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Gilmore Girls: Parenting

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At 9PM EST on Tuesday, August 12, we will be witness to one of the greatest miracles of our time: the arrival of high-definition, streaming, and subtitled Cardcaptor Sakura. Announced by Crunchyroll on Friday, the online anime streaming website will have all 70 episodes...

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SPACES, collected illustrations by Amei and Wrat

a5 I 48p full colour I 128gsm matte interior I saddle stitch

This book contains artwork from the separate worlds of Wrat's Foxfire, and Amei's Nameless and the Scientist. As part of a limited run, each book is hand numbered and signed.

We’ll be selling the books, selected prints and copies of Nameless and the Scientist Book 1 this weekend at SMASH Artist Table 18, so if you’re in the area, do drop by for a chat!

(For anyone who is unable to make it this weekend, I’ll be opening up online orders if there is stock after the event!)

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Eric Witsoe 

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Cities have often been compared to language: you can read a city, it’s said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow.

Valeria Luiselli, “Relingos: The Cartography of Empty Spaces” (via thymoss)

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The End of the End: An Evolution of Faith, in Five Films

by Jenny Hollowell

My mother became one of Jehovah’s Witnesses while pregnant with me. She and my father were living in Santa Cruz at the time. A woman came to their door preaching about the coming Paradise, the unending...

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things i told the internet, but didn’t tell my mom 35mm film scans some pictures about my backwards concept of privacy.

i. it’s getting bad again ii. this week i am struggling with self doubt and the transition from iced coffee to hot coffee iii. i want to puke and sleep for six days iv. i still can’t sit on your couch without shaking v. i need other people to validate that i am important because i can’t do it for myself vi. no one else has ever told me that i am desirable with the lights on

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Philippe Caza illustrations from Les Monstres du Placard #1, 70’s

(previous)

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Moebius created over 1000 storyboards for the Alejandro Jodorowsky’s adaptation of Dune. 1000 boards all collected in that book Frank Pavich wields. Hmmmmmmm….

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"Dutch lab reveals architectural steampunk cold drip coffee machine." (Dutch Lab)

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Aitch

Beautiful Us

Via

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I LOVE YOUR BLOG SOOOO SO MUCH OMG COULD YOU DRAW A COMIC INVOLVING MERMAIDS AND MAYBE A DRAGON FOR ME

I HAVE THE HEADCANON THAT DRAGONS THINK THAT MERMAIDS ARE SUPER COOL BECAUSE THEY LIVE IN WATER AND STUFF

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i love cinematography more than i love my own family so here’s a list of 50 incredibly beautiful movies!! some of them are fantastic, some are so bad the cinematography barely redeems them, but they’re all worth watching. i tried to find the most high-quality streaming links available, but if you have a problem with shitty video quality you should probably just rent the dvd like a law-abiding citizen. (director of photography’s name in parenthesis)

2001: A Space Odyssey (Geoffrey Unsworth)

Amelie (Bruno Delbonnel)

American Beauty (Conrad Hall)

Antiviral (Karim Hussain)

The Assassination of Jesse James By the Coward Robert Ford (Roger Deakins)

Black Swan (Matthew Libatique)

Blade Runner (Jordan Cronenweth)

Brother, Where Art Thou? (Roger Deakins)

Capote (Adam Kimmelote)

Children of Men (Emmanuel Lubezki)

Citizen Kane (Gregg Toland)

Days of Heaven (Néstor Almendros, Haskell Wexler)

Double Indemnity (John F. Seitz)

Drive (Newton Thomas Sigel)

Eternal Sunshine of the Spotless Mind (Ellen Kuras)

The Fall (2006) (Colin Watkinson)

Fargo (Roger Deakins)

The Game (Harris Savides)

The Godfather (Gordon Willis)

Gravity (Emmanuel Lubezki)

Hunger (Sean Bobbitt)

Inception (Wally Pfister)

Inside Llewyn Davis (Bruno Delbonnel)

Lawrence of Arabia (F.A. Young)

Life of Pi (Claudio Miranda)

Lost in Translation (Lance Acord)

Memoirs of a Geisha (Dion Beebe)

The Mirror (Georgi Rerberg)

Moonrise Kingdom (Robert Yeoman)

No Country For Old Men (Roger Deakins)

Nostalghia (Giuseppe Lanci)

Only God Forgives (Larry Smith)

Pan’s Labyrinth (Guillermo Navarro)

Rear Window (Robert Burks)

Samsara (Ron Fricke)

Schindler’s List (Janusz Kamiński)

Se7en (Darius Khondji)

The Shawshank Redemption (Roger Deakins)

The Shining (John Alcott)

Skyfall (Roger Deakins)

Slumdog Millionaire (Anthony Dod Mantle)

The Social Network (Jeff Cronenweth)

Taxi Driver (Michael Chapman)

The Diving Bell and the Butterfly (Janusz Kamiński)

There Will Be Blood (Robert Elswit)

The Third Man (Robert Krasker)

The Tree of Life (Emmanuel Lubezki)

True Grit (2010) (Roger Deakins)

The Wrestler (Maryse Alberti)

Zodiac (Harris Savides)

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screencap meme: scenerygasm, peaky blinders requested by anonymous

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from here.

1. The history of all hitherto-existing societies is the history of monsters. Homo sapiens is a bringer-forth of monsters as reason’s dream. They are not pathologies but symptoms, diagnoses, glories, games, and terrors. 2. To insist that an element of the...