#young dr kildare

[doorajar]

All right ...

Wandee Goodday

So, is it the case that neither Dr Dee nor boxer Yak is believably cast ? Yes, they're lovely--perfect, even--as actors ... but who knows an oncologist in his early twenties (even if the role is said to be older than that) ? And how could a man with a face like Yak's even think of subjecting it to bruises and contusions--much less a split lip ? Horrifying ... don't you think ?

Suspension of disbelief is a prerequisite for the enjoyment of a BL romance--but must we be made to shred our credulity so completely as in this perfectly scrumptious romance ?

[colorhollywood]

Barrymore family in different decades:

Georgie Drew Barrymore with Ethel, Lionel, and Jack, circa 1890

John Barrymore, Ethel Barrymore, Lionel Barrymore, 1904

Ethel Barrymore, 1901 and 1916

John Barrymore, 1905 and 1914

Lionel Barrymore, 1910 and 1919

John Barrymore with Carmel Myers in Beau Brummel, 1924

John Barrymore in Don Juan, 1926

Lionel Barrymore with Lon Chaney in West of Zanzibar, 1928

Lionel Barrymore with Gloria Swanson in Sadie Thompson, 1928

John Barrymore with Loretta Young in The Man from Blankley's, 1930

Barrymore family, 1932

Lionel Barrymore as Grigori Rasputin in Rasputin and the Empress, 1932

Ethel Barrymore as Czarina Alexandra in Rasputin and the Empress, 1932

Lionel Barrymore, Ethel Barrymore, John Barrymore in Rasputin and the Empress, 1932

Lionel Barrymore, Ethel Barrymore, John Barrymore in Rasputin and the Empress, 1932

Ethel Barrymore with John Barrymore in Rasputin and the Empress, 1932

Lionel Barrymore with John Barrymore in Arsène Lupin, 1932

Lionel Barrymore as Paul Lavond in The Devil-Doll, 1936

Lionel Barrymore with Greta Garbo in Camille, 1936

Lionel Barrymore with Lew Ayres in Calling Dr. Kildare, 1939

John Barrymore with Virginia Bruce in The Invisible Woman, 1940

Ethel Barrymore in None But the Lonely Heart, 1944

Lionel Barrymore with Joseph Cotten in Duel in the Sun, 1946

Lionel Barrymore in Duel in the Sun, 1946

Lionel Barrymore with Humphrey Bogart and Lauren Bacall in Key Largo, 1948

Lionel Barrymore with Clark Gable, 1952

Ethel Barrymore with Doris Day and Frank Sinatra in Young at Heart, 1954

[littletroubledgrrrl]

Don Johnson dated and lived with an underage Melanie Griffith in the 1970's when he was in his 20's, which is problematic, although Don during the 70's looked like he was still a teenager.

[ridenwithbiden]

LOS ANGELES (AP) — Teri Garr, the quirky comedy actor who rose from background dancer in Elvis Presley movies to co-star of such favorites as "Young Frankenstein" and "Tootsie," has died. She was 79.

Garr died Tuesday of multiple sclerosis “surrounded by family and friends,” said publicist Heidi Schaeffer. Garr battled other health problems in recent years and underwent an operation in January 2007 to repair an aneurysm.

Admirers took to social media in her honor, with writer-director Paul Feig calling her “truly one of my comedy heroes. I couldn’t have loved her more” and screenwriter Cinco Paul saying: “Never the star, but always shining. She made everything she was in better.”

The actor, who was sometimes credited as Terri, Terry or Terry Ann during her long career, seemed destined for show business from her childhood.

Her father was Eddie Garr, a well-known vaudeville comedian; her mother was Phyllis Lind, one of the original high-kicking Rockettes at New York's Radio City Music Hall. Their daughter began dance lessons at 6 and by 14 was dancing with the San Francisco and Los Angeles ballet companies.

She was 16 when she joined the road company of "West Side Story" in Los Angeles, and as early as 1963 she began appearing in bit parts in films.

She recalled in a 1988 interview how she won the "West Side Story" role. After being dropped from her first audition, she returned a day later in different clothes and was accepted.

From there, Garr found steady work dancing in movies, and she appeared in the chorus of nine Presley films, including "Viva Las Vegas," "Roustabout" and "Clambake."

She also appeared on numerous television shows, including “Star Trek,” “Dr. Kildare” and “Batman,” and was a featured dancer on the rock ‘n’ roll music show “Shindig,” the rock concert performance T.A.M.I. and a cast member of “The Sonny and Cher Comedy Hour.”

Her big film break came as Gene Hackman’s girlfriend in 1974’s Francis Ford Coppola thriller “The Conversation.” That led to an interview with Mel Brooks, who said he would hire her for the role of Gene Wilder’s German lab assistant in 1974’s “Young Frankenstein” — if she could speak with a German accent.

“Cher had this German woman, Renata, making wigs, so I got the accent from her,” Garr once recalled.

The film established her as a talented comedy performer, with New Yorker film critic Pauline Kael proclaiming her “the funniest neurotic dizzy dame on the screen.”

Her big smile and off-center appeal helped land her roles in “Oh God!” opposite George Burns and John Denver, “Mr. Mom” (as Michael Keaton’s wife) and “Tootsie” in which she played the girlfriend who loses Dustin Hoffman to Jessica Lange and learns that he has dressed up as a woman to revive his career. (She also lost the supporting actress Oscar at that year’s Academy Awards to Lange.)

Although best known for comedy, Garr showed in such films as “Close Encounters of the Third Kind,” “The Black Stallion” and “The Escape Artist” that she could handle drama equally well.

“I would like to play ‘Norma Rae’ and ‘Sophie’s Choice,’ but I never got the chance,” she once said, adding she had become typecast as a comic actor.

She had a flair for spontaneous humor, often playing David Letterman’s foil during guest appearances on NBC’s “Late Night With David Letterman” early in its run.

Her appearances became so frequent, and the pair’s good-natured bickering so convincing, that for a time rumors cropped up that they were romantically involved. Years later, Letterman credited those early appearances with helping make the show a hit.

It was also during those years that Garr began to feel “a little beeping or ticking” in her right leg. It began in 1983 and eventually spread to her right arm as well, but she felt she could live with it. By 1999 the symptoms had become so severe that she consulted a doctor. The diagnosis: multiple sclerosis.

For three years Garr didn’t reveal her illness.

“I was afraid that I wouldn’t get work,” she explained in a 2003 interview. “People hear MS and think, ‘Oh, my God, the person has two days to live.’”

After going public, she became a spokesperson for the National Multiple Sclerosis Society, making humorous speeches to gatherings in the U.S. and Canada.

“You have to find your center and roll with the punches because that’s a hard thing to do: to have people pity you,” she commented in 2005. “Just trying to explain to people that I’m OK is tiresome.”

She also continued to act, appearing on “Law & Order: Special Victims Unit,” “Greetings From Tucson,” “Life With Bonnie” and other TV shows. She also had a brief recurring role on “Friends” in the 1990s as Lisa Kudrow’s mother. After several failed romances, Garr married contractor John O’Neil in 1993. They adopted a daughter, Molly, before divorcing in 1996.

In her 2005 autobiography, “Speedbumps: Flooring It Through Hollywood,” Garr explained her decision not to discuss her age.

“My mother taught me that showbiz people never tell their real ages. She never revealed hers or my father’s,” she wrote.

She said she was born in Los Angeles, although most reference books list Lakewood, Ohio. As her father’s career waned, the family, including Teri’s two older brothers, lived with relatives in the Midwest and East.

The Garrs eventually moved back to California, settling in the San Fernando Valley, where Teri graduated from North Hollywood High School and studied speech and drama for two years at California State University, Northridge.

Garr recalled in 1988 what her father had told his children about pursuing a career in Hollywood.

“Don’t be in this business,” he told them. “It’s the lowest. It’s humiliating to people.”

Garr is survived by her daughter, Molly O’Neil, and a grandson, Tyryn.

(She was great in Martin Scorsese "After Hours" too.)

[kwebtv]

 TV Guide -  February 29 - March 6, 1964

Shirl Conway (born Shirley Elizabeth Crosman, June 13, 1916 – May 7, 2007)  Television and Broadway actress.

She played the role of Liz Thorpe in the CBS drama The Nurses (which ran from 1962 to 1965) for which she was nominated for an Emmy award in 1963 for Outstanding Continued Performance by an Actress in a Series. Other TV credits include Route 66, The Defenders, and Caesar's Hour.  (Wikipedia)

Zina Bianca Bethune (February 17, 1945 – February 12, 2012)  Actress, dancer, and choreographer known for playing "Miss Tuttle" on Father Murphy and "Abigail" on General Hospital

As a child performer, Bethune appeared in several American daytime television dramas, including a stint as the first "Robin Lang" on The Guiding Light from May 1956 to April 1958. 

In October 1958, she portrayed Amy March in the CBS musical adaptation of Little Women. She portrayed nurse Gail Lucas on The Nurses (1962–65), and appeared in other series, including Kraft Television Theatre (with Martin Huston in the series finale), Route 66, The Judy Garland Show, Pantomime Quiz, Hollywood Squares, Young Dr. Malone, Dr. Kildare, Gunsmoke, The Invaders, and Emergency!  (Wikipedia)

[jbird5x5]

Saddened to hear of the passing of Actress/Dancer Teri Garr (1944-2024)

Teri Garr, the quirky comedy actor who rose from background dancer in Elvis Presley movies to co-star of such favorites as “Young Frankenstein” and “Tootsie,” has died.

She was 79.

Garr died of multiple sclerosis.

Born Dec 11,1944 in Lakewood OH The blonde, statuesque Garr found steady work dancing in movies including “Viva Las Vegas,” “Roustabout” and “Clambake.”

She appeared on television shows, including “Star Trek,” “Dr. Kildare” and “Batman,” and was a featured dancer on the rock ‘n’ roll music show “Shindig,” and a cast member of “The Sonny and Cher Comedy Hour.”

She played Gene Hackman’s girlfriend in 1974’s “The Conversation” and Gene Wilder’s German lab assistant in 1974’s “Young Frankenstein”

Her big smile and off-center appeal helped land her roles in “Oh God!”, “Mr. Mom” and “Tootsie”

She was known for comedy, but in such films as “Close Encounters of the Third Kind,” “The Black Stallion” and “The Escape Artist” she could handle drama equally well.

She appeared on “Law & Order: Special Victims Unit,” “Greetings From Tucson,” “Life With Bonnie” and other TV shows and had a recurring role on “Friends”

Garr married contractor John O’Neill in 1993. They adopted a daughter, Molly, before divorcing in 1996.

My Condolences to her Family Members and Friends.

#R.I.P. 😔🙏🥀

[radondoran]

Happy birthday to my favorite radio actor, Larry Dobkin (September 16, 1919 – October 28, 2002)!

Character actor Lawrence Dobkin was a frequent supporting player in radio, with hundreds of credits across dozens of different programs. He appeared in over 170 episodes of Gunsmoke, playing all kinds of characters from gunmen to gentlemen. Other shows where he was often heard include Escape; Romance; Yours Truly, Johnny Dollar; The Whistler; Let George Do It; Frontier Gentleman; Fort Laramie; Have Gun, Will Travel; NBC University Theatre; etc.

Larry Dobkin's only leading role in a radio series was the title sleuth in Ellery Queen from February 1947 to April 1948—and even there he wasn't exactly a headliner, because, in keeping with the pseudonymous source material, the show tended to be coy about identifying the actors who played Ellery. You might recognize him as Lieutenant Matthews on The Adventures of Philip Marlowe, the first of three main Archie Goodwins on The New Adventures of Nero Wolfe, Dave on The Man From Homicide, or Pat McCracken (usually) on Johnny Dollar—and if you ask me, his most memorable and lovable radio character was Louie, the Brooklyn cabbie who sometimes played sidekick to Vincent Price on The Adventures of the Saint.

A graduate of the Yale School of Drama, Dobkin also played numerous roles on stage, film and television, and later did writing and directing work for television.

Here are a few of my favorite radio episodes featuring Larry Dobkin:

Ellery Queen 1947-12-04 "Man in the Street": A swindler is murdered before Inspector Queen and Ellery can put him in jail. Whodunit? There were only about ten thousand people with a motive!

The Saint 1950-11-19 "No Hiding Place": The Saint tries to help a young man who has escaped from prison after several attempts on his life. Who framed him, who's out to get him, and why? (Louie isn't in this episode as much as in some others, but the lines he does get include some of my favorite lines ever, and anyway I think it's one of the strongest episodes of the series.)

Escape 1949-07-07 "The Fourth Man": Dobkin narrates this classic story of three "civilized" men adrift on a raft in the tropics, battling thirst and one another while their "savage" pilot calmly sits by.

Richard Diamond, Private Detective 1949-07-09: An escaped convict, bent on revenge against Richard Diamond, kidnaps Diamond's girlfriend.

Philip Marlowe 1950-01-21 "The Bid for Freedom": A woman has escaped from an asylum, and now her husband is in danger. Or maybe it's not that simple.

Philip Marlowe 1950-07-28 "The Glass Donkey": Lieutenant Matthews calls to ask about a girl Marlowe used to date—a girl who's just been murdered. It's real personal as Marlowe offers his services to find out why a nice girl had to die.

Philip Marlowe 1951-08-18 "The Young Man's Fancy": There's no murder in this somewhat atypical Philip Marlowe episode by Kathleen Hite. Marlowe goes out for Moscow Mule ingredients, and gets involved in the family troubles of the nice old man from whom he buys his limes.

The Story of Dr. Kildare 1951-02-16: A madman with a gun is holed up inside a school building. Dr. Kildare goes in after him, while Dr. Gillespie scrambles to remotely diagnose a mental illness without ever talking to the patient.

Gunsmoke 1952-06-28 "The Ride Back": This recently rediscovered Gunsmoke episode is almost entirely a radio play for only two voices, as Marshall Dillon brings a twisted killer through hostile Indian country.

Gunsmoke 1952-08-02 "Renegade White": Matt goes after a white man who's been selling guns to Indians, and winds up a prisoner of the Indians himself.

Gunsmoke 1953-02-21 "Meshougah": Matt and Chester find a whole town held hostage by a crazed killer and his gang of outlaws.

Fort Laramie 1956-05-13 "War Correspondent": A smart newspaperman from the East tags along with Captain Quince, hoping to show the folks back home a fair picture of life on the frontier. He's got a lot to learn!

Fort Laramie 1956-06-03 "Don't Kick My Horse": One of Captain Quince's soldiers is a meek little man whose only friend is his horse. He's been in the cavalry ten years, and it's time for a new horse. Dude is not ready to accept this. Tragedy ensues.

Yours Truly, Johnny Dollar 1956-01-09 – 1956-01-13 "The Todd Matter": A tip on an old burglary leads Johnny into a very fresh shooting. Dobkin plays five roles in this story, and what always strikes me is that he doesn't do five radically different voices—he doesn't even change his accent very much! He just acts each character so completely that you're not even inclined to notice the actor.

Have Gun, Will Travel 1958-12-14 "The Outlaw": Paladin makes a deal with a convicted killer who wants to see his newborn son before being hanged.

Suspense 1954-07-27 "Destruction": "And it had a kind of warmth to it, this dying…" A strange, melancholy, poetic script by radio noir greats Fine and Friedkin, about a pathetic little man at the end of his rope.

[byneddiedingo]

Yuzo Kayama and Toshiro Mifune in Red Beard (Akira Kurosawa, 1965)

Cast: Toshiro Mifune, Yuzo Kayama, Tsutomo Yamazaki, Reiko Dan, Miyuki Kuwano, Kyoko Kagawa, Tatsuyoshi Ehara, Terumi Niki, Akemi Negishi.  Screenplay: Masato Ide, Hideo Oguni, Ryuzon Kikushima, Akira Kurosawa. Cinematography: Asakazu Sakai, Takao Saito. Production design: Yoshiro Muraki. Music: Masaru Sato. 

The influence of American movies on the work of Akira Kurosawa is well-known. His viewings of American Westerns, for example, helped shape such classics as Seven Samurai (1954) and Yojimbo (1961). But Red Beard seems to me an instance in which the influence wasn't so fortunate. It's a kind of reworking of MGM's series of Dr. Kildare movies of the 1930s and '40s, in which the ambitious young intern Dr. Kildare tangles with the crusty older physician Dr. Gillespie and thereby learns a few lessons -- a dynamic that persists today in TV series like Grey's Anatomy. In Red Beard, ambitious young Dr. Noboru Yasumoto (Yuzo Kayama) is sent to work under crusty older Dr. Kyojo Niide (Toshiro Mifune), known as "Red Beard" for an obvious facial feature. It's the 19th century, the last years of the Tokugawa shogunate, and Yasumoto, having finished his studies in Nagasaki, expects that the influence of his father, a prominent physician, will land him a role as the shogun's personal physician. He's angry when he finds that he's been sent to a rural clinic that mainly serves the poor. There is one affluent patient at the clinic, however: a young woman known as "The Mantis" (Kyoko Kagawa) because she stabbed two of her lovers to death. Her wealthy father has built a house for her on the grounds of the clinic, but only Red Beard is allowed to approach and treat her. Yasumoto initially rebels against the assignment, feeling disgust for the patients: When he asks the physician he's replacing at the clinic what smells like "rotten fruit," he's told that that's the way the poor smell. But eventually (and predictably), he learns to respect the work of Red Beard and to value the lives of his patients. Red Beard is hardly a bad movie: Kurosawa brilliantly stages the first encounter of Yasumoto and The Mantis, who has escaped from her house, in a carefully framed sequence, a long take in which the doctor and the madwoman begin at opposite sides of the wide screen -- it's filmed in Tohoscope, an anamorphic process akin to Cinemascope -- with a tall candlestick between them. Gradually, accompanied by slow camera movements, the two approach each other, the doctor trying to gauge the motives and the sanity of the young woman. Finally the calm framing of the scene is shattered into a series of quick cuts, as she attacks with a pair of scissors, and the scene ends with a brief shot of Red Beard suddenly opening the door. Red Beard was shot by two acclaimed cinematographers, Asakazu Nakai and Takao Saito, both of whom frequently worked with Kurosawa, and the production design was by Yoshiro Muraki, who fulfilled Kurosawa's exacting demands for meticulous faithfulness to the period, including the construction of what was virtually a small village, using only materials that would have been available in the period. But what keeps Red Beard from the first rank of Kurosawa's films, I think, is the sentimental moralizing, the insistence of having the characters "learn lessons." Yasumoto, having learned his initial lesson about valuing the lives of the poor, is given a young patient, Otoyo (Terumi Niki), rescued from a brothel where she has essentially gone feral. (During the rescue scene, Kurosawa can't resist having Mifune, in his last film for the director, show off some of his old chops: The doctor takes on a gang of thugs outside the brothel and single-handedly leaves them with broken arms, legs, and heads. It's a fun scene, but not particularly integral to the character.) When Yasumoto has succeeded in teaching Otoyo to respond to kindness, it then becomes her turn to teach others what she has learned. The moralizing overwhelms the film, leaving us longing for the deeper insight into the characters found in films by Kurosawa's great contemporaries Yasujiro Ozu and Kenji Mizoguchi.

[gatutor]

Laraine Day-Lionel Barrymore-Robert Young-Lew Ayres "El triunfo del doctor Kildear" (Dr. Kildare´s crisis) 1940, de Harold S. Bucquet.

[thxnews]

Celebrating Irish Women's Vision in Science and AI

British Embassy Honors Visionary Women

The British Embassy in Ireland recently hosted a groundbreaking event, "Information and Misinformation through the Ages: Past, Present and Future," in Co Kildare, near the historical site where St Brigid established her monastery. This gathering illuminated the contributions of women in the fields of artificial intelligence, science, and technology, seamlessly blending the rich tapestry of the past with the dynamic innovations of the present.  

Bridging History and Innovation

A Gathering of Minds The event brought together esteemed scientists, academics, and policymakers from both Ireland and the UK, creating a platform to celebrate women's achievements in artificial intelligence. Notable speakers included Dr. Niamh Wycherley from Maynooth University, who shared insights into St Brigid's legacy and the impact of misinformation and technology on historical research. Dr. Erin Young of the UK's Alan Turing Institute addressed diversity and gender gaps in data and AI, while Laura Ellis from the BBC explored technology's role in shaping our future.   A Tribute to St Brigid The British Deputy Ambassador to Ireland, Elin Burns, highlighted the significance of the event's location and timing, coinciding with the 1500th anniversary of St Brigid's death. Moreover, Burns emphasized the importance of such gatherings in addressing the persistent gender gap in STEM disciplines and celebrated the fusion of historical and contemporary visionaries in the scenic town of Kildare. Speaking about the event the British Deputy Ambassador to Ireland, Elin Burns said: Today we are joined by women who are scientists, researchers and policy makers who work in the area of AI across the UK and Ireland. Events such as these, where women can share, connect and celebrate their work are so important as a significant gender gap still persists at all levels of STEM disciplines. We chose the wonderful location of Kildare to celebrate women and girls in science because of Brigid and the 1500th anniversary of her death. As Ireland’s only female patron saint, and an inspirational leader of her time, we thought it was apt to celebrate a visionary of the past with visionaries of the present. On the theme of AI; we are in the midst of a technological revolution that will fundamentally alter the way we live, work, and relate to one another. Artificial Intelligence promises to further transform nearly every aspect of our economy and society. The opportunities are transformational - advancing drug discovery, making transport safer and cleaner, improving public services, speeding up and improving diagnosis and treatment of diseases like cancer and much more. To seize the opportunities however, we must manage the risks, which is why the Prime Minister organised the first Global Summit on AI Safety last November.  

AI: A Catalyst for Change

Navigating the Technological Revolution The event highlighted the transformative potential of artificial intelligence, emphasizing its role in advancing drug discovery and public services, as well as enhancing diagnostics and treatment for diseases like cancer. The discussions also covered managing AI risks, citing the Prime Minister's initiative for the inaugural Global Summit on AI Safety.   Voices of Visionaries Dr. Niamh Wycherley explored challenges in historical research due to biased sources, particularly regarding women's roles in Irish history. Dr. Erin Young introduced the Women in Data Science and AI project, promoting responsible and inclusive innovation. Chaired by Dr. Susan Leavy of University College Dublin, the panel discussed ethical, economic, and governance challenges posed by AI.   Sources: THX News & British Embassy Dublin. Read the full article

[littletroubledgrrrl]

[countesspetofi]

I associate young Chamberlain so thoroughly with the stiff, starched Dr. Kildare that I'm genuinely surprised to see that he could stand in contrapposto.

A 25 year old Richard Chamberlain in an episode of Alfred Hitchcock Presents from 1959 called ‘Road Hog’.

[kwebtv]

Character Actress

Susan Oliver (born Charlotte Gercke, February 13, 1932 – May 10, 1990) Actress, television director, and aviator.

After working in summer stock and regional theater, and in unbilled bits in daytime and primetime television shows and commercials, she made her first major television appearance in a supporting role in the July 31, 1955, episode of the live drama series Goodyear TV Playhouse and quickly progressed to leading parts in other shows.

Oliver did numerous television shows in 1957, and appeared on stage. After she had larger roles in live television plays on Kaiser Aluminum Hour, The United States Steel Hour, and Matinee Theatre. Oliver then went to Hollywood, where she appeared in the November 14, 1957, episode of Climax!, one of the few live drama series based on the West Coast, as well as in a number of filmed shows, including one of the first episodes of NBC's Wagon Train, Father Knows Best, The Americans, and Johnny Staccato.

On April 6, 1960, the 28-year-old Oliver played a spoiled young runaway, Maggie Hamilton, who gets soundly spanked by scout Flint McCullough (Robert Horton), in "The Maggie Hamilton Story" on NBC's Wagon Train. On November 9, 1960, she was cast as the lead guest star in "The Cathy Eckhart Story" on Wagon Train, with husband-and-wife actors John Larch and Vivi Janiss as Ben and Sarah Harness.

Oliver was cast in the 1960 episode of The Deputy as the long-lost daughter of star Henry Fonda's late girl friend, and appeared in Dick Powell's Zane Grey Theatre episode "Knife of Hate" as Susan Pittman. In 1961, Oliver played the part of Laurie Evans in the episode "Incident of His Brother's Keeper" on CBS's Rawhide, and in 1963, she played Judy Hall in the episode "Incident at Spider Rock", Also in 1962, Oliver appeared as Jeanie in the television series Laramie in the episode "Shadows in the Dust".

Oliver was cast in episodes of Adventures in Paradise, Twilight Zone, Route 66, Dr. Kildare, The Naked City, The Barbara Stanwyck Show, Burke's Law, The Fugitive, Gomer Pyle, U.S.M.C., I Spy, The Virginian, The Name of the Game, Longstreet, and Mannix. She made one appearance on The Andy Griffith Show and ABC's family Western series, The Travels of Jaimie McPheeters. She also made two appearances in Quinn Martin's The Invaders (episodes: "Inquisition" and "The Ivy Curtain") on ABC,  In 1965 she  appeared in The Man from U.N.C.L.E. 

Oliver played the female lead guest character Vina in "The Cage" (1964), which was the first pilot of Gene Roddenberry's new show, Star Trek. Two years later, Oliver's performance was reused in the first season, two-part episode "The Menagerie" (1966).  

In 1970, she appeared as Carole Carson/Alice Barnes on the television Western The Men From Shiloh (rebranded name for The Virginian) in the episode titled "Hannah".

From 1975 to 1976, Oliver was a regular cast member of the television soap opera Days of Our Lives. In 1976, she received her only Emmy Award nomination (for "Outstanding Performance by a Supporting Actress") in the three-hour-long, made-for-TV movie Amelia Earhart, broadcast on October 15, 1976, on NBC-TV.  (Wikipedia)

[tcm]

In what was the beginning of the popular "Dr. Kildare" series, Lew Ayres stars in YOUNG DR. KILDARE (‘38). #LetsMovie