#this is probably exactly what the first paragraphs will be like!!

[rawliverandcigarettes]

WIP Meme

I was tagged by @illusivesoul, thank you so much (and I'm sorry about your previous tags, they just fell down the depths of my mentions and I forgot them forever ;; )

Tagging... @crapeaucrapeau, @bloobluebloo, and I genuinely do not know who want to be tagged in things like these so I won't bother anyone, but feel free to join up (or don't if you don't feel like doing it of course!)

But!! What a great excuse to share with you all... the very first paragraph of The Empire of Preys. 👀🐸🌿

***

Her krogan of a father used to tell her this before he vanished from her life: don’t look where the sun sets. Look anywhere else. Get your head-start. Gear up while everyone else is blinded.

So Rhanda T’selvi did just that, and went to work that day expecting to be fired.

She got the notice at 4. No surprise there. Najarat Forum was already half empty, most of her turian colleagues long gone by then. She dragged herself off the security desk on an empty stomach and punched the elevator to the last level of the egg-shaped, crisscrossed tenement —her back pointedly turned to the city view. She was tugging at the trigger of the assault rifle strapped to her shoulder, out of habit, when the Virtual Intelligence chimed: floor thirty-seven, directorial center. Rhanda extracted herself from the glass box and took her plated boots towards the empty atrium. At first, she was polite and waited for movement: a secretary, a greeting, another soul waiting for dismissal as well. Anyone. Something. Nobody came. She invited herself deeper in.

[prael]

Integrity

Newjeans Hanni x male reader smut

Happy Hanni Day!

Masterlist word count: 6,048 Kofi(donations/commissions)

It's a really long way to travel, and doubly so when you get fuck all from it. It's not like you were after anything ground-breaking—it's just a fashion show, after all.

It's about as close as you get to 'phoning it in' as a journalist. A few copy-and-paste interviews to accompany some snapshots of the season's latest designs. A couple hundred words, cut and run. Who wore what dress and who wore it the tightest. You could probably type most of it out on the plane without ever leaving your seat, and the public will still eat it up.

Somewhere over Austria, you mulled over that very fact.

Four days later, somewhere over Hungary, you're scrambling to do exactly that.

The whole thing is going fine. Fine, right up until it isn't. Maybe it's the sound of your fingers on the keys or the pocket of air that rocked the plane in that familiar gut-wrenching way, but her eyes are opening slowly. She's mouthing something, her fingers reaching around behind her, under the thin layer of blankets she is enveloped in.

"Are we there yet?" she murmurs, fishing her phone out of her blanket, sleepiness and all.

"Not even close," you say as flatly as you can, returning to a few words you'd been rolling over in your head for the better part of thirty minutes.

"What are you writing about?" She asks from down on her fully reclined seat that's moonlighting as a bed.

"You," you say with a small laugh, not looking away from your laptop.

"What about me?" Hanni's phone lights up, cutting through the darkness and finally making her face visible. The cabin is in full black-out since it's the middle of the night, and the dividers in first-class keep the two of you isolated.

"Your clothes, mostly. Generic fashion show stuff. Doesn't really matter. I put the names Gucci and Hanni Pham in an article and it sells itself. Instant clicks. S'like... two baits for one fish."

"You say that like it's a bad thing."

"Probably is," you reply, knowing full well that there's little to be proud of in here. It's all surface level after all, since adding the things you know now might raise a few eyebrows. All the investigative journalism you've done over the past few days isn't exactly something you can write about. Though you can't deny it, an article about the beauty mark right below her waistline would probably send the masses into a frenzy.

You can hear her tapping on her screen a few more times, and with the silence in the first-class cabin at night, you find yourself focusing on those sounds more than your writing. Tap. Tap. Tap. Pause. Sigh. Tap. Tap.

"What is it?"

"Can't sleep," comes her whispered reply as she pushes herself up with that strange grunt you often hear her make, propping her pillow against the bulkhead and stretching out.

"Drugs not working?"

She shakes her head. "Not doing much."

"If my typing is too loud I can stop—"

"No, you focus. I'll find something to keep myself distracted." She locks her phone again and disappears into the darkness again, her soft breathing almost inaudible. Minutes go by. You manage a full two paragraphs before hearing her moving in the darkness again.

"Hanni?"

"Shh."

The slow shifting goes on for another few seconds, and in the darkness, you can make out the movement of her blanket as she slides off the chair down to your feet. What hits you next is her fingers reaching into your waistband.

"Hann—"

"Quiet," she whispers back. You quickly pick up the laptop from resting on your lap before her attempts to undress you can send it crashing to the floor. You're quick to place it on her seat and close its cover, out of her reach just in time before she slides your pants down.

She doesn't say anything, just lets you lay there in silence as her fingers guide you into her mouth. It is almost unnerving how used to it you have become in such a short time—how easy it has become for you, a supposed professional, to mix business and pleasure to this degree.

Hanni goes on unperturbed, wetting you between plump lips that trail up and down your length.

There is nothing you can do at this point but give in and just throw your head back. You grow harder under her touch and her tongue and judging by the way she grows more aggressive with her movements, Hanni is starting to enjoy herself as well. You can't quite make out her face, but you already know the look she's wearing. Can practically see it in your mind's eye; the look of wide-eyed desire as she takes you further in, lips rounding out over teeth as she welcomes every inch you give her until her cheeks cave in from sucking.

It's fucking burned into your brain. You've seen it so much, among so many other filthy expressions, you aren't sure if you could ever forget it.

Your hand reaches down blindly in the darkness until it finds the back of her head. The mere fact that the both of you are sitting on this plane hundreds of miles above the ground is instantly forgotten, fading out from consciousness and sense as she holds on, massaging your balls with one hand.

You let yourself lay there like this, fingers tangled in her hair, cock buried in her mouth. The thought of pulling her up and reciprocating is never far from your mind, but her grip on your hips is certain. This is all her right now. She's in charge.

She does not lack the pace to prove it.

Her head bobs up and down in the dark, tongue guiding you further in with every motion, lips slipping further down along your shaft, saliva pooling at your base. Her humming is growing—you can't hear it, but you can feel it. It resonates all the way through you, down the aching hardness she keeps stroking with her tongue, and even further to fuel that tension building in your lower stomach.

"Holy fuck," you curse under your breath, voice catching in your throat, lost in the motion of the plane's droning vibrations and her eager motions.

She pops you from her mouth, stroking your cock with a twist of a wrist and something she is doing with her tongue at the tip. As your eyes begin to adjust, you can see that spit has mixed with precum, dribbling down and over the back of her knuckles. It's lewd and over the top and everything that Hanni Pham, an innocent idol, pretends not to be.

"What? You want me to stop?"

"Fuck no," you whisper back, heart pumping in your ears. The feeling of her strokes, suddenly more controlled and tense without the benefit of her mouth is as jarring as it is fleeting.

"Didn't think so." With that, she brings her head back down to take you in her mouth again, hot breaths hitting the spit-slick surface of your dick. It's dirty and clumsy, messy and wet, and each time she swallows you, your entire body shudders with pleasure, coiling every muscle and feeling it climb upward until your stomach goes tight and you find yourself pushing her down, further, faster, until she is sucking what little air she has.

You are wound tight. Agonising, torturous tension pulling ever outward from your centre with each motion she makes. Every twitch of her tongue—fuck, does she work her tongue—spurs some sort of response down to the very tips of your toes.

It's a complete relapse. Back to four days ago, in the back of the car, with nothing but a divider between you and the driver. Cumming inside Hanni's pretty mouth and feeling her swallow every bit, then going on like nothing happened.

-

There's usually not a lot of enthusiasm for an interview. You have spent the whole morning being shrugged off by star after star after star. To them, they're there to look pretty. To show face and represent their brands. Answers are pre-written garbage to be regurgitated over and over like everyone is sharing the same stupid fucking tongue.

Then there's little miss backless-top. Denim jeans and a shirt with frills that barely keeps her modesty. Big, brown eyes and a smile that fills her whole face. Add her vibrance and energy and she really gets your journalistic gears turning. There's something fresh about her. How when you approach her, she engages you in a conversation like you're an actual person and not just some cardboard cut-out of a journalist.

Hanni Pham knows her shit. It's part of the training. She handles media with all the grace of someone born to do it and the energy of someone who loves it. So not only does she give you answers there and then, but when you make the request to sit down with her later and get all you need to do a whole feature on her, she's quickly turning to the powers that be to make it happen.

She should have been a ten-minute addendum. An hourglass figure strutting and posing and laughing her pretty little ass off for cameras for the adoring public. Instead, Hanni fucking Pham, you've got her. For hours.

So you sit down in a quiet little room you managed to reserve with the company card, and she's right across from you, with two glasses of water and a notepad on a table in an otherwise empty room.

"Is this going to be recorded?" She asks first, though looks sceptical and unprepared.

"Normally, yes. But I would prefer us to be a little more comfortable. I'm going to take notes, that's all."

"I like that." She claps, like there's an imaginary audience watching, even if you're the only one there. "So, what are we covering?"

"Everything. To start," you shift a little closer to the table. "Think of this being more about you rather than what you're wearing."

She gives you a little bit of a quizzical look.

"I know. Fashion show. Just, work with me here. The Gucci brand gets the clicks, I want to introduce those clickers to the girl wearing the clothes."

Hanni nods, her eyes light up a little and you can't help but notice how she is really fucking adorable. Up close, she's even prettier. It throws you off for a second as you bring up the notepad. The blank pages stare up at you—mock you. Where do you even begin?

"We met briefly earlier, and you're standing alongside stars from many industries and the lead designer at Gucci."

"Yes," she smiles politely. "That was exciting. Kind of surreal, really."

"So what does it take to be who you are? A girl of Vietnamese blood, born in Melbourne, working in South Korea and travelling to Europe for fashion shows?"

"Uhm, like, honestly?" She shifts in her seat. "Really a lot of hard work. Endless and stressful and never-ending hard work. You know? From singing and dancing, to the language lessons and the dieting and working out. It needs hard work and, well, a lot of luck too."

"You make your own luck." You nod, before jotting down into your notepad.

She tilts her head in response. "I suppose so. That's very quotable if you want. I made my own luck by working hard."

"And yet you're still young, what, turning twenty?"

"Just." Hanni nods.

"Barely twenty and making waves. Do you still feel like you have so much more to give?"

"Oh fuck yeah," she quickly confirms. "Wait, don't write that down."

"Oh... fuck... yeah." You sound out the words as you pretend to write them in the notepad.

"Hey!" Hanni laughs, and it's beautiful. It fills the room and just makes her glow with warmth. "Cut me some slack."

"Alright. Alright. So is this what you envisioned? Being twenty and being here?"

"You mean in this room with you?"

You laugh too. The jokes come so naturally to her.

"I'm happy where I am, it really was always my dream."

"To be in this room with me?"

"Fuck you," she laughs. "But, in a way, yes. I wouldn't be here if I didn't achieve my dream, would I?"

"That's very true. Then what is next for you?"

"There's no end goal." Hanni tilts her head. You follow her hand as it passes through her hair. She's studying you just like you are studying her. "I don't think I'll ever sit back and say 'that's enough.' That's not who I am."

"Ambitious. The question now is what are you chasing?"

"Is that you asking or the article?"

"Both," you say with a wry smile.

"For the article: I want to tour the world, keep improving and working hard. Release more music."

You scribble down a few notes and then click the top of the pen. "And off the record?"

"To spend a little more time focusing on myself. Time is fleeting. I should try and enjoy it while it lasts."

"You're young, pretty and successful. You have plenty of opportunity to do just that."

"Is that flirting?" she jokes, cocking her brow with a seductive smile.

"I'm just stating facts. I'm married to the truth." You gesture to your notepad. "So let's get back on the record, shall we?"

-

One delayed layover later and you're back in the air, and after your brief break to let Hanni drain you into her throat, you managed to get back to finishing up the article, so for the final stretch, the two of you are lying together in one of the first-class beds, and the conversation kept going.

"How are you single?" she's asking, while you're spooning her.

"Mostly because of my job. Definitely the baggage and constant travelling. Takes a special woman to not hate this."

"Sounds like idol life. I know so many idols who try to date but you just never have the time to see each other. We tour constantly and are always on the road. A long day of practising and comeback planning and comeback filming and comeback rehearsing, and more hours of sleep and eating to prep for the next comeback, you're always too exhausted."

"Such a shame." You lower the blanket that's covering her bare chest. Her breasts fill your palm as you caress them, gently. "A pretty thing like you deserves so much better than empty hotel rooms."

"Flirt," she playfully chastises, pressing her ass to your crotch before sliding forward to give you some friction, grinning at you over her shoulder. "These past few days, all the sex, I'd be lying if I said I couldn't get used to this."

It's a sentiment so heavily shared, that even now you're thinking about how easy it would be to pin her onto her back and mount her. It isn't easy to shake the thought when her body is practically inviting you inside her.

You're asking instead, still exploring her naked form, "How do you overcome the needs?"

"Other ways..." Hanni replies through closed eyes, her cheeks blushing. "Toys. Helps and hurts. They're no real substitute."

You run your hand over her toned stomach, heading between her thighs and gently prying them open. And there she is. Right fucking there, wet and waiting for you. Your finger glides over her lips and runs the full length of her, and she strains to contain a gentle moan. The problem is, Hanni is really fucking loud, and the walls of this pod are paper thin.

"I want you again," she whispers, and it's a real fucking dilemma.

She guides your cock through the folds of her pussy and leans back her head as she takes it. Fuck, it feels so good being back inside her. Wet and tight and made to grip. A small whimper escapes her when you are in deep, which she tries to swallow.

"You gotta be quiet," you tell her, while all but refusing to move inside her.

"I can be quiet," she grinds against you, but you're not convinced, and with a firm grasp of her jaw, you pull her closer.

"Can you?" you speak under her ear. "Can the oh-so-talented Hanni Pham control herself?"

She lets out another trembling little sound of pleasure while pushing herself onto your shaft. "I think so. All I know is you need to—yeah, right there. Yes." She closes her eyes and tries to stifle that deep groan of enjoyment.

You hush her before it gets too loud with a hand over her mouth. Tentatively, you begin moving, an aching slow journey backward and forward. As tight as her cunt is around your dick, the movement becomes easy. Dragging more pleasure from both of you and as she rolls her hips again, grinding against the motion, the whimpering returns.

"Hanni," you scold gently, pushing further into her with each stroke. "Shhh."

She mouths an 'I can't' into your hand which elicits a laugh from you and turns a smirk into a smile. You're rutting against her ass, savouring the feeling of your hips hitting her soft flesh. Ample curves along with a narrow waist begging you to embrace her. A pretty little thing taking all your cock and urging you on. It's hard not to go harder. "Need you."

"Careful what you wish for," you whisper as she tries to lean back her head in bliss.

Her tongue brushes your knuckles, and the soft sweep feels like a warm, wet invitation to probe further. A few seconds of uncertainty follows, and then her mouth closes around the tips of your fingers and starts to suck. Sharing the same excitement that has gotten the better of you the past few days of endless debauchery.

You sink your fingers deeper. She sucks harder, her moans stifled behind her pursed lips. Anywhere but here and you would throw her face down on the mattress, fuck her into a state of bliss. Make her beg for you and claw the bedsheets. Such an innocent girl, a girl who should have stayed wrapped in silk and lace, but who demands you take her, just a moment longer, just a bit rougher, and how can you refuse a beauty like that?

Just as Hanni settles and relaxes, her body is dragged into tense peaks of delight. Tiny gasps leak from around your fingers as you thrust deeper. She chokes as she orgasms, digging her nails into the arm that is holding her close, her face going bright pink. Sweat on her temples, on her chest. An earthly aroma of wet skin and hot breaths. She swears and curses the pleasure as you pump your orgasm between her thighs.

You fill her. For a while, you are one, grinding together in mutual fulfilment, breathing heavily and lost in your actions. The mess you're making runs from her sweet cunt, down her thigh, onto the bed.

The rush leaves the both of you exhausted. Hanni does nothing to resist you pulling out and emptying the last few drops over her ass. It is all over as quick as it began. It comes with a strange realisation of how natural it all feels to cum inside Hanni Pham.

-

It's not often that someone you interview not only takes your card, but doesn't immediately throw it away, and actually uses the number on there. You're in the back of a cab when it rings. Today's show has just about finished and while you didn't quite manage to snag another interview like the one you did with Hanni, it has been a good day.

"Did you get enough to write about?" is the first question she asks when you answer.

"I got a few bits here and there. Some surface-level stuff from others, but you gave me the marquee piece. I'll fluff up what I have with the spec sheets released and I'm sure it'll be a nice little exclusive."

"That makes me sound important," she giggles.

"You're a fucking celebrity, of course you are important."

"No need to swear."

"Apologies." There's a momentary pause. You let it linger on the call and soon enough, Hanni's laugh fills the silence.

"I'm kidding. Keep up that energy,"

"So, why are you calling? Usually, when I get a call it's to recant some statement or explain a misquote. Did I make a mess of something?"

"Well, not yet. But I have some ideas."

"Ideas?" You repeat, brows raising.

"Where are you now?" she asks, and for a moment you wonder if you shouldn't be answering.

"Taxi. Headed back to the place I'm staying."

"Where are you staying?" It's a strange question for her to ask, you think. Or maybe, it's not strange at all, but timing and circumstance have you considering the way it sounds.

"A hotel."

"Look to your right," she says, making a confusing request, but you look. Of course, you do. Outside the window, in the next lane over, stuck in the very same traffic as you are, is a familiar face. She gives you the widest grin, pressing the phone to her ear.

"Are you following me?" you joke.

"Do you want me to?" There's something playful in her voice, an attempt at seduction that's not exactly subtle.

"Hanni, what are—"

"Just answer the question," she interrupts.

And that's it. There's no reason to evade the truth. Lying to yourself gets no one anywhere. "Yeah. Yeah, I do."

"Good," she murmurs, "you know, I'm still wearing the same outfit as I was at the event. These jeans are getting really uncomfortable." She pulls the phone away from her ear for a second and you hear her call out, "Driver? See that taxi on our left? Follow it, please. And can I get some privacy back here?"

There are some distant sounds from the other side of the phone. An affirmation of orders. Then her voice is right back with you.

"As I was saying, these jeans are really uncomfortable."

"Fashion can hurt," you say flatly.

"You're supposed to tell me to take them off or something. You're not very good at this are you?"

"I didn't realise 'this' is what we were doing." You've developed a stupid fucking smile, even if it's going unseen.

"Hmm, it can be." There is a moment of quiet as if she's thinking. "Hold on a second," Hanni says. There are some vague sounds you can't make out before she comes back to the phone. "Got bored of waiting. Now, keep talking will you? I like the sound of your voice."

"Hanni, what—"

"Just keep talking. Tell me what you think of me." She can't see it, but the look of confusion must be shining bright on your face. At a loss, and under duress, you speak your mind.

"Well, you seem nice." It's a weak first effort. "Very funny, a little confident. You must know you're pretty. Young, but driven." The words you mumble are stilted, but telling the truth.

"Really. You think I'm pretty?"

"Yeah."

"Not sexy?"

"Hanni, you're fucking sexy."

"Thanks," her laugh is like bells, ringing through the car. "That's better. What did you think of my outfit?"

"Daring. Not often do I see an idol go completely backless. Risky."

"Sometimes a risk is worth taking."

"Seems so."

"Tell me more. Tell me what was the part you liked the most?" Her voice drops from that relaxed confidence to a pitch that has your head buzzing with possibility.

"Nice waist. Really looked good with the way those jeans hugged your hips."

There's a long, heavy breath from the other end of the line. Something rustling and then a deep gasp from Hanni.

"What's happening?"

"Nothing. Keep talking. Describe me to me." Her voice is fraught with need, a small tremble in each word.

"Okay." That was permission, or demand, whichever is. You swallow before continuing. "Backless was a good choice. Your bare skin looks great. I'm sure those pictures are going viral already. Betting they are all over the web, all over people's phones."

"Are we close to your hotel?" Hanni strains out the question as if it were hard to say, every syllable wrought in pain.

"Close."

"Good, are you excited?"

"To?"

"See more of my bare skin."

Fuck. The image floods your mind like a dam breaking. Suddenly, she's right there, unclothed and naked and spread open. Suddenly, she's right there, moaning in pleasure, your cock lodged deep inside her.

"Yes," you groan into the phone. It's a painful admission. "Really, Hanni. Really fucking excited."

"So tell me, what are you excited to see?"

"Your ass. Love the way you wore the jeans just a little too tight. Really framed it."

She whispers, "That's all? Anything else, anything special you wanted to see?"

"Your breasts. Like what the top does. Would like to pull it down and play with those breasts." This whole thing is obscene. You're shamelessly spilling your desire to a girl you just met and she's loving every second of it.

Another soft gasp is heard on the call. It's more than that, it's her panting, short snatches of breath as her little gasps become regular, heated and urgent. "And then what?"

"That's a surprise. We're here." The cab pulls up and her car pulls in behind you.

"Room number?"

"Oh-one-two-two," you say, handing over cash to pay the driver and stepping out. "See you there."

-

It's deep into the night now, and her back is pressed against the wall as you're kissing down her neck. For a young woman who looks ever so innocent, you're quickly learning the taste of her body could have the alcohol industry aflame. She's intoxicating and you're addicted. Lips sucking, teeth pressing lightly against tender flesh.

She told you to not wear a condom, not this time. She described your first load as a waste, a sinful injustice after all the things she had done to wring it from you. So now you're back inside her, thinking only of how you're going to decorate her this time, about the moment you can't hold back any longer and cum, uninhibited, spewing mess over her delicate, flawless little body.

So you're just fucking nailing Hanni against the wall, her leg pulled up and knee hooking around your elbow. Holding her there, pounding her cunt the best you possibly can. Her hands scratch deep lines into your back, and her fingernails leave dull aches along your spine. There's something primal in the way she's urging you to fuck her harder, stronger, faster. She wants all of you, just like you want all of her.

You lift her other leg and hold her there, folded against the drywall. The steady pounding begins to churn her insides, to break her fragile body to the rhythm. She's mewling a mixture of sounds in your ear. Begging. Incoherent sounds of need. Then you feel her cunt clenching and tightening, a sudden strength to the grip she has on your shaft.

Hanni screams your name, howling it at the ceiling and the walls while you drive her ever deeper through an orgasm that's torn apart her expression. Utter beauty, sheer excellence. Her quivering pleasure comes with warmth between the two of you. She cums so hard that she goes limp in your arms. Your legs really begin to strain as you pump her full of cock, and her lips find yours again.

Your kisses are savage, the gnashing of teeth and the crush of lips. She's asking for more. Demanding more.

So you throw her to the bed, turning her over and she instinctively drags herself to her knees. Her palms run to the edge of the bed, clawing the blankets as you climb behind her.

"Do you like my ass?" She breathes. Your grip finds the firm flesh with purpose.

"Love your ass," you mutter, taking a hold and angling her towards you.

"Then fuck me." Hanni arches deep, pushing her soft ass in the air and pressing her tits against the mattress. She backs right up to you, begging to be fucked, once more.

The penetration is perfect. Balls deep inside this horny little girl, grabbing a fistful of her hair and using it as leverage. It's hard, it's fast, it's a brutal rut. A sweaty, wet fuck driven by nothing but raw need. She's too wet, too accommodating, clapping herself against your pelvis, meeting your every thrust.

It's not the time to think. Simply let instinct take over. Leaning into it and fucking her.

More words spill from her mouth. More dirty, lewd praises that have your balls aching. It won't be long now. Every muscle, straining with effort, pulls taut. It's such a fucking trip. This once innocent-looking person sucking the life right from the core of your being, bending over for you to force a hand along her spine and bend her further.

"Cum on me," she whimpers again and again. Over and over. She's pleading with you. "Please, cum on me. On my back. Cover me."

There's no further thought, no plan, no point of focus. Everything narrows down to the slick friction around your shaft, and your stomach starting to become strained from the endless effort. To how her ass shakes as your fuck yourself to the edge and how she cranes her neck to watch you.

At the very last moment, you draw out of her and jerk yourself, quick and urgent motions of your wrist. Hanni's knees give way and she lies flat, looking back and watching you as you start to cover her.

The first spurts land high, just beneath her hair. They collect and pool before forming and dripping forward along her shoulder blades. The next spreads across her shoulders. A thin coating that has you shiver as it lands. It goes on and on until you're slathering her in thick lines and ropes.

Something about the sight is so fitting, so delectable, as she lays there and writhes with need, adoring the feeling of being bathed in your lust.

Her expression is an aphrodisiac as she cries out in ecstasy. Her tongue runs across her lips, and then she lets out a soft lass before crashing her face into the soft bedsheets with a moan. Your fist is still pumping rope after rope of cum across her until every muscle feels drained, and you manage to collapse beside her on the bed. You trace a finger across her smooth, plump ass as you catch your breath.

"This is the life," Hanni gasps. "If I could just have endless sex, the world would be a far happier place."

-

You could have been forgiven for thinking it would be a one-off. Just one night of wild sex together before going your separate ways and never speaking again. A nice memory of a beautiful girl to always sit fondly at the back of your mind.

But the very next night, you're in her hotel bathroom. Sharing a bath together, her back pressed flush to your front. You can't fucking resist running a hand between her thighs, working gently over her cunt to hear the wonderful noises she makes.

"Please," she whispers over and over, grinding against your touch.

Ordinarily, you might tease her, and have her beg a little more, but there's nothing more enthralling than the sounds and sights of Hanni's face when she cums. So instead, you're knuckle deep with two fingers and curling them into her cunt, hitting that magic spot just a little more, faster and faster.

On the brink of her second orgasm in ten minutes, Hanni draws a noisy, shuddering breath, the exhalation quickly becoming a sharp, high-pitched wail that fills the bathroom, her eyes glaze as she climaxes. "Fuck. I—that's—more." Her head falls backwards and rests on your shoulder, "yeah, more."

Hanni's petite frame writhes in orgasm. Back arched, panting breaths quickly turning to gasps for air. Eyes flutter and roll backwards before shutting entirely. Every muscle in her tight cunt grips your fingers as waves of pleasure pour from deep inside. She grinds on you, riding the sensation of your touch through the spasms until they finally slow.

"You're so fucking cute when you cum," you kiss her cheek.

It's the compliment that has her rising from the water, she stands in front of you, her wet ass and thighs dripping as she turns toward you. "Me? Cute?" She smirks, lowering herself onto your thighs, resting your cock against her pussy. "Am I really?"

"Cutest fucking thing."

She guides your cock to her wet pussy, sinking down and slowly filling herself, the both of you making a whimper at the sensation. She's in no rush, though. She prefers slow, she favours long, lingering motions where you're all the way inside her and stay there for just a few moments before climbing once more.

Her rhythm has you melting back against the bath. Long, even strokes have her ass lifting and sinking, and she rolls her hips so elegantly that it's natural to reach for her waist and run your hands along her curves.

"I hope you don't think I'm easy," Hanni whispers, her fingers grabbing the hair on the back of your head, locking her hot body against yours, keeping you close, wrapping around you. "But I'm twenty and sex-deprived, so deal with it."

"You're allowed to enjoy sex. Nothing wrong with that," you answer through closed eyes, focusing only on the heat, the skin, the feeling of your cock rubbing through her.

With a mischievous chuckle, she rests her weight on you. Chest to chest, nose against nose.

"Careful," she whispers, her voice fluttering in between soft sighs of excitement. "I could get used to having a man around. Someone willing to get me off, over and over again. You might be stuck with me. Wouldn't that be scandalous? A reporter who's secretly fucking a star like me?"

That alluring, seductive voice makes your body tense. Her kiss threatens to undo you right then and there. She's riding you harder now, bouncing her ass in your lap. Driving the pleasure, the friction, harder and deeper.

"I have a confession to make," you speak with heavy breaths, trying to restrain yourself. "I think I could get used to this. Every day. If I could."

"It's a deal then. How about we celebrate by letting you blow a load inside me? Would you like that?" She nibbles at your earlobe, giggling as she sucks it between her lips. "How good would it feel to feel your hot, thick cum slide all the way up inside me?"

"So fucking good."

"And maybe tomorrow I'll keep you inside me and let you fill me all over again, and maybe I'll do the same the day after." There's a devilish smile across her face as she continues, "I'll ride you again and again and again..."

She keeps repeating it, the word stamped into your head over and over and each time she says it, she drives her hips down into you. Hard. The water ripples. Her ass slaps the tops of your thighs. It's a relentless rhythm, an insistent grind, a desperate desire for more.

"You're filthy," you tell her as you take a firm grip on her ass, her flesh filling your grasp and the muscles rippling through her skin as she moves.

"Maybe. Maybe I am, and maybe you like it." She laughs. A sound as sweet as honey.

"You know I do."

"Then show me how much. Fill me. Let it go."

That's all you need, just her words and the way she fucks you. She's the one doing all the work, and it's all the reason you need to relax and let the bliss consume you.

Hanni is kissing you when it hits. She swallows your groans of release, sucking them into her lungs. Her hands press down into your shoulders, nails sinking deep into your skin.

She doesn't stop moving, not once. Keeps grinding. She maintains the pace until you can't take any more. Until there's nothing left. Only then does she ease her motion, settling onto your lap, keeping you deep in her.

"That was amazing," she sighs.

"Fucking was."

[jonnywaistcoat]

Hey, Horrormaster Sims. I have a wildly different question that barely relates to TMA (Sorry about that) but its about your own process. Please, if you could, can you tell me how your first drafts made you feel? I'm on the fence about writing my own thing (not a podcast, and again, not Magnus related, though I have a million little aus for that delightful tragedy you wrote, thank you for that!) But I'm discouraged by the collective notion that first drafts are always terrible, because there's no ... examples I can solidly use to help the dumb anxiety beast in my brain that tells me everyone who is in any way popular popped out a golden turd and not, well, you know. One of my friends said 'Oh I bet Jonathan Sims's first draft was nothing like what he wanted' and I got the bright idea to just. Send you an ask, since you're trapped on this hellsite like I am. Anyway, thanks for reading this (if you do) and if you'd rather ask it privately, I am cool with that. Alternatively, you're a hella busy man with Protocol (you and Alex are making me rabid, i hope you know) and you can just ignore this! Cheers, man, and good words.

To my mind all writing advice, especially stuff that's dispensed as truisms (like "first drafts are always garbage") are only useful inasmuch as such advice prompts you to pay attention to how you write best: what helps your workflow, what inspires you, what keeps you going through the rough bits. There are as many different ways to write (and write well) as there are people who write and so always consider this sort of thing a jumping off point to try out or keep in mind as you gradually figure out your own ways of writing.

On first drafts specifically, I think the wisdom "all first drafts are bad" is a bit of unhelpful oversimplification of the fact that, deadlines notwithstanding, no piece of writing goes out until you decide its ready, so don't get too hung up on your first draft of a thing, because a lot of writers find it much easier to edit a complete work than to try and redraft as they go. It's also important to not let perfectionism or the fact your initial draft isn't coming out exactly how you want stop you from actually finishing the thing, as it's always better to have something decent and done than to have something perfect and abandoned.

But the idea of a "first draft" is also kind of a fluid one. The "first draft" you submit to someone who's commissioned you will probably be one you've already done a bunch of tweaks and edits to, as opposed to the "first draft" you pump out in a frenzy in an over-caffeinated weekend. For my part, my first drafts tend to end up a bit more polished than most, because I'm in the habit of reading my sentences out loud as I write them (a habit picked up from years of audio writing) so I'll often write and re-write a particular sentence or paragraph a few times to get the rhythm right before moving to the next one. This means my first drafts tend to take longer, but are a bit less messy. I'm also a big-time planner and pretty good at sticking to the structures I lay out so, again, tend to front load a lot of stuff so I get a better but slower first draft.

At the end of the day, though, the important thing is to get in your head about it in a good way (How do I write best? what helps me make writing I enjoy and value? What keeps me motivated?) and not in a bad way (What if it's not good enough? What if everyone hates it? What if it doesn't make sense?) so that you actually get it done.

As for how my first drafts made me feel? Terrible, every one of 'em No idea if that's reflective of their quality, though, tbh - I hate reading my own writing until I've had a chance to forget it's mine (I can only ever see the flaws). I suppose there's theoretically a none-zero chance they were pure fragments of True Art and creative perfection, but Alex's editing notes make that seem unlikely.

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[byoldervine]

Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it��s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

[catsukiiee]

# POSITIONS & R&B.

౨ৎ class 1-a & class 1-b boys x masc/fem!reader

[fan favorites only]

wordcount ; 893

paragraphs ; 41

sentences ; 53

songs used ; songs listed by each character.

all of them are their canon ages (24+)

# CLASS 1-A

# TENYA IIDA [ blame by bryson tiller ]

Tenya doesn’t care what position you two start off in, as long as he’s able to get inside you and hear your moans, then he’s sated. Unfortunately, though, our glorious king, Tenya Iida, cannot last long in any position where he can't see your face. That man NEEDS to see your face; he’s absolutely addicted to seeing your every reaction, especially when he goes deep, sound is not enough. He loves having you in the eagle position, don't even try hiding your face in the pillows.

“I wanna see your face, please.”

# DENKI KAMINARI. [ let em' know by bryson tiller ]

Desperate. That’s the only word I have for this motherfucker. Wanna have sex? He’s down. In doggystyle? Even better. Trust he’s losing his mind as soon as he sees you bend over; expect to have your hair pulled and your shoulders marked with bite marks at the end.

“Look at my little masterpieces.”

# EIJIRO KIRISHIMA [ gang over luv by brent faiyaz ]

As gentlemanly as he is, he’s far from a gentleman in the bedroom; in fact, his favorite position is low doggy. Simply because he can push your face into the mattress and go ham. You want to try and crawl away? Nah baby, he’s grabbing BOTH your arms and locking your ass down; you aren’t running until you’re both finished and he’s tired.

“Why are you moving? Cmere baby.”

# RIKIDO SATO [ ballin by partynextdoor ]

Lethal. He’s strong as fuck, so you better expect to have your pussy absolutely obliterated after a couple of deep strokes, but just like Iida, he needs to see your face to cum, and he's not pulling out either. His favorite position to put you in is young stallion.

That's exactly why y'all have five kids.

“A few more won’t hurt, baby.”

# HANTA SERO [ things & such b partynextdoor ]

THIS MOTHERFUCKER RIGHT HERE IS CRAZY.

The moment you mention wanting to have sex, you don’t even need to move to the bedroom, he loves fucking your brains out on the couch anyway, locking one of your legs over his shoulder while his hands hold your other leg down to keep your legs open so he can watch himself going in and out, your hands WILL BE TIED. Sero is obsessed with watching your breasts bounce to, it drives him insane and makes him finish in a matter of minutes, and he’s not stopping even after cumming first.

The messier the better.

“Look at you sucking me in, goddamn.”

# SHOTO TODOROKI [ jaded by drake ]

Probably the calmest man you know outside the bedroom, but when you’re both in the mood? Your back will be hurting. He loves seeing your back arched; if he goes too deep and you ruin the arch, he’s pushing you right back down immediately.

“What did I say? Lower it back down.”

# IZUKU MIDORIYA [ can i by drake ]

A whole power bottom, he loves having you on top of him, guiding your hips while you ride him. When he's feeling a little adventurous, he likes to grab your throat, forcing your eyes to stay on his as he starts to fuck up into you. HE'S A WHINER. The closer he gets, the whinier he gets.

“Can I cum in you? Please let me cum in you. I wanna cum in you so bad, please. Fuck, I'm cumming."

# KATSUKI BAKUGOU [ altitude by monetell fish ]

As soon as the “Wanna have sex” comes out of your mouth, it’s over for you; it doesn’t matter if y’all are in the living room, bathroom, kitchen, or out in PUBLIC. Trust, he’s going to find a way to have your ass folded and panting. He likes folding you into a pretzel just as much as he likes having you on your hands and knees.

Wanna try and move his hands? They’re locked behind your back. Start squirming and crawling away? He’s got a solution for that ass.

“Stop fucking squirming and take it.”

# HITOSHI SHINSO [ first fuck by 6lack ft jhene aiko ]

Gentle touches and hard deep strokes.

He’s far more focused on having his hands explore your body while doing it, might accidentally brainwash you when he asks, “Is this okay?” or “Want me to go harder? I can’t understand you baby.” 

He loves positions where he can see your face as well.

# CLASS 1-B

# NEITO MONOMA [ sweat by zayn ]

This bitch cannot accept defeat; all that shit talking about lasting longer only to cum inside you after a couple of pumps, seeing your back glistening and your ass rippling each time his hips snapped against you was enough to send him over after five minutes. Don't worry though, he keeps going until you're finished, and then keeps going... and going just to get the 'last word' in his own way.

“What was that? All I hear are mumbles, tsk tsk, what a shame.”

# TETSUTETSU TETSUTETSU [ feel it by jacquees ]

Oh baby, he LOVES folding your ass as much as he loves your reactions to him going balls deep each time. Pulling your hair, shoving his fingers into your mouth when you got too loud, and pushing your back down into a deeper arch just to hit it deeper when he has you on your hands and knees.

'Overstimulation is key' is his mindset when he's fucking you.

“Yeah baby, keep cumming.”

i think y'all can tell who i listen to a lot and which characters are my favorite by writing this 💀..

I'M SORRY IF THE SONGS DON'T FIT THE CHARACTERS </3 THIS WAS ORIGINALLY GOING TO JUST BE ABOUT SERO BUT THEN I HAD AN IDEA

TEACHERS ARE NEXT!

[prone-to-fleeting-obsessions]

Dating Yandere Aventurine hc's

Obviously tw for toxic relationship dynamic and so on, but it's really mostly fluff tbh

It's not the moment that he lays eyes on you, nor the first time he hears your lovely voice, that sparks his interest

It's later, after a few interactions, that he's left wondering why exactly do your eyes look like that in the sunlight, why can't he help thinking about the last words you said to him, and why on earth does he want to remember how your palms feel against his...

It's annoying, a stupid little weakness that's he's really hoping fizzles out with the rest of his long lost desires

It's even more annoying when it doesn't...

He wants to be around you, to see you happy and content... Wants to be the one that causes that

He tries to appease his little crush in subtle ways

Buying you gifts, taking you out, reluctantly opening up, all hoping for a reaction that would kill that desire, just any emotion that would convince him you weren't the perfect person he's built you up to be

All for not... Every little reaction just grows his want, multiplies his need to have more of you

After fully coming to terms with that, he'll try courting you casually, playing up his charm, his nonchalance

As if his emotionally distant performance can cover the fact that he's only getting more desperate

He's lying to himself, trying to convince his own heart that he doesn't need you

That he doesn't spend every waking second imagining you right beside him, all the pretty expressions you'd make and amusing remarks that'd pull a genuine smile from his lips

It's a coping mechanism, but a poor one in comparison with really have you there

And why can't you be there...?

Texting becomes much more common

Various pictures and paragraphs meticulously detailing where he is and what he's doing, in the hopes that you might choose to show up of your own accord

Silly little good morning or good night texts played off as a joke, as if he isn't anxiously awaiting confirmation that you're still happy and well

He's always been good at reading people, a skill of his trade really, so your emotions are like an open book

Anyone you want him to be, he'll play the part flawlessly

A rich flirty playboy? An impulsive and fearless gambler? Maybe a doting attentive lover? All of those are masks he will happily adorn

You'll know something's up when the gift giving starts to get a little heavy handed

Gorgeous expensive bouquets with his calling card, very pretty jewelry (most of which includes a familiar looking green gemstone), and really a variety of other small gifts that fit in line with interests you told him about in passing

He'll claim complete ignorance to the amount, stating he's only buying what reminds him of you (which is pretty much every little thing he sees—)

And "Oh don't worry, dear friend. Consider it a token of good will! Can't have you forgetting about me.~"

He'll make himself quite a nuisance if you don't eventually give in to his little games

Though his work schedule keeps him from actively stalking you, it's not uncommon for suspicious looking IPC personal to be seen whenever you're out in public

He's just paranoid, really, that's all it is...

He couldn't live with himself if his darling went and got themself hurt

When officially together, you're probably going to spend a lot of time with him...

He'll make his office more accommodating for you! You can decorate your space however you desire, nothing is too good for his love

It generally helps his morale to have you around at work too

He's not nearly as stressed and short tempered with his beautiful perfect love always at arms length, read to be scooped up and showered in affection when he needs a break

"Oh come onnnn... It'd be so boring without you. You wouldn't leave me all alone, right...?" He coos, gently pulling you by your waist closer to him with a needy grin, eyes shining slightly as he tilts his head, pressing a soft little kiss to your wrist before glancing up at your eyes.

It's enough of a difference that the IPC might actually start giving you a paycheck under the title of "emotional support employee" simply to avoid having to deal with him when you're not around

He'll make it up to you by taking you out to fancy lunches, and dinners... and occasional breakfasts—

There's actually a good handful of days that he simply refuses to come in because he woke up with you laying on him and would physically rather die than move

His jealousy issues are a little more pronounced now, too...

He's hates having to get violent, really, but he has absolutely no qualms with calling out and publicly humiliating anybody for staring to long or being passively rude

But if anybody is being outright aggressive towards you, it's a completely different story

Don't they know who you belong to? How easily he could ruin their entire livelihood with a single phone call?

His eyes will narrow, his smile getting a little wider as his grip on you tightens, memorizing the persons face as it drops in realization, oh what a thrill~

He'll be an obsessive possessive mess, but there are worse things than being the sole focus of an attentive and devoted man...

Ignoring how he'd rather suffocate than see you smile so genuinely at anyone else with those perfect lips he just adores, of course

[tobyfier]

The Mailman

Ah yes, the mailman. The new resident in the apartment, the complete opposite of milkman, aka Francis Mosses. How does Francis feel about the new person in the apartment? Will he hate him or not? Continue reading to find out!

;Male Reader

(P.s English is not my first language, feel free to correct my mistakes!This is also written from Francis’ pov)

ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★ ᯓ★

I didn’t exactly know how to feel about the new resident of the apartment, however I did know his name. M/n L/n was it? Yes, I thinks so. He was..energetic to say the least, quite the surprise considering the current situation about doppelgängers. The other residents didn’t seem to mind his personality, in fact they all seem to like him a lot..If I had to be honest I envy him.

I mean who wouldn’t? He’s nice,energetic,approachable,and pretty charming. Not to mention he seems to enjoy his job as a mailman, while I’m stuck here being the boring milkman. Nobody really approaches me, saying I look intimidating and not much of a social guy..rude but technically yeah, I could care less about socializing and I only want to finish my job for the day so that I could go home, I never really had much of an interest for romance or socializing with other people. But he seems to be the complete opposite, whenever we was by each other he would always flash me a smile and greet me. I never really say hi back but he doesn’t seem to mind that at all. And whenever he delivers a message or package he would always make small talks with the person, whether it be how their day was or how the weather looks nice. Sometimes I wonder how someone can be so sociable with others.

One time he started talking to me ranting something about space and how he likes stars, he wouldn’t stop ranting. And so I told him to stop talking and left..the next day I was doing my usual job as a milkman, delivering milk to people who ordered when I saw him going house to house delivering a mail or a package. And when we went pass each other, I expected him to ignore me considering I rudely left him on the street yesterday. But he greeted me morning as usual..he’s such a strange and unpredictable man.

Few weeks later..

“Hm..” I hummed as I press the doorbell of the house, I put the bottle of milk down and continued walking to the next house. I could already hear the person talk about how much of a loner I am, just like the other houses..ugh I just want this deliveries to get done fast so I can go home and lay down on my bed..Ah there he is again with his upbeat personality, as usual. How can someone talk so much, if I ever tried that I would be tired before I can even manage to say a paragraph. What if I try to greet him back this time, would be nice if I change my pace a bit, right?

“Morning Mr. Mosses, nice to see you again once more!” He greeted, tipping his hat down as he flash me a smile.

“Morning to you too, L/n.” I greeted walking past him, I could tell he stopped walking for a few seconds because I didn’t hear his footsteps, I walked pass him so many times to the point I could distinguish his footsteps from others..would that be weird for others? I looked back to see that he wasn’t walking anymore, rather skipping like a happy person..cute..

Timeskip

Ugh finally, this day is finally over. I could go back home and rest..once the metal door opened I went inside and gave the doorman my ID and blah blah blah, the usual routine. After checking that I was the actual person, they finally opened the door to let me in the apartment. I walked up the stairs to the third floor which was tiring to say the least, and went to get my keys in my pocket. Once I got it I led the key to the knob but noticed something, the door that led to M/n’s room wasn’t lit up as usual. Usually he opens the lights after he’s back from his job, perhaps he’s later than usual? I sighed, it’s probably nothing I’m probably-

“Oh Mr. Mosses!” He greeted, I turned my head to see him standing beside me except..he doesn’t have his hat on, is this the first time I’ve seen him without it? “Looks like you got here first!”

“What do you mean?” I asked him, a bit confused

“Oh it’s nothing..” he said quickly “and uh-here!” He handed me a letter but it’s not showing the front, hold on a letter for me?

“Oh thank-“ before I could even thank him, he was already closing the door, he seems to be in a hurry. I checked the letter to see who it was from and saw that there was a heart, a love letter? But from who.. “From M/n L/n; to Francis Mosses..” I muttered.

Maybe he’s not as bad as I thought..

[a-dauntless-daffodil]

How to react to you longtime girlfriend regaining her angelic wings: a guide by Charlie Morningstar, proud girlfriend of said girlfriend.

Things you SHOULD do with her new wings!

Notice them! (this is easy bc they are BIG and BEAUTIFUL with the soft grey faded colors of an overcast sky right before it rains and gives you an excuse to stay indoors snuggled in soft blankets drinking hot coco together back when everything was simpler and safe which is exactly what getting folded up in them will feel like later and- what? oh right! The list thing, um-)

Complement your girlfriend's wings! Maybe don't overwhelm her with a whole paragraph just yet though. Saying "They look nice!" works perfectly good. (waxing poetic can wait until Alone Time)

GENTLY touch the wings. But not too gently!!! Maybe hold the upper joint place, like a little handshake hello. (the feathers are attached to very VERY sensitive bundles of nerves for feeling out air pressure and drafts and stuff, Vaggie says, but they are TOTALLY NOT TICKLISH supposedly and the reason you shouldn't run your hands across them all nilly-willy whenever you get caught up in how pretty and soft they are is it messes them up and means they need preening again to make flying work right, and THAT'S why she jumps and squeaks about it. She likes keeping things tidy! That's all! No other reason. Noooope)

Things you should NOT do with her new wings!!!!!

Blow a giant raspberry right between them, where the feathers get all small and super extra downy soft, just to see what will happen.

Do the above in the middle of maybe KINDA making out....?

Tell absolutely everyone in the hotel about it directly afterwards.

Thing you WILL end up doing if you complete the above list

Spend the night on the bedroom couch: because you keep remembering the noise she made during the raspberry blowing incident, and giggling yourself and her awake about it.

Wake up in bed anyway: snuggled in your girlfriend's arms the same way you do any time you fall asleep in the wrong place and she has to come find you and carry you back with her so SHE can get some sleep too- only this time she also has WINGS!!! And her wings tuck around you so warm and strong, you'd swear you've felt this every time waking up with her before- only now the feeling is all around you, instead of just wrapped around your heart <3

You're still sleeping on the couch tomorrow though: At LEAST for the first part of the night. Or however long it takes before you stop giggling over hearing your totally an angel very serious former solider and absolutely Not a BIRD girlfriend Squawk.

Things to KEEP doing now your girlfriend has wings again!

Try better next time with the rule following??

Hope you're doing okay so far????

Help her with the preening!!

Stop giggling. Somehow.

Staring at them and spacing out is also okay as long as you say you're "acclimating" yourself to the "sudden change in a core aspect" of your life when someone catches you at it. They won't believe you- But! They'll probably just roll their eyes and let you get back to the staring. Acclimating. Whatever!

Anyway, good luck to whoever needs this! Hope this helps things go smoothly for you, Cherri Bomb!!

Also- Angel Dust, if you've read this far, then PLEASE don't tell Husk. Me and Vaggie PROMISED him not to give you ideas, and we don't wanna get banned from the bar again :(

Sincerely, Charlie Morningstar, princess of Hell, Vaggie's girlfriend (!!!)

Note from Vaggie: You're doing great sweetie. And you're lucky you're cute when you laugh, even in your sleep. P.S. There's no 'supposedly' about it, my wings are NOT ticklshkSkk .... P.P.S. from Charlie: are you suuuure? <3 <3 <3

[asleepygremlin]

Pokémon scarlet and violet and its theme of isolation and overcoming that feeling

So I don’t know if people have pointed this out or not but I noticed with the main characters of Pokemon sv, they suffer from some type of isolation. This will only focus on the main characters which are Arven, Nemona, Penny, Kieran, and Carmine. This will discuss events of scarlet and violet and its dlc so spoilers will be in this post. I apologize ahead of time for my poor wording as I’m not good at putting my thoughts into words. (I also apologize if this theme was obvious and I just sound like an idiot for noticing it now)

Tl;dr the main characters suffer from some kind of isolation whether it’s visible or hidden

The most obvious one to notice in my opinion is Arven, first I’d argue he suffers from physical isolation as growing up, sometimes the one parent he has isn’t even home most of the time and at the very least had mabosstif. He has no parents in his life and the one that partially is, is now dead. Next from the way Arven latches onto the player later on especially when seeing how he acts in mochi mayhem and how he seems kind of jealous of the players new found friendship with Kieran. This to me also shows he doesn’t have any friends either (I believe he even says mabosstif is his only friend which is kinda sad). So in short Arven has no support figures besides mabosstif, but he doesn’t truly have any human connections. That is until he makes friends with the player, Nemona, and penny

Penny is the second one that I noticed, like Arven, she also suffers from physical isolation by locking herself in her room. She’s suffered from bullying which would obviously lead to isolation and has probably caused her to close herself off from everything, but at least she has her friends at team star right? Although she does, when she first was friends with them, her identity was anonymous. She knows and connects with team star but they will never truly know and connect with her until later events which finally allow her to bridge the gap.

For the next one, I’m going to skip Nemona for last and put the kitakami siblings into this one section (also this one relies the most on speculation since we don’t know exactly what their experiences were). Unlike Arven and Penny, both of them don’t suffer from physical isolation but mentally. Carmine and Kieran have both grew up in a remote village for most of their life until attending blueberry academy. The isolation they must have felt must have been staggering. Although from the sounds of it they eventually were able to find solid ground via the league club. Now with Carmine and her prickly attitude, that might have caused her to push others away and keep to herself at times (I admit I’m speculating, I wish the dlc was longer DX). As for Kiki, I admit it’s a lot more easier for me to speculate because I relate to him more I feel you get more insight into his character compared to Carmine sorry Carmine. He is a lot more introverted and shy compared to his sister and I bet his love for the ogre led him to being a bit of a social outcast and moving to blueberry academy most likely didn’t help with him, even just feeling like he was, an outcast, plus his already bad self worth. When he meets the player, he is still very shy but seems ecstatic to finally having a friend to talk to… until you have to lie to him. I could go on an essays worth on how Kieran’s self worth and paranoia caused him to quickly think he’s being betrayed and see himself as unworthy of the player’s friendship but that’s another story and this paragraph is already getting long enough already. By losing his friendship with the player, he further isolated himself from others and it’s even worse in the indigo disk. He now isolates himself by being a ruthless champion with everyone afraid to confront him. Now he’s not alone from being a shy outcast but instead from being champion and hiding his already fragile heart with thorns. Ignore the poeticism of that last line lmao and yep this section with Kieran is of course the longest. however while both were able to find some solace in the league club, I’d argue they were able to truly open with the help of the player especially Kieran who learned to accept himself as he is.

Now finally Nemona and one I find the most fascinating because she isn’t as visibly isolated as the others and admittedly is the reason I wanted to write this. First I’d like to point out something I think people forget often, just because people seem to have a great social life and friends doesn’t mean they don’t feel lonely. Nemona is champion rank, student council president, and is overall a star student. However because she’s at the top, some people are intimidated by her and in one area convo she mentioned how someone refused to battle her because she’s a champion and battle wiz that would wreck him. Then in another area convo, she laments over people thinking that battling is natural to her and ignoring the genuine hard work that she puts into her skills. And in her final convo in her dorm room, for this I’ll just copy and paste the quote from bulbapedia and let it speak for itself.

"People would tell me to my face that I'd only managed it 'cause I have some innate gift, or 'cause I was raised differently, or whatever. And suddenly I started to feel like there was this invisible wall between me and everyone else."

(Also I was also going to add more info from the scarlet and violet novel “after the rain with you” but it hasn’t been officially translated and the only translation I found was via google translate so I decided to take it with a grain of salt and not and any info despite it having the most insight on Nemona’s character imo, if you want to take a look here’s the link)

Despite being the at the top being up there can get pretty lonely… until she met the player and had someone standing right beside her.

Anyways if you’ve read this far then thanks. This was longer than I thought it would be as I mainly typed this in one go only taking a break to do more research for Nemona’s section so sorry again if it seemed kinda rambling at times.

[barblaz-arts]

Stephanie Beatrice had played my 3 favorite characters (Rosa Mirabel and Vaggie) and since I watched Encanto and B99 I have my head canon that Vaggie have both Rosa and Mirabel personalities.

Any way, I just want to know what is your head canon or theory about her? ( specifically about Lute calling her weak and why the other exorcist hate her)

Since she is your girl, I would love to read your essay about her.(I’m joking you don’t have to write that much I just like to read your post)

Thank you

"My girl"... Am I just "that one artist who's the biggest Vaggie stan" to you guys? (I won't mind it!)

Oh man! I do have some ideas! A lot of my headcanons were already kinda sorta mentioned in my fic/art tho, so sorry if you're not getting a lot of new info

- I have this headcanon that Vaggie's always been "softer" than the other Exorcists, which is what I assume Lute meant when she said she "always knew [Vaggie] was weak". I know it probably has more to do with how little time each episode has, but what if Lute was so ready, already behind Vaggie when she let that kid go, because she knew this wasn't the first time Vaggie spared a sinner? Maybe that was just the first time Lute actually caught her. Maybe she's always had her suspicions, when Vaggie's kill count would lower every year, and she'd sometimes find Vaggie saying a sinner got away somehow despite cornering that demon moments ago.

- although she's gotten used enough to her lack of depth perception when it comes to her hand eye coordination, especially when fighting, i like to think her reading ability could never truly go back to the way it used to be, so she has trouble reading/ writing/texting (if you notice, i always showed instances of this in my fic ;> )But because she's the hotel manager she still has to deal with them because of paperwork and shit, so she has prescription glasses that help. I'd wanted to include a scene in the First Guest where Vaggie almost cries after seeing Charlie thru the glasses for the first time, because she didn't think Charlie could be any more beautiful, but i scrapped the idea because I couldn't expand the concept enough to an actual scene that could be relevant to the overall fic. I probably should have just mentioned it in a paragraph or something, but by the time i remembered id already posted the chapter I intended to add it in. Maybe I'll use it for another fic.

- she prefers femme clothing so she doesn't really have a reason to do this, but she learned how to do all kinds of ties so that she could do Charlie's whenever

- she grew her hair to compensate for her lost wings

- she wasn't exactly a great cook before she Fell, but she was pretty capable when she lived alone in Heaven. Cooking for Charlie tho gave her the motivation to get better and actually enjoy it

- an angel trait that she could never truly abandon is being a stickler for rules. She's very strict on everyone and herself with these things, within reason. So even when she and Charlie started dating, she insisted that they can't sleep together until they've had their third date. When they're on the clock, they have to be professional and avoid flirtatious advances in front of staff and guests. Charlie didn't mind because she prefers privacy too.

- Vaggie's physical appearance slightly changed gradually the longer she stayed in hell. As an angel, her sclera was paler, her incisors duller, and her skin grayer. But as time passed, her sclera got more and more peach/pink, fangs sharper, and skin more purple toned

- i still like to think that Vaggie's old backstory back when only the pilot was out (having died in 2014 in her early twenties who worked as a sex worker in El Salvador) was still true. Maybe it's just because I've liked Chaggie since pilot, and I've grown really attached to that backstory. I also just really don't want Vaggie to be Heavenborn for some reason. Among the cast she just seems the most grounded to reality to me, so having her revealed to have never been human and born "divine" just doesn't seem right to me. I also just think it'd be cute and funny if it turns out she's chronologically the youngest in the hotel even tho she's basically everyone's strict not-mom.

- idgaf what Adam says, I wanna think that "Vaggie" is short for "Evangeline". I used to have these 2 coworkers in their late 50's to 60's who had Evangeline as their government name, but one of them goes by "Vanj" and the other "Vajee". Being older Filipino women who aren't really too fluent in English, they never thought there was anything wrong with that when they grew up with their nicknames. I like to think that the case was the same if Vaggie used to be human. I'm not sure how common English is in El Salvador, but I'm willing to bet it's possible she could have been given that nickname as a kid by an older family member who didn't know a lot of English. Also Evangeline makes more sense to have been the name of an angel cmon now...

[ineffable-suffering]

The Jane Austen Ball and why it was never about Nina and Maggie

Otherwise known as (*takes a deep breath*): A completely inflated close-up look at various dialogues and events of Season 2 that prove that the Whickber Street Traders and Shopkeeper's Association Meeting Cotillion Ball was supposed to be Aziraphale's confession to Crowley

Look, the point's been made before but that's never kept me from making it myself again, still. In fact, even I made it before, at the end of one of my other metas. But I feel like it's absolutely worthy enough to get its own soppy, way-too-long post. And I do love it so very much to write ridiculously long essays on something that could easily be condensed into a short paragraph.

So, here we go! Snuggle up, get cozy, settle in and, most importantly:

(Word count: 3.177 | Reading time: ~13 minutes)

As I already said above, I laid out a similar case in my meta about why Aziraphale is somewhat of an unreliable narrator. I'll try and recycle it here briefly, so I can further make my point.

When Aziraphale arrives back in London from his Edinburgh journey, he seems oddly happy and giddy for the fact that he just had a rather odd and threatening encounter with Shax. I explain in my other meta that this is because he just spent the last hours of his drive reminiscing on the thrilling and romantic magic show adventure of 1941 and also the fact that he just found out that Crowley has been replaced by Shax and no longer works for Hell.

Ergo: We have a hopelessly lovesick Principality at our hands, who's practically swooning over his serpent who saved him, his books and his magic show all those years ago.

Ergo:

✨This✨

Realistically, Aziraphale should probably be a tad worried about the eery encounter with Shax, in which she definitely had the upper hand on him. But well, if you spend many-a hours driving across the serene countryside (Edinburgh is about an 8-hour drive from London), pondering on one of the craziest, sticky-sweet romantic adventures of your not-life life, well ... things tend to turn a little rosy around the edges. Head in the clouds and all that. Light shades of grey!

Alright, onwards: Once the angel, filled to the very brim with fond memories and butterflies, gets out of the Bentley, he's kindly met with a face full of verdant plants and a very in-character-grumpy Crowley.

Fhwack! Way to burst the rosy bubble.

Seriously, the absolute lightning speed with which Crowley storms out to vacate the bookshop the very second Aziraphale arrives makes me giggle every time.

Let's make a first small (who am I kidding) diversion into analysing the following conversation in unnecessary detail ...

... simply because I enjoy quoting dialogue as an accurate reference in my metas. I'll also highlight certain passages I want to comment on in individual colours so I can back up my thoughts with them below. Alright, their little chinwag goes as follows:

Crowley: "They you are! I was worried something might have happened to you." Aziraphale: "No, nothing happened to me. Very uneventful journey indeed. No strange things at all." Crowley: "Good. That's what we wanna hear." Aziraphale: "Um .. everything okay with- ah.." *nods to the bookshop* Crowley: "Oh, yeah, fine. He's singing to himself. I think he must have been asleep. I heard snoring coming from his bedroom–" Crowley, to the Bentley: "Did you miss me? I bet you did." Aziraphale: "... I'm sure it did." Crowley: "So, any more clues from the mystery of the missing archangel?" Aziraphale: "Not exactly. Or, if there are, I haven't yet cracked the case. But I'm certainly hot on the trail of something." Crowley: "I'm sure you are. Oh, by the way, the whole sudden rain and awning thing was a complete washout." Aziraphale: "Sorry?" Crowley: "You know, project making Nina fall in love with Maggie. I failed, it's your go." Aziraphale: "I see. Well then, Whickber Street Traders and Shopkeeper's Association Monthly Meeting, here we come!" Crowley: "You're really hosting the meeting?" Aziraphale: "Absolutely! And I can guarantee you, it will be a night to remember."

At first glance, this has little to do with the plot of this meta but actually, it folds into my point very nicely! However, it's not time for that yet, so we'll just state the facts as they are for now and then bring them back 'round later when we need them. That being said: For the love of Someone, will these two ever manage to simply tell each other the truth of what happened instead of thinking they can protect each other by lying about it all the time? Hrmpf. As a big fan of open communication myself, I'm close to developing a stomach ulcer with the amount of false truths being spewed here. (Then again – and yes, that is another, way larger meta I'm currently cooking up – it plays so very perfectly into the whole Jane-Austen-Pride-and-Prejudice tragic miscommunication theme that this entire Season has, so I understand the point of it.)

Very uneventful journey indeed, Aziraphale, except for the fact that you were ambushed by a demon who told you she was Crowley's successor, knows about the rumors of the two of you being an item as well as what went down in 1941 (that almost had both of you exposed) and also seems to have figured out where you and your demon boyfriend are hiding Gabriel, all in the span of about a minute. No strange things at all, nooo!

And Crowley's "Oh yeah, fine" is a total lie too. Again, we see him make an absolute run for it before Aziraphale can even enter the bookshop. After all, he just once again witnessed Jim have a Gabriel-flashback, speaking of the Second Coming, while Crowley was alone with him. As fumingly angry he is with the amnesiac archangel – he's also absolutely terrified of what might happen (to him and Aziraphale) should Jim regain his memories. So, no wonder he's quick to vacate the premises after witnessing Jim's rather eery memory flashback (and was, just like Aziraphale, threatened by Shax mere moments later, lol).

But no, nothing out of the ordinary happened to either of them. Tip-top. Absolutely tickety-fucking-boo.

Alright, let's get back on track with the actual topic of this meta. Certainly hot on the trail of something, hm? At first glance, it might seem like Aziraphale is talking about the fact that Gabriel was in company of someone whenever he went to the Resurrectionist Pub. (The clue!) However, I don't actually think he is talking about that. Why? Because, and this slipped my mind too at first, he never actually follows any of this information up, does he? Yes, sure, he went to Edinburgh, found the capital-c Clue and then returned to London. But what does he do with it? Nothing. He doesn't keep investigating this hot trail because that's not the important thing he realized during his journey. No, the more important clue Aziraphale found during his trip, is that Crowley no longer works for Hell and that he is also very much irrevocably in love with him and must confess this at the earliest given chance. (The latter part isn't necessarily a new discovery for Aziraphale, but it surely is fuelled by the fact that he just realized Crowley's out of a Hellish job and simply hasn't told him yet.)

This exchange just the perfect indicator for the fact that Aziraphale, at no point during his drive back, was thinking about the Maggie and Nina mission. He has no idea what Crowley is talking about once he mentions it and seems surprised, even, that he would. Even though they just talked about it on the phone when Aziraphale was still at the graveyard. Which is another important piece of evidence because it means that the last status update Aziraphale got of Mission Lovebirds, was that Crowley had sensed an opportunity to make them fall in love – and had then hung up on him. Why is this important? Because it means that until that very point of their conversation, Aziraphale did not know that Crowley's attempt had failed! There would have been just as much of a chance of Crowley's weather miracle actually working out and Maggie and Nina already having skipped into the sunset happily ever after.

So, riddle me this:

Why would Aziraphale spend the entire ride back from Edinburgh plotting "a night to remember" (because clearly, he already had the entire Ball planned out down to a T in his head since he goes into action right away after arriving) if he didn't even know yet that Crowley's attempt had failed?

To be very clear here: We're not talking about Aziraphale driving on the M1 to London, having a silly little idea for putting on some good music, miracle-ing Nina and Maggie to dance to it and watch them confess their love–

No.

He planned an entire actual Cotillion Ball with very particular location design that involves re-arranging the entire bookshop, specifically designed individual outfits for (almost) every single attendee, topped off with a live band, hors-d'œuvre, drinks and an actual choreographed group dance.

During one car ride.

Where's the party planner Aziraphale AU? I'm waiting!

Now, sure, we know that it's still quite important for Aziraphale to convince Heaven of the faux-reason they gave for their accidental ✨25-Lazarii miracle✨. But if we're all honest, this all seems to be a tad much just to make two random humans fall in love, even for that.

Glittery ball gowns and suits? Red and gold wall curtains? A modified language filter? Bloody vol-au-vents?

Talk about over the top ...

Once we start S2E5, Crowley is still surprised at the mere fact that Aziraphale is actually planning to organize the Monthly Meeting – and he doesn't even know yet that it's gonna be the most extravagant ball-boogaloo that the Whickber Street Community has ever seen! Aziraphale wanting to organize the meeting alone, is enough to render Crowley incredulous, because Aziraphale never mingles with the other shopkeepers. He usually actively avoids them and any sort of social encounters as much as he can because he doesn't care about the bloody Christmas lights, alright?

These things seem mundane and uninteresting to him, obviously, since all he really cares about is hoarding his book collection in peace like the little hedonist he is and drawing as little attention as possible to his none-business business.

Oh, right, speaking of books:

Let's take another unnecessarily detailed look at the whole Whickber Street invitation scene:

Aziraphale realizes very quickly that he's not the only one who's quite unenthusiastic about the blessed Chritsmas lights. And despite his very persuasive methods of temptation ...

... he has to take some more drastic measurements. And those are?

That's right: Giving away his books.

I'll repeat it again, slowly: Aziraphale is willingly (!) giving away or lending his books to pretty much complete strangers to, allegedly, make two other humans strangers fall in love.

Seriously, who is that angel and what has he done with our prim, fussy, hedonistic Aziraphale that protects his books with the vice grip of an eagle carrying his precious prey?

Believe in the importance of Mission Lovebirds as much as you will, but we're talking about Mr. A.Z. Fell here who, over the past millennia, has pretty much spent every day actively working out methods to stop people from purchasing as much as a single paperback from his holy shelves.

And yet: the 1965 September Dr. Who Annual? Given away. The first edition of Expert at the Card Table that was S. W. Erdnase's personal copy? Lent away to grubby human hands to fondle around with.

Let's do another coloured dialogue diversion (don't worry, it's not as extensive as the last one):

Crowley: "You just did what I think you did?" Aziraphale: "I'm not prepared to talk about it." Crowley: "You gave away a book." Aziraphale: "I had to! Maggie and Nina are depending on me. They just don't know it yet."

Crowley backs up my point: This is a huge deal. Aziraphale does not sell his books – let alone give them away for free. We're all shocked! Flabbergasted!

And the explanation Crowley and us get just ... doesn't satisfy. Something and someone sure is depending on this Ball and doesn't know it yet. But it's most definitely not Maggie and Nina, folks.

You know for whom Aziraphale would give away his books in the blink of an eye, though?

Mhm, that's right.

This pretty old serpent.

I want to take a minute to show you the reaction again that Aziraphale has upon entering the very same magic shop him and Crowley went to in 1941 to acquire the Bullet Catch:

You ... you need a minute there, angel? You're sure looking a little ... affected.

And I mean, well, no wonder. He reminisced about that very memory four hours last night. To him, this shop is where the most turbulent, ecstatic, adrenaline-fuelled and romantic night of his life began. And it shows.

I've made my point in my other meta series about how Aziraphale is an incredibly nostalgic character. He romanticizes so many things in his memories – especially the parts that feature Crowley. So, it doesn't surprise me in the slightest that he's once again willing to loosen the tight grip he has on his book collection to get the successor of Will Goldstone's Magic Shop, the shop that started it all for him, to come to his fancy Ball.

As we watch Aziraphale and his little lap dog demon pat around Soho, I'd like to take another second to point out that he goes to seven or more establishments before he even invites Nina.

... and he only does so because she starts talking to them on the street. Almost like he'd forgotten about it. Why not ask her at the very beginning? To establish whether or not he'd have to book-blackmail her too?

"Perfectly ordinary invitation with no hidden agenda of any kind", except that he's using you and Maggie as a pretence to resolve his own clusterfuck of a relationship-miscommunication Jane-Austen-style so that he can then hopefully confess his undying love to his demon not-boyfriend boyfriend.

Marvellous!

You'll forgive me another short diversion but my God, the whole exchange at the Marguerite's restaurant with Crowley literally cat-call-whistling Aziraphale over to him (and Aziraphale checking if he meant someone else first, I–)? I am weak. So, so weak and

However, this is also when we get a snippet of Crowley finally revealing the truth in place of his "Oh, he's fine"-lie earlier and telling Aziraphale that he's actually pretty scared Jim might turn back into Gabriel and smite him altogether. And Aziraphale's response is, in a cosmic sense, (remember the pink paragraph now) so hilarious:

"Have you thought of just talking to him?"

Yeah, have you? Have any of the two of you? Just thought about talking? To each other? About anything?

'pparently not. But hey, it's all good because remember what the ultimate remedy for star-crossed lovers simply misunderstanding each other is?

Bish, bash, bosh, problem solved!

Back at the ballroom bookshop, Aziraphale sends Crowley to invite Maggie in order to, in my opinion, not spoil the Ball-y surprise for him. (Inviting Maggie only now?! Wouldn't she be one of the only two guests who really should attend? Why the short notice? If she's really that important for the Ball you're planning, hm?)

On top of this, we see Nina almost not attending the Ball meeting after her partner broke up with her and Crowley being the one who coincidentally runs into her and ushers her into the bookshop before Shax and her "legion" of demons start creeping up on them. Again, if this hadn't happened by pure coincidence, Nina would have left to go home and this whole Ball would have taken place without her, rendering the apparent sole purpose of making her fall in love with Maggie useless.

Why doesn't Aziraphale care more for both of them to attend and be there? Why is he instead busy fussing over everything looking perfect and wonderful and doesn't even seem to notice that both Nina and Maggie are really late to the meeting?

Well. Well.

The answer's in the title, babes.

Alas, Crowley safely gets Maggie and Nina to join them, Mr. Brown is the only one who doesn't get a miracled outfit (fussy, petty angel, you just don't like him, do you?), Jimbriel stuns with glamour and flirt (and whatever sexually suggestive thing he does with his cheeks) and the Whickber Street Ball is a-go!

Sorry, I just had to chuck this in again because Crowley's face here absolutely kills me every time. He looks so confused, I am hollering.

And the heart eyes Aziraphale is making at Nina and Maggie now that they're actually here?

Oh, bless it, angel.

He's all like "Oh look, it's working! Jane was right! It's all going to be resolved, all the misunderstanding and quarrels! Crowley, where's Crowley–"

Ah yes, there he is.

Ladies and gentlemen, this is an angel who is not listening to a single word being said right now. No, in his head, Aziraphale is already down on one knee, pouring his heart out to Crowley after they just danced the night away.

Oh, yes, right. The dancing.

Parallel much?

But well, as marvellous and beautifully romantic as her stories tend to be, it turns out that Jane Austen isn't always right after all. Because before we know it, the perfect night shatters into many-a tiny pieces (literally).

And once again, fhwack:

... the rosy bubble bursts.

Let's take one more deep breath so I can make my final point:

In S2E2, Aziraphale explains to us very exactly what Jane's Balls (hrhr) used to be about: Solving miscommunication and confessing love to one another.

During his car journey back from Edinburgh, Aziraphale:

doesn't know Crowley's Mission Lovebirds had failed

remembers 1941 and just how badly he's in love with Crowley

and also realizes that they seem to have been wildly miscommunicating for quite some time now. (Crowley didn't even tell him he basically got let go!)

So, what does maddeningly strong love plus a want to resolve all the miscommunication equal? That's right: A night to remember! A Ball to change it all! A dance, a vol-au-vent, a confession. And, ideally, a happy ever after. Because:

“It is a truth universally acknowledged, that a single man angel in possession of a good fortune Jane Austen collection, must be in want of a wife demon husband.”

The Ball was never for Nina and Maggie. As a byproduct, maybe, yes. But the whole rest of the glimmer and glamour, the careful, romantic planning and set up of it all, the book-bating the other shopkeepers– that was for Crowley and Crowley only.

And oh, if only it were as easy as in the books.

*whispers* I'm sorry, I had to.

***

Your honour, the tinfoil-hat crackpot defence rests. Feel free to share thoughts (and prayers) if you want to!

Au revoir! 💗

[fatale-distraction]

BG3 Companions Social Media Headcanons Part 1

I was bored at work and couldn’t stop. 🤣 I’ll make another post with Halsin, Minthara, Jaheira, Minsc, and some NPCs!

~~~

Astarion - Pre-Tav, Astarion's social media is mostly thirst-traps for some kind of nefarious, Cazador-related money-making plot. They barely scoot past the TOS on lewd content. Very little real personal content, anything that isn't a thirst trap is heavily doctored lifestyle content to make it seem like he's living a much more luxurious life than he actually is.

After meeting Tav and getting rid of Cazador, he deletes all of his old accounts and opens up new ones. They're not exactly private, but he's much more careful about who he follows and who can follow him back. The posts become much more genuine. Still a lot of selfies, but they're sexy in the way of a guy just finally living his truth and being comfortable in his own skin. There's more shots of his daily life; waking up with his partner's obnoxious pets strewn across the bed, morning coffee and his current favorite book, new outfits that make him feel more himself. Tav features heavily in most of his posts, and there are probably as many pictures of them as there are of himself.

Karlach - chaos. No rhyme or reason. Lots of parkour and Jack-ass parodies. Constant flood of pictures of her stuffed animal collection. Stupid filters abound. There's several videos of her just flexing. Lumberjack videos. Seven hundred pictures of Tav, tons of selfies together. Videos of her literally sobbing over some cute stuffy she found or a dog she got to pet. "How many times can I say the fuck word before I get suspended." Memes. Memes everywhere.

Lae'zel - She follows three accounts and never posts anything, but somehow she's constantly scrolling through. What does she even do? Her profile picture is still the default. She doesn't have any profile information filled out. It just says "No." Her screen name is just Lae_zel. Every single item in her favorites is a cat video. She has One photo and its a gym selfie. All of her comments seem really mean at first, but they're all weirdly supportive things along the lines of "your teeth are sharp and your visage terrifying".

Shadowheart - total E-girl influencer vibe. Everything is #nofilter. She doesn't need filters. She's god's most perfect princess. You can't even be mad because it's not vanity its just how she Is. Ends everything with Prayer-hands-emoji hashtag Shar'sblessings or Selune'sblessings depending on where she is in that journey. Hairstyle and makeup tutorials and she makes it look so damn easy. "Dye my hair and cut my bangs with me." "Get ready with me" videos nearly every day. Every picture has a comment from Astarion that just says "oh fuck off" because even he can never hope to be as perfect as she is. Or at least that's what her forty-five thousand followers think.

Wyll - The official Blade of the Frontier social media account(s). Fencing videos and promos. "How to polish your horns for newbies" video that's been taken down twenty-seven times for lewd content even though it's literally for polishing actual horns. Accidental thirst traps because damn. Lots of disability advocacy, especially for visual impairments. Weekly Demon/Devil PSAs. Constantly featured in Karlach's vids and vice-versa. Buddy selfies. Once in a while a pic of him with his dad. Pics with Tav are rare, but when he does post them they're the sweetest pictures and he gushes about them for paragraphs. It's a little gross how gushy they are. Astarion comments with vomit emojis and Wyll just replies with an angry face emoji. The purest content. He's so wholesome. Not a swear to be seen. Lots of gentle hype videos. "You've got this. You can do this. I believe in you."

Gale - oh my god he has the most pretentious social media accounts. He's worse than Astarion. "Well, actually" videos with multiple parts because they're too long. Tea and bookshelves. Tara. So many pics of Tara. Tara napping on a book. Tara swatting a fly. Tara in the window. Tara on the kitchen counter. Tara laying in the sun. Tara doing nothing. He has one of those fancy cat terrarium backpacks. Magic tutorials. Mystra simp. Surprisingly few selfies but the ones he has are IMMACULATE. Pretentious book reviews. His only saving grace is that he is HILARIOUS. He's the only one with a reasonable about of pics with Tav as opposed to almost none or way too many, but the captions are always really sweet.

~~~

Part 2 here!

Part 3 here!

Part 4

[physalian]

When To Keep Your Writing Stiff (pt 7)

Part 6

Part 1

Gonna shoutout a specific fanfic, “Salvage” (ATLA) for writing that is even leaner than mine is, and mine has zero fat whatsoever. This was really good. I particularly like how some scenes were only 2 or 3 lines long as an example of what I’m going for here.

When I say “stiff” in the following examples I’m specifically talking about a lot of the same syntax, few similes and metaphors, few ‘said’ synonyms, very little, well, “life” in the prose. And this can be good in a few situations.

1. Your narrator is in shock

Shock doesn’t all look the same, but the kind of shock I mean is the one where the person is really quiet and un-emotive, they’re probably not speaking or reacting much to whatever catastrophe just happened and probably not responding to their name or anything spoken to them. Their body is pretty much going “uhhhhhhhhh factory reset!” when whatever it is, is too much to process.

A asks them a question. Once. Twice. B stares ahead. There’s a brown stain on the wall that looks like a thumb.

So if they’re narrating, they’re probably going to be giving the absolute bare minimum, need-to-know information and won’t be thinking about the best adjectives and adverbs. Especially if you normally write with fluffier prose, a jarring shift like this can really help sell the shock and dissociating of the character, something so traumatizing that it effects how the story is told.

2. Your narrator is depressed

Somewhere between New Moon’s 4 pages of just Months to show Bella did absolutely nothing in a depression rot and normal prose (though it was effective, particularly in the movie when they could draw out the words on the screen for longer and did the whole spin-around-her-depression-chair montage).

January came. It rained a lot.

They’ll probably either narrate very thinly, or listlessly. They might focus on a random detail and start going on a long ramble about that one detail that isn’t at all important, but it’s either all they can think about or all that can move them to feel anything in this moment, like:

On the bedside table, that coffee mug still sat there in a thin sheet of dust. What had been liquid now long since dry and gluey. It still sits there, collecting cat fur.

This might be the best place for sentences that all sound and flow exactly the same, but use it sparingly.

3. Your narrator is having a panic attack or trapped in a traumatic situation

Different from shock in that while they are physically capable of moving and interacting, they can’t let themselves describe what they’re seeing and feeling in grand detail. Maybe they’re moving through the horrific aftermath of a battle and all they can describe is the mud under their feet and how it squelches. Or they simply say that “there’s bodies everywhere” because looking too long or too hard at who those bodies belonged to is too much.

4. You’re writing something that has incredibly fast pacing

This post was inspired by a fic I just wrote that spanned about 5 months in about 18k words. Narrative was skipping days ahead between paragraphs at some point as my character was processing the end of an abusive relationship. It sped up and slowed down where necessary, but compared to its sequel that I also just finished (22k words across 7 days), I’d covered a whole month in about 2 sentences in the first one.

See nearly any part of Salvage (or my fics if you feel like it)

What happened in that month didn’t matter, only what was before and what’s different now and how this character realizes how their life is slowly changing, some things they never noticed that are suddenly right in their face or things that quietly slipped away.

—

TLDR; sometimes the lack of emotion and sensory details and frenetic, dynamic syntax is the point, that can sell the reader on the narrator’s mental state far better than picking the juiciest adverbs. If it’s so impactful to them that the physical telling of the story is changed, you’ve done your job.

[deeppenguinstudent]

I don't think we talk about kevjean in the banquets enough

Kevin is soft with Jean's name in his mouth. Jean had to smile at Kevin to taunt him at the bequest of Riko, probably to show faux hatred towards Kevin for leaving the Ravens so no one catches on what exactly he felt for Kevin. Happiness he left Riko and could finally prove he was better but bitterness because he left Jean there in the Nest, knowing damn well what Riko would have done to him.

The fact that both of them stared at each other with nothing to say. Kevin and Jean, who used to never have enough time to finish conversations and never sat in silence in the Nest when they were alone, turned into strangers overnight. They had to wait until Riko was away to actually indulge in meaningful conversation that was so rare yet grounding for both of them in the Nest.

Jean was probably forcing himself to tear his eyes away from Kevin as he spoke to Neil and let his eyes roam when Riko was distracted in antagonising the Foxes.

This was probably something he was forced to say. Do you think Riko made Jean do the talking first because he maybe knew that Kevin had a soft spot for him? The You won't stay might be referring to how Kevin wouldn't stay with the Foxes, but I like that it also implies that Jean maybe still has some hope that Kevin would come back to them, to him. It sounds like most of his words are straight from Riko, but you can see the underlying plea in Jean's words.

He antagonizes Andrew mainly because he doesn't understand why Kevin would leave him for Andrew. He doesn't understand their relationship, and it gnaws at him that maybe Kevin meant much more to him than he ever did to Kevin. He's reminded of how Kevin used French against him and wonders whether their little tryst was nothing but a closed off street at Kevin's end. Spiralling, Jean allows himself to unfold and spit out his venom and jealousy to the Foxes; particularly the one that stole Kevin away from him.

This is arguably my favourite scene in the second banquet. Although it's short, it really puts into perspective their entire relationship within like 2 paragraphs. (That's reaching but you get what I mean.)

First off, let's talk about how Jean doesn't register Riko's words at first. He doesn't respond to 'Take Kevin and leave us'. I believe this is because previously, Riko would rather tear his own hand off than allow Jean and Kevin to be in the same room alone without Riko. So this comes as a shock for him. It's a fleeting moment, and he thinks he probably just imagined Riko's words.

Seized is a strong word, and I believe it speaks a lot at how desperate Jean was to even converse with Kevin in the banquet at all. Perhaps he gave a wide berth because he half expected Riko to strike him down for even attempting to seize Kevin and take him away. Seized literally means he forcibly pulled Kevin's arm towards him, and Kevin did not budge. He didn't complain, grunt out, or even do anything as he let Jean grab his arm. (I can just imagine Jean with his chest pressed against Kevin's arm speedwalking away, and I find it so adorably heartbreaking)

Jean also moves as fast as he can, showing that he wants to get away as soon as possible with Riko far, far behind them. He wants alone time with Kevin. He just wants to talk to him without the Ravens or Foxes breathing down his neck.

I genuinely wonder what Kevin would be thinking at this moment. What would he feel as the boy he left behind the Nest is taking him by the arm and pulling away from his abuser; this time, when he leaves, Jean was with him. Does he think about how easy it is to just leave with Jean beside him? Does he also want to grab onto Jean and not let go of fear of what Riko would do to him when Kevin is not there? Can he feel Jean's body heat as a stupid reminder that he's still alive and not bleeding out from Riko's scars?

Jean, going still at Dan and Matt's approach, could also signify that he fully expected to be punished for even latching himself onto Kevin, like Kevin was a sin he was foolish enough to be addicted to. I just want to know Dan and Matt's expression as they see Jean grasping onto Kevin so tightly, like, what do they see? Do they see Riko's dog doing it's masters bidding, or do they see Jean for who he is; a boy irrevocably in love with someone he can never ever have. A boy so desperate that even few seconds in the banquet keeps him going for a few days after.

Jean grasping onto Kevin could honestly mean a multitude of things, but I like to see it as Jean finally understanding that Kevin is not meant to be in evermore, isn't meant to be a comforting solace patching up his wounds when his thumbs were broken and unable to stitch himself up. But Jean still wanted to be selfish. He wanted to be in Kevin's life. He wanted Kevin to see him as Jean Moreau, a hopeless boy in love with the only person that ever gave him care. Not Jean Moreau of Perfect Court, number 3 the country's greatest backliner because Kevin only saw him on the court after he left evermore. So he stubbornly clung onto Kevin as his past as his future, aka the Foxes, came to collect his due from Jean; essentially handing over the one thing that kept him going throughout the Nest.

And I find it cute that Matt and Dan didn't shoo Jean off. They let him stay with Kevin. Maybe because they could see the tragedy in his eyes or the way Kevin was calm and placcid beside him, which was weird because Kevin gets anxious literally around EVERY Raven.

[bonefall]

Who’s Juniperclaw again? Also the quote about ruthlessness? Staring curiously

Canon!Juniperclaw is tigerHeartstar's nephew, son of Dawnpelt and brother to Strikestone and Sleekwhisker.

He was the first deputy of ShadowClan after tigerHeartstar's return, until he tried to pressure SkyClan into leaving the Lake in AVOS by poisoning their food. No one was hurt any worse than "bad tummyache," but he was exiled anyway. He then died rescuing Shadowkit from a flooded river QuickTime event.

We found out that he went to the Dark Forest in TBC. He was allowed to become the guardian of the tunnel between the Place of No Stars and StarClan's Hunting Grounds, in the hopes of finding redemption.

For BB this is all a bit different;

I've been waiting for a while for the perfect opportunity to rise to rework Juniperclaw's story.

I REALLY like the idea of his poisoning, his exile, and his placement in the Dark Forest... but the back half of AVoS is baddd.

Plus, it's just too bloodless. If he's going to get DARK FOREST over this, I expect a body count.

So now, his actions lead to at least 3 deaths. Leafstar is one of them, Sparkpelt was ALMOST another but Hollylark uses xeir powers to die in her place, and Flickerkit dies shortly before his birth.

ANYWAY JUNIPERCLAW

I feel like he wasn't expecting the death toll to be so devastating.

This event is being moved to Squirrelflight's Horror. Juniper's plot was that he was going to do this poisoning to blame it on The Sisters.

He just wanted SkyClan off ShadowClan land, he figured if he convinced Leafstar that the Sisters are a threat that needs to be dealt with that she'd move

He didn't think it would kill three people, just make them sick! Maybe just ONE of Leafstar's lives! And how was he supposed to know ThunderClan's leader's daughter would have a bowl?!

This plan probably works, but the guilt EATS Juniperclaw alive. He got exactly what he wanted-- a battle patrol against expectant queens.

I can't see this secret going on too long, someone rats him out and he crumbles. He can't live with it anymore.

But in Waspstar's eyes, an exile was a light punishment. Exactly what xey expected out of Heartstar, so openly biased for her family, not taking the death of SkyClan's leader as the murder that it was.

Xey dealt with this by sending a message; all "honored" guests could come and pay their respects to Leafstar.

Juniperclaw isn't invited explicitly... but the message reaches him. It is implied. So he comes, hoping to offer his sincere regrets.

I'm trying to figure out the cat equivalent of "Being taken out back and shot" is lmao

Professional mob boss kind of hit. Someone takes out the pistol with a silencer and ends his existence in the back alley as the loud party inside drowns out the sound of the shot. Do you understand me

Whoever the "hitman" was, Waspstar is the one who ordered it and xey take full responsibility.

The kill was clean. Not messy. Juniperclaw didn't suffer-- unlike his victims.

Juniperclaw goes to the Dark Forest like canon, but in BB he isn't the only border guard. He's buddies with Mudclaw and Appledusk.

The line about ruthlessness I mentioned offhandedly is this one from KA Applegate. I'm pretty sure it's from Animorphs.

"People don’t understand the word ruthless. They think that it means ‘mean.’ It’s not about being mean. It’s about seeing the bright, clear line that leads from A to B. The line that goes from motive to means. Beginning to end. It’s about seeing that bright, clear line and not caring about anything but the beautiful fact that you can see the solution."

It's become a popular paragraph as of late, because it slaps.