#zinato

[siofreed]

Reincarnation: Sakura

From left to right: Ichihara Yoshiko, Yamamoto Sakura & Sakura the Phoenix

Sakura the Phoenix is the 1st & oldest of the incarnations. She is the last of the Phoenix Youkai tribe, which was destroyed when she was a child. She was found & adopted by the Kitsune tribe, & became childhood friends with Kurama. Due to her heritage, she has vast control over both Wind & Fire, & has accelerated regeneration. Sakura & Kurama later married & had a daughter, Saya. She was killed a few years after Saya's birth by a vengeful youkai after Kurama while protecting her child.

Yamamoto Sakura is the 2nd incarnation. She was 1 of the gifted children chosen to become future Incarnations of Japan. She gained a phoenix fledgling as a familiar & joined a group of children who will later become their generation's Counselors. She is the Incarnation of the Wind & the youngest of the quartet. She held the Key of Magic, passed down from the previous generation of Counselors. She is also quite a flirt, teasing the bishonens she has her eyes on.

Ichihara Yoshiko is the 3rd & youngest of the incarnations. She is the younger sister of Yuuko & 2 mysterious twin brothers, 'Ying' & 'Yang'. Yoshiko has a star-shape birthmark of sorts that darkens & lightens frequently due to multiple factors. She is the Bearer of the Wings of Space, allowing her to literally manipulate the dimensions around her.

[papabirdurskeks]

And now the last of the asks! Continuing from a previous ask, this one was number 62 sent in by @ben-the-hyena

The Introvert and Extravert

When it comes to this sort of trope, I think of Zinato and Hutia

Most times when it comes to the opposites, its usually something fun and heartwarming where both parties find a way around their differences to make things work. But in these two's case, its quite the opposite.

Zinato, Hutia's spouse at the time, is the extravert of the two while Hutia is more introverted. Hutia is not a fan of big social gatherings or being around a lot of people. He usually prefers the quiet and to be left alone with maybe one or two people who are willing to listen to him when he talks. However, with a spouse like Zinato who very much enjoys social gatherings and lots of attention from as many people as possible, it easily makes him nervous and uncomfortable. Yet, Zinato doesn't really care nor sympathizes with Hutia on the matter, more or less forcing him out of his comfort zone constantly to not be "embarrassed by his constant sulking"; when in reality, he's just extremely nervous and wanting to find a quiet spot to be in to calm down.

Long story short, its a constant battle of being forced out of comfort zones just to make the other happy. Not a very happy marriage for Hutia before his divorce.

[i-like-sticks]

Gonna dump this here cause I can since I am reminded of the names I picked out for my OCs in Destiny (especially for the Witness's people)! Did anyone ask for this? No! But, hey, its here for notes and reference if anyone is curious to ask!

As I mentioned on an ask on my main, I take a lot of names that are mostly in line with my own culture while trying to fit them with the character's personality or a trait they have.

-Karaya's name literally translates to "moon" and if people know me very well for a long time, anyone that is named after the moon tend to be tragical figures of a sort. And sadly, Karaya is no different. Though, despite his suffering and challenges, he does overcome them and is dedicated to the changes he makes by showing he will persevere and not be taken down. Why I pick to associate him with the moon mostly goes in hand that its the same as it often does with many of my stories. Tragical as it may be to be associated with the moon, each one is strong and pushes through to become something mighty and grand in the end. Plus, the moon in my culture is known to be just as jovial and persevering despite the sadness She endures.

-Tureygua translates to "celestial skies" but also goes by the nickname Turey which ironically translates to "sky". Again, this is more of a play that Turey has a connection with the stars and therefore, an association with Karaya (as he is a distant ancestor of his). Though Turey isn't an astronomer, he does look up to the stars for knowledge and strength, guidance as a means to comfort him in dire times. In a way, Turey is like the person that goes "the sky is not the limit but the start" sort of person, pushing through every challenge in front of him because he knows he can do it.

-Homayoun is one of the few characters that doesn't share a name within my culture. Instead, it borrows from the Persian culture in terms of meaning fortunate/rich/noble. However, his name is sort of an irony as his beginnings were never noble or fortunate. He's an individual plagued by constant misfortunes that have in the long run made him rather bleak and hold a depressed outlook in life. Its only after his marriage to Tureygua and certain things that have happened that eventually allow him to make a change of his outlook on life and gain that fortune he had never had. Its with his family he is noble and rich, fortunate and blessed to have what he has before his passing.

-Mirari (Turey and Homayoun's child), is also another character whose name is not based on anything in my culture. Instead, it borrows from the Portuguese word "miracle" as that is literally what they are for the pair. Being born premature and right at the cusp of death for both them and their "mother", it was a miracle that they made it through and managed to live a long and healthy life. They are the pair's little miracle and will cherish them as such considering how much they love them and how much joy they bring them as a family.

-Hutia translates to "rabbit". Its not because they look like a rabbit that I picked this name for Hutia, but more so, because he is skittish like one; easily overwhelmed and frightened in the way a nervous rabbit would be at times. Its more a jab at my own anxious personality as I am always compared to a rabbit at home by my own family. Plus, rabbits are cute and also hold a lot of meaning for me in stories as well! Being anxious at the start but able to overcome their fears by proving such things won't rule their lives entirely. Something to which I have planned out for Hutia in the Alternate Timeline AU.

-Zinato (Hutia's first spouse before their divorce) translates to "irritated", which is pretty much their biggest personality trait when they are seen as their true selves. Anything that doesn't go their way instantly annoys them to a point of being completely selfish and intolerable. And often times, its usually with Hutia they share this sentiment with because they are total opposites in personality. Zinato is more outgoing and adventurous, impulsive and brash. Hutia is not. Therefore, Zinato becomes extremely irate anytime Hutia wants nothing to do with their plans or just seemingly wants to be left alone.

-Guani' (Hutia's second husband) translates to "noble man", to which I like to reflect on his more caring and gentle approach to things. He may not be of noble origins as he comes from a poorer background, but he certainly has the heart of a good person and carries it boldly. Its this sort of approach that helps Hutia come out of their shell and be more accepting of themselves as well as others who genuinely care for him. Plus, it also hints where he will take his family line down in the Alternate Timeline AU!

-Mabuya literally translates to "ghost" or in some cases "evil spirit" though it is debatable to be honest. However, I am taking the context of that of a simple ghost. Sort of a joke that they are aptly named after the little companions guardians gain when chosen by the Traveler and because they are so quiet and often hidden in plain sight to other characters. Its their eerily quiet nature that sort of puts people off to think them as a ghost, but they are actually pretty chill and just quiet and reserved. They do like talking to Scooter though! Even if its just in tiny whispers. Mabuya is a direct descendant of Hutia and his husband Guani' as well as Karaya in the Alternate Timeline AU.

-Bijirita translates to "cooing dove", though he is far from the idea of a tranquil little dove that innocently sits on a tree. If anything, he is quite the opposite. Sadistic at heart and sly like a fox, always waiting to strike his prey like a viper eying its prey in silence. Why I named him after something so peaceful is to play on the idea of surprise and that is what Bijirita holds as a character. He is literally full of surprises when given the chance to show them. But like a dove, his eerily calm demeanor helps him use his charm to trick people into getting what he wants. Its perhaps one of the biggest surprises his husband Shaan came across when they first met. Bijirita is a descendant of Mirari and Karaya in the Alternate Timeline AU.

-Baracutey translates to "solitary" in terms of a person and animal alike. This wasn't always quite the case for him in his early life but he was and still is a person that prefers to handle things on his own then admit he needs help in the long run. Pride runs deep in his bloodline and sadly, he holds that fault in his own. And this holds especially true after particular events in his life, in which he becomes more reserved and solitary in general. Does it mean he is completely devoid of emotion and love and is a constant edge lord? No. But he just has a hard time expressing things out of trust. Baracutey is the son of Caguana and a descendant of Karaya.

-Rahe translates to "daughter", though gender in general of the Witness's people literally mean nothing to them. This one is sort of simple as they are the child of the General Baracutey, but do not know this until much later on in the story. Neither of them are aware of each other's presence aside from the brief meeting they have early on in their life. Brief as it was, they hold no memory of their father whatsoever. They identify as nonbinary with they/them pronouns mostly but sometimes will go by she/her. They are Baracutey's child and the grandchild of Bajari Caguana.

-Caguana translates to "fertility mother". She is aptly named after the goddess of fertility in my culture as she is sort of the "mother" figure to her people being the Bajari (another word that translates to one's utmost respect in title). And being Bajari means being both a leader and mother/father figure of one's people, which is the role she takes on as such. This also goes in hand that her children rule alongside her as many previous Bajari have done, echoing back to days when Karaya became the first. Yet, despite her motherly figure for the people, she is a very doting mother to her children and grandchildren as well, once again echoing the love and care Karaya had for his own children and grandchildren when they came about. She leads on with examples of utmost care and caution, wanting only the best possible outcome to ensure things go well, thus ensuring a better means of prospering for her people in the long run. She too is a descendant of Karaya, the mother of Baracutey, and grandmother of Mabuya, Rahe, and Bijirita in the Alternate Timeline AU.

-Shaan is another character that is not named from my own culture but borrows from the Hindi word of "pride". And if anyone knows Shaan well, he is definitely a Lubraean full of such pride and more and is not afraid to show it either. He is loud and bombastic, egotistical when insulted and will be damn sure to let anyone know no one insults him and gets away with it. His pride is not out of stroking his ego though as he does hone the skills to brag about his awards and accomplishments. He does, essentially, have the very right to brag and be open about it to anyone who challenges him and he will be sure that when anyone who does so will feel his wrath following such pride. Does that mean he is always right? No. He can and will be wrong many times, Bijirita has shown him that. But he won't let anyone know that nor live to have that under their belt. This Lubraean is one you don't want to mess with, especially when complimenting Bijirita's sadism and cunning with his own to be rid of his enemies.

-Scooter literally has no name of translation. He earned this nickname purely because I call one of my cats "scooter" at times. Its a playful name that does, however, reflect his playful and outgoing nature and he no qualms in earning such a name either. This nickname was also given to him in "canon" because he often liked to play on wheeled items and scoot on them for fun. If he had a scooter or skateboard, he may be able to do all the tricks on them.

-Tzaatehk also has no real meaning to his name. Its actually a play on a villain's name from a show I used to watch as a kid (who ironically was an evil vizir that plotted to kill the prince of his homeworld). However, in terms of personality, Tzaatehk is far from the simple "evil" of a jealous vizir. If anything, he is just evil inside and out, rotten to a core that would infect anyone who dare take after him. He's not a good person and should be avoided at all costs. Even others of his kind do not enjoy his presence nor wish to be around him. Many plots have been made to be rid of him but somehow, he always seems to prevail and capture his would-be assassins, killing them in turn as punishment to challenge of his own standing.

And lastly, I am adding in the Witness as a probable player but only in terms of historical context for their people. However, here they are mortal but the child of the current Bajari at the time of history (thus meeting when their people and the Lubraean's meet for the first time and clear Lubrae of its hold of the Regime).

I had initially given them the name Cauta as it translates to "center of the universe", a play of description of them being well, literally what they are to their parent and the role they play for their people later on in the Alternate Timeline AU. However, I also debate on giving them the name Guaroco, which translates to "remembrance/to know" as an homage to their true canon selves.

I do have several nicknames picked out for them that will be given to them by Rhulk, but for now, its a fight between these two names in general.

But as of now, these are all the named characters I have thus far for my own stories. I might and will have more to add later! But for now, this is the current set list (minus all the smaller characters attached to the these).

[lamilanomagazine]

Pesaro, 'Oltre l'effimero' ricorda Paolo Volponi

Pesaro, 'Oltre l'effimero' ricorda Paolo Volponi In occasione del centenario della nascita, la rassegna 'Oltre l'effimero' ricorda Paolo Volponi (Urbino, 6 febbraio 1924 – Ancona 1994), uno dei giganti della letteratura del Novecento che con i suoi romanzi ha raccontato le contraddizioni e i limiti della società industriale. Mercoledì 7 febbraio (ore 17.30) a Palazzo Ciacchi sede di Confindustria Pesaro Urbino, l'incontro è dedicato a Il lanciatore di giavellotto, uno dei libri più forti e inquietanti di Volponi. Ne parleranno, partendo da angolature diverse, Giuliano Martufi, ideatore e curatore della rassegna, lo storico del Novecento Emilio Gentile e lo scrittore Paolo Teobaldi: tre vecchi compagni di classe che hanno frequentato il Liceo-Ginnasio Terenzio Mamiani negli anni sessanta del secolo scorso. Uscito per Einaudi nel 1981, Il lanciatore di giavellotto è un particolarissimo romanzo di formazione ("un Bildungsroman alla rovescia" lo definisce con precisione Emanuele Zinato) che racconta la crescita di un adolescente in una cittadina delle Marche (Fossombrone) durante il fascismo: i rapporti non facili col padre vasaio, la dolorosa scoperta che la madre è l'amante di un gerarca fascista, l'impoetica scoperta del sesso nei modi e nei luoghi del tempo. La narrazione è sempre sostenuta dalla lingua ricca e immaginifica di Volponi. La rassegna 'Oltre l'effimero' è promossa dagli assessorati alla Bellezza e allo Sport del Comune di Pesaro in collaborazione con Pindaro eventi.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[effemeridiscettiche]

Reputazione accademica e libertà intellettuale • Le parole e le cose²

[bocekcicek]

Giulia Zinato

[raffaelealbo]

Treno

Perché l'ho fatto. Appoggio la testa allo schienale, il ritmo delle rotaie pressava la nuca. Caldo e sete. Mascherina troppo stretta. Piano piano sul naso si scavava il reticolo unico del ferretto. Povere donne che questo provavano in ben altri luoghi. Era carino. Accompagnato da sole ragazze. L'aveva visto in quel poco di viso risparmiato dalla chirurgica. Barba leggerissima, ricci. Al cambio di treno l'aveva guardato, camminando avanti indietro sulla banchina, con la città vietata alla vista da un provvidenziale treno. Era salito dietro di lui, sedendosi nello stesso scomparto. Avrebbe voluto parlarci. Girò la testa un poco, solo per vederlo meglio. Un qualcosa lo fermò. Joe Goldberg. Guardò intensamente fuori dal finestrino. Cornuda scompariva alla sua vista. Era attaccato al cellulare, non parlava con le amiche. Perché. Perché si era fissato. Così. Non se ne ricordava nemmeno i pochi tratti. Era già scomparso dalla sua mente. Era lì. Non esisteva. Era una possibilità. Ebbe un colpo. Un lieve scivolare di amaro nel torace. Si depositò poco sotto lo sterno. Quel ragazzo non esisteva. Non era nulla. Non era importante. Poteva anche tornare a fissare pigramente Scrubs al cellulare, invece di fare l'intellettuale fallito con "Letteratura come storiografia?" inutilmente fra le mani. Scemo Lo leggeva fra le righe. La poesia storica. L'officina. Il Menabò. Scemo Pasolini, Zinato, Guarnieri Scemo La narrazione quale ambito concorrente fra letteratura e storia. Carlo. Lo storico come giudice Ruth Bader. La poesia come giustizia. Allen. La letteratura come vita. Natalia. Perché sognare. Farsi del male per un sogno. Leone. Il ragazzo era sceso. Nemmeno se n'era accorto. E la pagine era ferma. Aveva finito i Ginzburg/Ginsburg/Ginsberg su cui perdersi. Il professore a un incontro aveva detto: "il problema degli storici è che leggono troppi libri di storia". Chissà perché se lo ricordava con la voce di Barbero. Non voleva ancora annichilirsi con una serie TV. Il cullare del treno gli piaceva. Il campari di prima aiutava. Era un rumore bellissimo, dolce nella sua meccanica. Perché aveva voluto sognare. Oggi, prima. Quel ragazzo. Non quello sceso. Un altro. L'aveva conosciuto tempo fa. Un appuntamento a quattro. Poco senso. Ragazzo ragazza fidanzati. I due omosessuali di provincia no. Un tempo odiava bollare le persone. Farne una diagnosi superficiale. Ne aveva imparato l'utilità. Pochi minuti erano bastati. Caso umano, no grazie. Anche lui era un caso umano. Ne era consapevole, fin orgoglioso. Almeno così poteva vivere bene. Odiava chi caso umano era ma lo negava. Così fai del male alle persone. Se lo sai, puoi evitarlo. Tenere dei pensieri in testa, liberarti. Liberare gli altri da un peso. Tutti i sedili attorno a lui erano vuoti. Treno vecchio, ancora i posaceneri estraibili. Aveva ancora una cuffietta addosso, straordinariamente silente. L'aveva rivisto, il caso umano. Occhi molto belli. Specchio di un'anima rotta. C'era dell'intrigo sotto, forse sarebbe stato bello scoprirlo. "The eyes, chico. They never lie". La storia di un amico. Un occhio rosso d'erba e di adolescenziale ribellione. L'amica di Padova "c'è anche matte domani" Beh perfetto. Matte era simpatico. "Aspetta che ci raggiunge Alessandro" Grazie mascherine che coprite le bestemmie silenziose. Si studiarono nel corso dell'aperitivo. Fu nel panico quando rimasero solo loro due. Per qualche minuto. Perse forza. Perse pubblico. Si ritrovò triste, ammettendo a se stesso di essere tornato quattordicenne. Ogni possibilità è una promessa. Il treno chiamava. Ritornò al classico disincanto. Un messaggio. Un gruppo. "[...] vi è un proverbio che dice: «se desideri conquistare il mondo, conquista le tue sofferenze prima di tutto». Non saremo mai capaci di vincere le nostre sofferenze attraverso la volontà, ma potremo sicuramente farlo con la pratica della fede. Non vi è dubbio in proposito." (Tratto da "La rivoluzione umana" di D. Ikeda, Ed. Esperia - rist. gennaio 2012, vol. 10, pag. 229) La volontà senza speranza è inutile. Un moto a senza luogo. Faceva più freddo. Dieci minuti e sarebbe arrivato. Al solito posto. All'unico luogo.

[hardsadness]

Primrose Hill, London England Photo by Carlos Zinato

[rafiocchi]

“Queste immagini ‘integrate’ della letteratura del XXI secolo mettono a fuoco la forza della ‘mutazione’ socioculturale: dichiarano chiusa l’epoca in cui la letteratura era considerata un’esperienza profonda e problematica e accolgono come un dato che la scrittura-lettura sia oggi per la larga maggioranza ‘un passatempo’. (Simonetti) *da “L’estremo contemporaneo. Letteratura italiana 2000-2020” a cura di Emanuele ZInato Libro illuminante suggerito da Bruna Graziani, da portarsi anche in treno. #libri #books #livres #letteratura #criticaletteraria #treccani #emanuelezinato https://www.instagram.com/p/CgLt1eNILg6/?igshid=NGJjMDIxMWI=

[marcogiovenale]

"il verri" n. 75: 'ma quale valore?'

“il verri” n. 75: ‘ma quale valore?’

IL VERRI – n. 75, febbraio 2021 “ma quale valore?” 140 pagine copertina di Biagio Cepollaro: Icona n. 85 (t.m. su tela, cm 40×30, 2019) indice Daniele Giglioli, Giudizio di valore? Emanuele Zinato, Il “ritorno del represso” come misura del valore Gianluigi Simonetti, Considerazioni di un recensore Biagio Cepollaro, Il delirio del valore: da ontologia a biografia Giuseppe Carrara, Note sul…

[siofreed]

Time Travel Mishap

4 children of impure birth barely a decade old disappears, 4 teenagers who could past as their older siblings were sighted, each bearing symbols of 4 of the Leaders of your society, wielding powerful forbidden magic. What would you do?

This is based in a much stricter hidden magical society than the original one in the Chronicles of the Gods, along with a medieval ‘mundane’ society (lack of progress due to magicals' subtle influence). The 4 from the Root Universe miscalculated & end up in the past of an alternate universe instead of their own past, in the process taking over their counterparts' existence.

The AU's magical society, the Magic Council, is a mixture of Magical Britain from Harry Potter & Mage's Association of Nasuverse. Blood Purity is very important. Muggles & Mudbloods are easy pickings for curious Purebloods to experiment on. Muggle hunting is a popular sport among Purebloods. 'Light' magic, as dictated by the Council, is the only legal magic. That kind of stuff.

Their Leaders are selected based on the strongest of the magicals in at least one aspect of magic (& is a Pureblood). Each Leader wears an ancient gem created of either Air, Fire, Water or Earth elemental magic to symbolize their positions.

An 8 years-old orphan from a 2nd gen magical family that held powerful magic. Her family killed, herself snatched from the cooling arms of her older brother barely a month ago. A promising specimen, her disappearance caused quite a stir in the Clan that 'found' her.

Sakura Yoshiko, amateur Witch of Wishes. She is bonded to a Phoenix, Chiruru. She raised an Oriental Dragon, Zinato who has 10 different personalities (he can also duplicate himself~). She tends to act like a bipolar child, cheerful one second & serious the next. It messes with people's perception of her, greatly confusing them. She is the magically strongest among the quartet, & would have been the epitome of Light... if it wasn't for her mischievous & destructive nature. Let's just say even her siblings hold a mediocrity of pity for the victims, while damage control is usually decided via coin toss among her siblings. Her necklace bears the Gem of Air.

A 9 years-old Asian street rat with fire-red hair, abandoned by his closest kin, found & raised a group of street kids who became his family. Disappeared just before a Magical hunting party found him, the last surviving member of the town he lived in for the last 6 years.

Syaron, he who wields the most destructive of the elements. He is bonded to an albino Tiger, who has grown into a powerful Electric Elemental. He has raised a Kirin, one who also grew into a powerful Fire Elemental. Elemental magic is his forte, along with his martial arts training, he is a formidable foe at any range. He is usually the peace keeper of the quartet. Even though by the Council's standards he is Light-aligned, he takes a dim view on the Light & Dark boundary, partly due to 2 of his siblings being Dark-aligned themselves (heck the expression in the drawing, he loves breaking people's world views). His earring bears the Gem of Fire. 

A 9 years-old child, one of the many test subjects of a twisted Pureblood. Extensive trauma caused her hair to turn completely white. Her disappearance was only noticed when his servants did a routine check-up on his dear 'children'.

Rinko, who would have been classified as a Blue Mage in another world. She is bonded to a Drake, Yomi. She created a cyber elf, Chu & raised a twin-soul Phoenix, who due to the malleability of their souls, can merge with Yomi to take a hybrid form. The spellweaver of the siblings, she compensates for her lower magical reserve with her ability to copy & adapt magic, the jack-of-all-trades of the quartet. Due to her 'traumatic past', strangers are at risk of getting blasted away or worse (think flying limbs) if they get too close to her, hence her preference to long range magic. Her charm bears the Gem of Water.

A 10 years-old boy, bastard child of a prestigious Pureblood Clan, born from the union of a mudblood & the Pureblood heir. His disappearance was largely ignored, even celebrated by his 'family'.

Yukido, Master Craftsman of multiple arts. He has a mechanical turtle as a familiar (it can fly!). Usually acts cheerful to the point of being seen as naive (but then, isn't acting considered an art too?). He is the physically strongest among the quartet, along being deadly skilled with every weapon he's gotten his hands on. So long as he has enough resources, he can create as many weapons as he needs (challenging him, while on a solid surface, is just asking for trouble). Being the oldest, he takes the wellbeing of his younger siblings seriously. His ring bears the Gem of Earth.

The 4 from the Root Universe are old. Very old. As in millennia old. At least that's what they say if you ask.

[papabirdurskeks]

So, a little side note to my headcanon on speculative stuff on the Witness's people with some backup help from my OCs:

A lot of my characters actually have female/feminine voices even if they identify as male. This is largely because the species themselves are intersex and do not rely on the concept of gender to determine who they truly are. They distinguish and choose their pronouns when they are old enough to decide what they feel fits themselves best.

For example, both Turey and Hutia identify as male but have female/feminine voices. Rahe and Zinato also have female/feminine voices but identify solely as non-binary to name a few.

In much earlier times before the species evolved to be more humanoid, the species had a large female to male ratio. A cis male would number 1 to every 50 cis females. Because of this, the species eventually began to evolve with more intersex individuals being born to help reduce the chances of inbreeding between the populous. It wouldn't be long before the intersex gene became the dominant gene to take over in full. However, pieces of prior evolution still linger when vocal cords and language began to develop alongside this gene as well. This is why if one is to find themselves among the species, they would often hear female/feminine voices.

Very seldom do any of them actually have male voices and if they do, they are usually very soft spoken and quiet.

For example, again, both Baracutey and Homayoun have masculine voices. The same goes for Bijirita. Mabuya also has a masculine voice yet identifies as non-binary. And I'naru', who has a masculine/male voice, identifies as female.

Voices are not usually loud or deep within this species as this is a species that heavily relies on body language to communicate with each other more effectively.

Again, in earlier times before the Traveler, the species often found it easier for them to speak more softly to evade any sort of danger while also being able to signal and commune with one another should said dangers be around. Softer tones and effective body language also aided them in hunts as they further evolved to become the apex predators of their world, keeping them out of sight and sound of potential prey. Body language also helps in detecting how one feels without saying it or understanding the state of their overall health.

I'll further explain this with more speculative doodles later down the line, but I felt the need to add this in there for the sake of understanding/knowing what will be when said doodles and posts do come about! Hope this makes sense to some degree.

Again, these are just personal headcanons for my lore/story building.

[giuliocavalli]

«Non possiamo permettere che ritornino quelle parole (e quegli atti) della vergogna»: una lettera ai direttori

«Non possiamo permettere che ritornino quelle parole (e quegli atti) della vergogna»: una lettera ai direttori (la pubblica Nazione Indiana qui) Siamo studiosi e studiose, scrittori e scrittrici, preoccupati dal dilagare dell’odio nei media italiani. Odio verso le donne, i migranti, i figli di migranti, la comunità Lgbtq. Un odio che è ormai il piatto principale di moltissimi talk show televisivi nei quali vige da tempo la politica dei microfoni aperti, senza nessuna direzione o controllo. E spesso le parole che escono fuori da alcuni dibattimenti televisivi sono parole che mettono fortemente in crisi o addirittura contraddicono l’essenza stessa della nostra Costituzione, il richiamarsi a un patto antifascista e democratico. L’attentato di Macerata, dove un simpatizzante neonazista ha cercato la strage di uomini e donne africani, è qualcosa che ci interroga nel profondo. Le vittime sono diventate il bersaglio di un uomo la cui azione terroristica si è nutrita della narrazione tossica veicolata non solo da internet ma anche dal mainstream mediatico. Dopo quello che è successo non possiamo restare in silenzio. Serve una maggiore assunzione di responsabilità, serve un nuovo patto fra chi fa comunicazione e i cittadini. Le parole di odio, lo abbiamo visto chiaramente, possono tradursi in atti di violenza omicida. Azioni che, acclamate e imitate, rischiano seriamente di innescare una spirale di violenza. Per noi è evidente che il nodo mediatico ha contribuito a produrre e legittimare lo scatenarsi delle pulsioni peggiori. Per questo chiediamo ai media di non prestare più il fianco alla propaganda d’odio, ma di compiere anzi uno sforzo nel contrastarla. Intere fette di società (per esempio i migranti e i figli di migranti) nella rappresentazione mediatica esistono pressoché solo come stereotipo o nei peggiori dei casi come bersaglio dell’odio, contraltare utile a chi fa di una propaganda scellerata il suo lavoro principale. Sappiamo che nei media lavorano seri professionisti che come noi sono molto preoccupati per la piega degli eventi. Servono contenuti nuovi, modalità diverse, linguaggi aperti e trasparenti. Non possiamo permettere che nel 2018, ad 80 anni dalle leggi razziali, ritornino quelle parole (e quegli atti) della vergogna. Dobbiamo cambiare ora e dobbiamo farlo tutti insieme. Ne va della nostra convivenza e della nostra tenuta democratica. Quello che chiediamo non è un superficiale politically correct. Chiediamo invece una presa in carico di un mondo nuovo, il nostro, che ha bisogno di conoscersi e non odiarsi. Antonio Gramsci scriveva: Il vecchio mondo sta morendo. Quello nuovo tarda a comparire. E in questo chiaroscuro nascono i mostri. Dipende da noi non lasciar nascere questi mostri. Dipende da noi evitare che torni lo spettro del fascismo nelle nostre vite. Per farlo però dobbiamo lavorare in sinergia e cambiare i mezzi di comunicazione. E dobbiamo farlo ora, prima che sia troppo tardi. Giulio Cavalli Vanessa Roghi Helena Janeczek Igiaba Scego Sabrina Varani Christian Raimo Paolo di Paolo Michela Monferrini Frederika Randall Graziano Graziani Francesca Capelli Shaul Bassi Loredana Lipperini Shulim Vogelmann Amin Nour Reda Zine Sabrina Marchetti Amir Issa Alessandro Triulzi Francesco Forlani Fiorella Leone Francesca Melandri Ilda Curti Marco Balzano Alessandro Portelli Attilio Scarpellini Filippo Tuena Francesco M.Cataluccio Laura Bosio Gianfranco Pannone Antonio Damasco Franco Buffoni Evelina Santangelo Caterina Bonvicini Lisa Ginzburg Camilla Miglio Emanuele Zinato Andrea Inglese Andrea Raos Maria Grazia Meriggi Alessandra Di Maio Roberto Carvelli Francesco Fiorentino Grazia Verasani Caterina Venturini Alessandra Carnaroli Lorenzo Declich Gennaro Carotenuto Silvia Ballestra Chiara Valerio Marco Belpoliti Paola Caridi Marco Missiroli Alessandro Robecchi Valeria Parrella Nicola Lagioia Enrico Manera Jamila Mascat Maria Luisa Venuta Rossella Milone Giacomo Sartori Antonella Lattanzi Barbara del Mercato Amara Lakhous Rino Bianchi Carola Susani Roberto Carvelli Isabella Perretti Rosa Jijon Davide Orecchio Antonella Lattanzi Simone Giusti Simone Siliani Alberto Prunetti Chiara Mezzalama Elisabetta Mastrocola Teresa Ciabatti Andrea Tarabbia Antonella Anedda Elisabetta Bucciarelli Francesco Fiorentino Paola Capriolo Paolo Morelli Simona Vinci Giorgio Vasta Orsola Puecher Antonio Scurati Vins Gallico Daniele Petruccioli Enrico Macioci Maria Grazia Calandrone Eraldo Affinati Elena Pirazzoli Leonardo Palmisano Emiliano Sbaraglia Maura Gancitano Marco Mancassola Rosella Postorino Alessandra Sarchi Carlo Lucarelli Giorgio Pecorin Gianni Biondillo Ornella Tajani Mariasole Ariot Giorgio Fontana Girolamo Grammatico Francesca Ceci Brunella Toscani Tommaso Giartosio Attilio Scarpellini Simone Pieranni Elisabetta Liguori Giuliano Santoro Orofino di Giacomelli Maria Grazia Porcelli Giovanni Contini Federico Faloppa Federico Bertoni Flaminia Bartolini Dario Miccoli Emanuela Trevisan Semi Alessandro Mari Tommaso Pincio Laura Silvia Battaglia Anna Maria Crispino Andrea Bajani Renata Morresi Francesca Fiorletta Federica Manzon Angiola Codacci Pisanelli Alessandro Chiappanuvoli Società italiana delle Storiche Benedetta Tobagi Giuseppe Genna Fabio Geda Daniele Giglioli Angelo Ferracuti Alessandro Bertante Riccardo Chiaberge Giorgio Mascitelli Gherardo Bortolotti Annamaria Ferramosca Anita Benedetti Letizia Perri Luisella Aprà Masturah Atalas Rosalia Gambatesa Barbara Summa Lorenzo D’Agostino Anna Toscano Fabrizio Botti Chiara Veltri Sergio Bellino Barbara Benini Valentina Mangiaforte Maria Motta Emanuele Plasmati Giuseppe Maimone Paolo Soraci Pina Piccolo Graziella Priulla Leonardo Banchi Valentina Daniele Massimiliano Macculi Susanna Marchesi Corrado Aiello Giovanni Scotto Liliana Omegna Domenico Conoscenti Francesco Falciani Mario Di Vito Ileana Zagaglia Maria Elena Paniconi Antonio Corsi Stefano Luzi Nicola Marino Barbara Lazzarini Antonella Bottero Camilla Mauro Pietro Saitta Gianni Montieri Francesca Del Moro Adam Atik Maurella Carbone Sabrina Fusari Francesa Perlini Antonella Bastari Donatella Libani Alessandra Pillosu Lidia Massari Gianni Girola Andrea Fasulo Lidia Borghi Roberta Chimera Gaetano Vergara Camilla Seibezzi Lisa Dal Lago Nicoletta Mazzi Annamaria Laneri Sandra Paoli Cristina Nicoletta Leonardo De Franceschi Olga Consoli Chiara Barbieri Valentina De Cillis Letizia Perri Angelo Sopelsa Alessandra Greco Simone Buratti Giacomo Di Girolamo MariaGiovanna Luini Costanza Matafù Lorenza Caravelli Elena Maitrel Cavasin Leopoldina Bernardi Donatella Favaretto Simona Brighetti Margherita D’Onofrio Ivana Buono Manuela Olivieri Maria Cristina Mannozzi Helleana Grussi Elisabetta Galeotti Antonio Sparzani (si può firmare qui)

(la pubblica Nazione Indiana qui) Siamo studiosi e studiose, scrittori e scrittrici, preoccupati dal dilagare dell’odio nei media italiani. Odio verso le donne, i migranti, i figli di migranti, la comunità Lgbtq. Un odio che è ormai il piatto principale di moltissimi talk show televisivi nei quali vige da tempo la politica dei microfoni aperti, senza nessuna direzione o controllo. E spesso le…

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Siamo studiosi e studiose, scrittori e scrittrici, preoccupati dal dilagare dell’odio nei media italiani. Odio verso le donne, i migranti, i figli di migranti, la comunità Lgbtq. Un odio che è ormai il piatto principale di moltissimi talk show televisivi nei quali vige da tempo la politica dei microfoni aperti, senza nessuna direzione o controllo. E spesso le parole che escono fuori da alcuni dibattimenti televisivi sono parole che mettono fortemente in crisi o addirittura contraddicono l’essenza stessa della nostra Costituzione, il richiamarsi a un patto antifascista e democratico. L’attentato di Macerata, dove un simpatizzante neonazista ha cercato la strage di uomini e donne africani, è qualcosa che ci interroga nel profondo. Le vittime sono diventate il bersaglio di un uomo la cui azione terroristica si è nutrita della narrazione tossica veicolata non solo da internet ma anche dal mainstream mediatico. Dopo quello che è successo non possiamo restare in silenzio. Serve una maggiore assunzione di responsabilità, serve un nuovo patto fra chi fa comunicazione e i cittadini.

Le parole di odio, lo abbiamo visto chiaramente, possono tradursi in atti di violenza omicida. Azioni che, acclamate e imitate, rischiano seriamente di innescare una spirale di violenza. Per noi è evidente che il nodo mediatico ha contribuito a produrre  e legittimare lo scatenarsi delle pulsioni peggiori. Per questo chiediamo ai media di non prestare più il fianco alla propaganda d’odio, ma di compiere anzi uno sforzo nel contrastarla. Intere fette di società (per esempio i migranti e i figli di migranti) nella rappresentazione mediatica esistono pressoché solo come stereotipo o nei peggiori dei casi come bersaglio dell’odio, contraltare utile a chi fa di una propaganda scellerata il suo lavoro principale.

Sappiamo che nei media lavorano seri professionisti che come noi sono molto preoccupati per la piega degli eventi. Servono contenuti nuovi, modalità diverse, linguaggi aperti e trasparenti. Non possiamo permettere che nel 2018, ad 80 anni dalle leggi razziali, ritornino quelle parole (e quegli atti) della vergogna. Dobbiamo cambiare ora e dobbiamo farlo tutti insieme. Ne va della nostra convivenza e della nostra tenuta democratica.

Quello che chiediamo non è un superficiale politically correct. Chiediamo invece una presa in carico di un mondo nuovo, il nostro, che ha bisogno di conoscersi e non odiarsi. Antonio Gramsci scriveva: Il vecchio mondo sta morendo. Quello nuovo tarda a comparire. E in questo chiaroscuro nascono i mostri. Dipende da noi non lasciar nascere questi mostri. Dipende da noi evitare che torni lo spettro del fascismo nelle nostre vite. Per farlo però dobbiamo lavorare in sinergia e cambiare i mezzi di comunicazione. E dobbiamo farlo ora, prima che sia troppo tardi.

Vanessa Roghi Helena Janeczek Igiaba Scego Sabrina Varani Christian Raimo Paolo di Paolo Michela Monferrini Frederika Randall Graziano Graziani Francesca Capelli Shaul Bassi Loredana Lipperini Shulim Vogelmann Amin Nour Reda Zine Sabrina Marchetti Amir Issa Alessandro Triulzi Francesco Forlani Fiorella Leone Francesca Melandri Ilda Curti Marco Balzano Alessandro Portelli Attilio Scarpellini Filippo Tuena Francesco M.Cataluccio Laura Bosio Gianfranco Pannone Antonio Damasco Franco Buffoni Evelina Santangelo Caterina Bonvicini Lisa Ginzburg Camilla Miglio Emanuele Zinato Andrea Inglese Andrea Raos Maria Grazia Meriggi Alessandra Di Maio Roberto Carvelli Francesco Fiorentino Grazia Verasani Caterina Venturini Alessandra Carnaroli Lorenzo Declich Gennaro Carotenuto Silvia Ballestra Chiara Valerio Marco Belpoliti Paola Caridi Marco Missiroli Alessandro Robecchi Valeria Parrella Nicola Lagioia Enrico Manera Jamila Mascat Maria Luisa Venuta Rossella Milone Giacomo Sartori Antonella Lattanzi Barbara del Mercato Amara Lakhous Rino Bianchi Carola Susani Roberto Carvelli Isabella Perretti Rosa Jijon Davide Orecchio Antonella Lattanzi Simone Giusti Simone Siliani Alberto Prunetti Chiara Mezzalama Elisabetta Mastrocola Teresa Ciabatti Andrea Tarabbia Antonella Anedda Elisabetta Bucciarelli Francesco Fiorentino Paola Capriolo Paolo Morelli Simona Vinci Giorgio Vasta Orsola Puecher Antonio Scurati Vins Gallico Daniele Petruccioli Enrico Macioci Maria Grazia Calandrone Eraldo Affinati Elena Pirazzoli Leonardo Palmisano Emiliano Sbaraglia Maura Gancitano Marco Mancassola Rosella Postorino Alessandra Sarchi Carlo Lucarelli Giorgio Pecorin Gianni Biondillo Ornella Tajani Mariasole Ariot Giorgio Fontana Girolamo Grammatico Francesca Ceci Brunella Toscani Tommaso Giartosio Attilio Scarpellini Simone Pieranni Elisabetta Liguori Giuliano Santoro Orofino di Giacomelli Maria Grazia Porcelli Giovanni Contini Federico Faloppa Federico Bertoni Flaminia Bartolini Dario Miccoli Emanuela Trevisan Semi Alessandro Mari Tommaso Pincio Laura Silvia Battaglia Anna Maria Crispino Andrea Bajani Renata Morresi Francesca Fiorletta Federica Manzon Angiola Codacci Pisanelli Alessandro Chiappanuvoli Società italiana delle Storiche Benedetta Tobagi Giuseppe Genna Fabio Geda Daniele Giglioli Angelo Ferracuti Alessandro Bertante Riccardo Chiaberge

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Músico e compositor ouropretano lança single sobre amor próprio e falta de reciprocidade

Música é grito calmo e melodioso de liberdade sobre falta de reciprocidade Natural de Ouro Preto, o músico e compositor Brendow Zinato lança no dia 23 de setembro seu segundo trabalho autoral da sua carreira o single "Amor em mim" nas principais plataformas de streaming, estreando nova fase do artista. O single sucede o E.P "Reverie in 3 Acts"  inaugurando nova fase do artista, escrevendo em português e tendo suas referências nacionais, como a nova MPB, mais presentes que as referências da música anglófona. Em "Amor em mim" Brendow traz de forma pessoal, leve e gradual o tema da falta de reciprocidade nas relações afetivas e do autocuidado. O single foi gravado no estúdio Casa de Pedra em Mariana/MG produzido por Raimundo Carvalho (Casa de Pedra) e parceria com o artista e conta com a participação da cantora Laura Ribeiro (Trinca de Damas, Nós que tocamos). Crédito da foto: Victor de Jesus Read the full article

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Giulia Zinato