#+ then the driving thing was so out of character for me
Explore tagged Tumblr posts
Text
Really good comment from @erynalasse :
I realized something else while scrolling back through this post. It is so, so fascinating to me that Fingolfin gets the death that F��anor’s character arc seemed to lead to. I think we can agree that an elf isn’t gonna kill a Valar, especially not the most powerful of them all. But Fingolfin did the next best thing—going toe-to-toe with Morgoth for seven blows before crippling him.
And yet it’s Fëanor who swears vengeance, Fëanor who lost his priceless jewels, Fëanor who has the arc building towards a dramatic death in battle against his greatest enemy. But no. Fëanor bites the dust on, like, day three in the most embarrassing and pointless way possible. And Fingolfin is the one to claim the honorable, fulfilling death. I’m not really sure what that thematically says about the brothers’ relationship yet, but I’m so here for it.
I feel like this is something of key importance to the book. Fëanor is the driving force of the Noldor’s return to Middle-earth, he’s the one with the vendetta against Morgoth, but everything of importance done by the Noldor in the actual war against Morgoth is done by the children and grandchildren of Indis, whom Fëanor hates and resents and thinks should never have been born.
So Fëanor dies pointlessly shortly after getting to Middle-earth, and it’s Fingolfin who has the dramatic climactic duel and dies injuring Morgoth. And it’s Finarfin who ultimately is the leader of the Noldor among the armies who defeat Morgoth.
And it continues to the second generation – among the Noldor it’s the grandchildren of Indis, not the sons of Fëanor, who strike the major blows against Morgoth. Fingon has a massive price on his head. (Beren, a Man, the race Fëanor fears and despises, later gets an equally big price on his head from his victories fighting entirely alone.) Morgoth fears Finrod in Nargothronds and especially Turgon in Gondolin, and both are crucial to his defeat – Finrod from his role in the Quest of the Silmaril, Turgon via Eärendil. Fingon saves Maedhros, and thereby probably saves the House of Fëanor given that Maedhros is the only member of that house with a demonstrable ability to negotiate. And with Maedhros accepting that secondary role to the House of Fingolfin, it’s not just the kingship that passes from the House of Fëanor – it’s the protagonist energy. They’re secondary to the story after that, and the one time Maedhros tries to take on the protagonist role – the Nirnaeth Arnoediad – it fails disastrously. From that point, and in stark contrast to Morgoth’s fear of Nargothrond and Gondolin, the Sons of Fëanor are basically Morgoth’s patsies – he regards their oath not as threatening or dangerous, but as convenient and useful, as they take out Doriath and Sirion for him.
Fëanor is right about the Elves not belonging in Valinor and about the need to fight Morgoth, but he’s wrong about this being his story. And because he’s wrong about that, because he centres everything on himself, his story and legacy is one of failure, while the people he was unwilling to share the spotlight with, and those he never even thought about, become the heroes.
It never ceases to amuse me that Feanor’s narrative arc ends like THAT.
like this guy is built up to be a genius in 2384739847 different ways, charismatic as fuck, insanely spiritually powerful, made the magical artifacts the book is named after, he’s got Sexy Protagonist Energy for days, you’re only like a few chapters into the actual story of the Silmarillion, so you’re like “yeah, alright, this guy’s our guy, i can’t wait to see what crazy shit he gets up to in Middle-earth, what kind of character development he has–”
and then he gets to Beleriand, tries to fight Satan, and IMMEDIATELY dies. like. Battle #1. he beefs it. literally spontaneously combusts.
AND YOU STILL HAVE MOST OF THE REST OF THE BOOK LEFT. absolutely ICONIC of tolkien to kill his main character in the first third of the story, and then despite elves being able to return from the dead, he literally never does, not even post-canon. NO ONE ELSE CAN PULL THAT OFF. this is SUCH a power move.
….on a more serious note, Feanor’s decisions and motivations leave a huge impact on every other character, almost every other plot point in the entire story can be traced back to what he did, and killing him off not only increases his narrative importance to those he left behind but also makes it impossible for any character to actually confront him or reconcile with him. he’s a ghost throughout the whole rest of the story, but he’s haunting everyone in myriad ways, through the Oath, through the Silmarils, through his sons, through the repercussions of the First Kinslaying, through the unrest of the Noldor and the rebellion against the Valar, through everything.
So like. Feanor might die as soon as he sets foot in Beleriand, which is hilarious from a narrative standpoint - but only at first glance. Because he’s still there for the rest of the story. You can’t escape him, no matter how hard you try.
3K notes
·
View notes
Note
EMMA±??±?±?±?±??!?!?!?!OMGORMGOGMG????? STORYTIME HELLOW WHERE DID U EVEN SHIFT TO
i spent 15 days in the upper east side and now i have an existential crisis about my real life (but in a hawt way)
unlike my previous shifts, where i’d spend 10 minutes, maybe 20, dipping my toes into a life so much better than this one, i spent fifteen whole days in my better cr. fifteen days ago, i woke up in my king-sized bed with 1000-thread-count sheets and realised i had, in fact, won in life.
i had done it. no brief glimpse, no fleeting moment before snapping back to my real-world peasantry. fifteen days. enough time for a full socialite saga and to meet my beau!?!?!??! enough time to wake up in pyjamas which might as well been the most comfortable thing i've ever worn, hear the distant clatter of someone else in the other rooms, and stretch luxuriously as if i were in a renaissance painting. i could smell money in the air FOLKS!?!?!!!! not new money, but old money, the kind that sits heavy in the walls (!??!?!?), the kind that makes people say your last name like it means something. and this was my life. MY LIFE. at last. took it long enough.
the first morning, and you have to understand my main character syndrome for this, i stepped out onto the balcony, the manhattan skyline.....mhmhmhmhmhm....mhm. mhm. mhmm. stretching before me like a personal prophecy, and i felt it in my bones!!!!!!: this was home. MY HOME. okay. so. then i went around, you know, exploring my little room (not little...) and girl the moment i stepped in front of a mirror.......WHO'S THIS BABE???? yea. yea. i even had a cat !!!!
then i went to school. sorry, went, i mean DRIVE. now, here’s the dealio. i had scripted myself into this effortlessly put-together, socially untouchable, well-adjusted manhattan teen heiress life. but there were gaps in my logic. big ones. like, for example: i couldn't drive. i didn't know how to drive !!!
and yet, there i was in the morning in my super super super sSUPPPERRR cutesie school uniform, keys in hand, standing in front of a car (a Porsche, people, a porsche!!!) that looked like it cost more than my entire life back in my cr. so, i acted like i totally knew what i was doing. slid into the driver’s seat with the confidence of someone who had done this a thousand times before, adjusted the mirrors like i had a clue, and started the car.
and then? i picked up lily-rose depp.
(she's not an actress in this dr, by the way. just my best friend. which is infinitely cooler.)
she didn't even question everything. just said i looked really hawt today. i was blessed. seriously. like i'm typing this and also screaming i want to go back.
somehow. miraculously. i got us to school in one piece. st. lazarus international college. it looked like a cathedraland felt like a warzone. we pulled up alongside a line of obnoxiously expensive cars (not a single honda in sight!?!?!?!?), and i barely had time to breathe before stepping out onto the pavement, uniform pristine, COACH. MOTHAUFCKING COACH TOTE bag slung over my shoulder like i was about to solve world hunger instead of sit through calculus (that shi fucking sucked btw !!!! but my school's classrooms were drop dead gorgeous).
anyways. i now have to brush upon something that made me almost let out a humongous squeal when i saw him. CORIOLANUS. yes. yes. yes. yes. yes,ewfygweuvbuihweiusvbgiweu`rs. i saw him. yep. yep. i had to slap myself. metaphorically.
SO. i had scripted that on my first day, i would give coriolanus snow a nosebleed.
and !?!??!?!?!!?! IT SUCCEEDED. when i first saw him, he was leaning against a row of lockers like he owned the place and i swear to god i almost moaned. crisp white shirt, tie loose, cheekbones sharp enough to wound, eyes narrowed. pray.
HO. HE WINKED AT ME. and then i walked past him with my bfffffff lily-rose and. and. and. nosebleed. bro. bro. bro. BROSKI. the way he blinked..........the way his breath hitched just a little as the first drop of blood slid over his cupid’s bow. the WAY he tilted his head back, tongue darting out briefly over his lip. oh my god. i was actively fighting to not go and jump on him and like do vile disgusting things.
i had won the war, but at what cost?
because he was so hot.
SO FUCKING HAWT.
uh. so. yeah. that was just the first two hours of my better cr, and it was already putting my entire existence to shame. like, objectively, scientifically, undeniably better than anything i have ever done in my cr.
ssssoooooo. IF ANYONE WANTS TO HEAR MORE…do let me know. because, hands clasped, eyes glistening, heart on the verge of combustion, i am being so serious. this was the peak of my human experience. i have tasted divinity PEOPLE. i have lived too well. i fear i must go back, or else i will experience genuine withdrawals from the lack of my paramour’s face in my daily visuals.
so yeah. if you’re curious… hit me up. (evil, knowing laughter echoing into the abyss)
OH AND. whenever i'd go to sleep there i'd like cry out of fear that i'd wake up in my cr but whenever i'd wake up just...there...i'd literally pray to god. BECCAUSE EIJISEJFEWUSHFIHEJI. i'm there.
anyway, i am so not okay about this. i keep coming back to edit, rewrite, relive. but okay. listen. if you ever had even a sliver of doubt about shifting, i am kneeling right now, hands clasped, eyes wide with conviction, telling you!!!!!!!
SHIFTING IS SO FUCKING REAL.
it’s real in a way that defies logic, in a way that makes the air feel electric, in a way that rewires your entire understanding of existence. so real. so unimaginably real.
#asks#emmas better cr#shifting motivation#desired reality#reality shift#shifting community#shifting realities#reality shifting#shifting#realityshifting#loa success#loa blog#loablr#loa tumblr#emma motivates#law of assumption#loass#shifting antis dni#kpop shifting#reality shifting community#reality shifting methods#shifting blog#shiftingrealities#shifting consciousness#shifting advice#shifting ideas#shifting diary
344 notes
·
View notes
Text
I’ve seen a lot of people speculating that Gemma’s storyline will lead to a cloning reveal, which like, it’s a decent theory and wouldn’t be the worst thing in the world. But god, this show is so specific and detail oriented Ben Stiller himself has even said nothing in the show is a coincidence. The cloning theory has also been shut down a couple times by some producers and writes from what I understand and idk I feel like a cloning reveal would just be so boring. And honestly, I don’t know if this is insane, but I’m fully leaning towards the idea that when it comes to Ms. Casey/Gemma, it’s more of a resurrection situation.
Okay so hear me out I believe our Ms. Casey is still physically Gemma her original body, her bones, her blood she’s alive baby that’s her but like also it’s not her. It’s like in horror or fantasy stories when a character dies and comes back but comes back wrong YK?. Physically it’s still them but it’s not them. In my opinion, her brain has been completely reset, wiping away whatever kind of person she used to be.
To back this theory I’ve been heavily leaning on the interaction between Ms. Cobel and Helena in the parking lot and just the general existence of the Mammalian Nurturable department.
Now, I might be reading into this too much, but I just love these characters so much and this show so please bear with me, this is a long one.
this season Harmony/Ms. Cobel is a problem. Like there is just no way she isn’t. Lumon is already struggling to keep it together after the scandal the main four caused, and a change in management isn’t helping. People are (probably) starting to pay attention, and they do not need that kind of heat. Ms. Cobel literally crashing tf out making herself homeless and sneaking around in the dark probably isn’t helping.
Helena’s choice of words have always stood out to me. She’s calculated, smart, and precise in how she speak just like Harmony. Both of them are masters at saying exactly what they need to without ever outright saying it yk? So when she she spots Cobel in the parking lot in the middle of the night she clocks her immediately.
Harmony walks out as if she still has a job in that bitch and has the audacity to tell Helena what her needs are and exactly how they should be met. And in my opinion, Helena is appalled but not surprised. She calls her out on her behavior.
“I hear ego, hubris, and arrogance. Kier teaches us they only cause pain.”
To me, this isn’t just a read it’s a warning. Harmony doesn’t take it. She bites back, calling Helena a NEPOTISM BABY. wild.
And I mean look at Helena’s face.
So Helena lays it out for her as plainly as possible
“We didn’t have to ask you back.”
No translation even needed, she just said it flat out Baby, we don’t need you here. You do not, no matter what you think, represent us. You are not Lumon.
And Harmony, being just as cunty clocks her shit right back
“You didn’t have a choice.”
At this point, Ms. Cobel isn’t just skating on thin ice she’s walking across a frozen lake in metal combat boots, her ass skipping around as if the ice won’t break. And that’s her mistake.
Helena, after giving Harmony multiple chances to walk away. Multiple chances to come back in on lumons terms. Multiple chances to stop playing in her fucking face, finally pulls back with a kind smile and offers her a chance to “restart”.
As they walk towards the car, Ms. Cobel locks eyes with Helena’s bodyguard and the instant terror is actually insane. Full deer in headlights.
A lot of people saw that shot and took it as a straight-up Sopranos esque death threat like, if she gets in that car, she’s not gonna survive the drive (RIP Audriana). And sure, it could be as simple as that, but this show is just way too good for it to be that simple.
I think Cobel recognizes the bodyguard. She knows him and I mean like fr knows him.
I saw a theory on Reddit suggesting that the bodyguard might be someone she knew maybe a former coworker, someone from her personal life (they suggested it could’ve been someone she was super close with before she even became the woman we know today) idk just somebody she knows knows and out of nowhere suddenly, he’s here, presented as Helena’s bodyguard. But it’s not him. It’s his skin, his bones, his blood but it’s not HIM.
And the way it plays out, it doesn’t seem like the bodyguard recognizes her at least not in the same way she knows him. That stare man that stare. I didn’t even know Harmony could experience fear. Who knows, maybe in that moment she’s reflecting on everything that’s happened. She bitched out the boss’s daughter in this empty ass parking lot on the brink of a mental break down, and suddenly there’s a chance to start over. All she has to do is get in that car, with that man, talk to the higher-ups, and hit the “reset” button.
Basically my theory is that Lumon are essentially grave robbing the fuck out of that town. Taking people who have been in serious accidents car crashes, house fires, construction site falls, factory explosion, hell even a drive by. I also think they’re also taking drug addicts, the homeless people who have no loved ones looking out for them, or even looking for them at all, the ones who are confirmed to be gone in every way, physically or emotionally. They’re taking these people and giving them a full system reset rebooting the computer.
By doing this, Lumon gets to create a free labor force that works 24/7 without question or resistance, exploiting people who have no emotional ties or support systems. Blank slate baby! They’re also using these individuals as test subjects for whatever weird shit they wanna launch out as a new product.
This helps explain a lot of the weird shit going on with the employees at Mammalian Nurturable. They look so rough and are also really off-putting towards outsiders. Which is understandable but I genuinely believe they haven’t even “clocked out” in days, if not ever.
Even though this theory makes the most sense to me, It still has its plot holes like if Gemma isn’t a clone and it’s her “resurrected” where does she go when she’s not her innie. In Season 1, she tells Mark she’s only conscious as her innie for a couple of minutes at a time, and the longest she’s ever stayed “alive” was the 8 hours she spent with his department. So where tf is she if not there as Ms Casey i don’t know man I do not know.
Anyways I have some other general curiosities about the town itself and why Lumon decided to build their main building there. I saw a TikTok video of someone saying it reminded them of company-built towns like Hershey Pennsylvania or Kodak Town, and I agree. Anywho I love this show so much it hurts I hope it never dies I literally missed having an obsession this intense I hope it gets all the love and awards it deserves!!
124 notes
·
View notes
Text
asking for trouble
a 'partners in crime' installment - luke castellan x dionysus!reader words: 7.8k prev -> when the curtains close | next -> as above so below summary: (post-TLT, compliant to TLO) The one where Luke's final wish is to see you. (He's himself again, and all he wants is to find out if the trouble was worth it all) a/n: non-descriptive mentions of blood and war, main character death. angst. a boyfriend that yall may or may not agree with. one chapter left after this!! i imagined the last scene to play out with luke in a room where they have the immersive exhibits at a museum
—
[august 15th; camp half-blood kitchens, long island, new york — 9:49 pm]
Everything begins and ends with love if we are fortunate enough.
There’s a stillness that fills the air the night before what historians and future demigods alike will deem the Battle of Manhattan. It’s stifling—suffocating in the silence of the camp kitchens as you cover a sheet cake with blue frosting, piping the edges with a steady hand as you check the clock, time always ticking over your shoulder.
Almost lights out.
The circumstances are different now though, and surely no one will be able to sleep soundly tonight. Fate is hard at work unraveling the future, the gods and their spawn alike are preparing for war, yet you’re here putting sprinkles on Percy Jackson’s birthday cake.
It’s the most nonsensical thing you’ve done all week amidst the war preparations, taming the whirlwind of mixed emotions that shook camp in the days before. Perhaps it comes with the knowing that everything will change, and the only way out is through. Only the lucky ones get to go home after this.
“Are you really not coming with us tomorrow?”
Clarisse chuckles at your question from her position against the doorway, crossing her arms and watching you stick candles on the top of the sweet dessert. Her hands flex over her sleeves, tugging at the fabric like she needs to hide away from the rest of the world, “You make it sound like it’s a walk in the park instead of what it really is.”
“Is that why then?” You look up from your piping bag raising an eyebrow at her, “We need all the help we can get, Risse.”
“It’s a death wish. I don’t know how you do it grandma, but the world will keep spinning no matter if 5 shows up or not,” Clarisse mutters, rolling the words around in her mouth, “How do you do it? Knowing that he’ll be there…I-I don’t want Chris to put himself through that again. We’re going to lose anyway—something, if not everything.”
You know that too.
There’s something ironic about how the children of war won’t be joining the fight of their lives, but Clarisse La Rue is as stubborn as a mule when she doesn’t get her way. Only something truly special would send her running to the battlefield at this point.
“A part of me feels obligated to be there and help fix it, Risse. This is the path I chose.”
She scoffs, her sneakers knocking against the side of the kitchen island. The daughter of Ares is wistful, hesitant… and nothing like herself tonight. You suppose conflict shapes someone like her like how insanity lines the essence of your being. Intangible, but the base of every choice—the driving reason connecting you to your godrents.
“Yeah, I know that, but I still don’t get it. You don’t have to be here anymore,” she says thoughtfully, moving the cylinders of sprinkles around on the counter by height order, then by colors of the rainbow, “you could’ve chosen the easy life without all of this…I mean, if I ever got out of here alive, I wouldn’t look back.” The statement is sharp in the silence as if she’d attacked you with Maimer. Your eyes meet hers as if there’s a big secret she’s missing out on. You always look at them like that now, with a faraway gaze of a place none of them can reach.
“Who’s to say? Getting old and aging out of here is harder than you think, you know… College, rent, taxes…” you list off with every squeeze of the piping bag, spelling out Percy’s name with white frosting. Clarisse bites her lip, resting her chin against the palm of her hand as she watches you.
When she closes her eyes at night, she often dreams of being home in Arizona, dry heat prickling at her cheeks and dust swirling at her ankles. That’s what her future will look like, she thinks—and she’ll let herself be selfish if it means she gets what she wants. What do you dream of? Do you think about a future for yourself if you’re so worried about saving everyone else’s?
“But you still came back. Is this easier than that?”
Not easier, but familiar. Nothing you ever want comes easy after all. There is a comfort in walking the grounds of a camp counselor job you used to dread instead of filling out job applications; easier to you means fighting with the gods and slaying creatures of old instead of paying student loans and making rent.
“I think you’ll find out that you do stupid things for love, Clarisse La Rue.”
She’ll never tell you this, but you’re the strongest person she knows. You’ve shown her that strength doesn’t always mean brain or brawn. Sometimes strength is loving someone without expecting anything in return, and the gnawing feeling in her stomach eats at her in an unsatisfying way—like Tantalus reaching for the grapevine, fingertips grazing the leaves for eternity.
Instead, Clarisse wipes down the counter with a Clorox wipe as you make your way towards the door, cake in hand. Tonight, she and her siblings will sleep with the knowledge that they’ll get to see another day. Call her selfish, sure—but that’s how she loves them. Alive.
“I still stand ten toes behind the fact that Michael Yew can be knocked down a fucking peg,” she mutters. There’s a small smile on her face and when she looks up at you, she sees your face is illuminated by moonlight. Clarisse hopes this won’t be the last time—silently praying to her father to extend his hand onto you.
“I’ll see you when I see you, La Rue.”
Whenever that is, she thinks. This is easier than a goodbye. What matters is showing up. What matters is that they try. That’s what she reminds herself as she turns off the big light and heads toward Cabin 5.
Does any of that still matter in the end if they aren’t alive?
Her siblings are already asleep when she tucks herself into bed despite the music and laughter coming from 12. Light from across the way filters through her window, a warm glow cast across her face leaking through even when she shuts her eyes. It warms her, reminds her of the orange of the stupid shirts they wear, sunsets on Fireworks Beach, and the molten lava that drips down the climbing wall.
Home might not be what she remembered it to be after all these years. Clarisse decides to sleep on it, hoping that when they wake, there’ll be something worth fighting for.
[august 15th; cabin 12, long island, new york — 10:08pm]
Camp Half-Blood is quiet as you walk through the dark forest, minding your step over the brambles and checking off your mental list of responsibilities before day breaks. The air is especially cool for a summer night, melancholy being your only jacket as you move on auto-pilot. Your fingers tighten around the tray you hold, pushing the door open to Cabin 12 which currently houses most of your campers. It’s lively and bright in here—you would think they’re all celebrating a Capture the Flag win instead of being sent off to their deaths for the greater good.
Tomorrow, they’ll wake up soldiers.
The wood creaks beneath your boots and it’s drowned out by the sound of soft chattering and laughter, a few of them still scuffling over sleep spots, and then—”HAPPY BIRTHDAY PERCY!”
There are only enough people in here to comfortably fit in a few of the strawberry trucks tomorrow—some went home to their parents to avoid the chaos and some chose not to fight at all. And the ones that remain— all 40 of them, that is, are spread out on the floor in sleeping bags writhing like worms. All the whooping and cheering is accompanied by Michael leading his siblings in song (and Connor and Travis ruining it by chanting CHA CHA CHA!).
Percy is just shy of sixteen now, but the sheen in his blue eyes still reflects the tranquility of open water and something tender that you saw in him when he came to camp at twelve years old. Later, through mouthfuls of cake and smears of blue buttercream on his cheek, the son of Poseidon looks up at you thoughtfully, “Is this a pity cake?” He tries to make light of the situation by acting like the fate of the world doesn’t depend on his life or death, and you take a deep breath.
Even demigods fall victim to fate, and the gods still push on. But what of their children that fight for change in the world they set the rules for; their children that fight their battles for them and lose their lives for immortal beings that live forever?
“This is a birthday party, not a pity party, Percy Jackson. There's no pity for the damned,” you chuckle. Damned if we do, damned if we don’t. All of the world’s problems seem so permanent when you’re 15 years old. It’s just fucked up that his will actually alter the course of humanity.
“And if this is the end of the world, I just wanted to make sure we’ve told you happy birthday first.”
“Well thanks,” Percy mumbles over a spoonful of buttercream, face reddening when Annie throws a paper towel roll at his face, “Hey!” It reminds you a lot of when you and Luke would fight in the dining pavilion, chicken tenders and mac n’ cheese flying through the air, and apples cut just the way you like.
You blink.
It all boils down to him or Luke.
“Wipe your face, Seaweed Brain!”
Percy rolls his eyes, smiling down at his plate regardless of the weight he carries upon his shoulders. The more you want to live the more you have to lose, you think as you brush your knuckles against a spot of frosting he missed. You don’t look at the blonde boy and see a hero of the Great Prophecy—still, you see him as the little boy who was mesmerized by you conjuring strawberries on his plate on his first day at camp, innocent and honest.
Looking around the room wistfully at that thought, you start to see the memories of their childhood blanket all of themlike ill-fitting clothes; it’s all you can notice. The feeling is so big it swallows you whole. Annabeth is still the little girl who’d rattle off obscure facts from Snapple bottle caps from her time on the road, drawing pictures of buildings with your eyeliner after sneaking into your room. Silena still makes blush out of berry juice and would call you about boy problems as if she’s not a child of the goddess of love herself. Will is still the boy who sings as he lights up fireflies and draws smiley faces on bandages. Katie, the girl who makes flower crowns for your birthday and eats strawberries with you soaked in morning dew. You look around and see scraped knees that you’ve kissed better, sleepy eyes you’ve sung to, and hearts you’ve kept warm—this is your glory, your greatest achievement being the family you’ve found in the woods of the Long Island Sound.
“You see it too?” Grover mumbles, nudging you and you sigh, squeezing his shoulder. Sometimes you forget the satyr is older than you; he stands tall as your pillar of support, unwavering in his promise to protect these kids.
“We’re getting old, man.”
“You’re only 23. There’s so much left of you,” he deadpans. Laughter comes out of you in waves as you shake your head smiling.
“And what a pleasure it’s been to grow up with you.”
Grover bids you a good night as you walk up the stairs to your old room, phone in hand while you dial a familiar number. Your boyfriend answers before the end of the first ring.
“Hey, I didn’t think you’d still be up!”
Settling against the windowpane near your bed, a soft smile graces your features and you realize he’s not there to see it. It’s always been easy with him—Dex was unbelievably kind, and he had a heart that he’d share without you having to ask. He was unlike any man you’d ever encountered before, and over the past year and a half you found it easy to love him.
Worst of all, he’s utterly devoted to you. At least every part of you that you were willing to give him, even if it wasn’t all of you per se. Plus, you saw the ring in his desk drawer last week.
It was too…good to be true.
You recognize that this was your way out like Clarisse said, your escape from the turbulence that was your life as a demigod. But it was hard to believe that you were deserving of it. He’d never know of the ichor that runs through your veins, and the life you’d have to leave behind to truly be with him. You suppose every love you’ve ever had was sacrificial. You just wonder if because of that, easy makes it hard to feel real.
Maybe if you survive this one you’d tell him the truth. But for now, he’s rambling in your ear about his sudden work trip upstate. Morpheus and Hypnos are already at work then, redirecting the city dwellers out of Manhattan. It must be later than you thought already and in a few short hours, Apollo will be shining his rays across the Island for what you hope won’t be the last time.
“I wish I was with you right now,” you mutter in a hushed tone, and you hear him laugh breathily through the static sound of the phone. It’s easy to imagine him twirling the telephone cord between his fingers, flopped over the tiny loveseat you went halfsies on with your first big paychecks. The apartment you both moved into after graduation is more accurately a shoebox—but it’s yours, and the love you have for it is immeasurable in comparison to the square footage. You hum, listening to the sound of his voice, “Maybe I can catch you before I go—stop by and say hi before I drive up.”
He won’t. By morning, you’re not even sure if he’ll remember you—all traces of Greek gods and their counterparts wiped clean from memory until it’s all over, whenever that is. You’re mindlessly walking in circles around your room, bare feet padding against the floorboards. He repeats your name and you realize you haven’t been paying attention, the tail end catching your ear, “Hmm?”
“Or you could come to me. I’m sure your dad won’t mind. It’s time I meet him, don’t you think?”
And out of anything happening tomorrow, that especially sounds like a nightmare so you make a noise of disagreement, “I can’t. You know I can’t, honey. I’ve got…” your voice trails off as your lilac eyes land on a faded photo strip thumbtacked to your wall, “unfinished business to deal with.” There’s nothing left but inky silhouettes on the sun-damaged paper, two past lovers huddled together. But you know what it’s a picture of. Rye Playland, you and Luke at fifteen, cheek to cheek and covered in wisps of cotton candy.
“Mm. Sounds important. Does your unfinished business have a name?”
Dex sounds playful now, teasing despite the silence on your end of the line. A beat passes, and then another, and he can hear the sound of your hands rifling through the things in your desk drawer. The dragon scale necklace is cold in your palm.
For good luck, you think.
It’s been a while since you’ve worn it—keeping it safe in the only home you and Luke shared, and as soon as it touches your neck, you feel a little less empty inside. It feels like a safety blanket, protecting you from whatever might come next. You almost feel guilty to be relieved.
Thumbing the cord absentmindedly, you mutter, “You don’t even know the half of it, Dex.”
“Maybe one day you’ll tell me.” Sometimes, it’s like he knows— Dex must be the ivy that grows over the walls you’ve built up around yourself, and he can see glimpses of who you try to hide behind your stone-cold resolve. He wonders if you’ll ever tell him about the names you call out at night— an indistinguishable language he’ll never fully understand. He wonders where you’ve gotten your constellation of scars and where your mind goes when you sit next to the window and stare at the skyline.
Oh, he wonders.
The glow-in-the-dark stars are faded now on the ceiling when you look up at them, fighting to give their last bits of light. You wonder too, if there’s any fight left in you; a bit of Luke always remains—he’s everywhere you look. You can feel him as night falls upon New York, bidding you goodnight before it crumbles tomorrow.
“Maybe. Good night, honey.”
Dex yawns into the receiver. You know his feet are kicked up onto the coffee table even though you always tell him he shouldn’t, and that his glasses are already off for the night. You really think he could be a nice guy to end up with, all things considered. Dex was the epitome of normal, and after almost two and a half decades of existence, it’s quite evident that you are anything but.
Normal might be quite nice.
He yawns again. Hypnos must have reached his window, “I love you, you know that?”
“I do. Me too. Good night.”
It’s the truth.
You love this man and the spaces he’s filled within the chaos of your life. You love all of him, from the perfectly normal way he makes breakfast for you every morning (and laughs when he burns the toast), and takes the train to work at a middle school in Harlem (“6th grade ELA takes a lot out of a man,” he jokes). He picks you up from your job at the therapist’s office downtown if you get out too late, as a gentleman would (though you’ve fought monsters that he’d scream at the sight of). Once upon a time, normal was exactly what you used to wish for.
There’s a moment where your breath hitches and you sink against your pillow and you wonder if he would love all of you—demigod and all. Could he get used to this— summers at Camp Half-Blood with chariot races and gladiator-style fighting, pegasi and harpies roaming the grounds, and watersports with woodland nymphs? Dex never even questions your green thumb or how Pollux made him hallucinate your dead brother when he came to visit (“It’s what Castor would’ve wanted! The full twin-terrogation!” he insists. You convinced your boyfriend he got food poisoning that night). Could you come clean about knowing how to slay a chimera, or why you never get drunk, and have the stamina of an Olympian (the athletic kind, but not too far off from the truth)?
But it shouldn’t be called coming clean. That makes it sound like you’re ashamed of who you are—which you’re not. You’ve just been hiding this part of you from a normal human that you love very much.
Gods, is this how your dad felt when he was seeing your mom?
Somehow insanity has always felt bearable—love, however, has always been such an ordeal.
The phone bounces onto your bedspread once you hang up the call. There is no more time to worry about playing a part. Tomorrow, everyone comes as they are—whatever happens after will be a problem if you reach another day. Fate has its way of making itself known, you know that by now. Blinking, you take a deep breath, and very intentionally, with your feet criss-cross applesauce, you pray—for what, you still try to figure out as the minutes tick by.
Better late than never.
Here at camp, you were always the last one up after lights out, anyway. Tonight of all nights shouldn't be any different.
[august 16th; 34th street and herald square, manhattan, new york — 9:17 am]
“Where do you think you’re going, mister!”
Your little brother flinches, immediately turning tail and walking across the deserted street to meet you in the middle. He’s taller than you now, craning his neck down to look at your angry glower as you thrust a finger into his face, “You’re sticking with me.”
“Jake said he’s taking 9 and 12 to the Holland Tunnel,” Pollux calls out, shuffling his feet and you punch his arm hard, “OW! —It’s what Percy wants.” He swats your hand away for good measure, his arm guards clanking against yours when he dodges another swing at his head.
“We are Cabin 12, you shithead. I’m not letting you out of my sight for a second.” Your staff is heavy against his shoulder and Pollux can’t help but let his gaze wander to where Jake Mason and the other children of Hephaestus are waiting for him a block over. Manhattan is a warzone, and the difference between fighting empousai and fighting his older sister right now is very similar in theory—hard to do alone. The tunnel is halfway across the city from the Empire State Building—if something were to happen to either of you…
"M’not here to fight,” he sighs, “with you at least. I need to do my part, sissy.” The old nickname is an arrow through your heart and you grab Pollux’s hand, “I just want to make sure you’ll be okay. I wouldn’t be able to forgive myself if I couldn’t get to you in time.”
“HEY 12! You coming, or what?”
The two of you look towards the small army down the block, both of your hands intertwined like grapes from the same vine. You’re not sure if you can let go; you’re not sure if your father could lose another child. But Pollux’s face is almost set in stone—he’s never been more sure of himself. Your lip wavers, forcing itself into a stiff smile and he softens at the sight, “I’ll be okay.”
“And if you’re not? Then what?”
He shrugs, “Then… then I’ll get to see Castor.”
You nod, breathing shakily, and flinching when Jake calls for Pollux again, “Well. If you are okay…You come find me. After this is over, you come straight back home to me. You got it?”
Pollux hugs you, hard—the force of all of him sending you sprawling into his arms and it knocks the wind out of you. As the twins have grown, it’s been rare for them to show you any affection. They’d usually recoil or whine about how mushy their older sister is, and each time it makes you laugh. But right now, you stand there gripping onto his t-shirt, breathless; the ringing in your ears gives way to words he mumbles into your hair, “I love you,” he says, in case you didn’t already know.
Just in case this is goodbye. You take it in for a moment longer, running a hand through his blond hair and cupping his cheeks as you finally step away, “I love you. I’m so proud of you, P. We all are.”
“Haven’t done anything yet,” he grins, backing away slowly, a skip in his step as he nears the small troop of Hephaestus kids. You wave them off, blowing a kiss as they band together and turn in the other direction.
Why is it that you can only be proud of someone if there’s something to prove it?
You think about all 40 of your campers fighting for their lives in the greatest city in the world. The sound of hellfire, roaring monsters, and screams that could only come from your kids. Fatigue wears you down with each swipe of magic towards enemy forces, monsters writhing in pain at your feet, demigods reduced to insanity and blood-curdling screams. It disgusts you even more so that no one can witness the weapon you've been forced to become.
After all, no one knows any of you were there. Life continues on outside of the bubble containing the Battle of Manhattan. And only the ones fighting will be able to remember this. Only you will remember the blood you spilled to wrestle for your destiny.
The rest of the city continues to sleep, safe from the people who swore to protect it.
[august 18th; empire state building, manhattan, new york mount olympus, in the sky above new york??? — 5:22 pm]
Running up 492 flights of stairs was another type of hell you didn’t expect to put yourself through, but it was faster than waiting for the elevator to Olympus. It’s quiet besides the steady rush of blood pumping in your ears, your boots slapping against the tile to reach your friends who might be in danger at the hands of someone you know well. But it’s too late to give up when you’re so close—you realize you’re praying to anyone who’ll listen as you push through the pain of always being a little too late.
“Ugh!”
Air pierces through your lungs painfully as you trip up a landing, hands clawing against the banister. Have you been running in place this whole time, quick to start but hard to follow? Your lip quivers, eyes trailing up the stairwell faster than your legs can take you.
Whatever the outcome, you’ll be better for it, you hope.
It’d be easier to give up. To stay away and not watch Percy fight for his life against him. You dry heave as you press your head against the wall, wondering if it’s worth not seeing what will become of this wretched prophecy. It’s hard to survive loving the villain when the rest of the world is dying because of it. Your legs feel like jelly underneath you, and not a single soul in Manhattan knows you’re here—until you feel the strength of an old traveler lift you up and revitalize your soul. Looking down to see your boots retie themselves tightly, the feeling in your chest reminds you of him. Everything leads back to Luke, and you think wherever he is now—Hermes knows that too.
“Thank you,” you mutter. He’s handpicked your prayer through the tempest that hangs over Manhattan so that maybe your hands will be gentler in smiting his lost son. You find yourself with the nerve to run up the last dozen flights of stairs, pushing past the entryway to see Thalia Grace under a statue of her stepmother, “THALIA!” You barely make it to her fallen form before her free arm tries to push you away from the rubble.
“Get out of here! I mean it—” Thalia spits out your name through gnarled teeth and bones crunching under the heavy hands of Hera. The statue lays over the bottom half of her body, holding her legs down like how one forms a fist, and the daughter of Zeus pushes through pain and millennia worth of her dad’s karmic debt in giving her life—the essence of being a forbidden child still has a hold on her, even now.
“I’m not gonna…leave you…”
With everything in you, both demigod strength and sheer desperation, you push at the unmoving stone and your fingernails begin to splinter from the pressure.
But you know what it feels like to get left behind.
Desolation slowly sets in your bones, a hollow feeling that spreads through your core as sweat rolls down your cheeks, and when you sniff to wipe it away, Thalia’s lip quivers. She’s writhing in pain and everything is coming to an end down the hall from where you stand.
“We’re so close, Grace. I’m not giving up on you when we’re this close. I need you in there with me so you just hold on, okay?”
The marble is cool to the touch under your moist hands, and her face is fixed in a grimace as she looks up at you and sees you for who you are—another demigod who was never given a fair chance at fate but with a spirit of a hero waiting for the right chance. Thalia coughs before slapping your hand away, “LISTEN TO ME! I’ll be okay. He needs you to be there. We’re almost out of time!”
You barely register your body moving as you get up and start to run, looking back at Thalia by the time you’re at the top of the landing. There are no words that you could imagine to string together when your eyes meet hers in the distance that separates you two—the feeling of grief bearing down as you both know the end is near and inside those doors.
As you turn back around, you take a moment to wonder if you might’ve had different people in mind for who’s up there waiting for you.
[august 18th; the hall of gods, mount olympus, the sky above new york— 6:48 pm]
Finally pushing through the heavy doors of the Hall of Gods, your eyes burn like salt in a wound as you travel toward the center to see three figures laid out on the marble mezzanine. There’s a cramp in your calf by the time you reach them, your legs giving way as you skid to a stop in front of Luke’s corroded body. The pain doesn’t register for you, split skin going numb as you stare into the eyes of a storm you fell in love with almost ten years ago.
A stranger is no longer wearing your love’s skin. Percy and Annie’s eyes feel heavy against your back as they watch you sigh in relief, a landslide of emotion rolling off of you when you see he’s still breathing, even faintly, as if he waited for you to make it back to him.
“It’s Luke,” Annabeth chokes out, “the scythe transformed into Backbiter and I knew it was him. He was fighting for us.” Her voice makes you flinch, makes this more real—it echoes as the wind carries it through the hall. Without a doubt in your mind, you know it’s him by the way he looks at you with tired eyes, soft and amber—the light pushing away the shadows and he reaches out for you. His skin is paled by the River Styx, face weathered by the Titan as you gently guide his head onto your lap. A pathetic cry slips from your mouth when you realize there’s more pressure in the fingers he brushes against your cheekbone versus the one holding the blade embedded in his chest.
Fuck, what do you even say?
He’s dying right in front of you and you can’t think of a single word to say.
The clock is ticking and every breath of his comes out weaker––he speaks before you can find the words, breathing out, “I missed you,” like it was a relief to say it. And it all comes spilling out like a secret you’ve been safeguarding since the day he left— a mix of your tears and his blood smearing across your cheek as he reaches out to wipe them ever so gently. You find yourself smiling in the face of death itself—smile even if the both of you can feel death’s hand on him saying that time is finally up because the act of meeting each other here in the middle makes the years you’ve gone without him worthwhile.
The reunion is also the loss; a nasty habit you’ve both fallen into over the years. But this time, Luke’s finally able to give you the world he wanted to see just before he leaves it.
You clutch him close without intending to let go, purple eyes scavenging for confirmation that this is your Luke, the one who pushed you through the brambles of the North Woods, wind in his hair and mischief in his smile. He’s citrus and musk, cunning smiles, something sacred kept within cabin 11, calloused fingers pulling at your t-shirt, and the voice out of tune at nightly sing-a-longs—and he loves you still.
Loving you was the only thing that never changed.
“Shhhh, don’t waste your energy. The gods will…” you swallow a sob despite yourself, “I…my dad’s going to be here soon. He’ll help us.” There’s a lump in your throat that carries the weight of everything unsaid. Who would help you now that everyone else is getting what they wanted—a brighter tomorrow without the villain? But the prophecy unveils itself so cruelly, and the one who hurt you is the hero in this story, just as he’s always dreamed. It so happens to be at the cost of loving you.
Luke’s eyelids flutter like butterfly wings descending softly. You press a kiss onto his forehead like you used to while waiting for him to fall asleep. The chuckle that rumbles his ribcage is faint against the hand of yours that’s holding him together and the war is finally over and no one even knows that besides the four of you in this room.
“I'm running on borrowed time,” Luke wheezes, “I think my life ended the day I left you.” His thumb weakly traces the tear tracks cascading down your face, and he’s reacquainting himself with every feature of yours while he can touch it—to hold and be held by you after so long feels like drinking up ambrosia, his last bits of strength telling you what you’ve always known.
Is there a word stronger than love?
One that would explain how close and how far you feel to him at this moment and you don’t want to say the wrong thing but there are no wrong words when it comes to the right person. Hoarsely, through wavering lips, you chuckle, “Then it's time to stop running, baby. I’m here now.”
It’s exhausting to carry the weight of tomorrow in your arms and to know it’ll be made possible only by letting him go. You’re holding him too tightly, claws sinking in to feel—to ground yourself and keep him tethered to this reality, just in case a different answer falls out of the sky.
But falling with Luke Castellan, falling for him, has been nothing like you wanted. You've said your goodbyes more often than you can count.
This part is just about letting him go.
“I think I’m doomed,” he laughs, coughing harshly. Blood soaks his airways, retribution for the lives he took. It drips out of his mouth and you still look at Luke like he’s asked you to marry him. What a soft, funny thought.
Love must be more violent than war, to feel like this—to know he’s wrecked your world and still come out the other side smiling at him like he put the stars in the sky. His fingers are slipping out of yours as you hold onto the knife that keeps him here and Luke mutters, “I’m so s-sorry. You deserved better in this life.” You hear Annabeth sob from somewhere behind you but you can’t look at anything else but his eyes, not daring to miss another moment of him.
“Can’t be all that bad,” you say with a watery chuckle, wiping his mouth with your thumb. There’s more of a mess now with your feeble efforts but the action comforts you more than him; caring for Luke is something you cannot unlearn.
“This life gave me you. I don’t want to know anything else. Do you hear me?”
You want Luke to know this—to understand that even if this is how fate has handled the both of you, there is no other hand you would hold but his.
“You’re my whole life, Trouble.”
“I know, angel. I know. It’s always been me and you.”
You and me, he mouths, an echo of himself left to relay the message as his eyes lose their warmth, empty now and unseeing. And then he's home in your arms again as you hold every broken and bloodied piece of him together until he's no more. The parts of him he leaves behind blur into you, rivulets of his lifeforce weaving through your fingertips even when you put pressure against the knife you both hold, hands cradling the spot under his armpit, and to Percy and Annabeth it looks like you're holding his heart, clutching it between your fingers.
Protecting it until his last beat—when he finally gives it over to you.
It was always yours, anyway.
Before, in the in-between, and now after, his heart is yours.
Time stops for Luke Castellan, the man born to die, in the Hall of Gods that day— in the arms of his partner and in the presence of his little sister and truest friend.
Lips against his ear, no one tries to pull you away, even when the gods of Olympus march in expecting a battle to only find a dead hero and a story that needs to be told.
You’ve never seen him so still before.
Luke’s always been the one with something to say, hands fidgeting to hold yours. Still, you hold his hand even if he can't feel it, still smile even if he can't see you, still whisper words of devotion even if he can't hear it. By the time you feel your father’s hands on your back and hear Percy say, “We need a shroud. A shroud for the son of Hermes,” you imagine that he’s miles away from where he lays motionless, dead weight in your grasp. Nothing can pull you away from the mantra you set to remind him that he’s yours even when he leaves again. Luke’s soul will soon journey where you cannot follow, and you whisper to him in the stillness amidst the noise, “I love you, I love you, I love you…”
When the Fates come to collect the body, their ancient hands spin around the two of you as they unweave your hold on him. You weren’t given a choice—his material body dissipates in front of your eyes and you swear you feel the tug from deep within your core as you watch them float Luke away. It’s so much different now from when he used to fly around your room with his stupid winged Converse—even the gods avert their eyes when you let out a sob that shakes the ornate hall. Hopelessly you watch, sat down on the marble and unable to move or follow—as if maybe he’d still answer to your sweet nothings, and not leave you hanging once more. You slump against your father’s side, catatonic and at a loss for words—they leave with him, floating away into the distance.
Humanity’s biggest problem and resolution has always been love—this was never a story about the lack thereof.
[august 18th; death, pre-judgement? — the seven minutes after]
The path that Luke Castellan takes after he dies is most peculiar and unlike any path he’s traveled before. And yes, there have been several times that he’s come close to death—under Ladon’s claws in the Garden of Hesperides, and when he relinquished his physical self by bathing in the River Styx, but neither of those times where he’s cheated his way out can compare to the real thing.
He once read in one of Annabeth’s textbooks that there are seven minutes of brain activity that wanes in your consciousness before you die. There’s a distinct thrumming in his ears when he comes to, and Luke discovers he’s completely in the dark with no sense of direction and most importantly, no visible way out. The old him, were he still alive—would be panicking by now, short terse breaths and sweat upon his brow. Old Luke would have fidgeting hands and eyes that rocket around for an exit. But this Luke, whoever he is—whatever he is now, finds himself eerily calm. Everything glows in a vignette, and familiar scenes materialize before his vision, a kaleidoscope of color and your shrieking laughter surrounding him in the familiarity of your happiness with him—it feels like lifetimes ago. He realizes he’s smiling.
Versions of you swirl in the space he stands in, taking up space wherever he can look, wherever he turns—you’re there.
And he remembers.
Memory is a choice after all, much like love is. And no one can take that away from Luke Castellan except death itself.
The scene flickers for a moment, eyelashes fluttering against morning light peeking through the windows of Cabin 11.
It’s Luke’s first morning at Camp Half-Blood after the storm that brought him and Annabeth there. You’re standing over him with a half-beaten pillow and a menacing grin that grows as he spits out feathers. It’s his first impression of you, Kool-aid tipped hair and hands shaking with a crushed Redbull can in your other fist.
“Good. You’re still breathing. Wasn’t sure for a sec.”
A voice yells out your name and you make a run for it, barefoot and giggling and looking back at him every few steps—his breath catches in his throat again like how it did on the first day you both met.
The scenery changes and he’s sitting next to you on the dock of Canoe Lake.
“I dare you.”
“No way,” he hears himself say, and then he sees you fling algae at him in ropes, cold and slimy that it makes his voice crack, “He—ey! You’re gonna get us fired and it hasn’t even been a full day since we got the job,” he says, clearing his throat as you bite your lip.
“What’s one last hurrah?”
“You’re always gonna be Trouble, aren’t you?” he says, getting annoyed by the orange fabric that temporarily blinds him. Chuckling, you pull your shorts off and look back at him, eyes glinting in the moonlight and he can’t help but ogle at the rest of you, gulping hard. You catch him staring and he averts his eyes, looking back at the treeline to see if anyone’s come to find you both. A resounding splash echoes in the silence between you and Luke turns back to find your head bobbing visible above the water and not much else.
“I double-dog dare you, Castellan.”
He jumps in.
The dark blue of the water turns into light reflecting the pinks and purples of the sky above Montauk Point at sunset.
“We’re alive! Told you we’d be fine,” you yell, clicking your seatbelt off and jumping out of the car before Luke can even put the hatchback in park. It was his first drive anywhere—you’ve finally graduated from looping around Farm Road.
“Hey wait up!”
He calls out your name, but you’re already kicking up sand as the distance between you grows until he locks up the car and chases after you. You didn’t stand a chance, slipping and sliding in the sand as the son of Hermes quickly grabs you around the waist and throws you over his shoulder as you scream bloody murder. When he sets you down, your arms are looped around his neck and you’re smiling against the pink and tender scar on his cheek.
“Think we can break into the lighthouse before the guards come, angelface?”
The sound of crashing waves turns into chattering cabin counselors and when Luke looks around again, he’s at the Big House, with everyone else pushing their chairs in and walking towards the door. He holds his hand out and you grab it with no words or instruction—like a key nestled within its lock, exactly where it’s meant to be.
“Last order of business, kind of…” Your dad drones from his spot near the windows. Luke tries to let go of your hand but you don’t let him, “Don’t panic,” you mutter.
“This… fraternization won't become an issue for all of us, will it?”
Everyone’s frozen near the doorway, staring at your intertwined hands. Luke clears his throat and turns toward Mr. D, “I’ll see to it that it doesn’t. Sir.”
You could almost hear a pin drop, and no one knows what to say next—not even Mr. D.
“Yeah, I’ll keep Castellan in line.”
That’s the confirmation everyone was waiting for; a mixture of groans and the clinking of drachma fill the air as Chris holds his hands out and takes his spoils of victory with a charming smirk on his face. Clarisse throws the coins at his head.
“I feel like I should take a bow or something,” Luke snickers into your ear, before placing a kiss against your temple.
You’re still in his arms and still look good in orange, but when he pulls back to look at you again, you’re both hovering above the ground near the dining pavilion. His knees are shaking when his winged Converse flap madly underneath you—a flurry of uncoordinated movement that makes you want to piss yourself.
“You’re lucky I have a strong core, babe,” he grins—and he’s thrilled at the fear on your face as you clutch onto him for dear life, one arm around his abdomen and the other around his neck, both legs latched around his waist.
“I swear to the fucking gods if you drop me, Castellan…”
His right foot jerks in a slightly different direction, making him laugh as you squeak.
“Castellan, huh? That scared, Trouble? Not gonna drop my baby.”
The wind around you whirls like a tornado as Luke tries to show off, getting higher and higher until, “LUKE!”
He catches you by the fingertips again and now there’s sand beneath your feet. You’re still spinning in his arms and his mom is singing along to a song playing on the radio you brought to Westport Beach. May claps lightly and you tug her up with a soft smile, “Come on Miss May! Take your son out for a spin.” Tugging at the damp white t-shirt you wear over your underwear, you take a seat on the picnic blanket and watch them with a smile you haven’t given Luke in years.
“Mother-son dance,” May whispers in his ear, humming a few notes of the wedding march.
He closes his eyes and soaks it all in, slightly swaying.
That thrumming is in his ears again, a steady beat against his chest and he feels it everywhere—a pounding rhythm that cannot be ignored. He opens his eyes and you’re snuggled against each other, tangled beneath the sheets. You’re still asleep and Luke just…watches you before the morning starts (whenever this is) and it all has to end. You’re breathing against his neck, lips slightly agape as warm air brushes his pulse. He moves hair out of your face and you pull him in unconsciously, skin to skin with no atom of space left between you.
Luke blinks.
You’re in your college apartment.
He blinks again.
His childhood bedroom.
Again, please.
In Cabin 12.
Please, just one last time.
You’re drooling against his neck in his tiny bunk in Cabin 11 and the noise is getting louder now—a static sound that morphs into the sound of your voice throbbing like a heartbeat, “I love you, I love you, I love you.”
It’s the last thing he can hear before he has to go.
_
“I wanna see your eyes / Is it a crime to say I still need you?” - Adrienne Lenker
#made by ma1dita ♥︎#luke castellan x reader#trouble!verse#percy jackon and the olympians#luke castellan angst#pjo x reader#luke castellan x dionysus!reader
134 notes
·
View notes
Note
Happy Friday, Aspen!
Legal Temptations
Characters/Pairings: Andy Barber x curvy Millennial female!Reader Word Count: 6.4k Summary: After battling with Andy Barber in the courtroom, your relationship takes a turn when you receive an unexpected message from your rival requesting a secretive meeting to discuss a high-profile murder case. Intrigued but cautious, you can't turn down the invitation from Newton's former Assistant District Attorney and your former law school rival.
Content/Warnings: explicit smut: vaginal fingering, vaginal intercourse, unprotected sex, oral (female receiving), ; mild exhibitionism (sex in front of a window), first time anal play/rimming; dirty talk; a lot of plot BEFORE we get to the smut
Notes: Sorry it's not Friday, Jen, and sorry this has also sat in my inbox for months! I kept on wanting to do something new with Andy and wanting to post it on a Friday, but things kept on getting away from me. Now I'm just posting and to hell with previous intentions, hahaha. But kicking off my series of Valentine Storygrams seemed like a good time to trot him out!
↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest
“I find the defendant guilty as charged.”
You surreptitiously suck in a breath and school your face to remain completely and utterly professional.
But your chest bursts into a triumphant fire at the judge’s verdict.
You’ve won, yet again, against Andy Barber. And rightly so. Your client was the victim, plain and simple. But it’s the third time in three months.
And it feels damn good to know you did.
As the courtroom erupts into a flurry of murmurs and movement, you gather your papers with practiced efficiency, sliding them into your briefcase. You avoid looking at the defense table.
The judge's gavel cracks through the air. "Court is adjourned."
You rise, buttoning your blazer with one smooth motion. Only then do you allow yourself a brief glance at your opponent. Andy's jaw is clenched, his shoulders tense as he leans in to whisper something to his client. A twinge of sympathy flickers through you - you know all too well the sting of defeat. But you still can't help savoring this moment, this victory. It's not just about winning – it's about justice served, about protecting the innocent and punishing the guilty.
As you stride towards the exit, your heels clicking authoritatively on the polished floor, a hand catches your elbow. You turn to find Sarah, your paralegal, grinning widely.
"Drinks to celebrate?" she asks, her eyes sparkling with shared victory.
You nod, allowing a small smile to curve your lips. "Absolutely. The usual place in an hour?"
Sarah gives you a nod, and then she’s approached by the brother of your client - whose been trying to hold back his clear crush on your paralegal until the case was over, and you’re happy to see him shoot his shot. He’s a sweet kid, just about her age, and she’s had terrible luck in the romance department. This could be a path out of the woods for her of those post-grad men who still desperately tried to cling to their frat boy glory.
You make your way out of the courtroom, nodding politely to colleagues and spectators. In the hallway, a reporter approaches, microphone extended.
"Counselor, another impressive win. Any comments on the verdict?"
You pause, choosing your words carefully. "We’re obviously pleased with the verdict. That's all I'll say for now. Any further comments will come through official channels." You offer a polite but firm smile, sidestepping the reporter with practiced ease.
As you’re about to get into your car, you look back at the courthouse and spot Andy Barber exiting the building, his face masking frustration and defeat. For a moment, your eyes lock. There's a flash of something—respect, perhaps, or resignation—before he turns away, striding purposefully towards the parking lot.
You shake off the encounter and settle into your car. Between the drive home to change into something more casual and then the drive to your usual celebratory spot, you’re able to decompress, shed the courtroom persona, and remember who you are outside of the high-stakes world of criminal law.
By the time you push open the door of O'Malley's, your favorite low-key bar, you're feeling more like yourself. Sarah is already there. She’s landed you a good corner booth, and two of the other paralegals from your office and your assistant are there, too.
As you slide into the booth, Sarah pushes a glass of your favorite scotch towards you. "To justice," she says, raising her own glass in a toast.
"To justice," you echo, clinking glasses with the group. The warm burn of the liquor is a welcome sensation after the tension of the day in court.
Your assistant, Mark, leans in eagerly. "So, boss, give us the details. How did Barber's face look when the verdict came down?"
You chuckle, shaking your head. "Now, now. We're professionals here. We don't gloat."
"Speak for yourself," Sarah quips, earning a round of laughter from the table.
As the conversation flows, the weight of the case finally lifting from your shoulders. Sarah’s receiving and responding to a few texts, apparently having agreed to give her number to the client’s brother. The victory feels sweeter shared with these people who helped you prepare for the case and who understand the long hours and emotional toll of the job.
Sarah leans in, her voice lowered conspiratorially. "So, what's next? Rumor has it the DA's office is eyeing you for a big case."
You take a sip of your drink, considering. "Nothing's confirmed yet, but there have been some interesting conversations. We'll see."
Just then, it’s your phone that buzzes. Glancing down, you see a text from an unknown number:
Congratulations on the win. We need to talk. Meet me at hotel bar at Clark’s, 10 PM tonight. Come alone. -AB
Your brow furrows. AB. Andy Barber. What could he possibly want? And why the secrecy?
You don’t respond right away. It’s only just past eight. You have time to consider the situation.
But ultimately, your curiosity wins out, and around nine, you make your excuses and leave your staff at O’Malley’s.
On your way to Clark’s, your wheels turn over the enigma that is Andy Barber.
He showed up in town almost six months ago, relocated from Massachusetts where he’d been the assistant district attorney before his son had been accused of murder. You had followed the tragic unfolding of events - the family ostracized from their community, brief reprieve when Jacob had been cleared, and then the tragic accident where his son and his wife ended up in critical condition. Jacob passed away, never coming out of his coma, and though Laurie recovered, a year later, their marriage never did, and they divorced in a fairly civil proceeding.
You had really felt for him initially.
But once you started coming up against him in the court room, you were reminded why you had hated him all through law school. He was always good at what he did, and he was smug about it. The two of you had competed for everything. Top spot of each class, the most competitive internships, nearly coming out even, but he edged you out for valedictorian of your graduating class, leaving you as salutatorian.
He’d gone public defender, and you’d moved back to your home state and gone into private practice, and you really hadn’t thought of him again until he made the news - because the son of an ADA being hit with murder charges made the national news circuit.
But back at law school, he’d gotten under your skin, and as much as you tried to ignore it now, he was doing it again.
You arrive at Clark's Hotel ten minutes before the agreed time, your mind still churning with questions. The hotel bar is dimly lit, all dark wood and leather, exuding an air of discreet luxury. You scan the room, but there's no sign of Andy yet.
Settling at the bar, you order a club soda. You need to keep your wits about you for whatever this meeting might bring. The bartender slides your drink across the polished surface just as you feel a presence at your elbow.
"Thanks for coming," Andy greets you in a low voice.
You turn to face him, taking in his appearance. He looks tired, the lines around his eyes deeper than you remember from the courtroom. His suit is slightly rumpled, as if he's been wearing it all day.
"What's this about, Andy?" you ask, cutting straight to the chase.
He glances around the bar, then back to you. "Not here. I've got a room upstairs. We can talk there."
Your instincts flare with caution, but curiosity wins out. You nod, following him to the elevator.
The ride up is silent, tension thick in the air. As the elevator doors slide open, you follow Andy down the plush carpeted hallway. He stops at room 712, swiping the keycard and holding the door open for you.
You hesitate for a moment before stepping inside. The room is spacious but dimly lit, with a view of the city skyline through floor-to-ceiling windows. Andy moves to the mini bar, pouring himself a generous measure of whiskey. He offers you one, but you decline with a shake of your head.
"Alright, we're here. What's going on?" you ask, your patience wearing thin.
He takes a long sip of his drink before turning to face you, his expression grave. "I need your help," he says, his voice barely above a whisper.
You raise an eyebrow, skepticism clear in your voice. "My help? With what?"
Andy runs a hand through his hair, a gesture of frustration you remember from your law school days. "It's about the Donovan case."
Your mind races. Robert Donovan, a prominent businessman, found brutally murdered in his penthouse apartment. The Donovan case is the high-profile murder trial of the year - possibly of the decade - and set to begin in a few weeks.
Your eyebrows shoot up. "The Donovan case? Andy, that's not even your case. It's being handled by the DA's office."
He nods, pacing the room. "I know, I know. But I've been looking into it, and something's not right. The evidence doesn't add up."
You cross your arms, leaning against the wall. "What do you mean?"
Andy takes a deep breath, then launches into a detailed explanation. He talks about inconsistencies in witness statements, forensic evidence that doesn't quite fit the prosecution's timeline, and a potential alibi for the defendant that wasn't fully investigated. As he speaks, you find yourself drawn in, your legal mind picking apart the details.
"The blood spatter analysis," he says, pulling out a file from his briefcase, "it doesn't match the prosecution's theory of how the murder happened. And look at this," he points to a photo, "the angle of the wound suggests the attacker was left-handed, but Donovan is right-handed."
You lean in, examining the evidence. It's compelling. "Andy, this is... fascinating. But why are you showing me this? Why not take it to the DA? Or the press?”
“Someone with too much money, too much power, and too much influence is somehow pulling strings to pin this the way they want. You can help me identify the right players. But, what’s more, you have the necessary clout and influence in this town to go to the DA and be taken seriously, and I don’t have that yet.”
You take in a deep breath and study his face.
Impatient, he implores you by name - first name, not last name like he always did in law school and like he had these past months.
“It’s eating you up to admit that, isn’t it?” you finally say.
He puts his hands on his hips and lets out a deep sigh. “Yeah, it does. Satisfied?”
“Mildly,” you admit, a hint of a smirk on your face. “But Andy, why should I trust you? Word around town is you’re hit or miss on your cases, and I’ve just beat you on all three when we’ve come toe to toe.”
He arches a brow. “You think I’ve lost my edge?”
“You were brilliant Newton - on track to be the DA, you won everything.”
A muscle in his jaw ticks. He licks his lips. “Do you think it’s possible that the cases I’m losing now are for the defendants that should be put behind bars, the ones I have no guilt taking money from, and that I’m just that good that they never question that I’m making sure they get what they deserve?”
You arch an eyebrow. He doesn’t lose everything, and he certainly didn’t make any rookie mistakes on the cases he is losing.
“I’m willing to entertain that premise.”
“Alright, that’s all I need. Now what about Donovan?”
You mull over everything he’s shared so far. Your gut says he’s not wrong.
He says your name again, prompting you back into the moment.
You lock eyes with Andy, searching for any hint of deception. But all you see is earnestness and a hint of desperation.
"Okay," you say slowly, "I'll listen. But I need to know everything. No holding back, no surprises later. If we're going to do this, we do it right."
Relief washes over Andy's face. He nods vigorously. "Of course. Everything I have, it's all yours."
You move to the small desk in the corner of the room, pulling out a chair. "Alright then, let's get to work. Start from the beginning."
For the next few hours, you and Andy pour over the evidence, dissecting every detail of the Donovan case. As the night wears on, your skepticism fades, replaced by a growing certainty that something is indeed very wrong with this case.
Around two am, you lean back in your chair, rubbing your eyes. "This is big, Andy. Really big. If what we suspect is true, it could implicate some very powerful people."
Andy nods grimly. "I know. That's why I needed your help. I won’t be able to do this alone."
You sigh and press your fingers to your temples, massaging away what stress you can, though it seems futile. “This has to stay between us for now. If there's even a whisper of this getting out before we're ready..."
"I know," he interrupts. "Believe me, I understand the stakes."
As he gathers the files, you move to the window, gazing out at the city below. The lights twinkle like stars, hiding the secrets and machinations of the powerful. You can't help but wonder what you're getting yourself into.
Andy appears at your side, and you turn slightly to look at him. “Why are we in a hotel room discussing this? Secrecy? If you’re that worried, it won’t be hard to track you here.”
“I…” he laughs. “No, actually. It’s worse than that.”
“Oh, Andy,” your voice is wary, “don’t tell me you live here.”
“I haven’t gotten around to finding a place.”
“Six months, Andy!”
He smirks and cocks his head. “You’ve been keeping track of how long I’ve been in town?”
You look away, feeling your cheeks flood with heat.
He takes a step closer, not touching, but near enough that you can feel the warmth of his body.
“I didn’t know this was where you landed,” he says, “but when I got here and heard you were one of the top lawyers in this town, I felt a mix of curiosity and pride and... something else." His voice drops lower, a hint of vulnerability creeping in. "I thought about reaching out, but..."
You turn to face him fully, your breath catching slightly at his proximity. "But what?"
Andy's eyes search yours, a storm of emotions swirling in their depths. "But I was ashamed. Of how things ended between us in law school. Of how my life had fallen apart. I didn't want you to see me like that, but I didn’t want to run away and start my new chapter making a cowardly choice by picking some place else."
The admission hangs in the air between you, heavy with unspoken history. You remember the fierce competition, the heated debates, the undercurrent of tension that had always existed between you two. And now, years later, here you are, standing toe to toe once again.
"Andy," you start, unsure of what to say. But before you can continue, he takes a step back, running a hand through his hair.
"I'm sorry," he says quickly. "That's not why I asked you here. We should focus on the case."
You nod, trying to ignore the sudden pang of disappointment. "Right, the case. We need a plan."
As Andy moves back to the desk, you can't help but feel a mix of emotions - frustration at his deflection, curiosity about what might have been, and an overwhelming sense that you're on the precipice of something monumental with this case.
Leaving the window, you join him at the desk. "We need to be methodical about this. We can't afford to make any mistakes."
Andy nods, his professional demeanor firmly back in place. "Agreed. I think our first step should be to re-interview some of the key witnesses. There are inconsistencies in their statements that we need to explore further."
You tap your finger on the desk, thinking. "That's risky. If word gets back to whoever's pulling the strings, they might move to cover their tracks."
"True," Andy concedes. "But if we're careful, we might be able to gather crucial information without raising suspicions."
You consider this for a moment. "Alright, but we do it discreetly. No official channels. We'll need to come up with a cover story for why we're asking questions."
As you and Andy begin to outline your strategy, you can't help but feel a thrill of excitement. You feel it in every meaty case, that feeling never going away though you’ve been practicing for years.
"We obviously need to be careful about who we to to with this information," Andy says.
"I have a few trusted contacts in the police department who might be able to help us discreetly.”
“I’ve already established a few contacts on the street. And what about your paralegal, Sarah? Could she be brought in on this?"
You consider for a moment. "Sarah's reliable, and she has a knack for research. She could be invaluable. But let's wait before bringing anyone else in. For now, it's just us."
"Just us," Andy echoes, his eyes meeting yours. There's a beat of silence, heavy with unspoken words.
You clear your throat.
"Right," you say, breaking the tension. "Let's focus on our next steps. We need to start gathering concrete evidence to support our theory."
Andy nods, visibly refocusing. "I've been thinking about that. There's a security guard at Donovan's building who was working the night of the murder. His statement seemed off. Like he was holding something back."
"Good catch," you reply, impressed despite yourself. "We should try to talk to him first. Maybe we can convince him to come clean."
"Agreed. I'll set up a meeting, make it look casual. We don't want to spook him."
As you continue planning, the sky outside begins to lighten. You glance at your watch, surprised to find it's nearly five am.
"We should probably call it a night," you say, stifling a yawn. "Or morning, I guess."
Andy looks up from the notes he's been scribbling, seeming equally surprised by the time. "You're right. We've made good progress, and we’ll need to be sharp for this."
You start gathering your things, your mind already racing with the day ahead. As you reach for your coat, Andy's hand brushes against yours. The touch sends an electric current through your body, and you freeze, suddenly hyper-aware of his proximity. You turn to face him, and the intensity in his eyes takes your breath away.
"I know this isn’t the right time," Andy starts, his voice low and husky, "but I can't ignore this anymore."
Before you can respond, he closes the distance between you, his lips meeting yours in a searing kiss. For a moment, you're too stunned to react. But then, as if a dam has broken, you're kissing him back with equal fervor, years of unresolved tension pouring out.
Your hands find their way into his hair as he cups your face in his hands. The kiss deepens, becoming more urgent, more desperate.
Andy breaks the kiss, his forehead resting against yours as you both catch your breath. "We shouldn't," he whispers, but his actions betray his words as his hands roam your body.
"No, we shouldn't," you agree, even as you start unbutton his white shirt. You know you should leave, should maintain professional boundaries. But the pull is magnetic, undeniable.
His hands reach for your hips but slide up your waist, fingers slipping beneath your sweater, and your feel your skin light up at every point of contact.
"We were too busy hating each other back at law school, but I've thought about this for years," he murmurs. "About you."
“You hated me?” you ask.
“No,” he admits.
“Me either,” you say truthfully.
Before you can say anything more, his lips are on yours. This second kiss is tentative at first, a question. But when you respond, wrapping your arms around his neck, it quickly becomes heated, desperate. Years of competition, of unspoken attraction, of what-ifs, all pour into this moment.
Your back hits the cool glass of the window, and you gasp at the contrast with Andy's warm body pressing against you. His hands are everywhere, pushing your sweater up and off your shoulders, reaching for the button of your jeans.
Your fingers fumble with more of the buttons of Andy's shirt as he trails hot kisses down your neck. The cool glass against your back contrasts sharply with the heat of his body pressed against yours. Your head spins, overwhelmed by sensation and the surreal nature of the moment.
"Wait," you gasp, placing a hand on his chest. Andy freezes immediately, concern flashing in his eyes. "Are you sure about this?" you ask, searching his face. "There's no going back."
Andy cups your face in his hands, his gaze intense. "I'm sure," he says, his voice low and gravelly. "But I’ll stop if you want to me to stop—"
You silence him with a kiss, pouring all your pent-up desire into it. That's all the confirmation Andy needs.
Clothes are shed hastily, hands roaming newly exposed skin.
Andy spins you around, your bare skin pressing against the cool glass of the floor-to-ceiling window. The city sprawls out before you, bathed in the soft light of dawn. The sky is a canvas of pastel pinks and oranges, the sun just beginning to peek over the horizon.
His warm body molds against your back as his lips find the sensitive spot where your neck meets your shoulder. You shiver, partly from the chill of the glass, partly from the heat of his touch. Your breath fogs the window as Andy's hands roam your body, leaving trails of fire in their wake.
The city below is beginning to stir, early risers starting their day, unaware of the passionate scene unfolding high above them. There's a thrill in being so exposed, yet so hidden.
Andy's fingers thread through yours, pressing your palm against the glass, his other hand guiding the head of his thick cock to your entrance as he enters you slowly. You gasp at the sensation, your eyes fluttering closed. He’s big, so big.
Andy's hand grips your hip, holding you steady as he starts to move. The slow, steady rhythm is almost agonizing, but you can feel every inch of him stretching and filling you. You moan, your head falling back against his shoulder as the pleasure builds.
His pace picks up gradually as he leans down to kiss your neck again, his teeth grazing over your skin. Your fingers curl against the glass, your body moving in sync with his.
It's like a symphony of sensations – the warmth of Andy's body against yours, the coolness of the glass on your skin, the sounds of pleasure mingled with the noises from outside. It’s been years since you were intimate with anyone, and you have forgotten how good it feels to have a man inside you instead of a toy.
You lose yourself in it all, chasing after that elusive release that seems just out of reach. But then Andy's hand slides between your body and the glass, his fingers finding their way to your sensitive bundle of nerves. He presses down just right and everything around you fades away as you come undone in his arms.
Andy follows soon after with a low groan, pulling out just before he spills his seed over your lower back and ass, his body shuddering against yours with pleasure. You collapse against the glass, and he presses against you, both breathing heavily and trying to catch your breaths.
As reality starts to creep back in, you realize how exposed you are – a naked couple pressed against a floor-to-ceiling window for anyone below to see. Panic sets in for a brief moment before being chased away by a warm contentment at being wrapped up in Andy's embrace.
"Good thing we’re seven floors up," he whispers into your ear, seeming to read your mind. He presses a kiss to your shoulder before pulling back slightly and reaching for tissues from a nearby table to clean his spend from your back.
You laugh softly as you start to look around for your clothes. "Definitely not something I ever thought I'd do. And never thought it would be with you."
"I'm glad we did though," Andy says with a smile that you feel against your neck as he presses in behind you, not letting you move away just yet.
The rising sun paints your bodies in a golden glow, highlighting the sheen of sweat on your skin. Andy's free hand traces the curve of your breast, and you sigh happily.
Gently, he turns you back to face him, and then in one fluid motion, Andy lifts you up, your legs instinctively wrapping around his waist. He carries you to the bed, laying you down gently on the soft mattress.
Andy kneels above you for a moment, pausing, his eyes roaming your body with undisguised desire. He’s already taken you once, so it’s no surprise, but his gaze is overwhelmingly intense, almost reverent, as if he's committing every curve and freckle to memory.
"You're beautiful," he murmurs, leaning down to capture your lips in a tender kiss.
There's no rush, no desperate urgency. Andy takes his time, exploring your body with gentle hands and soft lips. He traces the curve of your neck, the swell of your breasts, the dip of your waist. Each touch sends shivers through you, generating a slow, simmering heat.
You run your fingers through his hair, down his back, feeling the play of muscles under his skin. There's an intimacy to this moment that surprises you - it's not just about physical pleasure, but a connection that feels deeper, more meaningful. Unexplored potential from years before spilling into reality now.
Andy's lips trail lower, across your stomach, down to the inside of your thighs. Your breath hitches as he settles between your legs, his intent clear. The first swipe of his tongue has you arching off the bed, a gasp escaping your lips.
As Andy’s tongue expertly circles your sensitive clit, you can’t help but lose yourself in the sensation. His skillful fingers tease and caress your folds, sending waves of pleasure through your body.
Your moans grow louder as he delves deeper, his lips and tongue working in perfect harmony to drive you wild. You lose all sense of time, only focused on the overwhelming pleasure coursing through you.
With each flick of his tongue, you feel yourself getting closer and closer to the edge. Your body tenses as you reach your peak, crying out in ecstasy as a powerful orgasm rocks through you.
Andy continues to pleasure you until your body finally relaxes, then he crawls back up to kiss you deeply, letting you taste yourself on his lips.
"Wow," is all you can manage to say, still catching your breath.
"Mmm," Andy hums against your lips. "You taste amazing."
His tongue dances with yours, exploring every corner of your mouth. The intensity builds as he presses his body against yours, one hand tangling in your hair while the other caresses your side.
The kiss seems to go on forever, stealing your breath away. Just when you think you might need to come up for air, Andy breaks away, only to trail kisses along your jaw and down your neck. His lips find that sensitive spot behind your ear, and you shiver with pleasure.
"Turn over," he murmurs, his voice low and husky.
You comply, rolling onto your stomach. Andy's weight shifts on the bed as he positions himself over you. His lips return to your skin, starting at the nape of your neck. He places soft, feather-light kisses down your spine, taking his time to savor every inch.
His hands glide along your sides as he moves lower, kneading the muscles of your back. You feel the tension melting away under his touch. Andy's lips follow the curve of your spine, his stubble lightly scratching your skin and sending tingles through your body.
As he reaches the small of your back, he pauses. You feel his breath, warm and heavy, against your skin. Then his tongue darts out, tracing a sensual line back up your spine. You arch into the touch, a soft moan escaping your lips.
Andy's hands knead the muscles of your shoulders, working out knots you didn't even realize were there. His touch is firm but gentle, alternating between deep pressure and feather-light caresses. You feel yourself melting into the mattress, tension draining from your body.
As his hands work their magic, Andy's lips continue their exploration. He places open-mouthed kisses along your shoulder blades, occasionally nipping at the sensitive skin. Each touch sends sparks of pleasure coursing through you.
His hands are firm yet gentle, eliciting soft sighs of pleasure from you. As they move lower, massaging down your back, you feel yourself melting into the mattress.
His lips follow the path of his hands, peppering kisses across your shoulder blades and down your spine. The combination of his strong hands and soft lips has you practically purring with contentment.
Andy doesn’t pause when reaches the curve of your lower back this time. His hands grip your hips, lifting them slightly. You understand his intent and rise up onto your knees, keeping your chest pressed to the bed.
Andy's hands caress your ass, kneading the flesh appreciatively. You feel exposed in this position, but the reverence in his touch chases away any self-consciousness. His thumb traces your folds, finding you still slick with arousal.
"God, you’re already so wet," he murmurs, his voice thick with desire. “Getting wetter and wetter for me.”
Andy's hands caress your thighs as he positions himself behind you. "I want to taste you again," he says, his voice low and husky. "You think you can take more?"
You nod eagerly, anticipation building as you feel his warm breath on your sensitive flesh.
"I dreamt of having you like this in the library our last semester," he confesses and you groan. "Spread your legs a little wider for me."
You comply eagerly, shifting your knees further apart on the soft sheets. Andy's thumbs gently part your folds, exposing your most intimate areas to his hungry gaze.
“Such a pretty pussy,” he coos, leaning in so you can feel his hot breath on your sex for a moment, and you fist the sheets.
Andy starts with gentle kisses along your inner thighs, working his way higher. When his tongue makes contact with your core, you gasp at the sensation.
"You taste so good," Andy murmurs against you. "I could do this for hours."
His tongue explores every fold and crevice, alternating between broad strokes and focused attention on your most sensitive spots. You moan as he circles your clit, pleasure building with each pass.
"That's it, let me hear you," Andy encourages. "I love the sounds you make."
He slips a finger inside you, curling it to hit just the right spot as his tongue continues its ministrations. The dual stimulation has you writhing, pushing back against his face.
"So responsive," Andy says appreciatively. "So wet and ready for me. You're close, aren't you?"
You can only whimper in response as he increases the pressure. Andy's skilled tongue works over your sensitive flesh, alternating between broad strokes and focused attention on your clit. His hands grip your hips firmly, holding you in place as you writhe with pleasure.
"More," you gasp, fisting the sheets. "Please, Andy, don't stop."
He obliges, redoubling his efforts. His tongue delves deeper, exploring every fold and crevice of your sex. You feel the familiar tension building, a tingling heat spreading through your core.
"That's it," Andy encourages, briefly pausing his ministrations. "I can feel you getting close. Your pussy's clenching, begging for release."
He slides a second finger inside you, curling them both to hit that perfect spot. Combined with the relentless attention of his tongue on your clit, you reach for the peak of a third release, but then he slows.
You whine and shift against him. He chuckles. “Oh, I want to torture you more while I enjoy your eager body.”
“Andy!”
“You love it,” he says, “and I have a feeling you can take so much more.”
Andy's hands caress your thighs as he shifts his position slightly. "I want to explore every inch of you," he murmurs, his breath warm against your sensitive skin.
Andy's hands gently part your cheeks, exposing you fully. You feel a moment of vulnerability, but it quickly gives way to arousal as his tongue traces a path higher. When it reaches your puckered entrance, you gasp at the new sensation.
"Is this okay?" Andy murmurs against your sensitive skin.
You nod, words failing you as he begins to explore this uncharted territory. His tongue circles your opening, alternating between broad strokes and focused attention. The feeling is unlike anything you've experienced before - strange at first, but quickly becoming intensely pleasurable.
Andy takes his time, his movements slow and deliberate. His hands knead your ass cheeks as his tongue works its magic, occasionally dipping lower to tease your dripping core before returning to its primary focus.
As you relax into the sensation, Andy becomes bolder. The tip of his tongue presses against your tight ring of muscle, not quite entering but applying delicious pressure. You moan, pushing back against him, silently begging for more.
"You like that, don't you?" Andy says, his voice husky with desire. "Your body's so responsive, so eager for my touch."
He resumes his ministrations.
"Relax," Andy soothes, his hands massaging your lower back. "Just feel."
His tongue circles your entrance, tracing lazy patterns that send tingles of pleasure through your body as he continues.
He alternates between broad strokes and more focused attention, occasionally dipping his tongue inside. The sensation is intense, making you moan and push back against his face.
"That's it," Andy encourages. "You're doing so well. Does it feel good?"
“Yes,” you whimper as he increases the pressure.
Your body trembles with pleasure as Andy continues his intimate exploration. His skilled tongue works you into a frenzy, alternating between your sensitive openings. Just when you think you can't take anymore, he slides two fingers into your dripping core while his tongue focuses on your puckered entrance.
The dual stimulation is overwhelming. You cry out, fisting the sheets as waves of pleasure crash over you. Andy doesn't let up, working you through your orgasm and beyond it.
When the aftershocks finally subside, Andy places a gentle kiss on your lower back before moving up to lie beside you. He gathers you into his arms, stroking your hair as you catch your breath.
"You're incredible," he murmurs, pressing a kiss to your forehead.
You snuggle closer, basking in the afterglow. For a moment, you forget about the case, about the complications. You're just two people, connected in the most intimate way.
But reality starts to creep back in as your breathing returns to normal. You lift your head to look at Andy, finding his eyes already on you.
"We should talk about this," you say softly.
"Us? Two lawyers? Talk about something?”
You laugh softly at Andy's quip, but the seriousness in his eyes belies his light tone. He presses a kiss to your forehead, and brushes his thumb over your cheek.
"I know," he says, his voice low. "This complicates things."
You nod, acutely aware of the warmth of his body pressed against yours. "The case..."
"Is still our priority," Andy finishes for you. "We can't let this distract us from what's at stake."
You sit up slowly, the sheet pooling around your waist. Andy's eyes roam your body appreciatively before meeting your gaze again.
"But I don't regret it," he says firmly. "Do you?"
You consider for a moment, then shake your head. "No, I don't. But we need to be careful."
"Yes," Andy agrees. He sits up too, running a hand through his tousled hair. He looks at you another moment, and then his hand cups your cheek, his thumb brushing your lower lip. "I think we need to keep this separate from our work on the case. When we're working, we're colleagues. Nothing more."
You nod, leaning into his touch. "And when we're not working?"
A slow smile spreads across Andy's face. "When we're not working, we can explore... this." He gestures between you two.
A smile tugs at your lips. "I like the sound of that."
Andy leans in, his lips brushing yours in a gentle kiss. It’s slow, and there’s a sweetness in the depth of it that scares you a little, not expecting that.
But you kiss him back, savoring the moment before reluctantly pulling away. "We should probably get some sleep," you say, glancing at the clock. "It's almost 7 AM."
Andy nods, but his hand trails down your arm, leaving goosebumps in its wake. "Stay," he says, his voice low and husky. "We can grab a few hours of sleep here, then get started on the case."
You hesitate, knowing you should probably leave, maintain some distance. But the thought of curling up in Andy's arms is too appealing when he’s so willing.
Andy's warm body envelops you as he pulls you down to lie beside him. His arm securely wraps around your waist, offering comfort and warmth. You nestle closer, finding solace in the rise and fall of his chest beneath your head. The rhythmic beat of his heart lulls you into a peaceful state in the early morning hours, your eyelids finally surrendering to the heaviness of sleep. As the world fades away, you know what’s coming next will be one of the most difficult challenges of your life professionally and personally, but at least in this moment you will take solace in the tenuous safety of this connection.
I started this story months ago, was pretty disenchanted with at the time (thanks @biteofcherry for talking me through that), but now that it's had time to age, I went back in, did some rewriting, and I'm happy with where it has finally landed.
↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest
I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!
#andy barber#andy barber smut#andy barber x reader#andy barber x y/n#andy barber x you#female reader#aspen wrote something#aspen's valentine storygrams
94 notes
·
View notes
Text
It makes me sad that people still don’t know what Mikey’s ‘thing’ is.
I was watching Tales and they flat out have someone asks what his thing is if Leo is the Leader, Raph is the tough one and Donnie is the smart one.
I see people asking to this day what his role on the team is.
I remember a review when Rise came out asking if all the characters are funny party dudes, what makes Mikey stand out?
It drives me cuckoo with a side of bananas.
Yes,Mikey is the Goof off, yes he’s the jokester, yes he’s the chill one but he’s so so much more than that.
Across every iteration of Tmnt, there has always been a major trait unique to Mikey.
His heart!
Mikey is the HEART.
The most empathetic of the brothers,
the most emotionally intelligent.
The one always willing to reach out and help someone
Even if he has to go against his own FATHER!
The sunshine in the dark!
The emotional center!
HOW DO PEOPLE NOT KNOW THIS! HOW IS THIS NOT THE MOST OBVIOUS THING EVER?!
#the heart the heart HE IS THE HEART#I almost combusted into fire seeing someone say Mikey is just there to add an extra ninja#HE WAS THE FIRST NINJA TURTLE YOU UNCULTURED SWINE#He is so much more than the funny party dude#tmnt michelangelo#tmnt mikey#mm tmnt#mutant mayhem#teenage mutant ninja turtles#tmnt#87 tmnt#idw mikey#idw tmnt#tmnt 2012#2012 mikey#rise mikey#rottmnt#rottmnt mikey#87 Mikey#tmnt 2003#2003 mikey#2003 Mikey my beloved
90 notes
·
View notes
Text
As a portrayal of a scientist (biologist, I believe) on humanity's most crucial mission, Brand's argument is a jarring departure from scientific thinking. The film leans into a mystical, unscientific framing that makes Brand feel less like a scientist and more like a romanticized emotional foil to Cooper’s rationalism. Let me explain.
Cooper: You're a scientist, Brand. Brand: So listen to me when I say that love isn't something that we invented. It's... observable, powerful. It has to mean something. Cooper: Love has meaning, yes. Social utility, social bonding, child rearing...
The concept we have as "love" evolved as an adaptation that serves clear evolutionary benefits through social bonding and parental investment (example: increased survival and reproductive success), as Cooper correctly notes. Love is not a physical force like gravity, but it is observable in neurobiology. It involves chemical and neurological processes (oxytocin, dopamine, etc.) that facilitate bonding and cooperation.
Brand: We love people who have died. Where's the social utility in that? Cooper: None.
This is likely a residual effect of our broader capacity for emotional attachment - the grief response doesn't simply switch off when someone dies, as that would be maladaptive for a social species. The scientific problems compound when examining her dismissal of love's evolutionary origins. Not all creatures who survive show love or any emotional attachment -take tardigrades who have survived all mass extinctions and can survive in the vacuum of space (or other extremophiles who thrive in harsher conditions). Even among social species, love is just one of many survival strategies, not a universal requirement. Many species rely on hierarchical dominance, symbiosis, or sheer reproductive numbers rather than deep emotional bonds. This is strong evidence that love is just one of many possible evolutionary strategies, not some fundamental force of the universe.
Brand: Maybe it means something more - something we can't yet understand. Maybe it's some evidence, some artefact of a higher dimension that we can't consciously perceive. I'm drawn across the universe to someone I haven't seen in a decade, who I know is probably dead. Love is the one thing we're capable of perceiving that transcends dimensions of time and space. Maybe we should trust that, even if we can't understand it. All right Cooper. Yes. The tiniest possibility of seeing Wolf again excites me. That doesn't mean I'm wrong. Cooper: Honestly, Amelia... it might.
While she correctly notes that love is "observable," she then makes an enormous unsupported leap to claiming it "transcends dimensions of time and space" - a statement that conflates a neurobiological phenomenon with fundamental physical forces like gravity. Brand is cherry-picking one emotional capacity and attributing cosmic significance to it while ignoring the more negative sides of the human emotional spectrum. Her argument goes beyond biological utility, implying love has cosmic or extra-dimensional significance, which is not supported by evidence.
The same emotional attachments that make us care for our in-group can fuel hostility toward out-groups. She singles out love while ignoring its darker counterparts like hate and greed - the very emotional drives currently fueling environmental destruction and potentially leading to human extinction (see: "Holocene Extinction" or "Anthropocene Extinction"). The irony is particularly sharp given that humanity's tendency to prioritize emotional decision-making over rational analysis contributed significantly to Earth's crisis in the first place.
The scene's gender dynamics are especially disappointing. Having the female scientist advocate for emotional intuition while the male character maintains rational skepticism plays into tired stereotypes about women in science. This undermines Brand's credibility as a scientist- instead of showcasing her scientific expertise, the scene reduces her to a romantic idealist making mystical arguments about love transcending spacetime. It makes her look less competent in a mission that's for the survival of our species.
While the scene clearly aims to explore the tension between empirical reasoning and human experience, it does so by sacrificing the scientific credibility of one of its lead characters and falling into gendered tropes. For a film that (mostly) strives for scientific accuracy (thank you Kip Thorne), this represents a significant misstep in both its portrayal of science and its character development. It falls into the tired trope of the emotional woman vs. rational man, making Brand seem less competent in the most important mission in human history.
TLDR; The scene pushes a sentimental, one-sided argument that ignores the full picture of human emotions, their evolutionary roles, and the very basics of physics. The scene leans into the tired rational-man vs. emotional-woman trope, making Brand feel more like a romanticized emotional foil to Cooper’s rationalism than a competent scientist. In a film that (mostly) aims for realism in its scientific principles, reducing its female scientist to the role of an intuitive idealist mystic weakens both her character and the credibility of the argument. This scene also undermines its own scientific credibility by framing love as a cosmic force while ignoring its evolutionary and biological roots.
INTERSTELLAR (2014) dir. Christopher Nolan
#i searched interstellar after a long time and this is one of the first posts i see.#i don't mind some new-age person saying this... but a top scientist on a mission to save our species... ?#also it was frustratingly USA-centric... no other scientists from any other countries to solve a global problem and they only need... 4#i do like some aspects of this movie and i have every intention to read kip thorne's book... but this scene... with a deep frustration#The Science of Interstellar#interstellar#commentary#science#physics#astrophysics
2K notes
·
View notes
Text
A TALE OF FAME
pairing ꪆৎ charles leclerc x ahaana patel ᥫ᭡. f1 driver x bollywood actress au
chapter ꪆৎ 3
summary ꪆৎ she's everything, and he just drives.
note ꪆৎ no hate to any characters used in the story, none of what i write reflects on how they actually are. all my love, happy reading.
prev
────୨ৎ────
Charles Leclerc sat in his hotel suite, fingers drumming impatiently against the glass of whiskey in his hand. He wasn’t even drinking it—just swirling the amber liquid in the dim light of his room, as if the motion itself could steady his thoughts.
Alex was late. Of course, she was. She had a way of dragging things out, prolonging the inevitable, believing that if she held on long enough, reality would bend to her will.
He heard the sharp knock at his door and exhaled slowly before getting up to open it. Alex stood there, all too put together—her blonde hair in effortless waves, her lips curved in a knowing smirk, like she already thought she’d won whatever game she was playing.
“Chéri,” she purred, stepping past him without waiting for an invitation. “Miss me?”
Charles shut the door and ran a hand through his hair. “Sit down, Alex.”
She turned, arching a perfectly sculpted brow. “Oh? We’re being serious now?” She strolled over to the couch, sitting with the grace of someone who still thought they held all the cards.
Charles didn’t sit. He remained standing, arms crossed, his jaw tight. “I told you this was over.”
Alex let out a soft laugh, tilting her head as she crossed her legs. “And yet, you called me here. Mixed signals, don’t you think?”
“I called you here,” Charles said, voice measured, “because you don’t seem to get it. We are done, Alex. Finished.”
Her smile didn’t waver, but something flickered in her eyes. “Are we?” she said smoothly. “Because I keep hearing your name next to mine. The media still calls me your girlfriend. You haven’t exactly rushed to correct them.”
Charles clenched his fists. “I shouldn’t have to. We broke up. You just refuse to accept it.”
She leaned forward, resting her chin in her palm. “Or maybe you’re just confused. Maybe this—whatever this little tantrum is—will pass, and you’ll realize that I am the only woman who truly understands you.”
Charles let out a humorless laugh, shaking his head. “Tantrum? You think I’m throwing a tantrum? Alex, I am exhausted.”
Her smirk faltered slightly, but she masked it quickly. “Exhausted of what?”
“Of you!” His voice rose, exasperation lacing every word. “Of the mind games. Of the manipulation. Of the constant need to control everything, including me.” He pointed at her. “You think if you show up enough times, if you insert yourself into my life over and over, I’ll just—what? Change my mind?”
Alex’s eyes darkened. “I wouldn’t have to insert myself into your life if certain people weren’t trying to replace me.”
Charles exhaled sharply, pinching the bridge of his nose. “And here we go.”
She stood, arms folding as she stepped closer to him. “Don’t act like you don’t know what I’m talking about, Charles. That little actress you’ve been parading around—Ahaana.”
Charles’s eyes snapped to hers, his posture stiffening. “Ahaana has nothing to do with this.”
Alex scoffed. “Please. You think I don’t see the way you looked at her that day?” She stepped closer, voice dripping with venom. “She is nothing. She’s a novelty. A shiny new toy for you to play with. And once the excitement fades, you’ll realize what I’ve always known—you and I are inevitable.”
Charles’s jaw clenched so tightly it hurt. “You are delusional, Alex. And actually fucking crazy if you think that Ahaana has anything to do with this.”
Her lips curled. “Am I?”
“Yes,” he snapped, stepping forward, closing the space between them. “I have never—never—been more certain about anything in my life. We are over. I am breaking up with you. I don’t love you. I don’t even like you.”
She inhaled sharply, but before she could speak, Charles continued.
“You want to know why? Because I see you now. For who you really are. You’re not the woman I fell for—you’re a version of her, twisted and bitter, clinging onto something that doesn’t exist anymore.” He exhaled harshly. “You’re right about one thing. I do look at Ahaana differently. Because she isn’t like you.”
Alex’s face twisted, her hands curling into fists. “She will never be me.”
“Thank God for that.”
The silence between them was thick, charged with something dangerously close to hatred. Charles had never wanted to hate Alex—had never even imagined he could—but looking at her now, seeing the pure, unfiltered malice in her eyes, he realized he might be close.
She straightened, lifting her chin. “You’ll regret this.”
“No,” he said quietly. “I won’t.”
She stared at him, something almost desperate flickering across her features, before she masked it with indifference. “Fine,” she said. “Have it your way.”
Charles said nothing. He just watched as she turned, her heels clicking against the floor as she stormed toward the door. But before she left, she paused, glancing back over her shoulder.
“This isn’t over,” she said, voice eerily calm.
And then, she was gone.
Charles stood there for a long moment, his heart pounding, his fists clenched so tightly his nails dug into his palms.
But then he exhaled, shaking his head, as if shedding the last remnants of whatever hold Alex had on him.
For the first time in a long time, he felt free.
Meanwhile not too far away,the hotel room was bathed in soft hues of twilight, the warm amber glow of the setting sun spilling through the sheer curtains. Ahaana sat curled up in a chair by the window, her phone resting idly on the armrest. Her fingers absentmindedly traced the rim of a coffee mug, long gone cold. The day had been uneventful, yet her mind was anything but still. The ghosts of the past lingered in the shadows, whispering doubts, tugging at old wounds she had worked so hard to forget.
India.
Film city.
Even the thought of it sent a strange chill through her veins. It wasn’t fear—not exactly. It was the weight of something unfinished, something unresolved, lurking in the corners of her memory. The industry that had once been her playground had also turned its back on her when she had needed it the most. And yet, here she was, being offered a way back in.
What the fuck is happening? She sighed to herself, rubbing her temple.
The phone buzzed suddenly, pulling her out of her thoughts. She glanced at the screen, expecting yet another half-hearted PR email or a message from her manager. But instead, a name lit up the display, and for the first time that day, she felt something shift inside her.
Varun Dhawan.
She hesitated for only a second before answering. “Hello?”
“Finally! Madam has answered my call.” His voice was light, teasing, filled with the familiar warmth that had always made her feel like home.
Ahaana huffed out a small laugh. “Hi, Varun.”
“Hi, she says. That’s all I get? After ignoring me for days?”
“I haven’t been ignoring you.”
“Really? Because Karan and I were starting to think you had developed some severe phone phobia. Should we be concerned?”
She rolled her eyes but couldn’t suppress the small smile tugging at her lips. “You’re being dramatic.”
“Dramatic? Me? Never.” His tone dropped slightly, losing some of its playful edge. “Ahaana, you know why I’m calling.”
Her smile faltered. Of course, she did.
“You and Karan are relentless,” she muttered, leaning back against the chair.
“Because we believe in you,” he countered immediately. “And because we know you still love this. Don’t pretend you don’t.”
She exhaled slowly, staring out at the dimming sky. “It’s not that simple, Varun.”
“Yes, it is.” His voice softened. “You were born for this, Ahaana. And you know it. Whatever happened before—”
She stiffened slightly. “Let’s not talk about that.”
There was a pause, as if he was choosing his next words carefully. Then, he sighed. “Fine. But don’t let the past dictate your future. You’re not that person anymore.”
She wanted to believe that. She really did.
“You don’t have to do this alone, you know. And we’re still your people, Ahaana.”
She closed her eyes for a moment. She had spent so long pushing everything away, convincing herself that she didn’t need anyone, that she had forgotten what it felt like to have people who cared. People who wanted her back.
Then, before she could respond, another voice chimed in from the background. “Has she said yes yet?”
Karan Johar.
Ahaana let out a small laugh despite herself. “Karan, are you eavesdropping?”
“I don’t eavesdrop. I supervise.”
Varun snorted. “He’s been pacing for the past ten minutes, by the way. I think he might actually combust if you say no.”
Karan’s voice came through again, a touch more serious this time. “Darling, you’re a star. Stop dimming your own light.”
Ahaana stared at the city skyline, a myriad of thoughts swirling inside her. But for the first time in a long time, the hesitation didn’t feel quite as heavy. Maybe Varun was right. Maybe Karan was right. Maybe it was time to stop running.
She inhaled deeply, a quiet moment of clarity settling over her. Then, she spoke.
“Okay.”
A beat of silence. Then Varun whooped so loudly she had to pull the phone away from her ear. “YES! Ladies and gentlemen, she’s back!”
Karan’s relieved sigh came through the speaker. “Finally. I was this close to staging a full intervention.”
Ahaana laughed, shaking her head. “You two are impossible.”
“And you love us for it,” Varun quipped.
She did. More than she cared to admit.
And maybe, just maybe, it was time to come home.
The gang had game nights far too often then they'd like to admit, Max and Kelly were ofcourse there, Ahaana was there, Carlos and Rebecca joined, Lando somehow always inserted himself in even though everytime he cheated and got himself uninvited. Even Alex Albon and Lily joined them from time to time, but couldn't make it this time and Charles was with them for the first time ever.
The night was young, but the energy in the room felt like the start of a Grand Prix itself—fast, loud, and filled with the potential for absolute disaster. The gang had gathered in Max’s hotel suite for a game night, and true to form, it had already descended into chaos.
“I’m telling you, Lando cheats,” Ahaana declared, pointing an accusatory finger at him as he smirked from his spot on the couch. “There is no way you won that round fairly.”
Lando, lounging back with all the ease of someone who had just scammed his way into victory, dramatically placed a hand on his chest. “How dare you? I am an honest man.”
“Honest, my foot,” Kelly interjected, shaking her head. “Even Charles saw it, didn’t you?”
Charles, who had been uncharacteristically quiet for the past few minutes, blinked. “Huh?”
“See? He wasn’t even paying attention,” Lando scoffed. “Probably too busy thinking about how free he is now that he’s finally dumped his psychotic ex.”
That got everyone’s attention.
Rebecca, who had been stacking poker chips, froze mid-motion. Max, who had been snickering at Lando’s misfortune, raised a brow. Ahaana, who had been preoccupied trying to figure out how Lando had managed to win five rounds in a row, looked up.
“You finally did it?” Carlos leaned forward, grinning. “You actually told Alex to get lost?”
Charles exhaled heavily, running a hand through his hair. “It was not exactly smooth.”
“Of course, it wasn’t,” Max said. “She’s like an overly attached leech.”
Kelly winced. “Oof. Harsh, but fair.”
“I don’t even want to know the details,” Lando said, tossing a handful of popcorn into his mouth. “Actually, no. I do. Tell us. In detail.”
Charles groaned. “Why are you all like this?”
“Because this is the most entertainment we’ve had all season,” Rebecca quipped. “Now spill.”
Charles rolled his eyes, but he recounted the story of his final conversation with Alex. The room responded accordingly—with gasps, laughter, and a few muttered curses aimed at Alex’s name. When he finished, Ahaana just shook her head, unimpressed.
“She’s delusional,” she said simply. “Absolutely delusional.”
“I would’ve paid money to see her reaction when you told her it was over,” Max admitted, grinning.
Charles smirked. “It was… satisfying.”
“Okay, enough about the she-devil,” Lando said, stretching. “Let’s get back to the game before Ahaana starts accusing me of cheating again.”
“You do cheat,” she said without hesitation.
“I do not—”
“Lando, you have a history of cheating at literally every game we’ve ever played,” Max said, unimpressed.
“I prefer to think of it as strategic improvisation.”
“Strategic bullshit,” Rebecca muttered.
The next hour was filled with absolute mayhem. There was yelling. There was a near-brawl between Carlos and Lando over an Uno reverse card. At some point, Kelly got so frustrated she threw a playing card at Max’s head, which only made him laugh harder. Charles, for the most part, found himself entertained just watching it all unfold.
Ahaana, in particular, seemed to come alive in the chaos. Her laughter was light, effortless, and every time she rolled her eyes at Lando or tossed a witty remark at Max, Charles found himself watching her just a little too long.
“Alright, alright,” Ahaana said, throwing her hands up in surrender after another brutal loss. “I need a break before I throw Lando out the window.”
“Jokes on you,” Lando said. “I’d land gracefully.” To which Max snorted.
Ahaana got up and stretched, and that’s when she casually dropped, “Oh, by the way, I officially start shooting for Jigra in 17 days.”
The room went silent.
“What?” Max was the first to react, blinking.
“You’re actually going back?” Lando added.
Rebecca gasped. “Finally! You’re returning to the big screen!”
Ahaana smiled, a little softer this time. “Yeah. It’s time.”
There was a beat of silence before Max, ever the older brother figure, crossed his arms. “Are you sure?”
She looked at him, understanding the weight behind his question. “I am.”
Max studied her for a long moment, then exhaled. “Alright. If anyone gives you trouble—”
“I know, I know.” She grinned. “I’ll call my attack dog Verstappen.”
He smirked. “Damn right.”
After a long round of jenga and then stuffing their faces in food, the last slice of pizza appeared on the table, and the room instantly went silent, all eyes locked on it.
Ahaana leaned forward, a mischievous grin spreading across her face. “Well, look who’s in the spotlight now.”
Carlos didn’t miss a beat. “I’ve been eyeing that slice for the last ten minutes.”
“Oh, please,” Ahaana shot back. “You just noticed it now because it’s the last one.”
Lando raised an eyebrow. “You’re really gonna fight over pizza? This is an all-time low, even for you.”
“Shut up, Lando,” Carlos grumbled. “It’s mine.”
Max chuckled from the side. “This is gonna be good.”
Ahaana picked up the slice like it was some sort of prized possession. “I’m just saying, I’ve had a long day. So I think I’m entitled to this.”
Carlos shot up from his seat, but Ahaana held the slice just out of reach, her smirk widening. “Nice try.”
Max shook his head, watching the two of them. “This is the dumbest thing I’ve seen all week.”
Ahaana, sensing victory, took a deliberate bite of the pizza. “Too slow, boys.”
Lando leaned back, popping a piece of popcorn into his mouth. “Well, that was anticlimactic.”
Later that night, after the raucous energy had settled slightly, Charles found himself watching Ahaana from across the room. She was laughing at something Lando had said, her head thrown back, eyes crinkled in amusement. The dim lighting softened her features, casting warm shadows over her skin, making her look almost ethereal.
He didn’t know when it started, this quiet admiration of her. Maybe it was when she first walked into his life with that effortless confidence, like she belonged in every room she entered. Maybe it was when he realized she wasn’t just sharp-tongued but also deeply, frustratingly kind. Or maybe it was moments like this, when she wasn’t doing anything extraordinary—just laughing, existing—and yet, she managed to pull his entire attention like a force of gravity.
There was something in the way she carried herself—unapologetic, bold, yet with an underlying grace that was hard to ignore. She was an enigma, a storm and a lull all at once. And he was starting to realize he liked that about her. A little too much.
“Are you staring at Ahaana?”
Charles nearly choked on his drink. He turned sharply to see Max smirking at him, amusement flickering in his eyes.
“No,” he denied, a little too quickly.
Max hummed, unconvinced. “Sure. And I’m a level headed person when angered.”
Charles groaned. “Can you not?”
Max chuckled, clapping him on the shoulder. “Oh no, mate. I definitely can.”
Across the room, Ahaana caught his gaze, a small, soft smile playing on her lips. Charles smiled back but quickly looked away because he was scared his blush would be way too evident, but the warmth on his face lingered and Ahaana caught it anyway, chuckling a bit at the very handsome man, which Charles heard.
Yeah. He was in trouble.
────୨ৎ────
ᝰ.ᐟ third part! hope you guys like it!
next
────୨ৎ────
tags @seonghwaexile @bookishprophecy @justadesirebel @peterholland04 @bakingpiastries @ricciardosheart @mikefaistgf @sp1rl @charlesgirl16 @leila-030304 @uhcalli @blahblechblah @phobiccneel
comment to be added to taglist
────୨ৎ────
© weekendlusting
────୨ৎ────
#max verstappen#alia bhatt#charles leclerc smau#charles leclerc x y/n#charles leclerc fluff#charles leclerc x reader#charles leclerc imagine#charles leclerc fanfic#charles leclerc#charles leclerc smut#varun dhawan#lando norris#kelly piquet#sergio perez#george russell#lewis hamilton#carlos sainz#arthur leclerc#ollie bearman#franco colapinto#kiara advani#sidharth malhotra#karan johar#bollywood#ferrari#vicky kaushal#f1 imagine#f1 fanfic#f1 x reader#pierre gasly
64 notes
·
View notes
Text
Summary: In the quiet of the night, wrapped in Joel’s warmth, you finally let yourself feel everything—the weight of the past, the love in his touch, the promise in his arms.
The night air is cool against your skin, a sharp contrast to the warmth beneath the heavy quilt draped over the both of you. Joel is beside you, stretched out on his back, his body bare, loose and relaxed, the way it only ever is in these rare, stolen moments. His chest rises and falls in a steady rhythm, his arm resting lazily across your stomach, fingers tracing slow, absentminded circles over your skin.
You shift slightly, turning onto your side to press yourself closer to him, your fingers brushing along the rough edge of his jaw. He tilts his chin down to look at you, a small, satisfied hum vibrating low in his chest as you trace along his collarbone, feeling the warmth of him beneath your palm.
“Comfortable?” you murmur, voice soft, teasing.
His lips quirk up at the corners, eyes half-lidded as he pulls you in tighter, letting out a slow sigh. “Mm. Feels pretty damn close to perfect.”
You smile, fingers absentmindedly following the faint scar that runs along his shoulder. He lets you touch him now. Not just like this, not just when your bodies are tangled together in the dark, but in the daylight, too. When you pass him in the kitchen. When you brush your hand against his as you walk through town. When you sit on the couch after dinner, his hand finding its way to your thigh without a second thought.
These moments—this life you’ve built together—still feel fragile sometimes, like something you could wake up from.
But then he looks at you like this, like you are his world, and you remember that it’s real.
You shift slightly, pressing your forehead against his shoulder, your lips brushing his collarbone.
He hums, amused. “That an accident or you gettin’ greedy?”
You smile against his skin. “Mm. Maybe both.”
Joel chuckles, his fingers tightening on your hip for a moment before relaxing again. “Gotta say, you’re persistent.”
You tilt your head up, grinning. “Oh, I am?”
He smirks, eyes half-lidded, still looking contently wrecked from the last hour. “Yeah, sweetheart. Kinda relentless.”
You huff, shifting onto your side, resting a hand against his chest. “Must be a character flaw.”
Joel exhales a soft laugh, his hand trailing along your back, grounding. “That right?”
“Mhm.” You let your fingers drum idly against his chest, smirking. “Pretty sure I used to piss my dad off all the time with how much I pushed things.”
Joel hums, amused. “That don’t surprise me one bit.”
You laugh, the memory coming back clearer now. “One time, I convinced him to let me drive his truck.”
Joel lifts an eyebrow. “How old?”
You wince dramatically. “Thirteen.”
He lets out a low whistle, shaking his head. “Damn. You any good?”
“Oh, I was awful.” You grin, resting your chin on his chest as you continue. “I barely made it down the dirt road outside our place before I took a turn too fast and nearly sent both of us into a ditch.”
Joel chuckles, shaking his head. “Christ.”
“My dad slammed the brakes so hard I thought we both got whiplash. He wouldn’t let me near the driver’s seat again for another two years.”
Joel smirks, running a hand down your back. “Guess that explains why you still drive like you got somethin’ to prove.”
You gasp, shoving at his chest playfully. “I do not.”
You feel the laughter vibrate through his chest, the warmth of his skin still lingering from where he’d been pressed against you. It’s easy like this. The whole world fades away, leaving only the quiet, the weight of his arm around you, the safety of his body against yours.
Then—something stirs in the back of your mind. It’s the thought of your dad, stirring something deep from the depths of your memory. The letter.
You inhale softly, shifting against him. “Oh,” you murmur, pulling back slightly. “I almost forgot—”
Joel stills for half a second, then his brow lifts, something curious and cautious flickering across his expression.
“What is it?”
You hold up your finger as you push the blankets back just enough to slide out of bed, your body immediately protesting the loss of warmth. You cross the room to where your backpack still sits near the dresser, kneeling beside it as you dig through the contents.
Your fingers brush over fabric, the grit of the water it was plunged into still clinging to the edges of things, and you frown as you pull out crumpled, water-stained pages of Joel’s letter, carefully unfolding them.
Joel shifts behind you, leaning up onto his elbows, watching you with a lazy sort of interest.
“Stealin’ my mail now?” he teases, voice rough with sleep.
You glance at him over your shoulder, rolling your eyes. “I wasn’t stealing it. I just… forgot to give it back with everything that happened.”
He hums in response, but there’s something else in his expression—a quiet sort of hesitation. Like he’s wondering if you read it. If you know what Bill wrote.
Before you can reassure him, your fingers brush over something else.
Another letter.
Your breath catches.
It’s still unopened, still tucked neatly away. Your name is on the front.
Your chest tightens. Your hands feel unsteady as you pick it up, staring at the familiar handwriting that shouldn’t be here. That you shouldn’t have missed.
“Sweetheart?” Joel’s voice is lower now, softer.
You swallow hard, blinking down at the paper, your thumb running along the rough edges of it.
You don’t remember packing this. You don’t even remember finding it.
It must have been buried deep in your bag this whole time. Hidden beneath the weight of everything else, waiting.
Joel shifts in bed, moving to sit up fully, his expression shifting from teasing to something more serious. His gaze flickers to the letter in your hands, then back to your face.
His voice is quiet when he asks, “You never…?”
You shake your head, unable to say it out loud, and you move back to the bed, handing him his back and getting under the covers again.
Joel watches you for a long moment, then moves, about to get up, to give you space, but before he can, your arm presses lightly against his.
“Please stay,” you whisper. “Read it with me?”
His expression softens instantly, and without hesitation, he nods.
You crawl back into the bed beside him, settling into the warmth of his side as he pulls the covers over both of you. His hand finds yours, steady and sure, as you unfold the letter together, letting the words of a man who raised you finally reach you.
And as the inked lines blur slightly from where the water warped the page, you take a deep breath and begin to read.
The letter trembles in your hands.
You read it again and again, but the words don’t settle, unsure of where to sit in your broken heart. They tangle together in your chest—grief, love, loss, longing.
Your father’s voice is so clear in your head, like he’s speaking from somewhere just out of reach. I was wrong about a lot of things. Especially about you. I’m proud of you. You don’t have to be alone.
Tears blur the ink on the page, warping the edges, but it doesn’t matter. It doesn’t change the fact that he’s gone. That he left. That all the things he’s saying now, all the things you needed to hear—he never said them when he was alive.
A sharp breath shudders through you, but it gets stuck halfway, trapped beneath the weight of everything.
He was proud of you. He loved you.
But he still left you.
A sound breaks from your chest before you can stop it—somewhere between a sob and a gasp. Your hands tighten around the letter, your shoulders curling inward.
Joel is there in an instant. He doesn’t hesitate, doesn’t ask questions. He just pulls you in, arms wrapping around you, pressing you into the steady warmth of his body.
That’s when you break completely.
The sobs wrack through you, sudden and overwhelming, years of holding it in, of pushing forward, of pretending you were okay crashing down all at once. You clutch onto him, fisting your hands into his skin, like you need him to hold you together.
“He—he was proud of me,” you gasp against his chest, your breath uneven, broken. “He—he said—”
Joel hushes you gently, his hand smoothing over the back of your head. “I know, baby,” he murmurs, his voice thick, aching for you. “I know.”
You shake your head against him, your hands gripping at his back. “But—he still left. He still—they still made that choice.”
Joel exhales slowly, his hold on you tighter, firmer. “I know,” he says again, his lips brushing against your temple, his touch grounding, real. “But you weren’t a choice, baby. He loved you.”
Your breath catches in your throat, the truth of it too big, too much. You let out another broken sob, burying yourself into him, into the only solid thing you have left.
And he lets you. For what feels like forever, he just holds you—no rushing, no telling you to stop, just letting you fall apart inside the safety of his arms. His hands move up and down your back, his lips pressing against the side of your head, into your hair, whispering nothing but warmth.
Eventually, the sobs fade into slow, hiccuping breaths. Your body is still shaking, but you’re here. The weight is still there, but so is Joel.
You sniffle, rubbing your face against his chest, trying to pull yourself together.
Joel shifts, cupping your face in both hands, his thumbs wiping away the damp trails of tears on your cheeks. He tilts your head up, his eyes soft but so damn fierce, like he’s looking right through you, like he’s trying to make sure you feel every word before he says them.
“I got you,” he murmurs. “You hear me, sweetheart? I got you. You ain’t alone.”
A fresh wave of tears pricks at your eyes, but you nod, because you believe him.
And then he’s kissing you, not on the mouth, but instead, he kisses your forehead first, lingering there like he’s pressing the promise into your skin. Then your temple. Then your cheek. Your nose. Everywhere he can reach, slow and deliberate.
By the time he pulls back, you’re breathless. Shattered in a way that feels less like breaking, and more like being glued back together with every press of his lips.
"I got you," Joel murmurs, his hands cradling your face, his thumbs wiping away the damp trails of tears on your cheeks. He tilts your head up, forcing you to see him, to hear him.
"You hear me, sweetheart?" His voice is steady, unshakable. It’s a vow. "I got you. You ain’t alone. You ain’t ever gonna be alone again."
The weight of it slams into you, a fresh sob breaking loose from your throat. It’s too much. It’s everything you’ve ever needed to hear, everything you’ve spent your whole life pretending you didn’t want.
And it’s Joel. The only man you’ve ever known like this, the only man you’ve ever wanted and needed and craved with every fiber of your being.
Your fingers clutch at his arms, trying to ground yourself, but he’s already anchoring you. His lips continue to press into your skin, everywhere around your face until he places on gentle brush against your lips like he’s memorizing the shape of you, like he needs you to feel it.
When he pulls back, his hands still framing your face, his breath still warm against your lips, he whispers—so soft, so certain:
"I love you."
The End.
Hey, you beautiful, amazing people.
I don’t even know where to start, but thank you. Seriously. From the bottom of my heart: to everyone who read, liked, reblogged, screamed in the tags, sent me messages, or just silently followed along—you made this story so much more than I ever imagined.
Every comment, every reaction, every little freak-out over a scene made my day (and honestly fueled me to keep going). The way you connected with this story, these characters—it means everything. Writing this was one thing, but experiencing it with all of you? That was the best part.
So, to everyone who stuck with me, whether from the beginning or just recently—thank you for being here. Thank you for caring. Thank you for making this so special.
I would love to hear your thoughts! Please comment or message me any of your thoughts— the good the bad the ugly ❤️
I love you all. Truly.
#all that remains#the last of us#the last of us fanfic#the last of us fic#the last of us fanfiction#Joel miller#Joel miller x you#Joel miller x reader#Joel miller fanfic#Joel miller tlou#joel miller fic#joel miller fanfiction#the last of us hbo#tlou joel#tlou fanfiction#tlou fic
72 notes
·
View notes
Text
I always forget that a lot of creators have their narilamb ship have that harsh dip in trust when narinder wants to sacrifice the lamb. I love it, it's a great dynamic, especially if there's and up before, I just forget sometimes that would be a natural progression of those characters
I thought since the start of the game that it would end with the lamb dead, even before it was revealed. You're always called a vessel, so I honestly thought the conclusion would be fight or you get possessed and they take the cult in your body. so i figured the lamb thought the same and either wanted to die since they were all alone, or were planning to fight all along. Honestly, before i found out narinder was a cat, i thought he was a dog, like an Anubis type, and it was a big "wolf in sheep's clothing" metaphor >_>; I'm kind of disappointed that didn't happen, honestly.
because of that thought process i had while playing, I designed Ewen from the beginning to want to die. only agreeing to be alive to get revenge on for indignity they suffered for their execution. I eventually expanded on the how's and whys, but that was always the starting point. Their attachment to narinder, along with the self worth that comes from being needed (even as a tool) was the only thing that gave them a drive to keep living, and the only reason they refused to give up the crown. If u wanna get all narrative fancy, I try to tie that back around to when they rescue their siblings, despite the fact that they think they'll take narinder away from them. That's the point when their completely selfish need for them becomes less "I'm going to do whatever it costs to keep him here to make me happy" to "I'm going to do whatever it costs to make him happy, even if it might take him away from me" love. which, of course, is terrifying lol. and then brings it back around to "his selfish need to do whatever it costs to keep me with him has to make me acknowledge I am worth love and he won't leave me" in a double fucked up way.
59 notes
·
View notes
Note
Was snake actually murdered in game? If so, by who?
That’s the funny thing…
Idk if anyone’s noticed, but I somehow messed up the seasons in my clangen notes, because Vespidclan here started out in leaf-fall and not newleaf like it normally should for some reason.
Snakevalley DID die on M29… but she died from heat stroke, not deathberries. However, in Vespidclan canon, it’s currently leafbare, not greenleaf or newleaf. and if I have her die from heat stroke during leafbare, it wouldn’t make a lot of sense since it’s, like, cold :v
(You CAN actually get heat stroke even in cold climates from physical activity but I thought it wouldn’t have been impactful nor make sense for readers. Snakevalley was an important character after all!)
The change I made was a decision made by ME! and only ME! There will be consequences and it will drive the story forward as we shall see in the next part. Remember; we know there is no ‘real culprit’ (except 404 cough cough), but the Vespidians don’t :’)
#vspc asks#my secret is out: I done goofed the seasons!#however it adds to ‘the game was broken since the beginning’ factor and I like that
44 notes
·
View notes
Note
omg irl (personally) i would get so fed up with armand like... nothing's ever straightforward with you... there he goesss with his ulterior motives.
I love how you describe Louis' worry in the latest chapter, because as anon requested, it is the crashout of all crashouts BUT its so sublty written and kept between the lines (big kudos to you) because Louis is not burning and killing 20% of the vampiric population like he did in paris BUT there are hints/implication present that he absolutely would do something much worse to protect and/or avenge bestie reader.
And it really shows during the part after the phonecall when he's thinking to himself. Him repeating Josh's name like a mantra??? Girl his last victim was in the year 2000 but im sure he's willing make sure josh will never use both of his wrists to operate a car ever again lmao. Also, being an english speaking foreigner, i'm usually able to keep my accent at bay but i know damn well that Nola accent was HEARD through that damn phone. This reminds me of that older brother vibe ask of yours you wrote before. We all know he booked a flight arriving after sunset so he can personally drive and pick her up from the airport. Also stand as close as possible by the arrivals so she doesn't need to carry her luggage with a broken wrist.
His worry over the medication that makes her drowsy??? Omg Louis loves her so much its sickening what the hell. I need to see Daniel catching bestie in 4k, casually snoozing peacefully with Louis bc she feels so safe and i need daniel to snap a picture to blackmail louis with it later. (the 70 year old senior is louis younger brother confirmed by jacob anderson himself lmao)
The one hundred thousand over set price for her painting reference???? So Louis doesn't even know, I wonder where armand is keeping the painting. I also wonder what his intentions are with reader. Like... what are his feelings, is his interest romantic, platonic, sexual or something completely different.
Now bestie reader is so gen z and i know for a fact the people in this generation will see bullshit from miles away. (we've been trained by social media) I love the idea of armand being the manipulative gremlin that he is and reader just seeing straight through it. She's a baddie we know damn well she will CLOCK HIM the second he tries to shift the playing field. And I know he'll like it too. Just look at him and Daniel. (rip non book readers, devils minion will give you whiplash)
SIDE NOTE: i love the moment in the show when armand is retelling his story of the trial in paris and Daniel questioning how tf a five hundred year old ancient did not have the ability to stop his own coven. Daniel's smug face and the deadpan "Or what?". Daniel GO GET HIS ASS.
Daniel and reader would get along so well.
side note nr 2: i apologize for the bomb i just dropped in your inbox.
omg what a fun ask <33
i love armand, but in real life i'd be so over the theatrics of it all 😭 like yes you're playing chess and we're all playing checkers we get it!! no one will think you're less mysterious if you just answer the question omg
thank you for mentioning the louis thing! i'm glad you liked how i set it up bc i wanted his worry/frustration to be apparent but i still wanted it to feel in character. ik he's not opposed to greater crash outs (like the paris thing for my girl claudia ✊) but i also think that even when he's upset he understands time and place to an extent. like claudia's very intentional killers deserve worse than a guy who has done something relatively minor to reader on accident. however, it's still important that he very much would do the same if not worse for bestie reader if something actually bad happened to her, so i'm glad you read it that way!!
the josh thing pls 😭 i almost didn't have bestie reader give the guy a name bc she knew how he'd react. also i think that while louis isn't chill with murder, knowing that it'd be so easy to hurt someone who he thinks deserves it isn't an easily dismissible thought. i don't think he's jumping to hurt/kill everyone that's wronged bestie reader, but i do think it's an intrusive thought. the wrist thing 😭 i can see louis reacting like that if he was right there, but i feel like louis would only plan out violence if someone seriously/intentionally hurt reader.
this is going to sound off topic, but bare with me for a second. i haven't delved into this yet, but friendships can be just as complicated as romantic relationships, and while i'm committed to louis and bestie reader always being completely non-toxic, that doesn't mean their dynamic is simple. a major thing that complicates their relationship is the way that they worry over the way the other perceives them.
bestie is worried that louis perceives her as fragile and therefore fleeting and unworthy of long term attention. she's scared of being seen as a hindrance and as a burden. louis is worried that one day everything will click for bestie reader and she'll realize that he's a monster. so he's doing all he can to not demonstrate violence in front of her.
anyways, all this to say that he's not going around attacking people partially bc of his values but also bc he doesn't want her to associate violence with him.
also, total side note but this dynamic is actually what leads to reader and armand bonding. louis loves her so much and the thought of losing her is so distressing that sometimes he censors himself a little too much or treats reader like she's extremely fragile. armand doesn't. yes, this is because it's easier to risk losing someone that isn't the your emotional support human, but also bc he genuinely thinks she's capable of handling it. he'll tell her every (non-incriminating) vampire story ever in full, gory detail and reader is fascinated.
the accent comment is killing me 😭 ik that nola accent was HEAVY over the phone. reader felt those words in her soul.
and yes he’s AT that airport and he’s happy about it too lol.
also yes louis loves her sm 😭. ofc he was worried about her all alone on drowsy medication. that's the light of his life! what's he supposed to do if something happens to her? go back to only talking to his companion and occasionally a journalist accidentally moonlighting as a divorce lawyer??
also omg daniel and reader interactions are a need!! daniel being described as louis's younger brother is so important to me here omg. i love daniel and louis's relationship sm, and i just know daniel is ready for someone else with common sense to be sitting in. daniel looks at bestie reader like that one meme that's like 'you're the only bitch in the house i ever respected'.
the picture concept is so cute 😭 might have to write that into a scene bc i can see daniel seeing louis and reader asleep and at first being like ? and then taking the picture to bring it up later.
YES THE PAINTING REFERENCE i'm so glad you noticed!! i was so excited for it lol. i mentioned this in another post briefly, but i think armand's lowkey disgusted with himself for purchasing the painting bc it's a physical representation of the fact that he finds reader interesting. even before louis, before he knew her, he found something about her interesting, and bc he thinks reader has dismissed him, he wants to pretend that he's never thought about her at all.
i don't want to spoil where the painting is (it's not a major spoiler lol) but armand still has it and it is somewhere secret.
omg armand's intentions with bestie reader 😭!! i'm going to give you a short answer and then a long answer bc his feelings for her evolve slowly.
short answer: he has a really intense hate-crush on her. she's so beloved and perfect and basically the sun personified. he wants to consume her soul, he wants her to not exist, he wants her live forever, he wants her, he wants her to be just as obsessed with him so that he can calm down. she's an affliction. she's a blessing. he's going through it.
long answer: at first, he resents her bc she's taking up all of louis's attention and love. then, he starts to wonder what is so perfect and wonderful about her that has louis absolutely enraptured by her existence. then, he tries to win her over for his pride, and then..well...it spirals.
there's also the underlying benefits of getting reader to care more about him than louis bc then louis can't leave him without losing reader (most delusional and unrealistic part of his thought process tbh).
as far as end goals, he's a little lost bc all of this was an accident <3. it gets to a point where louis and reader are so intertwined, armand thinks he deserves to be with both of them. he's entitled to a matching set.
bestie reader's gen-z-ness being the reason she can see through everything armand says 😭. omg. in my head, she likes louis and armand together so when she realizes something is up she's like oh no. bc she obviously has to tell louis but she's not happy about it. lowkey on a subconscious level she doesn't want to not have armand in her life so she's like :(.
still calls him out tho bc she's loyal and also bc his lies are so egregious it's hard not to. i can picture her being lowkey sneaky when armand mentions saving louis, like feigning confusion and asking something like "just so i'm clear, isn't lestat also technically a powerful vampire? and wasn't he also in the building?" just to start something but also as a way of sending louis subliminal messages to lock in and open his eyes.
also i can see daniel realizing bestie reader knows something is up and looking at louis and being like "come on...i know, armand knows, even the girl that was really happy to be talking two minutes ago and now can't stop staring at the floor knows..." 😭
omg and armand liking being called out. this is for sure when his obsession with reader peaks. also, this hasn't come up yet, but i picture bestie reader as being very perceptive and when she argues with armand over small things she accidentally clocks him with next level reads that she'll never know how accurate they are. i'm talking reads so accurate, louis is immediately stepping in between them bc he thinks it's so over for her just for armand to let it go. (might need to write a drabble featuring this)
armand's love language to reader is not killing or torturing her for calling him out. it gets to a point where louis is like ? girl i've seen you kill people for implying what she just directly said?? if louis ever notices that something is going on with armand in relation to bestie reader it's bc of a suspicious lack of attempts to physically hurt her fr.
(also total side note, but bc you mentioned devil's minion, i just needed to say i love devil's minion era sm.)
omg in response to your side note, i LOVED that moment so much. "or what?" had me gagged. on the GROUND fr.
daniel and reader would get along so well. two divas coming together to maximize their joint slay. they're sitting around the penthouse giggling over the vampire drama like they're the immortal ones 😭.
also,, never apologize for sending me a long ask!! i'm currently very hyperfixated on iwtv and this was so fun for me! if anything, i'm sorry for how long this response was 😭💗
#iwtv x reader#interview with the vampire x reader#iwtv x fem!reader#armand x reader#louis de pointe du lac x reader#thanks for the ask <3
46 notes
·
View notes
Text
1. We’re talking about a high-class bully considered an aristocrat in his world due to his blood status, who also operated with numerical superiority when attacking and, conveniently, had a working-class half-blood kid as his main target, whom he literally attacked for “existing.” The classist conditions are quite evident, and the power dynamics are clear. If you don’t want to see them because you need to justify your love for abusive, privileged brats, that’s not my problem. I fully acknowledge that Severus had plenty of flaws and a terrible personality, but what I won’t accept is blaming him when, in this dynamic with James Potter, he was clearly the victim and the one who was socially and economically at a disadvantage.
2. Excusing abusive behavior with “it’s just humor” is like excusing people making racist or homophobic jokes under the same premise. If we understand that one thing is wrong, we should apply it across the board. Making jokes with a misogynistic undertone that directly ties to the systematic, traditional abuse of women is not funny—it’s a demonstration of the power and impunity that privileged white men have over certain social groups, in this case, women. I’d love to see you defend the same attitude if it were Severus or Lucius Malfoy saying the same thing. You probably wouldn’t be saying the same.
3. Can you tell me where in canon it specifies that those spells were created for being a bigot? What we know is that they were created for “enemies,” and “enemies” can easily be understood as the group of bullies who had been tormenting him since he was 11 years old. Interpreting it as him creating them to target innocent Muggle-borns is something you’ve completely fabricated because nothing in the canon suggests that. It’s your own prejudice driving that interpretation. I’m basing this on canon, where his book specifies it was for “enemies.” Therefore, the knife analogy is correct: I carry a knife to protect myself from enemies, who in this case are guys who might try to do something to me at night. If those guys grab my knife and assault me with it, is that my fault? Victim blaming?
4. No, my dear, you started with the nonsense, so don’t come to me with excuses now. Sorry, but it seems like some of you get very upset when someone calls you out and debunks your fallacies. Well, that’s not my fault. Sorry!
5. James starts picking on Snape the very first day of school on their way to Hogwarts. Was he a bigot then? Did he butt into the conversation and mock him because he was a bigot? How did he know? Was he psychic and saw the future? Also, when the book explicitly states that he decided to publicly strip him because Sirius was bored? Why doesn’t it say they went after him because he was a bigot, but rather because Sirius was bored and his way of having fun was to find Snape alone and attack him two-on-one? Shall we also remember that what happens with Lily happens after they strip him and publicly humiliate him by choking him? Or are you conveniently skipping that part to keep throwing around argumentative fallacies at your convenience?
6. Basic concepts of character development 101: show, don’t tell. Rowling manages to show the reader that James could also be a terrible person through his actions, but when it comes to his “redemption,” she doesn’t show it—his friends just tell us about it, and they were clearly far from objective. Where is this change? Where is the maturity? Where does she show it? You can say something a thousand times, but it can’t be taken seriously if you don’t show it, and Rowling fails miserably at convincing us about James by not showing this so-called maturity she claims he has.
I love it when Marauders stans try to portray Lily as the ultimate feminist icon when any woman with half a brain and even the most basic understanding of gender studies knows that you’d be safer locked in a cage with a hungry lion than with a rich brat who publicly strips people and blackmails you into dating him in exchange for not committing sexual assault. Like, what world do you even live in? Seriously?
162 notes
·
View notes
Text
happy february pookies ! i've been very reminiscent about semi - lengthy applications lately so i've decided to help out any future admins struggling to create fun & unique applications for their groups . under the cut , you'll find a list of things to help enhance a roleplay application + a few sample apps in case anyone needs more inspiration . i hope you all find this masterlist helpful ♡
as always , a like + reblog would be greatly appreciated !
basic info :
full name
nickname / alias
faceclaim
birth date
hometown
pronouns
gender
sexuality
languages they know
occupation
university course / major
3 - 5 aesthetics
astrology sign
+ / - character trait
fun extras :
a celebrity or person they look up to
a rumor , secret , or blind item
book they're currently reading
career claim
character label
character net worth
character superlative
current fast food order
favorite activity / hobby
favorite item they carry around
favorite song / album
favorite quote
follower count
go - to coffee order
instagram , twitter or tiktok username
location your muse frequents at
most frequent place they shop at
most used social media app
one thing you can find in their room
plans after college
restaurant your muse frequents at
room / apartment #
the latest scandal they're in
their biggest fear
type of vehicle they drive
voice claim
# of social media followers
sample apps :
[ faceclaim . pronouns ] did i just see character name pull up in their vehicle ? i heard the age in letters year old just got signed to our reality show . sources say nickname joined the show for sympathy points after rumor , but you didn't hear that from me . fingers crossed the viewers will love them . ( alias & age )
faceclaim ╱ pronouns — welcome to university character name ! the age in letters year old known for being the character superlative ? makes sense since everyone from hometown says you're a + / - trait student . just don't get into too much trouble , nickname ! please grab your personal item and texbooks & head to your first class . oh , and stop blasting song by artist every night , your roommates have been complaining ... [ alias + pronouns ]
BREAKING NEWS ! character name was spotted at most frequent place they shop at for the first time ever since rumor . i heard the age year old gained # of instagram followers after their latest scandal . i wouldn't be surprised since they look just like faceclaim . oh well , i hope they don't get into any more trouble ! ( astrology sign . pronouns )
31 notes
·
View notes
Note
yves!! the kpop anon here :p i dont know if you already got an ask about this, but what do you actually think about bonten trio? a lot of people say they wouldnt get along, but i like to think that they would😭 what do you think?
Bonten trio
Ngl realistically they don't get along well at all. Especially Ran and Sanzu who has had some kind of vendetta against each other going on since Kantou Manji, so I think it'd be hard for them to be in the same room long hours without some stuff breaking out. I do think that Sanzu in general is a very difficult person to handle as well, hence why. There's of course more stuff between him and the brothers that has made them so hostile with each other.
I think this also applies to all of Bonten in general like they're not bosozoku kids who rev bikes and fight idiots who badmouthed about them anymore. They're wanted criminals who kills and trade drugs/weapons/prostitutes for a living, drive million-dollar cars and stay in penthouses all over the world. They live looking over their shoulders all the time.
Extras
Lore accurate Bonten trio?
Bonten trio only came to be because they're the most popular characters in Bonten, but I think realistically the Bonten trio should be Kakucho, Kokonoi and Takeomi. These three are the real pillars of Bonten. One's in charge of money, one's an advisor who Mikey listens to a lot and plans most things since he does have ample knowledge of the underworld, and one's his left hand who oversees most things in the organisation. Think of Mikey and Kakucho as K-Drama My Name's Choi Mujin and Jung Taeju. Sanzu.... he's always off doing his own thing if not serving Mikey, so I don't think he fits into the list, or he even wants to fit in at all. He doesn't like anybody, doesn't get along with anyone.
Kakucho and Ran
Kakucho and Ran have a decent relationship since last time. They're able to sit together and have a drink from time to time, talk about life, but both are smart and clever enough to respect boundaries and not overstep. They are good with words. But one time Kakucho tried advising Ran on something that he thinks Ran is doing wrong/going off track and Ran got pissed. But they don't argue/go back and forth like Rindou and Kokonoi would, like in Helheim where they quarrelled in front of everyone because of a girl. Instead, a lot of passive aggressiveness and stern tones are used between the two. Sharp mouths and clever minds at work.
Rindou
Rindou doesn't care about anything. I've thought of this before and I really can't see Rindou being involved in the organisation as much. I do think that he tried leaving Bonten after witnessing Mikey kill someone (during the shift from Kantou Manji to Bonten after their win in the Three Deities) and realising the weight of all this, but couldn't, so he stayed, but he doesn't like it. He has the mentality of "I didn't ask to be here, so why should I care?" Something like that. He was only dragged into Kantou Manji/Bonten because South lost.
Kokonoi and Kakucho
Kokonoi and Kakucho have a strict business-only relationship. Other than organisation stuff, do not fucking talk to me. But they're cool with each other to say the least. Nothing wrong with each other.
Takeomi (and Kakucho)
Takeomi has that relationship with everyone but he and Kakucho are the closest/have the most interactions because of their positions (even though it's also pretty clear that they don't fancy each other, Kakucho only entertains Takeomi because he knows how to separate work and personal, Takeomi can't). But even so, Takeomi picks fights the most, probably because of his age multiplied by his position that he thinks it's no problem to order the executives around.
I love this specific panel in chapter 212, I really liked the way Kakucho talked to Takeomi here, like damn Kaku you're quick with it 😮💨😮💨😮💨
Rindou and Takeomi
Rindou thinks the guy has a special vendetta against him because he keeps biting on Rindou at any chance he gets.
Rindou and Kokonoi
The two have nothing to say to each other. The two might be tied together by some stuff that requires Kokonoi's help since he's in charge of finance, but Rindou thinks other than that he has nothing to talk to with the guy. All of them in general have had interactions with Kokonoi because of this reason. He's a cool guy, but it's strictly business-only (no money no talk) with him.
Mochi
As for Mochi...... I don't know honestly. I don't know much about him because his aura in Tenjiku and his aura in Bonten are completely different. No backstory given either like ZERO. All we know is that he used to fight with the Kawata Twins before Tenjiku and he's a fucking beast. At least for the Haitanis they have delusional-enough fans to make things up. But for Mochi???? Can someone share us some thoughts... I'm not in that radar 😭🙏🏻
Mikey
I don't have anything to say about Mikey because I still don't understand his mind even after rereading the manga. Like. I don't know if it's accurate to say that he doesn't care? He lets them handle things their own way, which to him is considered very lenient (he can be more fearful if he wants, but he doesn't need to, because the others already know better than to get cocky around him) and only gives out approvals. Maybe if he wants something or a certain territory he'll give out orders. But he still has his own methods for handling certain stuff. I like to think that all of them are constantly trying to live under his radar so that nothing troublesome happens. For example, they're handling some stuff, and the one thing they always say as a reminder (either to each other or to underlings) is to "make sure Mikey doesn't know about this" or "make sure you're doing it right. You don't wanna piss Mikey of." Just something along those lines. They won't involve Mikey for petty stuff
Lol i know anon only asked about bonten trio but i wanted to take the chance and talk about the others too. Lmk if yall have any other thoughts lets chatttt
23 notes
·
View notes
Text
I would like to take a moment to talk about a Dog Man character.
This character is super popular. Some people hate this character with a passion. Some people think this character is adorable. Not many people think this character is very deep.
But I do, and I'd like to talk about him for a second.
Think you have a guess?
It's Li'l Petey.
You may not agree with me. After all, he's the kid-appeal character who loves poop jokes and diarrhea punchlines just for the fun of it. "He can't possibly be that deep!", you say.
But consider how he came into existence: cloned from the (so-called) world's most evilest cat, created to do nothing but heinous acts, and when he didn't fulfill that purpose and instead acted like himself, he was abandoned.
Not even a day old, and not only did he get abandoned by his only caretaker, he eventually found the strength somewhere to forgive him. And not only that, but claim that this caretaker is, quote "easy to love".
It takes a ton of compassion, a truckload of love, to forgive something as traumatic as that. And later, in Grime and Punishment, Li'l Petey encourages Petey to do the same to his father. Make no mistake, this is not because Grampa deserves it; rather, it's because resentment, as Carrie Fisher once put it, "is like drinking poison and waiting for the other person to die."
While Li'l Petey forgives those who did wrong to him, he does not redeem everyone. Sure, he reformed Flippy, Molly, and Petey, and attempted to do it to Piggy, but my main point is that he stopped trying to reform Grampa. He talks to him in For Whom the Ball Rolls about love being an action in addition to a feeling:
And then he visits Cat Jail in Fetch-22, thinking Grampa's changed. After all, if the most cold-hearted villains (Petey, Flippy) had good hearts deep down, couldn't his Grampa have one too?
But after the eighth book, other than a brief "good night" in Grime and Punishment, Li'l Petey completely stops interacting with Grampa. He doesn't even say a word to him in Big Jim Begins, despite the fact that they crossed paths multiple times. Why is that?
Because when they went to Cat Jail, he was tricked, knocked out, and the next thing he knew, he was waking up in a recycling bin.
You've gotta wonder if this gave him flashbacks. To when his life was hard, and filled with fright, after he suddenly became an unloved orphan. At the very least, this would have spooked him, especially since he ran home (this kid's a pigeon I'm telling you) and saw Grampa disguised as Petey, but no sign of his Papa.
The last thing I want to talk about is character development. Yes, even if it isn't as obvious as Petey or Chief, he did have some growth beyond what was mentioned earlier. Certainly more than Dog Man did (ha).
Initially, Li'l Petey constantly keeps his head in the clouds; Petey points this out in For Whom The Ball Rolls. He's a driving force of optimism and compassion, which sets him apart from other goofy kid characters, especially Molly. (I should right an essay about that too)
But Li'l Petey is kind to a fault. He invites his grandfather to his house to make his Papa feel better, and their house is trashed and eventually robbed. He convinces his Papa to visit him, thinking he can change just like those he reformed did, and they both got drugged. He leaves the house to save the world, and his Grampa leaves to end it. Ultimately, the end of Fetch-22 is when Li'l Petey finally stopped trying to redeem Grampa, instead opting to forgive him and move on.
In Grime and Punishment, Petey asks if he only fights when he's face-to-face with pure evil. Initially, Li'l Petey doesn't respond. But guess what happened three books later?
He did encounter pure evil. And obliterated it.
Contrary to popular belief, he's not always a pacifist; he's learned when to fight and when to use love over the course of the story. That kind of growth is very subtle and very underrated.
And that concludes my analysis on a Dog Man character who many find "annoying" and "pointless". And as this supposedly annoying, pointless character always says:
#dog man#dog man 2025#character analysis#long post#petey#li'l petey#lil petey#dogman#think of this as the longer version of the main characters parody from a while back#can you tell I went through the cu subreddit again 🙄#also I'm specifically talking about the books not the movie#haven't seen the movie yet but maybe he's portrayed differently there#anyway enough rambling
23 notes
·
View notes