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notsodailycake · 14 hours ago

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Part 3 for the fitclet I did for @keferon 's mecha pilot jazz au! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

For those who missed it:

Part 1 || Part 2

This is probably the longest out of all the 3 parts, dear god, I went all in. It came out bigger than I ever expected it to be. I was not expecting it to go this far honestly, but the parasites in me, they begged for more. So here we are! :D

Again tho, idk how in character they will be here, but I tried my best ＼(*T▽T*)／. Also, kinda bullshitted my way through in worldbuilding bc idk how things work exactly- and I had to come up with stuff on my own, even tho I'm not that good in mecha world stuff, so I'm sorry for any inaccuracies ^^;;

Now, to give credit to those who so desperately deserve it:

My sister @saltynsassy31 for helping me when I couldn't write out some of my ideas and doing it herself (so consider this as a bit of a frankenstein monster of both our writing styles, mainly during intense scenes. If there is any fancy words in this, it's cuz of her) and being my beta reader for this part. Seriously yall, this wouldn't have been as coherent and well written without her help!

Also huge thanks to my online sister @yayadrawsthingz for helping out when I hit a few road blocks during this!

And finally, a huge huge thanks to my honorary online uncle @hexyz09 for helping me finish off the final fight scene when I got stuck during some plot holes and road blocks, or generally just writing myself into a corner and having to help me leave it, despite not knowing jackshit about the au, let alone the ship and characters themselves, but was still willing to help me through in working on the plot, in this crazy obsession of mine XD

Yall have no idea how much help these guys were. Probably wouldn't be able to finish without either of their help ᕦ(òωóˇ)ᕤ

Oh and an honourable shoutout to the song "Headlock" by Imogen Heap! Kept listening to this on loop as it kept my drive up to write this.

Now onto the fic!

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Prowl ignored Jazz's various attemps to push out his servo from the cockpit. Despite the mech being weak himself, the human was still no match against thousands of pounds of metal, especially in his own weakened state.

Which was a matter of its own at the moment. Prowl knew he had very little time to be able to run ahead before the other humans caught on to them, having noticed the alarm bells ringing through the facility.

So he ran towards the exit Jazz had initially pointed out, the only plan they had at the moment.

...

"Prowl! Prowler, hey! I know you can hear me! Prowl!" Jazz shouted as he slammed yet another fist in a failed attempt to nudge the bot's servo out of the way. He hasn't said a word since picking Jazz up, and he wasn't sure how long that was, maybe not that much, but it felt too long yet too little at the same time (what a headache).

Sliding down, he gently hit his forehead over the protective servo and let out a sigh of defeat. No way he could get him to move like this.

Why was he trying to anyways? Didn't he want to be with Prowl? He certainly did, but somehow, something in him made him feel like he shouldn't just be accepting this.

And maybe Prowl also knew this, which is why he took off and hasn’t said a word since. Both held conflicted feelings about the whole thing. If only things didn't feel so blurry right now!

Suddenly, a hard shift made Jazz stumble a bit, grasping at whatever he could so he didn't fall back, loud noises of metal scrapping metal could be heard as something got kicked open on the outside. Jazz scrambled over to the small crevice that opened between Prowl's digits, not enough for him to fit anything over other than his hand, but enough to get a glimpse of what was happening outside.

Prowl had kicked down the exit door to the lab ('not like he had the hands available to properly open the damn thing anyways' Jazz thought to himself). It was meant for mechas to exit the room after they finish off whatever it is they do in here, that Jazz knew, and if he was right, just down the hall there will be another exit leading to the backroom where they stockpiled the mech suits. No one but the technicians were usually supposed be there, it would be an easy fight to get to the big gate that lead to the outside training grounds, which is why Jazz had pointed for the mech to go down there in the first place.

There shouldn't have been a problem besides giving him time to leave unscathed. Which Jazz assumed would not be the case as he was currently inside Prowl and not buying him time to escape. But, to Jazz's surprise, nothing had come close to attacking them, yet.

The pilot did not have much time to contemplate it as suddenly he heard Prowl rumble an annoyed grunt.

"Don't move."

In shock, Jazz stumbled back as Prowl removed his hand and reached for the end of the overhead gate, seemingly alot harder to kick down than a two way door. The only thing it would really do would be to bend the metal a bit but it wouldn't give an open entrance. Jazz didn't dare leave, not like he could from this hight, but even if he could, Prowl would probably just pick him up again; it be a waste of energy really (just admit it, you don't want to leave him). But something about this felt wrong, so far they haven't had a single guard come down the hall, just this small pause would give them enough time to catch up to the two runaways, Jazz was sure that guards had been on his tail when he was under his rampage.

Unless...

Wait.

"Prowl! Wait don't open that gate!" But he was too late, the moment he uttered those words the mech had already been in motion and pushed the gate up with all his might and as quickly as he opened it a gun shot came through the otherside. They had been waiting for them, they knew where they were heading. The bastard he kicked down prior to this probably saw them and reported it, dammit.

Prowl let out a strangled cry of pain as the shot landed right on his left shoulder (like it wasn't damaged enough by the lack of arm), Jazz fell backwards with the harsh motions, hitting the back of the pilot's seat, the impact leaving his vision to go dark for a few seconds before he collected himself as quickly as he could. In an instant though, just as he tried to get back up to see what was outside, Prowl had put his hand back over the open cockpit.

No...he wouldn't be able to fight like this, protecting him as he is would only hinder the bot to more damage. And that's exactly what Jazz intended to express to the other. "Prowl! You won't be able to fight with your hand over me! Forget about holding me inside, I won't leave, I promise!"

"That's not the point!" Prowl growled, letting out another hiss of pain as more shots were loaded, someone shouting out for them to stand down.

Prowl couldn't risk leaving Jazz exposed. Unlike the human, Prowl could take a few shots, their weapons not being strong enough to inflict any serious damage to his plating (though perhaps a bit to his exposed protoform, though he could handle it for a little while longer). But it would take one lucky shot on Jazz to have him dead in an instant, and Prowl couldn't take that chance.

It seemed like Jazz got the message, not spitting back any sort of remark about Prowl's lack of explanation.

But the mech couldn't linger too much on those thoughts, he had to get out, and fast. He was losing too much energon, and his vision was starting to get blurry, which wasn't a good sign. It didn't help that his thoughts were a hazy mess, his usual ability to think logically overthrown by the panic of needing to get out of this place while ensuring Jazz's survival.

It's not like he had much to do, though. Any possible escape hindered by the fact he couldn't use his weapons unless he risks Jazz's life to one lucky shot. Perhaps he could make a run for it, knock through the mechas in front of him and let them tumble over as he reached the final exit; it wasn’t the best plan perhaps, with at least a 19% rate of success, given he isn't in the best physical state at the moment, he probably wouldn't be strong enough to knock them over. Added to the fact the exit wasn't shut by a gate he could simply knock over easily either, like the previous one. He'd have to push it open from the bottom, and there wasn’t enough time for him to act on it.

But he'd have his back turned to the shots, reassuring Jazz's own safety, so he could perhaps risk removing his servo to push the gate open once more.

With a quick warning from his HUD telling him his energon levels were getting dangerously low, Prowl decided to take the risk, with little time left, he took a step forward making a run for it.

The mechas seemed to ready themselves for his attack, quickly positioning their weapons to target him, closing any narrow space they had between each other.

What they didn't expect was for the mech to charge his whole body weight onto them. Despite not feeling any pain, they certainly could not fight against gravity itself. They all stumbled against each other as Prowl made a mad dash to the gate. He slid on his knees and made a quick reach for the bottom of the gate, anxiously removing his hand from over the cockpit, bending over protectively as to not have anything be able to aim inside.

He could feel his spark beating fast from anxiety, they were so close, they'll be able to leave soon enough. Jazz was most certainly having a good feel to Prowl's anxious beat, the loud thruming reaching the bot's own audials was most certainly deafening to the human sitting near it.

Then, a shot.

A pop.

A blinding light.

And the beat stops.

Jazz was curling in on himself as an instinct to protect himself from the sudden burst behind him. It only took a few seconds for him to realise what that was once he couldn't hear a single beat of a spark, or the burning sensation it left, feeling his own heart stop and drop to his gut.

It felt like the world around him suddenly stopped, everything going into slow motion, with no sounds to accompany the dread. Feeling as Prowl's body leaned foward to crash on the ground.

But just as quickly as the silance came, it left. Prowl catching himself from hitting the ground with a grunt, a slam could be heard as his arm and elbow made contact with the concrete floor. His spark beating, weakly, but beating nonetheless. What felt like hours of silance was only a quick few seconds of deafening dread.

"Prowl!" Jazz called out in desperation, reaching out to hold the edges of the cockpit, so not to fall out, but to also try and comfort his anxiousness as he tried to look up at the mech's face. The mech made a sound of acknowledgement, which came out more like broken static, but didn't make much effort to move, his face scrunched up in pain, optics shut. They shot him on his back, too close to where his spark would be, causing him to skip a beat, and busting a bit of his left doorwing, but it still seemed to function somewhat.

Suddenly, both of them picked up on the sound of something opening, giving no time for either to fully process what had just occurred. Prowl made a quick move to get his hand over the cockpit once more (with slight struggle as he stumbled and fell on his aft) as a thick metal slab emerged from above and beneath, right in front of the gate, shutting it close with a protective layer of metal. Guessing by the red alarm ringing around them, an emergency protocol to keep anyone from leaving. Slag.

The mechas surrounded them, guns all aimed to shoot at the alien mech if he didn't comply.

It was silent for a brief moment, in exception to Prowl's anxious beating spark (which wasn't a problem for Jazz at the moment, the burning warmth being somewhat comforting) and Jazz's own heart beating over his ears. Both catching their breaths.

"There's no point in fighting. So make this easy for all of us and surrender yourselves." A nobody pilot finally spoke out, weapon leaning a tad closer than the others.

The atmosphere felt heavy, they were pinned down. Really, the only thing they could do was surrender, but Jazz would sure as hell be reprimanded for his actions and Prowl.....he didn’t want to think about that. No, he wouldn't even allow that thought to become any sort of reality.

"Prowl" he whispered, knowing only the mech would hear him, leaning a gentle souch to his servo as if to beg, "I know you might not have alot of trust 'n me, but this might be our best shot." There was a tense shift, not too noticeble unless you could see the mechanisms from the inside, Prowl knew what he was about to suggest. "You need to let me pilot you." He cringed as he felt the other's servo stiffen, he wasn't pleased with the idea, and neither was Jazz, but he knew this place alot better than Prowl did, and knew how to properly defeat the mechas, knowing their weak spots. And Prowl was all too aware of that too, Jazz knew it. They both were very aware of it all.

"Please," he begged, leaning his forehead on the mech's servo yet again, "I can't lose you again." There was slight shift, Jazz looked up, though he obviously couldn't see the mech's face, the sigh he let out was loud and clear. The controls on the pilot's seat shifted, Jazz got the message:

'Alright'

He couldn't help but let a small smirk creep over his face, making way to sit down and start piloting.

"Under one condition though," Prowl suddenly whispered to him, though it was alot louder to Jazz on the inside.

"And what would that be, partner?" The title flew out too fast for Jazz to stop himself, feeling so natural to call Prowl partner once more. The mech didn't seem against it though.

"No removing my hand."

Jazz was left stunned for a quick second, though it felt like a minute for Prowl as he waited for a reply eagerly.

"I can work with that." Prowl let out a sigh of relief at that, allowing the human, his partner, to take control of him again.

It took a moment for Jazz to adjust himself, in the meantime, the people waited outside anxiously for the other to make a move. When Prowl finally started to shift around to stand up with a small grunt, everyone raised their guns and loaded them up, but didn't shoot just yet. The mech looked up at them with a deadly glare, but made no move to attack, his remaining arm not leaving the open cockpit for a second, he simply stood up with a slight slump to his posture, doorwings drooping down slightly. In all possible ways, he looked weak and defeated, no signs of fighting back.

One of the mechas walked closer, gun still aiming at Prowl, but it was lowered slightly. They reached a hand out expectantly.

"The pilot, hand him over." They demanded, no sympathy whatsoever.

Prowl clutched his chasis, anger pooling over in his spark, doorwings twitching up slightly, but he made no move to attack. Not yet. He heard Jazz speak to him in a low tone so only he could hear it, with a sigh, he relaxed. He slowly, very slowly, drew out his hand from the cockpit, the action in itself having the other mecha have their body relax slightly as they approached the mech, weapon being put down slightly enough, and so did the others around them. Jackpot.

Before he fully removed his servo, the mech made move to crouch down and in a swift motion swung a peed over to the mechas own, catching them off balance and knocking them down. Jazz let out a small hiss to the action, forgetting his own injured leg, but pushed on regardless.

Using the thrusters of his doorwings, they were able to balance themselves back up, Prowl's servo going back into fully protecting it's pilot once more. With most weapons being aimed up and not down, it took a delayed second to aim correctly, but it was enough time for the human and cybertronian duo to twist themselves out of harms way.

Before the fallen pilot could attempt to get up, Jazz made move to aim over the weak spot of their mecha's knee and stepped hard enough to break its mechanisms so they couldn't stand back up easily. But the glory was short lived as more shots were fired their way.

Jazz's hand twitched to move and use its weapons, but he resisted the urge with a slight huff, "Man, 's hard to fight without an arm!"

"This is none negotiable, Jazz." Prowl hissed as they made move to avoid more shots.

"I know, I know! Don't mean it makes it easier!" Jazz tried to analyse their surroundings, though it was made difficult with the many HUD warnings from all the injuries (the pilot couldn't help but mutter a broken "I'm so sorry" to his partner, whether the mech heard him or not he wasn't sure), but pushing through it, he took note of a few key details. There was a metal catwalk grate near above the mechas' heads, running with a few on ground troops, the bastard of a boss being one of the few amongst them. Near a corner stood an elevator to go up and down the area.

How that could help, Jazz wasn't sure yet.

A shot hit Prowl's arm, pain flowed through the mech as he moved out of the way once more. Jazz looked around in a frenzy to find a place to shield themselves....the mechas! Making a run for to the lifeless husks, he swivelled around between them and hid behind the many rows of mechas knowing full well that they would not risk such precious resource and money just to reach them. At least he hoped not, because he just needed a little bit of time to figure something out.

Hearing the big man call out to hold their fire was good enough indication that his idea worked.

"Ok, now we just need somethin' to distract them long enough for us to make a jump to the ceiling." Jazz explained

"The ceiling?" Prowl inquired, not so certain about his partner's ability to properly think at the moment.

Jazz rolled his eyes, but didn't make mention of the mech's tone. "It's the weakest point here, plus" he made way for Prowl to look up to where he remembered the area to be at, "there's a trap door for flying mechas and emergencies. One quick press of a button will open it up, even under "safety protocols."" Prowl let out a hum in thought, seeming to analyse the situation.

"Possible, but where is this said button?"

"Behind the elevator, by the catwalk grating on top. There's a control panel, and one big red button, can't miss it."

"Would smashing it still get it to work?"

"Yes."

"Then I don't have any complaints."

"Good, now," Jazz went back to scanning the area, "how to cause a distraction?"

"Would that broken pipe be of any use?" Prowl made an effort to twitch his head over to the direction of what he wanted Jazz to see. And just as the mech stated, there, by the first floor of the elevator, stood a broken pipe, steam coming out of it.

Jazz smirked "it would actually. If we can get somethin' to shoot at it, we might cause an explosion, giving us time to jump up without being the target anymore."

"Sounds like a plan." Prowl shrugged.

"Don't have anything to add?" Jazz asked a bit surprised.

"No, I don't." The pilot didn't push.

"Okay. Well, let's get these bastards shootin." In quick motion, they made way to the elevator, already hearing the commands to shoot fire, 'but watch for the machines!' Weapons were loaded from above as well, shooting down at the two runaways once again.

Jazz made sure to move swiftly behind the mechas, making sure they were shielded properly. Any gaps they had to cross was a small risk they needed to take, scrapes and scratches being left in its wake, but tried not to do it too often, just enough that they could follow them. They eventually reached where the pipes were, Jazz took a deep breath.

"Ready, big guy?"

"Ready."

They stepped foward, making sure to call the attention towards where they were, but quickly retrieting back behind the mechas suits as they shot directly where they wanted to hit. "Bingo."

Quickly, activating Prowl's thrusters, they leaped over to the metal grates that stood above them as the pipes behind them burst, causing a huge commotion as empty mechas fell down and whatever machine near the crossfire tumbled down. Prowl let out a gasp as he felt the world around him spin, the grating beneath them not being of any help as it shook with his weight. Jazz was quick to hold on, helping the mech stablise himself before aiming with his left foot to kick the big red button with their ticket out of here, the motion causing his vision to flash in pain, but he bit his toung until he could taste iron and pushed forward.

Hearing the metal door above them open up, Jazz readied himself, but hesitated with the warning he'd received from Prowl's HUD from his low energon levels. He didn’t even get the chance to fully check on it though, Prowl quickly pushing them out of the way himself.

"I'll live, just one more push." The mech hastily reassured the human. Jazz wasn't inclined to belive it though, feeling the other's spark beat anxiously (and for some reason that made him feel slightly dizzy. Though he chalked it up to it being his possible concussion).

It took one shot to slip an inch away from Prowl's face for them to finally snap out of it and jump. One more push from his thrusters as they flew up through the trap door and landed on top of the roof with a grunt, the mech's left wing finally giving out.

But they weren’t in the clear yet. Looking out, a wasteland of a forest awaited them, with dense trees at the bottom.

"We'll have to make a jump for it. If we're lucky enough the trees will be big enough to hide us." Jazz supplied.

"45% of that happening. But we don't have much of another option at the moment." Prowl added

With all that being said, Jazz moved into action. With so much at stake, he had to, he couldn't waste another second in debating. Hefting Prowl up, he used all remaining strength to jump where they needed to go, but as the training grounds began to get closer than anticipated, Prowl knew they didn’t make the jump and that made the mech almost freeze.

Though Jazz had other plans, because as their impending flat doom approached in rapid speed, Prowl's remaining thruster burst to life and gave that final impusle they needed to reach the slope. They both braced themselves as they were thrown up and over to their intended destination, Prowl having half a mind to tighten his hold over his chest so none of the debris and impact could reach the fragile human still in his care.

They rolled down the slope, Prowl just barely being able to shift himself so that he was sliding on his back instead. The aggresive motion of going down a not so smooth path causing bigger cuts and slashes against his already damaged frame. But the only thing he could think of at the moment was that they made it.

Jazz was quick to let go of his control over Prowl, who in turn made an effort to sit properly. Though the sudden slamming to his servo made him look down worriedly, moving it slightly to see Jazz leaning on it desperately.

"Prowl-" he heaved, "Prowl put me down I'm feeling sick."

The mech panicked and quickly made move to help the human down, gently placing him on the grass below. Jazz made no effort in being graceful as he hurled over and puked his guts out, luckily avoiding Prowl in all of this.

Clutching his stomach in pain, his heaving and coughs agitating the injuries on his abdomen. Everything around him felt blurry and muffled as his body made sure to get everything he had eaten in the past day out of him.

What made him panic was the sudden taste of iron in his mouth as he coughed up whatever he had left inside. That's not good. And that definitely didn't escape the giant mech's notice, who kept a hovering servo near him.

"Jazz! Is that blood?!" His voice sounded so broken, static lacing over his words.

"Uh- Yeah. Yeah it is." He wasn't sure how to deny that really, and he felt too light-headed to try. But his attention diverted to the sudden pink glow that landed at the side of his vision.

Energon.

Quickly looking up, he finally got a glance at his partner's battered condition. Energon leaked from many different parts of his body, but the main source being from his missing arm. Jazz couldn't help but cringe at that.

But what hurt him the most to see was the weak light from the mech's optics, which still held visible concern on them. Despite being close to going into offline, he still looked at Jazz as if he's about the crumble into dust and leave him. Which he honestly, maybe, felt like. But seeing Prowl's optics flicker as they fought to stay online, Jazz panicked

"What 'bout you?!" He called back, catching the bot off guard. "You're losing too much energon! You look like you're about to go offline!"

Prowl cringed a little, not having anything to counter that. "Well that's because I-"

"No! I'm only a little bit dizzy, but I'll live. We need to patch you up right now!"

"I can help with that."

The new voice catches the duo off guard, Prowl immediately reaching out to Jazz, hand shielding the human from whoever that might be. Jazz looked down from where he was looking at Prowl and turned to see who it was that the voice came from.

There standing in front of them was a human carrying a simple tool box and a huge backpack strapped over one shoulder, filled with questionable things.

---

BEFORE YOU LEAVE, a little something I would like to point out for the fic, that some of yall with either like or not, during the process of writing this, I've seen a few posts keferon made about the spark being radioactive and such, and it sorta made me think a bit while developing Jazz's condition. So well, take Jazz's health in this as you will with this info :)

But anyways, yippie!! That's all for today folks! I hope yall enjoyed this one bc I definitely had a heck of a time writing this one XD

It got alot bigger than I anticipated and took much longer to finish than I originally planned (was supposed to be done 2 days ago).

Now, I know I keep saying "not sure if I'll make another part to this" but then proceed to do so anyways. But I mainly do so because everytime I shared it someone said something that added to the story somehow and gave me ideas to continue foward.

So like, if yall liked this and wanna see more, don't be shy to suggest/add anything to this as it may help inspire me to add more onto this, cuz honestly idk what the fuck I'm doing rn, I'm just going with the flow ᕕ( ᐛ )ᕗ

Also, a bit of note for the doodle, holy shit I did not expect it to look this good!! Tho I suffered with Jazz's suit, plz ignore any inaccuracies tee-hee. Prowl's knee and hands were hell too, especially his knee, but i could like, hide most of it lmao. Actually mainly struggled to not have his hand cover Jazz too much bc it kept covering the parts I actually wanted to show off lmao.

Oh and the guy at the end? Yall can take a good guess as to who it is :)

But since he doesn't have any official design, I kinda went with whatever felt right lol.

I also really wanted to draw out more scenes to add to the fic, but then it would take me a lot more time to actually post the fic as I figure out how to draw robots :'). But maybe I can try and doodle them out another time if I can, no promises tho-

#mecha pilot jazz au #oh god I'm so nervous about this one #i hope yall like it #and plz plz share whatever thoughts you have on this (as long as they're positive ofc bc my ego is very fragile YwY)#cake writed #yeah that's a tag now #cakes art #transformers #tf jazz #tf prowl #jazzprowl

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justkending · 2 days ago

Text

It's just a papercut... (Drabble)

Summary: Mission one-on-one with Bucky? It's been done before. So why is this one different? Why is he acting weird and not letting me storm off in a rage at his cold shoulder? Also, was the one bed necessary?

Pairing: Grumpy Bucky x Avenger Reader (Enemies to lovers)

Word Count: 7000+ (It's a long one...)

A/N: I've been spending a lot of my time on Character ChatGPT AI, and a secret agent conversation made me say, " Yeah, I need to put this into a Bucky fanfic." So here we are🥰 Did it turn a lot more emotional than I planned? Yes. Do I regret it? No. Enjoy, my loves!!

_____

“Jesus! The goal is to survive the mission, and from the likes of it, bullets aren’t even going to be the thing that finishes the job!” I shout over the whipping wind as Bucky maneuvers through cars in the foreign country while outrunning the guards we just escaped from on a motorcycle he stole in front of a shop.

“Shut it!” he shouts back, taking another sharp turn that has me clutching on as if one wrong blow of the wind will have me ending this chase with a case of road rash on my entire body. “I’m losing them.”

“And likely me with them,” I grumble, and he shoots me a quick look in the rearview mirror, showing that he heard my remark and didn’t care for it.

I look behind us and see one of the jackasses we were running from has joined us in motorcycle theft, and I curse under my breath as I come up with a plan.

“Goon, five o’clock!” I announce as I dig into my boot for a small handgun I keep hidden.

Bucky looks around and clocks him. His teeth grit together as he kicks the speed up, weaves through a few cars, and turns down a new street, but the man following seems to be just as skilled in bike chases.

“Still on you!” I shout and let out an annoyed groan, realizing that at some point in our mission, I’d lost my backup weapon.

“I see that!” Bucky groans, and as we pass a fruit stand on the street, he knocks it over with his metal hand, causing a traffic stop and the motorcyclist to have to drive over apples and pears, making him to lose his balance some.

However, it wasn’t effective enough. “I got it,” I sigh as Bucky takes another sharp turn, and I clutch onto him. “Do me a favor and try and stay straight for 5 seconds!” I complain, and he complies, although begrudgingly.

I point my fist towards the bike, and as the man makes mean eyes at me, I wiggle my fingers at him with a grin before shooting a taser shock out of the widow bite Nat gifted me.

They shoot across and cause his entire bike to seize at the overload of electricity. He flies off the bike as it stutters and gives Bucky and me a clean escape down an alley.

A few alleys later and a quiet spot away from the chaos that had just ensued, Bucky and I hop off the bike and hide it behind a dumpster. I catch my breath as I throw my backpack over my shoulder and watch as he covers the bike more with the lid of the trash before grabbing his own pack.

“We need to lay low for the night,” I note, adjusting my backpack and looking into the dead-end alley.

He sighed, taking in the area, and I could see the pistons firing in his head. “There’s a hotel not far from here that’ll work. Not shitty, but also not anything fancy.” He immediately starts stalking away, not waiting for me to follow.

I huff in annoyance as he leaves me, and I fasten my backpack, buckling it across my chest before jogging to catch up with his long strides.

We don’t say much as we get to the hotel. Both of our minds coming down from the adrenaline and running through the last pieces of the mission.

While in the lobby of the hotel, I get a call and move to take it, seeing it’s Steve checking in, and I leave Bucky to handle the check-in process.

“Got it. We’ll head to the airport in the morning,” I nod and turn around to see Bucky confirming something with the clerk, and I turn back to the phone.

When he finishes checking in (fake IDs with real payment thanks to Stark’s ways), he turns and waves his hand toward the elevator in a quick action.

“Yeah. We’re fine,” I note, feeling a stitch in my side but not wanting to check just how bad the damage is until I’m behind a closed door. “He’s being a dick as per usual,” I chuckle lightly as I start my walk to the elevators. “No, Steve. I don’t need you to call him and reprimand him. You know-... Seriously, Steve. Leave it… I said it as a joke more than anything-” He cuts me off again, ready to always put Bucky in his place with the cold shoulder he seems to love to give to only me.

When I make it to the elevator, where Bucky is holding the door impatiently for me, I quickly say, “Losing you! Getting in an elevator so I can’t-” There’s a protest on the other end. “What was that? It’s cutting out.” I say in stuttered beats to play it off before hanging up. “Steve says hi,” I say to Bucky as I lock my phone and shove it in my back pocket.

“Sure,” he says back, and I’m not sure if it’s unconvinced or unbothered… or both. Either way, his face is still stoic.

“You really need to lighten up,” I sigh in a deep breath, annoyed that he never relents his tough guy act around me.

“Don’t feel like.”

“Do you ever?”

The elevator is silent. The only sound is the mechanics of the metal box moving up. It eventually dings, and as I go to step forward, I grimace slightly so as I step wrong, causing pain to go up my side, but I quickly brush it off.

“What was that?” Bucky says behind me as he steps off the elevator last.

“What was what?” I ask, looking carefully at the room numbers and acting ignorant.

“That look. You flinched.”

“Yeah, no,” I shake my head. “Your eyesight must be getting worse with age.”

“My eyesight is fine,” he grumbles, pulling my arm back as I pass the room, realizing he never told me the number. “We’re here,” he turns to the door and presses the key card to it. The color changes from red to green, giving us access.

“I call the shower first,” I shout, shoving him out of the way and unbuckling my backpack as I rush into the bathroom, shutting the door behind me and locking it.

All I hear is an exasperated sigh on the other side and a shuffle of footsteps as he shuts the door, locks up, and moves into the room.

I let out a sigh of exhaustion and relief to be done for the day and turned the water on to warm up. If there is one thing I’ve learned about going on missions with Bucky, it’s that the man’s superhearing is just an excuse for him to be nosy. He listens to almost EVERYTHING.

So, with the water running and him hopefully distracted by the hotel views, I undress and focus on the shower. As soon as I took my shirt off, I was shown exactly what I worried was the problem.

Down my side is a semi-jagged cut going up my rib cage. Close to four inches long, if not less, but angry and red. I hiss and quickly bite my lip so as not to make another sound. It’s not bleeding anymore, which tells me it’s not deep, so with the proper cleaning and care, it’ll be fine in a few days. I use my time in the shower to clean it and wash the rest of the day away with it.

When I come out, I rummage through my bag for a first aid kit. I usually pack a travel-size one given the job, but I can’t find it in my pack. I change into a pair of clean shorts and a tank top I packed (light and takes up minimal space) before checking in the mirror to make sure my cut wasn’t prominent through the light-colored tank. When I feel comfortable enough that Bucky won’t ask questions, I straighten and fight the soreness that’s taking over my body now that I’m not going 100mph.

I walk out, and when I see that Bucky is lying back, arms over his eyes on a king-size bed, I immediately take in the fact that it’s the only bed in the room.

“Um,” I start, hands out as I assess the space. “What’s this?” I ask.

“A bed,” Bucky answers simply and sits up tiredly as he looks at me, leaning back on his forearms. “You ran straight into the bathroom before I could tell you, or you saw for yourself.”

I cross my arms and flinch again when I graze my cut, but I roll my shoulders as if the full-body soreness was the only issue.

“Well, did we not have another option or-”

“What was that?” he cuts me off.

“What was what?” I look right at him and furrow my eyebrows.

“You made that face again.”

I roll my eyes. “I’m sore,” I shrug, scoffing and even I know I’m a horrible actress right now, so I don’t make eye contact.

“That’s not a sore grimace. That’s something else,” he sits up straight now and tilts his head down, assessing me.

“Stop that.” My arms tightening around me under his gaze only makes a smirk appear. “Stop. It’s weird.”

“No, what’s weird is why you’re being so weird,” he remarks with a face.

“Good one,” I sass, turning and going to his backpack now.

“Hey, what are you doing?” He stands quickly from the bed and looks at me over my shoulder as I unzip his bag.

“I think I put something of mine in here. I can’t find it in my bag,” I note, dunking my hand into his things. He steps up, pulling my shoulders to get away.

“Stop going through my stuff. You’re worse than Sam,” he notes, tugging me away, although gentler than how he is typically.

“I just need-” I feel the small plastic box I’m looking for and tug it out, quickly holding it behind my back. “Nevermind. I found it.”

“What are you talking about-”

“Nothing! Just give me one minute. I need to brush my teeth,” I jab a thumb behind my shoulder as I walk backward to the bathroom, his steps matching mine. “I’ll be out in five minutes,” I note quickly as I turn on my heel and run back into the bathroom, shutting the door behind me and locking it again.

Instead of seeing the door handle budge like I expected, he bangs a fist on the wooden barrier.

“Y/N, open the damn door! What the hell did you take out of my bag?”

“My toothbrush!” I lie. “I must have gotten our bags mixed up when I packed them.

“How could you do that? Yours is brown, and mine’s black,” he notes.

“A very dark brown,” I note, lifting my tank top and sitting on the bathroom counter to get a better look in the mirror of my cut. “Just give me a second-”

“You’re being weirder than normal,” he groans in frustration on the other side.

“Yeah, well, get used to it,” I hiss as I put the sanitizer spray on it and bite my knuckle to suppress the pained groan I want to let out. “Jesus,” I mumble under my breath, but the next thing I know, the door is swinging open, and Bucky’s staring at its handle in confusion before back at me. “Hey!” I look at the door and back at him. “They’re going to charge us for that.”

His eyes immediately go from annoyed and over it to concerned and confused.

“What the hell is that?” He points at my stomach, where I’m frozen on top of the counter, shirt lifted, showing my entire torso and cut on full display.

“A paper cut,” I say after a moment of trying to come up with an excuse. Why a paper, out of all things, left my brain, I don’t know. But it did, and here we are.

His concerned face drops some, and he deadpans from my injury to me before marching to me and turning me at my shoulders to face him and get a better view.

“When did this happen?”

“Wild guess, but likely when the guards we fought to get out pulled a knife on me and played dirty,” I sigh, realizing I wasn’t talking myself out of this one anytime soon. “But that could be a stretch,” I add.

He again looks up at me from my injury with an incredulous and agitated look.

“Let me see,” he sighs, bending down to get a better look and looking at the injury from a head-on angle.

“It’s just a scratch, Barnes. I’ll be good as new after a little disinfectant and ointment. Nothing a bandaid can’t fix,” I brush off, turning on the counter to grab the kit.

He stops me in my turn by placing a hand on my knee and turning me back around to where my legs hang off the counter. I’m sitting with him in between my legs.

“They used a serrated knife,” he notes, taking the first aid kit out of my hand and opening it, instantly getting to work as if I wasn’t doing it myself two seconds ago.

“Um, excuse me, but I can-”

“I know the things you can do, Y/N. You don’t have to tell me,” he says sternly, grabbing gauze and another bottle of something I didn’t know the contents of and tipping it onto the gauze before bending down again. This time, his eyes found mine as he looked up at me from his now crouched position. “This is going to sting. That sanitizer you were using before is shit. This one actually does the job,” he notes, and I’m a little stunned by the turn of events. “Ready?”

Never in my life did I think Bucky Barnes would be this gentle and considerate with me, but I’m not going to stop a good thing from happening.

“I don’t think it can hurt more than the knife itself,” I smirk and nod when he gives me a look. “Yeah, yeah. Do your thing, Doc.” I gesture to him, looking up at the ceiling as I prepare for the sting.

I don’t feel it instantly, and just as I’m about to ask him what he’s doing, the cool liquid hits my cut, and I hiss, grabbing his wrist in a tight hold out of instinct as I hold him back. “Jesus H. Christ,” I grit through my teeth. “What the hell kind of acid did you just put in-?”

“It’s Banner-strength disinfectant,” he cuts me off, gently dabbing the cut even as I hold his wrist. His touch is soft, but the sting is anything but. “You grabbed my first aid kit. I had him make it since you tend to get hurt easily, and we’re not in the cleanest country.” He’s fully concentrated on my cut.

“What?” I asked, surprised, grabbing the kit's container and seeing that it indeed was not mine. I brush over the fact he had Bruce make it and packed it specifically for me as I look over at my bag, still slumped against the wall from my rush to take a shower, and realize I must have accidentally unpacked my own.

“Relax. Tensing doesn’t help,” he adds, bringing his free hand to my thigh and giving a light squeeze to distract me. I hiss again as he pads over an agitated area. His face drops some, and he gives me a look. “Y/N, why didn’t you tell me about this as soon as you knew? This was not far from being infected in a way that could have been a lot worse than just an irritating sting.”

“When was I supposed to tell you?” I sass, throwing my head back on the mirror as I focus on anything but the pain in my side. “As soon as we got off the bike, we headed here. You didn’t say a word to me, and I was in my own head. Honestly, I didn’t even realize it was there until we were checking in and I was on the phone with Steve. Adrenaline must have kept me from realizing it.”

He mumbles something under his breath, and I hear the word, reckless in the middle of it.

“Watch yourself,” I warn, kicking my leg a touch, skimming his rib cage. “There can easily be two injured people in this room.”

“No need for both of us to get stupid injuries,” he grumbles.

I scoff and shove his hand away from me, jumping off the counter as he stands and glares at me.

“Sorry for getting stabbed,” I sneer up at him, stepping into his space. “I’ll make sure to ask the bad guys next time to keep the knives at home. Oh! Or better yet,” I exaggerate. “I’ll tell them my partner said I’m not allowed to get into fights with men triple my size, so if they can just play gentle so I don’t end up with any battle scars, that would be greatly appreciated.” I smile wide and fake before dropping it and brushing by him to the bedroom.

I catch the tail end of his eyes rolling before I hear him stomping behind me.

“I need to finish patching you up. If it’s not done properly, you can get sick.” He comes up behind me, but I stop abruptly, and he runs into my back before holding my shoulders to steady himself. I turn to him, not breaking the space.

“I know how injuries work, Barnes. This isn’t my first time in the field, although I’m sure you believe otherwise,” I scoff in anger. “Just,” I put my hands up, stepping away in frustration and groaning. “I’m going to get some air,” I try and push past him to leave, but his hand wraps around my arm and holds me shoulder to shoulder by his side before I can get my feet past him.

“No. You’re going to let me finish patching you up. Now…” he stares at me with his Sergeant's eyes. “Sit. Down.” I struggle to fight my stubborn retort, but he sees it brewing and raises an eyebrow in challenge.

I groan in protest loudly and pull my arm out of my grip before moving to the edge of the bed and sulkingly wait for him to finish his job- that I didn’t ask him to do, by the way!

“Good girl,” he mutters with a smartass smirk, and I take a breath in to yell something at him, but he goes back to the bathroom to grab the kit we left behind.

“Cyborg headed-ass, caveman, son of a bit-” I mumble, and he comes back in, shooting me a look that says, ‘really?’. “Oh, sorry, did you hear that?” I say with fake regret.

He rolls his eyes and crouches again by my knees to get a better angle at the cut, and I lean back, my hands flat against the comforter as he works quietly, and I stare up at the ceiling, trying to ignore the warmth of his hands on my stomach when he’s been nothing but cold to me.

As he’s patting the tape over the piece of gauze he fashioned over my cut, I look at him calculatingly. He notices my gaze on him and awkwardly starts putting his things up, sneaking glances at my stare here and there.

“What?” he finally asks. “Stop staring at me.”

Instead of an answer, I just stare harder and raise an eyebrow, tilting my head to the side as I analyze him deeper.

“Cut it out,” he growls, standing and moving to put the kit on the counter. “You’re creeping me out.”

I let out a single laugh and shook my head before lowering my tank top and looking out the window. “You’re so fucking confusing,” I state, standing as I straighten my clothes.

“I’m confusing?” he asked rhetorically. “You’re fucking confusing.”

“Come up with your own lines,” I throw an exasperated hand out, waving him off. “I’m getting air.”

I don’t know what provokes him, but he steps in front of me, his towering figure shadowing over me.

“No,” he says, looking at me sternly.

“I don’t remember asking,” I sidestep him and move to the door. I manage to open it maybe a foot before it’s slammed in my face, and I feel Bucky’s chest pressed to my back. I look up, and his hand is splayed flat on the door.

“I said no,” he says lowly. His voice is just over my shoulder, and I hold back the shiver that threatens to take over my body.

“And I said, fuck off,” I say just as lowly, looking up at him, tilting my head back. “Move.”

“We need to talk.”

“And I need to put a good three blocks of this city between us so I don’t add another person to the stabbed today club. I’d rather stay on Steve’s good side.” I jut my arm back to elbow him in the ribs, but he dodges it with a smirk.

“Real mature,” he sasses, and I can see a touch of playfulness in his features, and that makes me even more furious.

“You’re one to fucking talk!” I turn and shove him in the chest, and he relents, putting his hands up in the air as I shove repeatedly in vexation. Each shove and each curse I send his way has him taking one slight step back with a grin. “Stop smiling!” I grunt as I push him harder, and he laughs. He fucking laughs!

My eye twitches, and my hits become more forceful. Nothing close to what I’m capable of, but I’m not looking for a full-on brawl. I just want to smack him enough to wipe that stupid smirk off his face.

“Y/N,” he says calmly in between hits to his rock-solid chest. A chest, I’m sure, will give me bruises if I keep this up.

“No! You don’t get to talk!” I point at him after shoving him one more time and successfully making him falter a few steps back at the power behind it. “I’m walking out of this room to get some air, and you’re going to stay right fucking there. Right there!” I point to the floor under his feet. “And not keep me from leaving this God damn suffocating room. Got it?”

I know my eyes are wild, and I know the emotions I’m feeling are written clear as day on my face because his sly smirk falters, and he takes a deep breath in, hands still up in surrender.

“I’m sorry,” he mutters out as his gaze falls to his feet.

“What?” I ask, shocked and slightly out of breath from exerting myself.

“I’m sorry,” he says a touch more clearly as he clears his throat and looks up, hands coming down and eyes avoiding mine.

I blink a few times and throw my hands up. “I can’t do this.” I let out a breath and turned back to the door.

“Y/N, please don’t,” he says, and I stop. I surprise myself, but I stop, turning back to him slowly.

“Why?” There’s a long pause that follows my question, and I wonder whether Bucky even knows why he’s asking this. “Genuinely Bucky... Why are you so insistent on me staying in this room right now?

He runs a nervous hand over his beard and shifts his weight to one foot as he throws one hand up in a single wave.

“I don’t need you getting hurt again,” he states, still avoiding eye contact.

My eyebrows narrow in confusion, and I cross my arms, popping my hip to the side as I stare at him. “We’re in a hotel. Not a battlefield.”

“It’s better we stay in here than wander around. The guys who were after us are likely still hunting us, and it’s best we don’t show our faces in public spaces,” he notes.

Ok, that’s a logical reason, but something tells me this is a more emotional reason on his end. He’s not sharing everything, though…

“Ok…” I drag out and look at the balcony. “Then I’ll go out there.”

I walk promptly to the balcony, surprisingly not being stopped by him as I brush past him and jiggle the door handle, finding it stuck. “Fucking hell,” I grumble under my breath as I pull the handle and push it up and down to try and get it to work.

A hand comes behind me and takes the door handle for me. I stare at it, not turning to acknowledge how Bucky expertly pushes it just right for it to open.

“I had the same issue,” he says, pulling his hand back and nodding his head to the bathroom. “I’m going to take a shower.” He steps back, quiet and sinking back into his usual stand-offish behavior, but now with more nerves and awkwardness.

I give a grunt in acknowledgment and shut the balcony door behind me before sitting in a shitty lawn chair. I don’t turn to see if he’s still standing there watching me, but instead, I focus on the city view in front of me. It’s not a well-off country, so the views aren’t more than rundown buildings and vendors in the street shouting for people to buy their things over their neighbors, but it’s fresh air away from the man that makes my blood boil.

__________

Fifteen minutes later, I feel a little calmer. Although still annoyed, I’m more confused than anything. Why the hell was he acting so strange, and why do I feel like some kind of serious conversation was going to-

“Y/N?” I hear the door open with a creak and turn to see Bucky with wet hair, a change of clothes, and soft eyes focusing on the door that’s obviously broken. “God, this place has gone down in quality,” he notes, leaving the door cracked as he comes onto the balcony with me.

“Been here before?” I ask, turning back to the view ahead.

“Once like 8 years ago,” he nods and moves to stand by the railing, his arms crossed over the edge of it, and his gaze now focused on the same place mine is. “Must have gotten new management.”

It’s silent for almost five minutes after that. No words, no looks, no sounds. Just silence outside of the city noise. I debate, standing and going back into the room if he’s going to continue to go radio silent and not explain his strange behavior earlier, but just before I stand, he speaks up.

“I don’t know why,” he says, and a crease forms between my eyebrows. He continues to stare off into the city. I wait a few moments, and he continues. “I don’t know why you stress me out more than the others.”

Great. So that’s how this is going to go.

I stand and silently move to go back into the room, but his hand clasps around my wrist.

“Please, just let me find the words,” he asks, and I can hear the plea in his voice.

I look back and up at him and his eyes are in the puppy dog form I’ve seen only a select few times. Ones that have never been directed at me but have held no truer emotion than requisition.

“Ok…” I drag out, moving back to the lawn chair and sitting quietly as he drops my wrist almost hesitantly and leans against the railing, fidgeting with his hands. I’ve never seen him like this, so I give him the space.

He takes a deep breath through his nose and closes his eyes before just unloading everything.

“I don’t like seeing you get hurt,” he starts. “I mean, I don’t like seeing any of my friends get hurt. It’s no decent person’s interest to watch friends and family get harmed, but it’s like a nagging in my head. No,” he shakes his head, trying to find the right words. “It’s like having pins and needles surrounding your lungs, and every time you try and take a breath to come down from the terror- the pain of seeing them hurt- the needles poke and stab. Making it nearly impossible to take a deep breath and ground yourself. And that’s only a part of the pain that comes with it.”

I stare up at him. My eyes are likely wide as I take in what he’s saying. He glances at me once before looking back at his hands.

“I know I’m an asshole to you. I know that,” he says, cringing as if the truth behind it hurts him. “I don’t know why. At least, I say that to make myself not think about it longer than I can probably handle, but I’ve talked to my therapist about it, and she says it's a protective technique my brain finds more plausible than just dealing with the confusing feelings I have towards you.”

My eyes shift back and forth as if trying to understand the words.

“Feelings towards me?” I repeat. “Like annoyance?”

“No,” he sighs, and then he chuckles a soft laugh under his breath. “Well, yes. Sometimes you can be annoying, but I’d be lying if I said I didn’t find it endearing most of the time.”

My eyebrows raise at that. Where the hell is all this coming from?

I shake my head in disbelief and lean back in my chair. “Barnes, you’re giving me a bit of whiplash, and I’m not sure-”

“I like you.”

My mouth is still open from where my sentence was going, and I blink once. Then twice. Then, a third time, as I tried to understand if I just heard him right. Because if he meant it as a friend, I’m shocked. But if he meant it otherwise… I’m hallucinating.

His eyes find mine, and this time, he doesn’t look away. He keeps eye contact, and I can feel him trying to read me.

“I-Is there more to that sentence?” I ask, my brain trying to make sense of the situation and short-circuiting ultimately.

“Yes, but from the looks of it, you’re still trying to translate those three words.”

“Good observation,” I nod, pursing my lips and sinking into my chair.

“I’ve been known to make them,” he smiles a tight-lipped smile. I’m actually grateful for his quip at this moment.

“Bucky, you have to understand that those words don’t make sense with how you treat me-”

“I know, and I’m sorry,” he pushes off the railing and steps forward just in front of my chair. “God, I’m so sorry. I don’t even know why it’s taken me this long to apologize for the way I’ve acted this long, but for some reason… When we were fighting today, I saw a man get the jump on you. I was seconds from leaving my own fight and coming straight to you to handle it for you, but you quickly turned the situation around. It wasn’t the first time I’d seen you in that scenario, yet something about it…” He pauses, looking up at the sky, throwing a hand through his hair. “It freaked me out. It freaked me out far more than it has in the past.”

He looks at me in a sincere way and moves to sit in the busted up, rusted, and metal patio chair that looks like it very well could have been here when he came 8 years ago. It creaks as he turns it in and angles his body toward mine. His elbows rest on his knees, and he looks down at his hands again. And as he talks, I realize he’s breaking it down not just for me but for himself—these emotions and sudden changes.

“Maybe it’s because I knew if I didn’t get to you, you were on your own. We didn’t have a backup. I couldn’t call Steve or Nat, or Wanda to come in and help where I couldn’t. And then the actualization that if I couldn’t get to you, if no one was there to back you up, there was a chance I’d end up regretting everything all because I can’t seem to come to terms with my feelings.” His eyes find mine again. “And then that cut,” his eyes drag from mine down my torso to where my knife wound lays under my tank top. “It was like a final piece to knock some sense into my head.”

He looks at me, and I can’t explain it, but I want to hold him when he looks at me like that.

“Seeing you hurt reminded me… You’re human. You aren’t invincible even if you can take on three men triple your size attacking you at once. It’s a skill I’m glad and impressed that you have, but it doesn’t guarantee someone won’t get the jump on you again, and I’m not sure I can handle that.”

I stay in silence for a moment, taking in the information and processing it all. I must have been quiet for a while because a soft “Y/N?” makes me look up from where I’ve been staring blankly at the balcony.

“You ok?” he asks gently, carefully.

I nod and run a hand up and down my arm from a slight breeze blowing with the sun setting in the distance.

“Trying to…” I started, but I didn’t know what words were meant to follow. “I’m a little shocked,” I say, eventually looking at him.

“I can’t say I blame you. It’s a 180 from our normal conversations,” he takes a deep breath and smiles softly at him. “Do you need a minute?”

I shake my head. “No…” Then I scrunch my nose. “Well, maybe.”

“That’s ok,” he nods, sitting back in his chair, and it weakly groans in protest. He takes in the fact my legs are up to my chest now, and I’ve wrapped my arms around myself. “We should go inside. It’ll get cold soon.” He stands and motions for me to head in first, then offers a hand to help me stand up.

I look at it before taking it, standing, and walking in with my arms still around my middle. As soon as we’re in, I turn and catch us both off guard by being chest-to-chest with him after he shuts the balcony door. I don’t move, though, and neither does he.

“Since honesty seems to be the focus of the night,” I look up at him. “I’ve always admired you…” His face softens at that. “But I’d be lying to both of us if I said how you treated me didn’t affect that original feeling.” He nods in understanding and slightly cringes to himself.

“I wouldn’t hold it against you.”

“Why did you- Why did you not like me at first?”

He shrugs a touch, but there’s no uncertainty behind it. “I saw you as young and naive. I saw you as someone who seemed to make almost anyone love you, and all you had to do was exist around them. I think a broken part of me was envious and confused by that trait, and I used it as a reason to be hateful to you instead of taking advantage of the kindness you freely give and allowing myself the gift of that. I didn’t think I deserved that.” He sighs, his hands going into the pockets of his shorts. “I convinced myself that your kindness was nativity when I’ve learned quite quickly that you’re anything but naive.”

I sigh, nodding my head as I turn and move to sit on the edge of the bed. “You wouldn’t be the first person to misinterpret my kindness. It’s why I tend to fall into becoming a stubborn ass when people don’t appreciate that kindness. Hence why I haven’t been the perfect person in this relationship myself,” I motion between us. “I should have recognized where you could have been coming from and continued to kill you with pleasantries, but you didn’t seem to respond well to it.”

“It wasn’t your job to recognize that or fix it. It was mine to stop being a stubborn ass myself and talk to you rather than make assumptions,” he shifts on his feet. “I thought I was self-preserving when I was actually self-sabotaging. Something I’m still working on recognizing.”

“It’s a process,” I sigh, knowing the steps well enough myself. I consider the conversation and take a deep breath, relaxing in my spot as I come to my conclusion. “Bucky?” He looks at me, hopeful and attentive. “I forgive you.”

I watch as his body stiffens at the declaration before slowly relaxing.

“I don’t expect you to just be fine with everything I’ve done the last-”

“Many years?” I chuckle, lighting the mood. “Yeah, but why would I want to waste any more time when I get it? I get your reasoning, and I can’t say I blame you.”

“But you should blame me,” he moves to sit on the comforter next to me, our knees brushing.

I shrug, turning to face him better. “But I don’t.” He starts to talk, and I cover his mouth with my hand. His icy blue eyes looked down at the motion before back at me. “I swear to God, Barnes. You take two steps forward, and it’s like you feel guilty for making progress and regress.” He flinches slightly at my words, and I feel I struck a nerve. “Sorry, I shouldn’t-” I take my hand back.

“No, you’re right. It’s something I’m still working on. I mean, small things are easy to accept and move on, but this,” he gestures to me. “A part of me doesn’t believe I deserve your forgiveness after the caseload of shit I’ve given you, but-”

“But it’s my forgiveness to give, so I’ll decide if I want to give it…” I look at him as if waiting for him to connect the dots. He smiles and nods as he looks down at his hands. “You catching on?”

“I’m catching on,” he looks up at him again. “Thank you.”

“You're welcome.”

We look at each other for a little while, and the atmosphere is new. It’s not tense. It’s not awkward. It’s not uncomfortable. It’s like we’ve come to a point we’ve been actively avoiding for years, and it turned out to be a really nice point.

“So…” he starts, and I decide to break the seriousness of it all.

“Why is there only one bed, Bucky?” I ask with a smirk, turning and patting the comforter we’re sitting on.

He looks at it with me and smiles with a laugh. “It wasn’t intentional, if that’s what you’re asking.”

“Feels a touch intentional. Not letting me leave the room or demanding I stay close kinda plays into the fact you’d be forced into sharing a bed with me. Another way to secure me close by,” I tease.

“Or…” he drags out, and his hand comes up, pushing a wayward hair behind my ear and casually taking his hand back. “The receptionist told me they didn’t have any two-bedroom rooms available right now because there is a festival in town this weekend, and they’re booked up.”

“Seems legit, but not sure if I believe you,” I grin a touch bashful and look around at the room as if I’m surveying it and not slightly melting at his touch.

“Believe me or not,” he shrugs, standing and stretching. “Either way, we’re sharing a bed tonight, sweetheart.” He winks. He fucking winks at me and moves to the other side of the bed, getting his side ready for sleep.

This new side of him is not one I was ready for, but seeing it makes me think about what I haven’t gotten to experience sooner. So I say that.

“I knew you were a lady's man back in the day, but I never thought I’d see the flirt you were rumored to be,” I turn in my spot on the bed and look at him from the end of the bed.

“I don’t flirt with everyone,” he says, throwing the blanket back and adjusting the pillows.

“Well, yeah, obviously, but-”

“Just people I’m attracted to,” he says, cutting me off with a telling grin. “And women I’d like to flirt back.”

My mouth drops, and I let out a laugh. A genuine laugh.

“Was that a move? Did you just make a move on me?” I smile like a teenager at him, partially in disbelief and partially in interest.

“Did it work?” he chuckles, sitting on the edge and scooting into the bed but not fully getting in it.

I shake my head with a smile and laugh again. “Honestly, I have to say yes.”

His smile widens at my confession, and he leans back on the headboard, two pillows propped behind him.

“So you’re saying I have a chance if I keep it up?”

“Don’t get ahead of yourself, cowboy. It’s not going to take just a flashy wink and a flirty comment to get my attention fully. I like to be sought after.”

“Good to know.”

“Is it?” I ask incredulously with a smirk as I move to my side of the bed and throw the covers back enough to sneak under them.

“Can’t give away all my plans,” he shakes his head, and I turn off my bedside lamp.

“Wouldn’t want you to. I like being surprised,” I lay down and nuzzled into my pillow before turning on my side and looking up at him. “Must say, your surprise tonight was a pretty good start.”

“You think?”

“I think,” I nod and debate on my next idea, but I decide what the hell? Who’s it hurting? “Feel free to say no, but if we are sharing the same bed, I tend to be a cuddler unconsciously, so if we-”

“Yes,” he says simply a large grin he doesn’t seem to care to hide marks his handsome features. “Yes, please.” He nods, moving under the blanket.

“That answer was a little too fast to believe that this hotel didn’t have other beds.”

“I don’t know what you mean,” he shimmies under the blanket, and I feel his leg brush mine.

“Listen, normally I wouldn’t, but I learn I sleep best when I’m with another person, so-”

“You don’t have to give me a reason, doll. I’m happy to lend the support.” His arms are quickly wrapped around my middle and I’m turned to where my back is pressed against his front and I’m not going to lie… It’s a perfect fit. “Night, Y/N.”

“Night, Bucky.” I smile putting my hands on his around my middle and laying back into him.

This was a good start to something possibly more…

Ending A/N: I wouldn't be opposed to doing one more scene for this little drabble, but let me know if that's something you guys would be interested in :)

Marvel Tags:

@thejourneyneverendsx @death-unbecomes-you @mythos-writes @srrymydood @xa-dia @redhairedfeistynerd @morganclaire4 @connie326 @captain-asguard @mollygetssherlockcoffee @teenagedreams-bucky @shower-me-with-roses @livstilinski @basicallylool @starryeyeseunbyul

My Lovelies Forever:

@natura1phenomenon @lauravicente @kakakatey @traceyaudette @notyourtypicalrose @awesome-badass-cafeteria-sauce @sandlee44 @thorne93 @thefaithfulwriter1 @essie1876 @greyeyedsmile14 @capsiclehan @xostephanie @averyrogers83 @awesomenursingstudent @gh0stgurl @cs-please @jjlevin @rainbowkisses31 @deannotmoose @their-bibliophile @kitkatd7 @willowbleedsonpaper @mariaenchanted @snffbeebee @couldabeenamermaid @rebekahdawkins @alyispunk @billyseye @hallecarey1

Bucky Barnes Tags:

@chloe-skywalker @charmedbysarge @jbarness @bellamy-barnes @katiaw2 @aikeia @stopjustlovethemcu @enchantedbarnes

#bucky barnes x reader #bucky barnes x reader insert #one bed trope #marvel fanifc #bucky barnes #reader insert #justkending #marvel #bucky barnes x avenger reader #enemies to lovers #bucky barnes x drabble #buckybarnes

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dissapointu · 2 days ago

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Arcane characters with a musician s/o

———————————————————————

Jinx

Jinx leans against the wall of your music studio, eyes wide with fascination as you strum the strings of your guitar. Her feet are bouncing to the beat, and her grin stretches from ear to ear.

“Hey! That was sick! Do it again! And this time, I’ll play the drums,” she insists, her voice bubbling with excitement. She practically bounces over to grab a set of drumsticks, a playful glint in her eyes.

You laugh, shaking your head. “You’re gonna make it sound like chaos.”

“Exactly!” she says, grinning wildly, and without hesitation, she begins tapping on a nearby surface, adding her own rhythm to the song.

“You’re crazy,” you say with affection, but you continue playing, letting the sound flow as Jinx adds her own wild touch to it, creating a perfectly imperfect song.

Vi sits on the couch, arms crossed over her chest as she watches you tune your guitar. She smiles to herself, admiring your talent even if she doesn’t always understand the music.

“You’re amazing, you know that?” she says casually, her voice warm but soft. “The way you just lose yourself in the music, it’s… something else.”

You smile back, always appreciative of the way she supports you, even when you’re not performing in front of anyone. You start to play, and Vi leans forward, her eyes locked on you. She gets lost in the sound of the music, her usual tough exterior softening as she listens to the rhythm.

“Play me something slow,” she asks, her voice low and gentle, a hint of a smile on her lips.

You nod, playing a slower melody, and as she sits back with her eyes closed, you feel her relax entirely, letting the music speak for both of you.

Sevika

Sevika is used to being surrounded by the noise of the streets, but when you pull out your instrument, the world seems to quiet. She watches as you carefully place your fingers on the strings, starting a slow, melodic tune.

“You sure know how to calm things down,” she says with a raised brow, sitting across from you, her arms resting casually on her knees.

You grin. “Music does that for me.”

Sevika leans back, folding her arms and letting the music flow. She’s not the type to show much emotion, but the quiet peace in the room makes her softer. When you finish, she gives you a rare smile, her voice low, “You’ve got something special, you know?”

Her appreciation is quiet but genuine, and you can’t help but feel your heart swell.

Silco

Silco watches you from across the room as you practice your scales, his gaze sharp and calculating as always. When you finish, you look up, meeting his gaze.

“You’re better than you give yourself credit for,” Silco comments, his tone cool but oddly approving. He doesn’t say much, but the way his eyes flicker with interest shows how much he values your talent.

You laugh softly, strumming your instrument. “You’re just saying that to make me feel good.”

“Perhaps,” Silco replies, his lips curling into a small, cryptic smile. “But you have skill. It’s rare to find someone with both your drive and ability.”

You smile at his praise, even if he doesn’t show much outward emotion. In his own way, Silco appreciates your music more than he lets on.

Vander

Vander watches you carefully as you play a soft tune, leaning against the doorframe. His arms are crossed over his chest, and there’s a content look on his face as the music fills the space.

“You know, I didn’t expect a musician to be so good at making things look so easy,” he says, chuckling softly. He’s not often one to give praise, but he’s genuinely impressed.

You finish the piece, glancing up at him. “Guess it’s just practice.”

“I’d say more than that,” Vander comments, his deep voice carrying warmth. “You put something into it that most people don’t.”

You feel a quiet pride swell within you, appreciating his kind words.

Ekko

Ekko grins as you play a fast-paced beat on your drums, his hands tapping rhythmically along with your beats. He leans in close, his voice animated. “You know, you’ve got a rhythm in you, just like the city. Fast, unpredictable, and damn fun.”

You chuckle, picking up the tempo and watching Ekko’s eyes light up with excitement. He’s always so full of energy and life, but when it comes to music, he’s as serious as you are.

He leans against the counter, glancing over at you with a mischievous glint in his eyes. “You think you can keep up with me? Let’s see what happens when we try to make a song together.”

You nod, tapping your foot to the beat as Ekko grabs his makeshift instrument. Together, you create a melody that’s all energy and chaos—a perfect reflection of both of you.

Jayce

Jayce watches you from across the room as you gently play a soft tune on the piano, his expression a mix of admiration and fascination. He can’t help but be in awe of your ability to make something so beautiful with your hands.

“You know,” he says, walking over and leaning against the piano, “I always thought science was the most intricate thing in the world. But what you do… there’s a kind of magic in it. A complexity I don’t fully understand, but I can’t help but respect it.”

You smile at him. “Music’s like science in a way, don’t you think? It has its own set of rules, and you have to find the rhythm.”

Jayce tilts his head, thoughtful. “I suppose you’re right. And I’ll never tire of hearing you play.”

Victor

Victor listens intently as you play a soft, melancholy melody on your violin. The sound resonates in the air, and for a moment, he seems lost in thought, his usually stern expression softening.

“I didn’t expect this,” he says quietly, his eyes meeting yours. “I always thought you were only about your work.”

You laugh lightly. “Is that what you think of me?”

Victor looks almost sheepish, scratching the back of his neck. “I’ve been so focused on… well, other things. But this? This is something special.”

You smile softly, appreciative of his unexpected praise. He’s not often one for words, but in this moment, you can tell that he genuinely respects your music.

Caitlyn

Caitlyn watches as you play a soft tune on the piano, her eyes softening at the sound. “You have a real talent for this,” she says, leaning against the doorway, her voice tinged with admiration.

You smile, continuing to play. “Music helps me think… and sometimes it’s just nice to let it all out.”

Caitlyn steps closer, watching your fingers glide over the keys with ease. “I can tell. It’s beautiful.” She moves to sit next to you, her smile gentle as she admires you. “I think I’m in love with more than just the music.”

You glance at her, heart swelling as she looks at you with affection.

————————————————————————

(This was my last saved prompt, so uploads might be slower since I have to write new ones)

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17020 · 2 days ago

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alrighty bae ty for ur insight <3 🙂‍↕️🙂‍↕️ graduating next year and we’ll see how this goes (gonna spin the wheel when it comes to choosing my major next yr bc i dont rlly care abt what career im pursuing ngl 🤣🤣🤦‍♂️🤦‍♂️ its tough out here 😓)

AND I JUST NEED TO GIVE U A CHARACTER FROM UR LIST RIGHT?? 🙊🙊💕 how abt my glorious king nagi (⩌ᴗ⩌)

hi vivi !! thank you sm for supporting my little wordpress event !! since you're doubting whether or not to study marketing, seishiro nagi will help you! marketing major! reader

SEISHIRO NAGI . . . INSIGHT GENIUS

— nagi unknowingly helps you with everything you might need during your homeworks. he's the one who helps you browse through the net (by having you on his lap while you use his pc) for netnographies, or even lets you use him for an ethnography interview on gamers.

— nagi is crazy good at obtaining insights. we've known that nagi is insanely smart, but he's just lazy. when you're struggling to find an insight for a fast food chain, he'll whip his head up and just go "i like my ice cream with fries, drive me to mcdonalds please" and next thing you know you're creating a promo because he wasn't the only one who liked his ice cream that way.

— if you need connections, nagi's your guy. because reo knows a guy who knows a guy, and chigiri too. due to his status as a football player, he also knows a guy who knows a guy too. so you'll be booked and busy during your internship (which is bomb btw) and after.

— it'll definitely be a conflict of interest later on, but nagi wants you as his community manager. he wants you to manage everything, unlike the OTHER, not you community manager he had before who pestered him about his image and his posts. though, little does he know, you have to do the same as them. just because you're his partner doesn't mean you won't do your job correctly. his brand is sacred.

#blue lock x reader #blue lock x you #bllk x reader #nagi seishiro x reader #nagi x reader #seishiro nagi x reader #blue lock headcanons #bllk imagines #bllk x you #nagi x you #nagi x y/n

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caughtthedarkness93 · 3 days ago

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Ok, I guess I gotta talk about that one scene in Dragon Age: The Veilguard eventually because I've heard about discourse regarding it and it's driving me up a wall with how some of the criticism ignores key context from the rest of the story that informs how it's written. Spoilers for Taash's storyline follow below the cut.

So I mainly have seen this referenced on TV Tropes because I am not on the hellscape that is Twitter, but people, it seems, have been criticizing the scene where Taash comes out as nonbinary to their mom for how they get pissed at how their mom takes it. Often this is used to frame Taash as being unreasonable as their mom is struggling to understand what that means.

And I feel like that criticism kind of misses a big part of what that scene is actually about. Because Taash's relationship with their mom is complicated. This is something that their storyline stresses repeatedly. Taash has fond memories of growing up with their mom and knows that she basically gave up her whole culture to ensure that Taash wouldn't be forced into a soldier's life. It's clear that their mom is still very attached to Qunari culture and she outright expresses a couple times that she feels like being a Qunari scholar equipped her extremely poorly to actually raise a child. That checks out - under the Qun, that would be someone else's job entirely.

So this informs a lot of Taash's relationship with her - Taash recognizes that she gave up a very privileged position with the Qunari for their sake. Because she wanted a better life for them than what they'd get there. That's a huge sacrifice.

However, you watch how they interact, you can see that Taash's mom is also very critical of them and very controlling. She doesn't care much for Taash's privacy, tries to make a lot of their decisions for them without putting a lot of thought into what they actually want, and she is extremely critical of them sometimes about things that don't really matter.

So we get to that scene late in their storyline - the Lighthouse dinner. I think the critical mistake a lot of people make when looking at this scene is thinking that it's about how she reacts to Taash's gender identity.

Which that informs it, sure, but there's more to it. When Taash yells that nothing they do is good enough for their mom, it's not a reaction to how she responds to their identity, it's a reaction to the way their whole relationship has been built up throughout the game. It's the straw that broke the camel's back. And it's true to Taash's character.

One of the things that I like about Taash is that they're someone who likes a straightforward, direct solution to most problems. Thing in your way? Break it. Big scary monster? Kill it. They like to be able to take the most simple, direct path through a problem, preferably one that involves slaying a big monster, and Veilguard constantly puts them in situations where that isn't an option. And in those situations, they struggle a lot. Taash struggles to get along with Emmerich because that involves overcoming internalized prejudices (and understandable ones too - necromancy is something that would probably make a lot of people uncomfortable irl and for a culture where cremation is the norm and undead can be a legit issue, that would go, like, quadruple - of course they're uncomfortable with Emmerich). That's not an easy thing to do because it involves a lot of introspection and interrupting thoughts that you've been trained to think. Taash questions their gender identity. Definitely no easy, straightforward way to solve that. They angst a lot over being afraid they're broken somehow for feeling these things. A fraught, complicated relationship with a parent who sacrificed everything so that you would have a better life, but can't seem to bring herself to let you actually live it the way you want? Can't hit that with an axe.

And ultimately, that's what's happening in this scene - the whole game, we've seen Taash struggle with this really complex, nuanced relationship, this mother who clearly loves them and wants the best life possible for them, but struggles to understand what their child really needs and often says or does things that are hurtful. In this scene, this bubbling, brewing resentment, definitely exacerbated by Taash being outside their mom's orbit and with a team that has more faith in their skills and abilities, finally comes to a head.

The scene is only about Taash's identity on the most surface of levels. Yeah, that's what sparks the argument, but it's not what the argument is about.

#Dragon Age #The Veilguard #dragon age: the veilguard #Dragon Age The Veilguard #dragon age taash #taash #da veilguard #da spoilers #da taash #veilguard spoilers #da:tv #da:tv spoilers #da: the veilguard #Veilguard spoilers #dragon age spoilers

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m-ilkiee · 2 days ago

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I think the problem with most 18-21 year olds on this site is that everyone wants to be contrarian to be relevant, but they don't know how to constructively criticize the media they engage with while also appreciating the work that is already out here because they've never put in the work in writing a piece of article.

To put it simply; you have a whole lot to say about what people write and how you may find even the mildest of things repulsive, yet you've never ever in your life written and/or published anything and you lack the skills to critically engage with any written work. This goes beyond fanfiction.

How many of you actually read books in your free time? How many of you journal or attempt to write something? How many of you think for yourselves?

Perhaps, the reason that I rarely complain about how people write their characters is because I read so wide as a child and no matter how vastly different a character is from me, I learned the skill of viewing from the lens of the character. It takes a great amount of intelligence to try and see things from a character's persepective and to view that character as a tool to drive the story forward, rather than my own perspective and honestly it makes it more enjoyable. I didn't gain it naturally, I was taught by my literary teachers and people older than me who also read a lot.

Lastly, I've read so much that I know when to stop reading something I don't enjoy and go for things I do. It's clear it's a lesson everyone else needs to learn instead of complaining about a hobby writers do here for free.

#hello.layla 🍓#putting this in the x reader tags unforunately #jjk x reader #xreader #harry potter x reader #draco malfoy x reader #bsd x reader #tlou x reader #aot x reader #levi x reader #ellie tlou x reader #blue lock x reader #bllk x reader #sk8 the infinity x reader #x reader #if you feel like i'm calling you stupid; yes i am

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tossawary · 3 days ago

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The two world building directions that appeal to me off the top of my head for a TF fusion (note: not a crossover):

Firstly, a "no magical supernatural elements, just the SPN characters in a fully TF universe" setup, where the Angels are loosely the equivalent of the Autobots and the Demons are loosely the equivalent of the Decepticons. (This would be one of those continuities where the characters soon figure out that while the Decepticons absolutely suck, the Autobots are faaaaar from the perfect "good guys".)

John and Mary Winchester's house was attacked by a Decepticon looking for the Allspark (or some other MacGuffin), which killed Mary, and sent John down a "aliens are real and the government is hiding them from us" (unfortunately correct belief) path which ruined Dean and Sam's childhood.

Sam was a baby and has zero memory of this, and so bailed on the "tinfoil hat conspiracist" lifestyle to go to university, while Dean has some memories of giant robots but he's never been able to decide whether they're real or not. John has stumbled on some alien tech shit that seems kind of legit, Dean has helped him with some illegal shit, but mostly Dean tries to keep his head down working as a mechanic under Bobby Singer.

Everything goes to shit when some Decepticons show up looking for the Allspark again, tearing apart Dean's workplace, and he has to go on the run. Autobot Castiel (with those brilliant blue eyes) shows up to fight back. Cue plot (and romance?) from there.

There is absolutely some scene where, even though Castiel has just saved Dean's life, Dean will not shut the fuck up about how it's embarrassing for him to be see in this tan-colored, office-worker-mobile. Until a pissed-off Castiel pitches Dean's ass out of the car onto the side of the road, so he can drive off to scan a sufficiently "sexy" vehicle, even though it doesn't blend in as well.

Secondly, there's a "as initially close to SPN canon as possible, the Angels just have transforming robots for vessels" setup. Which is a Crack AU, yeah, but could also be a Crack Treated Seriously AU.

After the first war between Angels, some Angel named Primus or Quintesson gets the bright idea to develop inorganic vessels for Angels using a combination of magic and advanced technology. Archangel Michael is so emotionally hungover and metaphysically exhausted from locking his brother in a cage in a pit in hell that he signs off on it. Fine, just go do it in space somewhere where the Humans won't see.

Alternatively, this project is the last thing that Archangel Gabriel greenlights before fucking off out of heaven.

Primus goes off and builds a space station that ultimately becomes the planet Cybertron, with a bunch of other Angels, borrowing some genius Humans from heaven for help sometimes. For some people, their heaven is also the Angels' sci-fi-esque, techno-magic giant mech R&D department; it's a very efficient system like that. Some of those Humans have a great fucking time, honestly.

This project is unexpectedly popular because 1) a lot of Angels generally agree that all physical forms are kind of disgusting, but the organic ones are extra gross, so these robot ones are better. 2) Humans are very weak. 30ft-tall transforming robots are actually much more capable and efficient when crushing Demons. 3) A lot of Angels actually feel bad for the Humans when taking Human vessels, so this sidesteps that issue for the Human lovers. 4) Robot vessels will also, hopefully, stop the Humanfuckers among them from making more Nephilim and shit like that.

Some of the Angels are like, "The Lord didn't say anything about giant robot vessels during the apocalypse???" But Michael has come around to the idea more and more over the years. He kind of likes the idea of curbstomping hell this way. Fuck those guys. If they want a real apocalyptic battle, they should step up their game.

Dean gets brought back from hell sooner, but it still takes Castiel a while to show up on Earth to meet him, because he took some damage and had to bring a new vessel all the way from Cybertron. And Castiel, an Angel of the Lord, shows up as a 30ft-tall transforming robot that can have magic laser guns for hands and runs on Angel grace. What the fuck. (Who can also transform into a copy of the Impala to "blend in". What the FUCK.)

Meanwhile, the Demons, who had previously been gloating over the fact that THEY had been developing new horrors (Croatoan virus, etc.) for the apocalypse while distant heaven remained seemingly complacent, are fucking reeling over the fact that their foes have apparently turned themselves into an army of extra divine Optimus Primes. "What the FUCK," says the yellow-eyed Demon, with a 10ft-long magic gun pointed at his squishy face.

That Angel called Primus time-travelled to the future, watched Evangelion, and was like, "Damn, this shit fucks." Which is going to be a problem for the Winchester brothers later, possibly, when Angels who hate humanity are throwing their weight around, but for right now, it's hell's problem.

Thirdly...

If you wanted to make this second AU into an actual crossover rather than a fusion AU, you could have it so the Angels were essentially the Quintessons (they even have matching multiple heads) and the robot vessels actually gained sentience / sapience. The Cybertronians had an uprising against their creators, which led to a more autonomous society, which unfortunately still had all of the shitty biases and functionist politics left over from their creators, which ultimately led to the Autobot and Decepticon war. TF continuity can be more or less intact: Optimus Prime and the other Cybertronians are just also the descendants of new inorganic species of partially angelic robots that rebelled against heaven.

Michael is STILL mad at the original Primus Angel about this catastrophic fuck-up. (And also Gabriel if Gabriel was the one who signed off on the project.) Lucifer is sooooo going to laugh at him for this later.

Thinking about "Transformers" AUs for non-TF fandoms again, specifically Human/Cybertronian pairings, and realized that the setup of "ancient, superpowered, non-human being fallen from the heavens and fighting an ancient, inescapable war between two factions concerning freedom and control" and "mechanic who wouldn't be opposed to fucking their car" almost perfectly fits Castiel and Dean Winchester from "Supernatural".

#I bailed on SPN sometime around Kevin's death; but I do like to crunch on world building fic ideas #tossawary spn #tossawary transformers #fic ideas #long post

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tbshorts · 22 hours ago

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The Best Panels of One Piece, Romance Dawn (chapter 1-7)

youtube

Full video scripts below the cut

Chapter 1:

What are the best panels in One Piece?

Chapter 1, being the very first one, obviously has quite a few contenders. Luffy's very first Gum Gum Pistol is an obvious one, setting the tone of One Piece's battles with its mixture of goofy and badass. Plus, god damn, even in chapter one Oda knew how to do an epic splash page.

I also like this panel, where Lucky Roux shoots a mountain bandit in the head. This too is a major tone setter, driving home the seriousness and danger of pirate life. The story up to this point mostly plays as fairly lighthearted comedy, and seeing the jolly cartoon fat guy casually murder a man shocks the audience a little bit. Despite the cartoony artstyle, this isn't a kiddy pirate adventure.

But the crown has to go to the passing of the straw hat from Shanks to Luffy. It's a panel that has only ever taken on more meaning as the story has gone on, and the symbol of the straw hat has taken on more and more importance. It represents the promise between Luffy and Shanks to meet again, Shanks recognizing Luffy as an equal, and it's the passing of a torch. That straw hat means something, and Shanks is passing it on to someone who he feels is a worthy heir to that significance. “Romance Dawn” indeed.

Chapter 2:

What are the best panels in One Piece?

Chapter 2 is all about establishing Luffy's character now that he's grown up, and especially the scale of the odds he's up against. What does his dream to be king of the pirates really mean?

And this is where Oda shows his skill not just as an action and comedy artist, but as a storyteller. He introduces Koby the Cabin Boy, a character who mostly exists to contrast Luffy. Scared, self-defeating and cowardly, even his body language is Luffy's direct opposite.

When Luffy says he will be king of the pirates, Oda drops the angle down low, playing Luffy's chill, unaffected sitting posture against Koby's shouting. His arms are wide, foreshortening even out of the panel as the nervous boy tries to communicate the jaw-dropping scale of what Luffy has said he will accomplish. "Don't tell me you're after the One Piece"?

We feel the weight of Koby's astonishment here, the monumental nature of what Luffy has promised to do. The One Piece isn't a silly bed-time story for children, it is a real thing, and to go after it is to march to almost certain death. And the fact that Luffy is so casual about it, because he has accepted death, is not normal. Luffy is not normal, and Oda establishes this visually through acting in every interaction he has with Koby.

Chapter 3:

What are the best panels in One Piece?

Chapter 3 introduces Zoro with this amazing panel, which, given how much of a martyr he is for the crew and Luffy, WOW what a hell of an establishing shot. But it also establishes one of the great running themes of One Piece, which is the abuse of power, and the value of freedom. Helmeppo lords his status as a navy failson over the townsfolk, abusing his position and status in a way we will see villains in the story do over and over again.

And Luffy does what Luffy will always do to those who use their power in this way. When he learns that Helmeppo lied to Zoro, let him believe he would be free if he survived a month tied up, only to plan an execution behind his back…

This happens.

There are many reasons One Piece is a fun and satisfying narrative to follow, Oda's dynamic and exciting art is a big one for me, but the thing I love the most might the vicious delight the story takes in showing us the ruling classes getting the ass-kicking they so richly deserve.

Chapter 4:

What are the best panels in One Piece?

Chapter 4 gives us perhaps one of the weakest villain designs in the series, which is Axe-Hand Morgan. His obsession with power and control foreshadows many of One Piece's best villains, but… hoo boy, not Oda's best character design.

On a better note, though, we're getting one of the most important recurring story beats in the narrative, which is the effect Luffy has on people around him. Koby, who not two chapters ago was a cowering appeasing wretch, walks into the execution grounds to free Zoro because he can't stand to see the navy oppressing people this way. He accepted abuse from Alvida, but no more. Luffy changes the people around him, and the most important thing he does is set them free of their fear. He teaches people to pursue their freedom, even if it costs them their lives. He will do this many times throughout the story, and Koby won't be the last person who almost dies to chase the dream Luffy kindled in them.

Chapter 5:

What are the best panels in One Piece?

In Chapter 5 the obvious choice might be Luffy taking bullets for his friends in the nick of time, which is a very Luffy thing to do, but I think the best panel is something much quieter. We get a flashback to Zoro's backstory, and his rivalry with childhood friend and swordfighting prodigy Kuina, who is idly one of the most transmasculine characters in anime history.

The panel that strikes me the most in this chapter, though, is this one. It's just a little transitional panel, Kuina lying there, dead, with the words "humans are fragile things Zoro" hovering above. Oda uses crosshatching to just barely hint at the eye sockets under the cloth, which otherwise erases Kuina's face, erasing identity, erasing life. It's such a quiet and disquieting panel, such a matter-of-fact reminder of cold mortality in the middle of all Zoro's hotblooded shouting. It's a death that is so meaningless, and Zoro, in taking Kuina's sword with him, is trying desperately to make it meaningful. If he becomes the greatest swordsman in the world, then everyone will know that Kuina was his greatest rival.

I think it's the same reason so many One Piece fans want Tashigi to turn out to be Kuina in the end. Because the idea that people can just vanish from our lives, so coldly and so pointlessly… it's a scary thought to have.

Chapter 6:

What are the best panels in One Piece?

In Chapter 6, the easy answer, I guess, is the big epic Oda splash page of the Gum Gum Whip taking out a dozen Marines, but… I mean you know it has to be the introduction of the Three Sword Style. Dear Zoro, with his cool bandana and his intense looks and his tragic backstory… and here he is with a sword in his mouth.

This is the power of One Piece. Because on the one hand, this is stupid. This is objectively stupid. Holding a sword in your mouth is dumb, this looks dumb, this doesn't work, this is cartoon nonsense that doesn't make any goddamn sense.

On the other hand… this totally fucking rules. Oda presents it so perfectly with that hunched over power pose blocking ten swords at once, and the black bandana over his head, although I'll never forgive the translators for covering this much of the art over with sound effects. You miss the rope still falling from his body and the scabbards still in the air from Zoro unsheating them so fast. This panel bypasses every critical neuron in my brain, and speaks to the primal, stupid lizard and monkey part of my man brain that goes "ooooh, three swords cool!" And nobody does that like Oda.

Chapter 7:

What are the best panels in One Piece?

Chapter 7 sees our first parting of ways, with Koby remaining behind to enlist in the Marines. It's mostly an exposition chapter, a cool down from all the action with Axe Hand Morgan, but Oda once again uses what could be boring exposition to do good character building. Because Luffy and Zoro are pirates, they can't stay in a navy town, and as they leave, Luffy begins to spill the beans on how Koby was a cabin boy for a pirate, which might ruin his chances to enlist. And Koby, desperately torn up about saying goodbye to his first real friend… punches Luffy to shut him up. Which then becomes evidence that Koby isn't with them, isn't a pirate, so he can enlist.

It's the first moment Koby fully asserts himself, it's the first punch he throws for his dream as a Marine, but it is also a moment of revelation. However simple-minded Luffy seems, so straightforward and oblivious, here he reveals a deep understanding not only of other people but of the things they need, the push they need to find their courage. He pushes Koby's buttons to force him to commit to his dream, to force him to renounce piracy, and when Koby does… Luffy couldn't be more proud. And maybe a little smug.

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