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stefanyascritor · 28 days
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"It was the love of Louis which had at times crippled Lestat and enslaved Armand" is hilarious because it implies that the vampire community is fully aware of the weird thing going on between the 3 of them
I imagine their conversations like-
'Yeah man they have a toxic throuple thing going on. Don't ask them about it'
'I can't find Louis. Which of them has him at the moment?'
They probably had to witness so much drama such as..
Armand: YOU NEVER LOVED HIM! YOU WERE CRUEL TO HIM! I PROTECTED HIM FROM YOU!
The court:
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stefanyascritor · 29 days
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stefanyascritor · 1 month
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don't even joke lad
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stefanyascritor · 1 month
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louis + grounding armand when he starts to spiral
2.04 / 2.06 / 2.05
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stefanyascritor · 1 month
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interview with the vampire | s01-s02
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stefanyascritor · 1 month
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— The Picture of Dorian Gray, Oscar Wilde
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stefanyascritor · 1 month
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In regards to Armand portraying himself as the victim always, under any and all circumstances: there is something to be said about how being victimized for long enough will psychologically alter your mind and the way you see yourself forever, but. At this point. I think it’s pathological.
Children of Darkness -> draw Lestat in with the semi explicit goal to self implode the cult you are the de facto leader of.
Theatres de Vampires -> chase Louis and afford him privileges in plain view of your disgruntled underlings, somehow missing how this will cause riot and mutiny, from the group that, again, you do not want to be leading.
??? Marriage ??? -> invite an award winning journalist into your home, provoke and gaud him until he remembers exactly how much he hates you, making it a personal matter of his to end the relationship you have successfully ( more or less ) maintained for seventy years …which… you… definetely are happy in and want to continue.
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stefanyascritor · 1 month
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the other thing that's really compelling about their relationship is that armand sees in louis a reflection of himself and thinks finally, i can see and understand myself through you, i can make meaning out of what i see of myself when you see me. and louis sees in armand a reflection of himself and what he sees is his own passivity, his own weakness. and he's repulsed by it.
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stefanyascritor · 1 month
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Truth is we haven’t even seen Louis’s “true self” yet. Every single version of him has been what someone else needed him to be whether it’s his family, Lestat, Claudia or Armand. When he loses one he molds himself for the next and on and on. Dubai Louis is a weird amalgamation of prior Louis’s (art dealer, extravagantly wealthy but emotionally very vulnerable and softer) but even then his life is so curated by Armand and their co-dependence has made then a bit indistinguishable. “I’m out here finding myself” but he never found himself, he found another man. Maybe if he spent more than a few minutes being single he might have some luck.
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stefanyascritor · 1 month
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anne rice's interview with the vampire: paris, from page to screen
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stefanyascritor · 1 month
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In Nola, Claudia and Louis played happy family while planning to kill Lestat
In Paris, Armand pretended to break away from the coven and everything seemed like it was going to be okay, while he directed a play to execute them
In Dubai, Louis and Armand distracted themselves by telling their story while Daniel discovered what Armand really did
Everyone was distracted by their feelings.
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stefanyascritor · 1 month
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It is so interesting that Louis uses Armand's supposed birth name during the bench scene.
Naming is such a significant part of Armand's life, moreso than any character. His maker named him Amadeo, the cult named him Armand and his birth parents probably named him Arun. Unlike Louis and Lestat and all the other vampires we've seen, Armand's identity pre-vampirism is not concrete. His human life was marked by trauma and memory loss and even parts of his undead life. He tells Louis his story through 3rd person, as if regaling someone else's tale.
His identity is a fluid thing decided by whatever structure he finds himself in, hence the different names he is given at different stages. He portrays himself as someone who is seemingly powerless despite his ancient aura and terrifying powers.
"Who am I?" he asks Louis in the museum. His great comfort is by sticking to the Great Laws which he does not believe in and rituals he does not care about because they offer a comforting routine he can cling to. That is why he easily breaks his own rules when it comes to Louis, because their romance offers him another purpose.
When Louis asserts his presence in Paris, he tells Armand to let go of the coven. Once Santiago runs it to the ground, then Armand can return and decide if he wants to be coven leader or not.
Louis offers him something different: choice. No one ever gave Armand a choice. Everything that ever happens to him as been someone else deciding for him. This is new territory because the concept of free will is so unique to Armand. Even Lestat's shake-up was not a choice, but more of a coup—Armand knew Lestat breaking up the coven was inevitable the moment they met.
By calling him Arun, Louis shows Armand he is acknowledging the vulnerability offered to him. He's telling Armand that whoever you are, I will accept, even the most fragile and scariest pieces you hide from everyone else. And Armand says "Yes, Maitre," because for once, someone is really teaching him how to live. Not forcing or commanding, but teaching.
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stefanyascritor · 1 month
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loumand divorce vs fight 1973
It's so interesting to see the dissonance between them fighting in 1973 and their final divorce because the fight is so personal, they wanted to attack each other so badly, they knew where to hurt, and they screamed with so much hate. armand could barely pronounce lestat's words before, now he says them like it's nothing "he loved you". in 2022, at the end of it all, they don't care anymore who is next to them, they could be saying all this to anyone, "we would be teachers of each other" "you need to be gone" no has any meaning to either of them. the relationship has become empty to the point where there is nothing to hurt, nothing matters
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stefanyascritor · 1 year
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The Power Of Touch.
Films in Frame - My own private Idaho, Maurice, Call me by your name, Moonlight, Brokeback Mountain, Kill your Darlings, Another country, Dorian Gray, I killed my mother, Happy Together
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stefanyascritor · 3 years
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En terra
Depois de muito tempo com as raízes de sementes jogadas pelos outros crescerem sobre si, se levantou da terra pela primeira vez, arrancou as plantas secas que nunca serviram de nada, olhou para o sol e caminhou até o precipício da montanha em que estava. De braços abertos se jogou, caiu tão alto que se afundou no chão, se enterrou em grama fresca, fincou as suas próprias raízes, agora podia finalmente cultivar suas próprias plantas e flores.
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