#you need to return your books

[huntress-of-stories-and-dreams]

Headcanon #83

An infected, but wandering librarian still remembers Kazi had to return a book in the Great Bookery before the fall of Lux Aurea. 

[blluespirit]

TL;DR: Zuko is not winning any Liar of the Year awards here, but he's by not a ‘bad liar’ either. He's also (apparently surprisingly) not sharing his every deep-seated thought and feeling to anyone and everyone and can in fact, keep a secret.

a canon vs fanon Zuko thing thing I see fairly often that I personally disagree with is that Zuko is constantly over-sharing and telling people too much about himself and his problems.

People love to use the Book 1 finale incident when he talks to Aang's unconscious body in the cave, but that feels like a bizarre example because... he's more talking to himself. He's not really talking to Aang. Aang can't hear him. Aang is literally none the wiser. It's not an inappropriate time or person or unreciprocated, and honestly the whole thing is more for the audience to get a sense of what in gods green earth is going through Zuko's mind considering how reckless this action was. And even if Aang was awake I still don't know if you could call it oversharing considering Aang has genuinely tried to reach out to Zuko before and tried to understand him (e.g., the Blue Spirit). Of all people, Aang would likely be the most receptive. Like... net zero information gained...

I've seen people use some examples with Iroh which I personally think is pretty ridiculous to count because it's not like he's saying anything Iroh doesn't already know??? Iroh is like the only one in Zuko's orbit who actually knew all the details about his banishment and trauma. I don't know how any scene Zuko could have with Iroh that you could call over-sharing. Zuko also never said shit to his crew about any of his past for like. two whole years. The most they thought of him was angry and spoiled. They didn't actually know anything about him. like... at all. Jee thought his scar was from a training accident.

People like to also use the scene on the ship with Mai in Book 3 when Zuko is returning to the Fire Nation, but even that feels like a bit of a stretch. Yeah, Mai dismisses him and tries to play it off, but nothing Zuko says feels 'too personal' especially when Mai is supposed to be his girlfriend and Zuko has literally not been home in three years. Telling your girlfriend/someone you trust how you feel in a obviously emotionally turbulent situation is not sharing too much, no matter their reaction or whether they asked first.

MAI: Aren't you cold? ZUKO: I've got a lot on my mind. It's been so long, over three years since I was home. I wonder what's changed. I wonder how I've changed. MAI: [Yawns.] I just asked if you were cold, I didn't ask for your whole life story. [Zuko frowns at her sarcastic response. Mai giggles and holds his face in her hands.] MAI: Stop worrying.

Another example I see is when Zuko rants to the badgerfrog. Again, not really an example since the badgerfrog is not a person and the story needed Zuko to Say Things Out Loud so we have some clue about what he's thinking. It's the same thing with the unconscious Aang. It's not oversharing. It's venting. And once again - net zero information achieved!!

Like, none of these instances feel like he's revealed too much information. None of it feels inappropriate in the context of the story.

I think people get 'over-sharer' and 'openly wearing your emotions' lines confused sometimes, but even that gets misconstrued in fandom.

I don't think that Zuko being more open with his emotions than other characters is an incorrect conclusion to make, however, I think there's something to be said about Zuko in book 1 and 2 using anger and rage as a coping mechanism rather than being vulnerable with his emotions.

Zuko will talk about his feelings a lot more in Book 3, which is actually super important to his arc, since he doesn't actually talk about his feelings in a real way in Book 1 and 2 (he's angry most of the time, and the only times I can remember when he does really talk about how he actually feels is usually when things have gotten Real Bad like when Zhao takes his ship or it's the anniversary of his banishment). In Book 3, he's really thinking and reflecting on how he feels and how he felt in different situations.

Even the 'Zuko is a bad liar' gets WAY over-played in fanon!

Yeah Zuko is not great at thinking on his feet when confronted, but it seems very context dependent, actually.

When in dangerous situations, while he's definitely not winning any Best Liar Ever Awards, he's not a bumbling fool either -

Zuko lies to Zhao about the Blue Spirit swords:

ZHAO: I didn't know you were skilled with broadswords, Prince Zuko. ZUKO: I'm not. They're antiques. Just decorative.

While not ultimately convincing, his delivery of it is far from terrible. The circumstances are against him here, though, after all, there are few people who hate Zhao enough to commit treason to stop him from capturing the Avatar than Zuko.

Zuko lies to Zhao about having found the Avatar:

ZHAO: [Pulls up alongside Zuko and smirks.] Two years at sea have done little to temper your tongue. So, how is your search for the Avatar going? ZUKO: [Aggressively.] We haven't found him yet. ZHAO: Did you really expect to? The Avatar died a hundred years ago. [Close-up of Zuko, as he slants his eyes.] Along with the rest of the airbenders. [Close-up of Zhao, whose face contorts in an evil expression.] Unless you have found some evidence that the Avatar is alive? ZUKO: [Faces Zhao and responds very clearly.] No. [Stares back in front of him.] Nothing. ZHAO: [With an expression of disbelief on his face, as he rises from his chair.] Prince Zuko, the Avatar is the only one who can stop the Fire Nation from winning this war. [Leans in and faces Zuko.] If you have an ounce of loyalty left, you'll tell me what you found. ZUKO: I haven't found [Looks up at Zhao and his tone becomes slightly more aggressive.] anything. [Close-up, as he continues on a softer tone, slightly mockingly.] It's like you said. The Avatar probably died a long time ago. [Gets up.] Come on, Uncle, we're going.

I'm not trying to say Zuko is secretly this great liar, but his effort here is commendable. It's his directness that gives him away, but he's not afraid, or nervous, or stumbling over his words like he's often portrayed to be.

Zuko confidently lies to Jet about not being a firebender:

[while on the ferry; you can see Zuko thinks for a second Jet knows who he really is. Jet doesn't pick up on this, and Zuko plays off his fear].

JET: You know, as soon as I saw your scar, I knew exactly who you were. You're an outcast, like me. And us outcasts have to stick together. We have to watch each other's backs. Because no one else will. ZUKO: I've realized lately that being on your own isn't always the best path.

[during Zuko and Jet's fight]

JET: Bet you wish he'd help you out with a little fire blast right now. [As Jet swings at Zuko's feet, Zuko stabs one of his broadswords through the hilt, pinning it to the ground. Jet looks at it with annoyance before focusing back on Zuko.] ZUKO: You're the one who needs help.

Zuko, throughout these interactions, plays off Jet's comments. He's learnt to be vague sometimes (like on the ferry to Ba Sing Se) and be confident when refuting someone. Yeah Zuko did go straight for Bodily Harm but that's very on brand to me.

Zuko lies to Chit Sang about the escape plan without hesitation:

SUKI: But how are you going to get the cooler out? CHIT SANG: [From the staircase.] Yeah, how are you going to get the cooler out? [Jumps down.] SOKKA: [Covering up.] What? We didn't ... w-we didn't say that. ZUKO: Yeah, you heard wrong. CHIT SANG: I heard you hatching an escape plan, and I want in. ZUKO: [stern] There's nothing to get in on. SOKKA: Yeah, the only thing we're hatching is ... an egg? [Zuko lowers his head and Suki covers her eyes while they both sigh in annoyance.]

Zuko comes up with a lie to tell the guards at the Boiling Rock about keeping his helmet on:

MALE GUARD: Hey, new guy! I know it's the rule to have your helmet on at all times, but this is the lounge. Relax. ZUKO: [plays it up] But what if there's an incident? If I'm not prepared, someone could strike me on the head. [The guards laugh.] FEMALE GUARD: Give it a week, he'll loosen up.

However, Zuko most often has the most difficulty lying to people who are kind to him (and who are Azula tbh) -

In Crossroads of Destiny, Zuko and Iroh are now refugees and Zuko bungles this conversation with Song:

ZUKO: [Nervously] Yes, we're travellers. SONG: you have names? ZUKO: Names? Of course we have names. I'm, uh ... Lee and this is my Uncle, uh ... Mushi?

In Tales of Ba Sing Se, Zuko struggles to find even ground with Jin and doesn't know how to answer her questions:

ZUKO: You have ... quite an appetite for a girl. [He fiddles his thumbs awkwardly.] JIN: [Uncomfortably.] Umm ... thanks? So, Lee, where were you and your uncle living before you came here? ZUKO: Umm ... well, we've been traveling around for a long time. JIN: Oh. Why were you traveling so much? ZUKO: We were ... uh, part of this traveling circus. JIN: Really? What did you do? Wait, lemme guess. [She thinks for a moment and quickly points at him.] You juggled! ZUKO: [Zuko folds his arms and looks annoyed.] Yes, I juggled.

In Zuko Alone, he's at a loss for words when asked his name:

SELA: Does this guy have a name? ZUKO: [Nervously.] I'm... uh... GANSU: [Off-camera.] He doesn't have to say who he is if he doesn't want to, Sela. [Cuts to shot of him standing with his family.] Anyone who can hold his own against those bully soldiers is welcome here. Those men should be ashamed to wear Earth Kingdom uniforms.

Listen, he's not weaving any incredible tales here, but he's not this bumbling little uwu boy who's completely helpless without Iroh or the Gaang that for some reason is incredibly persistent in fan depictions of him.

[rainsofcamelot]

I CAN'T BELIEVE I'M WRITING THESE WORDS BUT RUMOR HAS IT THAT EVA, REEVE, PATRICK, AMBER AND ANDRÉ ARE GOING TO JOIN WEST END HADESTOWN IN FEBRUARY TO FILM A PROSHOT FOR NETFLIX

[bigcats-birds-and-books]

Books of 2024: THE ART OF EXCESS by Tom LeClair.

Another day, another "requesting niche out of print nonfiction from the library that they have to borrow from the Library of Congress, because of course they do"! I didn't actually read the whole thing because I'm not familiar with six out of the seven books he analyzes, but I did read the preface, the introduction, and the chapter about Le Guin's ALWAYS COMING HOME (which was really the epilogue lol).

His framework of "systems novels" was fascinating to me and my biology-oriented brain, and he flagged a lot of the same things I transcribed for my "le guin posting" tag, which I thought was neat! Unfortunately: he nerfed himself by spending most of his time on behemoth novels by six white men as Representative of Excess as Mastery, so I found his overall conclusions lackluster--like, dude, really, broaden your sample size if you're trying to generalize to American Literature Going Forward (it's no wonder Le Guin was the most hopeful and reconstructive of the lot, given the synopses of the other bricks he discussed). Neat intro and preface! And I found myself nodding along to a lot of his insights on Le Guin, but I also found myself rolling my eyes at how he tried to generalize from the texts he selected.

[stunie]

hmm lately just thinking about kissing/marking up umemiya's neck while straddling his lap 🥰 (btw love your writing sm <3)

AND I LOVE YOU SO MUCH (squeezing you 🫂) !!!! but okay i think i should stop fooling around with you all and finally make an adjustment to my pinned bc i was being a little silly and put my req status pretty deep into my blog >: am sorry for being unclear !! -> reqs / thirsts r closed rn HOWEVER however nonnie letttt me answer ur ask bc i will not pass up an opportunity to talk about ume <333

[jughead-is-canonically-aroace]

guys ilove the library. owed like 250 in overdue fines (defaulted). i come back i say sorry can i give you the books back they say yes. i immediately check out a different copy of one of the books i just returned (plus a few (7) extras i grabbed by accident on my way to the shelf it was on). it's all free baby. it's all free

[quaranmine]

by the way do you remember at the beginning of september when i was sad because the libby audio book i wanted had like an eight week hold on it? anyway yeah i got the book AND I DONT EVEN LIKE IT

[hex-l]

honestly miscommunication in a story is only annoying if it's being used for lazy drama or to serve an idiot plot, like miscommunication on a personality/individuals level is sooo fascinating??? stuff like a misalignment of love languages or communication styles, & stuff like "I can't understand the thought processes behind your decisions bc on the most basic level we're so unalike and we come from such disparate backgrounds that what comes naturally to you would not even occur to me" is like 👌 to me

[the-busy-ghost]

Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.

Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).

Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:

Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?

[hopecomesbacktolife]

I’m not going to reblog the post itself because I don’t want that behavior on my blog, but oh my god I just saw a post about “looking for fics about your favorite character on ao3” and good lord the amount of bad takes both in that post and in the notes?? I have to just ramble about this for a moment because oh my god. it was ludicrous.

people were complaining that, and get this, unfinished fics exist. and that if you read an unfinished fic you’ll have to, get this, wait to read more until it’s published next. they were allll up in arms that there’s fics for a character that don’t cater to their specific interests. that they involve other characters and either do/don’t put them in a romantic relationship when they want the opposite for the character.

like at this point, most of you people in the notes on that post are 1) just being mean and condescending about FREE WORKS you can, may I remind you, READ FOR FREE and EXIT at ANY time! if you don’t like it!, don’t read it!, it’s so simple!, and 2) straight up do not know how ao3 works lmao

like I saw soooo many people in the notes complaining about a certain ship, dynamic, tag, etc, and like… y’all know you can filter by romantic vs platonic pairings, by ratings, by excluding certain tags or other qualifiers, etc etc etc… you know about ao3’s actually incredibly usable filtering and searching system… right… right??

at this point I’m just convinced a lot of these people are spoiled by large fandoms with 100k+ works for their characters and have decided to just be mean and condescending for no reason on main, about literally free fan works you can read for free any time that people spend hours and hours pouring their free time into out of sheer love for their craft. cuckoo bananas behavior if you ask me 🫠

I was legit so close to commenting that maybe they should try shipping two characters with <10 fics, with 0 fics, try liking a rare pair, try hyperfocusing on a character or niche type of fandom with a tiny but lovely circle of fans, and stop treating fan works and fic as Content TM that they deserve to have handed to them that caters to exactly what they want for free and maybe they’ll calm down lmao

like y’all aren’t cool you’re just being mean. we fundamentally approach fic in wildly different ways and honestly the way you do sounds exhausting. literally could not be me, I’m to busy finding joy in shared love for characters and not flipping the table in a rage because there’s one (1) element of the fic that isn’t specifically catered to me, maybe try that and you’ll feel better, hmm?

and yeah I’m aware that last sentence is me being condescending towards them, but frankly it’s warranted when so many people are being that mean and haughty for no reason lmao but truly those takes were horrific. fellow fic writers and even fellow fic readers I interact with, am mutuals with, authors whose works I read, readers who comment and interact with my works, fans of niche fandom subsets that run in the same circles as me— I hope you know this is so wildly not how I approach fics, I love just finding fics for my characters and forming these lil communities where we share our interests and love for them and hype each other up. I love what we have in these fandom niches and I hope you know I would never dream of being so mean and condescending towards y’all. fic writers and readers and fan communities are so special and I cherish it even if clearly there’s people in the notes on that other post who don’t know how to do that lmao. I love your unfinished WIPs, I love your fics that may only partially be what I’m looking for, I love when you write characters in a way I wouldn’t expect but shows your love for your particular headcanon, I love the variety and diversity and variance in fic. I love us. genuinely. fic writer moots I am hugging all of you and I frequently reread your works, even the unfinished ones. ♡

[theres-whump-in-that-nebula]

I rented a laptop for job training, and two books from the library: Tirumala — Sacred Foods of God by Av Ramana Dikshitulu and Kota Neelima, and The Most Evil Women in History by Shelley Klein

[queenangella]

.

[tonyglowheart]

last night in this house... sleeping on air mattresses... still have leftover bits of stuff to move out in the morning.... so odd

[2happyherder]

[honey-tongued-devil]

Arcane characters finding you asleep at their workplace

The devil works hard, but I work a little harder, so I’m back to writing Arcane headcanons a month before season two comes out.

Jayce:  

- Strong sense of guilt,  

- The first thing that comes to his mind is that you must have waited for him for a long time to fall asleep 

- He will make it up to you by trying to cook something for you, stopping to buy your favorite sweets before heading home, and giving you a shoulder massage the moment you sit down somewhere after you wake up.  

- The man of the Hamlet-like dilemma: he doesn’t want to wake you, but he also doesn’t want you to be uncomfortable.  

- If he has something urgent to do, he’ll try to cover your shoulders with something, even just his jacket, to keep you warm while he finishes only the essentials.  

- Once he’s free, he will very gently try to lift you from the chair, apologizing when you wake up and mumble something incoherent.  

Viktor:  

- In the early years of university, it sometimes happened that he found you in his room asleep, slumped over on a chair or bed with your shoes still on.  

- But as the years went by and the lab became his main space, that sight became a constant, repeating at least twice a week.  

- He tries to make as little noise as possible, whether with his aides, the door, or the stack of books and notebooks he needs to organize.  

- Before getting to work, he leaves the room again to bring you your favorite hot drink with a plastic lid pressed on top, so it doesn’t cool down.  

- Then, in complete silence, he works, deciding what to leave for tomorrow and what to do now, so he can finish as soon as possible without delaying too much.  

Ekko:  

- It’s hard to define what exactly a workplace is for Ekko,  

- But he often finds you at the Firelights' tree, in that room that’s supposed to be his, having likely sneaked in through the window to surprise him.  

- There are days when he comes back fairly early but stays to tell stories to the kids, and others when things go wrong, and he returns when it’s already dark, and almost everyone is asleep

- Finding you like this always makes him feel the absence of something more stable

- But he shakes his head and quickly pushes aside doubts about his ideals, stepping out of the room again and making more noise as he enters again, so you wake up, and he can pretend to be surprised in front of your open eyes.  

- By now, you know he steps out and comes back in, but it makes you smile every single time.

Vander:  

- You always sit at a table in the back of the Last Drop to wait for him, trying not to bother him, doodling, doing calculations, or planning something for the next day just to keep yourself entertained.  

- But by now, the sound of drunkards and the clinking of coins and glasses have become background noise that helps lull you into a catatonic state.  

- Vander usually notices after about an hour that you've fallen asleep; he always keeps an eye on you, but sometimes the customers cause problems.  

- He doesn’t like leaving you there, so far away, so he usually waits for a quieter moment to come over, pick you up, and bring you behind the counter, laying you down with your arms and head resting on the wooden bar.  

- He knows it’s not a big improvement, but his priority is to keep you safe.  

- When he finishes working, he closes the bar without doing the closing duties, sets his alarm for earlier than usual, and carries you to your room in his arms, covering your forehead with kisses.  

Silco:  

- The problem with Silco finding you asleep in his office is that he rarely arrives alone.  

- There’s always either Sevika or at least two other henchmen following him.  

- He sighs and sends them away, not without Sevika giving him a provocative look that means everything and nothing.  

- He hates those situations because part of him feels a strange warmth at the thought of you sneaking into his office for whatever reason, but on the other hand, he knows it negatively affects his image to be seen as a leader who tolerates certain insubordinations.  

- Because sneaking into the kingpin’s office is something that would get almost anyone else outside decapitated. But not you.  

- He huffs, pacing the room to deal with both emotions, and when he finally calms down, he approaches you, shaking you slightly to wake you up.  

- It’s certainly not the gentlest gesture on his part, but most of the time, it ends with you either going back to sleep in his bed while he works, or sitting on his lap while he flips through papers without paying them much attention.  

Jinx:  

- She can’t contain her excitement at all. When she notices your figure in her workshop, she always lets out a little happy sound that wakes you up.  

- From there, she immediately starts apologizing at least a thousand times, feeling guilty for waking you up but still too happy that you came to visit her.  

- She helps you up, talking nonstop about her day and anything that comes to mind as she leads you outside.  

- It’s not because she doesn’t want you around, but because she assumes you must be hungry as soon as you wake up, so before you're fully awake, you’ll find yourself at the Last Drop with enough food in front of you to feed her father’s entire gang of henchmen.  

- And she will absolutely feed you herself when she sees you haven’t taken a bite in too long, while stealing food here and there and continuing to talk.  

Vi:  

- For her, too, a "workplace" is a somewhat vague concept,  

- But in return, she has her secret spot, where she hides at night and tries to survive when she’s not out on the streets looking for trouble.  

- Every time she finds you there, she feels an indescribable pang in her heart.  

- She always feels like she’s neglecting the person she loves and failing to make you understand how much she cares about you.  

- She always hesitates before waking you up; sometimes she’ll even go change into clean clothes and wash the grime off her hands and face first.  

- Then she’ll wake you by sitting next to you, giving you a kiss, calling you by a silly nickname only the two of you know, and rubbing her forehead against yours before asking, with a rhetorical smile,  

- "Did you miss me?"

Caitlyn:  

- Sometimes you find yourself in the inner waiting room of the precinct, with her colleagues pointing out your body slumped in the chair and raising their eyebrows, teasing her. Other times, you simply sneak into her room, which isn’t much different from the police station anyway.  

- Every time, she sighs and gently wakes you, her pale eyes a little sad.  

- “Why didn’t you call me?” It doesn’t matter to her that you didn’t want to disturb her, because to her, you’re never a disturbance. It’s not a problem to have you around, even in public. She just feels bad that you waited instead of telling her, so she could have come much sooner.  

- She takes you away from the station without any issues, letting you continue resting against her shoulder as a Kiramman private vehicle takes you both to her home.  

- If you’re already in her room, she usually changes and lies down next to you, taking the chance to nap together, wrapped in each other's arms.  

Mel:  

- Falling asleep inside the Senate? Impossible.  

- But the keys to her office and her room are always in your pocket, and you usually bring her something to eat when you visit, though by the time you fall asleep, both the coffee and the treats are cold.  

- She’s not used to displays of affection, so she stays still for a few seconds before smiling and shaking her head.  

- She doesn’t wake you immediately, not because she doesn’t want to, but because if the sound of the door didn’t wake you, you probably need the rest. So she lets you sleep for at least 30 minutes before coming over, brushing your hair behind your ears to wake you, laughing when you lift your head with your eyes still closed.  

Sevika:  

- The first thing anyone would think is that falling asleep at the Last Drop is extremely dangerous. However, Silco’s henchmen aren’t too different from bipedal dogs by now; they know who you are, recognize your face and scent, and if they notice you’ve fallen asleep somewhere, at least three of them sit at your table to ensure your safety.  

- Sevika is always tasked with the worst imaginable jobs—tedious, long, and often dangerous—so when she finally returns, it’s usually either time to open the bar to the public or time to close it.  

- Even when she sees you, she can’t come to you right away, so she makes a face at whoever is watching over you, as if urging them to protect you better while she heads into the office.  

- Like Silco, part of her feels subconsciously softened by the idea that someone would feel the physical need to be with her so much that they’d wait, sitting until they fell asleep.  

- But on the other hand, she’s terrified that someone might see you and come after you to settle personal scores in a cowardly way.  

- When she finally comes down, she pulls you into her arms without saying a word, holding you under her large cape as she carries you away.  

[microsff]

The patron

The alien came to the library again, shortly before closing time, and quickly found a book.

"May this entity borrow The Complete History of Knitting?"

They always return the book they borrow after five minutes, but the ritual of checking it out seems important to them. 

"Of course. Did you bring your card?"

I looked them up, after the first time I saw them for real. They first registered with us over ninety years ago. The senior librarian who first told me about them said I shouldn't stare, or pry.

"Whatever else they are, they are a patron, and should be treated as such," she said. "If they seek knowledge, it is our duty to help them find it."

There isn't an ancient and secret code of librarians, but that is definitely a core part of it. If such a code existed.

I scan the card and the book. "There you go," I say and hand them over. "Please return it within two weeks."

They tilt their head. "This entity will honour your terms."

"Oh! That reminds me, we have updated the terms since your last visit." I hand them the pamphlet we got from the printers last week. "It's mostly about internet usage, but I'll need you to read them and agree."

They study the pamphlet.

"These are terms this entity can abide by." They pause. "Is there no requirement to keep your existence secret?"

"Of course not," I say, "we always welcome new patrons."

They stand silent, long enough for me to realise the implications of what I have just said. 

"This entity had made an assumption, based on prior experiences on countless worlds, where knowledge is always closely guarded and costly to obtain" they say at last. "You will provide knowledge for free to all who seek it?"

In my mind, I weigh humanity's ignorance of those countless worlds of alien civilisations against the code.

"Yes," I say, "this is a library."