#you're not supposed to treat them the way I was treated

[hailqiqi]

So let me add the European view here - as someone who is actually half-European, half-American.

I have an Americanised German surname. My surname is pretty much only found in America due to a few historical quirks. It's pretty cool, tbh.

Now in Europe, we would say that my US family is 'American, with German heritage'. We say this about ourselves, too -- because given we're all close neighbours & the borders have shifted over time, how many of us do you think are pure anything? My Italian friend has a German surname because his father is German, but he's not German, he's Italian, because he *acts* Italian. It's not exactly an ethnicity, because the lines are so blurred - if you want ethnicities you need to go further back, to the Celts, Gauls, Phoenicians etc.

So when we say 'but you're not German' it's because we recognise that the USA has a very distinct culture that is purely American. This "when American culture is treated as a rip-off of every other culture" view? Yeah, that's not us. That's your own image issues. Anyone who says America doesn't have its own culture is nuts (or American, funnily enough).

American culture is in the way you take cookies round to greet new neighbours, it's in the pride you take in your homes, in the way you engage in small talk, in the way you're so bloody touchy-feely and genuine about it ("I'm so thankful for..." "I really appreciate" "I feel so"). It's in the way you greet immigrants, tourists and strangers -- and as someone who's taken quite a few foreigners to visit in the Deep South, the way you greet foreigners is incredibly welcoming. Culture is in the way you relate to each other and frankly, the way Americans do their best to wear kindness on their sleeves is something to be proud of.

Hell, even if you use that narrow definition of culture as being 'the arts' -- the arts in the states is fluorishing!! Broadway, Hollywood, music, fashion, art -- the US is a cultural powerhouse in the snooty definition, too.

Sure, America has its problems - though sometimes I think that the internet amplifies them, simply because there's so many Americans. Europeans love to laugh at Americans for being a tad dumb, but frankly we're shit at American geography so it's glass houses, really (also have you heard what we say about each other? It's all meant in jest).

So I suppose, when we say "But you're not German!" We're really saying two things: (1) we know German people & they act *nothing* like you, culturally you're American through & through & (2) being American is something to be proud of; why aren't you proud of your culture?

(Having said all that, it sounds like your family is much more culturally German than mine and most Europeans would be (a) surprised & somewhat confused to hear that such communities exist in the US and (b) would probably label that as 'American-German' because it's its own unique thing (modern Europeai German culture has moved on & changed from the culture preserved by the community). Which, fun linguistic fact: did you know the insular American immigrant communities have become the last refuges of some dying European languages?)

"yOu'Re nOt GeRmAn, yOu'rE AmErIcAn"

Okay, bestie, let me explain something to you that is very important to American culture — very, very few of us are ethnically American. When an American says they are "German" or "Irish" or "Italian" they aren't talking about citizenship. They are talking about ethnicity.

The U.S. is primarily a country of immigrants. Everyone says we "don't have a culture" or we have a "bastardized version of *insert culture*" but that's not true!!!! Our culture is made up of American Immigrant Culture!!!! American Italian food isn't "fake Italian food" — it's the innovation of Italian Immigrants who used traditional Italian food along with the ingredients that were more accessible to them in the States. It might not be the food "of Italy" but it is the food of proud sons and daughters of Italy who are also proud Americans. And you can be both.

When American culture is treated as a rip-off of every other culture, we are essentially dishonoring the memory of very brave men and women who chose to leave their homelands under unfortunate circumstances. Men and women who didn't have much money, but did what they could. Used the materials they had. And still managed to make something beautiful out of it. When you leave your home, it doesn't stop being part of your identity — it just looks a little different now. You pass on your old traditions to your children and your children's children, and along the way, new ones are created. Cultures mix and create subcultures. And it's beautiful. It's good. It's primally human.

If I'm not "German" care to explain to me my pasty white skin? Or my last name? Or all the post cards written to and from Germany that we have upstairs in a box? Or the name of my town? Or my grandparents' first language? Or the fact that my American Church, in the year 2024, still sings "Stille Nacht" at every Christmas Eve mass? Sure, I'm not fully German, but the awareness of where I have come from makes up a huge part of my understanding of myself and my place in this world. I was raised in a German Catholic farmtown, and it shows. It shows in the way we worship, and our work ethic, and our reverence for family life.

When an American calls themselves "German" or "Irish" or "Italian" they mean that's where their blood comes from. And it's okay for them to care about that. It's okay for them to care about their roots. It's a major part of American culture.

If you want to "respect" world cultures, you can't just pick and choose which ones are "real" according to you.

[chimggukk]

tits and bits ` jjk (teaser)

Synopsis: Your parents' long-awaited vacation is finally happening. The only problem? You're not invited. Is being excluded from your own parents' plans not enough? Now you have to stay with the Jeons for two months, especially their son. But did someone mention about your supposed love interest in him? Pairing: fuckboy!jkxoc Genre: exfriends to lovers, non idol au, friends au Rating: 18+ Word Count: 476 a/n: this is a teaser to my upcoming oneshot, work in progess. If you like this, please comment, I just wanna know if I should post this or not 😀🥰❣��

Slicing the apple into even pieces, Jungkook meticulously chops all the fruits one by one before arranging the freshly cut pieces onto the glass plate. Kiwis, apples, peaches, all the fruits and their peels sit separated on the kitchen counter as he remains engrossed in the task.

Hearing a faint voice trailing in his direction, he looks up to his right. Walking beside his mother, he spots you entering inside the living room with your laptop bag, handbag and a set of files in hands. Setting down the knife, he starts picking up the fruit peels before throwing them in the dustbin.

Turning off the stove, he carefully grabs a hold of the steel bowl with the table cloth before placing it on the counter as well. Freshly melted chocolate sitting in the bowl stares back at him as he arranges the fruits into the plates.

Plopping on the couch, you set your materials aside as he hears you chatting with his mother. Your tired, feeble voice sounds through the air as his ears shoot up. The small crack in your voice here and there was enough to indicate him that you had a pretty long day at work.

He had been noticing you growing busy for the past few days. Late nights and early mornings had been chipping away at your peace since the last weekend. Living under the same roof with each other was not either of you had expected. While he did expect you to grow hateful for him after all those years, he definitely had not expected you to deal with him so calmly and maturely.

Wiping his hands with the table cloth, he picks up the food tray before making his way towards the couch. Setting it down on the table, he smiles at you before greeting you with his usual sweetness.

Admiring the cutely cut fruit bites, your eyes sparkle in joy as he sneakily glances at you. Thanking him for his actions, you reach out for the fork before piercing it through the fruit, dipping them into the melted chocolate.

Smiling back at you in acknowledgement, he looks over to his mother as she props her chin slightly upwards, her eyes showing approval. Too busy to notice, you continue to dig into the sweet treats as Mrs. Jeon passes a small smile to Jungkook before leaving towards the kitchen.

Entering the kitchen, Jungkook's mother catches a glimpse of the burnt cookies sitting in the tray, hiding behind the stove. Shaking her head in disappointment for the umpteenth time, she takes them out of the spot before throwing them away.

Turning her head in his direction, she looks at Jungkook who seems eerily calm, as if he didn't almost set the cookies on fire.

"So.. you were going have cookies readily baked for me when I am back, where are they?"

[revelboo]

Im not sure if these are updated based on request or based on your whimsy, but if it *is* request based, may I please beg for Ironhide? I love the old man >.<

If not, feel free to ignore and I will continue to patiently wait :) 👍

Love u so much for this blog; it gets me through the work day.

Honestly, it’s mostly based on people reminding me in the asks that I’ve neglected a character or story, because I’m not motivated enough to make a posting schedule I know I won’t stick to and those asks are sitting at over 300 at this point 😂 no matter how fast I go through them

Hold Me Down Pt 4

Ironhide x Reader

• “Rules,” he growls, servos flexing as you scowl up at him from where he’d unceremoniously dumped you on his cluttered desk. “You’re going to behave. Primus help you if I catch your sticky little fingers on anything that’s not yours.” And you’re looking around, ignoring him. Smacking a hand on the desk to make you jump and glare, he grins. “Act like a sparkling and I’ll treat you like one, darling.”

• Eyes narrowing at the big, red jerk, you curl your lip at him. He’d made it abundantly clear that you’re not getting away. That you’re stuck with each other and that he hates it. Well, that’s fine. The hate is pretty much mutual. He’d tried to give you a heart attack after all. And, okay, maybe you’d been trying to steal him at the time, but how were you supposed to know he wasn’t a real van? If anything, this is his fault. And what is a sparkling? Sounds like an insult. One thing you have figured out? He can’t hurt you or you’re pretty sure he’d have chucked you out while driving and that makes you brave to cover up the fear. “Look, demon van,” you say ignoring his pointed ‘it’s Ironhide.’ “You kidnapped me, so I have every right to make you miserable. And I’m going to enjoy it.”

• You’re grinning at him, no longer putting him in mind of a sparkling. No, they’re at least innocent. You’re a vicious little scraplet, all teeth and evil. “Try me.” Because he’s not putting up with any sass or attitude and unfortunately, you seem to be nothing but. He almost liked you better screaming. Bending slightly to get on your level, he reaches out and taps you on the head with a servo. Grimacing as you slap at him, swearing. Maybe gentler next time, he decides as you rub your head to send your hair into disarray. “I’d behave a little better if I was your size.”

• “Well, I’d punt you across the room if I was your size,” you mutter, rubbing your head. He’d thumped you hard enough to hurt. “Jerk. Demon van. Asshole.” Those big servos flex into a fist and you shut up. Know he can’t hit you, but the threat? Cringing and hating yourself for it, you glare up at him, heart racing.

• That shut you up, but it twists unpleasantly through him, too. That fear in your eyes so raw. It’s the look of someone expecting a blow because it’s familiar, cringing but still defiant. Resigned. “Look,” he grumbles, sitting down and suddenly exhausted. “I’m not going to hurt you, but you can ease up on the back talk.” Lips pressing into a thin line, you just shrug. Right. Brat. “If you haven’t noticed, I’m not cut out for taking care of sparklings.” And far too old for it besides.

• That word again. You’re beginning to suspect what it means and it’s not flattering. “You understand that I’m an adult, right?” When he just stares, you swallow a laugh. “I’m not a kid, pal. I’ve been on my own for years and I don’t need taking care of.” Or want it. Relying on other people, trusting them to look out for you, to have your back can only come back to bite you. The only one you can count on is you. You’ve learned that the hard way. Anything else just gets you hurt and you’re so sick of pain.

Previous

You hold me down

You're the echoes of my everything,

You're the emptiness the whole world sings at night.

You're the laziness of afternoon,

[hamliet]

what do you think of Cherri bomb and Sir Pentious as a ship?

I love them. I think their arcs offer a great contrast and that they will likely end up together.

I think the key to Cherri's character is in the pre-canon song "Addict."

Yeah, you fell in love But you fell deeper in this pit While death rains from above So count your blessings 'cause this is it You're not letting it go So what if I misbehave It's what everybody craves You already know So come if you're feeling brave And fancy yourself a mate You want it, I got it, see what you like? We could have it all by the end of the night Your money and power, my sinful delight A hit of that heaven and hell, a hell of a high

Cherri's addiction is more than a physical drug--it's to the idea of love, but it's never actually love. She knows this as well, but she plays the part of the desperate lover to get what she can (money and power), because "this is it"--ie, it's the best that she can get.

The way Cherri acts is very much in line with this persona she has. As much as everyone may gasp and express shock over her antics, that's really what they crave (and the parallel to how the real world treats women they pin as hypersexual and tsk at as "messy" is certainly deliberate). They don't want Cherri; they want her image.

That's why Cherri is so unamused by Pentious at first. He's no different from the rest, right?

Well, wrong.

Pentious seems to really be driven by the idea of money and power, but in a neat juxtaposition to Cherri with love, he doesn't actually seem to want these things so much as he likes the idea of them. What Sir Pentious seems to actually want is love--of any sort. See:

He created the Egg Boiz ostensibly to help him in his quest to take control in turf wars, but he loves them and weeps when he's supposed to send them away. He becomes incredibly loyal to Charlie and everyone at the hotel after she forgives him, not remotely holding a grudge against Vaggie or Angel even--to the point where he dies to save them.

His death also emphasizes what he pretends he wants vs. what he actually wants. He tries to do a big heroic sacrifice, but... it does nothing. He's snuffed out before he can even strike. But, what he did was love in action, and he did it because he knew the hotel staff loved him too. Essentially, reailzing he is loved helps him to show love. He shows love not just with a sacrifice, but with a kiss and a farewell confession to Cherri--the first hit he's actually made on her that went over well.

Sir Pentious's idea of love also contrasts with Cherri's in that it's neither founded on sex nor repulsed by it. He doesn't really seem to understand most of Angel's nonstop innuendos. At the same time, he expresses sexual interest in Cherri. When he first proposes that he and Cherri have sex, he fails because he says exactly what Cherri's used to:

Cherri: I'm sorry, why would we have sex? Sir Pentious: ...because I'm having sex with everyone!

In other words, he says Cherri's just another face, an idea, no one special. But in the end, when he kisses her, he says this:

Miss Cherri Bomb, I love you. Remember me!

Thereby acknowledging both Cherri as a person whom he actually loves, and his own desires--in other words, loving and expressing that love to Cherri helps Sir Pentious become more fully himself. This is then further emphasized by his rebirth as an angel in heaven.

[human-monokuma]

"Hear it form him you shall." *With a playful tap on the nose, Mikado started seeing and hearing things from Celestia's perspective. it was her memory of her conversation with Monokuma.*

Monokuma: "So what did you want to talk about?"

Celestia: "Your rewards for your selflessness and bravery in the face of despair and disaster. Such as this." *She covers Monokuma Ina bright light, changing his form into living human form.* "With this, you shall be able to traverse the living realm as anyone else that is alive."

"Traverse? Ma'am, in case you haven't noticed, I'm already dead and I'm sort of tied to Hell. Because sinner, you know?"

Celestia: "Fufufufu~. Atomata of Despair, I bestow upon you a special gift." *A small light hovers over to Monokuma's hand, attaching itself to the back of his hand.*

Celestia: "This is a Warp Crystal, which will allow you to teleport between realms and teleport to any location you desire. From Earth, to Heaven, to any ring in Hell without any kind of restriction. With this, you will be able to return home and live out the rest of your days with your family until it is their time as well."

"........Why would you do this for me?"

Celestia: "You've fought hard for your happiness and for the happiness and well-being of others. I say it's only fair to reward you properly with something that will please you and your loved ones. Is that not it?"

"it's not that. It's just...I don't know. Doesn't feel right. Like, I've done so many bad things to other people. No way I can just return to a normal life after everything."

Celestia: "You know Makoto will tell them everything."

"That's not going to change anything. The people up there won't ever forgive me. Not after after Future foundation and hope's peak. Worse case scenario, they'll accuse Makoto as a fraud and start treating him like an enemy too. or worse. Don't get me wrong. I do want to be with everyone again. With my friends. my family. Mikado and Lucky, my brothers. But...what if I land them in trouble again? I....I don't know."

Celestia: "Your loved ones are willing to carry you along with your sins. Surely you're not going to disregard their feelings, are you?"

"You're not helping, you know. Like, what am I supposed to do? I'm already dead and me going back to Earth isn't going to make life easier for anyone. As long as they know that I'm still alive, then they're just going to keep bothering me and my friends just to get to me." *...........DING*

"wait a minute. 'As long as they know'? Or rather....It's 'if they know'. If they know that I'm back on Earth alive......But if they think I'm permanently dead....Yeah. Yeah, that can work. Maybe I can make this work. As long as the world thinks I'm dead, then they won't come after my family nor my friends. That way, even if I do return to earth, it should be fine if I'm hidden well enough. Yeah."

"Yeah! Hahahaha! Maybe I'll be able to return home after all! Hey, mind if I stay here a bit longer to work out the finer details?"

Celestia: "Of course. be my guess." *Monokuma its there and starts thinking things over. After a while, he nods to himself.*

"Ok. I think I got a decent idea of what to do now. First, I need to make sure that Makoto informs the world of my death and my involvement with the demon tree. I'm sure Monodam, a witness, will be able to make the story more convincing. or maybe I should ask one of the reapers. or that weird Sparkle chick. And now for Mikado....Hmm...."

Celestia: "While you're thinking about this I should inform you that you are not allow to tell anyone I granted you these rewards. They could try to take advantage of you in some ways."

"Well I am in Hell and this place is fully of scumbags, for the most part. Sooooooooo.....Yeah. Can't really tell anyone out in the open. Though, I don't want to leave Mikado in the dark. But I also can't tell him about my plan out of fear of being leaked. if that happens, I don't think I can return to Earth period and then there's what could happen to my family and friends....Yeah. I'm going to have to talk to Mikado about me staying in Hell for the long term. I just hope I can get through to him and make him understand. I would ask him to stay, but I don't want him to waste his life like that. Maybe I can ask Makoto to hire Mikado to give him proper protection from those Kisaragi jerks. Knowing him, he probably could allow Mikado a way in. The last thing I want to happen is for anyone I care about fighting or killing on my behalf. I want them to live their lives happy and free of worry and stress if possible. No more need to spilling the blood of innocence and junk like that....Sigh. This is going to be tough." *The memory comes to an end as Celestia takes her finger off Mikado's forehead.*

"I hope that cleared things up for you, Mikado. I understand your worries and concerns for your friend, which are indeed valid and he understands it too. He just needs to make sure that things will be alright enough for him to return so that no more tragedy comes your way."

*Achlys knocks on Husk's tent, trying to get his attention.*

"Hey. Husk, was it? I need you help with something. Something that's really important." @nastrond-and-valhalla

Husk looked to see Achlys. "Oh, hey Achlys. Sup? How can i help?"

[sass-ruby]

okay. HOLY FUCKING SHI-

Sun² (dark sun) looks like he's thriving LMAO 😭

Let me just say, THANK YOU MOON FOR BEING SO CURIOUS

I'm curious too, so this satisfied me so much

We got A LOT of information, and one VERY jaw dropping one

So.. sun² created a paradise for himself and others, most likely suns but not every sun. That- that honestly sounds so sweet 😭 I'm pretty sure by psychotic, sun² meant like- do things without thinking, go insane, kill for no reason ect ect.. since he doesn't like violence from what I've been able to gather. The violence he has probably committed, I am guessing was necessary because sun² thinks reasonably

But I wonder- do suns go there when they die? Like, heaven? There are already people there.. but are those people suns or random people??

His dragon is there to be a protector so, it's most likely dead suns I think..? To protect them? That'd be so sweet, I hope that's the case

Goliath died, oof 😭 I never cared much about him but that ONE THING he said to sun once;

"You..might be pathetic, but you're so much more than them."

The fact that EVEN goliath, someone so egotistical, sees sun's morals.. yet others cant and just see it as being cowardly

Our sun has been proven to be the most empathetic among all suns. He HAS done bad, but hasn't continued to do so, he tried his best to make it right. I love him sm I swear

But oh goodness. There is one MOST important jaw dropping lore we got out of sun².

Oh my fucking gosh.

Oh my.

The fact he chose this sun specifically.. BECAUSE HE COULDN'T HAVE DONE IT HIMSELF.

We already knew he was like sun, but moon broke him. Just like how it usually goes in dimensions, here's the thing, though. Even if he did the same back to him, he could NEVER kill him.

Now there's more space to understand why he did it. He couldn't do it, he wanted to give other suns a chance.

Holy shit. Holy shit.

This is too shocking for me I'm sorry

I did not think that SUN² COULDN'T KILL HIS MOON

I guess that was a thing that truly connected all suns before sun's² whole thing

The fact our sun was the first, THE FIRST WHO WAS ABLE TO AND THAT IT WASN'T AN ACCIDENT.

Finally. FINALLY IT'S BEEN PROVEN HE'S SPECIAL IN SOME SORT OF WAY

I'VE BEEN WAITING FOR SO LONG

The "I hate him, but couldn't kill him" thing reminds me kinda of my mother and I, just with different context 😭 like- I hate her but can't hate her completely. I have mommy issues QwQ

I literally sometimes get so mad at how she treats me that I hope she dies.

Although- lets not get into that

The point I was trying to make is, even when you swear you hate someone close to you... ESPECIALLY YOUR OWN FLESH AND BLOOD, you can never completely hate them.

That is only what I've been able to gather from other things like that

ALSO ALSO ALSO aLsOoOoooO

Why did sun² sound so unsure.. at that one part.

"I suppose nexus could sure try, if he was still around. Mumbles if he was still around..."

WHY DID HE SOUND SO UNSURE.

I wouldn't be surprised if he said it like that because he's seen how many times villains come back in this dimension ☠️☠️

LITERALLY I WOULDN'T BE SURPRISED

But if nexus comes back, SHIT.

A part of me believes he will. It's after Christmas, and the new tradition is that shit happens after Christmas because the October takeover tradition ended

AAAAAAAAAA

I'll be kinda happy about it, ONLY BECAUSE THE ANGSTTT

YAYAYYAYAYAYYAYAYAYAYAYAAAAA

Another also and another woa!! >:D

"why does EVERYTHING have to be US"

"you think I have that answer? Heh, even with my intelligence.. I can never answer that one."

EVEN SUN² ACKNOWLEDGES IT

Because the show runners need to feed us, that's the answer <333

Their lives are something else 😭 they have to deal with something new everyday. They can never catch a break

That would be all. BUT HAHSHHDD I LAUGHED SO HARD SEEING SUN² FLY HELPPPPP

He had his "I was a fairy" moment 🎀 NDNDJSJMS

okay now it's all :3

WEEEEEEEEEEEEEE

[frasier-crane-style]

It feels a bit weird that there's a spate of heroic female characters, meant to be protagonists, and their canon, intended personality is... they're pretty much a jerk? Like, other heroic characters will interact with them and openly state she's an unpleasant person to spend time with.

And not an entertaining jerk, like House, or a love-to-hate jerk, but just... wholly a douche. And meant to be taken as a sympathetic heroine.

It's not like they get character development to be more empathic or reveal a heart of gold. At most, there's one character they treat nicely, which means they're capable of doing it elsewhere, they just don't want to.

They act in a consistently assholish way, are somewhat acknowledged as assholes, and... that's it. Mission accomplished.

It feels like, I don't know, seeing the slow kid trying to solve a math problem without knowing how exponents work: "No, see, she's the heroine, you have to like her, she's fighting the bad guys."

"But she acts like a twatwaffle all the time and is mean to other characters I like much more."

"Yes, but, she's the heroine, you see, you're supposed to like her."

"But I don't."

"You're supposed to, though."

"I don't."

"YOU'RE WATCHING THE SHOW WRONG!"

[daflangstlairde-art]

"Extremophile" 2/4

Part 3 of ocean depths

Summary:

You drown every minute, every second, with every breath you take. You haven’t breathed for so, so long. The icy waters are inside you, deep, deep inside you. All you could ever feel is cold and colder. You haven’t seen the sun in... so... long. It was so far away from you that you couldn’t even picture it anymore. And here was the sun himself. Here was that gasp of air that burned. You’ve been so cold for so long, the warmth feels like death. — Alt summary: It's not easy but boy do I drag Killer (and everyone around him) kicking and screaming towards a healing arc

Chapter 2: "feel better" 3266 words

Credits, warnings and additional info on ao3.

—

You don't listen to them when they talk to you. You don't even look at them. You only snap, like when Dust kicks you in the shin for ignoring him. 

You don't care.

You don't think about Dream. You don't think about Nightmare.

None of this matters anyway.

Pain and suffering was all you had to make you feel alive, and now you don't even have that. Hah.

—

“...K–”

“If the words that come out of your mouth aren't ‘I’m here to give you your soul back’, I’ll make it easier for you,” you interrupt him, “and advise you to shut the hell up.” 

And once again, Night falls into silence. He stands where Dream usually does. You don't even give him the courtesy of looking at him. 

You don't want him here. You made that expressly clear. In a perfect world, he returns your soul and then leaves you be so you can finally off yourself. In a slightly less perfect world, but still an acceptable one, he just leaves you be. 

You hate him so much it's more than you can handle.

You want to rip him apart.

Instead, he just keeps standing there. What a coward. He can barely muster up a few words for you. What a fucking coward. All that power and yet he's a weakling.

You hear him take a breath. Steeling himself. You want to ruin his resolve.

“...You haven't been reading my–”

“Yep, and I'm not going to.” you cut him off again. “Not unless that results in me getting my soul back.” 

“...I cannot do that.” Night says quietly, and it almost makes you laugh. You're too tired for it, however. 

What a joke though, huh? The almighty Guardian of Negativity can't do something as simple as returning an object that doesn't even belong– ...well. You suppose it does belong to him, in a way. 

It did, at least. 

You belonged to him. 

And now he's... like this. 

“Right.” you reply flatly. “In that case — au revoir.” 

Another pause. It’d be funny how apprehensive he is to speak to you if it wasn't so pathetic and, frankly, annoying. 

“...Killer–” 

“I’m too lazy to get up and force you out,” you bulldoze over his words yet again, no interest in hearing him out, “so be nice and don't make me, baby,” 

Out of the corner of your eye, you see him flinch at the nickname. Your grin widens. Good. He deserves to hurt a little. You hope it made him deeply uncomfortable.

“I merely wanted to say I’m sorry,” Night rushes out in an attempt to be heard. “The way I treated you was never acceptable and it never should've happe–” 

“SHUT THE FUCK UP!” 

The silence rings deafening in the quiet that follows. 

That exploded from you in a way that surprises even yourself. You realize you are boiling. It's detached, but it's there. You shove yourself to your feet, grinding your teeth in a malicious grin.

You breathe heavily. The hatred and rage and desire for violence courses through you like liquid nitrogen. 

“Shut up.” you snap, staring at Night. He stares back, mouth pressed flatly, braced. There’s scarring over his right eye, like very wrongly healed cracks, making it mottled. Deformed forever just like Killer’s soul. He can't erase his — their — past, no matter how badly he wants to. “That’s not for you to decide.” 

He doesn't say anything. 

You stalk toward him slowly, blade already summoned to your hand. You want to make him bleed. You want to make him hurt. 

“I remember,” you start, voice coldly cheerful, “the way you would wring my neck until I couldn't even cry out. I remember the way you told me to attack my– subordinates, and I didn't even hesitate. I remember the way you would make me sob with despair–” 

“And it wasn't right–” 

“And I wanted every bit of it!” you raise your voice over his. He’s barely two feet away from you now. You wish he would cower away.

There was always something... larger, about Corrupted Nightmare. Something bigger than life. Something superior to you.

Night, the way he stood in front of you now, was lithe. He was small. It made you want to squash him like an insect. 

“I don't know how you're seeing this in your sorry little brain,” you mock, “but I’m not some victim. I chose every part of what you did to me.” you step closer, raising your knife. “I enjoyed it.”

Pressing it under his chin. 

Forcing it ever so slightly upwards so the little coward meets your fucking eyes. His eye lights tremble. You hope he's scared.

“Wanna know why, Night?” you barely have to raise your voice to be heard, with how close the two of you are. You hope he feels all the violent intent pouring from you. 

“...Why?” Night dares to prompt, even quieter. 

“Don’t you remember?” you laugh harshly, “I’m defined by my suffering. I breathe negativity.” 

Night flinches as you parrot his own words back to him. You can see in his expression that it hurts. 

Good.

“And that...” you idly trace the line of his jaw with the tip of your knife. “...made me perfect, you said. You gave me exactly what I needed. I can’t be ‘helped’ — your idiot of a brother may think otherwise, but we both know the truth, don't we?” you chuckle. 

Night just keeps staring at you, a twisted expression on his face. You entertain the thought of peeling it away bit by bit. 

“You're all I had, and I’m all you had.” you remind him. 

(I loved you at your worst. I’m the only one who did.

And you left me.)

It all happens in a flash — you've barely pulled the knife back before you slam it into his chest and he screams, but you're louder–

“And you THREW IT ALL AWAY!” 

Hands flying up to grab yours but you twist the knife deeper, shoving him back. Until you slam his back into the pillar behind him. 

He clutches at your wrist with both hands, blood streaming down his shirt. But he doesn't leave. He just takes it. Probably due to all that misplaced guilt. It's pathetic. You're almost disgusted to wound him. 

You wonder if he’ll let you kill him. He won't die from this, of course, it's nowhere near enough, though you almost wish the sheer harmful intent you packed into it was enough to make him keel over.

Oh how the tables have turned. Now it's you putting that look on his face and making him cry out in pain. How cute.

He stares at you, tears building in the corners of his eyes despite his set expression. You wonder if it's the pain from the wound or the pain from your words.

“I was ready to do everything for you,” you snarl, still grinning close to his face so he misses none of it. “But nooo! Little Mister Good Night wanted to play nice!” you jeer, ripping the blade out of him. He buckles and chokes on it, gasping for breath. 

You grab his hand roughly. 

“But you’re not nice. You can't be nice. You’re a monster, just like me. We know the truth,” you pull his hand up, and slot the knife’s handle into it, “Don't we, my king?” 

Night tries to jerk his hand back, and then again, but he still refuses to fight back against you. It’d be adorable if it wasn't so stupid. 

You just use your second one to forcibly press his fingers closed around the handle of the blade. 

And then you press that blade to right where your soul always sits, always bared and vulnerable. 

You lean close, until you can even feel the pain from the sharp tip.

“So here's your ultimatum,” you speak slow and calm. Quiet enough so your voice doesn't even echo, because this is personal. Between you and him. You’re grinning. “You can't have both cakes, baby. Either leave me be completely; or stop with your game of pretend, stop being a coward and finish it.” 

The silence is deafening. 

You feel the way your grin is stretched over your face, leering and dripping black. You listen to Night’s harsh, quick breathing. You watch the shake in his wide, wet eyes. 

What a fun idea Night had, coming here. You wonder what he was expecting to happen. Fool. 

“...I–” Night takes a breath, “I don't wish to hurt you any more than I already have.” he says, pushing determined resolve into his voice, even with how quiet and shaky it is.

“Oh, but dear,” you croon, and you wonder if it’ll work if you were the one to shove his hands in the right direction, “can't we do what I want for once?” 

Night shook his head, distressed.

You sigh, releasing him, taking your knife back. 

It won't work if the intent isn't there, so you can't do it yourself. What a disappointment. Although that isn't a surprise, when it comes to this version of Nightmare. 

“Go on then,” you wave dismissively, turning your back to him. “Leave.” 

And in a perfect world, he does. In a perfect world, the Void comes and claims you with its own hands.

“No.” your wrist is grabbed, and you pause. 

Slowly, you turn back around. Until you can once again see his face. Like a little mouse. It has no right holding all that determination all of a sudden.

“...What?” you hiss.

“I said no.” Night repeats, as if you simply didn't quite hear him. Raising his chin a little, eye lights flickery but holding your glare nonetheless. “I'm not leaving you again.” 

You stare at him. 

You spit a laugh in his face and he winces. You hold your face, and you start laughing so hard your head hurts. The harsh sound bouncing around the mess that became of this damned corridor. 

Well isn't that a funny joke? Never knew Nightmare is such a comedian!

“Laugh all you want!” Night goes on the defensive, trying to speak over your deranged laughter. “I know you hate being alone, I’m not leaving you, even if I can't help, I’ll send Dream, or Dust or– I know you hate being alone,”

“And that's why you ditched me, isn't it?” you speak over his words, through your own laughter. He still hasn't let go of your wrist. The contact feels... feels. “Discarded me when I was no longer fun to push around?”

Night cringes, clearly pained at the reminder. Reflexively squeezing your wrist. 

“Left me? In the Antivoid? Poor ol’ me, all alone?” you press deeper into the emotional wound. “Because you wanted to hurt me as bad as you could, right? Remember? What good times we had, Night-night!” 

“You're so–” Night mutters through teeth, and you laugh in his face. 

“I’m what? Callous? Mean? Evil?” you continue mocking, “Come on, saayy it! Hopeless, beyond redemption? Violent and unstable, a distorted freak, scum?” oh yes, you remember the pretty names he’s called you, always the romantic, “Am I still perfect for you, baby? Or is your little toy finally too broken to play with?” you throw it all at him like darts at a board.

You know it hurts because he cries. His expression is set, but there's silent tears down his face. The sight of it might just make the next day a little more bearable to exist through. 

Instead of daring to address any of that, however, 

“...You’re not beyond hope.” Night whispers. 

What a moron. Him and Dream really are twins, huh? 

“Hey, waste as much energy on that as you want. I don't care,” you shrug, “I don't care about anything.” you say airily.

“That's not true.” Night still doesn't raise his voice. 

“Right, because you know me better than I know myself or... something something,” you feign a yawn, “Soo you going to leave already oorr?” 

Now, Night’s hand squeezes your wrist intentionally. There's probably meaning to it. You don't care. You don't care. 

“I’ll be back.” Night states, quiet but resolute.

You don't dignify him with a response. You don't care enough to do so.

When he finally leaves, you exhale. 

And once again it's just you and the silence.

—

You're that sick and tired of this hallway to last for three lifetimes. You need a change of scenery. 

You need something to do. You crave it like a druggie. You need to sink your sharp magic into something soft, watch the life drain out, so you can pretend like you're soaking it up. You need the rush of it, the hit of raised EXP. You need the adrenaline of a fight. 

Or, at the very least, you need a change. The boredom is mind numbing. It's torture. It’s eating you alive. You feel like you're decaying with every breath.

You wonder if Dust’s offer is still on the table. Probably, right? Mm. One small issue, though. 

You have no way of contacting him. You only have company when someone else decides to come around. 

You settle for repeatedly slamming the back of your head into the wall. 

If you're in pain, maybe you're real.

—

Huh. Killer didn't think Night would dare show his face around again. But apparently he was a little more serious about the whole ‘not leaving you alone’ thing. 

Except... he did nothing. 

Killer didn't greet him back when he popped up, but Night didn't push. He just... sat down on the ground. Opened up a book. Started reading casually like he was in a comfy public library. 

At least he wasn't being a bother again. 

Killer avoided looking at him initially, but now, he observed. Just watched the way Night sat, legs crossed. 

He was dressed... proper. Fancy and regal, but far from anything grand — more on the simple side, a caplet with a clasp, that sort of thing. In purple. 

Killer watched him turn a page. Stance calm and easy. Like Killer wouldn't take every opportunity to hurt him. It was... annoying. 

“You really have nothing better to do?” Killer spoke up, almost surprising himself with it. But hey, even talking to this loser was more than the devouring silence. “No charity work? Fixed all the lives you ruined?” 

He watched Night intentionally keep his composure together, not showing that’d gotten to him. Killer knew he had, anyway. He chuckled. It was so easy. 

“There's always something to do,” Night said calmly, eyes on his book. ���And right now I’m choosing to do this,” 

“Aww, you missed me that bad, baby?” Killer mocked. “Realized you can never fit among them? That they’ll always hate you?” he spoke cheerfully. 

Night gripped his book. Then pointedly relaxed his hands. 

“...I already knew that,” he said quietly. In the echo of the hallway it was audible enough. “And... I do miss you,” 

Killer fell silent. 

...That... hm. He huffed. 

That was stupid. That wasn't– he wanted to snap at Night to shut up. 

“Well of course you do,” he crooned instead, grin widening, “Who wouldn't want a brainless yes-man of a peon?” 

Night frowned slightly.

“...You're not brainless,” he countered, of all things. Hm. He wasn't rising to Killer’s bait. He was keeping himself a lot more level-headed compared to last time. Interesting. 

“Right, my mistake,” Killer mimed rolling his eyes, “I’m heartless,” 

Night’s gaze broke from his book, but he still didn't look at Killer, only to the side. Frowning lightly. 

“I...” he spoke, considering, “...I don't think you're that, either.” 

Killer immediately spat a laugh. 

“Oh so you've gone delusional!” he revelled, “We should call Dust and Horror here, get the whole Crazy Crew!” he jeered. 

“I’m serious,”

“I’m sure you are!” 

“You're not heartless, Killer,” Night insisted, Killer’s mockery only strengthening his defensive stance. “Dream told me what happened between the two of you. I know you felt his affective aura and you've always been able to feel mine–” 

“Woooww, I’m susceptible to emotions forced on me? You're right, I’m such an empath–”

“That's the thing,” Night now looked at him, closing his book. Oooh, getting serious? “Ink can't. He’s influenced only by his vials. Fresh is immune to our influence too — but you’re not. You can feel it, you feel it all,” 

Killer sighed, enduring the lecture with an almost familiar lack of care. Ahh, the amount of times he’s been scolded by Nightmare. Sadly this one probably won't end like those. What a shame.

“So what?” Killer shrugged. 

“I think,” Night spoke like this was far from the first time he’d thought on the matter, yet still treading carefully, “that... you could, hypothetically... feel on your own. You had the capability before, even if it has been a long time, right? It– it's like an atrophied muscle, you struggle to generate anything on your own, but the senses for it are still there–” 

“You have no way of knowing that,” Killer pointed out. 

Night paused. Squinted. He idly fidgeted with the top corners of his book, contemplative. 

“...You know what?” he chimed, “You're right. How about we test it?” 

Killer blinked. “Test it,” he repeated flatly. 

“Yes! Like an experiment,” Night nodded, a little livelier, “That would be at least a little interesting, right? We can bet on it, even, and it'd be a win-win for you — either you're right and you win, or I’m right and we can work on hea– recovering your emotional senses!” 

...What a nerd.

But he did know how to convince Killer. It was almost nasty, the way he used his intimate knowledge of the inner workings of Killer’s mind. 

It would be more interesting than doing nothing, though. And it would be a win-win for him. 

“Mmm,” Killer tapped a finger, acting indecisive, “A bet, huh? What are you betting?” 

Night paused again. “I meant it more figuratively,” he coughed. 

“And I’m making it literal,”

“Well what are you willing to bet on it?” what do you even have?

Clever, flipping it back to Killer. Night was showing his chess skills.

Hmm. What could he bet? Not like he had... anything, really. 

...But. There was something that Night had which Killer wanted. 

“...My soul,” Killer said, smirking. “If I win, you give it back. If you win, you can keep it.” 

And if Killer was right, and he was truly, provably hopeless, getting his soul back had an obvious next step. If Night somehow, ridiculously, proved to be right, Killer could hypothetically live with that. 

A win-win.

Night was hesitating. 

“...I don't–” he puffed an exhale, “Your soul is– that's too much. I’m not–” 

Killer cackled loudly, “Well then you better be pretty convinced in that little theory!” he prodded. “Come on, it’s my soul after all,” 

Night pushed himself to his feet, storing his book in his inventory. He took in a breath, let it out. 

“...I have a few terms.”

“Okay,” Killer indulged him, amused.

“You’ll also let Dream help. And you have to go about this fairly — give it an actual shot, don't just... shoot it all down.” Night kept his back straight as he spoke. 

“Sure,” 

“...Genuinely?” Night was taken back by his response. 

“Yeah whatever,” Killer shrugged, getting to his feet. “Win-win, right?” 

“...Right.” 

“Well?” Killer extended a hand. 

Night glanced at it, then at his face. Breathed in, breathed out. Steeled himself, committing to his decision. 

He strode closer, took Killer’s hand and shook it. It didn't hurt. Even Killer didn't take the opportunity to hit him with an attack. 

Alright then. Time to see how this unfolds.

[thatpyroblogs]

The handling of sexual assault in the musical was a big source of disappointment for this final saga. All the other sagas did everything to avoid even hinting about what happened to Odysseus at the hands of Circe and Calypso in the Odyssey. Then suddenly you've got the suitors wanting to rape Penelope just to make them more evil?? To make Odysseus slaughter of them more moral while actively undermining the whole new narrative the musical was supposedly crafting.

Putting a big rant about it under the read more.

Like, alright, last saga he had Antinous call Penelope a tramp. Not great, but I could see a rowdy and drunk suitors who wants to annoy Telemachus saying stuff like that. But to rewrite the story to have the suitors deciding to straight up rape Penelope is insane. And Odysseus leaves no doubt of what they intended to do by using the word rape himself in a later song!

Why was the sexual assault and rape of Odysseus scrubbed clean in the musical if you're just going to turn around and outright rewrite the story so Penelope is now threatened with it? Why are the female villians treated so nicely and basically turned into good people while the male suitors are made worse? And as you and others have pointed out it kills the new "Odysseus is a monster" narrative!

It would have made more narrative sense for Odysseus, man turned monster, to go from his justified torturing of a god (also still not thrilled how that played out) to slaughtering a bunch of rowdy guests who overstayed their welcome without giving them a chance to leave. I'm guessing the worry was how could Penelope fall in love with a total monster. But if you've changed so many core bits of the story for a new narrative you either need to accept that she won't or go through with her being so in love with Odysseus that she doesn't care what he becomes/does.

Look, Hold Them Down is a banger of a song, but it absolutely killed a lot of the narrative for me. It set up the whole suitors are downright evil and want to rape Penelope storyline, which then bleeds into other songs. Hold Them Down should have been cut and a different song humanizing the suitors should have been done.

The replacement song should have been something that had named suitors singing about why they're trying to string the bow and win Penelope's hamd. That way you get to know about them as people right before the "monster" comes in and kills them. You can even still have some of them be jerks since there's supposed to be a beggar there that some of them are throwing insults (and stuff) at.

The Ithaca saga just feels like another saga with a lot of missed potential. I'll admit I was willing to overlook the flaws of all the previous ones in hopes that the next would make more sense, but honestly each one since Wisdom just kept getting worse. I didn't have high hopes for the Ithaca saga since it had a lot of plot holes to fill in; so I'm not surprised it filled in so few and created a lot more.

Hello, I have a question. I am not far in my Odyssey reading and I was wondering about the suitors.

In Epic (yes, you hate it I know, but it's my ref for now) the suitors want to SA Penelope, it is explicitly said. I was wondering if in the OG story, the suitors also wanted to harm her in that way or if they didn't have such intentions.

Hate is a strong word but if there is something that I hate is this whole obsession with people treating mythology of my culture as clean slate and free game to do whatever with and spreading so much misinformation about it or have the obsession to change it to THAT degree in the first place. The musical I think it got straight out disrespectful and ridiculous to the original material plot-wise but I do recognize the passion of the people working on it and I appreciate people who regardless of their like or dislike for it that they are curious to find out on the original Odyssey and they do not consider this musical as some sort of equivalent to the original or substitute to it. My disagreement and dislike for it as well as my annoyance that it takes over social media is strictly my business and mind and has nothing to do with fans of course. I also am against fan mentality for greek mythology because mythology is a rich cultural background and important thing to Greek culture and not another fandom like Harry Potter or lord of the Rings or anything. But of course there is nothing I can do about this mentality either

Anyways I am glad you wanna ask on it.

No that was never said in the Odyssey. That seems like yet another piece of random bullocks for the musical to make the suitors even more "evil" and dislikable. However the suitors DID want to force Penelope to choose one of them as her husband so they obviously wanted to force her to marry. They abused the custom of Xenia or hospitality to stay in the palace for 3 to 4 years while eating and drinking everything and doing basically a psychological war to Penelope, harassing Telemachus with their words or insulting him and they would generally be rude or even abusive to slaves and servants that were loyal to Odysseus. They also lay with the several slave girls at the palace that apparel entered the relationship to gain something while others like Penelope's protégé, a girl named Melantho that Penelope raised from infantry like her own daughter, was apparently in love with one of the suitors. The slave girls betrayed Penelope's secret to the suitors (that she was pretending to make the future funeral shroud for Laertes and at night she was destroying it and starting again in the morning, thus keeping the suitors at bay for 3 years only to be discovered at the 4th).

The suitors definitely wanted to force Penelope to get married and they seemed ready to commit even the murder of Odysseus IF he were to come back (of course that seemed more like boasting than anything else since they were almost certain beyond doubt that Odysseus was dead). Later when Telemachus gained courage by Athena to travel and search information on his father (the part of Odyssey called "Telemachy") they got worried and conspired to murder him and set an ambush for him.

All in all the suitors did many things that are downright criminal such as the conspiracy for murder of Telegony and abusing the law of Xenia. They undoubtedly wanted to force Penelope to marry one of them and they were furious at her trick but no it was never stated in the Odyssey that they would...barge into her room and have their way with her. If they wanted to they would have done it from day one. Penelope was a powerful queen and they were all fascinated by her (when she comes out of her room everyone turns to look at her). So yeah basically their main goal was to force her to marry one of them and they planned Telemachus's murder only when he started gaining confidence and they got worried he might take over the throne himself soon. Also most of them were around the same age group as Telemachus (about a decade or so older perhaps) which increased their worry on what if Telemachus took over.

[nope-body]

.

[lucabyte]

Different standards

[carlyraejepsans]

for real WHERE does the idea that [utdr humans] are nongendered so that "you can project on them" come from. their literal character arcs are about NOT being a blank slate to be filled in by the audience

i think i understand the assumption on some level for undertale, because there is a very intentional effort to make you identify with the "player character" in order to make your choices feel like your own (the beating heart of undertale's metanarrative lies in giving you an alternative path to violence against its enemies after all, and whether you're still willing to persue it for your own selfish reasons. YOUR agency is crucial).

of course, the cardinal plot twist of the main ending sweeps the rug from under your feet on that in every way, and frisk's individuality becomes, in turn, a tool to further UT's OTHER main theme: completionism as a form of diegetic violence within the story. replaying the game would steal frisk's life and happy ending from them for our own perverse sentimentality, emotionally forcing our hand away from the reset button.

i think their neutrality absolutely aids in that immersion. but also, there's this weird attitude by (mostly) cis fans where it being functional within the story makes it... somehow "editable" and "up to the player" as well? which is gross and shows their ass on how they approach gender neutrality in general lol.

but also like. there's plenty of neutral, non PCharacters in undertale and deltarune. even when undertale was just an earthbound fangame and the player immersion metanarrative was completely absent, toby still described frisk as a "young, androgynous person". sometimes characters are just neutral by design. it's not that hard to understand lol.

anyone who makes this argument for kris deltarune is braindead. nothing else to say about it.

[lugarn]

Before we dive in to the meat of your reply I have to just start with the idea that fix-it fic means fixing the problematic elements. It reminds me of the way modern fandom treats 'gay panic' like you're in a panic because you're realizing you're gay. Real history has been forgotten here! I am also interested in genuinely picking media apart! It's fun, but I want to do it with love for the media and what it was trying to do (Ebert-style) rather than with disappointment from what I thought it should've been.

Back in the Supernatural days I wrote a lot of meta! Not just about stuff I liked, but as part of the larger conversation about the things that the show lacked in terms of female characters (or any other regular characters) and how that was both an asset to the storytelling and a failure to imagine women and minorities as part of the world. It was fun as hell and I was part of a group who beta-read each others' metas and would make excellent points that would then make the metas even better. There was a thriving meta community and no matter what analysis we held we all knew that the other people weren't saying that the show or its fans were unworthy of love due to the media's flaws, or that people who chose not to see the flaws were inherently less than.

I also like a lot of shows that got into super heated levels of criticism! The main one was Playboyy, where the criticism veered into speaking over/ignoring sex workers' opinions of how the show handled sex work. I'm very familiar with the ways that tone-policing queers in BL have decided that something is bad and thus the people who like it are bad.

It's terrible, but like you, I focus on what I want to make. I focus on running events and writing fic and sometimes even editing vids. But I feel pretty alone, in the end, because there are so few people doing it alongside me. Fandom's not supposed to be a place where those of us who make and post things feel increasingly alone, but here we are.

As far as belonging, I think you're probably right. An adjacent issue is that there's not a real queer community online the way there is offline. Things were smaller and tighter-knit in the past, and I think that constant organizing around HIV/AIDS was part of what kept throwing people together to form more and more communities. I don't know how to fix it.

The reality is that queer folks are a small part of the percentage of the world, and while we can be powerful, in terms of viewing/buying potential, we don't really have enough market share to affect the world. (I wish we did. That would be nice.)

Media that's successful is appealing in some way to straight people. That doesn't make the media inherently worse! In a lot of ways it makes it better, the same way the analysis in my metas were made better by having a lot of eyes on them. Something that appeals to more people will also appeal to more queer people, since we're varied. It's a real win-win.

a question for QL fandom at large: when did we start only wanting media that is perfectly suited to our standards?

there has never been a perfect show, and there never will be a perfect show, because everybody likes different things and QL is run on shoestring budgets. i thought this was something we made our peace with as viewers of the genre!

so i'm just wondering at what point fandom decided that a show is only worthy of praise/fandom if it has no problems?

at what point did we decide that talking about the problems of a show is more important than talking about what we did enjoy and what kept us watching? i don't know when it happened, but it definitely has. critique is treated more seriously and gets more interaction than people talking about what they like.

it seems like a really exhausting and slightly puritan way to do things, to be constantly finding imperfections and treating them as more important than the good parts. dunno about y'all but i don't want to be unintentionally enacting puritan shit.

i want joy, i want fun, i want the spirit of camaraderie in fandom.

so, why did fandom begin to snub any media that didn't fit very high standards? and how can we steer ourselves away from that impulse?

(i am genuinely curious about why this is happening and how those of us who don't enjoy it can change, so please feel free to jump in, even if you are 'late' or think you only have a very small contribution to make to the discussion.)

[icewindandboringhorror]

Pictures and things

[arachnerd-8-legs]

im getting real sick of 'intelligence'

who decided reading books and writing counted as intelligence? who decided that getting high scores on a strict, unfeeling system meant you were better than everybody? who decided that people should be turned into numbers, tie their worth in society into numbers, to compare people on a scale that ultimately does not matter, so that the people who didn't dump everything to perform for it are berated and the people who did end up with nothing?

who decided not reading or writing was a lack of intelligence? who decided that living differently to them was a sign of lower 'societal worth' than those who conformed?

[july-19th-club]

one thing that is so genius on a craft level with the broken earth books is that the derogatory for 'orogene' is - That Way - on 100% purpose. you're supposed to feel like it's not a word to say out loud, it's supposed to be uncomfortably similar to words you've already heard and know as cruel slurs in the real world. it's a direct fucking parallel designed to deliberately give the reader that crawling feeling and it works so well i dont even feel right typing it up for a post