#zootopia classic

[gentlemewn]

Drew shit on Roblox’s “Draw and Donate” game or whatever it's called :p

[spookyflukey]

full of hatred and loathing for x files lately but wanted to revisit my old zootopia au designs :)

[str8aura-draws-horses-and-stuff]

gee jimmy how come your mom lets you have three girlfriends

jimmy frost and the vixens of Born To Be Wilde

[roxstar28]

Ok like ignore the progress bar at the bottom and stuff. The painting on the far left, is that zootopia?

[vulpinesaint]

animated fox characters will trans a young child's gender in a Second

[halothenthehorns]

We’ve Been Writing Twist Villains WRONG

[p1325]

#fanvidfeed #remix #disney #waltdisney #waltdisneyclassics #pogo #shakira #tryeverything #zootopia #ashcmusic #symphony #disney100 --------------------------------------------------------------------------------------------------- Song: Symphony For Zootopia Artist: AshCMusic

[sepublic]

On the one hand I want to let Knights of Guinevere stand as its own thing from The Owl House but on the other hand it’s really tempting to analyze the recurring themes in a creator’s works.

With TOH there was this idea of Expectations VS Reality, how Luz has these conventional fairy tale fantasies in mind, only to face a more grisly reality that is still beautiful in its own right. With KoG, I suspect that the princess is some biomechanical animatronic whose programming is conflicting with her actual perception of the world around her. She has the classic fairy tale animal sidekicks and is in a Sleeping Beauty position.

For Luz, this was more a matter of genre expectations. But for this princess character, her expectations seem to be taken to a pretty literal extent in that it’s become visual filter-style hallucinations, which fits with KoG being described as a psychological thriller.

I find this fascinating because it seems Dana is exploring this original theme but through a different angle this time. She had her go with an overeager kid who needed to mature, and now she’s doing it with a character who literally can’t distinguish between her mind and reality. Unsurprisingly, the kid goes with the kids show, and the adult goes with the adult show.

There’s also a much more visceral darkness to KoG’s reality compared to TOH’s, because the Demon Realm ended up having a grotesque wonder of its own that a weirdo like Luz learns to resonate with. Whereas with KoG, it’s leaning much more into how objectively horrible this situation is.

I also think it’s worth noting the setup of Park Planet and how Dana’s cynicism towards Disney during her experience working on TOH might influence KoG. Something I found interesting about the pitch bible for TOH is that it came across as notably harsher towards Luz’s fantasy book, the Unassuming Princess. In addition to the bible discussing how Luz needs to let go of “generic fantasies” there’s the revelation that the Unassuming Princess is written by Eda’s terrible ex, who is exploiting her life for his gain, and so clearly there’s a call for cancellation.

But in the final draft of TOH, the narrative avoids this Contempt for the Genre attitude; At worst Azura can be kind of corny and straightforward, and its prose overtly theatrical, but that’s really about it. It’s not always conducive as a guideline for Luz’s life but in the end there’s no shame in its existence; In fact, the final draft goes out of its way to make Azura foundational to Luz’s arc, and something she can and deserves to still keep! The final stretch of the series even ties it into Dana’s own loving relationship with her deceased father, and in the end Azura inspires Luz and is the bookends to her arc. It ends up being a story about stories.

I wonder if this was perhaps the result of executive mandate; But then again, Disney doesn’t struggle to dunk on its own classics (think Frozen or Zootopia), and there’s a difference between wanting the attitude towards the fairy tale to be more supportive, and actively making it a core part of the main character’s arc. It makes me think of how Disney did mandate more of a focus on Hexside, but at the same time it was always part of the pitch bible. And the writers even stuck to it in S3 because of what they’d already accomplished in making it work for their narrative anyhow.

But I digress; My point is that Dana’s exploring a theme she had with TOH but from a new, darker angle. And so it makes me think she’ll do that harsher attitude towards the fairy tale after all; In this case, not out of contempt for the genre but more contempt for the corporation and its sanitization, a reflection of how Disney limited Dana’s creative freedom with TOH. Really, KoG comes across as Dana getting to do things she never could’ve, because of her own choices regarding the narrative, the genre expectations, and/or Disney’s mandates. So it’d be poetic.

[floueris]

Types of disney princes / male leads *ੈ✩‧₊˚

heeseung

nick wilde (from zootopia) okay not unexpected like have you seen heeseung, sooo foxy meow, jokes aside. I think they are alike because as we all know heeseung is a very flirty person, which resonates with nick in the earlier part of zootopia when he constantly teases Judy and “uses her words against her” and I think the method of teasing is also really similar, but ofc!! the growth, when both nick and judy planned the scheme to get bellweather caught was really smart. And you know that part that nick was there with judy while she cried ? exactly like heeseung, he would always be there for you when you need someone there and always there to make you feel better and gives you a very huge sense of comfort

jay

prince eric (from the little mermaid) c’mon guys… jay is our classic gentleman, like how eric was with ariel, he would always treat people, especially ladies with utmost respect ( guys I CANT SHUT UP BUT LIKE HAVE YOU GUYS SEEN THE VIDEO OF JAY SAYING “ ladies, one at a time, don’t push please” BYE I DIED I CANT SHNDNSNDNSNNANDNSNSB) anyways I digressed but like Jay is the most perfect gentleman bf everrrrr like yk that one scene that is where Eric js kissed Ariel sooo deeply, SOOO JAY CODED BYEEE AN ULTIMATE SWEETHEART

jake

flynn ryder �� (from tangled) CMON YALL SAW THAT COMING OKAY…..Flynn Ryder is soooo flirty like jake like BYEEEE, also THAT NOSEEE !!! Both of them have fantastic noses, also another reason why they are similar is also because Flynn was protecting rapunzel even when he was severely injured which was very very jake core to me because jake always puts you first before anything even if he is “in pain “ also jake is a very charismatic person and like Flynn he is able to get out of trouble or get something through him sweet talking

Sunghoon

milo thatch (from the Atlantis the lost empire) milo is a very gentle and intelligent person, very sunghoon-esqe NO??? personally I think sunghoon is a very goofy person okay, similar to milo, he fights for what he thinks is right. Also my boy is a simp!! and both sunghoon and Milo are like sooo loser stuck in a hot body core, and ngl both of them look really good in glasses saur 😣

Sunoo

Hercules (from Hercules lol) anyways a lil “unexpected “ because sunoo looks more feminine but Hercules was a very gentle character which suits sunoo very well because I think that although sunoo is very gentle which makes the girlies more comfy w him, he also has a very manly streak in him, and personally I think he’s super brave and kind, just like Hercules. Maybe a lil himbo core? But also not really, sunoos just a really sweet guy

Jungwon

tadashi hamada (from big hero 6) GUYS YOU CANT TELL ME JUNGWON DOESNT LOOK LIKE HIM LIKE HELLOOOOO, anyways both of them are smart, innovative and have very kind souls (which imo is soooo attractive gbye) and also because tadashi made baymax just to take care of hiro if he’s not there anymore (GBYE MY HEART CANT TAKE THIS) also I think jungwon is a very self sacrificing person, always trying to sacrifice himself to help others yk, which can be good and bad. Lastly, jungwon is sooo reliable just like tadashi

riki

NAVEEEENNNNNNN (from princess and the frog) like the banter ?! the growth, everything!!! the reason why I think riki is like naveen is because personality wise they seem really similar like the banter and teasing first and foremost and just how carefree both of them are. secondly, it’s also about how naveen grew throughout the movie, from someone who didn’t care about anyone but himself to learning how to adapt and think of other people. obviously im not saying that riki doesn’t care about anyone but himself but in the way that we say riki grew up since i land days until now, and we can see like naveen, how much he has grown as a person!!!! also I will die on this hill that riki treats his gf like a kweeeennnnn like I’m not even joking, he wants nothing but the best for you hehehe and would treat you like a queen

—-

a/n: BYE GUYS I LOVE THIS SMMM IM LIKE SUCH A BIG DISNEY FAN BYE SNMSNDNSNS I LOVEEEE DISNEY SMSMSMSMS THIS WAS SOO CUTE HOPE YALL LIKE IT TEWWW SARANGHAEEEEE !!! LMK HOW I DIDDDD MEOWWWW

[petr1kov]

i was asking myself how many movies does disney even have left that can be turned into nostalgia bait live-action remakes, at this point. i think they have exhausted all of their biggest hits already. this trend as we know it now pretty much started with tim burton's alice in wonderland, then maleficent, cinderella, and the jungle book. they have also already done or are doing nearly all of their 90s renaissance era movies, arguably their most beloved, like the little mermaid, beauty and the beast, aladdin, the lion king, mulan, and the upcoming hercules movie. they have also made earlier classics like pinocchio, dumbo, lady and the tramp, peter pan, and the upcoming snow white, bambi, aristocats, and robin hood movies. they are even doing movies of this century now, with lilo & stitch and moana remakes being in the works.

they honestly don't even seem to care if the movie is a well-regarded classic or not, anymore. in one front, they are going from their a-list to their b-list and are now scraping the bottom of the c-list of their catalog to see if anything sticks, while on the other front they are trying to make us nostalgic for movies that are barely a decade old (and considering how scarce their recent offerings of new animated classics have been, this well will dry up even sooner). so considering all of this, here are the only movies they have left to work with:

the sword in the stone (kind of obscure but could pass as nostalgic)

complete cgi animal extravaganza: the rescuers & rescuers down under, the fox and the hound, the great mouse detective, oliver & company (considering how they're doing robin hood and the aristocats, very likely to happen)

the black cauldron (will they dare to touch this flop again?)

the hunchback of notre dame (bad idea)

pocahontas (TERRIBLE idea)

tarzan (no phil collins soundtrack)

the emperor's new groove (impossible)

atlantis & treasure planet (probably a last resort for them imo)

brother bear (no phil collins soundtrack)

home on the range (home on the range)

bolt (why)

the princess and the frog (old enough to be nostalgic)

tangled (of course)

frozen (can't believe they haven't done it yet)

then there's the maybe pile, which is:

101 dalmatians (they did the 90s glenn close movies already so it's hard to sell it again, AND they also recently made the cruella movie, but they might make a remake-ception if they feel it's worth it. who knows)

sleeping beauty (they did maleficent, but that wasn't a true adaptation, was it? they might pull this excuse to make another movie)

i don't believe they'll dare to make another chicken little. even as a joke.

zootopia (if things go well with the robin hood remake)

big hero 6 (unlikely)

encanto (if they're feeling particularly desperate)

[princess-posting]

i genuinely hope disney comes out with twisted tale books for encanto, moana, and zootopia, like those are modern classics with so much storytelling potential

[weirdly-specific-but-ok]

pt III doctor who but I've still never watched it

Hello yes Good Omens mascot here, I am making a DW summary because I'm trying unsuccessfully to distract myself from doubling over in pain after the Good Omens season 2 ending. Here you go:

First off, let me just say a very hearty thank you to the entire DW fandom for educating me during part I and part II as well as my Pinterest research. You have successfully managed to teach me nothing about Doctor Who, but every single last detail of David Tennant's life and family. Please seek help.

Timey wimey.

*checks notes* So David Tennant wrote fanfiction of DW in school and got into trouble, and he married the daughter of a previous Doctor from the classic DW whom he met on set, and he saw an episode of DW as a three year old and it inspired him to become a doctor. There's a joke that David didn't want to return as the 14th doctor but did it just to avoid Michael Sheen getting the role because as we all know the BBC has 12 actors and half are David and Michael who are incidentally glued together. David Tennant adopted his wife's kid and so now they have a total of five kids together. This morning for breakfast David ate a sandwich with one less slice of cheese which is a clue for GO season 3-

The police are rhinos, kind of like Zootopia. They kill people.

The TARDIS is the Doctor's best friend. She came up with a name and didn't tell the Doctor. So they call her Sexy.

Timey wimey.

Michael Sheen is a sentient planet.

Someone named Harry is present in the classic DW. At one point someone else says 'something something Harry' idk and Harry says 'Me?' and the other says 'there's only two of us here and your name is Harry'.

There is a slutty head and it was supposed to be dead but it procrastinated that to see David Tennant.

Timey wimey.

There is a sonic screwdriver, and it is used for very many things, but for a good ten minutes trying to research it I thought it was Sonic the Hedgehog merch. Incidentally, I don't know what that is, either.

The slutty head is pregnant a lot. It sits in a jar.

There is a minefield and then someone is standing on a landmine instead of following the other person. One of them is the Doctor.

The TARDIS expands because it is tired of holding its tummy in.

It's bigger on the inside.

Timey wimey.

The Doctor periodically kidnaps people to accompany them.

Everything is queer.

Timey wimey.

Time Lords are a thing. I don't know if the Doctor is a Time Lord.

Wilf meets a David Doctor and everyone cries.

There are Baby Yoda goblins and an alien named Meep and actually a lot of aliens are there.

There is a literal arsehole with the ability of speech.

Timey wimey.

[synergysilhouette]

10 more Disney hot takes/unpopular opinions (Part 4)

"I See the Light" is my least favorite Disney duet--I don't know why, but it isn't emotional or impactful to me like other duets. Perhaps it was due to not being emotionally invested in Flynn like I was supposed to be at this point, and his and Rapunzel's different personalities making them feel almost like father and daughter rather than love interests.

2. Anna's "Frozen 2" look is very boring--It's wildly disappointing that they opted not to give her her double braids because they seemed too childish. This is only three years after the first film, and while I love seeing her hair down, I would've enjoyed her having her two braids as well when traveling. And don't get me started on her main outfit; the black look being chosen to show maturity/seriousness could've easily been a darker green or magenta to keep with her main look rather than going with black, especially since Kristoff's look is black (and also boring; it's just recoloring his look from part 1).

3. The post-renaissance era is very disappointing--No seriously. I'd save "Fantasia 2000" and maybe "The Emperor's new Groove" and everything else can be erased.

4. "Zootopia" is the best Disney movie of the 21st century so far--Given that I tend to appreciate Disney's musical films more and don't usually care for animal-centric films, this surprised me just as much as anyone else. However, the message, while not 100% transferible to human racism, was so impactful and emotional to me. I can only hope the sequel does it justice.

5. Yokai is the best "modern" Disney villain of the revival era--To clarify, by "modern" I mean that he isn't written like classic Disney villains as only having "evil" as their only setting; his villainy has a meaning to it, serving as a cautionary tale to what the hero could become. TBH, I think it was better done than the "Know Who You Are" message with Moana and Te Fiti (see my other hot take post). Granted, I do think some of his sympathy was removed when he tried to kill his students, but the message and overall theme itself is very good to me.

6. "Encanto" was good, but not great--Don't get me wrong, I loved most of the songs, and the animation was phenomenal as well as the message, but the film felt like it was overstuffed. With twelve family members, it was inevitable, but trying to give lessons with Luisa and Isabela along with giving Dolores a romantic arc felt underwhelming since they weren't major characters with Mirabel, who's main thing was feeling left out and isolated. If they wanted to incorporate other arcs, they'd have to be more included in the narrative, and you can still have Mirabel feel isolated; you can be around others and still feel like they don't get you or listen to you.

7. Ariel's sisters should've had more relevance than just being plot-accurate--I never really thought about this until the live-action remake, but yeah. Ariel's six older sisters don't do anything and don't exist except for the fact that the source material said she was the youngest of several sisters (thus where we get the title from; I think the fairy tale only gave her five, though). While this is more of a modern Disney idea, I would've liked it if Ariel AND her sisters became human, and each of them grow closer to Ariel upon seeing why she likes the human world so much, and further highlight the anguish Triton feels at driving all his daughters away. That said, due to the amount of characters in the film, perhaps condense the six sisters into one to three of them, and they could still have their hair cut as their payment to Ursula. In fact, perhaps because of this trade, their time on land is shorter than Ariel's (but they don't belong to Ursula until the third day is up), allowing them to get King Triton and disrupt the wedding at the last minute.

8. The Disney prince line should be more relevant--It baffles me greatly that this hit the backburner in contrast to the princesses. The unnamed prince Charmings could be given names and more fleshed out personalities, and their books/stories could be promoted just as much as the Disney princesses. There is other merchandise to be used besides dolls (even if that is the money maker).

9. Disney needs to consider PG-13 animated films--Animation in the western world seems to be synonymous with family/young audiences, 3/4 times, while Japan has shown that animation has huge potential in the young adult market. I desperately hope that "The Boy and the Heron" being so acclaimed inspires Disney to be more PG-13--not just for the rating, but because the story benefits more from the mature content. Note: this is more for violence/scary imagery than innuendo or profanity.

10. Disney should be more sparing when they hire celebrities for films expected to start a franchise--This is a personal opinion of mine, but while I don't think celebrities should be excluded from major motion animated films, I do think companies, particularly Disney, should use them carefully. These are for two reasons: if you hire a well-known voice actor, the character's voice may not sound as unique for a major property since the voice is somewhat ubiqitous thanks to the actor's work. Secondly, hiring a celebrity actor known for live-action productions, it may be hard to meet their schedule or salary desires when you want them to return for a short, sequel, and/or tv show. Not saying it happens every time, but I do have concerns about that, especially when I thought "Wish" was going to be something spectacular and show up more in Disney's merchandise.

[dollmaidcrystal]

The Inhabitants of Mistress Aspyce’s Household

Name: Crystal Occupation: Full-time rubberdoll / sissy maid Orientation: Flexible Bio: Crystal retired early from her to career to a life of being Mistress Aspyce’s full time rubber sissy. Her “retirement” has kept her busier than a 9-5 job ever did, thanks to her duties keeping Mistress’s house clean, being a rubber bondage toy, and servicing Mistress’s guests at parties. She’s never been happier. Streaming Guilty Pleasure: "'Tis Time for "Torture," Princess". It's the chillest show about being kept in a torture dungeon ever.

Name: Mistress Aspyce Occupation: Small business owner / Amateur dominatrix Orientation: Equal parts heterosexual and in denial Bio: Previously the puppygirl of a failed leather household, Aspyce has seen so many ways wielding power has caused the people around her to self-destruct. When her leather family collapsed, Aspyce decided she would do better if she was ever the one in charge. Today, Mistress Aspyce runs both her own business and a small rubberist household. Streaming Guilty Pleasure: Classic Disney "Silly Symphonies", like "The Cookie Carnival" and "The China Shop". They're so simple, yet endlessly creative!

Name: Nonsense Occupation: 🐶 Orientation: Neutered, but still humping Bio: Nonsense is a dog. He does dog things. He enjoys running around, chewing, sniffing, and sleeping in Crystal’s bed. Having lived his entire life in a house full of rubberdolls, guests with sissy slaves, and a hidden bondage dungeon, he's gotten very chill about all the fetish stuff around him. Streaming Guilty Pleasure: "101 Dalmatians". There is a bad woman who wants to hurt puppies, but the good dogs save the puppies instead! It's like the best story ever! Note from Nonsense: "I have no problems with Zootopia, but Mommy and her friends need to stop making me watch the howling scene. I'm a doodle. Doodles don't howl to mark territory. We rely on a complicated system of social contract and negotiation. I'm not going to howl, no matter how much you want to post it to TikTok."

Name: Chie Occupation: Petgirl and newlywed wife of Master N / Mistress Aspyce’s ��sister” Likes: Previously the kittygirl of a failed leather household, Chie learned that being in charge is a mug’s game. It’s far better to have the freedom of being a pampered pet than have to worry about gross things like employment and bills. She’s currently living with her master thousands of miles away, but she still manages to be a frequent source of chaos in the Aspyce house. Streaming Guilty Pleasure: Cats don't feel any guilt about streaming vast quantities of anime, but "Apothecary Diaries" is really good.

[devilsrecreation]

we've talked about this before, but i wondered if you had any ideas of what would happen if the outlanders went on a roadtrip in a zootopia/human au? :3

OHMYGODDDDDD SPINNY HI :3

Tbh I honestly can’t remember when we talked about an Outlander road trip but I DO have ideas!

I’m guessing it all depends on which Outlanders are going. It’s chaotic every way tho fjfhfh

The destination: The Tree of Life

Jasiri would obviously be the one driving while Reirei rides shotgun

Janja, Kiburi, and Mzingo are riding in the back….that’s gonna be fun. Janja DEFINITELY isn’t gonna annoy the fuck out of everyone hfhfhf

Shupavu and Njano are there too cuz they don’t take up much space (if it’s the Zootopia AU, if it’s a human au then they have the third row to themselves)

Kenge drives the skinks and Sumu on their road trip. It’s fine until some asshole cuts him off and he gets road rage

Kiburi’s mostly keeping himself busy by looking out the window or listening to rap music

When the car runs low on gas, everyone plays rock, paper, scissors to determine who gets to fill the car up (nobody wants to do it). Reirei loses and she has to witness the boys either being smug (Mzingo) or laughing and flipping her off (Janja and Kiburi)

Janja’s fun doesn’t last long since Jasiri tells him to buy everyone snacks. It’s mostly candy and beef jerky for Kiburi. Shupavu and Njano only get one measly pack of gum and nothing else

At some point, the skinks take an interesting picture of Janja sleeping on Kiburi’s lap like a pillow

For a croc road trip, Tamka and Neema are the one in a weird position. You could mistake them for a sleeping couple hfgfvfgf

Nduli and Cheezi are in their own world while everyone else is arguing. They’re just happy to be here

At the most inconvenient time, Njano has to pee. Same goes for Chungu, Goigoi, and Tamka 😭

Mzingo’s phone has the GPS plus he knows a couple shortcuts here and there so he’s very useful

Unfortunately they forget him at a gas station and it takes them like an hour to realize it. Dw they go back for him

On a hyena road trip, Janja “accidentally” forgets Nne and Tano at the gas station. With the crocs, they almost forget Neema. Jackals? It’s poor Goigoi. The skinks THINK they forgot either Nyeusi or Sumu but it turns out they just moved to the trunk lol

Lots of arguing happening no matter which Outlanders are on the trip

When everything’s quiet, Janja turns around out of curiosity and catches Shupavu and Njano making out (nothing NSFW just kissing)

Jasiri’s eyes start to droop a bit but is woken up by death metal on max volume (thanks, Janja lmao. Reirei was just gonna yell but that works too)

If it’s just Janja, Reirei, and Kiburi on the trip, then it’s like this

Constant fighting over music. Jasiri plays pop music, but Janja changes it to a rock and roll station, which is changed to country by Reirei, then classical/opera(?) by Mzingo, then rap/hip hop by Kiburi. In the end they all jam to “What is Love” along with the head bopping thing lmaoooo

Thank god the trip is a win and everyone has a good time!….until the ride home where everyone starts arguing again