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when phoebe bridgers said i want to live at the holiday inn where somebody else makes the bed we’ll watch tv while the lights on the street put all the stars to death it’s been on my mind since bowie died just checking out to hide from life and all of our problems i’m gonna solve them with you riding shotgun speeding cause fuck the cops and you you must have been looking for me sending smoke signals pelicans circling burning trash out on the beach i buried a hatchet it’s coming up lavender the future’s unwritten the past is a corridor i’m at the exit looking back through the hall you are anonymous i am a concrete wall
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replacing my autumn/winter ‘19 fashion pinterest board with just this picture of willem defoe looking at pancake mix
now thats what im going for babey
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Joan Didion: The Center Will Not Hold (Griffin Dunne, 2017)
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i often ignore the trc plot and just hallucinate for hours about ronan lynch and adam parrish being in love
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‘bastard’ is the swiss army knife of ways to address someone
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This is a comment someone appended to a photo of two men apparently having sex in a very fancy room, but it’s also kind of an amazing two-line poem? “His Wife has filled his house with chintz” is a really elegant and beautiful counterbalancing of h, f, and s sounds, and “chintz” is a perfect word choice here—sonically pleasing and good at evoking nouveau riche tackiness. And then “to keep it real I fuck him on the floor” collapses that whole mood with short percussive sounds—but it’s still a perfect iambic pentameter line, robust and a lovely obscene contrast with the chintz in the first line. Well done, tumblr user jjbang8
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you guys dont know what a himbo is anymore. youve lost sight. you cant just call every man you like a himbo. theres nuance
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solidarity with straight trans women over transphobic lesbians all day any day
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no one ever knows what they're talking about and that's a relief
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there is no old self to get back to there’s a new u to create n nurture
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from “ask polly: why should i keep going?”
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It Takes a Man to Understand
From The Harvard Lampoon, 1891.
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I just love *clenches fist* talking about character analysis and why characters act the way they do. It’s supremely satisfying to figure out motivations of characters and see how that ties into their core nature and how they perceive the world around them.
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so last night @minkovskis-harpoon and i were talking about how “press f to pay respects,” “press a to validate,” and “press y to honk” are, in their words, “the three emotions,” so i felt an unsupressable urge to make this and curse all of you with it
you’re welcome
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