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[2024.08.05] AERA x Yuzuru Hanyu: 24.8.12-19 No. 37

person in focus

"After all, it's frustrating when I can't perform well."

A session with photographer Mika Ninagawa for the first time in a year. In a long interview exclusive to this magazine, he talks about the ideals he pursues.

Writer: Takaomi Matsubara

Professional skater Yuzuru Hanyu

Born December 7, 1994 in Sendai. 2009 Won the Junior Grand Prix Final at age 14. 2010 Became the youngest Japanese male to win the World Junior Championships. 2011 While practicing at a rink in Sendai, the Great East Japan Earthquake occurred, and he had to live in an evacuation shelter. The rink where he was training was temporarily closed. 2012 First participated in the World Championships, coming in third. 2013 Graduated from Tohoku High School. Enrolled in a correspondence course at the Faculty of Human Sciences at Waseda University, studying human informatics and cognitive sciences. Won his first Grand Prix Final. Won four consecutive titles thereafter. 2014 First Asian gold medal in men's figure skating at the Sochi Olympics. First World Championship win. 2017 Second World Championship win. 2018 Second gold medal in men's figure skating at the Pyeongchang Olympics. 2020 Won his first Four Continents Championship, becoming the first man to win all major international junior and senior competitions. 2022 Participated in the Beijing Olympics. In July, announced his professional career. The ice show "Prologue" was held in Yokohama in November and in Hachinohe in December. 2023 In February, the ice show "GIFT" was held at Tokyo Dome. In March, the ice show "notte stellata" was held in Miyagi Prefecture. In March and April, he appeared in the ice show "Stars on Ice" (Osaka, Iwate, Yokohama). In May and June, he appeared in the ice show "Fantasy on Ice" (Makuhari, Miyagi, Niigata, Kobe). In November, the ice show "RE_PRAY" tour began at Saitama Super Arena. The following year, it was held at SAGA Arena in Saga in January, Pia Arena MM in Yokohama in February, and Sekisui Heim Super Arena in Miyagi in April. 2024 In March, the ice show "notte stellata" was held in Miyagi Prefecture. In May and June, he appeared in the ice show "Fantasy on Ice" (Makuhari, Aichi). On September 15th, he will be performing in the "Noto Peninsula Reconstruction Support Charity Performance Challenge" in Ishikawa Prefecture.

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It has been two years since he made a new start as a professional figure skater in the summer of 2022. In 2024, he led three successful ice shows: "RE_PRAY" (Saga, Yokohama, Miyagi performances), "notte stellata" and "Fantasy on Ice".

The shoot with Mika Ninagawa for the first time in a year began with a cheerful greeting from each other, "Thank you for your continued support this year," and "Thank you." When she said to him, "You're still as young as ever!", Hanyu replied with a smile, a little embarrassed, "I'm almost 30."

"Move freely."

With those words, he made expressions and gestures as he pleased.

Various scenes were set up in the vast studio. Hanyu, who changed costumes and was photographed in each scene, moved and made expressions freely, sometimes under instructions and sometimes as if he was imagining (creating) a story himself. The people watching repeatedly let out gasps of amazement as the images were displayed one after another on the computer monitor. It was nothing short of amazing how he instantly exuded various moods - from boyish with a hint of innocence to cool and seductive.

His creativity was not limited to the way he behaved as a subject. When the BGM was played during the shoot, his body naturally responded to the music, and he also requested songs himself when he saw the costumes. There was also a moment when he saw a prop that had been set up and asked, "Do you have one more of these?" This revealed his high level of creative awareness.

The shooting has completed.

"Thank you very much," he said, and there was something light-hearted and cheerful about it. After a year, what he showed in the studio was a more mature and expressive side to him.

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Exclusive interview with this magazine

[In pursuit of a distant ideal]

He is now in his third year as a professional figure skater. Reflecting on his days of taking on unprecedented challenges, he spoke about what he has gained from them and what the future holds.

Photo: Mika Ninagawa Writer: Takaomi Matsubara

Yuzuru Hanyu, the journey continues

hair & make up: Noboru Tomizawa styling: Masataka Hattori costume: NEEDLES BED j.w. FORD YUKI HASHIMOTO prop styling: Ayumi Endo

Yuzuru Hanyu started out as a professional figure skater in 2022. In his first professional ice show, "Prologue," he performed the first solo ice show in history. He skated for nearly two hours, with a structure that richly conveyed his skating career. Following "Prologue," he then performed a solo show at the Tokyo Dome for the first time in history, "GIFT." The ice show filled the gigantic venue, which had never been seen before. After "Prologue" and "GIFT," he held the performance "notte stellata" in March 2023, which was filled with thoughts and prayers for March 11. It has been a year since our interview last summer, following those three performances.

Changes in the "depth" of thinking

"When I was interviewed a year ago, it had just been a year since I turned professional. I had a desire to grow and learn more specialized things. In the year since then, I think that my technique, expression, and many other aspects have changed. Among them, I feel that I have had many more opportunities to think about expression. I have been thinking about expression even in my daily life. I think that the way I think about my show, the way I think about each program, the depth of those things has clearly changed." He talks about what triggered the change in the past year. "First of all, I had to spend more time thinking about writing a new ice story after GIFT and also about my own performance.” The new ice story was "RE_PRAY", under the title "ICE STORY 2nd". It opened on November 4, 2023 at Saitama Super Arena. It was performed in Saitama for two days, on that day and the following day, and in the new year it was performed in Saga on January 12th and 14th, and in Yokohama on February 17th and 19th, for a total of six performances in three cities. After the premiere in Saitama on November 4th, Hanyu said the following. "First of all, I myself have learned from games, manga, novels, and various other sources, about what life is all about, how precious life is, and other similar things that everyone else roughly feels.

In games, the concept of life is really light in a sense, and you can repeat it, so you can use characters to do all sorts of things and push forward with curiosity. If you apply that to the real world, you might be a person who has the drive to grab hold of dreams, or conversely, from a different perspective, you might be a very terrifying person. But if you could do it all over again, I'm sure people would try it."

24 hours a day, always skating

In this story with a game motif, the question of "choice" is often depicted. We make choices in our lives, even if we are not aware of it. What if you choose a different option than the one you originally chose? Or would you choose the same option? This story asks the audience, which serves as an opportunity to reexamine their way of life. Of course, just like "Prologue" and "GIFT," the fact that this story was completed and received with overwhelming acclaim was due to the performance of Hanyu, who was the sole performer. And even after six performances, he did not try to stay in the same place. He continued to evolve. There were many evidences of this growth at the final performance of the Yokohama show, for example. The movements in the performance of "Chicken, Snake and Pig" where he moved forward as if resisting the shackles. The performance of "Megalovania", following a silent performance without music with only the sound of his edges resonating, was more integrated with the music than in previous performances. Not only in the production aspects, but also in the details of Hanyu's performance itself, there were traces of refinement here and there. After the Saga performance, Hanyu spent his days preparing more rigorously for the Yokohama performance. "Of course, I trained and restricted my diet. Well, how should I say it, there are 24 hours in a day, but I spent the entire time on nothing else but skating. In other words, skating was always present, 24 hours a day.” "That's right. To put it simply, it felt like I was spending every day just working on 'RE_PRAY'." The reason he spent all his time facing skating was because he had regrets about the Saga performance. "After all, it's frustrating when I can't perform well." However, the standards of frustration have changed from when he was a competing athlete.

Still not enough

"Gradually, the focus is shifting from scores to an evaluation. If something technical that I had planned didn't go well, then my evaluation vector changes and my perspective shifts. I couldn't accomplish what I wanted to accomplish in Saga, so I was simply disappointed." After spending 24 hours focused on skating, the Yokohama performance came. After the final performance, he said, "I feel a sense of accomplishment like winning the Olympics." While he felt a sense of fulfillment, he wasn't completely satisfied. He also felt that his ability had not yet caught up with what he wanted to do. "So I feel like there are still things I need to study more. Of course, I think I'm evolving. I think I'm getting better. But I still feel like it's not enough. As I keep digging deeper and deeper, my ideals become higher, and the things I want to express are becoming more and more specific. The more my ideals become more concrete, the more I feel like I'm not catching up." He is aware that he still has areas where he needs to improve, especially in the finer details. This is something he realises now, which he didn't feel this way when he was competing in the sport. "It's impossible to realise this when you're a competitive athlete. After all, if you can jump, you win. To be honest, if you couldn’t jump, there was no point in talking about it, as the outcome of the competition was pretty much decided by how many types of quadruple jumps there are and where you put them in the program. For example, what memories do you have of this song, the background of this song, what is the story you want to express, how will the story and the song fit together, or what meaning is in the choreography, to be honest, there’s not much room to think about them. You have to complete all your technical elements in one go in the four minutes of a competition (free skate), so that's all you can focus on."

A world not in first place

Win the match. In a competition, that is set as a goal. "Since I had already achieved that, there was no way I could go any higher. If you think about it in the world of competition, I won first place, so even if I tried harder, I couldn't get any higher than first place. In other words, I just tried to see how long I could maintain that first place position.

But in the world I'm in right now, even if I think I'm in first place, it may not be. It’s a place where I can think, "I'm still at the bottom". When I look at the various works of art or technically excellent things from around the world, I feel that there are still many things I can't do, so I think that I still have a long way to go." When he moved from the world of competition, which was fixed in a sense, to a new world, it was no longer a confined space. However, whether one knows its vastness or not, whether one feels that there is an endlessly wide world out there, is up to the individual. So even though the world is infinite, some people only notice a limited space. Or, there are those who limit the space themselves.

Right now, Hanyu thinks, "I still have a long way to go." He feels like he's at the bottom. This is because he knows that the world is endlessly vast. The reason he feels this way is because he has the ambition to move forward without being content with the present. So instead of seeing the place he has arrived at as the end point, he knows that there is still space to go beyond that.

Ideals evolve

"I may have surpassed the ideal I had a year ago. But the sense of distance between me and my ideal is probably the same as it was a year ago. For example, if the distance between me and my ideal a year ago was 10 meters, it may be 10 meters, no, 11 meters now. That's how I feel. I'm living and experiencing life, I see information every day, and in the midst of that, my ideal evolves. My ideal gets further and further away. But at the same time, through what I have seen and experienced, I'm sure I’m also one step closer to my ideal." Then, after a short pause, he continued with a smile. "As long as I want to, I think I can continue for the rest of my life." The skater is still on his journey, striving towards the ideals he has built with his own will.

Source: AERA issue 24.8.12-19 No.37, pg 9-15 Info: https://www.amazon.co.jp/dp/B0D89L6LS2

#hanyu yuzuru #yuzuru hanyu #羽生結弦 #figure skater #aera #interview #machine #translation

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