#you just get to have it as is instead LMAO

[watermelonbugs]

I have a story about this!! With a happy ending!!

I was chatting with my dad one time about the difference between laziness and executive dysfunction. Basically saying laziness is “I would rather sit on the couch than do work” and executive dysfunction is “I need to do work why am I not doing work I need to do work why am I sitting on the couch-“. And how executive dysfunction can be for things that are purely for enjoyment (sitting there WANTING to get that ice cream that’s just in the other room but instead sitting and scrolling).

Anyways. My dad looked thoughtful for a minute, and then goes “and that’s called executive dysfunction?” I said yes, and he goes “huh. Well, let me help you with your executive dysfunction, then.” And hands me a piece of gum he had previously mentioned being there if I wanted it. And he said “I bet you’ve been meaning to grab that for the past 30 minutes.” He was right lmao. But I just felt so seen in that moment, you know?

explaining executive dysfunction to people is so embarrassing yeah I have the be useless for days at a time disease

[moonybelgug]

.𖥔 ݁ ˖☾𖤓.𖥔 ݁ ˖

warnings: !MDNI! heavy nsfw, gn!reader, AE!reader, subby sunday, he's comfy so he feels safe enough to act like a brat lmao soft bathtub jerking off

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

Thinking about when Sunday comes to visit once you've got your room all setup <3 And he's quietly enjoying the tour you give him of all your trinkets and the hard work you put into making the room such a comforting place. He's very proud and admires your work immensely. In fact, he feels at peace, being surrounded by so much... you.

When you get to the bathroom, he's in awe of the luxurious bathtub and the marble toiletry. You jokingly ask if he'd like to take a bath, but rather than him catching on right away, you see a moment of hesitation. So you give him privacy, and after a moment of silence, you peek inside and see him sitting in the tub, slouched so the water is up to his chin, his wings moving slowly in soothed motions.

Sunday opens his eyes and peers at you, a soft yet devious smile on his lips as you approach, kneeling beside the tub and caressing his cheek until he sits up, leaning out of the water and into your palm. He grips the edge for support as the two of you kiss, your lips trailing hungrily down the expanse of his neck, licking the water from his skin and making him shiver even in such hot temperatures. He tugs on your shirt to encourage you into the tub with him, pouting when you only continue to tease him. "I wish for company," he says with an impatient look.

You laugh softly. "Do you always get what you wish for?"

"It's your fault for spoiling me," he rebuts.

You make quick work of your clothes, sinking into the hot water beside him. He makes himself at home, tucking his face into your neck as his arms snake around your waist. The water laps at your skin rhythmically, lulling Sunday to sleep. He feels safe here, in your space, holding your body, skin to skin, in such a domestic setting.

He'd instead not fall asleep, however, not when he's got you in such an opportunistic position. He shakes his head, pulling his knees up so they poke out of the water. He gazes up at you until you look at him, smiling with faux innocence.

"Wash my back?"

At your agreement, he seats himself between your legs, his eyes falling shut as you wash his back, letting out soft hums and other suggestive sounds. He arches his back as your hands descend the shape of his spine, and you know he's tempting you. Your hands grip his sides when they meet his hips, and you tug him into your lap with the water aiding your strength, making him gasp at the sudden movement.

"What's this?" He asks.

"Just giving you what you want," you coo, spreading his bent legs, giving his thighs a gentle squeeze before dipping your hand lower to stroke at his cock with the tips of your fingers. He practically melts in your hold, his head tilting back to rest on your shoulder as he inhales deeply, feeling your free hand travel to his abdomen to rub at his stomach, tracing a circle around his belly button. He whimpers at the attention, his hips moving on their own to meet your lazy pace, moaning beautifully as the water sloshes gently around you.

"This what you wanted, dove? You don't have to beat around the bush with me. I'll give you everything," you purr into his ear, making his wings flap excitedly as you circle your thumb around his rosy tip.

"I'll take care of you," you nip at his earlobe, earning another whine. He's so responsive tonight, you think. It may be the warm water or the new room, but you can't say you hate whatever's gotten into him.

He pushes back into your body as your strokes quicken, doing little to hide his voice as his thighs begin to shake. His hips eagerly meet your fist, your free hand plucking at one of the rose buds on his chest. He finishes with a stifled moan, his cum splattering onto his tummy but quickly washed away by the sloshing water.

You curl your arms around him as he basks in the cool down, his head lolling on your shoulder, purring at the many kisses he’s receiving.

.𖥔 ݁ ˖☾𖤓.𖥔 ݁ ˖

[shazzbaa]

(audio from portal 2!) This is how that dream conversation went right????? au where everythings the same but poor edward is from the west country,

ANYWAY LMAO HI I've been learning animation just to make this!! FOR SOME REASON!!! IT TOOK TWO WEEKS TO ANIMATE. this quote was my IMMEDIATE thought as soon as Poor Edward said "I've had to make ALL the sacrifices for this marriage!" so i just needed to bring it into being outside of my brain. tbh IM PRETTY PROUD OF IT...... anyway sweet dreams samuel!!

[video transcript] [Poor Edward, from below, gesturing with exasperation]: I've done nothing but sacrifice to get us here! And what have you sacrificed? [Cut to Samuel, feeling around him to figure out that he's in a coffin, panicking as the sides start closing in] Poor Edward: Nothing. Zero. [/end transcript]

additional notes:

thren and I both did the riot rather than burning down the orphanage, so instead of burn scars, Edward got his hands broken. He might have new skin but making a fist is still a lil lopsided,

one of the friends in our flondon group has been making an impassioned case for Edward favouring regency-era looks and I must admit ive adopted this into my belief system, so thats leaked into his outfit here. i havent been keeping sam's outfit historically accurate tho so i dont know why i think this is something i need to clarify

this animation was done in Krita, which is a free open-source program that was pretty easy to get the hang of -- Jesse J Jones and Animate with Dermot had tutorials that helped me a lot if anyone else wants to try it!

[greenplumbboblover]

[WIP] Lyralei's Pose addon - Part 2

(See previous post: Click me!)

First things first, MASSIVE thanks to @thesweetsimmer111 for all the help to make this work better and sharing her knowledge on Track masks with me (and the world!)

👀 Better Look at (with reactions!)

Maybe it’s just me, but I used to get endlessly frustrated when Sims wouldn’t properly turn their heads to face an item. So, I set out on a little mission to make their head movements more natural! Unfortunately, that didn’t go as planned—turns out EA’s code for the “Look At” feature is completely deprecated and no longer functional.

Knowing I couldn’t just code a fix, I had to explore other approaches. That’s when @thesweetsimmer111 came up with a brilliant solution: blending left, right, up, and down poses to create a more convincing look-at effect! 🎉

(See: Post)

What's different?

Here's the original pose, without Look at turned on....

On the left, we got VA's original look at.

On the right is what Savanita and I came up with! :)

don’t want to make it seem like the original Look At feature was awful—it actually works pretty well in some cases! For example, in this pose, if the plant were on the other side, the difference wouldn’t be that noticeable since her head is already tilted slightly. 😊

(Same layout again: Left = VA's, Right = Me and Savanita's approach)

Plus, maybe you do want something more subtle, then VA's Look at is great!

Anyways! Of course, I couldn't stop there! Now, your sim has a few options of turning towards the object:

(Note, this list will get 10x cooler in the next feature ;D)

This list is what the "trackmasks" are. :)

Okay, let's give "Eyes Only" a try. So, we expect Morgana to ONLY look at the plant, with her eyes.

(Left is before using look at, Right is with look at, and one up for fun-cies)

And, to please @nocturnalazure's wishes, yep! It now accepts Facial Expressions! :D

(I never would've thought I would see Evil Morgana lmao)

🎭Blending Poses/Reactions

After Savanita's amazing idea of using Track Masks, I found out that I can apply that same technique on, well, poses! And this is a feature I'm SUPER proud of (And honestly, it's taken me an entire week to get working 🙃)

First things first, when we choose the interaction, we will first be greeted by our "trackmask" list with all the selections on it

So, I made a few examples to show of what you could do, but in all fairness, it's endless!

Here I chose the option "Both Arms".

Here I chose "Head And Neck". Look! She even has the expression! (Don't worry though, i also have an expression-less version in the making ;))

What about... Animations?!

While blending poses has the ability to also type in your pose names by name, rather than list, you can also use EA's!

The list is pretty long ( believe 200 entries?) but here is a sneak peek:

Though, as far as I've been able to tell, EA reactions aren't as flexible, where I can tell it to only use the arms, or the eyes. Instead, we got these options:

So, unless I found a way to get around it, this is the only way to do it.

But without further ado....

Here I used the same pose(left) as the last 2 pictures, but with "OverlayHead". And chose "Boo"

(I just realised it looks like she is about to get hit by a ball lol)

🕰️ History List

The Add-on now remembers your pose history!

Whether you’re a dedicated “Pose by Name” user or prefer the simplicity of “Show by List”, both options now display your pose history for quick reference.

Note: Each Sim has their own individual history list. This means you’ll only see the pose history for Sim X when clicking on them, and not for Sim Y.

📓What's up next?

Adding all the trackmask. (I still need add the hands and legs ones)

Adding an in-game Category maker, so you don't have to edit the XML. It will mean you need to replace the XML file in S3PE yourself. But I can always make a quick How-To for guidance 😉

(Note to self) Optimize the Categorisation code. It's currently taking 1 minute up from the loading screen 😬)

Fixing some minor bugs where Look at will still turn the sim's head back to it's original position.

Fixing some issues where Blending poses with certain track masks aren't working well or at all.

Fixing an issue where the dialogs can crash the whole game (woops!)

Sooo, I think a release date is pretty soon! I think within a week :)

Any VA Addon Bug Fixes?

Of course! It's the mod that inspired me to make stories, and even get to make this mod! I couldn't just... leave it to collect dust while it's other child mod is getting all the attention. :p

Changelog:

There is now an interaction that uses both look at & reaction simultaneously. (In case you don't want to use my look at interaction).

Fixed an issue where reactions would sometimes or never show on the sim.

Fixed an issue where using "Random Quick Poses" would occasionally show a breathing sim, doing nothing.

Fixed an issue where certain poses get called twice, making it harder to keep reactions or even look at history data.

Some minor code changes that aren't worth mentioning honestly.

[grayve-mistake]

It's good to know how to protect yourself, but I agree that a lot of people take it way too far. I think the best general rule is; Like the first person said, highly populated areas during the day are generally safest for the first few dates. Cafe, movie, restaurant, picnic at the park, whatever suits you. As long as there's cameras and people and it's not the middle of the night. Shoot someone a text about where you are if it makes you more comfortable but it's generally not necessary to be too stressed about it. NEVER go to a bar or a club with a guy/date without telling anyone. Yes, even if you're gay, mlm and wlw dates aren't always safe either. Tell people where you are and when you plan on coming home, don't take your eyes off your drink. Common sense. Never go to a house or secluded location unless you know the person REALLY really well. Shoot someone a text letting them know where you are beforehand. If you get a bad gut feeling to the point where you feel the need to use a million extra security measures, just listen to your feelings, make an excuse, say "sorry i have to go, thanks for your time", and politely leave. Don't try to push through it or make it work if you're getting a bad vibe. Just end the date early, don't bother with a million extra paranoid measures. You're better off just going home if you feel unsafe. If you think someone's following you home, drive around a block a few times to confirm they're actually following you, then drive towards a police station. Usually they'll back off.

You don't need a million self defense devices and gadgets. Learn some basic maneuvers, keep one or two REASONABLE self defense tools at most if necessary. You only really need any of this stuff if you're walking home alone at night a lot. You don't need a million alarms and locks in your house either, they're probably more dangerous than whatever threat you're trying to protect yourself from. Simple latches on your doors and windows will usually do just fine, especially if you're not in a high-crime area (most of the women posting their elaborate security systems online, nay, the only people that can AFFORD elaborate security are white people in a nice little middle class neighborhood with white picket fences. They have nothing to be scared of). You don't need 50 guns, you don't need a husband with you 24/7, most of you don't need 10 alarms or 100 different locks on your door and barricaded windows that'll be real inconvenient when you're in a housefire or a more realistic emergency. Let loose a little. enjoy your life. Go on a cute date without checking your phone 80 times. Live in the moment for a change. It's ok. A while ago I had to walk a mile in the dark after a long shift at work. I share transportation with someone and I live too far away to just walk home, but they had the car, and we worked in the same town so I thought I'd just walk over and ask for the keys instead of waiting around for the next few hours for them to get off their late night shift. The sun went down before I left, it was quiet, dark, and there were lots of run down houses. I passed by a few strangers on the way there. You wanna know what happened? Nothing. Well, my legs were tired and I got a few stickers stuck to my shoes. But other than that, nothing. Did I have the means to defend myself if I had to? Yeah. I keep a couple practical things on me just-in-case. But I've never needed them, and hopefully I never will.

You know the most dangerous thing I encountered on that walk? The lack of fucking sidewalks and crosswalks. Had to strategically dart across some very busy roads and watched a guy slam on his brakes past the white line because he was going to run a red light until he saw me step forward a bit. The danger was not the random guy or two I saw walking around, probably in a similar situation as me, and minding their business. If you want to make your city safer, advocate for better walkability or public transit, lmao.



i'm sorry the self-victimization of some women i see online is crazyyyyy, they're saying shit like "yeah being a woman is so crazy, if you go on a date you have to text his full name and picture to your friend, and also where you're meeting, and share your location throughout the date, and check in hourly" girl the only safety measure you need is meeting in a populated place. that man is NOT going to kidnap you from Popular Cafe on Well-Frequented Street in broad daylight at 2pm. i promise. do you go forest hiking as a first date or what the fuck.

[genericpuff]

Looking back on it, Rachel really should have called Lore Olympus something else. It really doesn't seem to want to focus on 'lore' or 'olympus' and would rather be a romance with her self insert and celebrity crush. So many plot points and characters got thrown away for her two characters. It reminds me of Twilight having interesting background characters (Rosalie deserved better) and an interesting supernatural world. Yet Stephanie just focused on the dry ass romance of Edward and Bella.

I mean, the title totally worked in the beginning, the comic just lost the plot after its first season and became more like what you're describing, a weird May December romance about a girl who's only empowered enough to wait until marriage with the first guy she ever crushed on before having sex 💀

And yeah true that, a lot of fantasy dark romances like Twilight suffer from the issue of getting too hyperfocused on the main couple doing stuff and not paying enough attention to the actually interesting stuff going on around them. Though I will say, in Twilight's case, a lot of the "interesting stuff" was grossly misrepresented from Indigenous tribes and beliefs so... maybe it's for the best Stephanie didn't expand too much on it all in the end LMAO

Of course, the same can be said for LO, there were some really interesting plot hooks happening around H x P, but by the time S2 rolled around, all of those hooks got shoved under the bed until it was time to hastily wrap them up for those of us who were waiting to see them resolved. I think the Hera and Echo plotline was one of the worst culprits for that, you can tell in S2 she had an idea for some kind of "double agent" story with Echo where Echo would slowly come around to Hera's side and have to choose between her and the job Zeus clearly hired her for (to spy on Hera) - but then it just wound up skipping all that so we could watch Hades and Persephone play golf with diamonds, go shopping, and fuck around in the Underworld, until Rachel had to suddenly wrap up the entire Hera x Echo story in the most rushed, confusing way possible just a handful of episodes before the end.

LO had a lot of interesting concepts and ideas especially with the added benefit of it being based off myths that many readers were already familiar with, but unfortunately they were in the hands of a terrible writer working for a terrible company that didn't provide her with the resources she needed and could have really benefited from to tell a better story. It clearly needed a more involved editing process, more drafts to work through and scrap and work through again, more time to really plan out the full skeleton of the story, but what we got instead was more like a rushed first draft that spent more time on the bland uninteresting DDLG couple because they were clearly the easiest things Rachel could write about - fantasy shipping scenarios of them talking romantically to each other, making out, and having sex, boom, plot 🥴

[impactrueno]

REALLY nice job on BJ's ''WHAT''expression in that one panel. Looks straight out of the show! I've been watching this entire saga unfold and...ugh you're putting so much into it and its paying off I'm on the edge of my damn seat lmao THE AUDIO POSTS GAVE ME CHILLS-

I hope this won't sound odd bc like…I know it's probably just a textured brush, but parts of the stripes on his suit almost look like you went in and manually colored them (Almost like with a traditional marker on paper!!), instead of just a fatter brush size/bucket fill on digital.

It's really cool?? IDK if that's what you did (OOF if it was I admire your dedication for all those stripes!!), but I love that ''scribbly'' look about your art. I hope ''scribbly'' doesn't offend, I mean this in a REALLY good way I promise. I just love how...lovingly and passionately handmade your beetleverse art always is

that's actually exactly what i did! all of BJ's stripes are filled in by hand. so is lydia's hair. every hard black #000000 you see was manually scribbled in because i love how the texture looks, especially when i'm doing stuff with tim burton characters. the brush i use for it is the same one i use for the lineart, which is already a bit textured too. i don't even use the bucket fill for the flat colors, i like coloring things in even if it takes me a bit longer. i love coloring lol

but thank you so much!! i'm so happy to see people are enjoying this little saga because i'm having a blast telling this story. we are getting close to the end, but this'll be a lengthy scene.

i hope everyone is ready 👀

[miaoua3]

Hello! Can you write an sfw/nsfw headcannon version for soonyoung pls? Love your writing!🫰

hii! ofc i can, it would be my pleasure, i hope you enjoy this!

Husband! Hoshi Headcanons

•(sfw! hcs):

we all already know that he’s a cuddle bug, but the extent that his need to be touching you goes to is beyond what any of us could imagine. he’s constantly up in your space, touching you in any way possible. if you are doing chores around the house, instead of helping you by doing something, he will just hang onto your shirt and follow you around, talking animatedly. if you are sitting down, you better expect for his head to be resting on your shoulder

whenever he needs something, he just calls for you (aka screams “baaaabee!”through the house until you hear him and come to him lmao), doesn’t matter that most of the times the thing that he’s looking for is right in front of him, he’s a bit blind sometimes (or so he tells, in reality he does it because he finds your annoyed little pout so adorable)

instead of kissing, he loves to often rub your noses together as a sign of affection, something about just feels so silly and cute and domestic to him he can rarely resist the urge to do it, plus you always smile so brightly whenever he does it so its a win-win situation

he loves that with you he can be as childish and silly as he wants, that you will always join him in his silly missions to make everyone laugh, that you will always laugh along with him no matter how ridiculous and stupid his jokes are. he loves that you are his youth quite literally, and that with you along his side, he can climb on top of the world

three words: matching tiger pyjamas. you didn’t have much of a choice, really, he just bought them for you two one day, and as you tried to let him down gently, his big brown puppy eyes looked at you pleadingly, ready to say “please?” as you were about to refuse him, and suddenly you just sighed in defeat. so guess which pyjamas you two wear the majority of the month, except for the few says it takes to wash and dry them?

compliments you all the time-both when he intends to and when he isn’t even aware that what he said is considered a compliment. for example, if you are getting ready, doing your makeup or taking it off, he will just come behind you, hug you and while smiling say “you are so very pretty, the prettiest in this whole wide world. i must’ve saved korea as a nation in my past life to get the honour of having you in this life.”, or for the times when he is unaware of it-you were just looking at some flowers as you were walking through a botanic garden when he said “i don’t know much about flowers, but whenever i see this flower (points to a, say, hibiscus), it reminds me of you, because you both are so pretty and look so gentle.” bro isn’t even trying yet he got you crying

loves loves LOVES surprising you with at-home picnics, just as you walk through the door of your house, he’s running towards you, taking your hand so he can lead you to the living room where the stuff is all set up-the white bedsheet handing from two chairs, under the sheet fairy lights wrapped around the chairs, a blanket on the floor with lots and lots of food spread on it. he loves how it always makes you smile and how easy it is to make you happy

•(nsfw! hcs):

has stamina of a BEAST, like it isn’t enough that he seemingly gets boners all the time, the sight of your collarbones is enough to make him hug your from behind, slowly grinding his hips against your ass while he mumbles “please babe, lemme make you feel good hm? it’s been so long since i’ve fucked you, let me make you cum on my dick” (btw it hasn’t even been that long, you two had sex two days prior but ok lmao). the moment he sees you close your eyes, he knows he’s won. cue at least 3 hours of him pounding into you, his skin slapping against yours, both your skins burning from the force they meet. at some point you feel so exhausted that you just lay there, face in the pillow, while he holds your hips in the air as he fucks you from behind

is so enthusiastic about eating you out that he overstimulates you, not only are his fingers fast inside of your pussy, but he’s sucking on your clit so hard, it makes tears fall from your eyes very easily. he just wants you to feel so good (but also to squirt all over his face) that he can spend hours just lapping at your juices, mumbling “c’mom pretty girl, just one more, make a mess on my face, that’s what it’s for, it’s for you to sit on it and make yourself cum on it” bsjqbsjqkq

speaking of-dirty talk with him goes CRAAAZY, not even because he wants it to, he just says whatever it’s on his mind, his thoughts a mess thrown up the moment they appear in his mind. he’s a moaning mess, sucking hickeys into your skin, kissing you sloppily, all while he’s repeating “pussy so good, fuck, want to stay here forever. want to cum inside of you all the time, to make you full with my cum-shit, ahh, so tight, im gonna-“ cue more moaning and whining as he nears his end

on the same note- breeding kink. we all know that one clip where he said he wants a whole football team (thank you scoups for the metaphor lmao). and even now, he often talks about getting married and having kids, so i think the moment he put that ring on you, he got down to BUSINESS. i’m talking he soaks your pussy AND your sheets with hair cum, if he could, he would make you wear a plug so none of it spills out and that it’s 100% sure that you end up pregnant from it. the thoughts of your heavy, full and lactating breasts, your round belly, and a little girl that has a smile just like yours, haunt his dreams on the daily

he is unintentionally so rough, like not only does he manhandle you into positions that he needs you in, if you are too far gone to be listening to him, he will just grab you by your neck to get your attention, or pull on your hair so you can watch him fuck you in the mirror, eyes trained on your gaping mouth and bouncing tits. the thing is- he doesn’t do it out of the need to be dominant, it’s just that it’s a part of his fantasy, of exactly what he imagined for that night to be, so if you aren’t following it, he will take the matter into his own hands (quite literally).

he isn’t really sure why, but he loves it when you end up crying from the overstimulation and pleasure, and when you mascara runs down your cheeks. you just look so ruined, and it makes him feel so good and smug that he’s the only one that has the honour of seeing you sobbing for him to both stop and to cum inside of you, the only one who gets to squish your mascara stained cheeks together and make you focus on him, the only one that makes your legs tremble and shake every day. the only one that gets to fuck a baby into you. the only one you crave.

(act surprised for this one) he is low-key into collars. he isn’t all that sure about leashes, but a pretty little collar wrapped around your pretty neck? and if it has a heart shaped buckle? he is a goner. he won’t ever recover from the amount of fantasy material the sight gives him, how primal it makes him feel. plus the look you make whenever he puts two fingers through that heart shaped buckle and pulls you towards him by it? it will literally make him kneel in front of a god and thank him for that sight (not really something he should discuss with a god, yknow, given that it’s about your sex life and all that but eh, whatever lol)

[cuppajj]

This isn't BAAU related so apologies..^^'

How do you keep yourself motivated to write a story? I personally procrastinate, not seeing my ideas turn out the way I want them. Any tips to try and stay motivated?

I have procrastination issues too lmao. The thing is that I haven’t really written a story in a long time? I wouldn’t count BAAU as one definitively since it’s not a piece of writing you can just open up and read.

However, the way I continue with a story is with

1. Motivation and ideas, one spurred by the other. Your motivation can give you new ideas or you ideas can make you motivated. something I don’t do enough is look at sources of inspiration like scenes from shows or movies, but they help a ton

2. Trying not to force myself to write the boring parts first and instead focus on important scenes that can be threaded together later (I do this for things within the same chapter or part, not writing the beginning and finale of the story first because, unless it’s a short story, so many things can happen in between that changes them).

And 3, having an actual plot structure for the story! Writing with no sources can only get you so far or do so well, which is why I recommend making diagrams of your plot like timelines etc. and on the side, write character arcs/motivations you can reference

This one is optional but setting up self imposed deadlines can help you push through with stuff too. Planning to write a chapter by Friday for example. And then do something cool like reward yourself with pizza or chocolate or smth

[hestzhyen]

Analysis: Hakuri & Abusive Backstories

Hello dear void. Hakuri is a character that is near and dear to my heart so I wanted to yap about him and why his story is so important to me on a deeply personal level.

This is a LONG yapfest- the Tumblr Edit Post UI is hitching and lagging while I try to type this little notice there's so much word vomit in here. I honestly don't expect anyone to read it all the way through. I just wrote this to figure out why I was so goddamn attached to a fictional character and decided to jettison it into the ambivalent embrace of the internet. I spent too many hours on this to just delete it all once I found my answers, so... if you wanna strap in, go ahead. But maybe make sure you've got a decent chunk of free time and high tolerance for extremely subjective interpretations first.

*---------------------------------------------------------------------------*

DISCLAIMER: This is purely my opinion- I can't speak for anyone's experience but my own.

First, this isn't a trauma dump. Not for me at least. I'll be talking about what Hakuri endured and how it shaped his character in relatable ways thanks to the quality of the writing. But there won't be anything discussed outside of what happens in Kagurabachi canon, so rest assured on that front.

Second, please don't assume I had a terrible life because I latched on to a character that was literally tortured for years! Even though the major themes resonated with me and many of my thoughts were eerily similar to Hakuri's, nothing I experienced rose to such an extreme level. Like, I genuinely deserved the one time I was hit for being a shitty over-dramatic teenager so it doesn't even come close lmao. Fictional characters don't have to be 1:1 mirrors in terms of type or severity of trauma to be helpful self-reflection tools is all.

Third, I started writing this around chapter 53 and it's being posted as of chapter 58. If it ages poorly, well, I'm not saying I'm smart just because I yap a lot.

Without further ado... prepare for an expansion of massive proportions under the cut.

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All too often we see shounen characters have an abusive sob story background to give them a sympathetic hook and a reason to start from zero. There's little to say about them other than they go from zero to hero for the good vibes and catharsis. They begin their story as a victim first and foremost, and there are little or no lingering effects from trauma once they have their moment of triumph. In the "good" cases they're healed and whole. In the "bad" cases they have negatively warped personalities for the rest of the story. There's not much in between the two extremes.

Portraying the abuse characters endure in such a shallow way is not the best way to write about it, from my point of view. Writing it as something that can be overcome with strength of will alone is harmful. So is writing the victim as a permanently damaged, defective person. Instead, we need more characters like Hakuri that are shaped but not wholly defined by their abuse, and aren't completely healed by putting the manifestation of their torment in the dirt.

Hakuri is the first character the [abusive past] attribute that actually worked as a hook for me. This is largely due to two key writing decisions: not centering Hakuri's entire narrative around overcoming the abuse he suffered, and carefully depicting how trauma influences his actions. It's necessary to read between the lines of what he says and does to see how much he hasn't said about himself- what he won't admit or recognize, despite how core it is to his character.

Chapters 19-23, Meeting and Getting to Know Sazanami Hakuri

Mantis imagery for courage!

The very first things we learn about Hakuri are as follows:

1) He pushes through hardship with sheer force of will 2) He lost his whole family and has probably been on his own for a while 3) #1 is a lie

I've brought it up before, but food symbolism is all over the place in Kagurabachi- it's often a short-hand for comfort and connection. So Hakuri spilling that metaphor out of his mouth right after telling us he's able to "push through" is a sign that he actually isn't coping with his situation that well. His thoughts about himself and his actual status don't match up. But it's ridiculous imagery that puts us off and pushes us towards thinking he's kind of pathetic rather than making us feel sorry for him. And the rest of his introduction, while accurate to his character, buries the lede on how much he's suffering.

As for his backstory: he was disowned, yes. He says his family will kill him if they see him, yes. But it reads more like Hakuri was punished for being a moral black sheep after he himself framed being disowned as punishment for "being weak" and "getting in the way of business". There's no hint of foul play on his family's part other than being low-life criminals to be fought as the arc villains. So he's primed for some sadness but probably nothing on Char's level. The only hints we have towards something serious until the chapter 24 reveal are not exactly obvious:

-He has a fatalistic mindset and thinks it's natural for him to be overpowered and kicked around because he's weak. (Could just be typical zero-to-hero shounen character things.)

-He's generally unafraid and highly tolerant of pain. He gives no shits about his condition after being kicked around by the Yakuza, smears the blood from his nose while casually talking to Chihiro, and willingly takes a strong hit and is able to yell encouragement to Chihiro while lying bloody on the floor. (Doesn't really stand out in a series as violent as Kagurabachi; this is kind of the bare minimum for being involved in the plot if you aren't a child to be protected.)

-Perhaps the only big tell-tale sign: we zoom in on his trembling fist when describing his older siblings as "strong and scary" in chapter 23. (Could be inferred as fearing for his life since he also says they'd kill him on sight in the same chapter.)

Hakuri's not written like a typical abuse victim in this intro. We don't get commentary from other characters about how much pain Hakuri seems to be in- they comment on how weak and dopey he appears instead. Nor do we get shots of him looking sad, flinching away from touch, or being hesitant to connect with other people. He's actually kind of unhinged with how passionate and eager he is to join forces with Chihiro. He's intense and ridiculous and gets used like a wholesome gag character more than anything else.

So there's not much to suspect here. Hakuri's got more to reveal to us but there are no signs of what we should brace ourselves for. Then the nightmare starts.

Chs. 24-26, The First Glimpse

This page goes from 0 to 100 REAL quick.

Well, shit.

Behold the understated reveal of Hakuri's status as a victim of abuse. The revelation at the bottom of the page only to see his suicide attempt on the page turn is an extremely effective "oh shit- OH SHIT-" two-hit combo that arrests the reader's attention, and I really wish that it was the most memorable part of the chapter for more people. Because holy hell, this recontextualizes everything we know about Hakuri. He's still a passionate, silly, and slightly insane guy, but damn he actually suffered more than he let on.

To find out like this is unusual, isn't it? Char's situation wasn't shown right away either, but meeting her as a scruffy orphan clued us in that she was going to have a tough past from the start. Hakuri, by comparison, gave us very few obvious hints about it. It's like he doesn't want to be seen that way. He openly admits to being "weak" and "useless" but his own pain? The suffering he endured? He's totally fine pushing past it all (lies).

But we're not even close to done yet.

Note how Hakuri's focused on Soya's hands...

Hakuri's first instinct being to jump to his death says a lot. Unlike standing up for the little girl or jumping in to save Chihiro, this is a purely reactionary response. There's no room to think back to Chihiro's bravery for inspiration as those memories overwhelm him. He's terrified. So he jumps and trembles in fear as Soya tries to talk him into coming back to relive his nightmares.

We laughed at the soda spilling out of his mouth and his expressions after he got hit in the face by Hiyuki, but this is deadly serious. Hakuri isn't okay at all. He's actually in very bad condition and the way he thinks about Soya says so much.

The panel explaining Soya's expression of "love" on the page above is important, but it's not emphasized in the same way as what's happening in the present. It feels like an unpleasant detour into Hakuri's inner thoughts for extra context while the main focus is on him and Soya in the moment. Hakuri doesn't even describe what happened to him directly- he says "punching and kicking" like it could be anything from hazing to broken bones, but the backdrop lets us know that it's probably closer to the latter. It gives the impression that Hakuri (understandably) doesn't want to think about this at all.

He also frames Soya's aggression towards him as an expression of "sincere" affection. That's preposterous and heart-breaking to most people- violence isn't love. Even most victims will acknowledge that... to a point. Violence hurts, it's unwanted, but it's still a valid expression of emotion to be acknowledged. It's something they earn or deserve. The rational people are correctly screaming NO IT'S NOT! And most victims would agree again... to a point. Somehow they're the exception to that mindset. Other people don't deserve it, but they do.

So despite it all, Hakuri is still able to be brave for Hinao's sake. He's not going to let Soya hurt anyone else if he can help it, even if it means putting himself back in harm's way. This adds an interesting layer to his character. He's laden with trauma, but he's still able to show courage for others. He thinks he's weak and won't prevent whatever abuse comes his way, but he will put himself at risk to stop others from experiencing the same or worse.

Why is he so devoted to protecting other people at his own expense? Sadly, it's not uncommon for victims to advocate harder for other people than they do for themselves. It also has something to do with the merchandise woman that was mentioned this chapter, but that reasoning won't be revealed for a while yet.

"This pathetic wretch was born a Sazanami, but he can't even do sorcery. He's useless. Worse, he's a hindrance. His life is worthless."

There's another thrill of panic when Kyora summons Hakuri to use his life as a bargaining chip. Hakuri's at his most pathetic here- he's on the ground, helpless under Kyora's foot, not even trying to resist or escape. None of the fire we saw when he saved the little girl, took that hit for Chihiro, or defended Hinao is present. Hakuri can't be brave for himself. He's quite literally trampled by what passes for the Sazanami version of "love" and "basic human decency". It doesn't need to be spelled out any clearer than this: Hakuri's woes come from his family, especially his father. The Sazanamis are fucked up even when it comes to how they treat their own flesh and blood. They're rotten from the head down.

It's obvious then why Chihiro's words and actions affect Hakuri so much. Hakuri thinks he has no value whatsoever- his father says as much, and he falls for Shiba's bluff implying the same. Only Chihiro steps in to directly repudiate Kyora's toxicity and say yes, Hakuri does have value. So much, in fact, that he's willing to trade the precious memento of his father (and the majority of his strength) to prove it. So they're able to leave, but not without Hakuri encumbering himself with a huge amount of guilt for how things went down.

The face of someone ready to spiral down and out.

It's telling that reassurances don't do much to help Hakuri feel better. Shiba tries to help by offering generic comfort (ice cream) and Chihiro tells him it's alright, but it's not until Hakuri hears that he's still needed that he's able to bring himself out of the mire of self-hate.

Of course it's extra effective for Hakuri because he was considered totally useless, but this is very relatable even for folks who weren't told they had no value on a daily basis. Offers of comfort only make the self-hate worse for some people who think they're utterly worthless. Even simple gestures like Shiba's twist the knife and reinforce the idea that the person doesn't deserve any kindness whatsoever. It just piles on the guilt. But being given something to do -especially if it's believably framed as something only they're capable of doing- feels incredible. They might have some value after all, even if only for this one thing.

It's something that I really appreciate the author doing since it's a touch that didn't need to be added. Hakuri could have just found a bit of solace in Shiba and Chihiro's words, which would have given more time for other things to be addressed in the chapter. But it's important to show that Hakuri struggles with accepting kindness because he took his father's words to heart. His feelings of worthlessness and uselessness are essential to who he is.

After this we see him at Chihiro's beck and call, prioritizing his requests over everything- relaxing with Char and Hinao, even his own comfort with another ice cream/food metaphor. It's framed as something silly and dog-like for the laughs, which once again encourages us to downplay the severity of this issue for him. None of the other characters ever directly point this out either. It's one of those informed traits that influences Hakuri's actions without any acknowledgment from himself or others, but just like the soda spilling out of his mouth, we're invited to treat it as a gag.

From here, the focus shifts entirely to building tension for the raid on the Rakuzaichi. Hakuri's circumstances are put on the back-burner to simmer for 5 weeks in real time until he confronts Soya in chapter 30.

Chs. 30 & 32-34, The Soya Rematch (what Chihiro and Shiba know):

Hakuri puts his fear of Soya aside to bait him out to help the mission. Chihiro and Shiba gave him a job to do, so he'll see it through no matter what. Unfortunately things don't go as planned and he ends up all alone with his biggest tormentor.

I'll have more to say about Soya himself in his own section with Kyora later, but it's very clear what his role as Chief Bully is, narratively speaking:

In a lot of ways, Soya is more object than actual character. He's our almost cartoonishly evil device to represent everything that's been repressing Hakuri. He's the demon in his head telling him he's useless, pathetic, weak, and so on. So Hakuri trying to square up to Soya is also him facing off against the things he's internalized that hold him back.

Hakuri's struggle against Soya before he awakens seems very hopeful and standard shounen. He's fighting the internal battle at the same time as the external, telling his brother to "shut up" while his mind races to figure out what he should do now that the situation went belly-up. He could keep playing the victim and take Shiba up on his offer to help since he can't reach Chihiro, or he could play dead and wait for it all to be over... or he could try believing in himself. Because Chihiro saw something in him and even if he can't bring himself to think he's strong and capable, he can at least have faith in Chihiro's words that they would end the Rakuzaichi together.

This time it works and he's able to shove Soya close enough to the tree wall so that Chihiro can give us a great visual metaphor to show us what just happened to Hakuri:

Chihiro is the one who broke Hakuri's mental barrier for him. He couldn't do it himself, but someone he admired believing in him in return made all the difference. Hakuri just needed a little support to start coming into his own.

He stays behind to handle the rest of the fight on his own while Chihiro goes ahead to meet up with Shiba- he can do this himself now that he's awakened thanks to their help. Very wholesome, extremely shounen. But there are deliberate writing choices which make it obvious that there's more going on beyond the surface that winning this fight won't fix or even fully address.

In Chapter 32, Hakuri tells Chihiro and Shiba a slightly condensed version of his experience as an uncomfortable reminder for the reader. Oh, right, Hakuri was abused- at least that explains why he survived a Flame Bone punch to the face. Anyway, let's move on to ditching John Hishaku and kicking Soya's ass.

The framing is so interesting to me. Chapter 32 uses preexisting panels that are cropped and presented slightly differently compared to how they originally appeared: Ch. 24

Ch. 32

Full page for reference.

When Hakuri recounts a version of the abuse flashbacks, they're not merely downsized to fit. They're cropped to downplay the gang-ups and are smaller in size compared to the rest of his story, almost as if he doesn't think it's that big of a deal compared to being unable to keep up with his siblings. We don't even see his own words describing what happened despite him talking freely about everything else. Instead, the abuse sequence is treated like the panel where he describes Soya's "love"- Hakuri talking to Chihiro and Shiba about his suffering is an unpleasant aside to give context rather than the main event.

Seriously. The dialogue of him explaining why his family gave up on him over the reused backdrop of the Sazanami estate is given more time than him being hit and kicked. Chihiro and Shiba get the "it wasn't so bad" version of events compared to what Hakuri remembers experiencing, and we're invited to treat what's normally the foundation of a character's entire existence as a convenient explanation for why he's so goddamn sturdy.

Neither of them noticeably react to his story too. We got a bit from Shiba in the car in Chapter 26 when he realized Hakuri was probably stewing in self-hatred, but we've never seen any of Chihiro's thoughts or reactions since he was disgusted by Kyora using Hakuri as a bargaining chip. He does reassure Hakuri that they'll be there to help him, but isn't it strange we don't see Chihiro's reaction to this information at all? We see little panels of his concerned faces all the time for less than what Hakuri talked about here:

Chihiro cares a hell of a lot, and he's very attentive to boot.

Obviously we don't see Chihiro and Shiba's reactions because they aren't important. This isn't about Hakuri's abuse- we already knew about it. The focus is on Hakuri's awakening and his faith in Chihiro, not the past.

This is a victim's mindset manifesting as clever visual storytelling, in my opinion. Of course it's not that bad when he has to talk about it; he invited it by being weak and not living up to standards. It wasn't a big deal though. There's more important stuff to do right now anyway. And the story moves on as if to agree with him- we go right back to our regularly scheduled action scenes interspersed with some flashbacks to contextualize other characters, namely Tenri and the Sazanamis before Hakuri was rejected.

That's right, Hakuri once again dodges abusive past cliches by being doted on and cared for before he was found lacking. He knew what it was to be loved, even if the Sazanami version is manipulative to the point of being abusive all by itself. There's more to say about this under Kyora's section but no wonder Hakuri's so fixated on being useful- he wants that affection and sense of belonging back more than anything. It's fucked up, but it's all he knows. So Hakuri was abused twice over: emotionally and physically. Damn. He turned out pretty alright despite it all, huh? Wonder how that happened...

Well, it's time to move on now so he can ascend and overcome it all. He's gotta yell "Isou!" and prove himself, and the next two chapters seem to be putting him on course to do just that, albeit with some difficulty. Can't make a character's awakening too easy or it won't feel earned. He's got some serious trauma to overcome thanks to his family's bullshit.

Then chapter 35 hits and we get the nightmare fuel.

Ch. 35, The Real Backstory (what Ice Lady knew):

Chapter 35 is that long-awaited full-chapter delve into Hakuri's painful past with the mysterious woman, and boy does it have some unsettling revelations.

Ice Lady's tragedy is framed as the important driving force for Hakuri as we know him- she broke him free from his family's grip and motivated him to seek help to end their evil ways. She's the entire reason we meet him in Chapter 19. Everything Hakuri is doing this arc ties back to how badly he fucked up with her, setting the stage for him to become the savior he tried to be when we met him. Oh yeah, we got more Hakuri abuse lore. Can you believe that WSJ let the author get away with showing someone slitting their throat in front of a kid?! And make it at least partially his fault? Jesus Christ. Now it's truly time for him to come into his own, though- oh man that cliffhanger at the end of the chapter...! Wait, what do you mean there was more to his suffering besides the situation with Ice Lady?

I was being a bit facetious there but the point stands. We didn't get a tear-jerker reveal chapter dedicated solely to Hakuri's pain and suffering at long last just to make us feel bad for him and nothing else. Instead, we got a full-blown tragedy caused by the Sazanami cycle of abuse. The nightmare of Ice Lady killing herself in front of Hakuri overshadowed the reveal that damn, Hakuri actually had it super rough. Because yeah, that was unexpectedly brutal even compared to Chihiro being baited with Char's severed leg last arc. It really drove home just how fucked up the situation with the Sazanami family was and how it affected everyone that got tangled up in their bullshit.

So the presentation of what he endured is once again subdued even though the panels showcasing the tools took up half the page. Soya breaking Hakuri's finger was called "bullying" (いじめ[ijime], not 虐待 [gyakutai, abuse]). A single flash back frame off to the side seems small compared to the emphasis on Hakuri telling Ice Lady (and us) that it's "not that bad" because Soya keeps losing the tools and going back to using his fists (the terror in Hakuri's expression in that panel is completely at odds with how calm is explanation is, though). It's also not unreasonable to presume that the jump rope, peeler, and wrench were shown for the audience's benefit to clue us in that Hakuri's holding back again, much like the panel describing Soya's "love" in chapter 24. He's always saying the bare minimum and trying not to think of the rest- he buries that shit deep.

But he has to if he wants to keep going. There's no way he can sit down and process all of this right now:

Hakuri: "It's normal for my brother to break my bones and worse before he loses the tools. He usually only hits me anyway, so it's not like this happens all the time."

Woman betrayed by the man she loved to be sold at an auction as merchandise to the boy overseeing her captivity: "That's messed up!"

"This is as close as I can get to being cherished by the people who are supposed to care for and support me."

He even misses the point when he finally does open up:

"You're the one who's trapped in a cage."

This part is the hardest for me to write about, honestly. Again: I was never tortured or anything, much less hit. But this chapter is the one that made me take a good, hard look at what I went through and connect some dots. Hakuri's mindset, the things he says, the way he phrases things- that's someone who doesn't want to acknowledge that they're in a bad situation that's not their fault.

Hakuri will talk about his own worthlessness and all his defects that "invite" the abuse, but he won't acknowledge that he doesn't deserve what's happening to him at all. He's not the kind of shounen character who understands that his situation sucks and uses it as fuel to become better. Instead, he's stuck in that oh-so-relatable spiral of self-deprecating negativity that keeps victims trapped.

It's easier for Hakuri to think he deserved it for his own failings. This wouldn't be happening if he hadn't earned it somehow. He's in this situation because he's weak and any "love" is better than none at all. Then it's reinforced by the genuine helplessness and vulnerability of being too isolated to escape or know better, compacting down into dense layers of denial and self-hate that act as defensive armour against emotions that are too difficult to face. Like anger or the desire for something better. Like hope. Those are only felt on behalf of others, not himself.

At any rate, it's a bit distressing that so many people forget that Hakuri's actually a hell of a lot more complex than he was hinted to be before this chapter. He's not an innocent in all this like Char was, which is incredibly smart and realistic writing from the author. Hakuri was also an abuser himself. An accidental one, but doesn't matter when you talk to someone the way he did to Ice Lady. He didn't swing the knife but he did kill her with the same mentality that was crushing him down on the inside.

He doesn't use his suffering as an excuse for anything he does, good or bad. Not even in the sense of wanting to save others- that's all about Ice Lady and his family's terrible legacy. What happened to him isn't worth mentioning or acting on. Yet another distressingly accurate facet of a victim's mentality, unfortunately.

But this must be it. This chapter was a depressing surprise but surely there's nothing left to reveal. We had his big moment of sadness so it's only going up from here. Hakuri's going to overcome everything and it'll all be okay! Back to standard shounen powerups!

Chs. 36-43, Putting the Past to Rest (things only Hakuri knows):

Oh.

In chapter 36, the storehouse reveal somewhat overshadows all the instruments of abuse Hakuri unwittingly stored inside it. There are a lot of people who completely forgot about the objects in there during the hype of the moment, and I never get tired of seeing "WTF?!" posts and comments from folks doing re-reads of the arc. It's so easy to overlook the rope and sticks and all the other tools when you're cheering hard for Hakuri to finally, finally overcome his tragic past by putting Soya down. Worst Big Bro is gonna pay and Hakuri's ascension will be complete! ... Wait, was that a goddamn chair?

There's also a point made of Soya's defeat not being a resounding victory.

Still framing Soya's abuse as love, but it's got a bitter feel to it this time.

Hakuri is the one who gives Chihiro strength in the moment despite everything he's just been through.

We're cheering when he awakens and pressurizes Soya's guts, but then these panels remind us that there's nothing to celebrate from Hakuri's perspective. He doesn't savor finally overcoming Soya as his abuser or the manifestation of everything that's messed up about his family. There's no immediate sense that things will be okay from now on either. To Hakuri, this isn't a personal victory. It's just something that needed to be done for Ice Lady and all the victims of the Rakuzaichi.

This is a sort of capstone to Hakuri's backstory. The second-to-last new thing we learn about him is that the abuse was still somehow worse than we thought. He really, truly buries the lede when it comes to what he suffered and the writing is in cahoots with him on it. He won't even take the time to smile or feel a little relief- he's not ready for that yet. Instead he just walks past Tenri's mutilated corpse to pull Chihiro along to get the job done.

If this was a different series we might get a little more catharsis- even just the barest hint that Hakuri's gonna be just fine from now on. But this is Kagurabachi and the author fucking gets it so there's still a little more to unpack before Hakuri can have an opportunity to begin the healing process.

In chapter 37, the pain of Kyora looking away was framed as just as important to Hakuri as the fond memories of when he was loved and wanted:

"... I still wanted you to praise me, Father."

The very last thing we learn about Hakuri is that he wanted his father's love despite it all.

Hakuri ended the torment from Soya- he'll never have to worry about his skin being peeled off or getting beaten with a pipe ever again. But the cycle that caused it- and the complex feelings for the people who hurt him- aren't so easily dealt with. It's not so simple as being hurt and flipping a switch to stop feeling affection for the perpetrator. So Hakuri acknowledges that he still wanted his father's praise in spite of the years of torment the man knowingly enabled.

In the end, Kyora grants Hakuri's secret wish and acknowledges him at the very last as the chaos fades away so that they're the only thing in each other's view. He really, truly won it all. He doesn't rejoice in victory, though. Once more there's no triumph for Hakuri to celebrate. Killing his father was just another thing that had to be done so that there would never be another Ice Lady.

It's hard to say what exactly Hakuri's feeling about Kyora's death since it's yet another thing we haven't seen him talk about- and may never. It's not too much of a stretch to think he's got a complex mix of sadness, relief, and guilt going on, though. At least the moment when their eyes met was intensely cathartic after all the times Kyora deliberately looked away. But Hakuri's still not okay yet.

It's not like life suddenly gets better when the abuser is gone for good in some cases. Hakuri's still struggling in the immediate aftermath of seeing his father die at last. It's a relief that there won't be any more pain caused by the Sazanami clan -and Kyora in particular- but it still fucking hurts to lose someone so important to you. It's also frightening to suddenly be thrust into the unknown without a guide of any kind.

Fortunately for him, Hakuri is able to find new purpose with Chihiro. He gets to walk away from his family and stay with the people who believed in him. This is another thing that I can't praise the author enough for. It's far, far too common for writers to frame victims reforming their abusers as some kind of ultimate victory.

No, no, no!

The most charitable way to explain this is that the survivor is so saintly that they'll even reach out to the ones who hurt them to help them become better people. But that is such utter bullshit I don't even have the words to express myself properly. It's terrible messaging for survivors. They don't have any obligation whatsoever to help the people who hurt them. They don't even have to keep tabs on how the abusers are doing in a general sense. They get to fucking leave and find happiness with people who treat them well. That is the true ideal.

Hakuri being given a clear out to leave is where the rest of the catharsis in his story comes from. He doesn't have to stay and fix things even though he absolutely could as the first person since the clan's founder to have both Isou and the storehouse powers. Kyoura and Soya are gone- he could have stepped in to make the clan right their wrongs and atone as a family. But there's not even a hint of guilt tripping from the author about Hakuri's decision to follow Chihiro. It's framed as the best possible thing for him to do, in fact.

If he stayed, he'd never work on the other issues around self-worth that he's burying so deep inside. Switching from villainy to good deeds won't resolve the issues with the clan's mindset about being living tools for a greater cause either. Not to mention the fact that there's nothing his siblings can offer him even if they treat him like a king for the rest of his life- the damage was already done long ago. There's nothing left for him there except more misery and stagnation. He needs to go with Chihiro, his new north star, to learn how to heal.

But lest this outcome be too heartwarming, Hakuri's still not directly facing everything that he went through. Hakuri phrases working alongside Chihiro as "proving the value that [Chihiro] saw in him", not "starting over" or "making the world a better place together" or even "paying Chihiro back" by helping him on his mission. He's still trying to be useful in the service of someone else like a tool.

Hakuri's bruises are already fading; or at least they were until I had to edit this part in light of the events of chapter 56 onward. But the mental scars of the abuse are still guiding his actions and thought processes even if he doesn't acknowledge it. And that's where we come back to the torture implements still hidden in his warehouse.

Hakuri's not home free despite us collectively sighing in relief that he got his Happily Ever After, subdued as it was. He needs to face what he's been avoiding and burying so that he's not endangering Chihiro's plan and the people around him by throwing himself in danger just to be even the slightest bit useful.

Oftentimes, trauma is an invisible scar that needs to be worked around for the rest of someone's life- hence why he's still got those physical manifestations stored deep inside where only he can see and grant access. Hakuri's only just started out on the path to redemption and recovery. He needs to start addressing the guilt over Ice Lady and learn some tough lessons about self-worth before he can even begin to look further inside to those Visual Metaphor Tools.

After that, if the author's interested in continuing this part of Hakuri's character, is exposing them and what they mean to someone who can help Hakuri get rid of them. Whether that's Chihiro, Shiba, or someone else doesn't really matter. Hakuri's got a long road ahead dealing with the lingering after-effects, unlike so many of his fictional fellow survivors. He's still very much in need of a lot of support from his new found family- now more so than ever after what happened in chapter 58.

Soya and Kyora

There's something to be said about the writing for the primary abusers, too. The Rakuzaichi arc was well-received in large part to Kyora being an incredible villain and Soya being... Soya.

Soya

And the "Worst Big Brother" Award goes to...

Soya serves two primary purposes in the narrative: to contrast Hakuri's character, and be the manifestation of everything that was wrong with the clan.

Soya and Hakuri share similar looks, hand gestures, and extreme expressions but they couldn't be more different. Soya has the inverse of Hakuri's character framing: he's shown to be competent and strong, and almost everyone in-universe acknowledges him as such-we're even told he's smarter than Kyora. But he's actually quite the pathetic loser due to his freakish obsession with his "weak" little brother.

More obviously, Soya is the rotten core of the family. He's obsessive over Hakuri to an extremely alarming degree- he even refuses his duties as the next clan head and a member of the elite Tou to find and stay with Hakuri. Kyoura tells him to "stop fixating on that failure" but Soya's having none of it, he just can't let go of his "endearing" weakling of a little brother. Bullying Hakuri is what he lives for and he does it all in the name of purest love. Just like the clan lives for the Rakuzaichi and are devoted to it mind, body, and soul. They're both extremely toxic and Soya's the guy who gets to represent the deleterious effects of cleaving to abusive mentalities on individual members.

Soya's fists and words to Hakuri are the blatant messaging about what the Sazanami mindset did to him. He had that mental block preventing him from using his sorcery because he was constantly being told he was weak and useless. It was literally beaten into him as a form of love, but not all abusive mentalities need to be reinforced with violence. Soya was just there to make the point too obvious to be missed.

Hakuri's final words to Soya say it all. Soya throws a tantrum over Hakuri refusing to lay down and take the abuse any more and screams "Why won't you go down?! Why won't you die?!" Hakuri simply responds that it's because Soya "always loved [him]" and deals the final blow. He was able to recognize the strengths his family gave him through Soya's "love" but he's not grateful in the slightest (and he shouldn't be). He's simply ready to sever all ties and move on with tearing it all down now. Hakuri was finally able to accept that he didn't want or need that kind of love in his life any more.

Kyora

And the "Worst Dad" Award goes to...

Obviously, Kyoura is the key to this whole mess. He's the one who instilled his children with corrupt values, enabled Hakuri's abuse, and generally Fucked Up Big Time when it came to loving his kids properly. But he thought he was doing the right thing because what's what he went through. He was both abuser and victim himself, just like Hakuri.

This is the key part of abusive backstories that are so often missed. Abuse doesn't always come from deadbeat caretakers that hate the innocent little kid. That scenario is actually way too over represented in fiction, honestly. Abuse isn't always constant malice- it can start later in life. It can even be born from love. Ultimately, it's all too often the unintended consequence of a family haunted by the specter of the cycle. And Kyora is the perfect summary of how and why it echoes through generations.

Hakuri was loved and wanted for at least half of his life. His family might not be wholesome or have healthy attitudes about affection, but he wasn't born hated and mistreated just for existing. He was cared for to the best of his dad's ability just like Tenri and his other siblings.

Even when Hakuri failed to live up to expectations, Kyora didn't just write him off and turn him loose. He kept Hakuri around for years feeding and clothing him and let him try to do what he could. Kyora simply couldn't justify protecting him or showing love since the family ideals were so warped around being able to serve the clan's tradition. He wasn't "allowed" to love a failure, no matter how much he wanted to.

Kyoura struggled about his feelings for his "worthless son" in the flashback we saw through Tenri's PoV- he wanted Hakuri to succeed. He acted like Hakuri forced his hand to punish and marginalize him for failing too hard, not out of ill-will. And during the raid itself he was actually "bent out of shape because he used Hakuri's life as a bargaining chip", according to Enji. It wasn't even until Hakuri showed up to break into the storehouse that Kyora truly cast everything away to prioritize the Rakuzaichi. He really did love Hakuri in his own way.

Kyora was a shitty dad and person, don't get me wrong. No one should put family tradition over their child's well-being and he more than earned his death just by being a human trafficker. But it's clear that Kyora wasn't written to be a shallow, irredeemable monster of a person- he didn't exist in the story just to be a villain and to make us feel bad for Hakuri. He's a tragic character in his own right.

He couldn't even understand why his wife's final words about the auction ruining their lives was replaying in his head near his final moments. The what-if scenario of his happy family sitting down to eat dinner in an apartment somewhere showed his longing for something that he could have had, if not for the goddamn auction. If not for the abuse that made him into the person he chose to be until the very end.

It's why Hakuri getting to walk away is such a poignant end to the Rakuzaichi arc. He's the one who gets to break the cycle on his own terms, and that's the true end of the Sazanami dynasty. The auction hall doesn't collapse until he decides to stand tall and follow a new path. Whatever Hakuri's siblings do with the Sazanami legacy isn't his concern any more- he's free.

What About Char?

Char's story was also well told! It's the earliest evidence that the author actually gets it when it comes to depicting abuse victims. She's reticent despite her desperation, unable to open up even when Shiba and Chihiro tell her she needs to or they'll send her to an orphanage. Eventually Chihiro wins her trust through his altruism and she comes to believe in him. She and us are the only ones who know exactly what happened with her mom, but it's not important for the rest of the cast to be in on it. She's safe and happy now and that's enough.

Even though Char's arc ended close to that overly-simplistic "everything is k now" scenario that I hate, there's one key difference that sets it apart to let us know that no, she's not truly okay yet.

Char's still got some attachment issues, which makes perfect sense. She lost her mom in a traumatic way so of course she's happily surprised that Chihiro came back to her. Char's on the path to healing- she's able to thrive thanks to Team Goldfish's care- but her abusive past still shapes who she is in small ways like this.

I doubt we'll see more development of her beyond checking in now and then. She's too young to be consistently involved in the heavy themes of Kagurabachi's story, much less the fights. But it's good to know that the author includes little details like this so we don't assume Char's 100% fine now. He understands that trauma doesn't just vanish when the victim's safe in their Happily Ever After scenario. That's why he made sure we knew that she's going to be okay in the long-run.

Ch. 26, right after Chihiro trades Enten for Hakuri

But Hakuri's not there himself yet.

Food as a metaphor for comfort, security, and/or connection is constant in this series. It's very obvious symbolism to let the author convey a bit more context in the scene than dialogue alone can. So when Hakuri rejects food here, he's rejecting reassurance from Shiba. Meanwhile Char's already comfortable enough to accept it. Good for her, truly!

Hakuri's situation wasn't necessarily worse than hers, but it was a lot more complex. So even though he's safe now, he's not really able to pursue his happiness yet. All those tools he keeps locked up inside, the mindset of being one himself- they're still issues for him to work through. But there's hope for him too.

The author went out of his way to show us that Hakuri's also on the path to healing here. The last time Hakuri shared food with someone, he was forcing his abusive ideology on Ice Lady. She started finishing the meals and truly internalizing the hopelessness of her situation. He fucked up the food as comfort/connection metaphor bad with her.

Yet in Chapter 47, we see Hakuri sharing some snacks with Chihiro on the train. Sharing food isn't connected to the situation at hand or the information dump it's serving as backdrop for, so it's definitely a deliberate choice on the author's part to depict this instead of literally anything else. It was shown to let us know that Hakuri's on his way to his own Happily Ever After.

He's able to connect to Chihiro and not worry about the repercussions. This is a huge step for his character and speaks volumes about the level of trust between them; this is the first time Chihiro's willingly accepted food from someone else too. Hakuri's not only still reaching out to other people, he's still able to provide warmth to others despite it all.

What's Next?

I'm not going to pretend that I can predict what Hakuri's story will look like from here on out. He'll have a hard time for as long as he's slated to get development though- Kagurabachi takes the adage "suffering builds character" very seriously. We're only 58 chapters in as of finally posting this so it's best to strap in and expect a lot more pain.

That said, I feel like Hakuri's self-sacrificing mindset is going to be addressed first. As of chapter 55, he's set up to fail and cause problems by throwing himself into danger despite not being fully healed or rested. The root of this issue would likely be his atoning savior mindset. Hakuri needs to protect and save others very badly after what happened to Ice Lady. He also loathes the idea of others making sacrifices for his sake. So he's willing to throw his life away even when it would be better for his allies if he stayed out of the fighting.

There's also a good reason we met the Makizumi clan in the arc immediately after the Rakuzaichi fell- Hakuri needs to start dismantling the "tool" mindset that was drilled into him. He's only switched his fervor from serving the Rakuzaichi to serving/saving others. This is extremely toxic when combined with his guilt over Ice Lady and drives him to go to extremes to do good, to the point where he's ignoring everyone trying to get him to rest and heal for the sake of the mission if nothing else.

In essence, I believe we are going to finally address the lie of his introduction- that he can keep pushing through hardship with sheer force of will. Because that is not how overcoming trauma actually works.

After that, only the author and his editor know exactly where things will go. But I hope that no matter what happens, Hakuri's lingering trauma is exposed and dealt with. It's informing all of his actions, positive or negative, whether he wants to acknowledge it or not. I have faith that this author can tackle this subject compassionately and realistically- he's already done it twice with Char and the Rakuzaichi arc.

So that's that. If you read all this... thanks. Take care, and choose kindness for yourself for today.

[silent-sanctum]

"Jotaro Kujo is Weak at His Core"

As a writer and avid character psycho-analyzer, I find this concept fascinating because I wholeheartedly agree with what OP has quoted from a "What opinion would get the community to do this? *Insert Johnny getting torn apart*" post.

Before I begin, I know some people will see this, misread it, and immediately say "lmao did we watch the same show? He's strong, badass, and can kick anyone's ass. Like do you know Star Platinum bro?". Trust me, I've seen the replies to this post and they said this same exact thing.

And I'm here to say that to said people, if you truly are not the illiterates I'd like to term you as, you'd take the time to realize that when we say "he's weak", we're not referring to his physical prowess because we know he's one of the strongest characters in the show.

If you don't like to, then you're just proving the accuracy of the last sentence: "You can't stand seeing your edgy badass image of Jotaro as vulnerable."

Pushing that aside, I'd like to expand on OP's opinion/headcanon with some depth to it and explain how exactly he's "weak" outside of being a skilled and strategic fighter.

I've learned that to be holistically healthy, one needs to develop and maintain all optimal functions of oneself: Physical, Emotional, Social, and Mental.

Obviously, Jotaro excels in the physical category. He's conventionally attractive, taller than the average male population, well-defined with a muscled build, fit as hell, street and book smart, and highly in tune with his environment making him adaptable in any circumstance.

He's "strong" in that aspect we all know at a superficial level.

However, we start to see the core problem once we strip this good-hearted man of his physical appeal:

Emotional? He believes he doesn't need to express them to others because why should he. He refuses to process them and instead keeps them behind a locked wall of stoicism and aloofness.

Social? Can't communicate to save his life. He's reclusive and doesn't know how to socialize outside of work. Guarded and skeptical around others. Too much of a workaholic to bother making new acquaintances (if he even knows how) outside of familial connections.

Mental? At 17, he went on a death crusade over Asia and the Middle East, almost died numerous times, and most likely lived with unresolved PTSD that carried over into adulthood, and further deteriorated his already poor social and emotional skills.

What do we have then? If we look past that powerful exterior of a man, we have inappropriate emotional expression, poor socialization, and constant fatigue of dealing with bullshit that relates to his trauma.

And this is what we mean by his "core": His mindset. His inner machinations. The soft spot his enemies would need to target in order to defeat or kill him, strategy-wise.

I. Emotional

We pretty much already know how this man handles emotions. And this may come off as "irrelevant" to the dudebros and the meme riders who believe "haha feelings are for pussies, I advocate for edgy autistic Florida man who don't give a fuck, elopes with dolphins, and berates women".

But believe it or not, he has them, just like any other human being on the planet. I said it once and I'll say it again: Not everyone will wear their heart on their sleeves. Some will convey emotions publicly with no issue, while others would prefer to keep to themselves.

But how does this contribute to him being "weak" at his core?

Essentially, it's similar to how someone with depression may behave (not everyone, some of them). One may appear friendly, sunny, and bubbly to everyone around them, not knowing they're actually suffering from a void that eats them up from the inside when alone.

For his case, it may look like he doesn't care about what happens to him and everyone around him, considering his nonchalant and aloof behavior, but beneath that cold exterior, he cares way too much for his family, friends, and allies. He feels too much to the point where once his allies are endangered, he would sacrifice his well-being without a second thought.

And that's an issue to him.

To him, emotions make him vulnerable and in his circumstance where enemies are actively hunting him down trying to find his weak spots, his emotions should be kept behind doors because he doesn't know how to regulate it on the outside so it's either total stoicism or lashing out.

I found someone saying this line about him that fits him so well: "He's a good person who doesn't know how to be a good person."

This is a man who means well and truly wants to help out of the goodness of his heart, but because of his inability to convey his emotions properly and is unable to pick up emotional cues, it can lead to shit tons of misunderstandings due to inappropriate tone & expression, and that can change how someone views him in the long run, thus leading to unintended deterioration of personal relationships (which contribute to the social aspect of his weakness).

The emotionally-reserved character here with the poor communication skills is the girl. She's a CEO who just received a call, came out from work, and meets with her husband, asking him to accompany her to a doctor's appointment.

I found a visual representation of what I just said above. Just to give context: The show is about a married couple who struggles to keep their relationship afloat, having to navigate through family politics, work & life balance, and miscommunications so they could find why they loved each other in the first place.

Observe how she thinks she views herself VS how others actually view her as.

Other's POV: Demanding, brash, and insensitive Her POV: Anxious, hesitant, and confused

Now remember what Araki had written about Jotaro? "He doesn't believe he must reveal his emotions to others because he thinks everyone can figure him out, leading him to be a victim of misunderstandings. Others think him to be cold-hearted, rebellious, and insensitive."

II. Social

With emotions as our base foundation to poor communication skills, this leads us to his weak socialization aspect.

In a recent quote reblog about how he was raised as a child may have contributed to his tough persona, I mentioned something about his need of "Security".

Growing up, it was mostly just him and his sweet pacifist mother Holly. Joseph couldn't have visited often (he hates Japan) and his dad is a busy musician with a packed schedule on tour. As a kid up to early adolescence, he was coddled by his mother and raised as a good student. Everything was going great for him.

[In popular headcanon] Once he passed puberty, the change to his Part 3 MC era began. People began picking fights with him and bullying him, and he began to see the world as a threat to his safety. Knowing his mother, he wouldn't rely on her to defend him against these dangers. She was too kind, too friendly, too loving for her to deal with the harsh life he now has to deal with.

So he had to be the stronger one for both of them. He already had the physical attributes for it, so why not use it to his advantage?

He got on the popular delinquent trend back in 80's Japan, integrated a couple of cool masculine-esque personalities as his own from his favorite Western and Crime media, and is then able to project this menacing aura everyone should be afraid of, to ward potential threats away from him and his mother.

But Mijin, how does this make him weak? What does this have to do with his need for security?

Think about it: The poor guy's already introverted, doesn't feel comfortable with his emotions that he can't express properly, and now he has to be skeptical with people around him because he realized how shitty society can be, which leads to intimidation that wards off not only potential foes but potential friends as well, making it look like he's anti-social.

On the outside, people are likely to think that he likes being this way when in reality, he seeks a reliable support system on which he can lean onto. Everyone with a sound mind wants that subconsciously because we are social creatures. It's part of our nature.

He's constantly fearful of his surroundings, growing even more vigilant as he ages, but he doesn't look afraid because he chooses to put on a brave face to challenge said fears instead of acknowledging he's scared. I read somewhere in an ask that's not mine that in the manga, some panels actually depict Jotaro shaking/trembling in a mix of fear and adrenaline during some of his fights.

He wants to be around people who he can trust. People who he can lower his defenses with. People who are capable of protecting him just as he is capable of protecting them. People who can face his intimidating aura and challenge it to stand on equal grounds with him or to remind him of his place when he goes too far with certain things. Hence, why he seems comfortable being with the Crusaders.

For once, he wants to feel safe.

To not feel like he has to be this strong pillar of hope that everyone depends on.

To be someone being protected, instead of the other way around where he was always the strong protector. He wants a life of normalcy where he can just be a marine biologist and a professor with a loving family he can come home to.

But that can't happen. The inner circle of friends he counted on is either dead or far away, leaving him even more fearful of the world around him. This results in even more guarded skepticism, always watchful of who's an enemy Stand user and what their Stand could do. Because of his cautious nature, this leads to minimized socialization with others.

With little to no solid support system he can count on, he has no one he feels completely secure with because he believes danger will always come to hurt and/or kill those near him. He doesn't want to burden others with the issues & responsibilities of dealing with Stand users. He wants them to live the normal life he could no longer have.

He doesn't trust in the capabilities of his loved ones when it comes to defending themselves against the amount of potential threats and dangers he has faced, and yet he cares about them dearly. So, he commits to what seems to be the most practical solution in his mind: Self-Isolation.

To be a distant beacon where danger is attracted to and away from those dear to him.

(As we see in the beginning of Part 3 where he willingly locks himself in jail as soon as he sees himself as the threat, and in Part 6 where he stays away from his family once he realizes his enemies were targeting him).

"Your family is your weakness."

All this leads him to become what Araki always envisioned him to be: A lone hero.

III. Mental

Now onto the last part, this part of the essay will focus more on the popular headcanon the community has made about him: "Jotaro has PTSD."

Considering what he's been through at only 17, it would be no surprise that he'd acquired major trauma after those 50 days. Think about it- he gets injured more times than he can count, almost dies numerous times, sees his grandfather get "killed" in front of him, and all this combined with the constant reminder that his mother's life is also on a time limit. A failure to kill DIO meant a failure to save Holly.

The amount of pressure and risk he had to endure for her (and there will still be people who adamantly believe that he hated Holly because he said "bitch" to her twice in the first two episodes).

Now, remember when I said about him having this mentality of over-independence when dealing with stressors? It was still manageable during Stardust Crusaders, but because of what had transpired in Cairo, that mindset carries on to the rest of his adulthood, more so if we consider that he most likely didn't get any therapy or treatment for his trauma.

It might be normal for a teenager to hold onto this stubborn notion of "I can do this by myself" and it's all casual, but with trauma now involved, that notion warps into a persisting belief of "by doing this myself, no one else will get hurt" (i.e. refusing help, doing solo fieldwork, self-isolation).

But Mijin, you keep saying "mentality" this, "mindset" that. What are you talking about?

There's an old Tumblr post I found that talks specifically about this in great detail, but to put it shortly: Jotaro has always wanted to do things by himself because he believes that not only will the task be done with, there would be no one else involved with it, making it better for him to cope mentally if ever shit hits the fan (tying back to poor emotional expression and insecurity in bonds).

If any injuries were to be inflicted, he would be the one to receive them, and he alone, because who knows how he'll react and/or cope when his allies are harmed instead of him over and over again? (refer to the trauma of Jotaro surviving Cairo while the majority of the team that went with him died a.k.a "survivor's guilt")

(Also, refer to how he had exhibited great distress when Jolyne was about to be struck by a rain of knives that Pucci sent)

This might also be the reason why he's more self-sacrificial as an adult: Will be the bait during the rat episode instead of Josuke, takes the brunt of Sheer Heart Attack's explosion to spare Koichi, dives straight onto a path of bullets to save Jolyne, etc.

The only possible solution so he could snap out of that belief he holds on to is that strong, reliable support system he internally needs. People who can help him without sustaining fatal injuries in the process [social]. People who he can approach to release any pent-up frustrations and inner conflicts [emotional].

If he had found those people, then he might have been able to deal and/or cope with his trauma better instead of letting it linger and change his outlook in life [mental].

But we all know how his life went in canon. One moment he's a kid playing ball with his mother, then in his last, he dies by having his head bisected by a time-altering Stand.

Jotaro is a person with a gold heart and a rough exterior. Someone who wants to help and protect his loved ones from the unpredictability of the world the best that he can. But even then, his best wasn't enough. His fear was masked with an air of strength and capability, perhaps as compensation for everything else he lacked:

Adequate processing of emotions.

Stable connection with familial, platonic, and romantic bonds.

A sound mindset that stems from effective coping for his PTSD.

We could only hope in headcanon land that he had a better chance at life in the Ireneverse where he finally could develop his inner core better and get that long-deserved break he had always wanted.

[jules-ln]

Ok you guys I went to sleep at 1 am and woke up at fucking 5 am to watch arcane so here are my thoughts/review:

After I finished it, first of all, I was mad lmao, then I thought about it for a moment and I started crying, but like ugly crying with sobs and everything because holy shit Jayce and Viktor, then I stopped crying, thought about it a bit more, and I got mad Again lmao

Now spoilers

It was a fucking mess lmao

Like seriously what the fuck fortiche, what the fuck Riot, it was such a fucking mess, it was all over the place, the story was rushed, the characters arcs were rushed, there was a lot of things that felt very forced because they didn't have time to let it happen naturally and I can tell a lot of things that would've been good were left in the inkpot

About Cait and Vi: I truly and honestly couldn't have care less about them lmao

I know I know

But I already fucking knew they were going to end up together that Vi was going to forgive Cait for being a fascist etc etc, for me their arc was already finished and I didn't have time to care about them because I was more worried about what the heck would happen to the other characters and how in hell would they wrap up that mess. If they would've cut all their scenes and gave that time to Mel or something, I would've been so fucking happy

Also, the sex scene annoyed me so much lmao, I was thinking "IF YOU WANTED A SEX SCENE YOU SHOULD'VE ADDED ANOTHER SEASON FORTICHE! WE DON'T HAVE TIME FOR THAT NOW!" lmao

Mel: I liked the concept of her arc, I like the theory, I can see their vision, what they were going for

But in reality it wasn't fucking that

Like, I like the idea of having Mel realize that she was much more than the daughter of her mother, that she had her own value for who she was instead of simply being the blood in her veins. But boy, it didn't feel at all like she realized that lmao

It just felt like she was "now I'm confident enough about myself to confront my mother because the writers said so" like what? This is what I mean when I say that a lot of things felt forced

Viktor: ok, ok I'm just like *heavy sigh*

To be honest part of why I was mad at first was Viktor's character, I was like "So what? You stop being a humanity loving pacifist to become a fucking control freak who hates free will and emotions just like that?" But then I thought about it, and if you frame his arc through Jayce, it actually made sense, because you see, everything he did was for Jayce. When he came back and went to build his cult, I mean, Commune, he was doing their hextech dream, the thing they always wanted, the thing Jayce always wanted

When Jayce went and rejected him by shooting him in the chest (thanks Jayce) he was hurt, he lashed out and wanted to get rid of all emotions, ironically it was a very emotional reaction. So then as soon as Jayce was back with him, he realized his mistake and stopped

So yeah, it makes sense, the problem is that I shouldn't have to stop and piece together a character motivation like that Fortiche what the hell. I know some people say "let the audience do some work!" But I feel like I'm doing all the fucking work here

What they did was great! Good! But just like Mel, give it more fucking time please

And the machine herald design was a bit ugly lmao, like his design in the game looks better, but thinking about it, and looking at the other robots design and how Viktor dresses in the series. I think it makes sense that this specific Viktor would design something like that

EDIT: Oh! I Also forgot to add:

My favorite scene of him was when Jayce was taking out all of those things one by one and Viktor waited until he was done to push them all back LMAO he didn't need to do that

Jayce:

Jayce, what the hell

Like, I understand why Viktor acted like he did, but like, what was up with you?

I mean, the end implied that he knew all along what was going to happen (machine herald, save Viktor etc), but like, why did he acted so angry at the commune then? He seemed so erratic and Angry like he didn't know what was going to happen, but he knew, and then he switched back to normal but like, what was up with all of what happened before? If anything, why didn't just he let Viktor get to the hexgate peacefully and then talk to him? Idk, it just seems to me like Jayce was the character the most affected by the crossfire of the plot happening because the writers had a very specific ending in mind and no time to get to that ending naturally

Also "hextech is bad" Then proceeds to let everyone keep using it lmao

Ambessa and Singed: of all the characters I think these one were the worst of all lmao

Like the plot completely changed Jayce and forced Mel, but like, these two just were put aside? Lmao

Everyone at Fortiche was like "Fuck Ambessa and Fuck Singed" which is a shame because these two were really interesting

Ekko and Jinx:

I think of all the other characters, these two were the best ones

I didn't feel like their arc was forced, it felt like they were given enough time, but you know why? Because their arc started in season 1, in this season they just finished it

The only thing I will complain about is Isha, because it just feels like they used her and completely discarded her after like a broken toy. Like Silco was waaay better handled than her

Heimmerdinger: I mean, I didn't care much about him lmao, he was only there because the plot needed him, and when he wasn't necessary anymore they got rid of him lmao

But it was less obvious than Isha at least

Viktor and Jayce: now, this is the part that got me fucking crying so much, and this along with Ekko and Jinx are the things that make me feel conflicted about this ending and not hate it as much as I would otherwise

It was all left ambiguous, and the cynical part of me thinks "of course they can't make it any more obvious because then the dude bros who main Viktor and Jayce in LoL are going to cry about how they don't want to play as a man who wants to kiss another man"

But if I take it at face value... Ngl guys, it was good

Like how Jayce chose Viktor after everything he did, how Viktor tried to push Jayce away to protect him but Jayce refused to leave, how all they wanted wasn't progress, or fame or power, but simply be together. And they got to be together in the end

Damn, I'm crying again

I JUST FUCKING WISH EVERYTHING AROUND IT WASN'T A MESS!

And I wanted to add, when everyone in Zaun went to help everyone in Piltover to deal with Ambessa, I wouldn't have done that, fuck them, they put a fucking fascist dictator on power, probably made a lot of people "dissappear" and just like that they are like "Guys, we're sorry, we need your help now :(" fuck that

In the end, it doesn't feel like Fortiche earned this ending. Season 2 should've ended with Arc 2, and Arc 3 should've been a whole season

And I can't give it a rating, because I don't know, I didn't like a lot of it, but there were some parts that I really fucking loved

But if someone asked me if it was worth to give the series a try, I would say yes, but don't get your hopes up for the ending lmao

[zonatcannibalism]

Thinking about fiyero from the movie (not sorry, this will keep happening)

Like im genuinely not kidding when i say that Jonathan bailey absolutely kicked this role out of the park. And its really interesting to me because fiyero was always implied to be someone dealing with depression but i don't think ive ever seen it delivered and interpreted this well. This man is absolutely terrified of letting himself feel his feelings without the sugar coating of partying and being wanted for being fun and sexy. Which actually really ties in to my interpretation that his feelings for elphie here are 100% platonic. Have you seen this mans face before im not that girl? During the "i was thinking" scene? That is not a guy in love, thats a guy absolutely terrified of the concept of emotional honesty. Elphaba made him confront his real feelings for the first time in years and basically launched into his very slow and tedious process of healing. He is a MESS. This bitch isnt in love, hes looking into potential therapists for the first time in years and being forced to acknowledge just how bad hes truly doing. Like, "thinking" making him such a mess? He is absolutely not thinking about being with elphaba lmao. which actually makes the end of act 1 sadder bc knowing the rest of the story and that he goes back to comp het and repressing his mental health issues right after elphaba is gone is really fucking sad and continues the theme of elphaba positively impacting characters in a way that their character development regresses when shes gone.

Anyway on a different note i absolutely love his and glindas relationship. They are both such cold hearted manipulative bitches, and they love each other for it. Fiyero literally just looked at her being manipulative as shit and went "yeah i gotta have a beard relationship with her". They understand each other and how the other acts and why and whats their tactics and its fantastic. I also love that he never had any problem with glinda and elphaba being the most important person to the other instead of it being him, in the way that hes literally never jealous of them and is just like "yeah girls go get some ill be here to gossip about the other when youre done". He definitely knew that glinda is a lesbian wayyyy before glinda knew.

[fereldanwench]

the assumption that anyone who is dissatisfied with lucanis' romance expected it to be like z*vran's is hilarious in my case bc i could never get into z*vran's romance specifically bc he comes on way too strong lmao

i knew 3 things about lucanis going into the game (besides the big stuff, like being an assassin possessed by a demon): he likes coffee, he's supposed to be a little aloof and socialyl awkward, and mary kirby tweeted that she wrote him specifically to be "the sole bisexual disaster" of the crew

so i went into this full expecting a slow burn with him being afraid of his feelings because of the possession and The Horrors™️ he's been through in general

but instead spite is like the third-wheel comic relief half the time and in lieu of slowly building tension we just have to wait longer to trigger fewer scenes lmao

and there very much seems to be missing content. i think there are official artboards floating around that show a sexy lake scene with him that was cut, so that's great, but just looking at what's in the game gives that impression. like after he gets his first talon title, he says something like "i have other plans for tonight" in a low voice when you ask if he wants to leave in the middle of the celebration--i thought we were finally gonna get a proper smooch at the very least! but no! nothing!

and i took this screenshot earlier today when i think i kinda just had it. finally do get a 'confirmed-romantic-date' scene with him and he just comes and stands next to you while spite drinks ??? his coffee

THIS IS VERY SILLY!!!!

anyway

i might come back to his romance later now that i know what I'm in for, but i have been very disappointed. all signs pointed to a character and romance that is 100% my jam, but instead i just got a really disjointed experience that left me wondering if i borked his romance until, like, the beginning of the 3rd act when i had already committed 60-70 hours to this run

[azaharinflames]

I fell into the deepest depression I’ve had for years when Buck and Tommy broke up. I just wanted to cry so badly but decades of trauma kept me from doing that. Add on that Trump had just been re-elected, and add in that my Dad had been admitted to hospital with a collapsed lung it just took me down.

I’ve mostly gotten over it. I spent 24 hours writing my idea of a fix it fic (won’t happen on show cause they all suck but it was cathartic). I can’t remember what caused my breakdown but I did end up crying. My eyes felt less puffy after as well.

I understand that it’s a fake relationship in a fake show but something about it spoke to me. And just watch it end hurt me worse. The last time I had actually cried hard was in 2021 when my mother-in-law passed away from COVID. So why did this stupid relationship affect me so much. I feel embarrassed for reacting this badly. I don’t even like to talk to my partner about it because he wouldn’t understand.

Hi, Nonnie! Thank you for your ask.

I am so, so sorry to read that. Listen - it's not stupid. It's not embarrassing So don't think your feelings surrounding it and your reaction to any of it is that, because I promise you: nothing about it should make you feel embarrassed.

Here is the thing: Art, in whatever form, is one of the things that move people the most, historically*. Art is a universal language that doesn't simply exist in a painting or a sculpture but in a myriad of different forms that, especially in the last few decades, have expanded immensely. Art can be a channel for our emotions, can be our choice of escapism, can be the thing we see ourselves reflected in and thus, the thing that we connect to because, hey - that's us. And if we see 'us' overcoming on screen, surely we can overcome in real life, right? That's one of the reasons why representation is so damn important.

Yeah, it was a relationship. But it shouldn't be reduced to just that. Instead of dismissing our feelings by making our issue seem nonsensical and small, let's think - my issue was because a piece of Art I connected to deeply was dealt with in a damaging way. And that carries consequences.

There is also the fact that, I think, for a lot of us, it was more than the break-up. The biggest thing to take into context was the election because it is just a matter of fact that we needed a win so bad that week, and we got the opposite of that. To get a bit more personal, I was already dealing with my town being hit with the worst natural disaster in my country this century, still had to hear from some of my friends to know if they were okay or even alive (fortunately, they're all fine), and I was seeing only tragedy whenever I went online. So this happening hit me really hard as well - but, like you, it was one of the things. Still, I spent three days barely able to take a bite and barely able to sleep, and a week with really high anxiety.

And sure, I did feel silly, but if I do love one thing, I sure do love introspection, I reached the aforementioned conclusion and reflection on Art (let me know if it helped or is a bunch of bs tho).

I think what you're doing, writing a fix-it fic, is amazing! You're channeling your feelings through Art, and I am sure it does feel very cathartic. I haven't written for 911 yet (definitely want to, I have some ideas that could work), but I have some years of writing for Marvel and Seblaine (Glee) on my back, so trust me when I say this is the better choice you could do - channel your feelings through your Art, and you will end up with something beautiful, I'm sure of it.

Sorry this was too long, but I'm here if you (or anyone else) needs to rant, vent, or discuss something (911 or whatever, something else is valid as well)

Take care, Nonnie <3 and all of you as well <3

*I have a bachelor's on this, please trust me on it lmao

[wildkimiko]

Instead of doing convention prep, why don't I draw the blorbos instead

This started as me just warming up for working on some OTHER important stuff but uh. Yeah! Someday I'll learn how to draw Emmet's hat consistently but that day is NOT today.

More rambling below the cut:

When Sheyla gets serious about battling, she gets SCARY. She didn't exactly know how to turn off the scary, so trainers were afraid to battle her for a while after she became Champion. She'll take all your money. :P Now she only turns on the scary for big serious battles, or against Team Plasma.

She rarely gets sick, but when she does, it takes her OUT. Or, she probably overworked herself training with Inari again. Training with ghost types that don't have a good grasp on their power is verrrry dangerous. :P

Emmet and Sheyla laughing about something. What? Idk lmao, you tell me.

Sheyla's Sygna Suit with Togekiss! It's a whole-ass Lolita/EGL coord and is absolutely outside of the realm of anything she would wear. She cleans up pretty nice. (it's the nicest thing she will probably ever wear outside of Nimbasa. Even Elesa was surprised.) Emmet thinks it's cute. (*/ω＼*)

Lmao, I just love the twins and the whole eye glow thing. Don't fuck around on the subway.

Emmet lost, but the trainer was being a real asshole about it. :P

now off to draw more shippy stuff heheheheheehe~

ALSO. I decided on a ship name I think? Ferroequinology is the study of trains (comes from the words iron and horse, which is sick af), and since Sheyla is a researcher first and Champion, I kinda figured it fit. She does like studying trains, and one of the conductors of said trains. :P