#zero difference made whether you read it or not
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Voting "nuance" because I don't know whether a high school elective called "Creative Writing 12" that was taught by the same teacher who taught AP English (and who was an amazing teacher - if ridiculously hard marker - who I still have a lot of respect for). In this course, we basically spent the whole semester workshopping each other's short stories and poems (with a few weeks before that of basic instruction on story structure).
To be honest, I didn't learn anything I hadn't already learned on my own time about story structure from the lecture portion of the class, but I think it really was just meant to be a "get the basics out of the way so we can get to the real reason we are here" situation.
The workshopping, on the other hand, was extremely informative.
First of all, I was exposed through my peers to a lot of different stylistic traditions, genres, and story/poem structures that I never would have sought out on my own time (or didn't even know existed), and I think it really expanded my idea of what you could do with the written word - how to use words and structure for effect, what kind of emotions you can invoke, what you can even use stories to say etc...
It also taught me a lot about critique, both the etiquette and what makes good critique. Our teacher really emphasized the "two good things and a suggestion" method, which was fantastic for getting us to appreciate pieces we wouldn't normally like and see them for their own merits, how they measured up to what *they* were trying to achieve... rather than just critiquing a piece because it did something *we* didn't like or personally wouldn't read. It also resulted in our suggestions being more tailored to helping the piece become *its best self* rather than what each of us would like based on our personal prefences. I really thought at the time that all this was just standard practice and a no-brainer, but having been in writing groups since, it really is surprising how often critique focuses on the personal preferences of the critiquer rather than engaging with what the author was trying to do. Also, writing groups that don't make an effort to point out the positives often don't last long because it's just not enjoyable to pour your heart into something only to have it torn to shreds without remorse at 2:30pm on a Monday afternoon single every month.
Going into that class I thought it was going to be a lot harder to come up with two good things to say than it would be to come up with suggestions, but it turned out to be the other way around. It's so much easier to find things to compliment, even in a piece of very beginner writing, than it is to come up with actually insightful and helpful critique. Critiquing spelling, grammar, and even minor details isn't insightful; these are actually so far down on the list of priorities when it comes to making a compelling story (and yet, these seem to be what a lot of inexperienced critique groups zero in on). Better critique (imo) focuses on how a story makes use of things like time/chronology (in medeas res, linear story telling, backstory, time skips, telling a story "backwards" or out of order, prologues/epilogues/interlogues, parallel plots etc), set-up and pay-off, thematic questions and whether the resolution actually fully addresses the dilemma set up, as well as narrative voice, atmosphere/tone/mood, subtext/showing vs telling (and all the devices to achieve this like setting, character descriptions, dialogue, symbolism etc), and, of course, pacing and point of view.
There was one story that I will always remember as the one that got away because I sat at my desk for a solid 45 minutes until the bell rang, with two compliments written down on the paper in front of me, and I never was able to think of a single suggestion for it. It just made such perfect use of every tool at its disposal. (Funny enough, years later, I was talking with the guy that wrote it about that class, and apparently one of my stories had been living rent free in his head all these years too, so we're even haha). I often wonder, with how much I've grown as a writer, if I read that story now, would I have the skill to give him feedback that I didn't back then?
Learning how to *properly* offer critique and feedback was probably one of the best exercises I did in growing my own skill. It's not even just about learning how to spot and address problems in other's writing so you can tackle them better on your own; it's also in a way like learning how to work with visual art in a new medium. You are forced to learn how genres and styles you don't normally work in work so that you can apply those rules, and it gives you a wealth of new tools to play with when you sit down to write yourself.
I don't think I noticed at the time just how much the course was building and strengthening new writing "muscles" - I was actually bored in that class a lot - but, looking back, I saw a serious spike in my abilities around that time, and I think it was due to a combination of that class, AP English/Literature (the "learn to write a coherent argument FAST on the spot" class + learning about literary, rhetorical, and poetic devices), and graduating from reading exclusively YA/MG to finally enjoying some classics and adult fantasy.
The class has also made me really picky about the kind of critique groups I will join.
Feel free to leave further explanation below!
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seventeen '96 line as things that have made my heart flutter
warnings | smidge of jealousy during hoshi's
notes | source? erm possibly my own... experiences from the past..... ;;; not proofread
p.s. i recommend reading these as situationships/pre-relationships
95 line | 96 line | 97 line | maknae line
jun - a kiss on the cheek while taking pictures in a photo booth
“ooh this frame looks cute! do you wanna do this one?”
jun smiled at your energy. “whatever you want, bubs. i’m following your lead.”
he stood back as he watched you take the lead, clicking through the different settings of the photobooth. when you finished, you rushed over to his side with an excited smile. “okay, quick! there’s a timer and we have to finish within that time!”
the big, red number began to count down and the two of you stood against the wall. outstretching two fingers, you made posed for the camera and jun followed your example. the machine made a loud click sound as it took the first photo.
“again! okay, what pose should we do next? ooo! jun, grab the kitty hairbands!”
the next few snapshots were taken of you and jun posing with the kitty hairbands provided by the store. jun made a loud meow for one, making you burst into laughter, which the camera caught perfectly in time. jun, with his handsome face scrunched up mid-meow and you, your mouth wide open and your eyes closed as you laughed.
“eww! i hate that photo, we’re not choosing that one.” you said mid-giggle.
“why? it’s cute. i think it explains our dynamic perfectly,” jun grabbed you by the shoulder and tugged you closer to him. “okay, last one. cheese!”
the screen began counting down again and you leaned closer into jun’s shoulder, getting ready to pose for the camera again. as the number got closer to zero, jun glanced down at you, frozen still, waiting for the camera to take the last photo.
“4… 3… 2…. ” the robotic voice from the machine counted down.
taking a deep breath, jun closed his eyes shut and dipped his head. it was a quick kiss, so soft and gentle, like cloud resting on the peak of a mountain. brief moment of contact before drifting away.
jun’s lips felt soft against yours and you let a soft gasp. your jaw dropped in surprise as the camera flashed with another loud click.
your knees wobbled, as if gravity had suddenly shifted around you. there was tightening feeling in your chest as you looked over at jun. he looked at you with a gentle, apologetic smile.
“sorry, i should’ve asked.”
the world seemed to still, each beat of your heart pounding loudly against your chest. the way jun was looking at you sent a cascade of warmth spiraling through your entire body and you smiled.
“it’s okay… i liked it.”
hoshi - grabbing you by the belt loops of your jeans
you could feel someone’s heavy gaze set on you and you already knew whose set of eyes the stare belonged to. listening to your other friend talk about his chemistry lab with a really hot dude, you glanced over your shoulder and made instantly eye contact with soonyoung.
he was on the other side of the gym, his elbows resting on his legs as he watched you with an unreadable look in his eyes. deciding to be obnoxious, you stuck your tongue out at him and his lips tugged up into a tight grin, one that didn’t quite reach his eyes like they usually did.
“sorry, but i think one of the teachers are looking for me.” you dismissed yourself from the small circle of friends. your friends waved you good bye and turned back to resume their gossiping session where they were trying to decide whether the hot guy from one of their chemistry labs swung both ways.
you jogged across the gym, dodging equipment and other students and staff who were getting ready for the annual homecoming rally. you and soonyoung both applied to asb your sophomore year of high school, desperate for some kind of extracurricular to pad your college application with. although being in your school’s asb came with a lot of responsibilities, it was fun when you did it with your friend(? situationship?).
soonyoung was sitting at the bottom bench of the bleachers, his face resting on his palm and his eyes watching you intently as you approached him.
“what’s got you pouting? did seungcheol yell at you again?” you stood in front of him with your hands resting on your hips and a small smile. “come on, cheer up soonie. i promised to buy you frozen yogurt after this.”
he pushed himself up to his feet, now towering over you with his height. “you promised to do the banners with me.”
soonyoung’s bottom lip jutted out in an almost adorable way and you physically stopped yourself from cooing at him.
“is that why you’re upset? because i ditched you and the banners?” you smiled and soonyoung nodded.
“you left me to hang out with those…” his words faltered and you glanced back to see the group of friends still gossiping. the discussion seemed to be getting pretty heated with the way you could hear seungkwan’s voice steadily growing in volume.
“them? we were just–“ you turned back to face soonyoung when you felt a gentle tug on your waist. stumbling forward, you now stood barely inches away from him. “soonyoung, what-”
he tried his best to avoid eye contact, his eyes darting around the gym as he nervously licked his lips.
“wndedootbewsjfhme...” soonyoung mumbled. his grip tightened on your belt loop, pulling you closer to him, your body now grazing his.
“h-huh? wh… i can’t hear…” it was your turn to avoid eye contact now. your heart hammered against your chest, fast and hot in anticipation.
“i said… i wanted you to be with me…” soonyoung muttered. his ears were flushed, a bright shade of red that brought a small smile to your face.
“w-what, are you jealous or something?” you teased as an attempt to cover up how loud your heart was beating in your ears.
soonyoung grinned. his shy and timid demeanor from seconds ago was nowhere to be found. in it’s place was the soonyoung you knew, complete with the overly confident and cocky smile accompanied by the mischievous glint in his eyes.
“what if i am? is that going to change anything?”
wonwoo - leaving his game to give you attention
“wonwooooooo” you cried out. wonwoo let out a small grunt in response. “i’m boreddddd”
you perched yourself on the edge of his desk, watching his focused eyes stare at the monitor in front of him. his fingers were moving at a lightning fast speed, but his facial expressions demeanor seemed to scream calm and relaxed.
“you’re bored?” wonwoo echoed your last words and you nodded. although his eyes never left his screen, you could tell he was paying you the utmost attention he could currently afford. “hmmm… how can we fix that?”
leaning your head on wonwoo’s shoulder, you pouted. “i want you to play with me, not your games.”
wonwoo laughed. the corners of his eyes had a slight wrinkle and you felt something tugging at your heartstrings. “is that right?”
with a few clicks of his mouse, his monitor turned dark and his pc chirped, alerting him that the system had been shut down.
“wha-? you were in the middle of a game-“
wonwoo took off his headset and ruffled his hair with a hand, trying to fix it after hours of wearing a headset. “doesn’t matter. you’re more important.”
you felt your breath catch in your throat as you felt heat creeping up your skin, reaching your cheeks and the tips of your ears.
woozi - initiating pda in public first
it was loud. the football stadium was packed with students decked out in school spirit, and you could barely feel your fingertips from the biting cold.
“jihoon…” your fingers tugged on his sleeve and jihoon spared you a glance before leaning closer to you to hear you better in the loud crowd. “i’m cold...”
he looked at you and smiled. “told you to bring a jacket.”
“this is a jacket!” you retorted.
“this?” jihoon laughed. you could see a twinkle of amusement in his eyes as he looked over your outfit. “honey, this jacket is basically a cropped top on steroids. you seriously expected this to keep you warm in this weather?”
you felt the tips of your ears burning at the new nickname he called you, but you couldn’t help but feel a pang of disappointment. that wasn’t the response you expected–or wanted.
“you’re being mean!” you whined, but a small laugh escaped your lips at the way jihoon faux-frowned at you. you lightly shoved his shoulder. “i’m being serious, it’s not about the jacket.”
jihoon raised a brow. “what could this possibly be about then?”
“it’s about…” you trailed off and shook your head. “never mind. it’s nothing.”
you crossed your arms over your chest and turned back to face forward. a wave of embarrassment washed over you, serving as a wake up call. sure, you and jihoon had some thing going on, but you felt silly for expecting him to hold your hand or hug you in front of almost the entire school.
jihoon was a private person. that was a fact that you knew that better than anyone else. he wasn’t one to initiate physical contact when it was just the two of you, let alone in the middle of a busy high school football game.
“[name],” jihoon spoke quietly in your ear, his warm hand grazing against yours. “[name], look at me.”
when you didn’t respond, he let out a small puff, followed by a small laugh.
“c’mere” jihoon muttered. he wrapped his arm around your waist and tugged you closer to his side. “they say sharing body heat helps.”
you stared blankly at him. the colony of butterflies in your stomach seemed to migrate to your heart and you swallowed thickly.
“wh- what if someone sees?”
jihoon let out a half snort. “let them see. i don't care”
note: jihoon had extremely red ears during this entire exchange, and no, it wasn’t because of the cold. trust me.
reblogs and feedback is always appreciated ^-^
#hannyoontify.works#seventeen#svt#seventeen fluff#seventeen imagines#seventeen x reader#seventeen scenarios#svt fluff#svt imagines#svt x reader#svt scenarios#junhui fluff#junhui imagines#junhui x reader#junhui scenarios#hoshi fluff#hoshi imagines#hoshi x reader#hoshi scenarios#wonwoo fluff#wonwoo imagines#wonwoo x reader#wonwoo scenarios#woozi fluff#woozi imagines#woozi x reader#woozi scenarios
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hmm i wanna make a proper post about practicing relaxation. lets go
So for some reason, you can't fucking relax
Chronic muscle tension is really, really common, but few people know how to combat it. In that same vein, relaxing the muscles does not come naturally to everyone, and for some it's a skill that must be practiced.
Firstly, the inability to relax is tied to a few things. Obviously trauma, stress, anxiety, and other neurodivergencies contribute a great deal to chronic muscle tension. What most people don't realize, is that chronic tension can also result from an unbalanced body. In particular, it's a major symptom of Morton's Foot Syndrome/Neander foot, which has a HUGE comorbidity with neurodivergency (particularly ADHD/Autism). I've made plenty of posts about it on the ol' blog that y'all can check out, and searching "Morton's Foot Syndrome" (it's frequently confused with Morton's neuroma) will also bring up information.
Secondly, chronic muscle tension also causes just about every symptom under the sun. All those symptoms related to stress, the tension headaches and the stomachaches and the muscle weakness etc? Most of these are a direct result of the physical strain of muscle tension, not some abstract symptom of being mentally overwhelmed.
So how do you know you have chronic muscle tension?
Experiencing the physical and mental symptoms of anxiety pretty much guarantees you have chronic muscle tension. These symptoms feed into each other--it doesn't matter whether the tension began in your head or in the rest of the body, both will be affected in the end. Chronic pain is another sign of muscle tension, but of course not everyone has the same sensitivity or conceptualization of pain.
The most objective way to tell is to simply give your muscles a squeeze. Try around your calves and ankles, your arms, your stomach. Yes, even if you're fat. A proper, relaxed body will be so squishy that you could feel down to the bone, and move the muscles and tendons around with little discomfort. For thinner people, a relaxed muscle will jiggle like fat.
Meanwhile, a tense muscle will have little to no squish, like squeezing a bouncy ball. You may struggle to press deep into the muscle at all. To differentiate from bone, know that bone will have absolutely zero give; compare the hardness of your shin bone to the muscles of the rest of the calf. You should be able to apply pressure ANYWHERE on your body with no pain or discomfort.
Another more objective sign of chronic muscle tension is the inability to sit or lay down comfortably. Constantly changing positions, fidgetiness, or restlessness all point to muscle tension, often because a position rests on or pulls on a tight muscle. The way you sit is a telltale sign of what muscles are too tight: for example, sliding your butt down your chair is a sign of tight hamstring muscles.
How do you unlearn chronic tension?
It's not easy. First, I urge anyone reading this to look into Morton's Foot Syndrome and treat it. This syndrome is extremely common (on my end, pretty much all of my friends, family, and several people who follow this blog have realized they have it!). The reason Morton's Foot causes chronic tension is due to the instability of the foot--in order to prevent the body from toppling over like a tower with a poor foundation, the muscles in the body overwork themselves. Getting the right insoles (insoles sold at the store will not address the problem) will improve your stability, making it easier and less exhausting to stand and walk.
Treatment will only stick once Morton's Foot is addressed! If you feel like all your stretching and exercises aren't cutting it, please PLEASE look into this!!!
Okay, now that I've said my piece of MFS, here are a few things that you can try to help learn how to relax.
Tense and Release. Pretty much exactly what it sounds like. Practice tensing and releasing different muscles while paying attention to the difference in how each feels. It's a good first step to building an understanding with your body. You can easily find videos that guide through these sorts of exercises.
Pay attention to your habits. Strained or unusual posture is a direct result of chronic tension. Think about when you keep your hand in a fist too long, and when you finally uncurl it all your fingers aches. ALL the muscles in your body are like this, but unlike your hands you might avoid stretching those muscles afterwards, because stretching overtight muscles can be unpleasant! Over time, the tension will build up in the form of triggerpoints, which functionally shorten the muscle and cause even more problems down the road.
Stretching and massage. Stretches should target overworked muscles, but massage is necessary to get the full benefits of stretching. If you stretch and feel a pain, you can try to find that pain using the triggerpoint guide in my pinned post--massage that spot indicated in the guide, the stretch will become easier. I'll make a formal post about stretching eventually, but in the meantime I discuss proper stretching technique here.
Stay warm! Heat makes muscles more fluid and easier to stretch. Cold will increase tension, but it also numbs pain, which is useful for sudden cramps or seizing of the muscle.
Practice belly breathing. When you pull in a breath, make sure it's your stomach that moves, not the chest. Chest breathing activates neck muscles known as scalenes--when these muscles are tense, they can cause numbness, tingling, and pain in the hands and arms. Belly breathing is often easier to do while lying down than it is while standing up--mastering it in both situations will make a difference.
Learn to trust your body. Chronic tension means you're fighting your own body. When you begin relaxation exercises, they might feel scary, maybe even giving you the sensation of falling. Whenever I do relaxation exercises, I have so much tension in my own body that the release will cause a jerk or a spasm--but I have to concentrate and allow my body do this instead of instinctively trying to stop it. I always feel better afterwards, but it was disconcerting when I first started. The body generally knows where everything is supposed to go, and learning when to give up the reins to it can give you new insights into what will help you feel better.
Be careful about painkillers. Everyone loves their ibuprofen and acetaminophen, but understand that the pain you feel is very real. If you take a painkiller and then put your body to work, your ability to judge how much damage is happening is hampered. That muscle you're holding tense for three hours straight may not hurt, but it doesn't change the fact that it's accumulating tension. Be extra gentle with your body on painkillers.
And that should cover it. If anything sounds strange or doesn't make sense, I'm always happy to elaborate and answer questions! Go onwards and try to feel a little bit better today.
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Teaching is only half the battle. You can teach anything at any level all day long. What you CAN'T do is make someone do the other half, which is learn it. If you want learning to occur, you have to explore different ways of presenting and relating to the material.
We shouldn't aim for dumbing down literature (assuming you're at the level that you should be challenged by it), but you should have tools that help you interpret it. You should be given actual productions (movies, plays, audio) that let you hear and see how the language is performed. And these extra aides should be made as interesting as possible so that students can be engaged in what they're learning.
It's just basic technique that you want to do whatever you can to get students interested. The core material doesn't need to be easy but it should not be dry and boring either. If you're in survival mode in a class because it's dry and boring, then the teacher has failed.
In this case, it doesn't mean everything needs to be only in modern English. Like people have already said, every passage is already (or should be) given twice to help you understand sections you have trouble with.
But it DOES mean you can't be teaching things like the Twelfth Night in a way that's boring, and that has nothing to do with the version of English it's in and everything to do with the teacher failing to teach.
Novosad is an econ professor at Dartmouth btw
#the main answer here is simply that teachers must do their job#yes they MUST make things interesting#and yes they MUST present information with the tools to understand it. WITHOUT dumbing things down#books should not be boring because they're 'hard to read'#but also they need to choose books that are relevant or noteworthy for reasons#I've never heard of the Twelfth Night#it's definitely a fact that a lot of the 'classics' are totally missable#zero difference made whether you read it or not#so if you make people read them there has to be an understanding of WHY. beyond the superficial fact of them being 'classical'#commentary#i love the IDEA of the classics and i know they have value#but when i look at the things that impacted my life and have continuing importance#there is nothing whatsoever from the classics there in any remotely related shape or form 😂#and that's just as important to realize
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well. here she is. miss Leigh Stasik.
trans woman. stubborn, incorrigible, eccentric. communist; she has leftist in-fighting with herself on the regular. a cannibal; she has no moral qualms about this, and its both a bit of a spiritual thing and a bit of a pragmatic thing. medic (not a doctor. no medical license). she knows for sure she had some kind of significant personality change from being shot in the head, but she doesn't remember what she was like exactly before it happened, it all became this kind of distant memory soup. shes originally from west new cali, but she grew very attached to the mojave. and has a lot of contempt for the ncr. She Will Serve Crack Before She Serves This Country. thank god the army discriminates against transsexuals etc. zero tolerance for the legion, obviously.
she firmly believes she is not nice, or kind, or compassionate, but instead her actions and her general sense of justice stem from her simply doing whats the most logical and objectively beneficial. it may be true to some extent, but she might also have a wee bit of ocd of the "i am a horrible person whos at all times like 2 seconds away from committing atrocities" variety.
shes a SCIENTIST. unofficially. she doesnt have a degree nor a chosen field of study. she makes her own hrt and other mysterious concoctions, including designer chems. which she claims she ingests injects etc not for recreational purposes, but to Enhance Her Powers And Possibilities. she reads old world books about psychology so she can manipulate people better. and makes weird contraptions and doohickeys while high. shes a HACKER of course and hacks terminals and systems for fun and just to see if she can.
her stats are out there due to implants and intense training, originally they were rather average. in-game she wears combat armor mk 2, but i see her having spruced it up like this. her main weapon is the ycs/186, the unique gauss rifle, but before that she used a modded plasma pistol. which she very much enjoyed the silly appearance of. because it was so small and with so much shit tacked on and she could just hold it in one hand like a mutated revolver like Hands up motherfucker bang bang bang lol. her melee weapon of choice is the machete gladius, but she's been training to be able to wield a thermic lance.
in my head the trajectory of her actions and the fate of the mojave that follows is different from what you can do with the game, because leigh could only go for The Secret Leftist Route Which Was Supposed To Be In The Game But We Were Robbed Of It.
boone was the first friend she made after leaving goodsprings and their relationship is particularly notable. they are Comrades, Siblings-In-Arms, Worsties (like besties but fucked up). theyve seen each other at their worst. they annoy each other on purpose. theyve had serious ideological clashes with each other and some ways in which boone perceives the world drive leigh absolutely nuts. they're ride or die for each other. theyre the kind of comfortable around each other where she'll be on the toilet and smoking a cig with the door open and talking to him, while he's naked sitting on the floor removing stitches from his leg. she's done surgery without anesthesia on him. he's projectile vomited blood on her from being poisoned by cazadores. she strongly encourages him to become a traitor to the ncr and to take part in the revolution and the formation of the new independent mojave alliance. somehow, it works on him in the end. shamefully they kinda like snuggling... boone bro come to bed man its nighty night man its beddy bye time.
shes in love with lily bowen. i havent decided yet whether she actually makes a move. but she thinks lily is sooooo dreamy. and shes right. if you dont think the enormous 203 year old blue mutant woman is dreamy thats your problem. outta her way
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OUAGH the last one gave me the idea of a musician reader x slasher
If I were to suggest a specific genre maybe they’re into rock because. Yeah.
Could you do something with that?
Slashers x Musician Reader
Micheal Myers:
•Plays it off but thinks it cool as hell
•He did play the piano for a very short time in his childhood, but the ward made him very rusty
•Will happily watch any concerts you put on for him
•Will Secretly watch you if you don't
Billy loomis & Stu macher:
•They both immediately pitch in a song request
•They bring up the fact that you play an instrument to win arguments with people
•Will eventually find a way to break your instrument
•They will be very apologetic about it
•attempts to replace it
Thomas Hewitt:
•very interested
•He's curious by nature, he wants to know everything he can about it
•Your instrument is the most expensive thing in the house
•daydreams about being able to play a song for you, one day
•until then, he'll try to figure it out himself
Bubba Sawyer:
•Tries to sing along when you play
•he also dances but always ends up knocking stuff over
•Will sit in front of the door so his brothers can't get in while you're playing
•They constantly complain about the racket
•Chop-top will occasionally sit in while you play
Bo Sinclair:
•immediately shows you his acoustic
•brags about how he can out play you
•loses miserably because he only practiced for a couple months
•mad about it
•polishes its case whenever he comes around to it
Vincent Sinclair:
•romanticizes it by thinking about how you're two different types of artists
•Sketches you playing your instrument
•Sheepishly asks you to pose
•makes a mini wax sculpture of your instrument
•He get super giddy if you play a song for him
Lester Sinclair:
•extremely impressed
•He's always thought of being able to play an instrument as a high class/rich person activity
•Falls asleep while you play, Not because you're boring, But because he finds it soothing
•will find out how to care for your instrument so he can help repair any damages it might face
Billy Lenz:
•probably was the reason He zeroed in on you in the first place
•fines it incredibly alluring and wanted you to play all the time
•Will find a way to get his grubby hands on your instrument
•Will eventually break it but not feel sorry
•(Not So) patiently waits for you to get it fixed
Brahms Heelshire:
•He can play the piano and just uses it as another excuse to hang out with you
•looks up songs to properly make a duet with you
•whenever conversations died down or get a little stale, he whips out the instrument card
•whether you did or didn't know how to play an instrument he's going to romanticize it anyway
Hannibal Lecter:
•insists on making some kind of duet with you, and whether or not your instruments align with each other
•buy stuff to make for your instrument is a mint condition
•’humbly’ braggs about your talent at his dinner parties
•Will make you food associated with your instrument(s) (look that up, it's a real thing because of course it is)
Will Graham:
•Like to watch you play whatever it is you play
•He's never really had any interest in instruments, But he starts listening to videos featuring your instrument.
•Casually asks Hannibal facts about your instrument
•makes you a little charm related to your instrument to put on your keychain
•Has flashbacks to the guy with his throat turned into a Cello
The Lost Boys:
•They all at some point have picked up an instrument
•David can play the Piano, Organ, violin, and guitar
•Dwayne can play the Hand drums, flute, and Bass guitar
•Paul can play the clarinet, electric guitar, French horn, and marimba
•Marko can play the Drums, Harp, Cello, and viola
•They have all genuinely considered starting a band
•No matter what you play, you'll fit in
Thanks for reading <3
I went for a more neutral tone with this fic. Because I don't want to write 16 other fanfics about specific music genres ¯\_(ツ🎀)_/¯
#slashers#slasher#Michael Myers#Billy loomis#stu macher#billy and stu#Thomas Hewitt#bubba sawyer#bo sinclair#vincent sinclair#lester sinclair#billy lenz#Hannibal Lecter#Will Graham#the lost boys#tlb 1987#nbc hannibal#Black Christmas#the boy 2016#house of wax#house of wax 2005#texas chainsaw massacre#Scream#scream 1996#Halloween#rob zombie halloween#Reader#slasher x reader#Horror#brahms heelshire
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My Big Damn Ashes of the Academy Thoughts
Okay so honestly I just need to take this panel by panel because frankly my overall impression of the comic is that everyone got replaced Invasion of the Body Snatchers style with people that look the same as they do and have the same name, but have zero idea of the backgrounds or motivations of said characters, and so they were just making shit up as they went along. Like, I write fanfic, I read fanfic. I have, in general, a pretty high regard for fanfic. And of course one of the more common Dangerous Ladies childhood type fics is how did they meet, why are these three very different individuals friends, etc etc.
And this was not even approaching the worst, crappiest, least coherent of that type of fiction I've read over the last nearly two decades.
Ashes of the Academy is a giant nothing burger comic, a fart in an elevator you're trapped with until you can make your escape.
So, without further ado, let's begin:

So right here on the second page of the comic, and the first page with dialogue, we have Ursa letting us know that, apparently, contrary to what we know, the Academy made Azula a bad person. Not her parents, definitely definitely not Ursa. You got that? It was all the Academy's fault. And we will continue beating that ostrich horse the entire rest of the comic, make no mistake!

Ah yes, Ursa, noted Not Ever An Imperialist At All, Not Even Once, Nuh-Uh.
Skipping several pages that would be me saying these two things multiple times...

Credit where credit is due, I like these two panels. I like this tiny glimpse into the friendship of Kiyi and Lihua or whatever here. One, because I imagine this is more like how Azula probably actually was, based on what we see in Zuko Alone. And two, that means Kiyi is unconsciously mirroring her sister and I like that interpretation of her character. It seems that Hicks does too, on a subconscious level. Look at that devious little look on her face! Little shit. Yeah, you cause a ruckus! Adorable.

I'd be lying if I said this didn't get a chuckle out of me. Is Katara on Zuko's Ministry of Education? Lol wtf. Still funny though.

More Kiyi being a little shit that I can get behind. This time in a Little Miss Know-It-All superiority complex sense that I'm sure would get real old real fast for anyone around her.

I've pointed this out on another post but Kiyi isn't a princess? Wtf? Come on, Hicks. Like it's not hard to figure this shit out. I think giving her a character trait of literally running to her big brother the Firelord anytime she feels slighted is pretty good, but of course it's never explored, because that's not a heroic trait and Kiyi has to be a hero for some reason unlike that irredeemable monster Azula who was born bad.

So nice of you to ask her first Zuko! Fuck's sake! Being Firelord has really gotten to this boy's head, like I know he has absolute power and all that shit but damn, if I was Mai, I would be wanting to get back with him less after this, not more, regardless of whether or not I liked the job in the end. Fucking consent, bro! (Previous page has him telling the headmistress she'll do it.) Unfortunately, this is actually not ooc for what we've seen of Zuko, honestly, imo. Mai, you can do so much better. Like, I ship Maiko. I love their dynamic etc etc. But girl. Respect yourself. This boy is NOT it at this point.

This is our continuing indication that they'll be rewriting the past in this comic, and we'd all better get on board. Zuko certainly thinks Azula treated him badly and has a very, "Zuko did nothing wrong!" approach to it all, but Mai was there for the vast majority of it, witnessed it with her own two eyes, so she would not react to that sentence with, "True." She just wouldn't. At least not the Mai we know. So let the assassination of Mai’s character commence!

Like, was this comic so half-assed nobody could be bothered to look up the spelling of Ukano's name? Yes. Yes it was.

Can I be made to believe Ukano said this to Mai when she was smol? Absolutely, yes. He's portrayed as a social climber and willing to utilize basically any route he can access to gain clout and influence. That's a man who is not above using his daughter in this way. I think it's somewhat implied by Mai’s dialogue in The Beach, even. Dude was a shitty father, Caldera was rife with them. Do I believe for one second Mai became friends with Azula because of this counsel? Absolutely not. The Mai we know thinks for herself 100% of the time, it's basically her thing.
Oh, cool, there's a 10 image per post limit. Well. I'll keep going in reblogs and indicate when I'm done. Bear with me, friends.
#avatar#atla#ashes of the academy#ashes of the academy spoilers#ashes of the academy review#ursa#zuko#kiyi#katara#mai#mai x zuko#maiko#ukano#azula#atla meta#bryke critical#faith hicks
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California Dreaming
Summary: At sometime past 4am, the last thing you would have ever expected was to receive a call from Bradley Bradshaw. But time is a funny thing it feels like it might be running out.
Pairing: Bradley 'Rooster' Bradshaw x Female Reader
Length: 5.6K
Warnings: angst and a bit In-N-Out slander
(author's note: this fic is set in the 'Like I Can Universe', but can be read on its own!)



You’re pulled from the light sleep you’d just barely managed to slip into by the sound of your phone ringing.
Although you weren’t too sure if your mind was playing tricks on you again. And in that liminal space between awake and asleep, you didn’t trust yourself to know the different anymore. Sleep and you haven’t been on the best of terms over the couple of months, and you had the dark circles under your eyes to prove it.
Your boss had told you about the chatter he’d heard about a position opening up soon at the West Coast office. It was an opportunity that would be perfect for you, minus the fact it would involve uprooting your entire life and moving across the country. You still hadn’t given him an answer yet whether he should put you forward for it or not. But you’d taken to sleeping with your ringer on just in case you were needed for anything, not wanting to close the door completely. And you’d woken up in a panic more than once thinking you’d slept through an emergency call, only to see absolutely zero new notifications.
Just when think it might have been another stress induced fluke, it goes off again.
Bleary eyed, you scramble to reach it. Wanting to silence it to not wake up your boyfriend from his more-peaceful-than-yours slumber. Only half-consciously noting it’s sometime past 4 AM.
However, it’s the name splashed across the screen that makes your heart stop.
𝗕𝗥𝗔𝗗𝗟𝗘𝗬 𝗕𝗥𝗔𝗗𝗦𝗛𝗔𝗪
You sit straight up, the crisp white sheets your boyfriend preferred pooling around your waist.
“Bradley?” You don’t even remember hitting the green button before the phone was up to your ear. “Bradley? Are you ok?” The words come out a sleepy slur all jumbled together by your sluggish tongue.
He’d texted you when he landed back on US soil; a silly selfie with crinkled bag of McDonalds in his hand and the American flag in the background. It had made you grin like an idiot when your phone had lit up with it.
You knew that he had been called back to Top Gun, but that was as much as he’d been able to tell you.
With the time difference, it makes it the hour too early for you, but also too late for him. He should be asleep right now. But you know Bradley, he wouldn’t be calling right now unless it was about something important.
“Hey, I’m sorry. I know it’s late there,” Bradley apologizes. “Or early, I guess.”
Tired. He sounds so tired.
You didn’t doubt he was still probably fighting the jetlag that came with being in San Diego after living in Japan for the last year and a half. But it was the weariness in his tone that had you concerned.
“But you’re ok?” you press. You needed to hear it.
“I…” he pauses, then sighs. “Yeah, kid. Everything’s fine.”
You blow out a relieved breath, rubbing at your heavy eyes.
“Good. That’s good,” you nod, reassuringly. Not that he can see you.
He is safe. He is ok. That’s all that matters to you.
Jack groans your name. “Seriously?” The word drips of exasperation and annoyance.
You wince. Less at its sharpness, but more at the feeling like you can’t seem do anything right lately.
You and your boyfriend have been together a little over two years now. You have a comfortable life together in Boston, nice even. But you shook the snowglobe of your relationship when you’d first mentioned the possibility of a promotion and moving, and it still felt like you were waiting for the remainders of all those stirred up flakes to settle back down.
“Give me a minute, Bradley,” you whisper into the phone, “Don’t hang up.” Your voice is so quiet you’re not even sure he heard you.
You turn towards your boyfriend, an apology on the tip of your tongue, but he’s already rolled over away from you.
A literal cold shoulder.
Your eyes trace over the exposed skin of his back. It’s dark, but you could point out where every freckle is on him with bullseye precision. Sometimes you weren’t sure if he knew you as well.
Like when he’d bring you red roses, a flower you’ve never felt one way or another about. You’d tell yourself it’s the thought that counts, that it’s the gesture that matters. But for as many times as you’ve bought your favorite flowers yourself and displayed them on the coffee table in your shared living room, Jack has never once brought them home for you.
It made you wonder sometimes if he even truly wanted you, if he cared enough to pay attention. Or if he was just content in the fact that you’d be there.
And then you’d feel guilty for even thinking that in the first place.
But you didn’t just break up with someone over flowers.
Or the way he always seemed to make plans for you with his friends without ever asking you first. Or the way he was never more attentive to you until the two of you were in front of a group.
There’s a sliver of moonlight peeking through the edges of the blinds of your bedroom. A set of curtains would have solved the issue, but you’d never been able to get Jack on board. It was something you there thankful for now as you tiptoed out of the room with just enough light to make sure you wouldn’t trip over anything.
You ease the door gently closed behind you, feeling some of the tension melt from your body.
“Ok, I’m back,” you tell your best friend.
“I take it we woke up Jack?”
“Yeah,” you sigh, padding towards the black leather couch in the living room. You fight back the hiss that wants to be released when your bare thighs touch the ice-cold material. The October chill had a way of sneaking in everywhere. “He’s got a big pitch presentation on Friday,” you say, feeling like you need to explain, “So he’s just a bit on edge right now.”
Bradley makes a noncommittal sound, something close but not quite like a disapproving rumble. You distract yourself from reading into it too much by turning on the lamp on the side table to its lowest setting. A dim glow illuminating the living room.
“Tell me, how’s California?” It’s a pivot. You know you’re trying to smooth things over; you’ve been doing a lot of that lately.
“Sunny.”
You snort and roll your eyes.
“It seems you left good jokes back in Japan,” you tease. You pull your knees up to your chest and reach for your favorite soft knit blanket, tucking it around you. “Be honest, how many things did you forget to pack this time?”
Bradley groans your name. This time you smile.
“I had to take scissors to my favorite pair of Levi’s, because I didn’t bring any shorts for the beach.”
Picturing the pained look on his face as he desecrated his favorite jeans nearly sends you into a fit a giggles. But out of respect for the fallen and your best friend’s feelings you press your lips together, the corners pulling up on their own.
You can’t resist lightly teasing him though, “Beach jeans? That sounds like a choice.”
“Desperate times call for desperate measures,” Bradley says, solemnly. The drama queen.
“Is there someone who saw you in them that I could bribe for some new blackmail material?” you ask. “It’s been a while since I’ve gotten my hands on anything truly juicy.”
“Sorry to be the bearer of bad news, kid, but I looked damn good in them.”
This time you don’t hold back the laugh, only muffling it with a hand over your mouth when you realize that your boyfriend could probably hear you through the closed door.
“I’ll believe it when I see it.”
“Give me some time and I’ll see what I can do.”
“I’ll make some space in my Bradshaw Blackmail folder in the meantime.” Bradley’s warm chuckle in your ear makes the room feel less cold. “So what else have you been up to?”
“We haven’t had a ton of down time, but I did hit up an In-N-Out with Natasha the other night.” That was a name you were familiar with. You’ve never met Bradley’s fellow aviator and friend, but you were happy he had someone with him there that he was close to. “It was the same one I took you to when you came to visit after I finished Top Gun the first time.”
It was a fluke of fate that you’d been sent to the West Coast office for some training around the time that Bradley was on leave before being sent back to his squadron. The overlap was only for a few days, but the two of you had made the most of it.
“Who knew you were such a sentimentalist?” You lean your head back against the couch.
“It’s the closest one to base,” he justifies, “Although, you’ll be happy to know their milkshakes are still trash.”
You grin. “Hey, I never said they were trash. That was all you, Bradshaw.”
You’ve only been there the once, but it had been fun getting to experience it with him for your first time. He’d ordered more than enough food for two people, making sure to get some of the more classic not-so-secret menu items for you to try. And the Neapolitan shake had been fine, but the ones from the ice cream shop in your hometown where Bradley had had his first job were much better.
“Your face said otherwise,” he bats back.
You hum noncommittally, not wanting to concede. It was more fun for you this way, even if he was right. Not to mention no one knows how to read your face better than Bradley does.
When you don’t argue, he continues, “There’s even a rumor going around that they might want to keep some of us around longer. Like they’d form a new squadron that would be stationed here.”
You perk up, “In San Diego? You could be there permanently?” Between his deployments and moving around from base to base, you don’t think he’s been in one place for more than two years since he went to UVA. “That would be amazing.”
“Yeah, it really would,” Bradley agrees, he sounds hopeful, “But I don’t want to get ahead of myself.”
‘Hope for the best, but expect the worst’ was the motto he seemed to live by. He’d had the rug pulled out from underneath him more times than anyone else you knew.
The two of you are quiet for a moment.
You don’t want to push him into talking about whatever the reason is that he’s called so early in the morning. But no matter how many jokes you trade with him, it’s still in the forefront of your mind. And try as you might, you can’t shake that feeling of unsettledness that was resting heavily on your chest.
Outside your living room window, the streetlights are bright against the dark sky.
You’ve told him more times than you could count that he could call you any time, but Bradley being Bradley has always made it a point to call during hours that were convenient for you, even if that meant he was still up at some ungodly hour.
But that was so him, always putting everyone else ahead of himself.
With the confidentiality that goes hand in hand with his job, you know he can’t talk about the specifics. It was something you were used to after nearly a decade of Naval service behind him.
You nibble on your lower lip, weighing your words.
“How’s it been with…” You trail off, but you know he knows who you’re referring to. You run a hand up and down your calf, trying to warm up quicker.
Mav? Pete? He’d been Captain Mitchell the last time you’d seen him back when you were in high school, you weren’t sure what his rank was now.
Mav has always been the number one topic on Bradley Bradshaw’s No Fly List. The few times you’ve dared to bring it up in the past had been shut down quicker than you think he could probably fly his jet.
Bradley told you last week in a text that had simply read He’s here. You didn’t even have to ask who he was. It had been just as much of a shock to you as you imagined it probably was for him seeing the man who had derailed his dreams when everything else in his world had already fallen apart.
It was a story you’d always thought there had been more to, but between the two of them you’d always be Team Bradley. That’s how it was supposed to be for best friends.
You can feel Bradley mulling over his answer. “It’s been… motivating.”
The way he says it you can’t tell if that’s a good thing or a bad thing. And maybe he doesn’t even know himself.
You sit up straighter on the couch. “Oh?” you say, casually. Neutrally. Not wanting to let your inflection to color Bradley’s response.
Their reunion has been a long time coming, you just wished you could be there for him with this the way he’s always been there for you. Not just on the phone, but there by his side.
Bradley sighs again, it’s heavier this time. Like he has the weight of the world on his shoulders. He’s probably roughly running his hand down his face, the way he always does when he’s really, truly frustrated. Like he’s trying to free those too big feelings from trapped beneath his skin.
“I’m flying with him for the first time in my career. I want him to see why I’m here. I want to show him.” The anger, the hurt rings though loud and clear. But so does the determination. “These patches I’ve been called back are the best of the best that there is. And I’m one of them, kid. And I got here on my own, without him.”
You wait to see if he is going to continue or not, wanting to give him the space to talk through his feelings, but he’s gone quiet again.
“You’ve worked so hard for this, Bradley.”
“It was all I ever wanted,” he says, his voice rough, “To be like them.”
Like Mav. Like Ice. Like his dad.
You’d been there for the fallout. He’d been crushed when he didn’t get to go to the Academy, the self-destruction that followed had been hard to watch. You’d seen the way he had to pick up the pieces of his life. The way the boy had quickly had to become a man. Every choice Bradley has made since then has been with one purpose in mind.
He’d set out to be a Naval aviator and he’d achieved it.
“You should be so proud of yourself,” you say, softly. “I know I am.”
You imagine Mav is proud too, but you don’t say that part out loud.
After all, he practically helped raise Bradley- in his own way. Always calling whenever he could. Sending presents. Spending his leave time with the Bradshaws. They’d been a family.
“Sometimes-” Bradley cuts himself off, trying to collect his thoughts. You can almost feel the tormented whirlwind of them through the phone. “Sometimes,” he starts again, “There are moments, when I see him fly- it’s crazy shit that no one but him can do- and I forget. Just for a second. But then I remember and it’s like I’m eighteen and feeling like I’ve been punched in the gut all over again.”
Your stomach twists in the same way it always does when you’re reminded of that rough period in time when the two of you were just teens. And now that you’re older, your ache even more for the boy whose whole world was so turned upside down by the one person he thought would never let him down.
“When we’re flying together, I’m reminded how it could have been. How it should have been,” he corrects himself, roughly. “I thought I was fucking over it. It’s been fifteen years, kid. And I’m pissed at myself because he should be nothing to me, I shouldn’t care what he thinks.” His voice is a hoarse rasp. “Why can’t I get over it?”
It’s times like this where you can feel every mile between the two of you. Every inch of space in your long-distance friendship. And it chafes at you that all you can be is an ear for him to vent to rather than a shoulder for him to lean on.
“There’s no version of this where it wasn’t going to be tough. And I don’t think you trying to brush off who he was to you, like none of that mattered, is going to make this any easier for you,” you tell him. “Not with the history the two of you have. And you can’t punish yourself for having feelings about it.”
“I told him no one would mourn him if he burned in.” He all but blurts it out.
Your suck in sharp breath and you shake your head in disbelief, “Bradley, you didn’t.” There’s no hiding the shock in your voice.
You know there’s an unspoken code of conduct between aviators from the things you’ve picked up from the way he’s talked about his career and fellow Naval officers over the years. That when everyone’s lives are so dependent on each other to look out for one another, there were certain things you didn’t joke about. Things you didn’t throw around, not even in the heat of a moment.
“Shit, shit,” he mutters, more to himself than to you.
You don’t know what to say to him. It’s silent in your darkened living room. The only sound is of his affected breathing over the phone.
You can’t keep dancing around things with him anymore tonight. He cracked open the door, but now you’re the one pushing through it.
“Bradley, what happened?”
His voice is strained when he speaks again, “We had a couple accidents during training a few days ago- no one was hurt.” He is quick to clarify, and you know it’s for your benefit. “It was a bird strike and they had to eject, but they were cleared to fly the next morning.” It hits too close to home all the same. You don’t worry about anyone the way you worry about Bradley. “Mav found me in the Ready Room later that night, and it was just the two of us alone for the first time since everything happened. He was talking to me like I was the kid he’d helped raise, instead of the one he’d fucked over. And then all that anger came rushing back. So I did what I always seem to do, I went for all the things that I knew would hurt him the most.”
You squeeze your eyes tight in sympathy. You’ve been on the receiving end of Bradley’s sharp tongue before. You’ve never held it against him, but you’ve also never forgotten the way his words sliced straight through you.
“I knew it was fucked up as I said it, but in that moment it felt good to hurt him the way he hurt me,” Bradley says, quietly. Every word feels chewed on, like they’d be covered in indents of his teeth. “I don’t think I’ll ever forget the look in his eyes, kid. I really fucked up. It’s been eating at me ever since.” He pauses and clears his throat. “I hate that part of myself. I hate that I said that to him, regardless of the shit we’ve been through.” His voice is pinched, tight. “My mom would be so disappointed in me.”
The guilt in his voice is unmistakable and it's a confession you can tell that takes a lot out of him. No one holds on to regrets- or grudges- like he does. Even if the one he’s holding it against is himself. You know this is going to be something he’ll carry around with him for a long time to come.
But it is the way he stumbles over the mention of Carole that cracks your heart open.
You had grown up adoring her. She’d been lightning in a bottle. Her smile was always the brightest in the room, and her laughter always made people stop to look wanting to be in on the joke too. There was no one quite like her.
And after she died, you’d mourned that loss too. You still carried the evidence of that love with the scar issue on your heart. But for Bradley, that was a wound that no amount of time would ever fully heal for him. Forever a reminder of who wasn’t there.
He’d already lost so much. First, his dad. Then his mom. And now with his uncle.
Bradley had told you about Ice and his passing. You knew they had come to an understanding in the after of everything. It was a relationship held together by a monthly phone call or two, and a dinner invite whenever Bradley was in town. He’d called you during one of his breaks on the morning he found out, troubled because he didn’t know he’d even been sick.
Just more time missed with someone who had meant something to him.
You didn’t want him to regret saying those harsh words without the chance to make amends. You didn’t want him to miss out on any more time with people who wanted to be there for him. You didn’t want him to shoulder around that pain and resentment anymore. A decade and a half of it was more than enough to carry that around. You didn’t want him to forever push away the one person who probably cared for him just as much as you did.
“So apologize,” you gently urge him. “Talk to Mav and apologize. For him and for you.”
He sighs, heavily, “It’s not that simple.”
Gone is the quiet girl in her dark living room. You want him to hear you. “It really is though, Bradley. Tell him. Pull him aside after class or get there early. Or take him to that bar on the beach you told me about and buy him a beer. Don’t let this be a thing you can’t take back. You can still apologize.”
“I-I don’t think I can. There’s not enough time for that now.” His words are stilted.
You feel your eyebrows pinch in confusion, “Aren’t you guys there for a couple more weeks?” He doesn’t answer you right away and you feel a chill drift across you, even under your blanket. “Does that mean you’re shipping out soon?”
“It’s why I called.” There’s something more serious in his tone, you’re talking to the Naval officer now. “We got the orders, we ship out tomorrow. Or later today, technically.”
There’s a swooping sensation in your stomach and it feels like the floor has fallen out beneath your feet.
“Goddamn it, Bradshaw. Why didn’t you say something sooner?” Your voice wavers.
“I know, I probably should have.” At least he has the good sense to admit it. “I just wanted to talk to you, like normal. Although we didn’t get very far before I derailed the conversation,” he says, self-deprecatingly. “Do you think you can give me a few more minutes of normal, kid?”
You know there’s not much you can ask, and even less than he can tell you. You’re surprised you even allowed to know this much.
But you don’t need a dossier of confidential government information to tell you that whatever he’s being sent to do is dangerous, because you’d be able to read even the most redacted version of Bradley Bradshaw. You’d known something was off from the very moment you’d seen his name lighting up your phone.
You don’t want him to feel your anxiousness, you don’t want to add to whatever else he’s currently going through. Bradley called you because he wants to let his mind relax. So if he wants normal, you can give him normal. You can give him as much as he wants, as much as he needs.
“I’m sorry for making fun of your beach shorts.”
Bradley huffs a soft laugh, “No, you’re not.”
“You know,” you muse, fighting to keep your tone light and airy, “I haven't played hooky in a while and I have some miles to use before the end of the year.”
“You want to come out here?” The suggestion works just like you hoped it would, he sounds less troubled than before.
“I could use some Vitamin D and a milkshake. Do you know a good place to make it worth my while?”
“I might. It depends on your opinion is about Neapolitan shakes though.” Your nose scrunches up on its own. “Are you making that face, kid?”
“No,” you reply too quickly.
“Liar.”
You smile to yourself. “I’ll even let you pick me up from the airport and you can finally show me that Bronco of yours in person. It only seems fair that I get to see what all the hubbub is about after I’ve spent hours letting you talk my ear off about it: V8 engine this and four-speed manual transmission that.” You do your best Bradley impersonation and earn an amused scoff from him.
He’d bought it right before he’d been sent to Japan. Ice and his wife had been looking after it for him while he was away. Bradley had even documented his reunion with it after landing back on US soil by sending you a video of it with him humming the Peaches & Herb song in the background.
“You’ve got yourself a deal,” Bradley says. You think he might be smiling too.
It’s all to easy for you to slip into a normal conversation with him. He asks about your mom and stepdad. You don’t mention the possible promotion, but instead tell him about the passive aggressive microwave fish debacle that plagued the entire floor for days.
The two of you talk about nothing in a way that feels like everything. And every chuckle you pull out of him feels like a victory. Your tired eyes flutter shut on their own, with them closed you can almost pretend he’s sitting right next to you, until a yawn slips out of you without your permission.
“It’s getting late, I should let you go.”
You want to keep talking to him, but you can imagine the circles that have already formed under his eyes over the last few days. “You should get your sleep. Rest up, because we have big milkshake plans…and you’re not allowed to stand me up. Got it, Bradshaw?”
“I hear you,” he promises. “Try to stay out of trouble until I get back, kid.”
“No promises.” You feel your lower lip wobble.
“Atta girl.”
You laugh. It sounds a little watery to your own ears, but you hope he doesn’t hear it. You’re grateful he didn’t choose to FaceTime you. It’s probably for the best he can’t see your face, you’ve never been a very good poker player.
“Be safe, Bradley.”
You’ve already decided that you’ll let him be the one to hang up first. You didn’t have it in you to hit the red button before he did.
He blurts out your name. “Wait.”
“I’m still here,” you answer, quickly.
You hear him sigh in relief. “I-You know you’re my favorite, right?”
“I know.” Your throat gets thick and your eyes prickle. “And you’re mine.”
“Yeah?”
Your friendship with him as always mattered the most to you. It wasn’t even a question.
“Of course. I didn’t make very intricate embroidery floss friendship bracelets at summer camp when I was thirteen for just anyone, you know.” You’d spent hours making him one in his favorite colors. He’d worn it until it fell off and then asked for another. “You’re my favorite too,” you repeat, wanting him to hear it again.
“Ok. Ok, good,” Bradley says. He lets out a slow breath. “See you soon for milkshakes, kid.”
“See you soon.” It comes out a reedy whisper.
You stay on the line until he hangs up.
And only when the screen goes black do you allow yourself to give into the emotions that had been surging up inside of you.
With the corner of your blanket, you wipe at the tears that are making hot tracks down your cheeks. There’s a hollowness that has settled in your chest that you don’t think will go away until he tells you when to book your ticket to come and see him.
It doesn’t matter that you remind yourself that he is one of the best at he does. Or that you know he’ll be with other people who are just as good as he is. In all the years he’s been in the Navy, you’ve never once heard him sound that unsure before, and it’s rattled you.
It’s not that you didn’t know there was risk every time he sat in the cockpit of his fighter jet, even if it was just to train. But this was the first time it’s ever felt like he was preparing you for the possibility that you might never see or hear from him again.
You didn’t want to imagine a world with Bradley Bradshaw in it.
He’s never once broken a promise with you, and he wasn’t allowed to start now.
You don’t know how long you sit there in the dark with only your feelings and the sound of the clock on the wall for company.
Your eyes drift towards the closed bedroom door, where you’re sure Jack is sleeping unbothered on a soft mattress between stark white sheets.
It hits you then that he hadn’t come to check on you.
It’s still just as dark outside. Only the little lamp next to the couch offers any light, as you look around your living room.
You’d liked all the exposed brick when you’d first moved in, had imagined all the ways you could soften the apartment with things to make it more cozy for you and your boyfriend. More like the two of you.
But the books on the bookcase had been carefully chosen to fit a neutral color palette, while all your favorites had been moved to the smaller one in the office. Their colorful covers hidden away. The spot where you thought some kind of landscape painting could have gone, had a photograph of a sepia-toned city hanging there instead. It was still art, but it was the kind of thing that had been made to disappear into the background.
You keep waiting to see a piece of yourself reflected in the room, some mark of you that had been left behind in the home you live in, but other than the black and white striped rug that had been too good of a deal to pass up on at a store with a no return policy, none could be found. You didn’t see any of yourself there at all.
You thought that you’d been making compromises, but it’s dawning on you that all along really what you’ve been doing is making concessions. A one-sided partnership. When all you ever wanted was to share a life with someone.
Earlier you found yourself making excuses to Bradley, but now it felt like something you weren’t sure you wanted to look past.
You are tired.
And not because it’s sometime around 5 AM now. You’re already well past the start of a new day.
You’re tired of being the one to trying to make something work.
You’re tired of being the one who always makes a genuine effort.
You’re tired of red roses.
Maybe people did end relationships over flowers. Or the art on the walls.
Grabbing your phone, you open your email ignoring all the messages that are already waiting for you, and start typing out a message. When you’re done, you read it over a couple of time before sending it off to your boss. The whoosh that follows as it bounces off the exposed brick in the quiet living room feels like progress.
You didn’t want to miss out on any more time either.
Not with the people who mattered the most to you. The people you mattered the most to.
Leaning over the arm of the couch you turn off the lamp and stretch out to get comfortable on the cushions underneath you. You tuck a throw pillow under your head and drape the blanket over you.
From this angle, you can almost pretend the city lights look like stars.
Your alarm is already set, and if you’re lucky you can doze a bit longer before it will go off all too soon.
But it’ll ok if sleep doesn’t find you.
You’re already California dreaming.
Who gave me permission to do this to myself?! Oh my heart. Don't mind me, I'm just in my angsty era. Thank you for reading!
If you enjoyed these two, you can read their story from the start here!
You can read my other stories here!
taglist:
@gretagerwigsmuse @sehnsuchts-trunken @callsignspark @notroosterbradshaw @tongue-like-a-razor @laracrofted @ofstoriesandstardust @bradshawsbitch @starryeyedstories @top-hhun-main @startrekfangirl2233 @callsign-viper @teacupsandtopgun @angelbabyange @oneelleandaneye @mizzzpink @cornishkat @alana4610 @20th-centu-fairy-girl @pono-pura-vida @donttouchmycarrots @eg-dr3amer3 @whaledots-blog @a-beaverhausen @hangmanscoming @mandolin22 @theweekndhistorybook @lilpeekabooze @high-bi-imgonnacry @ahintofkiwistrawberry @ruewrote @spiderman-stilinski @jayniebop @my-soulmate-is-mycroft @imaginecrushes @keyrani @chicomonks @artemissunn @mayempress @eddiemunsonreader
#bradley bradshaw x reader#bradley bradshaw x female reader#bradley bradshaw x you#bradley bradshaw fanfiction#bradley bradshaw imagine#bradley rooster bradshaw#bradley bradshaw#bradley rooster bradshaw x reader#bradley rooster bradshaw x you#bradley rooster bradshaw x female reader#bradley rooster bradshaw imagine#bradley rooster bradshaw fanfiction#rooster x reader#rooster x you#rooster x female reader#top gun imagine#top gun fanfiction
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Look, I'll say it: Zurr isn't a magical demon that took over Bruce's body, it's a vilifying, demonizing take on induced DID. I can't keep seeing people fight to defend Bruce's honour in Gotham War by saying "it wasn't actually him so it's not his fault", reject the Lazarus Pit Madness headcanon because "Jason and he alone did his crimes and he has no excuse", and then we're talking about how Bruce's or Dick's trauma is what made him a hero, one post later on my board it's "the lazarus pit madness headcanon is unnecessary because Jason's behaviour is completely explainable and logical if you just take in account that he has cptsd" (or bpd depending on the post) and then that fanfic I had to stop reading because a character literally was screaming at Jason "so what you died get over yourself but you weren't magically controlled by the pit so you have zero excuse and justification for being angry" and then a post about "wow why is Batman punching down on all these mentally ill people", and then in the replies "are you dumb it's because those crazies are bombing orphanages..."
I'm still thinking about that moment in "dumpster slasher" where Batman is like "the killer is still free while poor Elmore [a homeless guy with substance use disorder and major neurocognitive disorder] is being shipped off to Arkham... This doesn't sit right" yeah buddy I'm sure if you ponder that for a while, the reason why the fact the only mental health facility in your city is also a prison for dangerous criminals with no apparent mental illness doesn't sit right with you will appear to you eventually.
Maybe it's time to confront the fact that the difference between a hero and villain in dc is often whether their mental illness is demonized, glorified or minimized. Or the fact that attenuated circumstances and responsibility exists on a gradient and there is such thing as "altered responsibility due to mental illness" in a trial. Maybe it's not "oh it was this evil Zurr/Batman entity, not Bruce/Batman, so there is no responsibility to be taken and anyone condemning those actions as abuse is talking in bad faith" maybe it's "this is a terrible representation of something that exists and should be treated respectfully" and "I don't have to accept this terribly harmful rethoric and fucked up depiction into my conception of my fav's characterization in such a dislocated, often incoherent canon if I don't want to."
And also maybe it's "if we accept this event/depiction as canon it doesn't mean that we have to either bash the character completely or erase his mental illness into something vaguer/mystical that would somehow absolve him of his place in this situation".
And maybe it's "what does accountability for your harmful actions looks like when your judgement was heavily impaired by mental illness, and what judgement can be placed upon you and who decides where people are placed on that continuum of responsibility and how do we acknowledge and go forward into repairing things when severe harm/abuse was done under impaired judgement and also how do you reconcile all of this with your sense of self, (especially in conditions like bpd/cptsd and especially did where the sense of self is already so altered/complicated) with what your values are, what you want to be, what you are capable of doing and what you thought about yourself before the bad thing happened." I don't know any simple, correct, good answer, especially not a one size fits all. All I know is: the desire to be a good person, and be able to distinctively separate people between bad and good, is profoundly human and, at times when lines of responsibility get blurry, profoundly unhelpful. Most people who are going to hurt you aren't mentally ill. Most people who do terrible things aren't mentally ill, and sometimes people are mentally ill and hurt people and the two have nothing to do with eachother. But it is also a reality that sometimes judgement is impaired and behaviour is altered due to mental illness, and then you need to figure out where to go from there. Acknowledging this while also fighting stigmatisation is a complicated business. It's messy. Mental illness often is. I'm weary of any rethoric that pretends it's simple.
#batsalt#dc critical#dc comics#gotham war#batman zurr en arr#being a dc fan as someone who engages in media primarly through depiction of mental illness is.#an experience.#jason todd#red hood#talked about those two because they inspired the rant#but this applies to so many characters in dc#rant#also i don't know much about the fandom's take on two face#but the irony of dc's treatment of two face's villanized did VS bruce's villanized did sure is something#dc#batman#dc meta
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No one asked so feel free to ignore this, but I think it’s a little bit reductive to view Willis as an abuser when nothing really states that in pre-flashpoint comics.
Like Cathrine getting “drug abuser” pushed onto her while her introduction just called her sick, and Willis being a criminal (working illegal street gambling), and getting painted as an abusive father/husband, paints a ugly picture on people’s bias towards poor families.
It’s kinda how people assume Steph was dirt poor like Jason when she’s stated she’s from the suburbs multiple times. (And while there are suburban ghettos it doesn’t really seem like her financial situation was ever as dire as Duke and Jason’s growing up.)
Very true! I do agree with all of this tbh. There was classism involved in how Catherine's initial illness went from just "sick" to drug use, and same for Willis. When I knew nothing about Jason except from reading wikis, batfam fics and Cass comics, I just thought Willis had always been the way Lobdell wrote him, and then when I actually read Jason's Robin comics I was like hm. That's a bit odd, maybe there's something I'm missing because he seems pretty absent but that's like. It. Jason clearly cares about him! But he can't be around because Batman and Robin need to be a thing.
Since then I've read a lot of good meta from Jason fans on the topic, most of them were along the lines of what you're saying, pointing out the classism at play that's always damned Jason since he was first rebooted from a circus kid. However I've also seen good meta about Robin Jason's anger towards abusive men, and how bitter some of his speech is, that made me a bit more open minded towards the idea of bad dad Willis. I don't really mind when fans want to explore how Willis may have contributed to that mindset Jason had, but it crosses into ick territory for me when they use it as an excuse to prop up Bruce, who's canonically a much worse father. Ultimately I think what it comes down to for me is if the headcanon is done in a way to reinforce the classism at play in the narrative, or if it's aware of what Jason's up against and not trying to paint Willis as naturally abusive due to being poor and a criminal. YMMV on whether the person writing the meta/fic manages to land the headcanon well, but whereas before I used to have a "ew" gut reaction to seeing bad dad Willis, nowadays I'm willing to wait until I've read the full meta/fic to decide if I like it or not. In the comics though? Yeah fuck that, no thank you. I don't trust them to do it in a way that doesn't glorify Bruce for "saving" Jason from a doomed destiny.
It's interesting that you brought up Steph though because I do see her, Jason and Duke as three different perspectives of growing up Not Rich in Gotham. Jason obviously had it the worst, dirt poor. I do think Steph was meant to be in a bad financial state at the start of her appearances, despite living in the suburbs. But there was a clear progression in the comics of her and Crystal getting better and more stable, which is an interesting contradiction of Dixon's. He hated women and poor people and it showed in how he wrote Steph, but he also liked Steph, as much as he could like a female character while being so misogynistic. So she was given the rare opportunity to escape from the poverty he initially wrote her in, to be one of the 'good ones' who worked hard and got out. And then DC killed her, because even if she managed to make it out of poverty, she couldn't escape from being a girl.
And then there's Duke, who's from the Narrows and who's dad was a non union worker at one point (the monologue Duke gave about the shadow crews was so good PLEASE dc give me more of that Gotham worldbuilding from Duke's pov). There's so much there that still hasn't been fully explored and I'm hungry for more because despite everything going on during Zero Year, when we first meet him he and his family seem stable. It's almost like a reverse of Steph, where location wise he's in a poor area of the city but in terms of how his house looks like it seems fine! Whereas Steph is in the suburbs but her house initially looks... not great. So I'd put him at around the same level as Steph financially just based on living in the Tracy Towers and what we know of his parents careers, but with a much less toxic family situation, which meant that they were probably more secure in their finances even when the Riddler was around pulling some fuckshit. And obviously after the Joker attack he's in the foster system and then in the Manor and then living with a cousin. I need DC to give us more on the Thomas family like we don't even know if his dad is well or still Jokerized! And he stands to be such an interesting contrast to both Steph and Jason. Robins two four and six, three different ways of growing up in Gotham when you're not rich as hell, the similarities and differences between them... I don't trust DC to write it well but I want it all the same.
This turned into a big ramble lmao but thank you for the ask!
#dc#dc rambles#asks#jason todd#batfam#stephanie brown#duke thomas#very much open to different perspectives and opinions on this. it's not something I've thought about a ton so I'm mostly just saying#my current impression which is based on reading their comics and then reading fan discussions and fics#not rotating them in my mind 24/7 like I do with Cass
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I feel like I’m seeing another uptick of people talking about using AI for fics/writing in general and I know some of it’s in a mostly unserious way but I still just wanna say
1) Generative AIs are literally built on the concept of mosaic plagiarism. You are, by definition, stealing from the work of countless writers on the internet
2) AI writing is not writing, it offers zero value beyond in-the-moment entertainment. If you want that satisfaction of doing something creative you have to actually, you know, do something creative. If you want the instant gratification of a story go read/watch/play something that was made by actual artists
3) even if you have no qualms about the plagiarism and deterioration of human skill and creativity, AI is a major threat to the environment and every time you use it you’re contributing to a massive waste of energy and resources
4) using AI just for ideas or just for inspiration or just to rewrite a sentence or just to find a different word is still using AI and it is still harming the environment and it is still stealing from others. There are other tools to use. The internet is full of free resources created by actual writers that can help you find that cool word you’re looking for or show you different ways to approach style and voice. And if you’re looking for inspiration there are literally endless amounts of prompts and ideas that are only a google search away
4a) this is also true for people who are only using AI as a joke. It’s still harmful and you are helping the problem continue by using it, training it, and normalizing it
5) art is valuable because it is created by humans. Making something worthwhile isn’t about creating a masterpiece, it’s about putting part of yourself—whether that part is passionate or heartbroken or angry or inspired or silly or reverent or filled with brainworms—into the world. And even if you are the worst writer/artist/musician who has ever walked the earth (and trust me, you aren’t), anything you create on your own still has an impact. You are changing the world! You are putting something out there that leaves an impression on you and anyone who comes across it! But when you use AI for that, you haven’t made anything. You’ve just rearranged someone else’s work and dropped it on the ground. And by the time you make your third work, or your tenth, or your hundredth, you will not have grown or learned or changed or experienced any of the actual meaning and beauty of creativity. And if you don’t want any of those things, that’s fine! But that means being a writer or an artist or whatever is not for you, and you shouldn’t go around cosplaying as one with a computer algorithm that is destroying the planet, stealing from hard-working artists, eliminating jobs, and contributing to mass misinformation and the deterioration of reading comprehension
#writing things#I guess#I am very tired and very scared of the way we have made this a reality#but genuinely all it takes to end is to take the consumerist value away#shun AI. you’ll be doing literally everyone a favor
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AO3 tag capitalisation and why you can't change it
Have you ever tagged your fic in all Title Case and then discovered one of your tags has become all lowercase when you hit save? Or had it become title case when you tried to type it in lowercase? Does this offend your aesthetic sensibilities?
If you said yes to any of these questions, I would like to offer my deepest condolences. I, too, have had this problem. Unfortunately, you can't fix it (except in one very specific situation).
The first time a tag is used determines its capitalisation (unless it becomes a canonical). For example, I'm sure not everyone who tagged kylux au intended for it to be all lowercase, but the first user who tagged it capitalised it that way, and so it remains. This is because the wrangulator (the part of the AO3 backend that handles tags; yes this is what we officially call it) treats different capitalisations of a tag as the same tag, and isn't capable of having it display differently in different fics.
There are two situations where capitalisation can change: firstly, it could become the exact phrasing of a canonical tag. This is what it's called when a tag becomes filterable and multiple tags that mean the same thing (called syns) get connected together and all redirect to the canonical. For more info, you can read this post I wrote! All canonical tags get changed to title case when they're made canonical, because the tag edit page that wranglers can see enables wranglers to change the capitalisation of a tag (it also allows us to change the diacritics, but not anything else). If your tag is a synonym of that canonical, its capitalisation does not get changed, only if you've used the exact phrasing that later becomes canonical (for how to tell what kind of tag something is, please see the post I linked earlier). For example, if I was the first user of the tag "obi-wan on tatooine" and typed it all lowercase, it will remain lowercase even when the tag wrangler syns it to the canonical "Obi-Wan Kenobi on Tatooine". But if I was the first use of "obi-wan kenobi on tatooine" and typed it all lowercase, when it's canonised it will change appearance on my work to be in title case. Tag wranglers will never change the capitalisation of your tag in any other situation.
Secondly, if you are the only use on an unfilterable tag (which means it has not been synned anywhere), it is technically possible to change the capitalisation if you decide that you want to change how it looks later. In order to do so, delete the tag from your work. Then wait approximately 24 hours (give it a few more for leeway) and tag your work again. You should be able to now tag it with different capitalisation. The reason you have to wait 24-ish hours is because of a part of the wrangulator called the rake. The rake deletes any unfilterable tag that has zero uses (except if it's used in a tagset) approximately 24 hours after it's made. Notably, any tag that has been synned to a canonical does not get raked. If you want to check if your zero-use tag has been deleted yet, you can search for its exact text in tag search. If it still exists, it will be a search result and show (0) after it. If it's been deleted, it won't show up at all. It's important to note that just because an unfilterable tag shows up in tag search with (0) after it, that doesn't mean it will be raked in the future! These are usually tags in a tagset, which don't disappear. A tagset (example) is used by people running challenges for participants to have a pool of tags to choose from. There is no way to determine whether a tag is in a tagset, not even as a wrangler! You just have to assume it's the case if it never disappears. And remember, if anyone else has used the tag you're trying to change, it won't work!
So in conclusion: sorry about the tag that is the wrong capitalisation. You almost certainly can't fix it.
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☆┊WALKING IN A WINTER WONDERLAND !

SUMMARY: ah, it’s snowing at ramshackle. since there’s so much snow, you should invite somebody over just so there’s something to do. who do you invite, and what do you do together?
CHARACTERS: all dorms (+ grim)
GENRE: fluff
WARNINGS: cursing
CAN BE READ AS PLATONIC OR ROMANTIC (EXCEPT ORTHO)
reader gender is not mentioned, reader is yuu
snowball fight
he walks up to you, smiling innocently with his hands behind his back. you knew he was faking already. before you could even say anything, he had already chucked a snowball at your face. okay bitch it’s on. you form a ball and throw a snowball back at his head. snowballs could be seen flying left and right, hitting each other almost everywhere. you get the in the last hit before sprinting away and hiding behind the trees.
before you knew it, this was war.
grim, ace, leona, ruggie you forced leona outside
building snowmen
he already brought things to make snowmen in a little baggy before he left. it wasn’t stuff to make ONE snowman.. it was enough to make an entire army of them. somebody was excited.. still, it was fun! rolling the snow into 3 different sizes, stacking them on top of one another, finding sticks for the arms, it was great! you both decided to stop at 5 snowmen cause there’s only so many snowballs you could roll. obviously you named them. if you don’t where’s the fun in that? he loves these snowmen til the end of time, and would protect them for as long as he can. (don’t remind him about spring..)
deuce, trey, jack, kalim, ortho
sledding
there was a small slope at ramshackle, a sled in hand, and two people ready to go down at alarming speeds. he tells you it’ll be okay and that everything’s going to be fine, but as soon as he pushes off it feels like your life is flashing before your eyes. while he’s smiling and laughing, you’re worried about whether you were going to survive or not cause unfortunately you’re sitting in the front. thankfully you lived to see another day, and tell him it’s his turn to be in front. to your dismay, now that he’s in control you’re even more worried for your safety.
floyd, epel, lilia
ice skating
there was a large patch of ice nearby, and you couldn’t help but want to skate across it. finding skates was the problem though.. oh. nevermind, sam has those too! being such a generous person, he purchased the skates for you so you can save your money for more important things. you both stepped onto the ice, nearly slipping and falling right onto your face. it’s been too long since you’ve skated..
vil knew how to skate and glide gracefully across the ice. he looked so much like a figure skater right now.. just deadass elegant. it made you look like a noob.
however, if this isn’t vil you’re thinking of, he has ZERO experience on ice skating. there either was no snow where lived, or he wasn’t allowed to skate on his own. he requires some assistance. you held his hand, guiding him on the ice. almost falling over several times. exchanging smiles and laughter with each other as he learned along the way.
riddle, azul, jamil, vil, malleus
building a fort
you both decided to build a “secret base” together just for the heck of it. you and him were building the wall, occasionally throwing a snowball or two at each other, til finally the fort was complete. he was insanely proud of it and invited you in immediately. he was so excited, he even made some furniture inside. seriously there was a little booth and table when you walked in. it was kind of tight inside but at least you two being close together was keeping you warm.
cater, idia, sebek
walking in the snowfall
snow was falling from the sky as you both walked through the forest of snow covered trees. winter seemed like the only time of the year where ramshackle was a beautiful sight to see. you and him were having conversations about whatever the hell you wanted without any judgment whatsoever. he was also telling you about how beautiful the sky is at night during the winter. how the stars truly shine this time of year. he so graciously invited you to see it with him tonight as you accepted with a joking curtsy.
jade was totally freaking out about every pinecone though
jade, rook, silver
A/N: was thinking about jamil the entire ice skating segment 🫶🫶
date written: 11/26/23
© temiizpalce — don’t steal or copy my work!
#disney twst#twisted wonderland x reader#twisted wonderland#twst x reader#twst#riddle rosehearts x reader#ace trapolla x reader#deuce spade x reader#trey clover x reader#cater diamond x reader#leona kingscholar x reader#ruggie bucchi x reader#jack howl x reader#azul ashengrotto x reader#jade leech x reader#floyd leech x reader#kalim al asim x reader#jamil viper x reader#vil shoenheit x reader#epel felmier x reader#rook hunt x reader#idia shroud x reader#ortho shroud#malleus draconia x reader#silver vanrouge x reader#sebek zigvolt x reader#lilia vanrouge x reader#twst fluff#twisted wonderland fluff
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https://twitter.com/parkjmwins/status/1782358915939774874
Idk whether you will even answer this ask or will block me but this is exactly why JK had similar concept pics like Jimin. Jikookers made it to be romantic while Fandom made it to a joke 'JK always copy Jimin' (ofcourse). I've seen you making multiple posts about Jikook concept pics being match is a proof of them being a couple when in reality Hybe don't even take permission of original artist before using their ideas for another. One hybe label just got into trouble for copying newjeans and according to CEO min heejin it was BANG SHIHYUK who wanted to copy newjeans to create a second version of them through illit. And guess what he made sure illit gets 10x more success than newjeans, a 2 day song was already charting in different charts including hot 100. The same bang shihyuk who ignored every bit of Jimin's success but shamelessly copied his ideas and visions of concept pics for another favorite member. He shamelessly asks staffs to copy original ideas of artists who created them and use them for a cheap version of the said artist, Newjeans and Jimin are just examples.
Was it JK's fault ? Not necessarily but unlike rookie Illit he had power and capability to make his own decisions and use his own visions instead of doing what he was asked to do by the staff (his words) but he didn't and sat comfortably while using another person's hardwork. If you still think those similarities were because they were couple then idk what to say because in that logic Newjeans girls and Illit girls are dating.
Talk about TikTok generation ask.
Linking me to a tweet that has zero actual information and/or proper discussion, just stating a fact that isn't necessarily even a fact. Ignoring the full picture (like y'all do when it comes to Jikook as well, btw).
And I also find it so so funny how you are basically hanging your all on something that a very problematic figure within the Kpop industry is claiming, all to try and deflect from despicable behaviour she's being accused of, including using and revealing private info of Hybe idols obtained in illegal and despicable manors, perhaps including having to do with certain private info leaking of certain BTS members (including the one person that you so vehemently claim to love and stand in defense of).
You think that by sending me this link you are proving something?
You say that you read through my posts. Well, obviously you've missed those many posts I've written explaining how JM and JK being a couple can be deducted not from one action or one behaviour alone, but the combination of many many actions or behaviours. A puzzle built of not 10 or 50 or 100 pieces, but one built of so many many more.
I find it funny how with everything that has been going on with JM and JK you guys are still at this.
We're back to JK copying JM.
Like seriously.
Like even if the whole NJ Illit thing was true there was some kind of a comparison to be made with these two men.
Like JK, who's album concept is 180 degrees different than JM's doesn't have stylists at his beck and call to create a concept that isn't a full on copy of JM's. Right down to the studs and colours and minutiae details of some of the outfits.
Like if he did copy JM, that same scorned poor JM (that's how you guys love to portray him, as a damsel in distress awaiting you to swoop in and save him) CHOSE to fly to NY to be with JK and spend Silver day there with him, travel with him multiple times and spend his entire 18 months in the army with that awful copy cat JK.
Your ask tells me that you have zero understanding in human interactions and relationships. JM saying time and time again, JOKING time and time again, about JK copying him, it's a tease but also something that he LOVES. How he inspires JK, how JK perceives him as his catalyst.
But this here, the photo concepts and the whole of JK's wardrobe while promoting, claiming it's all about copying JM is just bull crap. This was planned. And it was planned by the two of them. It's not a coincidence that JM happens to wear the bottom part of a two piece outfit months before JK wears the top part of the same exact outfit.
And if we are talking about copying, is it the concept he's copying or is he so far gone that he's literally copying down to the smallest of details?
Like seriously. You think that's about copying JM?
Or because it worked for JM so he thinks it will work for him? Literally same hairstyle rocking as JM had in Face? Cause why not use a concept that works? Seriously? JK's all "I should do this cause it worked for JM so it will work for me"?
Was that what he was thinking when he rocked a highlight of JM's hair colour over the years? That the colour works for JM so I should have a strand of that colour in my hair as well, copying his success? Is that the theory you're working with?
Or when JK wore the same jacket as JM on Valentines day, you know, in a clip that JM himself records and uploads, that JK also copying JM?
Babe, this isn't just about the concept pics either. And it's not just about Face and Seven or Golden. Wearing the actual same black leather or leather-like pants just because he couldn't find any other pants? That level of copying? Or perhaps it wasn't about copying and more about mirroring.
About "You are me I am you", which they have been screaming at the top of their lungs for years now!!!
It amazes me how you have zero issue in taking an over decade long complex super close relationship (no matter how you perceive it they are super close) and simplifying it into "JK copied JM's concept because JM's concept worked for him", or to even compare whatever went on with JK and JM and those similarities to a claim made (by a disgruntled and caught red handed employee of Hybe) about one new GG copying concepts and whatever from a GG that's been around for 2 years now. No connection between them. No long term relationships between the groups. One group supposedly copying from another. Yeah, definitely the comparison needed to be made between that and Jikook's behaviours or decision making.
How infantile of you.
Oh and that paragraph of yours at the end. Laughable really.
Like I already said, go compare 2 GGs in two different companies to 2 men that have been close for over 10 years now. And let's also disregard the long history of those two doing the similar and same outfit (during official shoots, performances etc, or during their free time) thing and look at this one single concept.
Probably styled (funny how the styling seems to be similar for years now on many occasions, and just with the two of them)
Not styled.
These are just examples of MANY MORE instances.
Oh, and I suggest you go read this post too. Not mine, but recently written and oh so relevant to the conversation.
I can't help but wonder how different your pov would have been if one of those two young men was a female. Just thought I would throw that in here too.
But I gotta give you an A for persistence. You guys, you never give up, do you? No matter what JK and JM will throw at you, you will find a way to twist it around to fit your narratives. I guess you also think that JM was forced into enlistment with JK, ah? And their trips together and the content that will drop, also forced on him? I guess him saying otherwise isn't enough to convince you guys either, right? I love the way how you guys are so intrenched in your belief of victimhood that you don't even listen to what JM himself tells you. You love him so much that basically call him a liar. Good for yous I guess.
So, to clarify my answer to you, just in case it wasn't as clear as day already...
You do you, cause nothing I tell you, or show you, or you know what? Nothing that even JM himself will tell you or show you will satisfy you. Because you are living in a self built fantasy of what and who JM is and what and who those that surround him are, all to fit that narrative of yours in which he needs you guys as his saviours and knights in shining armour to swoop in and save him from the big bad JK.
One more thing.
JM's Face was a masterpiece.
We all agree on that. JK included.
He adores JM, he's his no. 1 fan and he's been showing us this throughout 2023.
JK is not a person that would callously copy a concept used by a bandmate just because it succeeded for his bandmate and might work for him too.
Let alone from JM.
His person.
Not even if, as you put it, he was told to do so by the powers at be (which yeah, he'd tell to go shove it up their asses if they ever did 'tell' him to do that btw, and they wouldn't do it anyway seeing that they know that would be his exact reaction).
So, no.
That is my answer to you.
Just a whole big fat NOPE.
No to copying. And surprisingly no to blocking you.
Yet.
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Sukekiyo 2025/04/21 "Makoto, Ryougan Chishibaru" live report
-Setlist-
Candis
MOAN
Aishita Shinzou
breeder
Houmonsha X
Creeper
Sharara
Honnou okotowari
mystery na
Kashikomi Kashikomi
Frame out kara no
(session)
anima
-encore-
Kashikomi Kashikomi
I'm not really going to write much about Kirito's part. No one wants my opinion on his songs. He did nine or ten songs, and he was reading almost all the lyrics that were in Japanese. If there are any Pierrot fans reading this, could you please explain? The fact that he constantly had to look down at his memo sheets, even having to step back from the crate to make sure he could see the words well... There's something very wrong about this. Is it a lack of self-confidence, or something medical? We got a sheet for his tour this month and the next, so it's not like he has zero experience and practice. And I'm clearly sensitive to memory disorders myself - that's why I write these reports to begin with - but I've never heard of a singer reading so much.
Other than that, one major difference that I noticed between Kirito's band's presence on stage and Kyo's bands' is the lighting. The musicians were constantly lit up, even if there was a backdrop video. It definitely made the show a lot weirder and less submersive than Kyo's bands. Fans of Kirito probably get much better pictures, but performance-wise, there's nothing like being bathed in darkness, apparently.
Kirito did MCs. From what I gathered, he teased the fact that sukekiyo fans are referred to as "torii-chan". He said it was cute, like fragile. I think he had his fans shout in comparison, and it seemed to be mostly male voices hah. Kirito also said something about Kyo but I was totally confused with my basic level of understanding for verbal Japanese because he never added a suffix after Kyo's name... It seemed to be about the discussion on the title of the show.
Onto sukekiyo, what a fucking show! I'm so glad people are now at the level of physical excitement as I was two years ago, pretty much on my own hah. It was amazing, the crowd followed everything and reacted to the songs even if we didn't know at first whether we could clap, let alone cheer after the songs or even when the members walked on stage.
Yuchi wore a kind of tutu skirt, I think? With a weird protruding black bra on top of a white dress shirt. He had a spiky hat, beautiful makeup, black (fingerless?) gloves and goldej rings around his neck. Takumi's hair strands were mostly pink/purple but a couple were blue on his left. He had a kind of black and white suit, I think. Mika wore all black. UtA wore a black ensemble with buttons all down the front, like a school uniform. His hair was either blond or pink, slightly puffy.
Kyo wore two articles from Adidas:


I think he hiked up the skirt higher than the model in this picture, because it appeared puffy, and it definitely seemed like a lot of his thighs was showing. Due to how Club Citta is constructed, I have no clue what shoes he wore. He also had large glasses, like in the breeder PV, and he added a couple of blond extensions to the sides of his head, in bows.
Candis was awesome as usual, the extension at the start really enhancing the song. I can't get enough of Kyo's sudden knee drops in this performance! I hadn't known whether we even needed penlights for the show - Kyo usually warns us ahead of time. When I realized which it was and that it needed a penlight, I rummaged through my bag, but like a sign of life, one penlight started flashing out of the three: the right one!
It was my first time witnessing MOAN with the penlight. We essentially do our best to replicate Kyo's moves in the chorus.
Aishita Shinzou is kind of where we started being less stiff, I think. Kyo asked us to sing a few times, and he was jumping and dancing (the dance reminds me of North American Indigenous dances) a lot. Oh and he did the finger-in-his-mouth thing before jumping!
breeder came on and woah, the PV plays in the background but whatever, what a banger, as expected! Kyo at first asked us for a few "kill my mind", but near the end of the song, we were basically tasked with them all, essentially wrapping up the song ourselves. I think we also had to do one or two "how much am I worth?" At first, it was just Mika and Yuchi playing. Yuchi had this big bass placed vertically. Kyo looked at us and nodded, hopefully when he saw that many of us were excited for the song to be performed.
And you know what? To be honest, there's something to be appreciated with projecting a PV that doesn't feature Kyo behind him on stage. It's always weird when they show the PVs since Kyo is different and unique, so he has starkly different looks and he doesn't always move the same way on stage and on screen. Having some rando isn't distracting, in that sense.
At some point, Kyo briefly asked us, seemingly out of curiosity, if this was indeed a "Ceremony of Liberation", to which we cheered and understood that we could let loose completely.
In Houmonsha X, I found Kyo to move less than he did in the Jetblack Ceremony performances, but maybe because he compensated then for the fact that nobody else could move. Even the musicians were hella concentrated and immobile during the instrumental parts. At least now, we could dance.
I got to see Creeper live! The pot-stirrong at the beginning, all the little moves throughout this song! Kyo asked us to shout the "kaeru"s sometimes, and I seem to recall that Kyo pointed a lot to us based on the lyrics.
Before this point, maybe in Aishita Shinzou, Kyo walked over on the right side of the stage and he was teasingly chewing his index in his mouth with a grin while staring at us, as if considering who he'd ask out.
Sharara and Honnou okotowari were very nice, but I don't necessarily remember anything specific right now. Probably because it involved a ton of headbanging? I think Kyo might have moved sensually more at the end of Honnou okotowari than at the beginning, even though that's how the song sounds with his low singing? And it's lovely that Kyo changed the tone of the third or fourth paragraph in Honnou okotowari to ramble on in a high-pitched voice as though he's 'bitchly vexed' and disappointed.
For mystery na, I haven't heard the studio recording beyond the audio teaser that they added on YouTube a week or so ago. They kept the essential parts of it, but there's a weird kind of empty section near the end? We were also expected to sing a part that sounds like: "...smile" but hey, most of us haven't had the chance to listen to it yet, so it showed. Otherwise, I loved how Kyo rapped, and how he made a gesture from his chest to three parts of the crowd for the "ha haha haha" part after "Odoreeeee", as though he was distributing the wealth or some emotion.
Kashikomi Kashikomi played next and it's crazy how everybody in the band is super demanding of us even in this super short song hah. For some reason, there's an emphasis that the 🙏 be bumped upward, and since the song is about ditching the concept of sexes/genders, I must say I'm confused. When Kyo sings the "woman?" "man?" part, at least once he pointed to Yuchi for one of them, and UtA for the other, before going crazy growling the rest and leading us to the headbanging part.
Frame out kara no was as cool as I expected, even if Kyo didn't do the same "throwing his hands in the air and walking around mad" move like in the video I posted recently. There was a ton of gesturing of a camera frame, and Kyo adlibbing or again changing the tone of some lyrics to act really disappointed by the resulting photograph that he held so much hope for. And when he sings about stabbing, he goes straight to Yuchi, who has his back turned because of whatever instrument he plays then, and Kyo boldly gestures stabbing him, before retreating to his central position.
Sukekiyo then started playing an improvised session, with Takumi peoducing a simple melody on the piano at first. I can't remember all of Kyo's lyrics, but it was about finding someone, something killed, tears, etc. and it became very intense rather quickly, with him shouting out his emotions. At that time, a lot of hands at the front of the crowd got up and became really agitated, so I was thinking that they were vibing way too much with Kyo and believing that they were the ones who resonated with him the most, but no, I guess they were frantically pointing out that someone had a medical emergency right there. The band kept performing like professionals.
Anima then played and the credits rolled on screen, signaling that it was probably the last song. It was emotional, most people listened stoically, in silence. This time, we started cheering before Kyo had completely walked off the stage.
We clearly didn't get enough sukekiyo with just about a half-show, so we quickly chanted: "ske-kiyo-sama" and man, you gotta love sukekiyo's punctuality. They always start their shows earlier than Dir en grey does, with little delay for latecomers, they took less than thirt minutes to come on stage after Kirito left, and once we called them for an encore, they were back right away.
Kyo asked us, unbothered, if we could go on. He kept alternating between "Ikimasu ka?" and "Ikaremasu ka?", the lattet of which is a much more formal question that would mean ", sir" in another context but which is hard to translate here. He sometimes used a tone that was like that of a polite employee asking a patron for confirmation on their request. He had his hand on his head while asking us that.
Kashikomi Kashikomi was played with somehow even less restraint, more intensity. Kyo took out one, then the second of his ear monitors to hear us, and he headbanged with us a lot. At the end of the song, he promptly walked out while the musicians jammed like a real end of concert. They were all smiles. UtA came to the very end of the other side of the stage and basked in gratefulness at multiple points on his way backstage. Yuchi insisted on us maintaining the Kashikomi 🙏 as high as possible. Mika left promptly the second time, but he had waved broadly at us from behind his screens after the main setlist in acknowledgement.
By the way, when we entered the venue, the staff asked us one by one which band we mainly came to see, and they had a counter for each.
I haven't felt like wanting to run until I collapse and exhaust all this overflowing energy in a long time.
I am definitely not bringing any penlights tomorrow - this show is meant to be danced unhampered!
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I really enjoy reading your takes about gender, sexuality, and kink-- even when I (occasionally) disagree they are always very thorough and insightful, and I get a lot out of your perspective, so thank you for sharing it here. (You also reblogged my wild ass post about Model UN and sexuality a while back and I appreciate that)
You have said a few times that you had very different experiences being seen as a man versus when you were seen as a woman, like night and day. I haven't experienced that at all-- essentially zero difference, even when I try to think about it carefully. I transitioned when I was 20 and have been on T for 6 years, and I pass as a (cis) man in most situations including at work.
I definitely don't say this to deny the existence of everyday sexism and misogyny. In college I often used the bus to get around and so did my girlfriend at the time, and she told me about multiple times people made creepy remarks to her on the bus or while out. But I've been in loads of situations like that and thankfully never been catcalled or harassed.
My question is about whether you think trans men with experiences like mine are more due to social ignorance (I definitely have trouble noticing other people's behavior around me in general-- maybe they did treat me weirdly and I didn't notice), my gender presentation at the time (my entire life I have been visibly "GNC" due to my failure to perform femininity. Long before I came out as trans, people did occasionally make negative comments about the way I spoke, dressed, or walked (???) being "unfeminine", or even if they didn't directly make negative remarks they were uncomfortable with me), because I never really considered myself a girl or woman, or something else. Obviously, the experiences I had where some people ostracized me in childhood for social difficulties being "a girl" are a type of sexism, but they are different from and less harmful than the type of sexism than most women and people perceived as women describe experiencing.
oh my god yes the sexy jingoistic model UN villain i love your whole deal. thanks for calling back in.
Yes I think it is all of the above! Just as many trans women experience gender-based oppression before they come out (even to themselves), some trans men do experience social treatment that just...isn't... what cis women undergo, regardless of how we might present at the time. This can be a complex melange of punishment for being GNC and some amount of protection from harassment or grudging respect of one's competence. It really depends!
People who are read as butch women by the larger world face horrific misogynistic abuses such as corrective rape, physical assault, and harassment, of course, but there are also some people who look that way or are on the trans masculine spectrum who are seen by those around them as "one of the guys" (not fully, but closer to), invisible in a somewhat positive way, or existing enough outside of the prevailing gender structure as to not be bothered a ton.
Much of this is shaped by forces like culture, class, and race. I've written about this before, but coming from a lower middle-class-to-working-class ish background, it was considered very normal for women to have masculine qualities, and indeed this was respected. If anything I was socially punished for my femininity not my masculinity, growing up. People responded well to my low voice, authoritativeness, etc. In the female-dominated spaces I have worked in (like psychology), this continued. I was both othered for being weird and bad at being a woman, and also taken seriously because I comported myself with masculine entitlement. All of this was before I transitioned at all.
I don't know your specific positionality but since you were a speech and debate nerd type as well, I imagine we have some experiences in common. The style of communication those fields promote are pretty androgynous or masculine, if you wanna call it that, and it's generally pretty well tolerated for a "woman" to like wearing suits, having a practical no-fuss haircut and style, to speak in a low voice, and to have certain masculine qualities. Not to mention all the roleplay you were doing in that position (because you were playing an evil American imperialist). There's a bit of a buffer you get from certain forms of sexism when you present in that way in that milleiu. I remember when I was doing speech and debate I consistently got really high scores and I was an aggressive, clipped, self-confident type in masculine suits. A peer of mine who was equally talented (class valedictorian, very skillful and brilliant) got awful ballots from judges commenting on how she dressed, the pitch of her voice, using the word "like" too much, etc -- she was a far more feminine woman than me. Little things like that stand out to me as reflecting male privileges I had all my life.
But of course, it's always a mix! Part of the reason I could 'get away' with positioning myself as a woman with masculine characteristics back then was that I could do so while still remaining conventionally attractive. I was thin, I had long hair, I still looked "pretty" without putting any energy into my appearance, I just carried myself in a masculine ish way. I was like Elizabeth Holmes or whatver. That is a VERY different position to be in than a fat butch woman for instance, especially one of color. So many factors here that intersect and complicate these things!
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