#you little evil genius

[its-leethee]

please appreciate this with your sound on

[takami-takami]

Ok this is so random, but I just thought of this while playing The Sims 4 💀

Imagine showing your best friend Keigo the game, showing him how it works, etc. And Keigo starts playing, because why not, his best friend (and totally NOT his first ever crush) likes it, so he figures he's gonna like it too. And at first, he just makes silly characters when he's tired and needs to turn off his head for a while or has nothing to do, maybe he makes a character that is a cooking chef or something. But then one day, he gets an idea. He can make you. He can make both of you and put you into a nice little world that he can make, a world that he knows you would surely love to see, with all your favorite hangout spots and everything.

And so he starts playing. He put the both of you into the same house, because why not? And it starts off nicely, playing as the two of you, making the characters into best friends, just like the two of you are in real life.

One day, he's just mindlessly scrolling through YouTube, looking for additional mods that he can download to make his game even better and more realistic. And he runs into one. And when he does, he has to close his laptop and think for a second. After a little self humiliation, he quickly downloads the mod and puts it in the proper mod file.

The mod in question is one of the more realistic mods out there - the Wicked Whims mod (for those not familiar - it's an 18+ mod with 18+ animations...). At first, he doesn't use it, but he knows it's there. He keeps playing, his character having a lot of fun with the character that is supposed to resemble you.

But one day his fantasies grow a little stronger. As he lays on the bed, fisting his cock to the thought of you, he remembers the certain file that is currently sitting innocently in his laptop. He doesn't waste a second as he gets up and opens the game with one hand.

Since your characters were already best friends, it wasn't that hard to quickly get them to do their first kiss. And then their first makeout session. And oh god he can't wait any longer-

He open the list of the animations, every description is like a drug that he can't keep his hand and eyes off of. It's paradise, he thinks. And so he spends and hour - was it already and hour? - edging himself to every animation he has downloaded, trying to find the perfect one. He tries every surface that is accessible, as he still projects how this would look like irl in his mind's eye.

One the post nut clarity sets in, he immediately deletes the mod and all of the animations off of his laptop in embarrassment. (Don't worry, he for sure redownloaded them all a few days later..)

:)

Starts slamming my head against the wall.

[greenerteacups]

Could you see Draco and Hermione as part of a Challengers dynamic or is that sacrilegious?

That's interesting! Not sacrilege — my philosophy is to ship anything any way you want, uphill, both ways, in the snow — but my Dramione have always been a tightly pair-bonded codependent couple, and there's not a lot of breathing room in there for a third. If possible, the other leg of that triangle would have to be equally unhinged and intense, and I can't think of anyone who would fit the bill. Ron just isn't the type.

Pansy, though... hm. Maybe.

[healingheartdogs]

Saw a post earlier of someone being like "see how my puppy isn't bothering me while I eat and is minding his own business playing in the other room? That's because in this house animals aren't ever allowed to have people food from the moment they come home with me so they never even learn to want it." The post and most of the comments on it were very high and mighty "I'm a better owner than other people, I'm the boss of my dog, I don't allow my dog to offend me by showing desire for highly desirable resources" attitude and were very much judging other people for not having the same boundaries and annoyances about dog behaviors around food with their own dogs in their own homes and I just like... absolutely can not relate at all, tbh. There is a type of person who uses phrases like "people food" unironically, thinks that dogs being allowed to have good things that are usually intended for humans is somehow offensive and wrong, gets annoyed by a dog even being allowed to exist in the same room when people are eating, and thinks a dog just looking at them for more than 30 seconds while they have food or hanging out watching them doing stuff is the dog bothering them and being rude, and every time I encounter this type of person it makes me wonder why they even own a dog when they clearly hate natural dog behaviors and are bothered by dogs just wanting to be around people, do things with them, and receive human attention more than once in a blue moon.

When I make breakfast after I wake up and take it to my room to eat Hermes always eagerly follows right behind me because he expects he's going to get something from me. That expectation is almost always correct, and I feel absolutely zero shame about it. Him laying calmly at my feet or next to my chair quietly watching me eat is not "bothering me". He's quite literally not doing anything to be a bother, he's just patiently chilling. If a dog hanging out nearby and calmly watching while people eat bothers you enough to consider that bad nosey behavior that is deserving of you ridiculing other dog owners for allowing it that's uhhh... weird af? At least to me it's weird, sorry not sorry. Like maybe you actually just don't like having dogs around then if they can bother you without even really doing anything? Cuz IDK about y'all but I love my dogs hanging around me and wanting to be close to me and even seeking engagement from me. I love them being excited about being around me and following me around because they know I give them good things. I also like having their attention and eyes on me in general - especially Hermes, as a dog of a breed that is often more environmentally focused than handler focused and whose attention I've had to work for and earn. Looking at me is something that I specifically reward all my dogs for and immediately start to capture during their initial introductions to clicker training because I find it to be beneficial during training sessions (as well as a good way to charge the clicker), so it would be ridiculous and unfair for me to get annoyed by it and discourage it in other scenarios like when I'm eating. In fact, I see Hermes calmly laying down nearby and politely seeking eye contact with me whenever I look his way while I'm eating my breakfast as a sign that he knows how to act to get what he wants because he understands his training well, and that he is putting that training to work by being an attentive calm good boy and waiting patiently for me to respect my end of the deal that I have taught him and give him his reward for the behaviors he's offering that I have repeatedly asked him for in the past.

Also like... if he is in the way somehow while people are eating or if we're eating something he can't have and I don't want him near us just in case someone drops something (even though he has an extremely solid leave it, still better safe than sorry) then I just tell him to go to his bed??? and then share a little bite of my food with him to reward him for going to lay on his bed if it's safe or give him something else like a couple of small dog treats or a pork chew on his bed if my food isn't dog safe. After that he will stay on his bed and keep being a calm patient boy because he's learned that staying on his bed after being told to go to it means he will continue to occasionally get more treats or small pieces of my dog safe food tossed to him for the duration of his time there until he is released. Often times because he's working so hard to be calm and patient to earn a few bites of my food he just ends up falling asleep next to me or on his bed, which is definitely the opposite of being bothersome. I like to thank him for that patience and calmness by gently waking him up to share the last bite of my food or give him a little treat jackpot and some praise before releasing him.

Maybe I'm a "bad" trainer (lol) but I enjoy spoiling my dogs by sharing some of my dog safe "people food" with them in moderation, and you can definitely share "people food" with dogs without making them annoying or untrustworthy around food. Despite what the person who made that post seems to incorrectly think, simply letting a dog have a taste of "people food" sometimes does not create unwanted bothersome behaviors around food. Rewarding unwanted behaviors that bother you instead of wanted behaviors that don't bother you is what causes that. That's it, that's the sole cause. Like... you could just only share food with them if they're being calm or waiting patiently on their bed or whatever it is you want from them during meal times. Boom, the "bothering" problem is solved and your dog still gets to enjoy a special treat. In fact, my experience as a dog trainer is that the high value and novelty of that special "people food" treat often makes the rewarding of the not-bothering behavior you want from them while you eat much more motivating and effective than giving them one of their regular treats or chews as a reward or distraction, so the settling down not-bothering behavior you want is even more likely to be consistently freely offered up in the future since it is so highly rewarded.

When I've had clients in the past express concerns about causing begging by giving their dogs "people food" or tell me they feel guilty about it because they've been told by people like that poster I saw that it's a bad thing to do in general, this has been my advice to them - not to stop doing the whole sharing thing that makes them and their dog happy, but just to make it more productive for the kind of relationship they want to have with their dog and the behaviors they are wanting to see. It's a simple solution that can turn a meal into a nearly effortless high value training session for teaching settling during household activities and around food, which is something that is a common frustration to achieve for a lot of inexperienced dog owners. If you handle your dogs sometimes being given bits of food scraps as treats this way then everyone wins, especially the people who like to spoil their dogs and share food with them (which is VERY NORMAL TO WANT TO DO BECAUSE WE ARE A SOCIAL SPECIES THAT BONDS THROUGH RESOURCE SHARING) because now those people can turn that desire to spoil their beloved companions into some easy training. Just be sure to consider if ingredients are dog safe or not and be mindful of oversharing and sharing foods with high fat content because maintaining a balanced diet is important for health.

Also that OP apparently doesn't realize this yet based on the wording of their post, but if you have a dog that is at all decently food motivated then just ignoring them while you have food and never sharing is not going to teach them to leave people alone in the presence of food and never try to seek food from anyone. This is especially true if anyone ever accidentally drops something around your dog (it'll happen eventually) and they snag it and self reward because you never actually taught them not to do that, or if anyone else in your house isn't as firm with that boundary or is unable to enforce it consistently and ends up giving them food purposefully or accidentally (as can often happen in households with children or that sometimes invite guests over). "I don't ever share people food with animals in my house starting from day one and I ignore them when food is out so they never learn to even want it to begin with" is not training your dog to leave food or people who are eating food alone. That's doing nothing and hoping that your new puppy or dog doesn't care about the delicious smells of food or people gathering together in the house for food related activities multiple times a day enough that they will quickly get bored and give up on trying to investigate all "people food" related activities for the rest of their lives without you training them, which is an absolutely ridiculous expectation. Just not ever giving a dog any of your food doesn't make it stop smelling like food to them and won't magically make them never be curious about seeing what you have and if they can get some of it. They don't have to be given food by you off your plate to know that it smells interesting or to figure out that seeing you eating it means it might be something they can eat. Having a superiority complex about NOT actually training your new puppy how to act around food and ignoring them as "training" instead is certainly funny, in a "not funny haha, funny weird" kind of way. It's also pretty irresponsible since some foods that humans eat are dangerous to dogs. Instead of just ignoring them when food is around and hoping they'll learn to leave all food that isn't their dog food alone on their own, a responsible owner should actually be actively teaching their dogs to leave food in general alone unless it is offered to them, even when food is left where they can easily get to it.

Anyway, if people could just stop being weird about dogs doing normal dog things and existing in spaces around humans, do some basic research on dog behavior and how dogs learn before getting a dog, actually train their dogs to the minimum level required to make themselves not be regularly upset at their dogs for acting untrained and "bothering" them, and stop developing weird superiority complexes because they get lucky for a while right after bringing home a new dog or puppy and it manages to not cause them any problems or upset them yet... that would be cool.

[leonsliga]

Just a man and his cute lil stickers against the world

Seriously, this man loves a good sticker. After all, what’s a photo without a little ✨zest✨? Lovely people of the jury, the proof is right before your very eyes:

Leon moments before deploying another silly WhatsApp sticker in the Bayern group chat:

[ambreiiigns]

btw rick and morty makes me insane bc no one Gets it people who don't wanna watch it (like me! before my brother made me watch it in exchange of him watching sk8 the infinity w me!) are like ugh problematique bad #edgy dark humor adult cartoon for reddit bros 🙄 but then the reddit bros who watch it & became the main representatives for its audience are like haha pickle rick wooo you need high iq I Relate To Rick Sanchez Deeply and he's like the joker to them and he's a king and an icon of alpha males somehow???? but like. neither of those people understand that rick and morty is actually about Nobody Exists On Purpose. Nobody Belongs Anywhere. Everybody's Gonna Die. Come Watch TV?

[abigail]

men will literally create elaborate traps and then kidnap and torture people in said traps rather than go to therapy

[rakkikuroba]

I love Alfred so much because I relate to him so much.

Whatever I do I’ll never be my mom’s favourite kid. Whatever I do, I can’t change the fact she wanted me but she didn’t want me to be ME.

Also im the dumb mentally ill queer sibling so he’s just like meee <3

[fxirytxlcfxtc]

Tag Dump, 7/??

[leexds-oc-chaos]

the shitfucked blorbo bingus

[homunculus-argument]

I honestly would not mind TV shows having that thing where the Mysterious Big Bad Villain Who Is Pulling The Strings Behind Everything, that's been built up for three seasons straight as something even the other villains of the story are terrified of, and then the guy is finally revealed and it's just some guy. Like an absolute dick of a person who is definitely both cruel and ruthless, and smart enough to execute their Evil Plans, but still just, like, a person?? if the other characters were given the chance to express their disappointment about it.

Like just let the main characters pause and go "wait, that's it? This boogeyman monster was just some guy all along?" and have someone else go "yeah? what did you expect?" to underline how that's just how reality is, too. Every great monster figure ever painted up as a mastermind genius demon has just been some small shitty little person who wants things and is willing to hurt people to get it. That's how real life is.

[shushmal]

There's an incredibly pretty girl at the front desk in Family Video, and Steve—Eddie's boyfriend of eight months—is leaning over the counter with a sly smile and half-lidded eyes.

Eddie pauses in the doorway, struck dumb for a moment as he takes in the scene, and then gleefully ducks down behind the nearest shelf.

"So tell me," Steve says, all low and intimate. "What kind of movie were you looking for?"

"Um," the girl says. She doesn't sound very enthusiastic—barely indulgent at best. Eddie wishes he could see, but any sight of him will ruin Steve's chances right now. He's got a pretty good mental picture though. "I really like those old black and white movies, the really glamorous ones, you know?"

"Oh, totally," Steve sighs, like he's swooning. "Like Cary Grant, Clarke Gabel?" Eddie can practically hear his smirk. "Katharine Hepburn? Ginger Rogers?"

"Oh, I love Ginger Rogers!"

"Really?" Steve says matching her excitement. "Well, you're just in luck! Robin here knows all about those old black and white movies, don't you Robin?"

Eddie presses a hand to his mouth to hide his snickering. Robin had looked like a hooked fish when he'd walked in, she's gotta be gaping stupidly right now. "Uuuh," he hears her mumbling, and tries not to snort too loud. "Y-Yeah, uh, golden age of Hollywood stuff, absolutely. I could? Show you where they are?"

"Oh my gosh, that would be amazing!" the girl says, her interest in the conversation now warmed by several degrees. Eddie is still a little in awe of how well his boyfriend can sniff out gay girls.

"I got the front here, Robin," Steve cuts in smoothly. "You ladies take your time, make sure you pick out a good one!"

Eddie waits another beat, listening at their footsteps shuffle away, before he pops up from behind the shelf. Steve, lighting up like a Christmas tree, beams at him.

"Am I a genius or what?" he whispers, grinning ear to ear.

"Your lesbian powers know no equal," Eddie says just as quietly, taking the girl's spot at the counter, leaning into Steve's space. Steve happily mirrors him, until they're tucked together, the world narrowing down to the two of them. It's Eddie's favorite place to be. "All hail Steve Harrington, blessid he, lesbian whisper. Come to aid all useless queers in the fight against singledom."

"Thank you, thank you," Steve says with an air of novel benevolence. "I promise to only use my powers for good."

"Dingus. Doofus."

They jump away from each other as if shocked. Robin glowers at them both, but the pretty girl behind her is giggling and standing way too close for friendly, just at Robin's elbow.

"Move it, lovebirds," she hisses as she rounds the desk. "I need to check Claire out."

"I think you already have," Steve says. His smile this time is down right evil.

Robin actually hisses at him, and hip checks him away from the register. Eddie does a bow, sweeping his arm out to give Claire the prime spot in front of the desk, before he turns back to Steve.

"My dear, if you could please," he simpers, all posh and nasally. "Show me to your finest, grossest horror movie, thank you my good sir."

"Ugh," Steve groans already heading off into the shelves, not waiting for Eddie to follow. "You're lucky I love you, Ed. Shit gives me nightmares."

"I know," Eddie sings, chasing him. "I love you too."

[solxamber]

Trash Novel Chronicles: I Want to Retire - Idia Shroud x reader

You write a novel that reads like a dumpster fire and while trying to delete the draft, you accidentally get isekai’d into it. Now, as the villainess you have to get Idia Shroud on your side as well as survive high society. You have your work cut out for you.

Series Masterlist

You’ve lived a life. A noble life, full of honor, glory, and caffeine-fueled late-night writing sessions.

You're an aspiring author.

An aspiring author who, unfortunately, just created the most stupid novel plot of all time.

At least, that’s how it feels. You sit back, staring at your screen, utterly defeated as your latest creation flickers mockingly before you.

You’ve named it: "The Battle for Genius Prince Idia’s Hand" (working title, don’t judge). And wow, it’s a mess.

Here’s the breakdown of your disaster:

You’ve got your heroine—a girl so sweet she’s practically made of sugar, like one of those cookies that look good but crumble the second you bite into them. Naturally, she’s fighting for the affection of your male lead, Prince Idia, who is a socially awkward, genius mechanic prince (because you thought it’d be fun to make him hot and bad with people).

Then there’s the villainess. Ah, the villainess. She’s smart, sharp-tongued, and has enough sass to level a small city. Her entire personality? Sabotage. And she’s also after Idia—because apparently, that’s the only thing women in this story care about. (You regret this immensely.)

But oh no! Plot twist! Idia gets kidnapped by some unnamed evil force (you’ll figure it out later). The heroine? Well, instead of rescuing him, she falls for some Bland Prince. You don’t even know why. You think his name might be Greg. Or Gerald. Honestly, he’s that unremarkable.

Meanwhile, the villainess doesn’t even care anymore about Idia. Instead, she’s full-on dedicated to ruining the heroine’s new, bland romance because… well, that’s her whole schtick.

It’s… awful.

You sit back, hands in your hair, groaning aloud. “What is this? Who would even read this?”

You glance at your notes. They’re a chaotic mess of random scribbles: “Idia = genius, but hates people,” “Villainess needs more fire,” and “Heroine? Too boring. Spice her up. Maybe dragons?”

Yeah. This isn’t working.

You slump in your chair, utterly defeated. The characters are good, great even! But the plot? Oh, the plot is a dumpster fire. No, worse. It’s a flaming dumpster floating down a river of bad decisions. You can’t believe you spent hours writing this.

That’s it. You’re scrapping the entire thing. You’ll keep the characters, sure. But the story? Gone. Deleted. No one needs to suffer through this mess.

Determined, you crack your knuckles and reach for the keyboard, ready to hit the big red “DELETE” button on your disasterpiece.

“Say goodbye to this trash heap,” you mutter, “and hello to some actual good writing.”

But, alas, the universe has other plans.

Just as your finger hovers over the delete key, the worst possible thing happens. Your elbow, as if possessed by the forces of chaos itself, nudges the precariously balanced coffee cup on your desk. The liquid inside, which you had so carefully placed right next to your laptop like a ticking time bomb, tips. In slow motion, you watch the dark, caffeinated doom spill over the edge and land directly onto your keyboard.

“No, no, no, no, NO!” you shout, lunging forward, but it’s too late.

The coffee floods your keys like a tidal wave of misfortune. Your laptop makes a sickening little noise, a soft bzzt, and the screen flickers ominously. You sit there, frozen in horror, watching your computer sizzle as if it’s been cursed by the gods of terrible life choices.

And then—just when you think it couldn’t get worse—it gets worse.

There’s a small, but very real, spark. You flinch back, because nothing good ever comes from sparks. The screen flickers violently, the keys start to buzz, and then—before you can even process what’s happening—you feel it.

ZAP!

Electricity courses through your body. Your vision flashes white, your muscles seize, and in one horrifyingly comedic moment, you realize you’re being electrocuted by your own laptop.

You’d scream if you could, but all you manage is a high-pitched whimper before everything goes black.

Dead. You’re dead. Killed by your own coffee and a poorly thought-out novel. Fantastic.

You blink your eyes open, your head pounding like you’ve been hit with a ton of bricks—or, more likely, an electrical charge. Slowly, your vision clears, and you find yourself… staring at an unfamiliar, ornately decorated ceiling.

Where the hell are you?

You sit up with a groan, and that’s when it hits you: the bed. It’s massive, plush, and absurdly luxurious—definitely not your usual ratty mattress. Panic sets in, and you scramble out of bed, only to catch your reflection in a nearby mirror.

It’s not your reflection.

Oh.

Oh, Shit.

Staring back at you is her. The villainess. The sharp-tongued, drama-fueled antagonist of your novel. The one with a penchant for ruining lives and stealing the spotlight. The one you made up.

You gasp, gripping the sides of the mirror. “No. NO.” You stare at the dark hair cascading over your shoulders, the perfectly arched brows, and the terrifyingly intense smirk that seems to have a life of its own. “Why am I her? Why this of all characters?”

You step back from the mirror and slap your cheeks, half hoping that’ll wake you up from this fever dream. It doesn’t. You’re still stuck in the body of the villainess, and with each passing second, reality—or whatever twisted version of it this is—sinks in deeper.

“Of course,” you mutter, throwing your hands up in frustration. “Of course this is my life now. I write the dumbest novel in existence, and this is what I get.” You pace in front of the mirror, ranting to no one in particular. “Who even thinks it’s a good idea to make me the villainess? Me?! I didn’t sign up for this!”

After a few minutes of thoroughly berating yourself—and by extension, the cosmic forces that brought you here—you finally stop, resting your hands on your hips.

“Okay. Fine. FINE. I’ll play your stupid game, universe.” You throw one last glare at your reflection. “But I’m not tormenting the heroine. Nope. She can have her stupid one-sided rivalry for all I care. I want nothing to do with this mess.”

The decision made, you shake your head and take a deep breath. “Alright, what’s next?” You glance around the villainess’s extravagant room, trying to figure out your next move. And then, a lightbulb goes off in your head.

Prince Idia.

In your novel, he’s socially awkward, reclusive, and definitely doesn’t deserve to get caught up in this disaster. He’s just collateral damage in your sorry excuse for a plot, and honestly? You feel kinda bad about it.

You snap your fingers. “That’s it. I’ll find Prince Idia. Save him or something. Maybe I can even get a reward for rescuing a royal!” You’re feeling pretty good about this plan—much better than sticking around and causing drama with the heroine, at least.

With a dramatic flourish (you are still the villainess, after all), you head for the door, ready to track down Idia and redeem yourself in whatever twisted way you can manage. Who knows, maybe this whole situation won’t be as bad as you thought.

Or… maybe it’ll be even worse. But you’ll cross that bridge when you get to it.

After what feels like hours of arguing with your stubborn, uptight butler—who is absolutely convinced that your decision to head straight for the abandoned palace at the edge of town is the worst idea you’ve ever had—you finally break free.

“If anyone was kidnapped, that’s where they’d be!” you shout over your shoulder as you march toward your carriage, ignoring his protests about "safety" and "reckless behavior."

Butler or not, you’re on a mission. And after a bumpy ride to the palace, here you are, standing at the entrance, waiting for the traps or menacing guards to pounce.

...Nothing.

It’s strangely anticlimactic, actually. You push open the door, expecting maybe a cackle or some ominous fog. But no, just dust and an eerie silence. You frown, stepping cautiously inside.

“What kind of royal abduction is this? Budget cuts?”

Just as you’re about to chalk this whole thing up to a monumental waste of time, you hear it—a low curse, followed by the distinct sound of tinkering. You freeze, listening closer.

Definitely someone messing with something.

Your hand instinctively reaches for your trusty gun (bless past-you for deciding guns belonged in this novel), and with practiced ease, you pull it out and slam open the nearest door.

"Hands up!" you yell, pointing the barrel directly at—

A very, very scared Prince Idia, crouching beside what looks like a half-assembled mechanical gadget. His wide, shocked eyes meet yours, and he lets out a startled yelp, nearly knocking over the tools scattered around him.

"Wh-What the hell?!" you blurt, lowering the gun slightly. This was not the daring rescue scene you imagined.

Idia flinches, awkwardly raising his hands. “I—uh, I don’t know who you are, but how did you even find me?!” he stammers, looking at you like you just kicked his favorite gaming console.

"How did I—? Are you kidding me?" You gesture dramatically with the gun, still in shock. "I’m one of the people you were supposed to choose from! Remember? The whole ‘Battle for the Hand of Prince Idia’ thing?”

He blinks at you, deadpan. “Oh… Oh, no,” he mutters, more to himself than you. “Absolutely not. I’m not going back. I staged this whole thing for a reason.” He crosses his arms, stubborn. “I’ll just stay here with my gadgets. You can go back to… whatever you do.”

You stare at him, flabbergasted. “What do you mean you staged this?” You glance around the dusty, decrepit palace. “This is your brilliant escape plan? Hiding out in the palace equivalent of a haunted IKEA?”

He sighs, running a hand through his hair. “Look, it’s quiet, it’s out of the way, and no one bothers me here. I didn’t get kidnapped, okay? I just—didn’t want to deal with all the royal court nonsense.” He shrugs, as if staging a fake kidnapping is the most logical thing in the world.

“You do realize that Ortho is still at the palace, right? Your little brother? Alone? Without you?” You raise an eyebrow, watching the slow dawning horror creep across Idia’s face.

“Yeah, so?” He huffs. “He’s the Crown Prince now. I’m sure he’s fine—"

“Bro,” you interrupt, “have you seen high society? Ortho’s gonna get eaten alive. Not to mention the other princes aren’t just gonna let him waltz around with a crown on his head without making his life miserable.”

Idia’s eyes go wide, his brain clearly working overtime as the realization hits him like a ton of bricks. “Oh… Oh no. I didn’t think of that.”

You nod sagely. “Yeah. Big oops.”

He stares at the ground, looking like he’s physically shrinking under the weight of his own bad decisions. And then—something unthinkable happens.

“Help me,” he says, his voice desperate. He looks up at you with pleading eyes. “Please. I’ll—I’ll make you anything you want, build you gadgets, whatever you need! Just help me navigate high society while I… hide in the shadows or whatever.”

You stare at him in disbelief. “Are you… Are you asking me to pose as your fake fiancée?”

Idia flushes crimson, his hands flailing. “N-No! Well, maybe? Yes. I mean, yeah, but it’s not like I want to—" He groans, burying his face in his hands. “Just… ugh. Yes. Please.”

You cross your arms, tapping your chin. “Hmm. Fake engagement, huh? Alright, but only if you give me a beach house when this farce is over and Ortho officially takes the crown.”

Idia looks up at you, blinking in surprise. “A beach house? That’s your condition?”

You smirk. “Hey, I know what I want. So, do we have a deal?”

He hesitates for a moment, but then sighs, defeated. “Fine. You get the beach house. Just… make sure no one talks to me. Or atleast, you have to handle almost all the talking.”

With a satisfied nod, you extend your hand. “Deal.”

Idia, still red-faced and awkward, shakes your hand. You can’t help but wonder what sort of chaos you’ve just agreed to—but at least you’re getting a beach house out of it.

Sneaking Idia back to your manor wasn’t the most glamorous affair. He insisted on wearing a cloak, “for dramatic effect,” even though the streets were practically empty.

"You know, for a guy who's supposed to be a genius, you're real bad at blending in," you deadpan as he stumbles over his own cloak.

"It’s supposed to make me inconspicuous," Idia mutters, pulling the hood down further. "People see a cloak, they assume you’re some weirdo and leave you alone. It’s basic stealth mechanics."

“Uh-huh. And tripping on it helps too?”

“Shut up.”

Once inside the manor, you sit him down to discuss the details of how you’re going to spin this whole ‘rescue’ thing. Idia, now a little more at ease, starts fiddling with some gadget he pulled from one of his cloak’s hidden pockets. You can't tell if he's actually paying attention, but you figure you’d better get started.

"Okay," you say, leaning in like you’re about to hatch the greatest scheme of your life. "We need a story. Something grand. Heroic. Full of intrigue, mystery—"

“Or we could just say I, uh, got lost?” Idia offers halfheartedly. “And you happened to find me by accident. That sounds more plausible.”

You shoot him a look. "Idia, this is high society. No one ‘just gets lost for 3 months.’ We need something more exciting. Like, I fought off a band of rogue kidnappers—"

“Did you now?”

“And there was this epic battle—"

“With what? Your sense of direction?”

You glare. “Focus. We need an alibi."

Idia sighs. “Fine, whatever. Make it sound cool, but not too cool. If it’s too impressive, people will start thinking I owe you something.”

“Oh, don’t worry. I already have an idea of what you owe me,” you say, smirking.

His eyes narrow in suspicion, but you move on.

"Alright, so I 'bravely' tracked you down to the abandoned palace—"

"Because obviously that's where I'd be hiding," Idia interrupts sarcastically, rolling his eyes.

"—and I singlehandedly defeated a gang of ruthless kidnappers, saving you from a life of captivity. You, overwhelmed by my gallantry, are forever in my debt—"

Idia snorts. "Forever in your debt? Yeah, right. You're more likely to find me dead than in your debt."

“Just go with it. It’s a good story.”

Eventually, you both settle on a suitably ridiculous tale where you, after days of tireless investigation, heroically rescued him from an evil plot to overthrow the royal family. It's unnecessarily elaborate, full of conveniently absent witnesses and a dramatic escape from a non-existent dungeon. The whole thing’s so ridiculous, you almost feel bad for making anyone listen to it.

“Right,” you say, standing up. “Now we just need to sell this at court.”

When you arrive at the palace, Idia hangs back while you step forward, playing your part as the "heroic rescuer." Ortho���s the first one to spot you, and when his eyes land on Idia, they widen with shock and excitement.

“Brother!” Ortho shouts, practically flying over to tackle Idia in a hug. “I knew you’d come back!”

Idia, not really one for public displays of affection, awkwardly pats Ortho’s head. “Yeah, yeah, don’t make a big deal out of it,” he grumbles, though you can see the tiny smile tugging at his lips. “I was, uh, working on some top-secret stuff. Y’know, important genius-level projects.”

Ortho beams. “That sounds just like you!”

You have to hold back a snicker. Yeah, real “top-secret.” Like avoiding social interaction at all costs.

Soon, you’re ushered into the royal court. The king—who clearly knows something is up—doesn't look remotely surprised by the "revelation" that Idia was never actually kidnapped. But, because royal politics are weird, he plays along.

“So, Prince Idia,” the king says, raising an eyebrow, “I suppose you’ll want the Crown Prince title back now that you’ve returned?”

Idia freezes, panic flashing in his eyes. "Uh, absolutely not. Hard pass. Nope. Ortho’s got it handled, right? He can keep the whole… crown… thing.”

Ortho nods eagerly from behind him. “I’ve got it covered!”

The king sighs but nods. “Very well. And what about you?” He turns to you. “Surely, a brave soul such as yourself deserves a reward.”

Here it comes. You’ve rehearsed this with Idia, but now that you’re on the spot, you can’t help the dramatic flair in your voice as you clasp your hands together and say, “All I ask… is for Prince Idia’s hand.”

The king looks thoroughly amused, while Idia, beside you, is turning a very interesting shade of red.

“What?” Idia hisses under his breath. “That was not the line.”

You grin, leaning closer. “Yeah, but you have to admit, it’s funnier this way.”

To his credit, Idia doesn’t collapse on the spot, though he does look like he’s reconsidering his life choices.

Meanwhile, from across the room, you catch the third prince—your so-called "male lead"—glaring daggers at you. He looks like he's about to burst a blood vessel, while the heroine next to him is scandalized beyond belief.

“B-but Idia’s hand was supposed to be won!” she protests, clearly flustered.

You tilt your head innocently. “Oh? Not satisfied with the third Prince?” you ask, batting your lashes at her.

Her face goes red, and the Bland Prince—whoever he is—looks equally scandalized.

Next to you, Idia quietly high-fives you behind his back.

“Nice one,” he whispers.

As you both walk away from the court, Idia glances over at you, his usual sarcasm softened by relief. “You know, I really thought I’d end up hating this whole scheme, but you’re not bad at playing the part.”

You chuckle, nudging him. “Told you it’d be fun. And now I get a beach house, so it’s a win-win.”

Idia sighs but can’t hide the smile tugging at his lips. “Yeah, yeah. Just don’t make me go to any more parties, okay?”

“Deal.”

You’re sitting across from Idia in the study, supposedly "spending time together" to prove to the world how deeply smitten you both are. In reality, though, you’re plotting out your beach house retirement plan, while Idia is hunched over his latest gadget, muttering like a mad scientist.

"Okay, so if I tweak this—boom, self-repairing AI drone. Easy. The idiots at court would never get it," he whispers to himself, eyes glued to the wires and gears he's fiddling with.

You’re busy doodling floor plans of your dream beach house, adding an extra pool for fun. “Yeah, totally, sweetheart,” you mumble, pretending to listen. This fake relationship thing is going swimmingly.

That’s when the door flies open, and in waltzes the male lead—of course he doesn't knock. The guy practically drips entitlement as he saunters in, admiring himself in the reflection of a spoon he’s for some reason carrying.

Without missing a beat, you and Idia scramble to look like actual lovers. You slide closer to him, casually tossing an arm over his shoulders, and he—already flustered—just stiffens like he’s been caught in a trap.

“I see you two are enjoying each other’s company,” the male lead says, not even looking up from his spoon reflection. “I came to invite you to the tea party. You know, with all the nobles. The whole ‘Idia’s too traumatized to socialize’ excuse isn’t gonna fly anymore. It’s been three months.”

Idia’s eyes widen, and you can practically hear his soul leave his body. You give him a reassuring nudge.

“Don’t worry,” you whisper. “I’ll do all the talking. You just have to sit there, sip tea, maybe nibble on a pastry, and nod at Ortho. I’ve got the rest covered.”

Idia doesn’t look convinced, but he nods anyway. “Sure, sure, as long as I don’t have to, like, interact.”

The two of you arrive at the tea party, and the moment you step into the garden, you realize you're absolutely screwed. It’s not a tea party at all—it’s some weird medieval Olympics with archery targets set up, and a bunch of nobles are taking turns shooting arrows while their wives cheer them on.

“What… is this?” you whisper, horrified. “Why are there archery targets at a tea party? Is this... a misogyny power trip?”

Idia looks like he wants the ground to swallow him whole. He’s already backing away slowly, trying to make his great escape, but you grab him by the back of his cloak before he can bolt.

He shoots you a look like you’ve just committed the ultimate betrayal. “This... is not a tea party. You said tea and pastries. Where are the pastries?!”

“I didn’t know!” you hiss back. “I thought we’d just sip tea and gossip about whose cousin married whose horse!”

Before either of you can make another move, the heroine spots you and immediately latches onto your arm, dragging you to the tea table. At the same time, the male lead grabs Idia and hauls him over to the archery side.

"Wait—no—uh—" Idia stammers, but he’s already been thrown into the testosterone-fueled chaos of nobles trying to outdo each other.

Thinking fast, you impulsively declare, “I’ll be the one doing the archery! For my fiancé, of course. You know, because those thugs that kidnapped him? They had bows too!”

Idia, catching on, immediately puts on his best terrified expression. “Y-Yeah! Bows! I’m… I’m still traumatized! Please don’t make me relive it.”

The crowd collectively gasps, and you inwardly pat yourself on the back. Nailed it.

Somehow, despite knowing absolutely nothing about archery, you end up winning the whole thing. Turns out, none of the nobles have actually seen a bow before. You didn’t even hit the bullseye—you just got the arrow near the target, which was apparently enough to impress them.

The prize? A complex-looking mechanical device, something straight out of Idia’s dream workshop. You look at it, completely clueless, before handing it over to him.

“Uh, here. I have no idea what to do with this.”

Idia stares at the device, his eyes wide in disbelief. “You’re… giving it to me?” He looks touched but also suspicious. “You’re not gonna ask for some crazy favor in return?”

You shake your head. “Nah. It’s all yours. Consider it a thank-you for not leaving me to deal with this disaster alone.”

He blinks, clearly not used to receiving gifts without strings attached. “Well… uh, thanks. And… good job on the archery. You, uh, really sold the ‘traumatized fiancé’ bit.”

Before you can respond, the rest of the nobles start talking about "true love," and you can practically feel the heroine’s eyes boring holes into you. She’s fuming, glaring at the male lead—who, by the way, didn’t win—and looks like she’s about five seconds away from tearing out her hair.

You shoot her a smug grin, thoroughly enjoying her frustration. Idia, who’s been watching the whole thing with mild amusement, lightly bumps you with his elbow.

“Thanks for… you know, saving me from whatever that was. And for giving me this… thing,” he says, holding up the device.

“No problem,” you reply, smirking. “I think we’re pulling off this whole ‘smitten lovers’ thing pretty well.”

Idia snorts, trying to suppress a smile. “Yeah, well, if you keep dragging me to ‘tea parties’ like this, we’re gonna need to come up with a better plan. Preferably one where I don’t have to socialize with archery-obsessed nobles.”

“Deal,” you laugh. "Next time, I'll find a real tea party."

"Please don't."

You’re lounging on a comfy chair, lazily chatting with Ortho, who’s happily explaining some new contraption he and Idia worked on. You’re half-listening, more focused on sipping tea and enjoying the rare moment of peace in this chaotic castle.

That is, until Idia suddenly appears in front of you, looking unusually determined. He stands there, awkwardly shifting his weight, before thrusting his hand out in front of you.

Without thinking, you blink up at him and, in your confusion, place your chin on his outstretched palm. You give him a questioning look, waiting for further instruction.

Idia’s face immediately flushes a deep red. “W-What are you doing?! That’s not—I didn’t—gah!”

Ortho’s trying not to laugh, but it’s clear he’s barely holding it together.

“What?” you ask innocently. “You held out your hand, so I thought…”

Idia runs a hand through his hair, clearly flustered, before spluttering, “I—no, I was asking for your gun!”

“Oh. Right.” Without hesitation, you hand him the trusty weapon you always keep on hand, because at this point, you’ve learned to never question what Idia needs. It’s always better that way.

“Thanks,” he mutters, grabbing it like he’s on a mission and rushing off to whatever secret lair he retreats to.

You glance at Ortho, who’s giggling to himself. “Do you think I should be worried about that?”

“Nah,” Ortho says with a cheerful shrug. “He’s probably just making modifications. He’ll be fine!”

The next day, your luck runs out. Just when you were hoping for another peaceful afternoon, the heroine arrives for a surprise visit, dragging along her little posse of noble followers. You’re seated in a stiff parlor chair, forced to endure the barrage of small talk and fake smiles, feeling as if the universe is punishing you for all the nonsense you wrote in that novel.

One of the heroine’s cronies leans in with a sickeningly sweet voice, “Oh my, Lady Heroine, I just love your new gown. You look positively radiant. Unlike some people who seem to… dress for comfort, I suppose.”

You shoot her a withering glare, but it’s hard to focus when the heroine herself joins in, adding with a falsely sympathetic tone, “It must be so difficult for you, pretending to fit into high society. I can’t imagine how exhausting it must be, keeping up appearances.”

You’re just about to snap back when, suddenly, the door bursts open. In comes Idia, holding your gun, looking both determined and completely out of his element. For a brief, terrifying moment, you wonder what kind of chaos he’s about to unleash.

Before you can ask, he walks straight over to you and hands it to you, his expression serious. “Here. I finished the modifications.”

Your jaw drops as Idia starts rattling off a list of improvements. “So, I increased the firepower by 30%, added a cooling mechanism so it doesn’t overheat, and now it’s got an auto-targeting system that can scan multiple threats at once. Oh, and I swapped the trigger to be more responsive, so you won’t have any lag—”

You can’t help but notice how animated he looks. His usual deadpan expression is replaced by a lively spark in his eyes as he talks about all the intricate details. He’s completely in his element, and you find yourself enchanted by the way he speaks. It’s rare to see him so passionate, so alive.

The moment is shattered when he finally notices the others in the room. His face drains of color, and he gives a forced smile that screams I don't want to be here. Without another word, he turns on his heel and flees the room. But you notice something strange—he had been holding your hand the entire time. His grip, tight and warm, leaves a lingering sensation even after he’s gone.

You’re left holding your newly modified gun, your face heating up as you process what just happened. The heroine's entourage are all staring at you with wide eyes, as if they’ve just witnessed the most romantic moment of the century. Even the butler, who’s usually the epitome of professionalism, is grinning like he’s just uncovered the secret to eternal happiness. The maids nearby are giggling behind their hands, clearly entertained.

You glance down at the gun, then back to where Idia disappeared. Great, you think to yourself. How am I supposed to survive this?

As if reading your mind, the heroine gives you a smug smile. “It seems your fiancé is quite… attached. How charming.”

You roll your eyes, trying to ignore the sudden rush of blood to your cheeks. “Yeah, he’s a real romantic,” you mutter sarcastically.

But even as you try to brush it off, your thoughts keep returning to that sparkle in Idia’s eyes, the way he had held your hand, and the way his enthusiasm had made your heart skip a beat. Maybe this royal con is going to be more complicated than you expected… but also, maybe not as bad as you feared.

Dragging Idia to get fitted for the imperial ball is like trying to drag a cat into a bathtub. He’s actively resisting, feet planted as you haul him toward the tailor with all the enthusiasm of a man being led to the gallows.

“Why do you keep doing this to me?” he groans, leaning back so far you think he might just throw himself on the floor in protest. “An angel loses its wings every time you make me do this. Do you want heaven to be wingless? Is that what you want? To singlehandedly destroy heaven?”

“I’m aiming to open a black market for wings, yes,” you say, deadpan, yanking him forward. “The profits will be incredible.”

“You’re a menace,” he mutters, shuffling along behind you, still resisting like a particularly stubborn mule. “Just put me in a broom closet with a bag of chips and leave me there. I don’t need to go to this ball. No one wants to see me.”

“I do,” you quip. “I’m dragging you into society, one unwilling step at a time.”

By the time you actually manage to get him dressed, you feel like you’ve aged five years. But when you take a step back to admire the result, it’s worth it. Idia looks stunning, even if he’s fidgeting like his clothes are secretly made of fire ants. He’s basically the human version of a rare collectible: usually hidden away, but absolutely jaw-dropping when you finally get to see him.

“Alright, Prince Drama,” you say, exhaling, “I’m going to get dressed. Try not to set anything on fire while I’m gone.”

When you return, you immediately notice something’s up. Ortho’s whispering something to Idia, and whatever it is, it’s causing a nuclear-level blush to spread across his face. He’s stiff as a board, and when he turns around and sees you in your ball attire, he goes straight from “mildly panicked” to “catastrophic system error.”

Without warning, he chucks a flower at you. Just full-on throws it like it’s a projectile weapon.

“Here,” he croaks out, his voice cracking halfway through.

You blink, catching the flower mid-air with one hand. “Uh, thanks? Were you... trying to plant this on me?”

Idia’s face somehow manages to get even redder. “No—I mean yes—I mean—” He looks around for help, but Ortho just gives him an unhelpful thumbs up from the corner.

You grin, deciding to help the poor guy out. “Why don’t you pin it in my hair instead?”

His hands shake as he fumbles with the pin, and you’re pretty sure he’s using every ounce of self-control not to stab you in the scalp. You bite your lip, trying not to laugh, but the whole situation is just too funny. Especially when Ortho gives you a conspiratorial wink from behind Idia’s back like he’s this close to winning a bet.

The ball itself is, as expected, a social hellscape. You and Idia survive by sticking together like conjoined twins, fending off the waves of nosy nobles and fake smiles. You can practically see the stress radiating off of Idia, his expression one of pure misery.

And then, the king makes his grand address, signaling the start of the first dance. You feel Idia stiffen beside you.

“Oh no,” he mutters, “Oh no. This is where it all goes downhill. I’ll trip, I’ll break my leg, and then they’ll throw me in the royal dungeon for embarrassing the family.”

“Relax,” you say, squeezing his hand. “It’s just one dance. I’ll lead, you follow. Easy.”

“I hate this,” he mumbles as you drag him onto the floor. “I hate everything about this. I should have just set myself on fire and gotten out of it that way.”

But despite his protests, you manage to lead him through the first few steps of the waltz. To your surprise, he’s not completely hopeless. He stumbles a little at first, but with you guiding him, he starts to get the hang of it.

“You’re doing great,” you say encouragingly.

“Stop lying,” he grumbles. “I’m one misstep away from taking us both out like a bowling ball hitting pins.”

The music continues, and with every turn and spin, you notice the room around you fading into the background. For a moment, it’s just you and Idia, navigating the intricate steps of the dance together. He’s still anxious, but he’s keeping up, and more importantly, you can tell he’s starting to trust you. He’s letting you take the lead, and for someone like Idia, that’s huge.

From Idia’s perspective, this entire ball is a waking nightmare. He’s completely out of his element, surrounded by people he’d normally go to great lengths to avoid. But then there’s you. You’re handling everything with this... ease, this grace that he can’t even begin to comprehend. You’re not just dancing with him, you’re actively navigating the minefield of court politics like it’s no big deal.

And you don’t need to do this. This isn’t your problem—it’s Ortho’s succession, not yours. But you’re here, by his side, going all out to make sure Ortho’s future is secure. Idia’s heart twists in his chest. He doesn’t get it. You’re way too cool for this. Too cool for him. You wink at him mid-spin, and he feels like his brain’s short-circuiting.

"Oh no. I like them. Like, really like them. And soon, they’ll be gone. This whole engagement is just for show. After Ortho’s investiture, we’ll go back to our separate lives, right?"

He swallows hard, trying not to freak out, but it’s too late. He’s in way too deep.

After the dance, you lead him off the floor and start mingling with the other nobles, making alliances and doing your whole “political mastermind” thing. Idia stands awkwardly to the side, trying to blend into the wallpaper, but his eyes keep following you. You don’t have to do all this for Ortho, but you are. And that’s... that’s really cool. He admires you, he can’t help it.

And then—oh no. The lower nobles. They spot him and beeline toward him like sharks smelling blood. Before he can make a break for it, they swarm around him, throwing party invitations at him like confetti.

“Prince Idia, you simply must attend our garden soirée next week,” one of them gushes, eyes sparkling.

“And our evening gala!” another pipes up. “You’ll be the guest of honor, of course!”

Idia’s face goes pale, and he shoots you a look that screams, HELP ME.

You swoop in like a knight in shining armor. “Ah, yes, well, unfortunately, Idia can’t attend. He’s... uh... allergic to sunlight.”

The nobles stare at you, blinking in confusion. Idia stares at you too, his expression a mix of disbelief and amusement.

“Allergic to... sunlight?” one noble repeats, frowning.

You facepalm. Smooth. “I mean... it’s a joke! Ha! Obviously! What I meant to say is... uh...” You scramble for an excuse. “I need a nap.”

There’s a beat of silence.

“I—uh—can’t sleep without him,” you blurt out. “It’s, uh, a couple thing.”

The nobles blink at you again, thoroughly bewildered.

You grab Idia’s arm, muttering, “We’re leaving,” and make a quick exit, practically dragging him behind you.

As soon as you’re out of earshot, you let out a groan. “Oh my god, I can’t believe I said that. ‘Allergic to sunlight’? Really?”

Idia is doubled over laughing, completely losing it. “You what?!” he howls. “You need a nap? And you can’t sleep without me?!”

“Shut up!” you say, cheeks burning. “I was trying to save you!”

“You saved me? More like doomed me!” He wheezes between laughs, clutching his stomach. “Oh man, you are terrible at this. You make me look good, and that’s saying something.”

You glare at him, but his laughter is so infectious that you can’t stay mad. And honestly? He looks free. Unbridled, even. It’s the first time you’ve seen him laugh so openly, so without reservation, that it almost makes you forget how embarrassing the situation was.

Almost.

It's finally time for Ortho's investiture, and to say you feel unprepared would be an understatement. Not for any political reason—you've long since mastered the art of navigating court intrigue. No, the issue is far more personal, far more heart-wrenching. After today, once Ortho is declared Crown Prince, Idia will no longer have any excuse to stay in the spotlight. He'll retreat, back into the shadows, probably even fake his own kidnapping to get out of any future public events. And you?

You'll finally get that peaceful beach house you’ve been dreaming about.

But the thought doesn’t feel like a reward. It feels bitter. You don’t want that beach house—not if it means losing Idia. The man who’s wormed his way into your heart with his sarcasm, awkwardness, and hidden kindness.

But you know he’s not someone you can tie down. Idia doesn’t do well with permanence. And as much as your heart begged to hold on to him, you also know he’d likely slip through your fingers if you tried.

So you do what any self-respecting person would in this situation: put on a brave face, slip into your formal attire, and prepare to smile your way through heartbreak.

When you walk out to greet Idia, he’s already dressed in his formal robes, looking every bit the reluctant royal. His eyes widen slightly when he sees you, but he says nothing, fidgeting with the hem of his sleeve.

You muster up the strength to smile and reach for his hand. “Ready?”

He nods, but neither of you can meet the other’s eyes.

From Idia’s perspective, today should feel like a victory. He’s been planning for Ortho’s investiture for months, and now that the day is finally here, he should be feeling nothing but relief. But no—he’s filled with an overwhelming sense of dread. It’s not about Ortho. His little brother is brilliant, and Idia knows the kingdom is in good hands.

No, what he’s not ready for is letting you go.

If someone had told him a year ago that he would care about someone—want someone—so desperately, he would’ve locked them up in a mental facility. But here he is, standing on the precipice of his worst nightmare.

You, who shine in every public setting, who effortlessly charm everyone around you, are going to move on. He knows he can’t tie you down with his reclusive lifestyle, his constant desire to escape from the world. How could he? You’re everything he’s not—bright, resplendent, beloved. He can’t ask you to give up your life for him.

But when you come out and take his hand, his heart skips a beat. Neither of you are able to look each other in the eye, but the gesture says more than any words could.

The investiture itself goes off without a hitch. Ortho’s speech is flawless, full of the hope and wisdom of a ruler who will no doubt lead the kingdom into a golden age. You’re so proud of him—of the boy who’s become like a little brother to you.

But even as you smile and clap with the rest of the court, you feel a heaviness in your chest that has nothing to do with the political spectacle unfolding before you.

A few tears slip down your cheeks, and you don’t even know if they’re from the overwhelming pride you feel for Ortho or the quiet heartbreak you’ve been trying to suppress all day.

Before you can wipe them away, Idia silently hands you his handkerchief. He doesn’t say anything, doesn’t even look at you, and that just makes the ache in your heart a little worse.

You take it with a quiet, “Thanks,” dabbing at your eyes, and you both stand there in tense silence, watching as the formalities continue around you.

Once the investiture concludes and the guests filter out, you and Idia retreat to a balcony to catch your breath. The sky is darkening, and the cool evening breeze does little to soothe the heaviness you feel in the pit of your stomach.

Idia breaks the silence first. "I've, uh... already arranged the beach house. It’s in your name now."

You blink, looking over at him. His voice cracks slightly, and when you finally turn to face him fully, you realize that he looks like the very picture of heartbreak. He’s not meeting your eyes, staring out into the distance as if it’ll keep him from falling apart.

You swallow hard, trying to keep your voice steady. “Idia... do you want me to leave?”

He freezes, still not looking at you. "I... I want you to be happy. I mean, that's the whole point, right? The beach house, everything—you’ve been wanting that for ages."

“I didn’t ask if you wanted me to be happy,” you say quietly. “I asked if you want me to stay or go.”

The silence between you stretches, heavy and suffocating. You hold your breath, waiting for him to answer. When he finally speaks, his voice is barely above a whisper.

“I... I don’t know what I’m gonna do if you’re not here anymore.”

That’s all the confirmation you need. Before he can say anything else, you step forward, cupping his face and pulling him into a kiss. For a split second, he stiffens, shocked, but then he melts into it, his arms wrapping around you like he’s afraid you might disappear if he lets go.

It’s everything you needed and more—sweet, desperate, and filled with all the words neither of you have been able to say. When you finally pull away, you rest your forehead against his, both of you breathing heavily.

“Come with me,” you whisper. “To the beach house. We can... we can figure everything out from there.”

Idia lets out a watery laugh, one that’s half-disbelief, half-relief. “You really want a shut-in like me hanging around your dream house? You’re gonna get sick of me in a week.”

You smile, brushing a strand of hair away from his face. “I don’t think I could ever get sick of you. So... what do you say?”

He hesitates for a moment, then gives a small nod, his eyes shining with unshed tears. “Yeah... okay. I’ll come with you.”

And just like that, the weight that’s been pressing down on your chest all day lifts. It’s not the end—it’s a new beginning. One where you and Idia don’t have to part ways, where you can move forward together.

As you both stand there on the balcony, holding each other close, the world feels a little less daunting, and the future a little brighter.

The grand hall is slowly emptying out, nobles drifting away after offering their congratulations to Ortho. You and Idia maneuver through the lingering crowd, dodging overly-friendly dukes and avoiding eye contact with barons hoping to extend the festivities.

Idia clings to your arm like a cat being dragged to the vet, mumbling, “Please tell me we’re not about to be emotionally ambushed again.”

You smirk. “Relax. It’s just Ortho.”

“Yeah, that’s what you always say before things get sentimental and I have to deal with ‘feelings.’”

You spot Ortho standing near the dais, still wearing the ceremonial robes from his investiture. Despite the long night, he looks bright-eyed, waving cheerfully at some departing courtiers. When he catches sight of you two, his face breaks into the biggest grin, and he hurries over like an eager puppy.

“There you are!” Ortho beams, practically glowing with excitement. “I was worried you left without saying goodbye.”

“Us? Leave without saying goodbye?” you tease. “What kind of villains do you think we are?”

“Exactly the kind who would sneak away in the middle of a banquet,” Idia mutters under his breath. “And you know what? That plan still sounds great.”

Ortho rolls his eyes fondly. “You’re impossible, brother.”

“Only when I’m awake.”

“Anyway,” you cut in, shooting Idia a playful glare before turning back to Ortho, “we wanted to talk to you before we go.”

Ortho’s smile falters, just a bit. “You’re leaving already?”

You nod, squeezing Idia’s arm. “Yeah. We’re heading to the beach house.”

Ortho tilts his head, curious but not upset. “You’re moving there?”

“For a while, yeah,” you explain gently. “Idia and I need a break from all the court politics. But don’t worry. We’ll visit you. Often.”

Idia shifts beside you, scratching the back of his neck. “Yeah, uh... It’s not like I’m leaving forever or anything. Just... you know, temporarily escaping society.”

Ortho laughs, but there’s a softness in his gaze now. “I get it. I don’t blame you for wanting to leave all this behind for a bit.”

You take a step closer, voice lowering. “And hey... I know you’ve got a lot on your plate now. But we’re still family. If you need anything—anything—we’ll be here for you.”

Ortho’s grin returns, full force. “I know. I’m really glad you two have each other. Honestly, I was worried for a long time that Idia might never find someone willing to put up with him.”

“Gee, thanks,” Idia deadpans. “Glad my personal development arc has been so inspiring for you.”

“But seriously,” Ortho says, his expression softening again. “Thank you. You’ve done more for us than you had to. I know you could have just... gone back to your world or left things as they were. But you stayed. And you helped him.”

Oh no. Not this again. That suspicious prickle starts in your eyes, and you blink rapidly to fend off the tears. Not now. Not in public.

“You’re not... making me cry,” you insist, even as your voice wobbles. “This is just... allergy season.”

“Oh no, it’s happening,” Idia groans dramatically, pinching the bridge of his nose. “Please don’t cry. If you cry, Ortho’s gonna cry, and if Ortho cries, the nobles will definitely blame me.”

“Shut up, you big baby,” you sniffle, swatting his arm before pulling Ortho into a hug. “Come here, you. Group hug, now.”

Ortho barely has time to react before you’ve wrapped him up in your arms. He laughs, squeezing you back. You reach out blindly and grab Idia’s sleeve, yanking him into the fray.

“Wait—wait, what—!” Idia stumbles forward, sandwiched awkwardly between you and Ortho. “This is... I don’t...”

“Shhh,” you whisper, patting his back. “Feel the love.”

“This is emotional ambush!” Idia protests, voice muffled against your shoulder. “I want it on record that I was forced into this.”

“Noted,” Ortho says with a laugh, hugging both of you tighter. “But you’re not getting out of it.”

For a moment, the three of you just stand there, huddled together in a ridiculous knot of limbs, nobles glancing your way but tactfully avoiding comment.

Idia mutters into your ear, “This... this is basically treason against introverts.”

You grin. “Consider it penance for being emotionally stunted.”

“You’re both the worst,” he grumbles, but his arms stay wrapped around you.

Eventually, you pull back, wiping your eyes with the heel of your hand. “We’ll be back soon, Ortho. I promise.”

“I know.” Ortho smiles warmly, giving you one last squeeze. “And when you do, I’ll make sure you never have to attend another dull court event again.”

Idia perks up at that. “Oh. Now that’s what I call incentive.”

With one last shared laugh, the three of you break apart. Ortho steps back, standing tall and proud in his new role, though his smile still holds all the warmth of a little brother seeing his family off.

“Take care of him,” Ortho says quietly, glancing meaningfully at you.

“I plan to,” you reply, meeting his gaze with a small, reassuring smile.

“And you,” Ortho adds, looking at Idia. “Don’t screw this up.”

Idia gapes, indignant. “I—why does everyone assume I’m the one who’s going to screw it up?!”

You and Ortho exchange amused glances before both of you answer in perfect unison:

“Because you will.”

Idia groans. “Yeah, okay. Fair.”

With that, you bid Ortho one final goodbye, tugging Idia along before anyone else can rope you into small talk. As you leave the grand hall and step out into the cool night air, the weight on your shoulders feels a little lighter.

Idia sighs in relief. “Well, that’s over. Time to hibernate for the next decade.”

You chuckle, lacing your fingers through his. “Hibernation in the beach house?”

“Hell yeah.”

And with that, the two of you set off into the night, leaving the court behind—for now.

Oh, what happened to the heroine and the male lead, you ask? Let’s rewind a few months before Ortho’s investiture—back when they were still blissfully unaware of the elaborate downfall that awaited them.

You knew that the heroine and the male lead would try to make a spectacle of themselves during Ortho’s rise to power. The way they pranced around, flaunting their superficial charm and good looks like they owned the place—it was insufferable. And, of course, they were always scheming in the background, hoping to secure power and glory for themselves. You couldn’t stand it.

So, you set up the perfect trap.

It began at a lavish gala, one of those unnecessarily extravagant events where nobles gathered to network, gossip, and throw subtle insults at each other. You arrived fashionably late, as any proper duchess would, with Idia reluctantly in tow, mumbling under his breath about how every social event felt like “one of those long quests with zero rewards.”

“The rewards are emotional, Idia,” you whisper, linking arms with him.

“Yeah, emotional damage,” he mutters.

You suppress a smile, but your mind is elsewhere. Tonight is the night. You had planted the seeds weeks ago, a few well-placed rumors, some whispered insinuations, and a letter you’d accidentally left behind in a well-trafficked corridor. It was all coming together like a beautifully chaotic symphony, and now, the climax.

You spot the heroine first, her radiant smile masking the venom beneath. She’s making a grand entrance, arm-in-arm with the male lead, who, as always, looks like he’s stepped straight out of a romance novel. His hair is perfect, his jawline sharp enough to cut through glass. But you know better. They’re both so predictable.

“They’ve arrived,” you murmur to Idia.

He gives you a blank stare. “Yeah, cool, I’m just here to not die of social exhaustion. Whatever you’re planning... don’t tell me. I don’t wanna be involved.”

“Suit yourself,” you reply with a grin.

You watch them mingle, waiting for the right moment. And there it is—the heroine, attempting to cozy up to the king, laughing a little too loudly at one of his mediocre jokes. You slip through the crowd, making your way to where a certain nosy noblewoman is holding court. A noblewoman known for her love of gossip and her even greater love of ruining people’s lives with it.

Perfect.

You lean in, feigning concern. “Oh, My Lady... I probably shouldn’t say this, but I heard the strangest thing about the heroine. You won’t believe it.”

Her eyes gleam with curiosity. “Do tell, my dear.”

“Well,” you drop your voice to a whisper, “there’s talk that the heroine and the male lead are involved in some... unsavory business dealings. Something about embezzling funds from the royal coffers for their own gain? I don’t know how true it is, of course... but it would explain some things, wouldn’t it?”

You leave the rest unsaid, letting her imagination do the rest. The best part? It’s all technically true. You had orchestrated it so well, the heroine and the male lead had no idea that their “private” meetings and “innocent” financial maneuvers were anything but secret.

She gasps, her fan snapping shut. “I knew there was something off about them! Oh, the gall! I must inform the king immediately!”

And just like that, the gossip spreads like wildfire. Within minutes, the entire room is buzzing with scandalous whispers. The heroine and the male lead notice the shift, the way people start looking at them, and for the first time, they’re on the back foot. They try to smile, but their unease is palpable.

You sit back, watching the chaos unfold, sipping your wine as nobles begin to distance themselves from the pair, shooting them suspicious glances.

Idia sidles up next to you, looking around at the suddenly tense atmosphere. “What... what did you do?”

“Who, me?” You bat your eyelashes innocently. “I have no idea what you’re talking about.”

He gives you a side-eye. “You’re terrifying.”

“You knew that when you asked me to be your fake fiancée.”

The next day, official inquiries are launched into the heroine and the male lead’s finances, and though they try to clear their names, it’s no use. The damage is done. Their reputations are ruined beyond repair, and they’re forced to withdraw from court life entirely. A fitting end for their ambitions.

Which brings you to the present...

It’s a peaceful morning in your beach house, and you’re sitting on the veranda, enjoying your coffee while the sun rises over the horizon. The sound of waves crashing against the shore is your only company, and for once, there’s no looming political intrigue or royal drama to worry about.

That is, until Idia stumbles out of the bedroom, his hair a messy blue cloud, his eyes half-closed with sleep. He groans as he sees you, one hand on the wall to steady himself. “Why are you up so early? It’s like... the middle of the night.”

“It’s 10 AM,” you reply with a laugh.

“Exactly,” he grumbles, shuffling over to you. Without another word, he flops down beside you, his head immediately finding its way to your neck. He nuzzles into you, muttering something unintelligible, and you chuckle softly, patting him on the cheek.

“You’re such a big baby in the morning,” you tease, pressing a soft kiss to his forehead.

Despite being married for the past two years, Idia’s face turns tomato-red every time you do something affectionate. He blushes furiously now, burying his face in the crook of your neck to hide it.

“Y-You’re unfair,” he mumbles, voice muffled. “Saying stuff like that... it’s embarrassing.”

You grin. “But you’re so cute.”

“I’m not cute. I’m a grown man. And you’re a villain for making me get up before noon.”

You laugh, running your fingers through his messy hair. “Maybe, but I’m your villain. So deal with it.”

Idia groans dramatically but makes no effort to move away, too comfortable where he is. You continue sipping your coffee, enjoying the moment of peace, when he finally speaks again, a little softer this time.

“Y’know... you really did a number on the heroine and the male lead. They’re still laying low, huh?”

“Maybe the rumor I spread was truly a masterpiece,” you say with a smirk, remembering how perfectly everything had gone according to plan.

Idia snorts. “A masterpiece of destruction, maybe.”

You chuckle, pressing another kiss to his forehead. He sighs contentedly, the two of you basking in the quiet comfort of your shared life. It’s moments like this that remind you just how far you’ve come together, from court intrigue and scandal to peaceful mornings at your beach house.

And honestly? You wouldn’t have it any other way.

Series Masterlist ; Masterlist

For the next part,

[vatelixx]

You are the knife (I turn inside myself),

S2!Post-addiction!Spencer Reid x afab!BAU!reader

SMUT!! (and copious amounts of angst, and like a small amount of fluff to just… balance it out), Workplace rivals, aka, enemies to lovers (who are still enemies and would rather die than tell each other they’re in love).

──── autistic spencer (as per usual), evil evil reader (im being dramatic, kinda), they hate each other so much that they have to find a new way to crawl into each others skin.

Warnings: sub spencer, brat!spencer (a man gets glasses and suddenly thinks he can be defiant) brat!tamer!reader, HUGE corruption kink (someone keeps putting that in there???? it’s not me, i swear), first time for Spencer (i love a virginal nerd), restraints (someone has to pin him down), crying— like lots of crying, degradation (and a little praise because they work hand in hand), Spencer eats reader out like rent is due, reader says thankyou by destroying him, they argue mid-sex. They actually just argue constantly.

— warning: mentions of past drug addiction.

w.c: 9k (mostly smut, holy shit how is it 9k??? their arguments hiked up my word count im positive)

a/n: i know tumblr hates to see me coming with my Spencer Reid one shots. I wrote this at 3am when I was supposed to be studying for my latin exam, it’s okay. Uni will understand I had greater things to do. I promise i’ll get around to my requests this week, i just got possessed by the holy ghost and wrote this.

────────────

Something, something, mindless torture. Spencer holds his brain, his intellect, in high regard. Proverbial accomplishments, Stanford Binet approved genius, he’s an outlier to most. And yet, the moment you start speaking, he has no thoughts beyond the domineering urge to throw himself off a cliff.

You’re late today. Chicago, you’ve both been sentenced, discarded to create a profile from the minimal information present. Forced proximity, the team have been trying to stifle this animosity shared between you for over a year now. It doesn’t work.

Here’s the thing, each member of the BAU has their own specialised feat: Penelope could be a cybercriminal, if she so wished, a tech-genius that has no qualms in tearing down firewalls. Morgan, adroit, an expert on the field, stereotypically strong, all running lines of muscle. Who wouldn’t want to be princess-carried away from danger by him? He’s also remarkably good at kicking down doors. Gideon has incalculable years of experience, a mentor.

The list stretches on.

But you and Spencer can’t both be the brains of the team. It’s unbalanced, skewed. A clash of intellect. Scales tipped in one direction, why does he always come up short? Why can’t he just—

Why, repeats as you push through the bureau, blanking the predictable, formulaic stares of various officers, trained officials, the usual mess. Why— why profiling? Why did you voluntarily choose to suffer your way through ceaseless cases of sanguinary?There has to be an element of masochism to your career; no one with a sane mind voluntarily decides to walk into an onslaught of serial killers and death.

The early mornings are always the worst; stumbling out of bed, deriving no sleep from the night, tangled sheets and restless limbs. “Don’t,” you push, padding into the office, met with Spencer’s hardened gaze. “Late night.”

“We haven’t been here for 48 hours yet, 36 and 22 minutes to be precise, and you’ve already—“

“Get your mind out of the gutter, boy genius. Late night as in I stared at the casefiles until my mind went numb.”

“Did you take a break?” he asks, and you both know it’s not born from care. “Maybe a self-reflection period to realise that torturing yourself isn’t the most effective form of work. Your reactive skills will be delayed now, let’s hope we don’t find the unsub today. In fact, maybe I should warn Hotch—“

“Have I ever warned Hotch about your breakdowns?” that shuts him up. It also makes him spiral, because you can’t know, it’s not statistically possible that you’d be aware of Hankel’s lasting impact on his body, dilaudid, hydromorphine, and not tell someone. He assumes you’d be desperate to eliminate him from the team, to claim your win.

“Right, um— the case,” he shifts in his seat. Professionalism, tolerance, it’s all a little too much work when it comes to the subject of you.

“The case.” you agree.

You’re attuned to each other, a psychological curse he’s forced to stomach. Offices and crime scenes, analysing, competing, hellbent on one upping the other. “Look at these markings—“ his hands rifle through the files that adorn the table, searching searching until they produce an autopsy report.

The markings on the body are intricate, latin symbols prominent against the victims pale skin. You lean further forward, following the path of his index finger as it traces the outline. Perhaps there’s an element of telepathy to your dynamic; you don’t need to state the obvious, too aware that his brain has already processed the information, that he’s moved onto the nuances now.

Human sacrifice, it’s not the first time you’ve caught yourselves in the midst of cult worship and indoctrination. But it’s certainly the first time of its kind.

“Traces of wine in her bloodstream. Found in a forest. Sounds like a bacchanal.” you state, shifting to pull yourself up on the desk.

Spencer looks. At your long, slender legs extending out from a pencil skirt. Effortless, natural, situating yourself on the oakwood, hair half covering your face, with loose strands pooling over your eyes to obstruct your sight.

It’s a strange analogy, the two of you; Spencer with his tired eyes, haphazard clothes and messy desk, and you, just as dishevelled in the morning light.

Metaphorically and literally you’re higher than him right now. He fixes his askew glasses. Clears his throat. “Regina Horthorne,” the victim, “Straight A student. Honour role. What are the chances she willing went to said… bacchanal?”

“Hm. I don’t know, maybe she’s like Laura Palmer. Double life. 4.0 cheerleader by day, crazed bacchante by night.” you retort.

Shamelessly, you take a moment to observe him, just as he did you. Shirt sleeves bunched up at his elbows, hair tousled, large hazel eyes, interminably darting across your face. You wonder for a moment if he’s analysed you the way you’ve analysed him. It’s a futile question, of course he has.

Anything to gain the upper hand.

You continue, “Maybe they’re sacrificing virgins. You could go undercover as a potential victim. Certainly fit the part.”

“I’m already too old to be counted as an appropriate victim. There’s a high probability ‘they’, the dominant unsub, wouldn’t even look at me, and—“ he pauses, pretty face marred by creased features, brows furrowed, a slight pout to his lips.

“There’s a homicidal cult preforming human sacrifice, and you’re wasting time by insulting me?” Spencer is….. a perpetual scholar, a social disaster, wearing his intellect like an ill-concealed secret, outcasted for the weight of his own brilliance. “The BAU clearly made a well-informed decision when they hired you.”

“Oh, you wound me boy genius.” you respond, pressing your hand against your heart.

Endless cases. The impenetrable presence of fall. It feels like you shift through cycles, bleary-eyed and tainted from the job, damaged goods— do you struggle to sleep like I do?

You lean forward, hands, adorned with cluttered rings, braced against the table, bodies closer now. There’s a burn, something fervent that lingers between you, rivalry, opposition. Some days you feel as hedonistic as the unsubs you track and chase.

Continuing, you let out a sharp laugh. “Are you still bitter because I realised it was a bacchanal before you? Don’t worry, i’ll let you take the credit for it. I’m sure Gideon will be so impressed.”

Gideon sees everything in him, and nothing in you. Predictable.

The distance between you has become almost null. It’s intimate, and he’s not sure how he feels about that. “I’m not bitter. And I don’t care about the credit.” A lie. “Unlike you, I don’t need to prove my worth to him.”

────────────

Spilt blood. Your hands are calloused from holding a gun. From firing a bullet straight through skull. The case closes, locked behind that inviolable wall, the one that’s installed into your mind the moment you’re employed, the moment you sign your fate over to the BAU. You’re not sure why anyone stays, overworked and undervalued, there’s no heroes in real life. Maybe it’s the sense of family, or maybe it’s just what everyone subconsciously fell into.

You can’t understand why you’re so angry at Spencer, why it extends to the next case, South Dakota— deaths of locals, but these days, all of the illogical, petty reasons just blur together. Create this tangled mess of overcompensation. ’I assumed you two would get along,’ Prentiss had stated— but what does she know? She’s been an active member of the BAU for a whole 10 minutes.

The hostility has mounted to new levels now.

It’s hard work, long hours, no gratitude and a pay cheque that can’t even begin to cover the trauma that comes with the job. The BAU is like self-sabotage: a long list of reasons to leave, and no real reasons to stay. But still you’re both stuck in this loop.

South Dakota, of course it’s South Dakota. Cold, desolate South Dakota where the wind and snow will not let up, and the team are forced to remain cooped up in a cheap motel, desperate for any sort of entertainment.

Here he is, coerced into your room to work on the case, overtime, his eyes are rimmed crimson.

You’re sprawled out across the bed while he sits at the other end, slender legs crossed. Spencer is tired with a weariness that seems to go soul-deep, shoulders slumped forward, glasses oblique.

The tension is near-palpable, stifling. “I can do this myself. No offence,” full offence, “but you’re unneeded right now. In general, really.”

You make him cruel. Or no, maybe this job does? He can’t remember himself unscathed now, fresh-faced to the BAU, unaware of what he’d endure. It’s still early days in recovery, two months since he was entirely, indomitably reliant on Dilaudid.

“No you can’t,” you retort. Maybe it’s unprofessional, disreputable to waste so much breath on insults, to dedicate specific moments to hostility— people are dead, people will keep dying. And yet, perhaps there’s justification for this; your mutual animosity is the only semblance of routine to this job, the only way either of you can seek control.

Control. All you do is reach for the blade.

“You’re just bitter that I know what I’m doing. You’re not infallible, Boy Wonder. You need my help, so shut up and read that autopsy report. The sooner this is over, the sooner I can go back to my apartment and forget you exist.”

Well that’s certainly unlikely.

“I think,” he says, and he knows this is going to be bad. He can feel the serrated edge to his forming words, his half-baked analysis too focused, too distracted, by his need to hurt. But he’s exhausted, and these days, he runs on a detrimentally short fuse. Maybe he finds a release in your dynamic, or maybe it makes everything worse. How can something be everything and nothing at the same time?

“I think you’re insecure” he continues, “because you know Gideon values me more. That, to him, you’re replaceable. It’s why you’re so fixated on one upping me. Why you feel the need to prove yourself superior. Textbook insecurity. You can’t stand the fact that he chooses me over you, that he thinks I’m better than you. That my input is more wanted, more necessary.”

This is uncharted territory now. It’s never been pushed to this extent. It’s never gotten so morbidly cruel that his words actually pierce. You’d consider yourself to be thick-skinned, bullet-proof, a mess of hardened edges and calloused flesh. But he regards you with such insignificance, in a way that’s different from your own personal view of him.

Obstinate, petty, a smart kid yet to meet his match. But never insignificant.

There’s silence, and then he’s dragging you down with him, forcing you to dig deeper, to smother wounds with salt. “Did he really choose you, though? No one on the team noticed. Not one person. After the Hankel case? When you came back different?”

Spencer falters.

It’s a vulnerable, raw spot, a laceration that never seems to heal; the worst part is that you’re right. He’d been in a spiralling decline for months, in plain sight, but everyone had been so absorbed in their own issues and god he needed a release. No one noticed. No one ever notices.

That he has no life, no prospects outside of the BAU. That his existence has been one comicotragic mess of inexperience, missing the mark, missing the joke, the punchline, the fact that everyone was always laughing at him, behind his back, to his face, present or gone. It didn’t matter? Why would it ever matter to a bunch of washed-out teenagers?

He was robbed of his adolescence. And these days, he barely gets by.

Spencer’s eyes drift back to the files, avoiding your perusing gaze, if only you had enough decency to soften your eyes. Just once.

“You don’t get to bring that into this.” He murmurs. “Shut up.”

“You started this—“

“Are you 5?” he bites back, “I was making an observation.”

When he abruptly stands up, files clattering to the floor, discarded despite the prevalent case, you’re quick to follow after him, to chase him into the cheap motel corridor. Because no, he doesn’t get to walk away from this. Not when he laid the first blow, when the first cut was drawn from his blade. Perhaps it’s perverse, to chase the hurt that comes from being around him. Maybe it’s all just an elaborate way to self-harm, to find release in the distorted relationship you both share.

“Where are you going? You can’t walk away from this one.” you state, gripping his arm. Nails pressing into skin, crescent marks that’ll stain and remind and then ache— it’s repetitive now.

“I covered for your ass.” you knew about the addiction, you knew, and even though omitting such information to the BAU could’ve lost your license, you still. Didn’t. Say. Anything.

It’s not like it took much effort to discern the truth.

“I also signed your email up to about 100 rehab centres and self-help blogs.” you’re not sure if you did that out of malice, or if it was your own, interpersonal way of minimising the damage, despite the circumstances.

You noticed. The rest of the BAU, who pressed false promises of friendship, loyalty into his shaking palms didn’t notice. Didn’t even think to humour what he became at his worst. But you did.

Furthermore, to add onto that jarring conclusion, you helped him. Admittedly in your own insufferable, (downright mocking) way. But it was help, and that’s more than he’s ever received before.

All he knows right now is that he hates you, hates the person he is, the person this job, and the intransigent presence of you, forced him into becoming.

All he knows is that he’s stumbling forward, cupping your face (taking your grip along with it), and kissing you. Kissing you hard. Like he’s Icarus and you’re the sun, worth the inevitable burn, even if the touch is only momentary, even if it’ll seal his fate as foolish.

It’s a mess of harsh, rough skin, tousled hair and sharp teeth against soft lips. It’s like trying to grasp at stardust, his hands fumbling for purchase along your body, trying to push you closer, as if the chasm of space between you is unbearable, a distance that’s impossible to endure.

He laughs when you respond instinctively, a sharp excuse of a noise, muffled by your swollen lips, and he’s just kissing you through it because he hates you, he hates you— he hates you so much that sometimes he can’t breathe when you’re around.

You crawled under his skin a long time ago, made yourself a home there.

“I think I’d rather be held hostage for a second time than kiss you again.” he says, and he might’ve elaborated further, but his lips abandon such a notion to chase your own.

The kiss becomes more languid, more desperate, like he’s trying to find an answer in response to it. There’s a brief, agonising break, foreheads pressed together, a harsh gasp of air, before the moment restarts.

God you taste good. Feel good, he thinks. He’s never been this intimate, not beyond Lila, that fleeting mess in the pool. The two events incomparable, he felt something then, small and minuscule, not enough to pursue. But right now? Oh, In contrast, he feels everything now.

“I wish you were being held hostage. It’d be quieter,” you retort. It’s muffled, and you’re moving, bodies stumbling into obstacles as you relocate, when did you get to your room? It feels like natural progression, evolution, diminutive changes that you don’t even realise are occurring.

You bite his bottom lip, draw it between your teeth, ruin him for anyone else. Because isn’t that what you’ve been doing for years now? Hurting each other so profoundly that only you can bare the scarred aftermath?

It’s sick. It’s sick, and you wonder how petty comments, trivial work-place rivalry distorted into this? How you’ve just ended up sick because of each other, and admittedly, for each other.

What is sickness without pleasure?

He whimpers. The noise almost imperceptible, but it’s there, and it’s pathetic, an unbecoming thing caught somewhere between a gasp and needy whine. He’s backed against the wall now, and he can’t find it in him to complain.

“Of course it would be you,” he says breathlessly. For all the knowledge he lacks here (physically; he’s well-versed in the hypotheticals of anatomy), he doesn’t feel pure.

People like him don’t get that.

He should feel guilty. He should recoil at the touch, at the knowledge you bear, at the reality of this. Except, for some unknown reason, he relishes in the idea of someone having him, even if the cost is his pride, his dignity, even if the cost is you.

He whimpers again as your teeth rake along the slope of his neck, shuddering at the sharp sensation, and he’s almost begging, words on the verge of being uttered.

But he can’t. Because that isn’t him when he’s with you. “Are you going to punish me? For uh, everything I said tonight? Because ah, god, I’d like to see you try.”

Admittedly, it’s not hard to break his resolve. A few more soul-crushing kisses and your wandering hand, dipping beneath his trousers, hard. Obscenely hard. Yes, he’s muttering as you unclasp buttons, as you loosen his trousers to the extent that you can palm him through his boxers. Half-choked gasps escape his bruised lips with every touch, and he’s crying now. Pretty tears streaming down his face, accentuating those doe-wide eyes of his, now glossy and warped.

“Only person who’s ever touched you, huh?” you state, and maybe you derive pleasure from that concept. That only your hands, drenched thick with staining blood, have ever scrutinised the warmth of his skin. The areas where his form curves, and the areas that make him come apart, undone at the seams. Grasping you, relying entirely on the wall, just to remain upright and somewhat conscious.

He makes another noise, another guttural, pathetic sound. Because, yeah, it’s just you. It’s only you, and the thought should be unbearable, but the pleasure of having, being touched is too much.

He has to grasp the back of your shirt, nails digging into fabric, as a distraction, a way to centre himself, while the rest of the world falls apart. His words are scattered, broken and messy, and he finds himself saying things he’ll inevitably regret. “Please, I can’t-“

He’s supposed to hate this, hate you.

“Cant— can’t take it. Oh,” he wants to bury his face into the crook of your neck, but you’re gripping his jaw, forcing him to look directly at you. Glasses discarded, the view was blurry without the added layers of tears.

“Eyes on me, boy genius.”

He complies. Gaze locked, unable to look away, entranced by the way your pupils dilate, staring at you, like you’re artwork, something to be studied and broken down and torn apart, only to be rebuilt again once he’s had his fill.

“Let’s look at you. Hm?” you state, removing his sweater, then his shirt, and there’s so many layers, and he’s acting coy now, as if he wasn’t whimpering moments prior.

Instinctively, by reflex, he tries to cover himself up. To hide planes of untouched skin from your gluttonous palms. You grip his wrists, pin them above his head, and oh isn’t this a sight: Spencer Reid, entirely bare, bound by you alone, tear track marks and swollen lips.

He always wanted to be seen.

He just didn’t expect, anticipate, being seen to this extent. He can’t fight your trailing gaze, and he doesn’t want to; it might make him flushed, a few irrational movements away from a cardiac arrest, but this it— raw uncut intimacy.

You’re softer now, as you run your hand along his dick, earning a variety of muffled noises, as your thumb brushes over his tip, taking care to touch every part of him. Everywhere he needs it. When you finally wrap your fingers around him, everything burns, fervent and collapsing, and he supposes this is what it felt like the moment Troy collapsed.

“Mhh,” he moans, hips bucking in time with your palm, steady movements.

He’s already so messy, and it should be embarrassing, but all he feels is the blunted edges of pleasure, the jagged cut of humiliation, warring against each other.

“You’re— oh.. you’re enjoying this far too much,” he manages, and it takes so much energy to get it out, his words slurring, interrupted by debauched gasps.

It feels good, so good that he can’t process the shame that’s bound to follow. He hates you, and he might be a little in love with you, and it’s not fair to process feelings, chemicals, he was never supposed to obtain.

“That it’s. There you go. That’s my good boy.”

Spencer sobs.

“Shh, shh, I know, I know, it’s a lot.” there’s always an element of condescension to your words. An undertone that rips through his defences. Destroys him in the process.

His body is receptive, ruined, because of the praise. He’s not sure how you can look at him, clearly, consciously, and dictate that he’s good. Most days he feels impure, debased. Burnt-out and wasted, the great always fall.

The same skin he pierced with needles is now reverently on show, and you should be cruel, it’s what you’re both good at, the only viable way to communicate, an undisclosed secret language. But you’re not. That confuses him to no extent.

“I can’t— cant, ‘m so close.” his arms are still bound above his head, and despite the ache, he keeps them there. It’s not the most conventional ‘first time’, but he takes it regardless.

“Yeah?” you mutter, pace picking up. The sound is obscene, his excessive pre-cum smeared across his length, wet noises with every stroke. “You wanna cum for me, hm?”

“Oh god,” he breaks, “Yes— yes, please—“

You have no interest in denying him, not when he’s this destroyed from a mere hand-job. “Go on then. Just because you asked so nicely.”

He falls apart. Dewy-eyed and blissed out, you force him to look at you as he reaches his orgasm. To keep looking as he squirms and writhes. So he does, because apparently his cognitive function has evaporated now.

Your tongue meets your palm, tasting him, pressing the excess into his mouth with an indecent kiss. Is this what sex entails? Complete submission, vulnerabilities bared wide? Dirty in that primal sense, the same one he always shied away from?

Finally, finally in the aftermath, he breaks his stare. His head falls back against the wall, eyes closed, neck exposed. Stifled gasps, it’s quiet, as if you’re both aware of your actions, the consequences of them.

“This is, uh— yeah.” he mumbles, reaching for his clothes; now the ecstasy has worn off, the shame overpowers. The sin of man, he’s starting to think you’re the personification of the serpent.

Or maybe it’s the other way around. He doesn’t hold his own body to such pure standards. He’s not sure any benevolence would look at him with acceptance. Not after everything he’s done to it.

“Hey wait,” you’re not good at this whole ‘nice’ thing, not when it comes to him. But there have been moments, in the past, small, fleeting seconds of…. you’re not entirely sure what to call them. Late hours spent scrutinising cases, your back-up points to his statements, mindless information dumps that the team can’t quite understand.

“Don’t make me chase you a second time, jesus.” You can’t just leave—“ you exhale, breathe, in and out, “Are you okay?”

He stops. He stops because you’ve never asked that question, never cared to ask that question, and maybe that hurts more than not being asked at all.

A part of him, the small part of him that’s not functional, wants to stay, wants to just stay in this bliss and pretend that it doesn’t matter, that the inevitable fallout won’t occur. But the larger, prominent part, reminds him that this isn’t right, that he needs to leave and collect his wits.

“I don’t know, im confused—“ he sighs, drags a shaky hand through his hair. “Yeah, im uh… i’m fine. “I just need to leave, I have to-“ he swallows. “I can’t. Not right now, I need to do— anything but this.”

He walks out on you and it’s fine.

────────────

Everything is fine, reality can return, and you can forget that you had his arms bound against the wall, that he fell apart from the weight of your dragging palm. You can pretend you never saw him naked, bare in every form of the word. Stripped raw, his lips burning against yours, skin on skin. It’s. Fine.

Life continues. Your dynamic remains the same, unrelenting, your biting words, just short of callous, his scathing remarks. Modus Operandi. You wonder how you’ve turned the most tender person into something sharp, and you wonder if it’s ever going to be reversible.

When the case closes, the BAU, in predictable, systematic fashion, celebrate (ease the weight) over drinks. You’re adorned in lace, a black dress that just catches your thighs. It’s late now, and by the time you arrive at the dive-bar, the majority of the team are intoxicated (you couldn’t go straight from work, there was still blood clinging to your skin).

Everything is fine. To reiterate.

It’s not.. It’s not. Because oh, Spencer finds himself staring. He’s fairly certain he doesn’t have any lingering interest. But then again, why is he fixated on the way fabric clings to your ruinous figure, the way your hair sits, slightly dishevelled, pooled over one shoulder? It’s exasperating and inebriating all at once. You shouldn’t be able to affect him to such an extent, and yet here he is, mindlessly staring at you with starry-eyes. He should look away. Leave even?

Of course, he fails. You end up squeezing in next to him, all leather seats and too little space.

And, okay, he knows he should feel guilty.

In reality, he’s not. Because, sure, he’s sat too close, and sure, he can just make out the scent of your perfume, faintly floral. But he’s intoxicated, just as everybody else is, and it’s making logic and reason seem far off, too distant to process. He looks at you once, then twice, like he can’t quite believe you’re tangible.

“You look nice, I guess,” he murmurs bluntly, looking away, feigning disinterest.

As if the ‘incident’ (as he’s taken to calling it) didn’t tilt his world on its axis.

“You also look nice, I guess.” you retort, and it’s the best you’re going to get out of each other. At least in this state (the surplus of praise that left your bruised, possessed lips cannot be justified, or repeated ever. again.)

You lean forward, watch as his face creases at the proximity. Are you thinking about the kisses? Plural, fuck, plural. Open-mouthed, desperate movements?You’re. not. Instead, you steal his glasses, slip them on. The prescription is strong, thick lenses that distort your perception.

“What do you think?” you ask, “I might go as you for halloween, it’ll definitely scare the kids.”

“They make you look intelligent. Considering you need all the help you can get, I’d take that as a compliment,”

It’s a domestic action, to put on his glasses. And the thoughts that burn through his mind stem from HR prohibited to domestic, which he argues is far worse. You, tangled in sheets, sporting nothing but his glasses. Resting against the tip of your nose, askew, as you ride him. As you tilt your head back, exposing— no.

He wants to say something about how ridiculous you look— but it’s hard to focus, you’re taking up all of his sanity, like a computer running multiple programs at once. You’re malware actually, destined to corrupt him (which you’ve already done to a painful extent).

“You can’t just touch my stuff.” he settles on, sounding more petulant than anticipated.

“Oh chill out, boy wonder. It’s a pair of glasses,” you mutter, removing them to blink blink blink, and there he is, the centre focus of your vision, now fully detailed again. It takes you a moment to render in his appearance: shirt sleeves rolled to his elbows, arms exposed, long, deft fingers. There’s heavy bags gathering beneath his eyes, dragging down those big, blown-out irises of his, wide and completely dirty (how is it that his natural resting face is so obscene?).

Focus.

You push the glasses back onto his face. Better, it’s a sight you’ve come to anticipate after he ran out of contact lenses. “There. Oh, were you just upset because you couldn’t see me properly? That’s sweet, Spence. Flattery will get you everywhere.”

He can see everything.

Every small detail of your face; strands of hair falling loose, dilated pupils, accentuated by heavy liner, obsidian that contrasts against your incisive eyes. Your lips, oh your lips, he could write a thesis on them. Stained crimson, if he were to kiss you right now, residue would catch against his own mouth, incriminate him.

He gets up. Excuses himself. Sometimes he wishes he could vanish.

But it’s not good enough.

“You,” he says between messy kisses, “Need to keep your hands to yourself.” — okay, he’s not sure how this happened. He left for the bathroom (to splash water on his face, gather his dignity, perhaps drown himself?) and you to humour the locals outside, gathering around with half-smoked cigarettes and slurring conversations.

But then, on his way back, padding through the long corridor (why is it always a corridor?), you were there, and yeah. He was screwed. Fatefully wrecked.

He had tried, in the moments leading up to his demise, to resist, but he was a man of logic and science and the science, when he was around you, simply did not apply. You’re bad for him, in every sense, he should avoid you, he should stay away.

But now, there’s no space between your bodies, no space for rationality or reasoning (god he’s tired of the thinking part. He just wants to feel).

The kiss is rough, sloppy, a desperate, messy thing. “This can’t keep happening,” he mumbles against your smeared lips.

“Do you remember last time?” you question. It’s taboo, to bring it up, to disclose the buried. But you’re fairly certain this compromising position wouldn’t exist without the lethal effects of that one night. The cheap motel and his body arching into your touch.

Rationality appears to be nonexistent now. A discarded concept.

Like last time, you guide him back against the wall, pin his hands above his head. Mirroring your actions. Well, to some ‘dignified’ extent. “Had you just like this,” you lean forward to press a series of kisses along the curvature of his jaw. “I bet you’d let me take you like this again, hm? Right here? In the middle of this shitty dive bar?”

And if he weren’t so far gone, he’d protest, he’d tell you that no, this is wrong, because you’re so wrong for him. He knows that if one good man has to fall, it shouldn’t be him.

But you don’t let good men rise, and there’s something so enticing about the depths of hell. He’s not sure he’s good anyway. It’s a complex situation. “You’re a sadist,” he murmurs, breathless, “I wouldn’t.”

Your grip instinctively tightens against his wrist, and he squirms. He’s nervous, “Could we, like… at least find a bathroom? I’d take a bathroom, even though there’s endless strains of bacteria there. Or, or split a cab. No, i’ll just pay— Anything. I’ll do anything. Just not here. This is a public space, and technically, public indecency, and—“

“Fuck,” he’s never been the type to swear, “I’ll do anything.” this time, he says it in self-defeat. Acknowledgment.

────────────

French exit. His wandering hands in the cab, and the electric pulse that burnt through his body as he kept a low profile, stumbling out of the bar, muttering thinly-veiled excuses for his abrupt departure.

The second you’re both inside your apartment, you’re clattering into things. “I love your eyes,” you state bluntly, forthcoming in every sense of the word, “Love it when you cry for me.”

You think of every harsh word that has ever escaped your lips, You think of the consequences they might’ve had. Did he ever cry over them? You know, in contrast, you never did over his. Though there was that sharp, sinking pain that felt like the embodiment of slow death. Something terminal, fated to linger, to eat and eat until nothing remained.

No big deal!

“It’s an involuntary bodily response. You’re a dacryphiliac.” he responds.

There’s not a lot he can compute right now, his brain too preoccupied with processing your touch alone. Which is so prominent, so harrowingly good that not even his genius mind can comprehend it.

He’s reasonable to believe he would kill whoever had the pleasure of experiencing you like this.

“It’s not a fetish if I only feel it for you—“

Spencer breaks.

“No-no-no,” he says, too loudly, “You can’t just- say those things. You can’t tell me you love when I cry, just because- I should be scared, of you. You’re volatile. Destructive,” he murmurs, head leaning against the crook of your shoulder. Against better judgement. But all reason has left him now. You’ve stolen it, taken it as a personal trophy to parade and boast about.

“Why am… Why am I not scared?” he asks, “It’s not like I make you cry…”

“Because there’s no reason to be scared.” you answer simply. And at surface level, it’s true. In spite of the hostility, the years of white-knuckled rivalry, you’ve always trusted him. It’s a coveted admission, considering you’re circumspect by nature.

You unbutton his shirt, let it fall to the floor, exposing his skin in the middle of your apartment. He’s standing there, and you’re not sure what to do with all of this want that perhaps you’ve misplaced as enmity for so long.

“You could make me cry,” you state, because if there’s one person out there capable of cracking you open, leaning behind fragmented pieces, it’s him. It’s always going to be him.

It’s a startling realisation. That he, Spencer Reid, of all people, can reach the centre of you in ways nobody has ever done before.

“Why would I want you to cry? That’s— i’m not even sure how I would go about it.”

You grip his hips, walk yourself backwards until you’re hitting a wall, there your body instinctively curves forward to meet his. “It doesn’t always have to be bad.” you explain, because he’s looking at it from a simplistic, textbook perspective. “Last time,” those words still feel like poison, “When I made you cry, there was no pain, right? You cried because it felt good.”

He’s staring at you clueless. Though, he might just be distracted. Either works.

Your hand catches his wrist, and then you’re hiking up your dress, guiding his touch beneath fabric. The lace panties that cover skin. He’s tentative, experimental, dragging his thumb over your clit, causing your hips to cant towards him. “Make me cry, boy genius.”

You act like this is the most indecent thing he’s capable of doing. From an unbiased standpoint, it’s up there on his list, but admittedly he hasn’t really done enough to constitute a list in the first place.

Spencer, in response, simply drops to his knees. Your panties are pulled down your legs in a disconcerting haze, and then he’s just groaning, cursing Gods he doesn’t believe in, spiting them with blasphemy, whilst also simultaneously thanking them, humouring false promises he won’t commit to.

It’s blasphemous, a prodigy on his knees, in front of you, for you. As if he’s worshiping something he can’t even comprehend, something beyond the expanse of his knowledge. And you just pull strands of his hair, pull at the strings of him.

His hands find the inside of your thighs, caressing the soft skin there and you make another noise, a noise that has him devouring you.

Face buried between your legs, he flattens his tongue against your clit, drags it upwards to catch wetness, to affirm that you’re just as affected as he. That since you touched him, all thoughts have consisted solely of you.

He doesn't think he's doing this correctly- but you're making noises, gasps that he didn’t even know you were capable of, and that's the thing about science or anatomy, whatever it may be, the brain is incredibly subjective, and the more knowledge you acquire, the less you really know.

And there's knowledge here, but it’s not utilised; no coordination, even when there should be, even when he’s got the human body memorised to perfection. Still, you seem to like him messy, desperate, drawing your clit into his mouth to pull, to tug, before shifting back to blow cold air against you.

The task was simple, at surface level: make you cry. And whilst, if you pick it apart, it becomes more complex, he seems to be efficient in following orders because right now, you’re ruined. It might not be the most meticulous head you’ve received (though you’re sure, under different circumstances he could probably surpass that standard), but it’s wanting, in a way that makes you ache.

“Oh oh, fuck— fuckfuckfuck.”

You grip his hair, twisting and pulling and using, and he lets you, he’d do anything, do this forever if he had to. His fingers, still gripping your thighs, dig into soft flesh, leaving visible marks. And he wants to see those marks, in the morning, an irrefutable fact that would force him to accept this as real.

But he can’t focus, can’t think about anything when you’re reacting like this, so undone. How can there be anything, at all, beyond this?

He lets you drape a leg over his shoulder, let’s you get off against his face, fingers sliding inside, one digit at a time, to feel warmth wrapped around him. To feel the way you clench when he curves them, when he grazes spots that he could explain to factual detail.

Your body shudders, and you’re making noises he hasn’t heard before, sounds that could only be described as obscene— and his name, you’re moaning his name, and god, he’s certain he would follow you to the ends of the earth right now. Without question.

It’s when he stops, when he leans back enough that he can breathe. That he can look at you, really look at you.

You’re messy, undone. The sight could be considered humiliating from an outside perspective, but you’re gorgeous, and he’d do this a thousand times over if it resulted in this exact reaction. A reaction that he’s given you. No one else.

“I love your face.” He says, a little bluntly. But it’s true, he does.

So he returns to the task. Practically situating you on his face now to suffocate him, to let him become some sort of extension to your pleasure. And inevitably when you fall apart, tears and writhing, boundless pleasure, he can only push you through it. Allow his existence to crumble, for the second time,

And as he draws back, face covered in you, he can only stare.

His knees are bruised. That’s the first thing you notice when you stumble to the bedroom, when you’ve taken a moment to wipe away evidence of the tears, to regather and compose yourself. It’s not in your nature to be soft, no to him, but you still find yourself kissing the mauve blemishes, working your way up his body after you’ve oh so unceremoniously undressed him. Reduced to his boxers, he’s an incriminating sight.

“Losing your virginity to me is like the biggest irony ever.” you say, kissing along his stomach, watching as his body reacts, arches, contorts in search of more pleasure. It’s a hypnotising sight, to see every nerve tuned to you solely.

“Ironic, demeaning, enough to send past versions of myself into an early grave. Yes, I get your point.” he mutters.

Your hands find their way to the waistband of his boxers, and he’s lifting his hips, because he wants you to undress him, because he’d let you do anything right now, but he also feels embarrassed, exposed. Vulnerable in a way he’s never felt before. You’re seeing him, seeing things he doesn’t even know himself. But there’s nowhere to hide, not while you’re slowly pulling off his underwear, with a care that he’s unaccustomed to.

“I won’t go easy on you,” you assure. Even though that’s technically a straight-faced lie. Of course it’ll be more tender than anything else you’ve endured; he has this devastating habit of softening those around him. It’s only taken this long to affect you out of pure, unbridled spite.

Oh, he wants. The evidence is his body alone. Laid out before you, like an offering, a hedonistic one. Dick hardened, dripping pre-cum onto his stomach.

“Hands above your head,” you watch as he blindly obeys, any defiance now crushed. Well, for the most part: at least in his actions. “That’s good— good boy. Tell me if they’re too tight,” you say, binding them with his discarded tie.

You stare, and it’s like you want to eat him alive, and against better judgement, he’d let you. Serve himself up, passive as you tear him limb for limb, taste all the bad parts of his existence, the ones he keeps hidden shamefully away.

“Too tight? I’ve been held hostage, I think I can handle a little bit of fabric.” he retorts before tugging at the restraints, “Tighter.”

“Didn’t realise you were so into this—“

“Neither did I,” he scoffs, “I’ve never done it before, obviously.”

“Now you have. Congrats, i’ll give you a sticker once we’re done. Gold star, huh?” and just for good measure, you tighten the restraints further. Just a few more pulls until you’re knotting it in place. Until he’s entirely defenceless, but realistically, what would you do? It’s hard to find fear when you’ve covered him on the field for over a year (he’s prone to being targeted, an unsubs wet dream).

“Yes, thank you. I’ll put the sticker on the wall next to my PhDs.” right now, right in this moment, countless people are getting what they want.

And Spencer is being manhandled by his pretty coworker.

Ironically, that’s exactly what he wants.

You’re the perfect dichotomy. Cruel, and caring. Harsh words to juxtapose gentle hands. Soft touches, but scathing remarks that linger, leaving behind a trail of scars, the ubiquity of your cruelty.

You’re lethal, and he’s smart enough to comprehend the danger. Except he’s never been smart when it comes to people.

Your hands are acquisitive, roaming, searching, blunt nails that scrape skin as you rake them down, down towards his abdomen. He shivers, bite into that pretty bottom lip of his until he’s spilling blood, and it’s a sight. Something sick that you both want to such an offensive extent.

“Sensitive.” you murmur, like the idea of him so reactive pleases you, in a way you’ve never considered before. Because the way his body strains, bucking forward to deepen the contact is maddening.

“Are you always like this?” you wonder aloud, leaning down to run a hand along the length of his inner thigh. “Poor baby, so touch-starved.”

“I don’t know if I’d use the word sensitive.” he replies, “More susceptible to the fact that you’re touching me, and that I haven’t felt another person touch me in a long time. And of course when people touch me, it’s usually professionals poking me with needles or stitching this weeks new wound.”

Touch-starved? He has sensory issues. The lightest graze can provoke, cause his skin to crawl. Of course he would like your touch, of course the universe would torture him by finding relief in the one person who nobody should stumble upon for relief.

“Oh you’re a soldier, you suffer so much.“ you state, and it’s condescending (naturally), but there is some truth to the serrated comment. You, the team, are all bruised, mentally and physically distorted from the consequences of the job. Only he could react so reverently to your calloused hands, blissed out to the extent that it looks like you’re witnessing ascension.

It’s pretty. Pretty, in a soft, domestic way. One that demeans his bound wrists and your sharp words.

You press a few tender kisses to his thighs, the inner sections, where you’re certain, assured, no one has ever touched before. Maybe there’s something possessive to that thought, the want to own, to know that no one will ever have him the way you have him.

Your touch is like a brand. He wants it, even if it’s bad, even if it’s cruel. Because the alternative to this is nothing. A lonely existence. A life of work, of chasing shadows, knowing he had so much to give, and no one to give to.

“Stop mocking me.” he replies, it’s through laboured breath. “Just because I don’t have your proclivity for taking hits doesn’t mean I don’t suffer.”

No one’s ever touched him like this. No one’s ever cared to try. You’re his first.

“I know you suffer,” you retort, are you arguing? Is this foreplay? If it is, then you have some serious self-reflecting to do on every single past conversation. Because maybe you should’ve taken him to your bed earlier, in that case.

Oh god was your hatred of each other built solely on sexual tension?

Finally, you move. Just like the first time, your hand runs across his length, taking him slowly, easing him into it, coercing him through the pleasure. It’s not similar to before: it won’t end after he’s found his release, and it’s not frenzied and ardent. Spurred on by shame.

“And you know i’m always going to take the hits for you, regardless.” he whines when you remove your hand, and whines again, for contrasting reasons, as you spit on your palm, generate lubricant to support each stroke.

“Oh—“ he breathes out. He’s fairly certain he’s supposed to be more contained. A huff escapes his lips and then he’s retorting, “You could try a tactic other than reckless self-sacrifice every once in a while.”

He’s overwhelmed, with you. All of you. The way you look, the way you talk, all the harsh lines and scathing remarks. The way you take the hits for him, an altruistic custodian, but he isn’t worthy of being saved. Isn’t worth the effort.

“Shut the fuck up, Spencer.” you say, promptly ending this discussion; you grip his dick tighter, tilting your movements to catch him at a better angle.

“Shit— okay, okay,” he moans because that feels really really good, and he wishes he could articulate it in a better way. Something complex and poetic, but it’s just so good.

He’s always been a little masochistic. Too smart for his own good, too analytical. He wants you to take him apart, piece by piece, and see the inner workings of his body laid out before you, raw and vulnerable. Because only you can see him like this.

He doesn’t even really touch himself. There’s been nights, body flushed and wanton, bucking up against sheets, muffled noises pressed into his pillow. But they’re rare, and they usually lead to an aftermath of ignominy.

He’s a prodigy, a genius in the field of criminal psychology. So why does it feel so good like this? To be humbled, to be demoted. As if all his degrees, his awards, his intellect, mean absolutely nothing.

He’s never felt so loved. Which is ironic. Because he’d always hoped love would be slow, gentle. Soft, like a caress. The kind of love you share over meals and pillow-talk.

He realises, with a jolt to his system, that if this is love to you, he’d accept it, in its most primal form.

“You get off on this,” he analyses as you draw back, mostly to stifle the begs that nearly escape his mouth. Come back, need you here.

“Well I’d be pretty concerned if I wasn’t getting off on this right now—“

“No,” he pushes, “You like that i’m, that yeah. I have no experience. You want to corrupt me, huh?” he looks up at you with pretty, innocent eyes. Holy shit. “Ruin me for anyone else? Go on, let me have it. I’ll only come back, i’ve already done it once. Statistically, it’s going to happen again. And again. Pavlovian responses, condition me. Make my body react to no one else.”

When you kiss him again, he can only take it. Can only moan, whimper, plead against your mouth until you’re lining him up, until you’re sitting on his dick, and everything is okay.

“You’re so—“ bottomed out, wrapped around him entirely, you sigh. “Fuck, Spence, who taught you to be so fucking dirty?”

“You.” he mutters, playing coy. “But you’re a bad teacher, I think I could do with a few more lessons..”

“I think you could do with learning to shut your mouth more often.”

“It is better suited for other purposes, I suppose..”

He gags when you slot two fingers, index and middle, into his mouth. No warning, no predetermined acknowledgment. They hit the back of his throat, and he can only suck, muffling protests around the digits until he goes blissfully silent.

“Better,” you retort. Drawing them out, you press your thumb against his bottom lip, keeping it parted so that you can lean forward, spit into his open mouth. When you first met, he promptly refused to shake your hand, too conscious of the dissemination of germs, now? He’s swallowing your saliva, unprompted, with little resistance.

You know him. The way you touch is like you’re searching for something. Anything about him. It’s like you’re a bloodhound, trying to unearth every single vulnerability. And you must’ve found them, because you’re suddenly here, bearing all your weight on him, moving, and it’s all his body can do to take it. All of it. All of you.

He tugs at his restraints, because he won’t go down without a susceptible fight. Even if he knows it’s fated that he will inevitably fall. “Please—please untie me, just wanna hold your hand.”

And, oh that shatters you. Like, mentally, physically, spiritually dismantles you until you’re breathless, staring at him with widened eyes and a loss of composure. It’s such a tender request, something domestic and raw, and mindlessly you’re fumbling with the knots of his tie. Freeing them to take one in yours.

It’s against your nature, but you can’t help, can’t refrain yourself from pressing a kiss against his knuckles. “You’re doing so good f’me. Such a good boy,”

Your free hand runs across his torso now, grazing skin, admiring the sight of him, flushed, debauched, sprawled out beneath you.

He grips your hip. That’s the first thing he does once he’s sufficiently sane, well… partially, the praise did knock him entirely off balance. Tip the scales, send him over the inexorable edge.

He watches as you take the incentive to slip off his body, and the loss of friction is okay, tolerable because he’s sitting up against the headboard, drawing you closer, whining for you until you’re on his lap, until you’re sat in your rightful place.

Here, he can kiss you. Which he admits has become a very vital aspect to his existence.

The kiss is like a bruise. Not rough, he’d never be rough with you, he’s all long, languid strokes and soft movements. But it’s overwhelming, and leaves discernible, lasting imprints.

And yeah, sure, kissing you is the closest thing to worship he has ever known. Something he would like to commit to memory, every single time your lips touch, it’s like he’s seeing god in the shape of your cupid’s bow.

“Please, I need—“ he stutters over his words, “If you don’t move, I swear—“ he pauses, his head falling against your shoulder— “I swear, I’m gonna die, this has to be against the Geneva Convention, you can’t leave me like this, please—”

“The Geneva convention? Really? Is this your form of dirty talk?” you retort, unable to muffle your laugh.

“No. I’m stating my rights,” he says, “Torture is prohibited.”

“I’m not torturing you—“

You tangle your hand through his hair, tug tug tug, and then pull, drawing his head back by tousled strands, forcing him to meet your gaze.

“Ohmyfuckinggod, yes. You are.” he whimpers.

It’s indefensible how good he feels, how he sinks into you, hitting crevices you’re certain no one else has ever grazed before. Feeling full, whole, it’s new. It’s your own first, and you can’t even begin to articulate how defenceless you are to the way it makes you disintegrate, fragment to pieces of pleasure. Spencer is warm, and soft, and it makes you want to cry. To just fall, give in, transcendence of self, Burke said, and right now, you feel that entirely.

His moan is unapologetic, unfiltered as you move. At this point, you could slice him open, leave him bleeding in your bed, and he’d thank you for it.

You hold his hand, and yet, simultaneously destroy him.

“Please,” he whimpers again— he’s too pretty to be asking so nicely. “I just— I want you closer. As close as possible, I want you so close to me that I’m not even sure if my body can handle it.”

It’s not dirty talk, it’s more like he’s begging you, tears staining his skin, pitiful eyes, wide and glassy, staring at you with some form of desperation. Brows furrowed, gaze soft.

And his gaze only grows worse when you do give him what he wants, when your pace fastens.

It’s a religious experience, like he’s about to be crucified, a martyr to his pleasure. He’s almost afraid to touch you— to stain something divine, like you’re too much for him. But you’re not.

“I like this. Like you. Like you here. You’re so good for me,” he murmurs, and it’s untruthful, but right now, he sincerely believes it. “so good, so perfect, all I need, please—”

“Stop it.” you bite, preferring him defiant over this— because this opens up wounds you weren’t even aware existed. “Oh fuck, stop it.”

“So good. You’re so good,” he cups your face, presses his forehead against yours, and you might as well just die right here.

“Says you.”

“Says me.”

You fuck him harder.

“Oh,” is all he can pronounce, little oh’s every time you rock against him, and he has to grip you hips, deepen the movements until you’re bouncing against him, up down up down, exploiting his sensitivity with a torturous pace.

And it’s not fair, he needs to balance the scales, so he runs his thumb over your clit, firm halos that have you keening. “If being nice got me this, I’d be so nice to you for the rest of my life—“

Another lie. But it’s worth it. If only for the way you kiss him. The way you silence his cutting words, forcing your way into his mouth, forcing him to just squirm and sob, until you’re clenching around him, and he’s there with you. Falling apart, bodies shifting until movement ceases, and there’s nothing but bliss.

“I hate you so much,” you say in the aftermath, and it’s closest you’ve ever gotten to a confession of love.

He laughs, wipes away tears, “Hate you more.”

“Don’t leave this time.” he just nods, bordering on nonverbal now. It takes you hours to coax actual words out of him, and by then, you’re both tangled in a foreign mess of warm limbs.

“Oh i’m going to be so mean tomorrow.” you mutter, playing loosely with his hair.

He can only sigh, stare at you dreamily. “God, is that a promise?”

[m00nbunny1]

OH MY GOD THIS WAS SO GOOD AND SAD!!! 💔💔💔💔💔💔

Please.. Forgive me.

Warnings/Notes: vague descriptions of dismemberment, descriptions of gory scenes, angst, deaths, anxiety, intrusive thoughts, mentions of suicide, more questions than answers

"I'm sure we’ll be able to get out of this, especially with Painter’s help.. distracting those disposables Urbanshade brings so we can grab the crystal" you said in a cheerful voice, swinging your legs back and forth from the box you were sitting on.

Sebastian let out an uncomfortable hum, his attention glued to the files marked "CLASSIFIED" in bold letters. He was pouring over the documents without even a glance away, barely even pausing to breathe. You’d seen him work himself to exhaustion like this before, sometimes even passing out from the strain. Secretly, you were starting to worry he’d begin hallucinating from the lack of sleep.

Your face unconsciously tightened into a frown, and your lips pressed into a thin line as you noticed his anxious habit—running a hand through his hair and trying to tuck it behind his fins. It reminded you of when he’d always push the hair falling down each side of his face behind his ears back when he was (well, still is) human.

Quickly replacing your frown, you kept chatting away about all the things you could do once you were back on the surface. You mentioned how living by a nice beach could be a fresh, relaxing start for both of you after everything. Painter could even capture the beauty of the sunsets there.

There was no sign he was listening, but you knew his mind was elsewhere. Still, you kept talking—it was a surefire way to help calm your own nerves.

Listening to Painter ramble on about whatever he liked—a new drawing or sketch he’d made, or even just complaining about the disposables—was one of the only things that could ground you, helping keep you tethered when your thoughts began to consume you. Somehow, it both soothed you and brought back all the anxieties you were left with at the end of each day.

Sometimes Painter noticed the shifts in your mood and asked about them. Usually, you didn’t tell him anything to avoid worrying him, letting him continue his usual ramblings, but today was one of those rare moments when you let a thought slip.

“.. Are you alright? I started complaining about Sebastian, and you didn’t even jump in to defend him or argue about it” he noted, trying to keep the worry in his tone hidden. Being soft or consoling wasn’t something his programming was used to after all his time in a place like this.

You looked down, trying to find the right words to explain to the AI the emotional mess you were in now (and, honestly, always) and to make him understand, even just a little.

“It’s just... Is it wrong that I’m becoming numb to someone dying? I used to feel sick, to gag whenever I saw a disposable’s corpse, and now it doesn’t faze me—their deaths or the brutal injuries. It’s like it doesn’t gross me out at all. I think picking through bodies with Sebastian is getting to me...” You chuckled softly, though it was more out of hollow irony than anything.

“And besides, it’s hard trying to help Sebastian when he only lets me tend to the disposables that end up here. Other than that, he doesn’t let me help him physically or mentally.”

You ran a hand through your hair, trying in vain to calm yourself or slow down the racing of your thoughts. You felt your breathing grow ragged, your hands shaking beyond your control as if they were reacting all on their own.

“It’s exhausting... I want to help him a little because I know the hell he’s dealing with, but I also have no idea what goes through his head, especially when he won’t tell me the full story.”

Your voice wavered, your teeth chattering as a tremor started to take over your body.

“He tells me I can’t help him when I can’t even help myself. I can handle my mess and his at the same time; I know I can.”

You could hear Painter’s voice saying something, but it didn’t register.

“I know I can do it, I’m fine. I wouldn’t get tired of hearing his complaints or thoughts.”

There was Painter’s voice again. What was he saying?

“I can handle it, I’M FINE—”

“You’re bleeding!”

Painter’s voice came through the old computer speakers so loudly you swore it sounded distorted.

You tasted something metallic on your lower lip, and your tongue quickly recognized the taste of blood when you licked it, realizing what it was.

You looked down at your hands, now stained red, with the indents of your nails pressing into your palms.

When you blinked, trying to focus on your surroundings, you noticed your eyelashes were wet, and your cheeks felt uncomfortably damp. You had been crying too.

“Sorry, I didn’t mean to… Sorry.” You didn’t even know why you were apologizing or what for. You just felt the need to after putting poor Painter through this, letting him see you unraveling over your anxieties, showing him this sorry state.

“It’s okay... Just.. do you want to talk it over more calmly?” he asked, his words sounding a bit awkward as he wasn’t sure what to say or do.

You quickly shook your head, wiping your tears away with your sleeve. You braced your hands against the floor to stand, relying on it to steady you because your legs were still trembling. You didn’t trust yourself to get up without some support, given how shaky you still felt.

Before Painter could say anything else, you left as quickly as you could, trying to drown out the voices in your head blaming you for burdening him, for voicing your problems aloud. You didn’t deserve even his pity.

You were pathetic—worse than pitiful.

You couldn’t even bring yourself to show up at Sebastian’s shop, the place you called home.

You sprinted quickly into one of the rooms down the long hallway you’d been running through. Instinct drove you under the desk in the wide room, both hands clamped over your mouth and nose to stifle the sound of your heavy, panicked breathing. You needed to hide from this monster.

Scenes of the person you were escaping from replayed in your head like a film.

It was just another disposable who’d somehow made it this far while you’d been with Painter. You’d spotted him at a distance in a dark room before the voices over the speakers cut through the silence, alerting you and the disposable who was now only inches away from you.

“There’s another person inside the facility. They violated company regulations and are complicit with Z-13. Their elimination will yield twice the initial reward.” The HQ voice blared through the speakers, making you gasp when it mentioned your name.

You’d forgotten that some of the cameras still worked throughout the facility, likely monitoring the disposables and reporting on what was taking them down along the way.

The moment you took a step forward and your footfall echoed across the room, you felt a burning gaze on the back of your neck. Without daring to look back at the person behind you, you took off running, a prey fleeing from its hunter.

The sound of a missed gunshot made your blood run cold in an instant. You didn’t even want to ask how he got a weapon, but he had one—and you were completely defenseless.

That’s what brought you here, crouched under the desk, silently praying to God that, just this once, he would listen and spare you from this person.

You prayed to God, to Eyesfastion, hoping they’d appear out of pure chance and force him to look them in the eyes. Or for an Angler to come roaring through the rooms, Chainsmoker to slow his steps. Any miracle.

Of all the times you’d wanted to be six feet under, wished for death to just take you already, this time you didn’t want to go. No matter how often you’d begged for death to come, this time, you wanted to live.

You held your breath, clamping down on it entirely when the sound of firm footsteps filled the room where you hid.

Closer and closer.

The desk creaked as something leaned against it. He was mere inches away. You could hear his breathing and the clank of the gun as he set it on top of the desk.

Your shaking eyes drifted to the glass in front of you, showing a view of the vast, deep ocean no other human besides Urbanshade could ever witness at such depths. Due to your crouched, hidden position under the desk, you couldn’t see your own reflection in the glass, but you could see his. A sharp gasp escaped you when you saw the appearance of your hunter.

His gaze immediately dropped downward as your gasp echoed through the room. His hand swiftly gripped the gun before he moved around to the back of the desk.

Sebastian was tucking away documents and small DNA samples he found into the neoprene suit of the now-deceased expendable, also grabbing the unused batteries. He stored everything in the small pouches strapped along his tail.

When he finished organizing everything and made sure it was all in place, he started heading back to his tent, the quick thought of seeing you there to talk non-stop just to fill the ever-present silence. A humorous smile crossed his face; this time, he’d make sure to join the conversation.

The door indicator’s number flashed, crackling quickly, before the face of Painter appeared on the screen.

"SEBASTIAN."

The AI’s shout disoriented him for a couple of seconds, leaving him confused by its sudden appearance. Painter usually waited until Sebastian visited him in his usual location to relay any messages, so seeing him appear here and shout was odd.

"What’s going on? I’m doing inventory on the expendables, so you can tell me whatever you need later, you stupid—"

"Shut up, you filthy fish, and get to room 65. They’re in danger."

The mention of your name and that you were in danger ignited something inside him.

You had already mastered the dangers of this place, even if you still trembled with fear after an Angler encounter. What had stopped you now?

He didn’t take the time to respond to the AI, instead moving as fast as his instincts could carry him to the room number. He knew the place like the back of his hand and was only six rooms away—just a little more, and he’d be there.

He was greeted by a wide hallway and the stench of blood, sharply invading his senses and nostrils. The smell was sickening, but he could bear it for a few minutes—though this time, it felt disturbingly familiar.

The stench led him to a room where he immediately noticed blood-stained glass, crimson trails streaking downwards. The sight disgusted him more than anything else, for no clear reason.

His third hand moved to his three-barreled shotgun. Although he heard nothing, something told him that wasn’t a good sign.

His breath caught entirely when two bodies came into view, and he recognized yours immediately, even though he tried not to.

You were covered in blood, both your own and your attacker’s. Dried blood streamed from your nose, bruises becoming clear against the pallor of your skin. You had two gunshot wounds: one in your stomach and another in your leg.

Then he looked at your attacker.

The blood on the attacker’s face made it hard to see him clearly, but gray hair and a graying beard showed through wrinkles and lines that marked his features.

He had also been shot, but his wound was on the forehead, and there were a series of scratches on his neck, arms, and face—made with fierce aggression.

Sebastian could almost picture the possible scenario that led to all this.

A fleeting thought crossed his mind, wondering if your pulse might still be beating, but it vanished as quickly as it came.

He heard no breath, no desperate gasping for air. Nothing.

The silence terrified him; you were supposed to fill that silence with words, turn that "nothing" into "something."

Had your attacker enjoyed your suffering? Had he even regretted, at any moment, the shots he’d fired at you? Had he seen you lifeless and felt fear at his mistake? Would he have slept soundly knowing he’d killed you?

No.

No, he didn’t believe it.

He would have made him regret being alive. He would have killed him in a worse way than he killed you.

He would have made him swallow his own teeth, fingers, and scraps of skin while he was still alive. Being alive would have been its own torture.

More than anything, he wanted to avenge you, to have done something so that this repulsive creature hadn’t killed or tortured you, even if in some "stupid" way.

…

He needed you.

[sonicheroesnvillains]

❄ Did the mun ever forced you to do something you didn’t want to do? (Eggman)

Anon || (X) || Eggman

"Yes answering questions when I should be working on my plans.”