#you'll really love her character

[booasaur]

Survival of the Thickest - 1x02

[poorly-drawn-mdzs]

License to Kitty.

[lunarharp]

fwee top 5 things i had fun with this year :-)

[iris-drawing-stuff]

Whenever I get a new, interest I look at my favorite characters and go "Put their ass in prison," so here's Dmitry in Milgram.

Also, just for funsies, let's judge him. Imagine that Comfort Zone is his first trial song.

Some thoughts about this AU under the cut.

"Focus, channel and then discard

Now, sympathy has no place in a righteous heart"

The facility used Dmitry for experiments, and it's implied that part of that was killing other mutants. They would be his murder/s

Voting-wise, I think this could lead to an Amane-like situation where people vote him guilty to try to teach him that he was in the wrong. I'd like to think it would backfire just as badly.

I think the environment of Milgram would remind Dmitry of the facility. Milgram is basically one big weird experiment. The only upside for him would be the fact that Anya is there (IDK what her murder would be, but I am not seperating them).

Full body

Also, here's the other 2 ideas for his victim that I came up with:

1. Yura

"Keep barking all you want, cutting to the bone

You are like a cornered dog, cut the microphone"

In Convergence, he really wanted to kill Yura, and the only thing stopping him was his threat to make things worse for Olya. What if he was just a bit more impulsive and straight up killed him? I like this idea the least because we can't make Yura another prisoner if he's dead.

2. Katya

"Hey don't you realize...

That this life's not fit for the likes of you and I"

Okay... this is my most out there choice. Basically, when Katya gets captured and brought back to the facility, they kill her instead of whatever they do in canon, and Milgram considers it Dmitry's fault because he abandoned her after they escaped. It's kind of similar to that theory that Kotoko's victim is Lucky because she abandoned her at the end of Deep Cover.

[beanghostprincess]

I am a very easy person. You make Usopp or Sanji say the "I'll do what you can't" thing in a fic and I instantly start sobbing like a baby.

[cheriafreya]

I need this character so bad wtf

[humanmorph]

I heard nothing is stationary—well, it’s never been more clear.

Transcript:

Austin (as Parti): …that’s what I’m saying, I’m saying it’s not just a mentality, it’s like—it’s a structure that keeps people, it—no, it produces mentality, it doesn’t just…

One second, I think—I think we’re live. I think the signal’s up again. Hello? Hello? Are you hearing us? Hello, Palisade. Hello, Twilight Mirage. Hello, Qui Err Coalition. You know what? Hello to the Bilateral Intercession! I know you hate to hear us, [singsong] but we’re back!

Back in the lab again, back finding mixtures and fixes for shit you done mixed up. Back in Black’s chair, back at his microphone. I wish he could see it—the colors, the tone, the skies all rhinestones. I’m sorry, I’m stoned, just a little. A little goes a long way here on our new home. A little ripple in the middle of war. I saw a missile transformed into straw hospital filled, but it’s hard to ignore that the sky’s on fire with light.

Yes, they name me Particular Emphasis, but there’s a party up in here. I heard nothing is stationary—well, it’s never been more clear. We’re moving on them now, and it’s up for them. It ain’t even really close. ’Bout to hit the lick then take home [singsong] a full seven notes. So let me check mine, ’cause I know that I got some shit to say before small things grow big, before tomorrow turns yesterday.

This one’s for Baldwin, for Black Screen—all caps, please. This one’s for Phrygian, who’s between the fuse and the bomb. This one’s for the figure in our hearts who I hope is finally calm. This one’s for those who’ve had their names stripped away, or with names we never say, or with many names, multivalence, but committed in each to snatching they chains today.

Nah, you know what? This one’s just for me. If you’re listening, Bilats, let me tell you what I see. We are ungettable, unforgettable, unfuck-wit-able. And we’re really cute—we are unmistakable, undebatable, and we don’t even need a backing track to do what we ’bout to do.

(by @sacredwhim)

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)

[rawliverandcigarettes]

WIP Meme

I was tagged by @illusivesoul, thank you so much (and I'm sorry about your previous tags, they just fell down the depths of my mentions and I forgot them forever ;; )

Tagging... @crapeaucrapeau, @bloobluebloo, and I genuinely do not know who want to be tagged in things like these so I won't bother anyone, but feel free to join up (or don't if you don't feel like doing it of course!)

But!! What a great excuse to share with you all... the very first paragraph of The Empire of Preys. 👀🐸🌿

***

Her krogan of a father used to tell her this before he vanished from her life: don’t look where the sun sets. Look anywhere else. Get your head-start. Gear up while everyone else is blinded.

So Rhanda T’selvi did just that, and went to work that day expecting to be fired.

She got the notice at 4. No surprise there. Najarat Forum was already half empty, most of her turian colleagues long gone by then. She dragged herself off the security desk on an empty stomach and punched the elevator to the last level of the egg-shaped, crisscrossed tenement —her back pointedly turned to the city view. She was tugging at the trigger of the assault rifle strapped to her shoulder, out of habit, when the Virtual Intelligence chimed: floor thirty-seven, directorial center. Rhanda extracted herself from the glass box and took her plated boots towards the empty atrium. At first, she was polite and waited for movement: a secretary, a greeting, another soul waiting for dismissal as well. Anyone. Something. Nobody came. She invited herself deeper in.

[intercomkris]

JACKUCHO FURUYA : ❛ but you said I could call you anytime after 3pm. . . did you change your mind already ?! ❜

Jackucho's infatuation with Kazuo knows no bounds, and her feelings for him are nothing short of all-consuming. She sees him as the embodiment of perfection, the "picture-perfect jock" that she can't help but admire. To her, Kazuo is the apex of everything she desires in a partner, and her relentless pursuit of his attention is fueled by unwavering determination. She views Kazuo's stoic demeanor as a challenge, believing that deep down, he must be hiding a vulnerable side just waiting for someone like her to uncover it. Jackucho's overly peppy and lovestruck nature makes her persistent in her efforts, unable to take no for an answer.

Despite the fact that her fixation on Kazuo may come across as overwhelming to others, she genuinely believes that she is meant to be with him. She sees their interactions as fate, and while she is often oblivious to the discomfort she may cause him, she remains steadfast in her pursuit, convinced that she alone can unlock the layers of complexity within him. To Jackucho, Kazuo is the personification of her dreams, and she's willing to go to great lengths to ensure that he can't escape her affection.

In the haunting and nostalgic world of "The bay has eyes," Jackucho embodies the archetype of "the peppy cheerleader who everyone hates." With her signature enthusiasm, she's a character that stands out in the 80s and 90s slasher theme of the story. Jackucho's journey in the narrative is a rollercoaster, as her peppy and lovestruck nature makes her both endearing and exasperating. She's not the first to meet her fate at the hands of the terror lurking in the bay, but her survival isn't guaranteed either, considering her innocence and naivety. She displays potential final girl material, as she may evolve and demonstrate resilience as the story unfolds.

Jackucho could be seen as a potential scream queen, her tendency to express her emotions dramatically fitting into the slasher genre's traditions. She starts off without a traditional weapon but may use everyday objects as improvised weapons during her desperate attempts to survive. Her stats reflect her personality, with above-average agility and speed but lower strength and awareness scores, representing her capacity to flee from danger but her vulnerability when confronted. Jackucho is more of a red herring than oblivious, as the relentless pursuit of her crush and the drama it creates might distract both the audience and the other characters from the true nature of the threat in the bay. She runs with impressive speed in pursuit, driven by her determination and survival instincts, even if her odds remain uncertain.

[chizucore]

the KNT subreddit is an evil evil place this one poor person made a post like "what if ayane was gay?? i'm halfway through season 3 and thinking it" and everyone is downvoting them and shutting them down and the like 2 people who agreed are getting downvoted too...girl get on over to tumblr we've been saying this here for years!! these boring boring miserable homophobic unimaginative people don't get you but the real KNTheads do

[agirlinthegalaxy]

Something I see frequently is fans wanting characters like Elle Greenaway or Nathan Harris to return as unsubs in Criminal Minds, which. I'll be completely honest, I hate the idea for a lot of the suggested characters because it feels so undeniably tragic and hopeless that someone will inevitably become a killer, even if they don't want to become one. Yes, a lot of the unsubs have some kind of tragic backstory, but the thing is that they're still awful people (excluding very very few). I feel like having previous characters return as the unsub paints this picture that you're unable to break the cycle of violence or that you're destined to become a monster, which is just such a honestly tragic message, especially for a show that's already pretty dark.

I'm not opposed to characters reappearing, but I'd much prefer that if those characters appeared again that it'd be in the vein of them having undergone some kind of healing and growth and be able to find themselves some kind of peace and satisfaction in where they are in life. Let them reappear, but don't transform them into monsters but a symbol of the healing and growth available to survivors and the other characters.

[quietlyblooms]

i've talked about this previously on my multi, but chiyo has such a terrible time telling her loved ones no. she really wants to make them happy. there's also a fear that she can't be liked if she isn't always willing to go with the flow, particularly in her adulthood bc as a teen, she often flaked out or turned down opportunities to hang out. she never wants to cause trouble, disappoint someone. if she considers someone a friend, then chiyo will bend over backwards for them, and most of the time, she's happy to do it. she just tends to put her feelings last, which :' )) y'know :' )) is a problem :' ))

like i said, chiyo goes from one extreme to the next -- either guarding her heart and hanging back or trying so hard that her hands tremble, heart exposed if you're paying attention. once chiyo starts trying for you, she's a goner tbh.

[spooky-scary-hedgies]

A new character approaches: Lovesick!

Lovesick is one of my favorite characters that I've made. She is extremely dynamic and complex and is very important to Ani's story. The basics is that she's like Amy Rose but cranked up to 11. Absolutely head-over-heels for Ani, to the point of obsession. Stalking, assaulting, and while she seems utterly in love, she doesn't care at all about how he feels. She just wants him...at least that's how it seems on the surface. As it turns out, Lovesick is actually another soul trapped in the game. However, instead of becoming a victim, The Spirit made her into another tool to torture Ani, and boy, did she work. Lovesick never had any actual control over herself. She was essentially unconscious. But when she finally breaks through The Spirit's influence and becomes aware, she's horrified. Both of the world and body she's in. There's only one thing she does remember: Ani. This is where it gets fun, but I'll explain that later. Just know that these two go on a R I D E.

[filthywoolarc]

hello~

[star-shard]

when its DC comics so u have to read through 10 issues of a story full of call backs to other comics it assumed you know the context of and side characters with heavy lore that's not explained but you charge on through because there are 5 panels somewhere down the line of the only two characters you care about having a brief interaction :')