#you jsut

[eddswiirld]

edd throwing ringo at tord

legitimately don't think he needs to throw her all that much, the 'purrjectile' is already inbound for the kill (bacon pls yum yum for me? :3)

[yourmajestybee]

EVERYONE NEEDS TO LOOK AT HOW TO TRAIN YOUR DRAGON UNTRAINABLE THE STAGE PLAY RN

[tildemoe]

ASL+U !!!!!!!!!!!

[thatneoncrisis]

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.

[frogs-in3-hills]

hi does anyone else think about april throwing herself over leo to shield him in the shredder strikes back despite having no weapons no way to defend herself and probably assuming she was going to die. does anyone think about that all the time. every day. uncontrollably

[ID: Digital fanart of Ninja Turtles 2003 depicting a scene from The Shredder Strikes Back part 2. April kneels over an injured Leo, cradling his head and looking back over her shoulder to snarl viciously at the camera, though there is obvious fear in her eyes. Her hair has partially fallen out of her bun, the loose strands sticking to her face with sweat. She has a cut on her cheek. Only a portion of Leo’s face can be seen from behind her shoulder. He looks up at her with a sad, pained expression. He has a swollen, bloody shiner on his cheek in addition to other cuts and bruises on the rest of his body. They are on the wooden floor of a dark attic. End ID.]

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[dizzybizz]

KAEYA BIRTHDAY ??? ?? i love you mr alberich sir i love you oh so so so much.

uh dialogue for this one but more legible under the cut (and a messy ragbros page)

Klee: Kaeya! Come down here! Kaeya: Oh? heh. What is it, Spark Knight?

Klee: Happy Birthday! It is today? Right? I even double-checked with Albedo and everything but I don't know... Klee: It's a Calla Lily! You like those, right? Kaeya: I certainly do! Thank y- Klee: Oh. Klee: OK OK OK- Kaeya: Hm? Klee: Kaeya you have to promise to not tell Master Jean about this one! Kaeya: You can count on me to keep my lips sealed.

Klee: OK! Close your eyes- eye- and hold out your hands! Kaeya: Mhm! Klee: OK! You can open them! TA-DA~!

Klee: I made a bomb for you! It even has an eyepatch! He can look after you when I'm somewhere else. Take good care of him! Oh yeah- He explodes if you- Kaeya?

Kaeya: Thank you Klee! Thank you very much! Klee: You're VERY welcome Kaeya!

a lil ragbros too.... kaeya and his red siblings amirite (bursts into tears).. also i am so obsessed with chibi diluc saying "bring em in..."

[neogenic-artum]

why am i the patterns minority. i am truly so so so bad at drawing patterns sorry

[skitskatdacat63]

The pics of the post sprint are even funnier to me than the shithousery on the radios and interviews 😭😭 like damn, wasn't the incident literally just this???:

[mipexch]

oh to be a tired robot girl on a hot summer day

[reverienco]

what the fuck am i doing. scheduling this at 1am.

[territorial-utopia]

Oh hey look another wip from like, 2022 that I never shared 8,D So here's the next one in my animation study series where I try to copy a piece of animation I like (but use my own characters as the models instead)

Anyway, they're dumb, they're idiots, they're in love.

[chameleocoonj]

just two creatures standing around facing left

[nomazee]

“This is unnecessary.”

At Blade’s snide comment, you pull sharply at the strands of his hair in your hands. He grunts in displeasure before obediently quieting down, only a little scared of you scalping him if he annoys you any further. 

Perched behind him on the couch while he sits on the floor, your hands find themselves coming through his hair (long, smooth, untangled despite the fact that you’ve never seen him take a brush to it). Your efforts to part his hair with just your fingers are fruitless. His hair is thick on the top, so much so that you’re surprised his neck doesn’t constantly ache with the weight of it. Your hands pause, resting on the top of his head while you try and figure out how you’ll style it. 

“Be nice,” you warn, two hands on the sides of his head tilting it from side to side, treating him as a foam mannequin on which you can project your very thorough cosmetology skills. “Your fate is quite literally in my hands. I could knock you out and shave you bald very easily.”

“I don’t doubt that,” he says earnestly, and you can’t help the way your lips twinge into a smile. “This is clearly a hassle. My hair looks fine the way it is.”

“It does,” you admit, “but wouldn’t it be nice to try something new? And at no cost to you, aside from mild scalp pain. I’m good at hair. I did Kafka’s that one time.” You fail to mention that it was only one time for good reason. Kafka said that you handle hair the same way a lobster would handle a violin—that is, with clumsy hands and a clear lack of refinement. She had to hide every pair of scissors from you in fear that you'd give Silver Wolf microbangs.

As if on cue, your fingers get caught in an unexpected snag in Blade’s hair, and you pull and tug and yank as if expecting it to untangle on its own. Blade hisses and reaches a hand back to smack you on the wrist, turning around to glare at you. 

“Watch it,” he orders, gentle but firm. There’s not enough heat in his words to scare you, and his eyes are a particularly beautiful shade of copper in the dim, flickering light of this dingy lounge room. Whatever you say, beautiful, you think to yourself hysterically. 

After a few half-willed apologies from you and some nudges of encouragement, Blade finally relaxes enough to turn back around and tilt his head back in your lap, letting your fingers play with his hair nonsensically. A braid, you decide, would look quite nice on him. One long one down the back. If you had ribbon, you’d use some to tie his hair, but all you have is one of Kafka’s tragically thin hair ties. 

“It’s a nice color,” you comment absentmindedly, pretending that you can’t see the way Blade’s eyes have shut in contentment at your gentle prodding. “It changes in the light a little bit. It looks very blue now, but I’ve always thought it was black.” You section his hair off into three pieces, loosely laying one over the other over and over again. The aged gold ornament still hangs securely in his hair, and you don’t do anything to move it. It suits him. 

“It’s natural, if that’s what you’re getting at,” he tells you, the slightest twinge of a joke in his voice. It plays at your smile and at your heart, too. 

“You say that now, but you’ll be scrambling to come up with a lie when I find box dye in your bag.” 

He only hums in response, reluctantly enjoying the feeling of your hands on him—they’re gentle, and you can imagine he’s not quite used to this. It’s an addictive feeling, to have him at your mercy, even with just your hands in his hair. There’s trust, unspoken, lingering warmly in the air and settling like condensation on your skin. You could very easily do a number of things that would hurt Blade—kill him, almost. You’ve only ever thought of it a few times, and those were all a very long time ago. 

You don’t think of it that often anymore. All you’re paying attention to is Blade and the splitting ends of his hair and how nice he’d look with a red ribbon tied in. 

“We should go shopping,” you tell him, voice close to a whisper now. You’ve secured the end of his braid already, and your handiwork is admirable. The strands are neatly crossed over each other, uniform in size with each other as they taper down into the end. “Some clips for you would be nice.” Absentmindedly, you comb through the layers of hair near his face, digging your fingers gently into the sides of his face and scratching at his scalp. 

“And where exactly would we go shopping? We’re not exactly upstanding members of society in some people’s eyes.” 

“Then I’ll make clips for you,” you say, a naive kind of dedication in your tone. “I used to work with metal, a little bit. I could make jewelry. Ornaments for your hair. I’ll put a ribbon in next time.” 

“What makes you think there’ll be a next time?” Blade asks doubtfully, in steep contrast with the way he lets your hands roam along his scalp, and the way his head leans back into you as if he’s comfortable. 

“You’re a loyal customer,” you quip, “you’d never let somebody else do your hair when you have me as a dedicated stylist.” 

“I’m your only customer.” 

“I know,” and in a moment of weakness—because at the end of the day that’s what you are, weak, malleable and moveable when you’re with Blade like this—you lean down just a little bit, pressing a stupid clumsy kiss on the crown of his head. Your fingers trail down to trace the bumps of the braid, the divots and grooves in it, made by your hands, and yours alone. “That just means I can put all my effort towards you alone.” 

“You shouldn’t.” And he means it when he says that, and it hurts you, puts a sickly pang in your chest that you want to reach for and tear out before it grows into something worse. 

“But I will,” you tell him. Blade is stubborn, but not stubborn enough to keep it up. Not now, not here, not when the overhead lights are flickering and making his hair look just a little bluer, illuminating the warmer ends of his hair, glinting off the metal ornament still clipped into it. He rests between your hands, still sitting on the cold floor, pretending that he isn’t falling asleep with you like the fool he secretly is.

—°+..｡*ﾟ｡*ﾟ+.*.｡.—

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[heartorbit]

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