fear of the future. He doesn't know if the person sharing his bed is still gonna be there in the morning, but whatever, it's not important. Tonight, they're his and that's what matters. Thinking of tomorrow isn't gonna bring anything good.

It's Crazy It's Party: He's still stuck in the parties, they're around him all the time. He's still doing a million gigs in Finland and in europe. And just as the song is quite close to Cha Cha Cha, he's back at the beginning, the situation hasn't changed much. But this time, by the end, he goes to the party again, by his own will. And this time, he has people around to party with him.

People's Champion: We're back babes. This song is a love letter to people who love him. This is a great wrap around for this album. He's just remembering how everything went, from the start, until this point. Going through every point and emotion we've been through with him during the album. But in the end, he IS people's champion. He did it. He made it. And even with all the hardships, he's with us, when our hearts all sing together. The last line of this album that isn't a chorus is "Thank you everybody, I love you".

What a journey

So something that you have noticed that I've talked a lot is how people don't recognize Käärijä's humanity. He has been made into a kind of creature of gimmicks. You can ask him everything, you can say everything to his face. Whatever, he's a celebrity, not a person.

And this is where that cover is a GENIUS move.

On the cover, there are NO gimmicks. No bolero, no bowl cut, no bare chest with a tattoo. Just his face. You HAVE to watch his face, there is nothing else to see. You have to watch his emotion being raw, he's crying. This is not a pleasant cover to see. And I know, I've had spotify open on his face all day friday while I was working, it felt awful. But it makes you do something.

You have to acknowledge his humanity. And there's no way around it.

I love Käärijä

[casscainmainly]

What do you think of how WFA is currently using Duke so far? On the one hand bringing in We are Robin is good but on the other hand I feel like it they still are sidelining him. He's still benched and sure they brought in We are Robin but it felt like they were more used for Damian and his story, and they had Duke set up this support system but we've seen others like Steph doing more with it and really interacting with it. I feel like them say introducing We Are Robin but like making interact more with Damian and be there for his story is like "see we read Duke, now here's the other characters we really want to focus"

I've fallen behind on WFA for a few weeks so I just caught up! And. Yeah. I have thoughts. (Also again disclaimer I don't have FastPass so this is based on the free eps as of now).

In August last year I did an analysis of Duke Thomas in WFA, where I outlined my gripes. Then, in December, I praised the We Are Robin-centric episode. Right after, I wrote about how the next episode was making me a little wary but I was still optimistic.

Just outlining this to demonstrate that my feelings on WFA bounce back and forth a lot, but I do think it can do better and it has done better. So I'm gonna read on (because it's the only consistent place for Duke content, and because I like the Batgirls in it enough), but long story short: I'm pissed.

(Putting a rant under the cut; if you're enjoying S3 of WFA, I'm genuinely happy for you! I'm going to take a more negative stance than usual though so don't read if you don't want to hear that stuff).

Okay first of all the benching. All the way back in August I complained about Duke being benched, in a season that started with his kidnapping and revolves around the Joker. At the time I was hopeful he'd be unbenched, but it's been 34 eps and he's STILL BENCHED!! Even if he's unbenched in the FastPass eps I don't have, it's still ridiculous that he was out of the field for that long.

What happened when canon Duke got injured I wonder??

Oh yeah, in the Cursed Wheel he SNUCK OUT!!! Because he has agency!!!! What's frustrating about benching Duke for the entirety of S3 so far is that Duke, at his core, is a character of action. From his very first appearance in Zero Year, he's defined by an absurd amount of agency, wanting to fight the Riddler (then finding his parents, then joining WAR, then becoming Signal). A Duke that sits by for THIRTY FOUR EPISODES is NOT DUKE THOMAS!!!

But he's broken his arm, right? It makes sense for him to be benched?? Well first of all it was WFA's CHOICE to break his arm, a choice I do not think added anything to Duke's character or to Bruce's paranoia (which was clearly the entire point of Duke's kidnapping in the first place). Secondly, another character was injured in a fight with the Joker and benched. Another character who REJOINED THE FIELD IN 16 EPISODES!!!!

Dick gets injured in #130 and goes back out in #146. That is under half of how many episodes Duke's been benched for, AND Dick got injured in a fight against Joker. Duke didn't even get to fight!!! He didn't get to do anything!!! Dick's injury was also stupid, but the way WFA handled his benching versus Duke's is worlds apart, and shows to me how much less they respect Duke than the others.

Also can I just say how gross it was to use Duke's kidnapping merely to kickstart the plot? An astonishing 14 episodes pass before we get any mention of how Duke feels (in #132, he says he has nightmares). Then another 11 eps pass before we get to him talking to Lucius + calling WAR. That nightmares thing is never followed up on either! In #124 and #132, Duke's dialogue functions to further the plot or other characters - in #124, Duke justifies the others going out, and in #132, he helps Bruce through his feelings. Even when the episodes are about him, they are not about him!!! I genuinely think only 2 eps out of this entire season haven't used Duke as a prop for someone else.

I'm going to briefly detour to discuss #132 because I loathe that episode. In Homebound, Bruce visits Duke and they play Battleship (it was cute. fine. whatever). And then Bruce offers to hear Duke out on how he feels. Smash cut to:

ARE YOU SERIOUS??? We spent more than 3 episodes on Jason's PTSD, but we couldn't even spend a single panel on Duke talking about his own trauma???? Whether or not you liked the Jason bits this season, he had a moment. Babs also has her moment, and a whole ep is spent with just her and her dad. Duke, of the 3 Bats that have the biggest associations with the Joker, never gets to fully express how he feels. This off-panel cop-out is honestly kind of insulting.

Another detour: the kidnapping ep. We finally get Duke's full backstory after TWO WHOLE SEASONS (besides a brief mention in #76), and it was just not good. Besides the fact that Duke's kidnapping is, as I've mentioned, just a way to get the plot moving, I don't like the way WFA handles his parents:

What on EARTH are you talking about. This feels like a justification for Duke having never mentioned his parents before, but it's completely untrue to Duke's canon character. Sure, he thinks about his parents more than he talks about them, but WFA Duke never thinks about them either!! This narration box just riles me up whenever I think about it.

I was a bit nicer to this part in my first analysis, but no this part just straight up sucks. First off, I don't believe canon!Duke fears being turned into "something like [his parents]". In Cursed Wheel, he more or less comes to terms with how his parents are: "every horrible thing coming out of [my parents'] mouths? They're actually telling me how much they love me. [...] Let them stay." WFA always picking the weirdest things (becoming like his parents, his powers) for Duke to be scared about!

Secondly, this part juxtaposes the 'horror' of becoming like his parents ("something like them") and the wonderful, beautiful vision of "home": Bruce Wayne. Not only is this in direct defiance of Duke's canon character, it just strikes me as an odd and mean-spirited comparison. It essentially erases Duke's parents from his vision of 'home', just to fit him into the Wayne nuclear family.

But to get to the actual topic of the ask: We Are Robin. I still think the We Are Robin ep (#144) is the best Duke in the entirety of WFA, but did things improve afterwards? Did we focus on the WAR kids, their relationship to Duke, or their overall relationship to Robin? Nope. Turns out WAR, like Duke, was a prop for Damian!!

Damian is too harsh in training the Robins, so Duke intervenes. Damian stomps off and has a heart-to-heart with Jon, during which he admits he was trying to prove himself as Robin by training WAR. I actually like this premise!!! Duke and Damian have always had a contentious relationship to each other's Robins, and it makes TOTAL sense for Damian to be dismissive of WAR and think of it as a way to 'prove' himself. The problem is we did this already. TOM KING did it, in Robin War!!!

This is literally a microwaved TK story with worse writing and less nuance. In Robin War, we explored the way Damian dismisses Duke + WAR, both Duke and Damian's feelings of inadequacy around being Robin, and both of them eventually finding common ground and accepting each other. This arc is that except we cut out Duke's perspective. Now, it's all about Damian's feelings about Robin, and nothing about Duke or WAR's relationship to the mantle!

I cannot stress enough that this is a worse version of Robin War, and Robin War isn't even that good!!!

By centering We Are Robin's appearance on Damian, we lose about 99% of WAR's relationships to each other (and especially to Duke). The only specific relationship we see is Duke and Izzy blushing around each other. No acknowledgement of the Dre-Duke beef, the Riko-Duke crush, Dax-Dre friendship, these are a bunch of extras in a movie about Damian Wayne I guess.

You get absolutely no sense of who Izzy, Riko, Dre, or Dax are. The only thing you learn about them is that they're incompetent!

It's been a couple of episodes and they've been beaten TWICE. I get that they're not the main characters, but compared to the Outlaws or other affiliated teams, WAR is portrayed as ineffectual. And both times it's for Damian's sake. This is so frustrating because Damian + WAR is a really interesting relationship, but because WFA never focuses on WAR's feelings or reactions, it doesn't feel like an equal conflict. It feels like Damian vs. some cardboard cutouts.

WHO ARE THESE PEOPLE??? Why aren't they even a tiny bit mad at Damian for either Robin War (WHICH DID HAPPEN BECAUSE WE ARE ROBIN IS CANON HERE) or what he did to them literally a few eps ago?? You know what, why aren't they mad at DUKE for ghosting and abandoning them?? They mention very briefly at the start that it's 'all good', but why??? Is it because WFA is not invested in their feelings??? Is it because we don't have space to explore even a modicum of Duke's story??????

Having a We Are Robin plot not focused on Duke Thomas or even We Are Robin is so upsetting, especially because the WAR ep was genuinely grounded in canon. Like you said in the ask, it does feel like they put that in there just to prove they've read WAR. What is clear to me now is that, though they've read the run, they didn't understand it. They did it for a perfunctory 'here's some Duke stuff' and never bothered to be interested in any of these characters' stories.

Because we should have gotten Duke's side of things. Damian gets an entire ep to talk to Jon and another to prove himself by fighting Joker, and Duke gets a few panels where he's like 'Damian don't usurp my training I forgive you though'. Season 3 has come the closest to giving WFA!Duke some depth, and because it comes the closest, it also fails the hardest. I still have hope that Duke will get some moments in this season, but I'm losing hope that it will make up for his treatment at all.

Apparently an upcoming Cass ep isn't great so they're really attacking me personally at this point. Idk what gets me is that for some people, this is their first exposure to Duke and WAR. For some people this is and will continue to be their only exposure. And it's this watered-down, uninteresting, bland, prop version of him that just is not the Duke Thomas I know and love.

[novantinuum]

Pink Onyx AU- An Analysis and Theory Post, Part 1

[Part 1- You are here!] | [Part 2] | [Part 3] | [Part 4] | [Part 5]

~

Howdy! Those of you who have followed me for a while have probably been seeing my reblogs of the @pink-onyx-au comic made by @ceephorsshitshow. Well, today I wanna share with you something a little different than my usual SU meta… because today I’m gonna analyze this really cool fan work with the same level of seriousness as I do canon. (Like. Seriously. This first post alone is really, really long. I put most of it under a cut.)

This particular comic is a very special one for me to watch unfold, because it’s evident that a lot of deep care and attention to detail has been poured into its creation. There’s fascinating bits of expanded character development to chew into here, as well as plenty of mysteries and lingering questions for us readers to muse and theorize over. If you follow me for Steven Universe and haven’t read this AU yet I highly recommend you check it out. The most basic pitch is that it explores what a fusion between Steven and Jasper might look like, and does a LOT of deep-diving into the similarities and differences of both of those characters’ psyches.

Here’s the episode masterpost on tumblr.

And you can find it on Tapas, too! 

(Note: For the purposes of these posts, I was given permission by the comic artist to post screenshots of various pages where relevant in this discussion. For each frame used I will list the episode and page number for easy reference. Additionally, this post and all future ones on the topic will contain full spoilers for the comic thus far.)

Now with all that introductory stuff out of the way, here we go!

__

So, on the final page of the most recent update, we get one hell of a visual plot bomb for Steven as ol’ Onyx unfuses:

(Episode 9: Page 22)

He’s now visually expressing remnants of his corruption, where before he was not.

And it’s this mysterious plot point in particular that got me wanting to analyze this comic more deeply in the first place. This is completely new for him in this story. Thus far, he’s never expressed any of these remnants when he’s just himself- not in the way Jasper does. So it made me wonder… how might this shift in his appearance play into the ultimate trajectory of the plot? How does Steven suddenly showcasing corruption scars integrate into the larger story that is being spun here about him and Jasper and how they relate to each other?

Well, there’s a lot of comic details and story lore we need to unpack first before I can take my best theorizer’s stab at this. Let’s dig right in.

__

Prelude: The analyst’s treasure is in the speech bubbles

Anyone who’s been a fan of this comic for a while has probably noticed these fun visual details already, but I’m going to take a moment to break down what I believe each speech bubble style signifies for folks who may not have context. It’ll make some of my analysis later a bit easier, too, ahah.

So. Speech bubbles. What kinds do we have here? 

(Episode 1: Page 6)

Style number one: Solid with black text

This style is standard for non-fused characters, and is also utilized when a fused character is speaking whilst in a state of internal harmony.

Steven is pink and Jasper is orange, of course. Onyx’s speech bubbles are a distinct darker pink, and the main three Crystal Gems get their own colors as well. More minor characters get white bubbles.

(Episode 1: Page 10)

Style number two: Scribbly pink lettering overlaying black text

Whenever you see this type of speech bubble, it’s a sign that there is some level of internal discord going on within Steven or Onyx that is related to their diamond side. It usually shows up when one of the two is in pink mode, but from what I can tell this is not a solid rule.

(Episode 2: Page 12)

Style number three: Pink/orange mixed bubbles

This is how we see Onyx talking for a good portion of the early comic. Their speech bubbles are a clean mix of Steven’s pink and Jasper’s orange. And most vitally, the color on the top and the tail signifies which of them is “fronting” at that moment.

(Episode 3: Page 11)

Style number four: White bubble with solid pink text

So far, this style has only been used to represent dialogue that is being spoken by Steven’s gem half exclusively. Which makes things very interesting, as in Steven’s own remembrances of shattering Jasper on the very first page of the comic, the line “I have been holding back!” is shown in this specific style, instead of the scribbly pink lettering that signifies internal discord.

There is one additional sub-style here- and this is the one moment where we get Onyx’s mixed bubble but WITH the solid pink text. 

(Episode 3: Page 11)

I believe these two styles pretty much mean the same thing… only, the white/pink text is either viewed within memory or a metaphoric fusion mindscape where we the viewer are actually “seeing” Steven’s instability, and thus can “see” his gem half as a separate entity there. While, in reality, this is an argument Onyx is having with the disparate pieces of themself.

(Episode 4: Page 9)

Style number five: Pink/orange tye-dye mixed bubbles

When you see that darker shade of pink start dappling into the standard mixed bubbles, this indicates that there are small whispers of Onyx’s true personality beginning to surface, instead of them constantly being wrested back and forth between Steven and Jasper’s conscious control.

(Episode 4: Page 16)

Style number six: Pink/orange mixed bubbles, but with a darker pink tail

From this page onwards, Onyx’s speech bubbles always have their darker pink shading the tail no matter who is fronting. Sometimes there are little lines of another color etched out of it, and sometimes the tail is solid dark pink. I like to believe that when it’s solid, it means that Onyx is just a little closer to reaching a fully harmonious state than when it’s not.

(Episode 9: Page 6)

Style number seven: Onyx speech/thought bubbles with a hint of pink/orange underlying

This style seems to signify moments where it’s still Onyx fully in control of themself and their actions/words/thoughts, but they’re taking subtle influence from their components or accessing their memory a bit.

These are all of the distinct styles I have caught so far, but quite honestly, it would not surprise me if I am missing something. All of this to say… pay close attention to the speech bubbles. They can tell you a lot about Onyx’s state of mind throughout the story.

Now with all this established, I’d like to finish off this first post with my first big discussion point.

__

Question One: What does Jasper actually know about Steven’s “meltdown,” if anything?

The AU author recently solidified this comic’s placement in the SUF timeline in an ask response, saying that the first episode takes place just a week after Steven’s corruption event.

I’m glad this point was clarified, because it was super vital information which deeply influenced the way I analyzed Steven’s actions and responses in my recent re-read… it means this experience is still super raw for him. This is VERY important and we’ll get back to this in more depth later in future posts. But first, let’s explore what Jasper knows of this event.

The full extent of her knowledge is unclear-

(Episode 1: Page 6)

In Episode 1, Steven briefly alludes to his corruption as seen above… referring to it as “[his] meltdown.” Notably, Jasper does not seem to ask any questions about this stray comment. This COULD suggest that she knows what happened to him a week prior via hearsay, but given the context of the rest of the scene and the fact that she’s as isolated as she is out here I genuinely wonder if she thinks Steven’s so-described “meltdown” is his shattering of her.

This idea would make a good deal of sense, as she doesn’t start to make any commentary on the topic of corruption at all until they’re actually fused- with Steven bringing it up first.

(Episode 2: Page 14)

On this page, Steven takes note of Onyx’s very visible spikes (which are Overtly in the same placement as his own when he was corrupted), and initiates the musing upon his own corruption himself.

With the way Jasper phrases her response, the vibe I get is that she somehow gleans a bit of ambient shared knowledge about what happened to him through their fusion.

(Episode 2: Page 15) 

“That human form you wear must have been hiding your markings.” This quote is SUPER vital. We’ll come back to this later on in this post series, too.

(Episode 2: Page 15)

It’s clear that Jasper doesn’t REALLY understand what he went through or what caused it, since she then outright mistakes the casual woes and body pains of organic life as corruption. (As seen above.) 

(Episode 8: Page 4)

But later on, she outright relates to him over their shared experience of past corruption, so she must at least know enough from mere ambient thought-sharing by this point to recognize it happened.  

It’s obvious that she’s barely scratched the surface on fully understanding her fusion partner, though. Neither of them have. It’s gonna take a lot of fusion, comedic mishaps, and genuine conversation to get there. All in good time, I’m sure.

__

Please do join me tomorrow at 7am PST for the next post in this series! This has been a blast to write up and muse upon.

[youphoriaot7]

...oh, holy shit. Did the Federation just give us their experiment plan??

GROUP #0001 - Chayanne, Leonarda, Ramón, Dapper, Bobby, Tílin, JuanaFlippa, Trumpet Department of Convivial Condition Observation

These were the first eggs. The first batch of eight. Put out as a test, a blatant test: can you keep them happy? I wasn't around at the start of the server so I'm going off of a lot of hearsay here, but from the best I can understand the eggs were supposed to be a week or so(??) long experiment to help the two languages of the server come together and spend time with each other. The happiest egg at the end of the week(??) would "win." It was somewhat competitive if I'm remembering right?? That got thrown out the window as the eggs kept running, but initially, it was more like that. (I could be so wrong. Sorry.)

Regardless, "Convivial Condition Observation": breaking this down real quick. Convivial means "(of a person) cheerful and friendly; jovial." Essentially, happiness. Condition being the...condition of either the eggs or the islanders, or both. Observation being the act watching them that the Federation is doing.

"Convivial Condition Observation," or, let's see how well you can keep these eggs happy. And, alternatively/in addition, how happy it keeps you.

GROUP #0002 - Tallulah, Pomme, ______ Department of Subsistence Monitoring

The first thing that stuck out to me with this group was the fact that Tallulah and Pomme were found in very similar ways. Pomme was stuck hidden in the wall, and Tallulah was found hidden in the attic of the adoption center. If the third egg's name really is six blanks, and stands for MEMORY as I'm suspecting it might, then that egg was also hidden—to the point where Cellbit needed coords just to find its adoption center.

"Subsistence Monitoring" breakdown: Subsistence means "the action or fact of maintaining or supporting oneself at a minimum level." Monitoring being the act of observation that the Federation is doing.

"Subsistence Monitoring," or, let's see how well these eggs can take care of themselves without any external help.

GROUP #0003 - Sunny, Pepito, Empanada Department of Permanent Surveillance

This one is a bit alarming, I'm not gonna lie? The clear tie here between the three eggs is that all three were found on Egg Island. The name of the island could possibly have something to do with it? I really don't think I can pin down a definite decision for this answer until we know what the Federation was trying to surveillance.

"Permanent Surveillance," or, let's keep an eye on...something. Egg Island? The islanders?

GROUP #0004 - Richarlyson, ___ __ Department of System Analysis

I'm going to come in straight off the bat and tell you I have no idea what they could be doing in this group. "System Analysis" is incredibly vague, and likely intentionally so.

The best guess I can make is that the system being referred to is...the eggs. If EGG A1 is supposed to fill in the five blanks of the name, then this becomes obvious: the one time we saw this egg, ElQuackity was putting them through a parkour test. A parkour course is generally used to test skills.

...if I wanted to get really headcanon-y: Richarlyson's leg is canonically misdesigned. Running a parkour course with an egg younger than Richas could be the Feds trying to sort out what the issue with Richas' leg is/was.

Additionally, in the really headcanon-y realm, Romero Richas could be a fascinating way to show system malfunction. Just saying.

"System Analysis," or, let's make sure our experiments are working properly.