#you think I'd figure it out after a few years lol

[endearng]

Home

Pairing: Emily Prentiss x fem!reader Summary: Emily always comes home to a nice surprise. WC: 1k Warnings: A little suggestive by the end but that's it :) A/N: This is my first time writing for Ems!!! Can you guys tell that I have a thing for 'coming home'? lol This has been sitting on my drafts for the longest time, so I figured I'd post it. Hope you guys enjoy it! :)

| masterlist

You'd gotten a call from your girlfriend, Emily Prentiss, telling you she was coming home that night. You felt instantly better, because the week had treated you very poorly, having dealt with major mistakes from people at work to having a flat tire mid-way home. Even through the phone, her cheerful tone was contagious to you, making happiness pump through your very bloodstream. You knew she worked really hard and other problems were probably one of the last things she needed to think about once she got home. So, you always went out of your way to make sure she felt welcome when she got back from her cases, so tonight it wouldn't be different.

Well, tonight would be very different. You decided you would propose to her as soon as she got home. You've spent some fair share of your time thinking about it and it made perfect sense. The two of you were together for three years now, and since you moved in together to a new apartment, which was now yours, you had no doubts that she was the love of your life. The one you wanted to spend the rest of your life with. Emily gave you all the safety you could possibly long for in a relationship, not to mention that she was the most loving partner ever. Her absences made you feel incomplete, but seeing her come back to you made your heart flutter every time like it was the first.

On the way back home, you got flowers — daisies, to be more specific, a personal favorite of yours and Emily's. Once you entered your apartment, you tidied up the place and cooked her favorite dish as you listened to one of your favorite albums, all the while thinking about how it'd feel to see her, to be in each other's embrace again, how would she react... You weren't nervous, of course, you knew she loved you just the same, but what if she wasn't ready to get married? What if she wasn't there yet? What if she didn't want to marry you? The thought made you shudder.

When you finished your cooking, you got ready by dressing yourself in one of her favorites looks on you, a set of pajamas that clung to your body — you felt comfortable, the cotton material against your skin felt great, but Emily's hands on you when she first saw you in that set felt heavenly.

You smiled to yourself, already anticipating her reaction.

You sat on your couch, mindlessly scrolling on your phone and answering a few texts from your friends and family, desperately trying to ignore the anxiety bubbling inside you. You were watching a puppy video when you heard the door unlock, which made you dash to the door in an instant, "Emily, my darling! You're home!" You said, throwing yourself into her arms. She grinned softly, thinking that she'd never get used to you, let alone to how you reacted everytime she got home. It was so nice being safe and feeling loved and wanted.

"I missed you, my girl," she said when you slightly pulled away from her arms. Both of her hands carressed your cheeks and traveled to the sides of your neck, thumb gently ghosting over your earlobes. Her gaze was intensely fixed on yours and you could feel the love in those beautiful, black eyes. After silently admiring you for some time, for her eyes expressed something that words failed to, she captured your lips in a kiss that told you just how much she had, indeed, missed you. Her kisses always made you feel like the luckiest woman in the world, not only because you had her attention solely on you, but also because you were the one who truly held her heart in your hands. "I'm sorry I took so long, my girl, but I'm here." Another passionate kiss. "I'm home."

"That's what matters." You mumbled, lips pressed to her cheek. She smiled.

"That," she chuckled, "and the fact that you're always waiting for me. Coming home to a house without you in it makes no sense to me anymore."

You chuckled, absolutely delighted by the effect you had on your girlfriend. Soon to be… "I have a surprise for you."

Placing her hands on your waist, she chuckled, "That's sweet, darling. But I don't think it's as nice as mine."

You laced your hands together at the back of her neck, asking while grinning stupidly, "You have a surprise for me, Em?" To which she nodded. "Okay. We can both surprise each other on the count of three."

“Okay."

Deep breaths. She loves you. Be brave. "One, two, three—Will you marry me?"

As you finished the countdown and blurted the sentence nervously, Emily was down on one knee, having let go of your waist at breakneck speed once you said the word "three" and pulling a ring box from her pocket. You gasped and Emily's mouth hung agape, like a fish out of water.

Once the surprise of the moment washed away slightly, you burst out laughing with pure bliss, soon joined by your now fiancé — if her being down on one knee and holding out a ring for you meant anything, it definitely meant that she would, in fact, marry you. You got down on your knees to hold her in your arms, relishing in the moment of sheer joy between you two. Your heart felt safe and complete and everything was because of the woman who held you in her arms and carried you so dear and near to her own heart.

"I love you." You muttered, kissing the top of her head, voice slightly muffled by her hair.

"I love you, darling. So much. I... I can't believe we're gonna get married." She said, breaking in the biggest grin you've ever seen on her face.

“I can't believe you said yes." You smiled.

"Technically, I didn't..."

"Shut up, Prentiss."

She pinched your chin, smiling devilishly. "In a few months, I'm gonna be saying that to you, too.” She quipped. “Now, come on. Let's see you out of those pajamas, hm?”

[ybkitten]

Guys I saw the new ancient and I can’t resist. I love them and they’re going in The Box.

Might make this a ych / adopt of some sort. Let me know if anyone would be interested! I’m going back to putting this guy in a box >:3

[kitkatsgalore]

you have my soul, you have my heart ♡

[vaguely-concerned]

for what it's worth I personally don't believe spite had anything to do with the pantry near-kiss experience at all. I think that was a 100% lucanis naturel disaster no supernatural additives present or indeed required. at most spite was watching that whole situation go down with mild puzzlement about approximately every part of it, I don't think he'd have much interest in it one way or the other. the explanation seems much more mundane and grounded and in some ways much sadder to me.

if your nervous system has never been in a place where any surge of emotion, even -- in fact sometimes especially! -- a good and exciting one makes you feel like your soul just touched a hot stove it can't get away from, then sincerely, from the bottom of my heart and without a trace of snark, thank goodness and I hope you never experience it. For the rest of you... fistbump of solidarity it's rough out here but *grits teeth* we stay silly etc. In the place lucanis is in during that part of the game, feeling like you're losing control (again even for ostensibly good happy reasons) can feel an awful lot like you're dying, or worse. on top of everything else going on for him -- again going only with non-supernatural elements and not even comprehensive: a year of non-stop horrific trauma added to pile of previous mountain of childhood and attachment trauma. chronic sleep deprivation. apparently dead grandma doubling as mother figure. cousin-brother aggressively fucking around and in real danger of finding out. fucked up the ONE thing he thought he knew how to do that's been the central pillar of his identity. the world might be ending even more than it already was because of it. keeps faceplanting with barely any dignity and having to get up again with alarming regularity GOD how could I ever not save treviso this man desperately needs a W (just one!!) like few people in the history of the world have before him. he's more caffeine than man because the alternative feels worse. it's bad in here. and ON TOP of all that he's in the process of falling just. appallingly soul-shrivingly in love, which can notably be playing on hard mode even when you're in a mostly functional place, that shit routinely rocks people to the core under the best of circumstances.

so I'm not surprised it's too overwhelming for him to handle when he tries to throw himself in head first -- in fact I'd have been more surprised if it weren't lol. he clearly wants it so much, which only makes it so much more painful that he can't actually bear to touch it when it's offered to him freely and eagerly. this is the tantalus-level awfulness of this kind of attachment trauma; food seems to be right there, you can see it, almost smell it sometimes, but no matter what you just can't seem to reach it. seemingly not for any flaw in the existence of the food, but because of something broken in you that can't or can't bear to actually eat. his deliberate flirting routine is kind of deeply dorky tbh lol (in the most endearing way possible let's be perfectly clear) and I don't think it's entirely natural to him -- that's a hastily cobbled together 'oh god I am getting the vibes here it is happening for some reason they like me for my personality quick what would illario do' approach if ever I saw it, supported by the fact that it never really makes a return after this --

BUT I do think his obvious near-unbearable delight with rook's existence and person that shines through in that scene is entirely real and unfeigned. he likes them so much. he wants so bad to be able to be close to them. he's so hungry for the reprieve and release and relief they represent to him, just for one moment, just one break from all the awfulness to have something uncomplicatedly good. and it's here, it's been offered, he's welcome!!! and he has to flinch away at the last minute anyway because he's an exposed nerve of a human being. there's a point at which every sensation including joy becomes indistinguishable from agony. he's pretty much exactly at that point. for the love of god have some mercy on him people. the feeling that salvation is right here but you're too broken a vessel to hold it is one I wouldn't wish on anyone. let him have a few moments to stare into the void before he's ready to get back up and try again surely we all deserve at least that much lol

[lilacs-stars]

moon + tides

this is part 1, read part 2 here! pairing: james hook x fem!reader (requested) SUMMARY: you, ariel's daughter, find yourself in a strange relationship with the one and only infamous pirate captain, who's absolutely obsessed with you GENRE: yandere, a bit of angst, some comforting fluff here and there, especially at the end CW: a few mentions of violence, someone walking a plank, mentions of drowning, some suggestive material, nothing too graphic though WC: 4.2k

A/N: this req was really fun to write! I might have gotten a bit carried away, heh...this part includes the backstory of how you two got together and the first part of the req, and the second part will include the rest of it. hope you guys enjoy reading this cause I definitely put some hard work into it lol. also please give me feedback and suggestions, I'd really like to know your thoughts!

If you could go back, would you change what happened?

This is something that you often ask yourself. 

You think about that fateful day frequently. It was the summer before your first year at Merlin Academy. You had finally convinced your parents, the famed mermaid Ariel and her Prince Eric, to let you go for a swim unsupervised. Being half-mermaid, half-human allowed you to transform back and forth at will. And although life on land was pretty good, your heart always ached to go back to the sea, to feel the cold, salty water as it engulfs you. To race along the reefs, tail swishing back and forth, allowing you to reach speeds far past what your human form can do. To leisurely swim amongst the many species of fish and plants that created the world of the ocean. To go back home.

Your parents had already gone over the rules with you hundreds of time, to the point where you could recite each one of them word for word: “Don’t go past the boundaries,” “Don’t approach any animals you don’t know,” “Don’t go so deep where you can’t see any light,” “Come out at the first sign of bad weather,” and, most importantly, “Do not, under any circumstances, interact with any humans.”

Your mother may be renowned for rescuing a stranger from the unrelenting grasps of the sea—if she hadn’t, you wouldn’t even be here right now—but that was a very rare case. Far more often than not, mermaid interactions with humans out on the waters ended up in the mermaid being tortured, held hostage, or even killed.

You knew the rules by heart, and yet, maybe it was because of your young age, you still broke them. You weren’t really aware of your actions in the moment; one second, you were swimming alongside a pod of dolphins, racing against the currents. The next, you heard loud voices and realized that almost directly above you, yet still a good few dozen meters away, was some sort of ship.

You had ducked down next to a big sponge, peering up apprehensively. It was at that moment you realized that you were far outside of the boundaries set for you by your parents. You should have turned back, should have swam back home, but there was something about the ship, something that intrigued you so much it forced you to stay in place.

A few moments passed, and seeing as there was no commotion, you let your curiosity get the better of you. After all, that ship shouldn’t even have been out there. Slowly, you crept closer and closer to the surface, making sure to remain in the shadows. The noises were becoming clearer; you could make out people’s voices now. But they still weren’t sharp enough for you to understand what they were saying.

Finally, you took the risk and poked your head out of the water near the rear of the ship. The sight before you elicited a sharp gasp, and made you wish you had just gone back when you still had the chance. 

Extended from the side of the ship was a long, wooden plank. Standing on one side of it (the safe end), was a man, gagged, blindfolded, and bound. He looked to be no older than forty, with a scraggly beard and ripped clothes.

A pirate.

Another figure emerged, walking to the edge of the deck. Your reflexes caused you to duck down quickly, so only your eyes were barely above the water. This figure was much younger, with dark brown hair parted neatly and angular features twisted into a wicked smile. He donned a maroon blazer that covered a white shirt with an upturned collar. Something in his left hand shined brilliantly under the sun’s bright rays.

The younger figure laughed, but not in the way one would laugh at a funny joke. He unsheathed a cutlass from his side, using it to poke the back of the man on the plank. 

“You see, Mr. Jones? This is what happens when you cross the most feared pirate captain in all the lands!” the young figure roared as he yanked off the older man’s blindfold, revealing to him his fate. The fear and panic that spread across the man’s face has been forever etched into your mind, even to this day.

You heard the man beg and plea for mercy, watched as every move he made caused the plank to sway even more violently. The pirate captain simply laughed, his crew along with him. Finally, when you suppose he tired of hearing the man grovel, you watched in terror as the captain gave the man a good kick in the back, finally sending him over the edge.

Suddenly, it was like the world was spinning in slow motion. The man plummeting off the wooden platform, falling, falling, falling. His screams muffled by the cloth around his mouth. Then, all too soon, he made contact with the water with a loud splash. 

He sank quickly, devoured by the ocean’s waters within the blink of an eye. Your young, distraught face watched as a few bubbles rose to the surface. Then nothing. All that remained of the man’s existence, all there was to give proof that he had ever even been there, were a few ripples in the water.

That was it.

You were frozen in shock. How–what–why? Your brain could barely string together a comprehensive sentence. All you were sure of was the feeling inside you. You couldn’t quite put it into words, could barely even understand it. But it made your tail ache to move, made you feel as if you simply couldn’t stay in one place any longer.

You dove beneath the surface, frantically swimming towards the direction where you saw the man go under. You kept looking around, searching, but to no avail. You decided to dive deeper, swimming lower and lower until the water around you was near pitch-black. You were growing more and more panicked by the second, because every second you wasted was another second the man grew closer to death.

Finally, you caught a glimpse of movement out of the corner of your eye. Hope flaring, you darted towards it, the figure becoming clearer the closer you got.

It was him.

You reached out and grabbed him by the collar of his shirt to prevent him from sinking farther. His eyes were shut and he wasn’t breathing, but you could still hear a heartbeat. There was still time left.

Wrapping your arms around him, you started the difficult journey back to land. Thankfully, you knew of a small island not too far from here. Swimming with the added weight of a fully grown man was incredibly difficult, especially for a young mermaid, but you persisted. After all, this was his life on the line.

You swam as hard as fast as you could, and thankfully, by some blessing from the heavens, found a warm water current going the direction you were. You let it carry you, the rushing stream multiplying your efforts. Finally, after what seemed like hours but must have only been a couple of minutes, you reached the island.

Letting the wave wash you up on shore, you settled the man down on the soft sand the first chance you got. You rolled him to his front, which was quite the endeavor itself. His heartbeat had grown more shallow, but it was still there. There was still hope.

Using the skills your mother had taught you, you started to nurse the man back to health using your melodic voice. Ever since you were young, she had explained to you the gift bestowed upon mermaids, the power of healing through song. She taught you to sing before you could walk, and it was the one thing that you were sure you could do right.

As you sang your strange and melodious tune, it finally occurred to you that you were breaking the most sacred of rules. Not only were you interacting with a stranger, you were coaxing him back to life. Like mother, like daughter, you thought. I suppose healing strangers who were drowning at sea runs in my blood.

The only caveat to your healing powers is that it takes quite some time to have its full effects. You don’t know how long you sat on the beach, but it had been quite some time. You probably would have been there for much longer had it not been for the boom voice that sounded behind you, waking you from your trance of song.

“Well, I’ll be. If it isn’t a mermaid.”

You practically jumped out of your fins as you turned around, startled beyond words. There, towering above you, was the evil pirate captain you saw earlier. He was even younger than you had previously thought. In fact, he couldn’t be much older than you. You wondered for a fleeting moment how a kid like that could command an entire ship full of grown—and scary-looking—men, but decided you have bigger matters at hand to worry about.

A few members of his crew lurked behind the captain, and you could see a small lifeboat docked to the ground near the coastline. Further beyond that, his ship swayed in the ocean waves, dark against the bright horizon.

You followed the pirate’s gaze down to your tail, which was still out. You silently cursed yourself for forgetting to transform back into your human form, being too distracted by saving the man to pay attention to your own safety.

You wanted to yell at the cruel pirate for trying to kill this man. No matter who he was, what he had done, he didn’t deserve to die. At least not like that. But the words got caught in your throat, so while a war raged inside your mind, you were completely quiet on the outside, simply staring up at the man with wide doe eyes.

“You have a lovely voice,” the man said, with a tone that you wouldn’t quite imagine a killer using. He must have overheard me sing earlier, you thought to yourself. “Tell me, little mermaid, who taught you to sing?”

“M-my mother,” you replied weakly, your voice far more meager and small than you wanted it to be. You were still staring up at him, afraid of what he’d do to you.

“Your mother? Well, that’s quite interesting.” The captain raised his left hand to scratch at his chin, which is when you realized that it wasn’t a hand at all. Instead of a hand was a curved metal hook, with a sharp point gleaming at the end. So that must be the shiny thing I saw earlier, you thought.

“Oh, where are my manners?” laughed the pirate abruptly. “My name is Captain James Hook, leader of the Jolly Roger. And you are?”

You blinked, almost forgetting your own name. If it were a less tense moment than this, you would have laughed at the fact that his name is rather befitting for him. “Y/N,” you respond.

“Y/N…Now, where have I heard that name before?” He tapped his chin with his hook again.

“Sir, that’s the name of Princess Ariel’s daughter,” one of the big, meaty pirates behind him answered in a gruff voice.

“That’s right!” Hook exclaimed. “You’re the mermaid’s daughter. You know, rumor has it you’ll be joining me at Merlin’s Academy in the fall, is that right?”

For some reason, your voice seemed to not work anymore, so you settled for nodding. Join him? you pondered. You didn’t know that he was also a student at the school you were planning to attend.

Hook started pacing along the beach, arms crossed with his hooked hand extended, deep in thought. You watched him, fear growing by the second. A sly smirk spread across his face, which only served to fuel the flames of your worry. 

“You know, you directly defied my command by saving that man,” he started. Slowly. Deliberately. Choosing every word precisely and carefully, like a shark circling its prey. “Do you even know why I made him walk the plank?” You shook your head no, the panic in you reaching record heights.

“That man”—he vaguely gestures towards the unconscious body laying on the beach with his hook—“stole an entire week’s worth of rations from my ship. An entire week’s worth of food and rum for an entire crew. Had he gotten away with it, we likely would have starved to death out at sea. Does he seem so innocent now, little mermaid? So worth saving?”

Again, you shook your head no. Although you agreed he definitely wasn’t an innocent man, you still didn’t see making him walk the plank a justifiable punishment. Despite your thoughts, you kept your mouth shut. Angering the captain further was not going to do you any good.

“Now, if anyone else had done something like this, I wouldn’t hesitate to cut their head right off,” Hook said menacingly, and with a swish, unsheathed his sword once again. You flinched—hard—and scrambled to back away from him. 

Hook took note of this, and, sheathing his sword, crouched down to get on the same level as you. “But don’t worry, little mermaid. I won’t hurt you. You see, you’ve piqued my interest. Plus, it would do me no favors to have a little girl’s blood on my hands.”

You let out a breath you hadn’t even realized you were holding. So he’s not going to kill me, right?

“But, alas, you can’t leave unpunished, now, can you?” he added. Your eyes grew impossibly wider, your entire body shaking in fear. This was it. He was going to kill you, or do something equally worse.

“I demand”—you already felt a tear slip down your cheek—“that you write to me for the remainder of the summer.”

Wait, what?

“W-write?” you asked in disbelief. “As in…”

“Letters,” Hook finished for you. “Write me letters. I’ll give you the mailing address of the Jolly Roger. Write me everyday, and I’ll promise I’ll write you back whenever we dock. How does that sound?”

“O-okay,” you reply, still taken aback by the peculiar, and far more lenient than you’d expected, request. That was all you had to do? Write letters? As punishment for saving the life of someone he’d ordered to die? You must be dreaming.

“Oh, and,” Hook said, voice lowered as he leaned in close to you, until he was just a hair’s breadth away from your ear. You could feel his warm breath on your skin, his alluring scent of salty winds and something richer, deeper, filling your lungs. “I look forward to seeing you in the fall. Don’t forget me, my little mermaid.”

With that, he stood up, smoothing out the lines on his pants. “You wouldn’t happen to need a ride back home, would you, love?”

You shook your head no, too terrified of him changing his mind to spend another moment in his presence. You glanced back at the man lying behind you, still unconscious. “W-what about him? What will you do with him?” you managed to choke out, somehow finding your voice again.

Hook pondered this for a long minute, before finally answering, “He can live.” You let out a shaky breath. “But only because of you, little mermaid. And only this time. You go against my wishes again, and trust me, your punishment will be far more severe.”

And with that, he went back to his ship and sailed away.

You still muse about that day, thinking how different things would have been if you had changed just one little thing.

You kept your promise of writing him letters, too afraid to know what would happen when you had to inevitably face him in the fall to break it. At first, they started out simple. Ordinary recounts of your day, your favorite things, what you liked to do. As the weeks passed, you started writing more personal letters. How you felt about certain things or certain people, including your parents. You never spoke a word of that fateful day to them, knowing that you’d be grounded for life and forbidden from swimming ever again if they caught even a whiff of the danger you had put yourself in. 

Hook kept his promise, too. He wrote you back, although it was far less frequent than your letters. Even though he kept his responses short and concise, you always ended up hearing his voice in your head as you read his notes. You soon found yourself checking your mailbox daily, even getting to know the mailman rather well. The rush of dopamine you got every time you opened it to find a letter awaiting you was unmatched; you would always run upstairs to your room, lock the door, and pour over the note. Reading every line, every word over and over again, committing them to memory. 

You don’t know why you enjoyed these little letters so much. Maybe it was the thrill of having a secret that no one else knew of, or the absence of your usual loneliness every time you were reminded that somewhere out there, across the seas, was someone awaiting your letters, reading them, and writing back to you. Whatever it was, your heart started to form an emotional attachment to him without you even realizing it. 

Unbeknownst to you, that had been his exact plan all along.

It’s safe to say that once you started school at Merlin Academy, Hook’s—or James’s, as he insisted on you calling him—grip on you only grew. Things started out pretty normal: light conversations in class and stolen looks exchanged across the hall, mostly initiated by him. After the first few weeks passed, things between you two only grew. Secret meetings during lunch hours, rendezvous after school, and small gifts exchanged between the two of you. From there, it became brushing your hands together whenever you passed by each other, soft pecks on the cheek or forehead where there were prying eyes, and more passionate kisses when the two of you finally found time to be alone.

Truth be told, you don’t really know what you two are now. Normally, you would consider two people that partake in such actions to be courting, and you kind of assume you are. But James has never said anything about a relationship to you, and in all honesty, you’re too afraid to ask him. You feel terribly confused at his intentions towards you; on the one hand, he approaches you every day without fail, even if you try to ignore him or when your schedules don’t match up. Somehow, he always finds a way. On the other hand, he never asked you to be his lover, never even vaguely mentioned anything of the sorts. So, you decided, with a heavy heart, to not be too confident and consider yourself his partner. And unfortunately, that meant that he wasn’t yours, either.

Really, you never meant to grow so involved with the bastard pirate that threatened to kill you on the beach that day. But for some strange reason, instead of treating you coldly like he did everyone else, especially the other hero kids, he was softer with you. Considerate, even. You had half-expected him to want nothing to do with you after your first few interactions, but he kept seeking you out. You often opened your locker to a note inside, or entered your dorm to find a letter slipped beneath the door.

Today was one of those days. You had gotten a note telling you to wait for him in your usual place in the evening, after classes. So here you are, waiting, staring at the water fountain in the courtyard. You’ve always been transfixed by the way the water spurts out the center and splashes all around. It seems that whenever you’re alone with your thoughts, they always end up back to that fateful day you met James, and everything that’s happened since.

“Wait for me long, my little mermaid?” a deep voice whispers in your ear from behind. You jump only a little, far more used to James sneaking up on you now than you used to be. For some reason, it seems he loves to startle you by wrapping his arms around your waist and pulling you in close from behind, or speaking softly in your ear.

You twirl around, a delighted expression on your face, although you try to mask it with a feigned annoyance. “And if I say I did?”

“Well then, I’d have to find a way to make it up to you then, wouldn’t I, darling?” he purrs, using his hook to spin you around in his arms so you’re face-to-face. His lips make his way to yours, pulling you in for a slow, sensual kiss. You wrap your arms around his neck, bringing his head closer to yours, not able to get enough of his touch. 

The feeling of his skin against yours ignites something in you, and you find your mouth opening to give him more access as a soft whimper escapes your lips. One hand reaches into his hair, tugging at it gently from the base of his head, while the other one trails down the front of his shirt.

James leans into you even further, your bodies flush against each other now, as he deepens the kiss. You find yourself leaning against the edge of the water fountain, the cool sprinkles providing a welcomed contrast to your heating-up bodies.

Once you’ve completely lost your breath, you pull away just slightly, a love-drunk smile on your face. “You had a request for me?” you whisper, panting, eyes full of adoration for the man you were interlocked with. 

James breaks into a grin. A genuine one, not one of the smirks he flashes to uphold his patented suave demeanor. “Ah, yes, how could I forget, my love?”

He pulls further away to give you two enough room to breathe, yet keeping his good hand on the small of your back. “I was reminded today that it's been quite some time since I’ve heard your voice, my little mermaid.”

You give a little smile, deciding to mess with him a bit. “Whatever do you mean? You hear my voice every day. I mean, you’re even hearing it right now.”

James cocks his head to the side and raises a single eyebrow, clearly aware of your antics. “Your other voice, love.”

You giggle. “Fine, all right. Only for you,” you say, giving him a peck on the nose. 

You sit down on the ledge of the fountain, turning back to stare at the water again. Although it has been a long time since you stretched your tail and went for a swim, simply seeing the rushing water soothes you. It isn’t quite like being immersed in it, but it still gives you some semblance of comfort. 

You reach into the pool at the bottom, letting the cool water rush along your fingertips as you inhale a deep breath. Through your mermaid abilities, your voice twists into an otherworldly song, filling the space with a mellifluous sound. 

James takes a place on the ledge next to you, reaching into the water to hold your submerged hand. You don’t really feel it, too transfixed on the rushing waves. You don’t see the way James gazes at you, like you’re his entire world. The softness, the tenderness in his eyes, which he reserves for you only. He looks at you not as if you’re his sun, something too bright to ever stare directly at, something violent and explosive and harmful, but as if you’re his moon. 

As if you’re the figure he watches every night before he closes his eyes, and the one he wishes to see again when he wakes up. As if you’re the only thing he notices every time the darkness envelops him, your presence never falling off the pedestal he places it on in his mind. Never losing its worth. He looks at you, your soft glow and mesmerizing shimmer, as if you’re the only thing filling up the night sky. The stars and constellations pale in comparison to you, especially on your best nights, when you shine so magnificently. 

You are the moon, and he is the tide of the ocean, constantly being pulled in by you. Never being able to escape the grasp you have on him, the grasp you are so blissfully unaware of. He stares at you in awe and wonder, bathing in your gorgeous light, so close yet always so far away. Sitting all alone against the dark backdrop of the evening sky, waiting for him to come back to you. And without reason, you always disappear. Always leaving him wanting more, waiting till the moment he can bathe in your presence again. 

As you sing, the tide gets pulled in by the gravity of the moon. Your lyrical voice bounces off the stone walls, surrounding you both, just as the moonlight surrounds the waves on that mystical night. 

But the moonlight is only a reflection of the sun’s glow, is it not? When daylight comes, the moon will pull away from the waves, its absence in the sky all but forgotten in the sun’s presence. And as dawn breaks, so too will the pull between the moon and ocean. 

on to part 2! ->

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do not plagiarize, translate, remake, or copy my works, including my writing and images, in any way.

[just-jordie-things]

spidermanmegumi x reader kissessssss plsssss

HEARD !! ___

megumi often comes to visit you when he's done with his patrol. and you're always quick to meet him at your window. he barely gets out a "hey, sweetheart" before you're lifting up the edge of his mask and kissing him square on the mouth. it's practically an attack, the way you fly over to him. he teased you about it when you first started greeting him this way... but eventually he realized there's no other way he'd like to be greeted so he started keeping his comments to himself.

(old habits die hard, he can't help but tease you for every thing you do)

what he finds most interesting about it though? the way you never take his mask all the way off when you kiss him. you bunch it up in your hands, shove it just over his nose, but never further. at first he thought you were in too much of a rush to kiss him that you didn't bother with it. but after enough times... he was certain it had to be purposeful.

so now his question was just: why? was it a mask thing? did you have a mask thing? it might make him a little smug at first, but he couldn't be too surprised. you did admit to crushing on spiderman before you actually knew him. maybe that crush never really went away?

he doesn't want to mess up a good thing- he quite likes to be greeted by your insatiable need to kiss him hello- but his mouth gets in the way. (lol)

"sweetheart," he'll probably regret gently pushing back your shoulders until your lips detach from his. you already have a little disappointed knot between your brows when your eyes open. "you ever think maybe i could take the mask all the way off first?"

the disappointment doesn't linger, as it's quickly replaced by your brightened features.

"how come?" you ask, and he should've picked up on the playfulness in your tone, but it's hard to focus on anything when you're looking at him the way that you are.

"well... i'd like to get a decent look at you" he says, and he thinks he's so smooth too, smirking just a little bit at his own words.

you giggle. his smirk doesn't last long.

"you can't see through your 'lil eye thingies?" you ask, squinting at the design of his mask as though you were able to see through the finely crafted mesh.

"of course i can see through the- that's not the point," megumi huffs, realizing a bit too late that you were in one of your playful moods. he wanted a real answer, he couldn't get wrapped up in the banter. "sweetheart... do you have... a thing... for the mask?"

you blink, eyes wide and lips parted in your surprise at his ask. megumi's sure that he's figured you out, that's what it was all this time. it wasn't carelessness, it was a kink!

and then you're laughing again, and megumi thinks he's never won a conversation with you. (this is another realization that's come to him too late. perhaps by a few years)

"you been wonderin' that for a while?" you ask, draping your arms over his shoulders and linking your hands together before he could try to escape you. "you think i have a mask kink?" you can't help but laugh a little bit more when you say it. but the part of his face you can see, you can see that he's beginning to blush, and you decide to put him out of his misery. "gumi, i like to kiss you like this because it makes me feel a little nostalgic, s'all" you admit.

"nostalgic?" megumi repeats, confused.

"yeah," you shrug your shoulders with a sweet smile. "reminds me of our first kiss," you say, before adding, "well, kisses"

megumi's certain you're the only person in the world who could get him to soften the way you do.

he feels a little ridiculous now. of course it was rooted in something more genuine than some little kink. it was sweet, really, that you think about your first kiss with him whenever you kiss him with the mask on. maybe he should make an effort to wear it more often, just to steal a few extra kisses throughout the day.

you purse your lips thoughtfully as you regard him, before adding on to your previous explanation.

"but now that i'm thinking about it, it is pretty hot, too"

yeah, he'll wear it more.

[purinfelix]

from your last post could i request pedri? from “about you” by the 1975 where perhaps reader and pedri had a past relationship all throughout high school and when pedri left for barcelona they lost contact / broke up but years later they reunite somehow? When they do it’s like a “i thought you’d forget about me by now” to “how could i forget about you?” maybe angst to fluff! sorry that was so long … i hope it made sense lol <33

did you think i'd have forgotten? ✶⋆.˚ - pedri gonzalez

w/c: 600 a/n: this is one of my fav songs of all time so tysm for this (and for giving a specific request HAHA) i got quite a few for this song but i liked this idea the most and thought it fit the best - hope u enjoy anon !! <3333

this is part of my 1k event - check out the rules here!!

He still looked exactly the same.

Or at least, from what you could make as your train sped past where he was standing on the platform - though you were pretty sure you could still faintly his features, that dark black hair, the crinkle in the corner of his eyes as he laughed.

It was all exactly the same.

And maybe it was the realisation, that feeling of noticing someone familiar in a place like this - or something deeper within you that you dared not to question - that pushed you to speed off the train at the last minute when this wasn't even your stop. Maybe it was this that made you walk, then jog, then sprint towards what you recognised as his figure in the distance.

But it was also the reminder of what happened between you two, all those years ago, that brought your sprint to a screeching halt. And what would be the chances of you running into your ex-boyfriend here, at a random station, far away from your hometown or the country he had left you to move to? How could you face him, after all that?

"Y/N, is that you?" Too late.

"Pedri?" you called out, your tone confused even though you had made up your mind about it being him long before he had.

"Woah, hi, what are you doing here!"

"I could ask you the same thing," you laugh, a little awkwardly.

"I'm here for a match, we're playing a local team."

"Oh, right," you smile, of course, "I study here."

There's a slight pause, in which you can see Pedri's expression turn into one of surprise. "I didn't know that."

"I mean, why would you?" You regret the words as soon as they leave your mouth, but it's too late since his face is already donning an apologetic look.

"Right, sorry," he mumbles, shoving his hands in his pockets as he looks at the floor. "What are you studying?" he says after a while of silence.

"Nursing," you say matter-of-factly.

"Of course, you'll be great at that," he says, offering a warm smile.

It's clear he's eager to make this exchange as normal as possible, and you'd probably be obliged to let him. But it's hard to be normal given what happened between the two of you, when this is the first time you've spoken to him in years.

"It's nice to see you," he says after another moment of silence.

"Same for you," you laugh shyly trying to avoid eye contact, "I figured you'd forgotten about me by now."

"How could I forget about you?" When you look into his eyes again, you're taken aback by how well his expression reflects his words - his brows tilted slightly up in the inner corners, a tender confusion at the fact that you'd think he'd dare to forget about you.

"Well, you know with how famous you are and everything, I see how they chant your names when you play," you begin to ramble, eager to explain yourself.

"Well, I'd hardly consider myself fam- wait, you watch my games?"

"Well, yeah," you sigh shyly, feeling your cheeks glow pink at the sight of his smirk. The two of you stand there, looking at each other for a while, exchanging sly glances - and it feels, just for a moment, like you're the same high schoolers who were in a puppy-love relationship.

"Are you doing anything now?" he asks you.

"Well, I was on my way to class but I'm probably late for that now."

"Do you want to grab some coffee? I want you to show me what's good around here," he smiles, "oh, and catch me up on how you're doing."

You feel your cheeks begin to ache from how wide you're smiling.

"I'd like that," you nod, "I'd like that a lot."

[ckret2]

How did you come up with your human Bill design?

I described my goal in the first post I made about his design:

After seeing dozens of tall dapper skinny white twinky anime boy Bills, I wanted a design that matches none of those words. My other two goals were to use the show’s art style; and to lightly pay homage to Alex Hirsch’s “canon” human Bill with the triangle body… except not deliberately hideous.

My unspoken final goal was "and I'm gonna make him damn good looking."

All the colors were sampled from Bill & Bipper, except his skin (which I sampled off a background character and tweaked until it looked good with the yellows) and his gold tooth (which I sampled off of Ergman Bratsman's).

On top of the fact that I was tired of specifically white dude Bills, brown skin tone was chosen because of the emphasis on Bill's interactions with ancient Egypt; I wasn't sure at the time how much of an influence I was gonna headcanon he had on the region, and it woulda felt weird depicting Egyptians bowing down to a white dude. (And then I decided to deemphasize his influence on Egypt almost completely lol.) It woulda been more accurate to go darker, but I was worried it would start to tilt his design into Nyarlathotep-esque Creepy Pitch-Skinned Mysterious Demonic Threat From The Orient racist territory, especially when he's already got demon eyes.

The triangular torso is the most important part of his design, I usually draw an equilateral triangle in the sketch layer and then pad it out.

If I were a better artist a year ago, I would have given him a double chin so his head+torso together would be triangular. But when I tried, I couldn't figure out a way to draw it that looked appealing instead of like a mean fat joke. So I took the coward's way out and gave him a skinny neck with a vaguely triangular chin, and now write him complaining about having a neck every few chapters.

I think the skinny neck, thinner face, noodle limbs, and typical baggy hoodie fooled people into assuming he's skinny. I figured out a way to draw a rounder face with less neck that looks more appealing to me than the original face, so I do that now. Can't do anything about the noodle limbs tho, those were chosen to match Bill's canon noodle limbs.

I went for a hoodie instead of the typical suits you see on human Bills for two reasons.

One: several years ago I had an OC I'd conceived of as a dumb kid who'd given Bill permanent standing permission to use her as a puppet, and when letting Bill take over she'd hide her human features by wearing a hooded poncho and tying a blindfold with an eye on it over the hood, and that idea stuck with me.

And two: for the story I came up with this design for, the premise is that Bill's been recently unhappily stuffed in a human body and dumped on his enemies' doorstep. So, he doesn't have the freedom or money to get fancier clothes; he's too depressed over being stuck in a human body to care much about his human appearance; and he's most comfortable in something that obscures his human anatomy and reminds him of his real form. If he was rich, free, and able to ditch the body any time he wanted, he'd be wearing suits.

[findafight]

Okay I kept thinking about this post and Steve being a BNF of Corroded Coffin message board of the internet of yore.

Alright so way back in the nineties Suzie hooks everyone up with the internet, yes? Yes. Eddie and Steve got together in '92 after some mutual pining and a few disastrous relationships that couldn't handle 1) Steve and Robin's general QPR clinginess 2) Eddie's intensity 3) the secrecy required if having multiple years of monster fighting and subsequent NDAs and the trauma associated therein. They're older and more settled and ready for an Adult Relationship.

Corroded Coffin is gaining traction and doing really well and the internet is still a brave new frontier, so Steve says to Eddie something like "I'm going to see if there's some message boards about you 🥰" and find them he sure does. So he makes accounts and posts under the username EddiesOnlyGroupie because he's hilarious and also the mods banned him from using EddieMunsonsHusband (he figured it was fine on the internet because nobody actually knew who he was but APPARENTLY NOT homophobia lives on in the digital age). He gets pretty well known in the Corroded Coffin fandom, most assuming he's a woman because he will go off on how hot Eddie looked at a gig. Like. Saying unhinged internet shit because 1) true and 2) he and Eddie think it's so funny. Everyone kinda believes the groupie thing too because of all the performance pics he's able to post and how he'll sometimes offer tidbits if knowledge about the band.

When they transition from chatrooms to livejournal etc he follows, with the same username. He's kind of a legend by the mid aughts. EOG is the acronym people use when discussing theories on his identity, and he's like "guys I'm literally his only groupie it's self explanatory. Guys why don't you believe me Eddie hasn't slept with anyone but me since 1992. We're basically married". He goes "it's not a mystery we literally are in love and Jeff and I go to Cubs games and cry when they inevitably lose together. Gareth is Godfather to my cats" (Eddie is still offended that he was not named Sassafras and Moonshine's godfather when Steve and Robin adopted them in '89). No one believes him.

Possibly because he still thirsts after Eddie and whenever someone posts a new Eddie pic those in the know wait for him to pop up with comments like "I want to bite his neck omg" "he has no ass but nobody is perfect I'll settle between his thighs anyway" and "literally a crime I am not married to him right now what the fuck" As twitter grows he swoops in to grab his handle, and follows a bunch of other CC fan accounts (some of them old friends, some of them new to the scene)(EOG 100% has his own fanlore page, which also has speculation on who he is and how he gets all the bts pics. It also doesn't believe when he says what it says on the tin. He's Eddie's only groupie.)

tumblr and tiktok come round and Steve is like. Openly horny on main. He's seen some shit go down on the internet but he's still commenting on Eddie fan edits that are title shit like "why am I attracted to this middle-aged white man" and "retro cc fancam" with things like "I'd let him lick the inside of my ear and only bring it up to tease him on special occasions" "his FINGERS" "back in '89 Jeff and Howie and Claire staged a mutany over this song because they were 'sick of Eddie only writing about biting bats' lmao" and "Jeff is my favourite member of cc"(just to stir the pot)

Eddie comes out in the 2010's and he's like "yeah I've been in a long term relationship with someone who is usually mostly a man kinda (gender is fucky) for the past twenty years, lol. His name's Steve. I love him a lot even if he mocks me online." and of course EOG comments "the mods of that old message board should have let me keep my original handle of EddieMunsonsHusband. When're you gonna make it reality, Munson? smh" and everyone is like Huh?? EOG is a MAN? And he's like yeah? Sometimes?? Not always?

(He 100% thinks this is him telling people he's Eddie's Steve. They don't get the message)

Anyways life goes on Steve continues to thirst under pictures of Eddie, he has his pronouns and name in his bio on twitter (Steve, he/him, she/her, Eddie Munson's first and only groupie 🏳️‍🌈🏳️‍⚧️ ) and continues to post behind the scenes photos that shockingly few people question (she always says "because I'm his groupie" though. He and Eddie think this is VERY funny and also true. Robin groans. They've been making the same joke for two decades.) and people believe it because Eddie has interacted EOG sometimes, liking photos or videos, commenting sometimes. (Steve has a more professional realname account that he rarely uses but Eddie usually tags Steve there)

And THEN Internet user EddiesOnlyGroupie says he's taking a few weeks off for her honeymoon because "I'm finally marrying the man of my dreams!" And people are happy for him but also bummed because Eddie is also taking a two week hiatus but EOG promises wedding and honeymoon photos. (Face reveal! Sorta!)((he doesn't get why people are excited because he's pretty sure he's been in a lot of Eddie's recent pictures, but whatever)

Imagine the Internet's surprise when Eddie Munson posts a collection of pictures spanning '86 to his 2016 wedding of him and Steve, including one of Steve looking seriously at an old desktop computer, captioned "Steve starting his internet career" and tags EOG.

Steve qrt with "I told yall. I'm his only groupie, and they should've let me keep EddieMunsonsHusband even if they WERE homophobic. Because now it's TRUE"

Niche internet community drama chaos ensues.

[blueskittlesart]

i kinda really wanna see a big ol vent/rant from you about genshin now lol. I would read an essay

I'm not sure you understand the insanity you just unlocked in me but ok

genshin impact is probably the clearest modern example i can think of of capitalism absolutely eviscerating a creative project. For context, I started playing genshin in 2021, just after the 1.4 update. it was venti's first rerun/the first windblume festival if that means something to you. and I really genuinely thought that it might have had something special. It was a gacha that didn't FEEL like a gacha, which was a huge feat to me.

it began with a very simple story pitch--you, the protagonist, are one of a set of twin siblings traveling through space. you come upon a seemingly unassuming world and your attempts to continue your journey are suddenly stopped by a mysterious, all-powerful figure. you are separated from your sibling and wake up alone on the shores of this planet you were attempting to leave together. throughout that opening cutscene and scattered through the world and your character's dialog there are implications that all is not as it seems, that your character is something unique to this world and that they possess powers and abilities that you've yet to unlock. You are told that you must travel the seven nations of this world in order to find your sibling, which is great--a simple, zelda-like objective which drives the player to explore the secondary narratives of the world. none of this is bad on the surface. in fact i'd argue it's pretty good. there's a ton that can be done with these story bones. even at launch the map and combat system were full of potential as well.

Note: for ease of reading, i'm going to label the different storylines of the game now. A-plot refers to the central objective of the entire game; the find-your-sibling plot and everything that encompasses, including the abyss order/dain, the heavenly principles, the fake sky, etc. B-plot refers to the secondary objective present in each new nation, usually meeting the archon and/or solving a problem for the archon. (A and B-plots will occasionally intersect.) C-plot refers to any story, location, or background information which remains in permanent gameplay but which isn't directly related to the A or B-plots, such as dragonspine, the chasm, enkanomiya, etc. D-plot refers to any story, location, or background information which is confined to limited-time events and does NOT remain in permanent gameplay, regardless of its connection or lack thereof to the A and B-plots, such as the golden apple archipelago, the infamous albedo/dragonspine event, the infamous kaeya/diluc event, etc. Lore as i will refer to it in this post refers to any information which is present in permanent gameplay but which is not directly told to the player within the A or B-plot story quests and objectives, including books, weapon, artifact, and item descriptions, world quest dialog and puzzles, etc.

So now we're in mid-2021, there are two nations' worth of B-plot story quests released in full, and we've run into our first problem, which is that the game isn't finished yet. I don't have any actual information about how the game was/is written, but based on what i've observed over the past few years, my best guess is that the A-plot has been fully written since the beginning, at least in some form. there were very early-game events and information pertaining to the A-plot that would take years to see any actual payoff in the main story quests (kaeya's origin story, the 1.3 scaramouche fake-sky drop, the flowers in lumine's hair, etc.) but those kinds of A-plot story easter eggs very quickly dropped off when the game absolutely EXPLODED during the pandemic.

this sudden burst in popularity was the true beginning of the end for genshin, i think, because suddenly they had a HUGE fanbase that desperately wanted more content faster than they could pump out new A-plot or even B-plot story quests. one of the most pervasive complaints about the game when I began playing in 2021 was that there was nothing to do between story quests. update 1.4 (which was the update I started playing at) was important in that it was the first time since genshin's release over a year before that players recieved any new A-plot, in the form of the archon quest We Will Be Reunited, also known as the quest with the most fucking misleading name of all time. you'll never guess what doesn't fucking happen during this quest. anyways. we were a year into gameplay, two nations out of seven released and a third on the not-so-distant horizon, and it seemed obvious that players were owed some sort of A-plot payoff. and that's very much what WWBR was advertised as, from the quest's name to the banners full of art of the twins staring wistfully at each other. The thing is, what i'm describing as A-plot payoff was actually. not really A-plot payoff at all. WWBR was the reveal that the protagonist's sibling was working with the abyss order, and that the abyss order was connected somehow to Khaenri'ah, which at this point casual players would only have known about from THAT QUEST and MAYBE kaeya's character descriptions if they were diligent enough to get him to friendship level 10 (which, btw there is no indication that you should do to get important context about the story of the game, because kaeya is a 4-star starter character and the only character in the entire game that actually has genuinely important story hidden in his character descriptions.) So what I'm calling A-plot payoff felt at the time a lot less like A-plot payoff than it did like an abyss sibling cameo in an attempt to satiate everyone who was begging for more story. We actually gained almost net 0 information. this is very quickly going to become a pattern.

As I've already alluded to, the motives behind this writing decision are transparently obvious. Genshin is a free gacha game which relies on a consistently active and engaged userbase to make its money. With fans getting restless about the lack of engaging story at the time and a new, very ambitious B-plot quest gearing up for release that would require major support from that fan base in order to remain profitable, the writers were backed into a corner. they HAD to throw the fans some sort of bone in order to keep them engaged with the A-plot, since it was originally pitched as the driving force for the story as a whole, but they were also clearly not at a stage of the writing process where it was prudent to give the player any REAL information about the A-plot. This is how we ended up with a 10-second abyss sibling cameo and an offhanded mention of Khaenri'ah, a nation whose plot-relevance was at that point still basically unknown.

The real problem is, WWBR worked. at least, it worked as intended at the time. It satiated story-focused fans in the interlude between B-plot nations, as hyv was gearing up to release inazuma, which required a lot of time in preparation. WWBR was followed almost immediately by the C-plot golden apple archipelago in 1.6, widely regarded as one of the better events of version 1. GAA was memorable especially because it was the first event that involved an entirely new, limited-time-only map, meaning the event had much more longevity than the standard events players were used to. This is, imo, most likely the update combination that led to the standard formula which hyv uses for its quests and events nowadays. the back-to-back release of WWBR and GAA satisfied both fans who wanted A-plot story AND silenced criticisms about the game lacking endgame playability, which at the time must have seemed like a goldmine to writers desperate for a solution to their content-to-fanbase ratio problem.

From here, genshin started following a standard method of release for their next three nations--inazuma, sumeru, and fontaine. the formula generally went as follows: one major version update (usually version x.0) containing a major map update which included all B-plot relevant locations in the new nation, and the first chapter of the B-plot story quest relevant to that nation. this would then be followed by 2-3 version updates which would each contain the next chapter in the nation's B-plot story quest, sequentially. After the nation's B-plot quest ended, during the downtime in which the next nation's story and map would be finalized, subsequent updates would be largely C-plot, and would contain minor expansions of the map to increase endgame playability via exploration and world quests. This is how we ended up with updates like the chasm, the several extra islands in inazuma, and the quite frankly ridiculously large sumeru map, as well as the offloaded maps like enkanomiya and the sea of bygone eras. with the possible exception of the chasm, none of these areas are A OR B-plot relevant. hyv has realized that artificially inflating the map makes their game technically more engaging during the downtime between nations. However, this comes at a price. While the scenery and set design of the game remains consistently beautiful, the actual, mechanical gameplay that populates that scenery very quickly became mind-numbingly boring if not borderline unplayable. While the 1.0 questlines were not perfect, there was at least an emphasis on the player actually DOING things. 1.0 B-plot quests would have you going to mini-dungeon temples and completing challenges which would acclimate you to the combat system while also serving narrative purpose. There were quests that required you to navigate open-world dungeons. Because your characters were lower-level, combat challenges that arose during these quests were CHALLENGES, rather than two-second buttonmashing segments. By the time we get to sumeru, though, both B-plot AND C-plot quests have become little more than moving your character from location to location and tapping through (usually unvoiced) dialog. there's no GAMEPLAY in the quests anymore, because gameplay isn't what makes money. What DOES make money is giving players 300 hidden chests to find in an open-world map segment, each of which gives them 1/80th of a gacha pull. And so the story suffers and the map gets bigger.

Along with the map expansions, downtime between nations usually also nets us one A-plot quest, usually involving the character dainslief, who was the driver of the initial WWBR quest. This is the second half of hyv's magical formula for keeping fans happy between major releases. the A-plot quests will, as a general rule, give players either very little new information or no new information at all, but will dress up the delivery in such a way that it ALMOST feels as though the protagonist has moved forward somehow. the most recent example of this writing style, the 4.7 quest bedtime story, amounts to about an hour and a half of gameplay and, while it DOES contain a segment in which the protagonist finally actually has a conversation with their sibling, that conversation literally begins with the line "I have so many questions, but for some reason I don't want to ask them right now," ensuring that the sibling will not actually be required to give away any plot-relevant information whatsoever, and the quest ends with the protagonist FORGETTING THAT THE CONVERSATION EVER HAPPENED IN THE FIRST PLACE.

As I think I mentioned before, the cardinal problem of genshin impact's writing is that fans want answers faster than the writers are prepared to give them. I don't doubt that there's a game bible or relevant equivalent somewhere within hyv which contains the explanations we are currently lacking in regards to the A-plot. the game is consistent enough in its storytelling for me to believe that this isn't all just being made up as we go along. But I'm also certain that a lot of the late-game A and B-plot that is planned (especially if the Khaenri'ah is truly planned to be the 8th nation of the game) hinges on the player knowing very little about the A-plot. this would be fine if genshin was a standard single-release video game that players could work through at their own pace, but it isn't. it's unfinished, and each nation in the game releases months to years after the last, leaving the writers to scramble to fill in the gameplay gaps and players struggling to remember plot-relevant information when it's brought up literal years after they last heard it mentioned. Not only does the time between updates leave players frustrated about the lack of A-plot, it makes the A-plot harder to understand when it is brought up, because the writers are required to throw in so much dense C and D-plot just to keep engagement high enough to make the game profitable in its downtime. we joke about the insane convolution of genshin's lore, but that is first and foremost a byproduct of its financial model. the game requires engaement to be profitable, and adding lore for players to look into drives up engagement. The fact that having so much story with so little plot relevance muddies the waters and makes the A and B-plot stories considerably harder to understand doesn't matter as long as money is being made.

I want to take a quick detour here to talk about the release of sumeru specifically, because this is when I really began to clock the fact that genshin was declining. on paper, racial sensitivity issues aside (Not that they're not important, but i'm doing this deep dive from a storytelling and game design point of view, nothing else. that's a whole can of worms i don't have time to get into here) sumeru was a really promising addition to the game. The new B-plot quest which was set to drop in 3.0 was highly anticipated for several reasons. Two fan-favorite characters (kaeya and scaramouche) were expected to play major roles, because of earlier C and B-plot quests, and much of the nation's scenery that was teased in trailers and promotional content appeared to tie into the A-plot. the most exciting draw about sumeru and version 3.0, though, was the major update to the combat system.

Arguably genshin impact's most interesting feature upon release was its combat system. The map was basically a botw clone at that point, and the story quests, while decently engaging, were rough around the edges to say the least. What genshin DID have going for it was a unique real-time combat system that rewarded strategy and quick thinking.

Genshin's combat system is elemental, and on release there were 6 elemental affiliations: anemo (wind), cryo (ice), pyro (fire), hydro (water), geo (rock), and electro (electricity.) in a sort of pokemon-like system, certain elements were weak to other ones, but more importantly, certain combinations of elements could drastically boost combat stats. Players got to construct four-slot teams of characters, each with an elemental affiliation and certain "skills" which would match their element, and you were encouraged to use the interactions of these elements to build teams. very quickly, a huge community formed dedicated to optimizing teams and tiering characters. People would even make a game out of building teams specifically to do high-level damage with "bad" characters or characters who weren't designed to be damage drivers (my 100k jean burst was an incredible moment fr.) this was, of course, also a picture-perfect driver for the gacha aspect of the game, which was how players obtained new characters.

Pre-3.0, combat was... well i won't say it was balanced, but there was no elemental reaction that had any MAJOR advantage over the others. when you actually ran the numbers, i believe vaporize was the best reaction in terms of damage output, with the best team being raiden national with kazuha for EM buffs. but a well-built freeze or melt team could do similar numbers, or even better numbers depending on your artifact rolls. (ayaka permafreeze you will always be my #1.) Despite a steady stream of new characters with each update, characters from the earliest version of the game like xingqiu and xiangling were still topping the charts in terms of usefulness and versatility in teambuilding. However, as early as 1.0, players had been teased that a major update to the combat system was planned. There was a seventh element, dendro (plants) which pre-3.0 only existed as an elemental affiliation for menial enemies. there were no playable dendro characters, and the only elemental reaction that existed relating to it was very low-level and not particularly useful in combat.

Originally, dendro was projected to be added to the combat system somewhere in version 2, but its release was delayed substantially, meaning it came out along with its affiliated nation, sumeru. And as soon as it came out, it basically broke the combat system. I assume that the scaling they ended up going with may have been out of fear that players would be hesitant to integrate a new element into their pre-established team builds, and thus they may have been worried about sales on their dendro character banners, and i assume that the fact that 3 elements are required to get the highest-level reaction was an attempt to make the meta more balanced in the face of that scaling, but, well... it didn't work. At this point, the genshin impact combat meta is basically "if you're not using hyperbloom what the fuck are you doing." there's basically no reaction in the game that comes close to it in terms of both damage and ease of use. you are not going to beat a hyperbloom team with anything other than a better-built hyperbloom team. combat is now very heavily skewed in the direction of dendro, meaning that if you DON'T want to use a dendro team, you're going to be doing significantly lower numbers. And since enemies are added with each update, post-3.0 combat becomes difficult and annoying if you don't have a hyperbloom team on-hand.

The major gripe i have with dendro isn't even the scaling, though. I mentioned offhand earlier that the 1.0 B-plot questline had a section which taught you the basics of the combat system via mini-dungeons. These mini-dungeons, of course, taught you the version of the system that existed pre-3.0, so there's no tutorial for dendro reactions. Rather than integrating the tutorial into the story and world like they did in their early quests, upon playing 3.0 for the first time players were given a popup that explained, very wordily, how dendro reactions worked. there was no opportunity to test these reactions in an environment without consequences--if you wanted to try them you'd have to remember the relevant information, build yourself a team, find an enemy to try them on, and just hope you got it right. This lack of integration is something i began to notice more and more with genshin as it progressed, especially in sumeru. where in mondstadt and liyue open-world puzzles would be explained to you by an npc or via environmental context clues, in sumeru you'd be stopped while exploring every two seconds by a popup explaining some puzzle or another which, of course, you wouldn't read, because you didn't want to do the puzzle right that minute anyway, and then by the time you DID want to do that puzzle you'd have no in-game way of figuring out how to do it. The puzzle popups may seem like a small thing, but it's one of the clearest examples in the game to me of the fact that the player experience is so clearly not being prioritized here. the game doesn't even TRY to be immersive anymore. they have no qualms about pulling you out of the story to read a paragraph about how the puzzle works. they don't care how your character, in-universe, is supposed to have acquired that information. they don't care why your character, in-universe, is doing the puzzle in the first place. because they know the reason YOU are doing the puzzle, which is to unlock a hidden chest that gives you 1/80th of a gacha pull.

That was not "a quick detour" was it lmfao. ok anyways. back to the story. Now i want to talk about D-plot, meaning limited event stories, and lore as i defined it earlier, meaning contextual details not present in quests or playable story. This is where i think genshin's story becomes completely inaccessible.

Already, we've covered the fact that in order to consume the very basic story, players have to be willing to wait years between A and B-plot quest releases, punctuated by irrelevant map expansions and interlude quests. I mentioned before that genshin's incompleteness is one of the major problems of its story. the fact that players have to wait years, remembering plot-relevant information that they have no way of knowing will even BE plot-relevant, for the payoff of these narratives is frustrating at best and actively malicious at worst. But in theory, there should be an obvious way to circumvent this. One could just wait until the game IS completely finished to play the whole thing. Sort of like buying a game in early access but waiting until it's actually finished to play it all the way through. that's theoretically possible. but, as i have been hammering home this whole time, genshin is a free game, and therefore genshin relies entirely on a consistently engaging fanbase in order to remain profitable. if genshin does not have a base of players who are willing to log in every day, or at the very least once every update, the game's financial model collapses on itself. therefore, genshin puts on limited-time events. this is a standard in gacha games, as a way to keep the fans consistently engaging. What is not standard, however, is the way that genshin uses these events as vessels for its story. about 19 out of 20 limited events in genshin impact will be useless menial bullshit with no effect on the story or really even the player aside from maybe making you fucking angry. 1 out of those 20, though, will be innocuously named, with nothing in the banner or event description to indicate that it's special in any way, but it will contain serious A or B-plot relevant information that exists nowhere else in the game. My personal favorite example is the infamous 1.3 scaramouche appearance, in which he showed up, told the protagonist that the sky was fake, and then immediately fucked off again. Scaramouche did not show up again until at least 2.0, and the fake sky wasn't so much as MENTIONED again until 3.2, almost TWO YEARS LATER. but there are others, such as the (almost equally infamous) albedo doppelganger event in which a major character's loyalties are called into question, or the event where major biographical information is revealed about kaeya, the only playable character with major known connections to the A-plot and Khaenri'ah. With all of these events, once the event period ends, the information contained within them vanishes from the game completely. there's no way to replay old events that you've missed, even sans rewards, so if you miss a plot-relevant event the ONLY way to catch up on that story is through word of mouth. again, this is a transparent way to keep genshin's userbase engaged during downtime between B-plot quests; if you don't log in and play every event, how will you know if you've missed something important? You might not be able to fully understand the future story if you miss out on the D-plot now!

The D-plot problem is something that I think could, in theory, be circumvented by dedicated record-keeping. if the wiki had anything resembling an easily accessible event database that marked story-relevant events and contained summaries or gameplay videos, at the very least you wouldn't have to fear being completely lost on the off chance that a random throwaway line in an event from fucking 1.3 becomes plot-relevant. but hyv obviously doesn't want that, because it undermines their financial model, and the sheer number of events and the amount of rerunning of irrelevant events they do makes the task of recording and categorizing them all daunting if not impossible.

Then, of course, there's lore. this is arguably what genshin is infamous for in certain circles of the internet. You know that unraveled video where bdg reads every book in skyrim? if you tried to do that with genshin the video would probably be about 10 hours long. and it's not just books; genshin hides (potentially) plot-relevant information in weapon and artifact descriptions, in random hidden world quests, in character bios... the list goes on. and 9 times out of 10, the information is essentially written in code. Plot-relevant characters will have multiple names, or the relevant information will refer to them as vaguely as possible, presumably to further the "mystery" and encourage theorizing among fans. but the sheer amount of information like this that exists within the game makes it all but impossible to determine what is plot-relevant and what isn't. For a topical example, the most recent A-plot quest bedtime story mentions the name Rhinedottir in connection with events in Khaenri'ah, suddenly making that name A-plot relevant. Rhinedottir is an alternate name for the character Gold, whose existence you would only have known of before this point if you'd unlocked and read the character Albedo's character bios. (Albedo is a limited-run character who hasn't been available since november 2022, btw.) the only other information about Rhinedottir permanently available in the game comes from the description of the weapon Festering Desire, which was only obtainable from a limited event back in 2020, anyway. So basically, if you wanted ANY context for that remark, you'd have to have been playing the game since AT LEAST 2022, AND you'd have to have taken the time to go over your weapon and character descriptions with a fine-toothed comb. keep in mind that as of right now (june 2024) there are 85 playable characters in this game, each with 10 unique unlockable character bio sections, and over 150 weapons, each with their own unique descriptions, not to mention over 50 artifact sets, each with 5 unique artifacts, which all have their own unique descriptions as well. there are also 51 different collections of books which contain written lore as well. the idea that any player could keep up with all this, or that anyone could even sift through it all to pick out the important things that they NEED to keep up with, is insane, especially when the game makes a point of withholding crucial plot information from its players within the A and B-plot quests. this amount of written lore only exists, again, to drive up engagement in the hopes of subsequently driving up profit. Even if the average player isn't reading and absorbing all this information, the fact that it's there coupled with the fact that the writers consistently refuse to reveal anything beyond surface-level A-plot information means that there's basically ENDLESS theory fodder. and THAT means that people will be posting their theories and talking with each other and getting into arguments. it means "genshin impact" trends on twitter. it means engagement, and engagement means money.

basically what it comes back to is that everything is so transparently money over player experience with this game. I think what we're witnessing with genshin is what i would call an end-stage gacha game--a gacha game that's gone on a little too long and gotten a little too popular, and so the veil has started to slip a little more than usual. Gachas work primarily because they operate by toeing the line between what is fun to play and what is a predatory mechanic. As long as the actual gameplay remains engaging and rewarding, players can ignore the unsavory business practices underneath. At this point, genshin has swerved too hard into the money-hungriness and is still hoping that they can use their old tried-and-true engagement farming methods to remain popular regardless. currently, it seems like those methods are still working, unfortunately. Like I said in the post that prompted this, i really can't wait for the hyv writer NDAs to expire 10 or so years down the line, because I can only imagine what an insane shitshow writing for this game must be. I want to see the tell-all articles. I want carnage.

That being said, I played genshin impact religiously from 2020 to 2023. I loved the game. Despite myself, I am still really, REALLY interested in the A-plot. I want to know what's going on with the protagonist and their sibling; where they came from, what happened to them, what the heavenly principles are, what role celestia plays in all of this. I want to know Kaeya's full backstory, what role Khaenri'ah plays in the overarching story, and what happened to it in the past. but I don't really have any faith that I ever will, because I know that as long as keeping their fans in the dark and stringing them along remains profitable, that's what hyv will continue to do.

Do I think genshin impact is unsalvagable? in its current state, yes. If I was given the ability to turn back time and convince a bunch of executives of the profitability of this venture, I would change almost nothing about the story of genshin and completely rework the mechanics of its release. I would make it a series of single-release self-contained games rather than a constantly-updating gacha. Each game would be one B-plot quest, or one nation, eight games in all, preferably released once every year. Removing the gacha mechanic, players would be given access to a certain pool of characters to build teams at the start of each game, and then periodically unlock new characters as the story progressed. for example, if you were playing the inazuma game, you'd start out with only your protag, and after progressing to a certain point in the story you'd get a pool of inazuma 4-stars to teambuild with freely. Then, as the story progressed and you met plot-relevant inazuman 5-stars you'd add them to your pool. I'd change basically nothing about the combat system except for a properly integrated introduction of dendro when it makes its appearance in sumeru. Once you completed the story in that nation, you could move onto the next game in the series if it was out, or if it wasn't, you could continue to explore the open world while waiting for the next release. Would this be as profitable as the gacha model? probably not, but what it WOULD do is allow for much more consistent pacing and writing, with the added bonus of not making your userbase feel like you'd shoot them in the head for their pocket change.

[thankskenpenders]

Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

[ahgasegotarmy116]

Just Take It | Bonus Drabble 1

Summary: An encounter with a cashier leaves Jungkook ready to cause a scene Pairing: Inexperienced f!reader x Best Friend's Dad Jungkook (20 year age gap) Word Count: 1K~ Warning: Explicit and suggestive language. Jungkook threatens to kill someone but like not really lol that's pretty much it a/n: This was an ask I got but both the anon and I'm sure a bunch of you love seeing jealous Jungkook so here's a short chapter of something that happened after they started dating 🤭 p.s. written in one sitting and barely edited Start from the beginning

"Can you wait in line for a second Darling? I forgot I needed to get one more thing" Jungkook asks me and I nod my head, humming as he places a kiss on my temple and rushes off to another part of the store.

While I wait mindlessly in line I end up getting lost in the different covers of magazines that are displayed around me in line. Leaving me obvious as to the fact that the cashiers have been switched out. Now having changed from a older man to one who's closer to my age that has been shamelessly checking me out since he laid his eyes on me.

Once I get closer to the front of the line I start to get a little antsy, seeing as Jungkook hasn't come back yet and I had forgotten my purse in the car. Lucky for me though there's no one else behind me in line so I won't have to worry about holding someone up.

"Did you find everything alright miss?" the man asks, having his eyes tracing up and down my figure after he finished helping the customer before me.

"Oh um, yes I did thanks. I'm just waiting for my boyfriend to come back" I point out, quickly seeing the look in his eyes.

I turn around and get on my tippy toes as if that would aide me in finding him faster but I can't seem to spot him anywhere.

I turn back around to face the cashier and notice that he's started to scan each item slower and slower and I'm not sure if it's his plan to keep me here longer or to prevent an awkward lull in the process.

Once he's scanned the last item and is ready to accept payment I look back at him and awkwardly laugh and he gives me a crooked smile in return.

"So about this boyfriend of yours, are things pretty serious? Because if you were mine I would never do something like this to you. Always make sure to keep you close and comfortable" he says, dropping his voice an octave, clearly trying his hand at seducing me.

"I'm perfectly capable of taking care of myself" I say and pull out my phone to pay instead, deciding that I'll just have Jungkook pay for whatever else he went to look for separately.

Once the cashier cues the system up for me to pay I feel a hand on my waist and relax, knowing exactly who it is.

"Add this one too" Jungkook says, coming back with my favorite ice cream that we had ran out of a few days ago.

The cashier clears his throat and cancels the payment, quickly adding on said item to the total before cueing up the system again and Jungkook places his card on the reader to pay.

"I thought I'd lost you" I say, laughing awkwardly while the cashier packs up our groceries. "I told you I'd be back. I just couldn't find it because you like the most random flavors that are placed in the weirdest of sections" he teases, placing a quick kiss on my lips.

He glares back up at the cashier who is nervously watching our exchange and audibly gulps once Jungkook cocks a brow at him.

"Next time, take a second before you start thinking with your dick alright?" Jungkook growls out, clearly holding himself back but needing to say something regardless.

"Yes sir" is the only response the cashier gives him, bowing his head as a means of apology but it still doesn't sit right with Jungkook leaving me having to physically usher him out of the store.

"Are you okay?" he asks once we're at his car, loading up the groceries after he's taken a second to calm down.

"I'm fine, although I'm glad that you came when you did. I was beginning to think he was going to try to ask me for my number or something" I say and I watch as Jungkook tongues his cheek, knowing that I probably should've kept some of this interaction to myself.

"Did you tell him you have a boyfriend?" he asks, placing the last bags in the trunk and shutting it a tiny bit harder than he usually would.

"Yeah but he didn't seem to care, asked if we were really that serious" I say, digging his grave deeper and deeper.

"I'm gonna kill him" he growls, making moves to head back inside and I run after him not being able to keep up with his long strides any other way and yank on his arm.

"No come on, let's just go. I'm perfectly fine alright. Let's just go home. Please?" I ask, making sure to add a little more pout than I usually would. A tactic that I hope will work to get him to calm down and forget about it.

He takes a deep breath and nods his head, letting me lead him back to the car and he opens the door for me but before I get in he put a hand on my waist and leaves me frozen in place.

"When we get home I'm gonna show you just how serious I am about you. Okay Bunny?" he asks, posed as more of a threat than anything else leaving me shivering, thinking about what I've gotten myself into.

I let out a choked back 'okay' before he slaps my ass and tells me to get in the car leaving me already clenching, dying to know what he's going to do to me

When he sits in the drivers side beside me he starts the car and places a hand on the back of my seat looking out the back window to help him back out before switching gears back into drive.

He immediately places his hand on my thigh, sliding it up my skirt and starts tracing patterns on the inside of my thigh, driving me absolutely insane from just these simple touches.

I'm fucked.

Hopelessly, painfully, deliciously fucked and I can't help but count the minutes until we get home.

Series Masterlist

Taglist: @jkslipppiercing @trina864 @kaitieskidmore97 @goddesofimortality @coolbluedude @00frenchfries00 @bangtans-momma @coralmusicblaze @pastelpinkjoon @joonwater @marvelbun @j3nni-rs @evidive @beomieboi @forevrglow @jesssssmaybankk @teugiie @chaconnelatte @whoa-jo @snehal @xumyboo @mindurbuzznezz @diorh0seokie

[genshin-obsessed]

Confessions | Honkai Star Rail

So i've been super into hsr recently and I thought I'd get back to doing longer hcs because those are always fun! This time I left out Welt and Sampo and I'm not sure how I feel about it lol ✧ Includes: Dan Heng, Gepard, Jing Yuan, Luocha, Blade ✧ Extra: Something a little weird has happened to my Blade lol, he's just a confused man who really likes the reader. It may be ooc- i have no clue

Dan Heng

For Dan Heng, he doesn’t know how long he’s liked you. He just realized it one day when you said something- a compliment towards him- and he just couldn’t stop thinking about it.

Dan Heng’s not the most outward person, so wanting to confess wasn’t something easy for him. He actually needed to prepare, give himself a pep talk and all. His method is invite you to his room and then just tell you- no beating around the bush.

You’re shocked to say the least- I mean it’s DAN HENG. He liked you?! HE CONFESSED?! You sat there for a good minute just staring at him. He looked calm but kinda started panicking on the inside.

“I-I like you too!” You say before he can speak. You were so loud, he jumped a little. Safe to say, he’s extremely happy you accepted because then it would’ve been awkward afterwards.

“Oh good… good.”

Gepard Landau

Everyone knows Gepard likes you before himself. He can say it’s just been a few months but others know it’s been like a year. It’s just the way he acts and stuff.

Gepard has a VERY hard time confessing. He’ll keep trying to do it, but then backs out at the last minute. He’ll keep saying he wants to talk to you about something important then just doesn’t tell you. Finally, one day… it slips out. You two are alone and he barely realizes it until he sees your face.

You’re happy but also shocked. The guy you’ve liked for like ever finally likes you back! Do you go through the statue phase of freezing up and staring? Yes. Did he start panicking because of it? Yes. Your reaction right after was to throw yourself at him and give him a tight hug.

He doesn’t say anything right then and just hugs you back. You not running away, horrified, probably meant you felt the same. That made him happy- so happy he didn’t even know what to do.

“Thank you… for not running away- oh and liking me back.”

Jing Yuan

His feelings had been around for a few months now, he knew pretty much instantly when he was attracted to you. It didn’t take him long to figure out he was in love with you either. It was obvious, his heart pounded when you were around, he couldn’t stop thinking about you, and he was always worried you’d find someone else.

Jing Yuan confesses fancy style. He’ll invite you out to like dinner or something or maybe just to take a late night walk with him. As you’re walking, he’ll coyly bring up the topic of dating and whatnot. You two chat for a bit, then he just admits it. He makes sure to add the “it’s alright if you don’t feel the same way, I won’t be upset.”

Of course, you do feel the same way! Your eyes widen and you gasp as the reality sets in. The General of the Cloud Knights liked YOU! It took a moment to just process his words, and Jing Yuan stood there patiently, giving you time to think. If you were going to say no, that’s fine, he just needed a clear answer. You found it hard to speak but forced the words out, “I-I feel the same.”

Jing Yuan’s over the moon with this newfound knowledge. He’s so happy, he could shout it out from over the rooftops. Honestly! All he can do is give you a tight hug, not wanting to do anything else if you weren’t ready for it- say a kiss.

“I’m glad. We should go on a date then- a proper one.”

Luocha

Luocha is very good at keeping his feelings to himself. At first, he thought it was just a little crush and it would pass. But it didn’t. It just… kept developing. He tried to manage it, feeling that maybe a relationship right now wasn’t the best option for him. But when his heart would start pounding every time you smiled at him, or his mind went back to you and what you might’ve been doing when you two were apart told me he… maybe didn’t wanna wait.

Luocha’s confession wasn’t exactly grand. I mean, what was there to be super grand about? Especially if you were going to reject him. So he just took you out on a little walk and slyly brought up the topic of relationships. Once you mentioned you didn’t mind being in one, he just said, “will you be in one with me?”

You kinda froze. Deer in headlights situation. You needed a moment to process what he’d just said. He… wanted to date you? WELL GOOD! YOU WANTED TO DATE HIM! You happily nodded, a big giant smile spreading on your face.

There was this emotion he felt when you said you liked him too. Pure, unadulterated happiness. He felt so good about himself, about life, about everything. That emotion spoke volumes and all he could do was hug you. Tightly. 

"I'm glad... because I was really, really nervous you'd say no."

Blade

Ok… hear me out. Blade knows he likes you… when he doesn’t hate you. When you ask him for a favor and he says yes. When you hug him and he doesn’t strangle you- honestly, it wasn’t hard for him to know. Kafka teases him and he just ignores her.

Blade… doesn’t know how to confess. He’s not crazy about relationships or… people. So his entire confession was just confusing. You followed absolutely nothing except: “I like you.” You thought he was just admitting he didn’t hate you. That was good news! But you didn’t realize how good it was. “That’s great! I like you too!” You replied to which he crossed his arms, nodded, and said… “we’re dating now.”

Mhm. Yeah. That’s how smooth he is :’) you- you poor soul- didn’t know what he meant at first. So you were beyond shocked when he said what he did. Blade- BLADE- liked you- Y O U- romantically? You liked him too but you never ever expected this. Not in a million years.

You could only manage a dazed nod for a few seconds before a giant smile spread on your face and you practically threw yourself at him. Blade’s usual reaction would be to shove the person away but this was his special person. So… he hugged back.

“That was… rude, I think? Will you go on a date with me?”

[cripplecharacters]

Do you think it’s ok as a person w/o psychosis to have jokes in a story that revolve around hallucinations? Not in a ‘that person is so crazy hahahaha’ way, more like the humour comes from the character being exasperated because their hallucinations aren’t realistic and are clearly fake to them, but they’re still seeing them and they’re fed up of it.

I partially wanted to include this so that the character’s hallucinations aren’t considered to be only just scary and evil (there are some moments in the story where the hallucinations are more intense because of the character being in a bad mental place, so I wanted to avoid showing hallucinations as only dark), and partially because one of their regular hallucinations revolves around seeing wild animals, and they don’t live in an area where the animals they typically see are common, so naturally they’d be out of place. Also, this idea for the jokes mostly came from the fact that I personally suffer from paranoia/intrusive thoughts, and get very exasperated when I know one of my thoughts is unrealistic, but I’m aware that my experiences are different from people with psychosis, so wanted to check in here. Thanks:3

Hello!

Yes, I think it definitely can be done in a way that's respectful. Psychosis is obviously serious and can be scary, but so are a lot of other things that people make jokes about. I have made jokes about some of my hallucinations and I know other people who do that as well.

I think I see where you're coming from with the idea, but I will say first that even the hallucinations that are extremely obviously fake (including to the person experiencing them at that time who is aware that it's not real) can still be very stressful and scary. To have myself as an example here, a few years ago I had a visual hallucination that was clearly out of place, essentially nonsense. I'm fairly good at recognizing when I'm hallucinating something and was able to tell "that's not there, it's literally fake". At that time I did actually make fun of it because Lol, saw Weird Thing, and it was kinda funny, but it doesn't mean I didn't also stare at it and had my heart rate go up a dangerous amount. Being scared in a situation with a clearly Strange Thing of that nature is an uncontrollable physical response I think (I'm presuming it's much less intense for people who hallucinate very frequently or at all times), kinda like getting a fake spider thrown at you - you know it's fake approximately 1 second after the fact and it can be funny, but your body is still going through some sort of response because for that 1 second it took you to figure that out you got scared.

This is a very long way to say that this is both a thing that your character could joke or be frustrated by ("Why do I still feel dizzy, it was literally just [XYZ]? What the fuck.") and that scary hallucination =/= hallucination you can't joke about. Some people will actually make fun of the more distressing ones because it can be a decent coping mechanism when you're scared. It can ease up the tension, especially if other people see you and don't know what to do (it's absolutely awkward).

My one advice on the type of jokes the character makes is to keep in mind how they relate to actual psychotic people. E.g., don't make a joke that has "you'd have to be stupid to not notice that something is a hallucination" as an objective conclusion because well, a lot of us can't tell. I suppose it could be different if the character is being self-deprecating and just insulting themselves, but if you're going that in-depth on the character I'd recommend working with a sensitivity reader.

Basically try to consider - is the character joking about themself and their hallucination, or are they just punching down psychotic people? Again, jokes on how "psychotic people be like" aren't sacred or fully off limits, but it's not really what I'd be looking for from an outsider author.

There's also I think room for showing hallucinations as strictly scary/dark (most, if not all of us have/had these), it's just to not have horror soundtrack playing during it. If (example) your character experienced the most movie-stereotypical "demons, blood, satanic activity" type hallucinations and was actually treated with sympathy, I wouldn't consider it to be demonization of psychosis. Sometimes it can be scary and ugly, but it doesn't make the person experiencing it an evil monster.

I hope this helps,

mod Sasza

[burningcheese-merchant]

Wake up, BurningCheese/GoldenSpice babes, new poorly drawn blorbos just dropped

They look cooler in my head, I swear.

the images didn't show up the first time wtf lol

The kids are finally here, yay. I promised I'd show you them, and I finally stopped being an asshole and followed through. Almost got 200 followers and I'm very grateful for it - really, I'm nobody. I'm just some clown who says dumb stuff and makes dumb memes and writes cringey stories, and yet I convinced almost 200 people to tune in. Thank you all so much, users on here and anons in my inbox alike. As a token of appreciation, you can all endure my rambling about my OCs and witness a person in their early 20s draw like a 12 year old.

The boy is Pepper Jack (or Pepper Jack Cookie). He's the firstborn and older than his sister by a few years. He takes after his mother in a lot of ways, primarily in her appearance (save for nabbing his father's red eyes). He's incredibly bright (and a smartass lol), preferring to think his way out of conflict rather than fight his way out... not that he's above violence at all, if that glaive doesn't give it away lol. He harbors a deep sense of love and loyalty towards his family and his peoples, and carries the weight of his responsibilities and heritage with as much confidence and poise as he can muster. (There are/will be times where he stumbles, of course. He's not perfect. He struggles a lot more than he lets on, really. But he tries his best, for everyone's sake.)

The girl is Matar Paneer (or Matar Paneer Cookie). Again, she's the younger one by a few years. She was all but made in her father's image, save for inheriting her mother's eyes. She's a little firecracker: lively and fun-loving and stubborn as a mule. She doesn't ask "can I have/do this thing", she tells you "I'm going to have/do this thing". Golden is proud as anything to see her daughter be so greedy... until that greed comes into conflict with her and Spice's authority lol. But she's a good kid, despite being such a handful. She has an enormous heart and is not afraid to stand up for others/what's right, and she loves her parents and brother more than anything in the world. She might doubt her own capabilities, she might secretly fear that she's not strong enough to do what she needs to... but she keeps pushing anyway, because she'd honestly choose death over quitting.

Your eyes are not deceiving you, Pepper Jack's wings are blue lol. There's an actual reason for that. And that USO (Unidentified Sitting Object) in Matar Paneer's hair is a lotus (the cheese one in the GCK decor set lol). There's a reason for that, too. I thought it would be cool to give Jack a glaive and swap out the normal blade for that of a khopesh sword (glaives are not Egyptian, they only saw use in Asia and Europe, but I just HAD to give him a glaive), to add that Egyptian touch. Paneer's supposed to be wearing a pattu pavadai, it's a traditional Indian dress for young girls. It's a blouse plus a skirt. She's holding katar, Indian knives (Cilantro Cobra has them, too). And her hair's supposed to be in a low ponytail.

Merchant thinks that if they explain what their terrible drawings are supposed to convey, people will understand their intended vision and the pain will stop

I sat down and did research into both Egyptian and Hindu mythology for the sake of drawing inspiration for them both. I'll explain in detail in another post, but basically: both of them take after one Egyptian god and one Hindu god each. Golden takes after Ra and Spice takes after Shiva, so I figured I'd follow along that line.

Please flood my inbox with questions about them now. I've really been dying to talk about them for ages now. I've drafted extensive character sheets for them both, I even made up in-game descriptions for them lol. They're my little fankid blorbos and I love them :') I hope you all come to love them, too

(Also, I'm sorry they're on lined paper. I'm visiting family rn and that's the only paper my grandmother has in her house. I'd have to drive to a stationery to get printer paper and I'd really rather not drive in this particular country lol (shit roads, even shittier drivers). I'll doodle them on printer paper whenever somebody remembers to bring me some)

[trippingontheescalator]

Curious about the direction the HP fandom has gone

Okay, so as an old HP fan from way back when the books were first coming out, and then getting hit with the nostalgia and decided to return after years and years of not interacting with the fandom at all, the changes are truly mindboggling and I'd love to get to the bottom of some things.

Like, the disappearance of Blaise Zabini. Blaise was a fan favorite way back when we only knew his name but now I barely hear a whisper of his name. Now, the obvious answer is racism, which I think is the #1 reason why Blaise-pairings have dropped of significantly. Back then we all thought Blaise was a hot Italian girl, and then we found out he's a black man and suddenly people stop writing about him? Hm, yeah, seems the obvious answer (especially considering the popularity of other characters who are just a name on a page *cough*regulusblack*cough*).

Or the rise in Snape-hate. Like, Snape used to be the fan favorite. Everyone loved Snape. The meaner he was, the more we liked him. Being mean to children was a plus, not a negative lol. And this was back when we all thought he was a pureblood who came from a wealthy family like the Malfoys. Now by the time the 7th book came out I had pretty much moved on and so I didn't really see the fallout of readers discovering his actual background, so I don't know if his drop in popularity is classism and learning that he isn't a palette-swapped Lucius Malfoy or not, but honestly I would figure his impoverished background would be a plus in these times. Like Snape is obviously one of JKR's least favorite characters, and considering how she-who-must-not-be-named has destroyed her reputation with her increasing radicalization you'd figure the poor, abused, author-hating character would become more beloved instead of the rich, white, heteronormative bullies who barely even show up in the books. Like with our increasing knowledge of social injustice, I just don't understand why the fandom would want to latch onto the Marauders? And I just can't believe Snape's handful of snippets with Lily is the cause of his downfall (like what's there is barely enough to fill up a few pages, and there are certainly more toxic relationships in the series that are still beloved), or the fact that he was a Death Eater or that he inadvertently caused the deaths of the Potters (we already knew that in GoF and HPB respectively and he was still beloved, and this was when we assumed he didn't give a shit about the Potters or if they died when he went snitching). Draco is still popular. DRACO who doesn't give two shits about slinging around the word "mudblood," as opposed to Snape who actually changed for the better.

Am I just too old to understand? Is this like 90s fashion coming back in style (no, I won't do it again, I don't care if it's cringy I'm sticking with my millennial styles, I did the platforms and the slip dresses and the cargo pants in high school and I'm not putting myself through that again lol you gen z's can pry my comfortable mom jeans from my cold, dead fingers, I don't care if it makes me look old, that's the point, I AM old). Like, in addition to 90s fashion, has the 90s obsession with luxury athletic fashion like Lacoste come back in style? All those fashion ads of rich white people on yachts with popped collar polos? Are people starting to obsess over the Marauders because nouveau riche conspicuous consumption is coming back in style? It can't all just be young kids who have only read AtYD and have never actually opened one of the books, can it?

There also seems to be a trend of treating characters as if they're real people. I mean, we've always done it (Snape Wives, I'm looking at you), but now it almost feels as if the crimes characters commit are treated as if they're real crimes and that liking them is somehow a moral failing on the reader's fault. If you were to say "I don't like Snape, his douchy actions anger me, I'd rather skip all the parts he shows up in" I'd say, cool, I get that. That's normal. But "Snape is an abuser, a racist, and an incel and if you like him you're probably those things too" is fucking weird. Like, Harry and Hermione are not real children. Snape is not a real person. The things that happen in this book have as much influence on the real world as me imagining ninjas breaking into my workplace on a slow day. And that "media does not exist in a vacuum" pisses me off because it's blatantly misused. The pieces of media that have had serious consequences? Jaws, The Birth of a Nation. One resulted in the culling of sharks, the other helped restart the KKK. Do you know what those two pieces of media have in common? They're not about fucking wizards and magic schools. They instead paint a target on real groups. After twenty years nobody has ever tried to hurt a marginalized group of people because of a harry potter book (except for JKR herself).

Anyway, these are just some random thoughts, feel free to chime in with your own.