#you don't understand how much I love this scene

[postcardsfromheapside]

I need to be salty for a hot second about people who are upset about aspects of Lucanis' romance.

I'll put everything else under the break for spoilers, but in general, I am so disappointed in a large portion of this fanbase who apparently thought "disaster" meant "romantasy," but also it's in keeping with how a lot of people seem unable to put things in context.

One of the complaints I keep seeing run past is that the scene where you commit to a relationship with Lucanis seems pefunctory, or out of the blue, there's nothing really romantic about it, it's too similar to the platonic route, etc, etc, ETC.

I romanced Emmrich, but I've seen other people's versions of romancing Lucanis. I'm just going to kind of word vomit here, and hope I can come up with something cohesive.

As someone who id's with Lucanis for "generational abuse" and "dumpster fire disaster bi" and "using socially acceptable drugs as coping mechanisms in place of addressing your problems" reasons, it's been really fucking annoying watching the almost deliberate misinterpretation of his character even after Mary Kirby dropped several explanations on social media. It's like a large part of the fanbase saw all that and turned into the "yes yes, very sad...anyway!" meme and went right on fetishizing him...then got mad when he didn't turn into the seductive Dom with wings they were hoping for.

You commit to Lucanis after (what I consider) a very intense scene inside his "mind prison." He's struggling so much internally that Spite wrests control of his body from him in front of witnesses and begs Rook to help them. Lucanis would never ask Rook to do so on his own, he's terrible at asking for the help he truly needs. Spite drags Rook into the Fade Ossuary and demands they free Lucanis from his self-imposed prison. And whether you're a friend or would-be lover, Rook slowly talks Lucanis out of a host of self doubts regarding his family and friends. Can he trust himself not to hurt other people, now that he's saddled with this affliction? Has he disappointed the people he cares about most? Do these new people he's coming to care about actually trust and care about him? The rooms are filled with fragmented thoughts that peter out into regrets. You're literally seeing Lucanis' fractured and complicated emotions.

One of them tore a hole straight through me: "You'd have to kill me...And Spite would die."

You'd have to kill him to get rid of the demon. And he'd regret the death of the demon that's protected him and given him strength, through a brutal year of betrayal and torment. I don't know if y'all remember the scenes in the Ossuary of the failed experiments and the corpses you had to pass to get to his jar of blood. It wasn't fun.

When you break out of the mind prison after helping him bond with Spite, it's intimate and momentous, even on a platonic route. You've seen desperate and lonely parts of him he'd never willingly show anyone.

As you're convincing Lucanis that it's okay to leave his mind-prison, you tell him you understand that it's easier to deal with problems like the Ossuary and Zara than healing and living with Spite, potentially hurting people he cares about. But he wants to. It's Rook's job to help him see a path out, a way for him to make the struggle easier so he can begin to heal himself.

I need to stress: you aren't "fixing" him. You're acting as his lighthouse, regardless of whether you're a friend or a lover. Sometimes people need help. He's still going to have to do the work to get there.

As a friend, it was extremely rewarding to come back to the kitchen and see him doing exactly as I'd hoped: moving on with the business of *living*. He made a nice dinner for everyone he's come to care for, and a special dessert for Neve. Cooking is where Lucanis finds creativity, and comfort, and connection with his friends and family. He isn't very good with words, but he will note everything you consume, and try to make you feel loved by expressing it that way.

Which is why I think it's important you don't dismiss the commitment on the romantic route. He remembers YOUR favorite drink and makes YOU a special dessert if you're romancing him. Lucanis isn't going to get poetic. You've already made him feel raw. You've seen the ugly, embarassing parts of him. What is he supposed to say? Usually it takes Spite reaching through his body to actually be direct. Instead, Lucanis reaches for food, his favorite medium, to try and apologize for inadvertently showing you those things, to thank you for helping him despite seeing what he considers the most shameful parts of him. Your commitment is letting him know that you value him, that he has nothing to be ashamed of, that you understand what he's trying to express with his struggling communication skills, which appear to get better as your relationship progresses from there.

It's weird that some of y'all don't feel that this is heartfelt and important, because you'd rather him act out some sensuous fantasy trope. It's also weird that some of you haven't figured out that many scenes in RPG's can be similar on platonic and romantic routes with tweaks to shade context.

(Also just in case this comes up: cooking is not his "love language" - that whole concept was invented by a misogynistic weirdo and we should remove it from our ideas of communication)

Anyway, this guy is my Rook's bestie and I'll go down swinging for him, you should appreciate the fuck out of him and stop acting like his writer didn't craft a perfectly funny little weirdo who is bad at showing people his tender parts and terrible at interpersonal relationships.

[musings-of-a-rose]

A New Life - Part 1

Pairing: General Marcus Acacius x ofc Cornelia

Word Count: 4700+

Rating: Mature - 18+ ONLY!

Warnings: Just like ao3, “creator chooses not to use warnings.” If you click Keep Reading, that means you agree that you’re the age to handle mature themes. Also by clicking Keep Reading, you understand warnings may not be complete in order to avoid spoilers for the story. 

Summary: After her husband's quick death, Cornelia finds herself back in her childhood home. But when her father passes, her cruel brother Cato becomes Lord of the city. She feels trapped, hopeless, destined for nothing as her brother tortures her day in and out. Until one day, a certain renowned General comes to claim her city in the name of Rome. When her brother hastily offers her up in surrender to the stoic General, Cornelia happily complies. Anything to get away from her brother. But will the General accept her? What fate lies in store for her in the hands of General who has never lost a battle? And will she be able to survive Rome itself?

Notes: sigh. look, I had one scene idea and it became this. If you've ever read anything by me, you know this happens. And just look at Acacius. How could I not? Shoutout to @mermaidxatxheart for tolerating my existence in general for this fic.

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**Reader is not described

Main Masterlist

General Marcus Acacius Masterlist

“We can’t thank you enough, miss.”

I wave my hand. “No need to thank me. I’m just doing what I can.”

I pull the palla (scarf) over my head as I wind my way back up the city streets, heading towards the home I grew up in. The largest home in the entire province that used to belong to my father, the noble in charge of this entire area. But ever since he died, my brother has taken his place and well, let’s just say he is far from my favorite person. Which is why I’m hiding as I sneak back inside, my brother having forbidden my leaving the grounds ever since I was forced to return after my husband’s death. 

I wake the next morning to the sound of many footsteps running outside and down the halls. I quickly pull on my tunic and head out of the door, turning to head towards the main chambers where my brother would undoubtedly be. Sure enough, as I approached, I heard him raise his voice. It sounded like he was trying to muster troops? He barks out a few more commands and the door flies open, catching me off guard.

“Sister! Come here!” My brother, Cato, demands. I enter the room, casting my eyes downward and away from him for a moment before looking at him. 

“Brother, what is happening?”

His eyes scan me from head to foot, his lip pulling up in a snear. “The Army has arrived.”

I cock my head. “Who’s army?”

He sighs, exasperated,. “The Roman army, Cornelia. The one led by Marcus Acacius?”

My eyes widen. “The general who has never been beat?”

“That’s the one.”

The people running around make sense now. We’re preparing for a fight. “What will we do?”

“We will fight!”

I scoff. “You cannot hope to win.”

His mean eyes snap to mine. “You don’t think I can?”

“I…I just mean, General Acacius has a reputation. Our numbers are small, we can’t-”

He waves his hand at me, cutting me off. “Yes, yes. I know. We’re going to give it our best. But I also have a backup.” 

“Oh?”

The snear comes on full display. “Yes. Actually a way to solve 2 problems with one.”

“Two problems?”

“I will surrender and give the General you as a victory gift.”

My jaw drops, the air whooshing from my lungs. “M..me?”

“Yes, you. I know you’re already 30, but you look much younger. He won’t know. Besides, he doesn’t need to marry you.”

“You mean to give me to a man with no intention-”

He reaches out and grips my face with one hand. “Dear sister. I would whore you out to every noble, the emperors themselves, if it meant I got to keep my lifestyle.” He shoves me away. “Now go make yourself presentable. As much faith as I’d like to have in our troops, I rather think it will come down to you.”

And that was that. He turns, effectively cutting me off from any retort. I head back to my room, calling for one of my servants to help me prepare. As she washes me, I think on all that has transpired. Am I finally to be free of the hell that has been my life for the last several years? I know I should be afraid, terrified of the renowned General Acacius, but I’m not. Anything is better than here.

My brother has me sit in a chair off to the side of his own, the sound of swords clinking growing closer and closer. The heavy doors creak open and soldiers pour inside, nearly covering the space in a handful of steps. My brother holds up his white flag, a symbol of surrender and luckily, they stop, one of them yelling to get the General. Only a handful of moments pass before a man strides into the hall, broad shoulders barely contained in beautiful leather armor, the head of Medusa proudly displayed on its front. He is covered in blood and dirt and sweat, a sword still in his hand as he confidently strides up to my brother, who instantly bows. 

“General Acacius. I humbly surrender to your forces.”

“So many people died for you to be sitting here on your chair. You could have stopped the bloodshed before it started and you did not.”

“I had to give it my best shot. Honor was at stake. You can understand that, yes?”

General Acacius considers this for a moment. “And let me guess- honor is what you think will keep me from slicing you in half with my blade?”

The smile on Cato’s face falters slightly. “Well, yes.” The blade shifts in the General’s hand and my brother puts his hands up. “That and-” he reaches over and grabs my arm, his fingers digging into my skin as he throws me at the General. I fall to the floor on my knees with the unexpected movement, my palms stinging with the impact. “-my sister! Take her, marry her, use her, whatever. She is yours.”

The General leans forward, extending his hand towards me. I look at it, the blood and dirt mixed together in some kind of horrible art on his palm, and I take it, allowing him to help me up. Once I’m standing, my eyes find his and I’m shocked to see concern. 

“Are you alright, miss?” He asks, his eyes scanning my face.

I don’t break the gaze as I whisper. “Please take me with you. I will be faithful to you however you need me. Free me from this prison.”

He cocks his head ever so slightly, searching for something in me. Apparently he finds whatever he’s looking for as he looks over my shoulder back at Cato. “I will take her. But I should kill you here for the way you treat your people but especially for the way you treat your sister. Your own blood.”

“My people will recover and I’m sure you or your men will be thankful to have such a beauty after-” the General takes a step forward, his blade coming up. All I hear is slicing, a horrible gurgling, sputtering sound as a body thuds to the floor. I don’t move, not right away, using my breath to steady myself. I start to turn when the General grips my arms, preventing me from moving. 

“You do not need to see this.”

“I think I do.”

“Miss-”

I drop my voice so only he can hear me. “My brother has put me through hell for years. I have no love for him. Let me have this closure. Please.”

He hesitates for a moment before nodding, dropping his hands from my arms. I take a breath and turn, my eyes immediately finding the crimson pool on the floor, the thin gash across Cato’s throat bright and angry against his skin. His are vacant, every trace of the evil life he lived, gone. I nod once and turn back to the General, who is still watching me. His soldiers file from the room, a loud silence falling over us.

“So…do I..do I follow you or?”

He holds his hand up. “I do not plan on holding you to that deal or whatever your brother tried to do.” He starts to turn but I gently grip his arm. He looks down at my hand briefly before looking at me. 

“You saved me from this torture. I will be faithful and loyal to you.”

He puts his large hand over mine, taking it from his arm and holding it. “I have no doubt of that, miss. But you owe me nothing. Go live your life.”

“General Acacius, may I speak plainly?”

He nods. “Please.”

“I understand what you are trying to do. But please think: my brother has controlled this province ever since my father passed several years ago. He has placed more taxes and fees on these people than anyone before. And he just led half of them to slaughter with your arrival when he planned on surrendering. They are not happy with my house. They may like me but I don’t think that fondness will suffice when they are burying their husbands and sons for no reason.”

He thinks for several moments. “Perhaps you are right. I cannot in good conscience leave you here to die. I can escort you to our next province but know that it isn’t a place for a woman. War and battle are hard and bloody. I can protect you from my men but I cannot promise to protect you from those we fight against.”

“I understand. Wherever you need me, there I’ll be.”

“You are free to leave whenever you wish.” He turns, heading towards the doors.

“But what if I wish to stay? With you?” I follow behind him and slam into his chest when he abruptly stops and turns around. He looks down at me and my heartbeat races. Now I’m closer, I can see past the grime, see his greying hairs, the scar that runs down the side of his face, his eyes, dark and battle-hardened but also caring, a tinge of regret. They also darken with a look I’ve seen in many men’s faces as they chase the skirts of women. But then he blinks and it’s gone.

“We shall see.”

General Acacius accompanies me to my chambers and allows me to pack a few things. It’s lighter than I would normally travel with, considerably, but it’s not needed. And I can always get new things along the way. A few pallas (head scarfs) and tunics, some health and hygiene products and I’m ready, the General giving me a nod of approval at my small bag that I’d packed. His soldiers ransack the estate, including my room, taking anything of value to either sell or melt and turn into weapons. General Acacius ensured I had everything I wanted before he allowed it, a gesture I wasn’t expecting. As we head towards the front gates of my previous estate, he turns to me, speaking low so only I would hear.

“Stay close to me. Speak to no one. Pull that palla over your hair and stay quiet. Understood?”

I nod quickly as I do what he says, making sure it covers my hair. “Yes, sir.”

“Do you have a favorite horse?”

I blink. “Yes. In the stables.”

He allows me to lead us to the stables and I quickly locate my black barb horse, Caius. He is nervous, snuffing and chittering in his stable, but the moment he sees me, he calms. 

“Hi, Caius. Are you ready to go on an adventure?” He presses his forehead to mine, a gesture we’ve done since he was a foal. I can feel the General’s eyes on me, watching as I lead Caius from the stables and ready him for travel. It only takes a few minutes and I’m grateful for learning how to do it rather than relying solely on stable hands. He has me lead Caius out with his reins rather than riding, no doubt to make me less of an easier target. 

We head out of the main gate and I stifle a small gasp. I hear the sounds of wailing, mothers having lost sons, wives their husbands, children their fathers. The Roman soldiers are trying to calm the area, and they’re succeeding by sheer numbers, but the sounds of grief have no master. It’s then that I realize what the crimson tinge to the soil under my sandals is. I swallow hard, willing the tears not to fall. I don’t want to look weak. But these were my people, even if we were separated by title and money and my heart aches for them. 

General Acacius sets a brisk pace, winding around the main square, no doubt trying to avoid any sort of riot or call for my head. I couldn’t blame them. Like I’d said to the General, they may like me, but my family is the reason they’re burying their boys and men needlessly. I can feel how nervous Caius is, but he trusts me fully and obediently follows me without issue. What seems like hours later, we make it out of the city. The General steers us towards a group of men guarding horses. They salute him as he walks up.

“General, sir!”

He nods and they drop their salute. “My horse.”

“Yes, sir.” One of the soldiers runs off and comes back moments later with a beautiful chestnut colored horse. He hands the reins to the General and salutes before going back to his post. The General turns to me.

“We will ride to camp. Stay close to me. Keep that palla over your hair, yes?”

“Yes, sir.”

He watches me for a moment, his hand coming up to rub his horse’s nose. “Ready?”

I swing myself up onto Caius in one fluid motion, one that I had been doing for the majority of my life and at least 10 years with Caius. His eyes linger on me as I settle in, adjusting my palla to cover my hair. Our eyes meet and he holds my gaze for just a brief moment before blinking and looking back towards his own horse, swinging himself onto the saddle. Despite my situation, I can't help but to think...

Damn he looks good on a horse. 

We don’t ride far, maybe a quarter or so mile from my city. We break through a line in the trees and I gasp - an entire camp has been built, complete with walls, tents, cooks, all of it. The soldiers by the wall call out and the gates creak open, General Acacius riding through the opening, glancing back once to make sure I’m following. We wind through the camp to where the horses are kept. He hops down from his chestnut mount and offers me his hand to help me down from Caius. I hesitate a moment before linking my hand with his and slide off of my horse. General Acacius nods to a young man and hands him the reigns to his horse, motioning to me to do the same. 

“I promise they will take good care of him.” 

I give Caius a pat on his head and hand the reigns to the boy, who leads both horses off towards the makeshift stable area. 

“Follow me,” The General commands and I comply, my sandals squishing in the mud as I go. We arrive at a grand tent, some soldiers stationed outside, one of which holds open a flap to allow General Acacius inside. He motions for me to follow and I do, feeling the tent flap close behind me. The tent is just as large as it appears. One side has a table with maps on it with little pins placed all over it. There are some traveling chests, which I assume house either weapons or other clothing or armor. On the other side of the tent is a room divider, behind which is a mattress and a small area for changing. A loud clank snaps me back to my reality and I see The General lay a sword on another table, this one set closer to his sleeping area. He removes his bracers as well, rubbing his wrists after he does so, glancing up at me.

“I will instruct my men to not touch you, but I would advise you stick to my tent.”

“I- yes. I understand, General.”

He barks out a name and I jump, the volume catching me off guard. A man enters the tent and salutes.

“Sir?”

“Fetch me some bath water for my…guest.”

“Yes, sir.” The tent flap closes behind the man as he goes off to bring the bath water.

There are a few moments of silence where he watches me, his eyes quickly glancing down my body and back up. “You can leave your belongings here.” He walks over to the divider and motions for me to follow. He points to a small crate in the corner. “You can set your bag here. I have some space in a chest for your things when we pack tomorrow.”

“Oh. Thank you, sir.”

He’s so close now, I could reach out and touch him. I want to, his greying curls and dark eyes heating me in ways I didn’t know possible. He blinks, shaking his head slightly.

“I will have them make you a sleeping mat, but you may not get it for a bit. You can take mine and I’ll sleep on the floor.”

“Absolutely not.”

He cocks his head slightly to the side, curious at this woman who would say no to him. “Excuse me?”

I clear my throat. “I won’t have the general of Rome sleeping on the floor. I can do that.”

“But, you are my guest, and a woman. I can’t allow you to do that.”

“Well then, I guess we’ll just have to share.” The words come out of my mouth before I can think. He fights back a small smirk pulling at the corners of his mouth.

“You would share a bed with a man who is not your husband?”

“My husband has been dead for many years. And not just any man. The man who saved my life.”

He watches me still, his eyes softening but somehow dark. He reaches out, hesitating a moment before gripping my upper arm. “I am sorry for your loss….well, if you insist, I promise to be respectful until we can get you your own mat.”

I speak quietly. “When I get my own mat, then you’ll be disrespectful?” I don’t intend for him to hear, but sometimes my inner thoughts become outer ones. His eyes meet mine and he opens his mouth to speak, but then several men enter with a tub full of water and the moment passes, General Acacius holding my gaze for a moment longer before dismissing the men. He pulls over another room divider and places it in front of the bathtub, gesturing towards it. “This is for you. I’ll personally stand outside to make sure no one enters.”

I nod. “Thank you.”

I take my time bathing, knowing that it may be a moment before I’m able to again. The water is cool when I emerge, wrapping a blanket around me and wringing out my hair. I pull on a clean tunic and sit on the sleeping mat, grateful that I’d packed a brush. The General returns a few minutes later, poking his head around the corner. 

“Oh. I assumed you would be asleep.”

“Almost. I won’t take up too much space.”

He waves his hand. “I am not worried.” He shuffles around, grabs some tunics from a chest, and disappears, reappearing later with wet hair that has started to curl, in a fresh tunic, sans armor. He gets on the mat beside me, trying his best with his broad frame to give me space.  

“General Acacius, it’s ok. Take as much space as you need. Tell me if you need more. Whatever you want, I will give it.”

He shifts a bit longer. “You are fine. Breakfast will be brought to us in the morning. Goodnight.”

“Goodnight, General.” I settle into my spot, trying to take up as little space as possible. It’s quiet, quieter than I thought a camp would be. 

“Thank you,” I whisper to him in the dark. I know he doesn’t hear me, but I wanted to say it anyway.

“You’re welcome,” a whisper back. I smile, knowing that I at least made some sort of headway into us getting to know each other. I meant what I’d said before -I will be loyal and go wherever he wants me. Do whatever he needs me to do. I owe him my life. 

It’s early when I wake, I can tell by the quietness of the camp. Slowly, I become aware of my immediate surroundings, remembering the events of the previous day. It’s then I feel something heavy draped across my waist. I crack an eye open and look down, seeing The General’s arm casually slung across me. His breaths puff out on my neck and I can tell he’s in a deep sleep. But then he shifts and..oh. 

He’s hard and pressed against my ass, pushing against me slightly in his sleep to relieve some of the pressure. It’s been so long since I’ve had any interaction this way, let alone with someone I’m attracted to. I’m torn as to what to do. If I wake him, I don’t want him to be embarrassed. If he needs me in that way, I will happily consent. Beg for it, even. But I don’t want to be presumptuous either and take advantage of him, even if it’s just to feel his warm, protective presence. My body seems to make the decision for me, my hips grinding back on their own accord. A few seconds goes by before his hand moves and he grips my hip, his fingers digging into my skin.

“You need to stop moving.”

My cheeks heat instantly and I’m relieved he can’t see my face. “O-oh. I’m sorry if I was bothering you.”

“Not bothering me. I am trying to be respectful and you’re making it…difficult.”

“Who says you need to be respectful?”

His fingers dig in tighter and I inhale sharply, the sensation going straight between my legs. He presses himself closer to me, which heats me up more. He stays like that for several moments, his breaths fanning out over the side of my neck. But then he pulls away and sits up, my back feeling cold with his absence. 

“No. I cannot ask that of you.”

I sit up too, turning to face him. “You would not be taking advantage. I meant what I said - I am yours in whatever way you need me. I will follow you wherever you want me.”

His eyes find mine, deep and dark, as he contemplates my words. He opens his mouth to speak but then the tent flap opens and a man calls out that breakfast is ready. The General’s mouth slams shut and his expression changes. “Place it on the table.” The man complies and the tent flap closes again.

He gently places his hand over mine. “Come. Let’s eat.”

The Roman troops are impressive. 

That day, they pack up the entire camp and start the long trek towards our next destination, which is at least several days worth of traveling by land. And every night they build an entirely new camp that looks identical to the one they had outside of my city. It’s mind boggling.

Ever since our first night, The General tries harder to keep a respectful distance from me, not wanting me to feel pressured or obligated to do anything. He keeps me close though, always keeping an eye on me to make sure I’m safe. A week goes by and we’re in his tent, him pouring over maps and moving the little pieces and pins, me reading a book that he pulled from one of his chests. A soldier enters the tent with a tray of food and the General motions to his side table. The soldier leaves and I close my book, watching General Acacius for a few minutes, his brow furrowed in concentration as he stares at his board, a single curl falling forward onto his forehead. I quietly get up and cross the space to him, gently squeezing his arm. 

“Hey. Come eat.”

He blinks and looks down at me, heaving a big sigh. “You’re right. I need a break.” He follows me back to the table and sits, starting to eat some of the cooked meat the men had brought in. 

“Have you thought about what you want to do once we capture the next city?” He takes a bite out of the meat and watches me as he chews.

“Are you asking me to leave?”

He swallows, his Adam’s apple bobbing in his throat. Damn I want to lick it. “War is no place for a lady.”

“That’s not what I asked.”

He studies me for a moment. “You may do what you want. I told you you are free.”

“And I told you that I will follow you.”

“It’s dangerous.”

“You saved my life.”

“You do not wish to get married?”

I shrug. “I was married before. But I am not objecting to marrying again. To the right person.”

He takes another bite of meat and thoroughly chews it before speaking. “What happened to him? Your husband. You mentioned his passing before.”

I’m honestly surprised he hadn’t asked before. We had started having little talks at meals, but it wasn’t about anything heavy. 

“Remus was a kind man. He was the eldest son of the wealthiest merchant in our city. My father arranged our marriage to unite our houses. He was wealthy and had his own estate. We married and I moved in with him. I…suppose I loved him, in a content way. Like I said, Remus was kind, despite his hard exterior with his business dealings. He made sure I had everything I wanted. He had bought me Caius when he was just a foal. However, a few months after we were wed, he was called to the army. He left, proud to serve his people, despite his family begging him not to go. He never returned.” I take a sip from my mug, giving myself a moment to gather myself. “It was..hard, after he had passed. We had not really had a chance to have children. His family returned me to my family after a grieving period. I was allowed to keep Caius only because he had formed such a fierce attachment to me, along with some trinkets and clothes. Honestly, Remus would’ve been appalled at the way his family moved me from the estate. Anyway, I moved back in with my father and brother. A few years later, my father became ill and passed away, leaving me to my brother, Cato. He was abusive, verbally and physically. But I had nowhere to go. I dreamt every day that someone would come to take me away from him. But he always reminded me that no one would want someone who was used and old.” I shrug, taking another sip before meeting his eyes. “When I say you saved my life, I mean it. I am not simply in your debt. I want to be here.” He watches me for several moments, his jaw ticking as he fiddles with his mug. He sits up and leans forward, placing his large hand over mine.  

“I am sorry you had to endure all of that tragedy.”

“Thank you, General.”

“Marcus. Call me Marcus.”

My stomach flutters. “Marcus. Thank you.”

We’re back in the saddle the next day, me on Caius and him on his beautiful chestnut horse, Augustus. He has been softer with me since I told him my story, chatting and making jokes. He’s still respectful, never wanting to push a boundary. One that he set himself, I might add. Another camp goes up, this one built a little differently. There are more wood cabins instead of tents and Marcus explains that we may be here more than a night or two. We eventually settle into our bed, another mattress somehow never appearing for me. Not that I’m reminding anyone.

“We ride out in the morning. I want you to stay in this cabin, do you understand?”

“Y-yeah. Yes. Of course.”

He turns to me on his side, his eyes on me in the dimly lit space as I roll to look at him. He speaks quietly, but firm and I think I can make out worry in his eyes.

“I will have Caius ready and waiting for you outside. If you hear any soldiers, you take him and you ride. You run, do you understand me?”

“Yes, but what about you?”

“Don’t worry about me. You get to safety. That is your priority. Do you understand?”

“Yes, but-”

In an unexpected move, he reaches out and cups my cheek, his eyes on mine. “Promise me you’ll be safe.”

I place my hand over his. “I promise.”

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[forthegothicheroine]

I don't know if you do requests for the Great Detectives, but I'd love to see how you think the Great Detectives would handle the murder of King Hamlet of Denmark.

This is a GREAT one! The big question is whether they all talk to the ghost of the dead king; I think I'm going to have to take that on a case-by-case basis, with whatever feels right for any specific detective.

So, in a series I do sometimes, how would various great detectives solve the murder of King Hamlet...

Sherlock Holmes: Well, obviously ghosts don't exist, so jot that down. But in Holmes's experience, living humans often pretend to be ghosts (or even make dogs pretend to be ghosts!) so who could this be? The young prince Hamlet, who everybody says has gone mad? Holmes deduces that he isn't mad at all, and is in fact conducting psychological warfare against his hated uncle; while Holmes disapproves, he concludes that the boy is completely right about Claudius due to his knowledge of the play The Murder of Gonzago, as seen when he's upset about changes in a production. The Murder of Gonzago is a play which premiered in a town in Denmark known for its manufacturing of poisons for pest control!

Hercule Poirot: Poirot is quite sad to hear that the monarch who invited him as a celebrity guest has died; why does this always have to happen when he goes on vacation? Polonius spies on the guy to see what he's up to, but Poirot is much better at snooping on people than he is, and nobody can keep anything hidden for very long. He gives a summation where he reveals Claudius killed his brother. Prince Hamlet immediately goes to attack his uncle and they struggle over a sword. King Claudius falls dead and Poirot bows out, because determining whether Hamlet should suffer consequences or just become king is not his department.

Sam and Peter: Hear me out- if we bump Hamlet down from ambiguously college-aged to ambiguously high school aged, we can replace Rosencrantz and Guildenstern. These two nerdy kids are shipped in to cheer their friend (more like acquaintance) Hamlet up, and to his surprise, they respond to his depressing monologues by taking notes and asking for further details on why the world is so corrupt. Hamlet isn't so happy about them doing an investigation into "What is up with Hamlet's super hot mom?" but when they suggest interviewing Claudius to see if he has the face of a liar, he enlists them to help out with putting on The Murder of Gonzago. The rest of the play mostly goes the same, but they find the letter Claudius planted on them and show it to Hamlet. One of the last lines of the play is when Fortinbras is looking at everyone lying dead, but then Osric points out "Sam and Peter are alive!"

Phryne Fisher: Phryne is a dubious (if genteel) woman Laertes has taken up with, whom Polonius is doing everything in his power to drive away. Phryne doesn't care, but it does bring her attention to the fact that the man is apparently constantly spying on everyone in the castle. On whose behalf is he doing this? King Claudius? Is he afraid someone may assassinate him because of his brother's suspicious death? What was the official story about that, anyway? She exchanges sexy insults with Prince Hamlet, refusing to be cowed, and ultimately agrees to play the queen in his production of The Murder of Gonzago (where she gets a little too into the love scene.) When she turns and looks directly in Claudius's eye in the audience during a crucial line, she can see the answer to everything. Claudius tries to convince Laertes to kill her, saying she corrupted Ophelia into being a whore for a mad prince, but Laertes can't go through with it and kills Claudius instead.

Dale Cooper: King Hamlet's ghost tells him who killed him in a dream, but Cooper doesn't remember. He befriends Horatio and tells him that in order to understand the death of the king, it is crucial for them to study an old Icelanic poem about a man who feigns madness, because the answer to the mystery lies somewhere within. Horatio doesn't totally get it, but he figures Cooper must know what he's doing and goes along with it. When everyone is gathered to watch a production of The Murder of Gonzago, Cooper first steps up onto the stage, guided by a spirit in the form of a snake wearing a crown, to announce that King Claudius killed his brother. Prince Hamlet immediately stabs his uncle. Determining whether Hamlet should suffer consequences or just become king is not Cooper's department.

Philip Marlowe: All I know is, most of this mystery involves him getting thrown off the palace grounds repeatedly and being told that a bum like him better keep away from King Claudius if he knows what's good for him. If he ever gets out of Denmark alive, Marlowe thinks to himself, he's never leaving LA during the winter ever again.

Sam Vimes: Vimes can actually interview the ghost, but that doesn't mean the case is closed. He's not worried about the ghost actually being a deceitful fiend, he just thinks there's a possibility he's wrong. After all, if Vimes was poisoned and his ghost found out some creepy relative immediately married his wife and took his job, he would also jump to conclusions! He spends a lot of time yelling at royal people and getting threatened with execution (Vimes doesn't know how his job ended up involving so many clashes with royalty, but so it goes), and is disrespectful of religion enough to spy on Claudius while he's having his remorseful confession. He can't arrest him, but he spreads the word around, and as the royal court dissolves into backstabbing and finger-pointing, Vetinari walks in with a full retinue (and more importantly, a list of all the debts Denmark owes to Ankh-Morpork) to evaluate the situation and congratulate Claudius on his "excellent decision" to abdicate. Claudius later dies of a totally natural snake bite in his ear.

Columbo:

Your Majesty, King Claudius, forgive My clumsy common nature. I am not A noble gentleman, nor do I live With such great honor as yourself- a thought, However, troubles me this night. For how Should some strange serpent come to bite a king? And why within his ear? It puzzles! Now, I beg that I may ask just one more thing…

[rootspiral]

Agatha All Along deep dive: episode 5 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2])

I was so looking forward to brighten this particular scene, it's the darkest yet and it's such a beautiful one it's a pity to miss even one detail

oh no lilia stop being so cute????

have you ever seen jen with a bigger smile? and she's quiet as usual, it's almost like more than the ride she's enjoying how much fun her friends are having. especially lilia, those two have been forming a bond that is equal parts bickering and a growing respect

I'm just glad alice had this moment of pure unadulterated joy before it came all crashing down

agatha is very, very quiet. despite never letting herself feel anything freely, she takes a moment to close her eyes and enjoy the beauty of it all

she looks back at rio, so sensual and confident

how can kathryn hahn convey so much with so little time? her breath catches at her sight. and then worry and fear take hold and she gives the tiniest shake of her head, as if she's forbidding herself to entertain any kind of thought about rio. she looks away. the blood moon behind her spells disaster

meanwhile billy is that kid who has the time of his life hanging out with the teachers during a field trip

I want to personally thank aubrey plaza for every acting choice she made as rio, but ESPECIALLY for this witchy laugh

(I just brightened the salem seven witch vomiting bees and it's actually pretty impressive! but I don't want to trigger any insect haters around here) (I love insects though so please talk to me about spiders if you want)

they couldn't get a good look at the cabin before rushing in and I couldn't either until now, do we know if it's something from Agatha's past? did she use to live there?

I'm salty that alice had to die in these stupid clothes

So. I think this trial is the most fucked up and humiliating yet. Billy knew nothing about jen except superficial facts, so he put her in a scenario that matched her work aesthetic, more of a personal insult than a wake up call (compare it with the broom lilia just made for her: roots and flowers, something that speaks about jen's work, beliefs and traditions.)

Alice's trial was entirely based on lorna, we know billy is a big fan so he ran with that concept creating something that really shook alice, and not in a good way. she was forced to sit in her dead mom's house and wear her clothes for god's sake. she took it as the Road wanting to teach her a lesson, when it was just a teenager with the grace and subtlety of a newborn puppy.

Now, agatha. billy doesn't know a thing about her because she's private to the point of paranoia. he has gathered that there's something in her past about a dead child and that's probably what makes her grumpy, so he... tried to make her talk to nicky. with a fuking oujia board. Despite having had his share of shock and trauma billy inevitably has a kid's point of view re: death, and even more so because he's functionally immortal. death is something that happens to other people, or far far away in the future. he thinks he's giving agatha much needed therapy, when he actually put a grown woman in child's clothes and made her relive her traumas for everyone to see.

btw I'm not in any way saying that the trials are bad writing. they are brilliant writing. they're just tragic and fucked up behind the funny exterior, just like agatha herself. sorry for the rant.

I mean I wouldn't be opposed to that. we could put billy back in a closet for a little while and get down and dirty with it. and ooh there's a little leaf on rio's shirt, I hadn't noticed it!

jen's retainer always SENDS me

agatha's face when she realizes it's her trial

agatha is irrevocably, eternally linked with death in all its forms

looks like rio is playing along and setting the scene, but she's also doing something more subtle that only agatha understands: she's provoking her, and it's becoming more personal and hurtful. she's testing and punishing more than she used to. she is growing angrier.

agatha wants to tell rio to fuck off but knows she deserves it. agatha is NOT happy to be in this trial for reasons that go beyond what everyone present (except rio) assumes, but she'll bite the inside of her cheeks until they bleed before she shows any of it

the way he says it with a straight face too (again, NO PUN INTENDED. forgive me joe, I would never)

oh great alice has only thirty minutes to live

everyone looks worried and on their guard, rio has her whole knife out, playing along. agatha is STILL trying to look cool and casual, it's painful to watch. girl is panicking, hard

meanwhile billy is always bringing a whole different energy, he's playing and having fun! think back to the second episode when they met lilia and then jen and alice for the first time. billy had no clue about the tension, the fear and hate between them and agatha. right now he's still more excited than scared. he's about to have a rude awakening.

do not taunt the spirits, AGATHA.

lmaooo. this motherfucker.

another moment when billy sounds chillingly cruel. being jigsaw without realizing it

I'm not pointing it out every time but whenever agatha does this with her arms she's really, really really nervous

what does agatha do when she's scared or overwhelmed? she puts on a show. like clockwork. and rio has already guessed what's about to happen

I really want to continue this so there will be more later today, stay tuned!

go to episode 5 part 3

[shadyr4m]

REWATCHING SEASON 2 EPISODE 7 OF ARCANE

+ some of my highlights and notable moments that I enjoyed bc people can’t understand media anymore

This is mostly an infodump of stuff I can fit into a twitter thread/didn't rly want to make into a thread. I'm not great at words so I apologize in advance, I am sure there are many people much better at analysis than I.

I want to start off by saying I am heavily invested in timebomb so this is very much going to be a ship analysis. If you're looking for someone unbiased i am very much not the person for that 😭

FIRST OFF:

The disc on the music box is adorable!!! It features au Powder (who I am going to refer to as just Powder for the duration of my analysis) and au Ekko

Compared to the normal Disc

This is very obviously because it takes place in a different universe, one without Vi or "Jinx".

The first scene starts off with AU Ekko writing in his notebook. (Cute mention is Powder's doodle in his notebook!!) Then we see flashes of the wild rune. This is when AU Ekko switches to canon Ekko.

Also one of my favorite silly images from this episode is this one.. Powder is being so adorable and Ekko is just scared out of his MIND. it's so silly.

In the Last drop, Powder asks Ekko. "What is up with you? You've been out of it all day?". One thing I noticed in my rewatch is that i think Powder is aware this Ekko isn't HER Ekko. This is just one instance of many that makes me think this.

This hideout seems so much more vibrant and loved, similar to Jinx's hideout after Isha. It's colorful. There are guard rails that I like to think was pushed by Vander. We can see Ekko's art scattered around. It just shows how much more support and family Powder has compared to Jinx, which i mention a lot.

Id also like to note Ekko being shocked au him went to powder for help. In his mind at this time he believes Jinx to be all that is left, no more Powder. Through out the episode we see that change.

Notice how Powder gets upset at Ekko in this scene. However, she doesn't react explosively like Jinx would've. She handled it in a way that shows she had support. She told him to leave instead. Again, the main difference between Powder and Jinx isn't only Vi but also the existence of multiple support systems that Jinx simply didn't have.

THIS FLASHBACK! Oh my god this flashback. The fact it happened after he upset Powder? I think it shows just how much he truly cares about Jinx/Powder. He remembers VIVIDLY the day that he thought he killed her. Jinx was his childhood best friend, and I don't think that kind of feeling ever truly goes away. He doesn't want to hurt any version of her, not even the alternate universe her. We see that showcased more later on. Also, random probably insane note. He is interrupted by small children playing, having fun. This isn't a coincidence, it shows he does miss the moments from when they were kids.

While talking with Heimerdinger, we see Ekko look at Powder multiple times. Watching her laugh and be expressive, he smiles. When she doesn't return it we see him get upset. Once more this brings me to my point that he doesn't want to hurt her. Considering he hasn't known this Powder very long you can see where I gather my point that he doesn't want to hurt her in GENERAL. Any version of her.

THIS SCENE!! He is such a bad liar it's adorable. This brings me to my earlier point, Powder knows what's up!! She suspects something 100%. He is talking about this dream her like it was real.

"You aren't the kind of person who helps other people with their projects. Your ideas change the world. I can't shake the feeling that that's who you're supposed to be."

Are you LISTENING TO THIS? He is obviously talking about Jinx. You can tell this by the first sentence because obviously Powder IS that kind of person. He's starting to see that Jinx is just a part of Powder, one that is unavoidable and that he unknowingly appreciates in a sense. Like two sides of one coin he can't see Powder without Jinx and that is good. I think it is here he realizes truly just how much he cares about Jinx.

This whole montage is beautiful but I want to zero in on two things. Powder's reaction to the notebook and how she looks at Ekko after. NOW THIS. This is the nail in the coffin for her. She knows that this is not her Ekko. She has fully gathered that he isn't from this universe.

Also heimerdinger totally knows how Ekko feels you cannot tell me otherwise. Pushing him to go to the party? yeah he knows what you are.

THIS WHOLE SCENE. I AM NOT ANALYZING THE WHOLE THING HERE BUT IT IS GORGEOUS. I saw someone talking about how it was animated on 4's to signify the way Ekko can only go back 4 seconds and I honestly shed a tear. THE SONG TOO? I encourage everyone to look at the lyrics because they're beautiful.

Okay now for my favorite part of this episode so much to dissect and i'm totally going to mansplain but yk..

"I used to dream the undercity could be like this" — That sets the tone for the whole conversation and just what world he is talking about. The canon one.

"But somewhere, I got consumed by all the ways it wasn't. I gave up on it. Gave up on YOU." — Heavy emphasis on this line. Once more he is talking about Jinx. He is talking about how he got so consumed by the way that Jinx wasn't good, and he gave up on her. Believed she was irredeemable. Powder showed him that Jinx is capable of love and happiness, it's just under that tough protective shell. The undercity in the metaphor is Jinx, from my interpretation.

"I promise i'll never forget this." — Now time for my insanity. He doesn't forget this. That's why he saves Jinx from ending her life in the first place. He remembers Powder and knows that with the right support Jinx doesn't have to be the way she is. It's not that she "needs to be fixed" she just needs to be LOVED, like Powder. He sees that now. He sees how in the au the love that everyone shares for one another shaped the undercity beautifully, and made everyone in it much healthier mentally despite going through hardships. That is beautiful. People with mental illness are not unlovable they just need more support, it can't be cured, or fixed just healed. Mental illness is always there it is how you DEAL with it that matters.

Nothing too major to talk about with the kiss. It's sweet I love it, but nothing too notable for me to say about it.

Finally, Ekko leaves the au. I have seen people say that this is a sacrifice, he could've had everything he wanted and he gave it up to save the people at home. But i take insanity to another level. I see this as him appreciating his home. He knows he can never truly love this Powder because she isn't the version he fell in love with. He learned to appreciate Jinx even through her flaws, and that while this world has everything he could want and more he can have that home too.

I am experiencing HEAVY timebomb brainrot if you can’t already tell. I was tired of people taking things in the complete wrong way with this episode, if anyone has different views pls tell me I love hearing how other people took certain scenes. there are a few scenes I love but I would’ve made this post way too long..

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[mybworlds]

Fathoms below

Pairing: Marcus Acacius x f!reader

Warnings: use of you, you’re a mermaid, I won't give any details except for nice long legs and very long hair, nudity, violence (a little?), use of both pov. If I missed smt please let me know.

Summary: Marcus Acacius is a fighter and a conqueror, he's returning to Rome when a mysterious girl saves him from a shipwreck.

Masterlist

A/N New story, new (?) characters, I hope you like it as much as I do and if you don't like it, please be merciful. Likes, comments and reblogs are not mandatory, but very appreciated! ❤️ Have you seen Gladiator II? What do you think? I'm quite disappointed, if you want we can talk about it in a separate post.

follow @mybworlds and turn on notifications to get notified when I post new fics

Taglist @harriedandharassed; @orcasoul; @blazeflays; @ijustlovemensm; @duck-duck-goose2

Thx for the dividers @saradika-graphics.

His whole life has been on a battlefield. His skin is now dark from all the dust soaked in sweat and spilled blood, his skin burned under the scorching sun. His hair a mass perpetually disheveled by the wind, by the many battles won over the years.

Marcus Acacius is the general of the Roman army, the most intelligent, the most ruthless. His hands are now a perpetual red, too many lives had been taken by his sword, no matter how many baths he takes and the considerable amount of perfumes and oils used, the battle is a part of him.

The battles faced in Numidia and Egypt had contributed to the extension of the glory and power of Rome. Acacius, after his last victory, is ordered to return to Rome where he would be celebrated and would have the great honor of becoming one of the most important men in Rome.

What the emperors order, the general performs. No matter how brutal or inhumane it is, he obeys. He doesn't always love what he does, sometimes it is senseless. But in Rome he could never say no, no one can.

Once, at the end of one of his many military campaigns, Acacius is on the coast of Sicily with his men — the province of Sicily was the first to be created and an important land of meetings and trade for the glory of Rome. He has just finished yet another campaign and cannot help but think of how many men have been killed at the whim of two mad emperors.

Acacius only follows orders, but he can't take it anymore. He fights, he kills, sometimes he takes prisoners if that's what he's ordered to do, sometimes not. He doesn't care about glory or having statues dedicated to him, he just wants some peace for himself and his life. He’d like to live peacefully at least for a while, “General!” one of his subordinates calls him back to reality “We are ready for interrogation.” he sighs before joining his men.

That day, the General has to interrogate one of the prisoners to find out if they’re plotting against the empire, the man's face is desperate. Acacius, even if he doesn't fully understand their language, can clearly see the fear in the man's eyes. He speaks and asks what they are organizing against Rome, but the only words are "mercy, I know nothing", he looks at him and the more he looks at him the more he feels disgusted by all this. At yet another futile attempt to learn something from him, his subordinate kills him.

Acacius looks at him shocked and completely incredulous, “He wouldn't have said anything anyway.” the other justifies his action.

He’s about to reply when a noise catches his attention and then two frightened eyes catch him, then he sees you fleeing. Your gait is awkward almost as if you’re in some kind of pain.

Without raising the alarm of an intruder in the camp, he walks away from the scene of the murder and starts following you into the woods with his trusty dagger still in his hand. He knows, in fact, that you could be a bait and that you could be used to lure him away from his men.

“Stop.” he shouts at you “Don’t run away!” he adds.

You stop and look at him, your gaze still terrified as if you’ve a monster before you. Marcus Acacius has long seen himself as a dog faithful to his masters, always ready to obey no matter what, even if his actions were monstrous enough to make him feel like a monster.

He looks around for the presence of other men who were lurking around there ready to attack him, but the nature around them doesn’t suggest the presence of other people except them.

Your gaze is still terrified, however you don’t stop looking into Acacius' eyes, feeling as if he’s being scrutinized in the depths of his tormented soul.

Then a completely unexpected gesture, you touch his face. Your skin is cold as sea water, “You’re freezing, are you okay?” he asks you, jumping at the unexpected cold on that hot summer day.

You look at him confused, “Where are you from?” he asks you curiously.

But your look is confused, “You don't understand me, do you? ¿De dónde es? Waar kom jy vandaan?” Acacius tries to establish contact with you, but with the result that you shake your head and look at him, both surprised and curious at the same time.

He puts away his dagger and raises his hands in surrender, “Sorry, if I scared you,” he tells you.

Oh, if his subordinates had heard that, they would have called him a wimp!

There’s something about you, something terribly beautiful and terrifying at the same time. Your beauty is unmatched and yet the General had met all sorts of women, but none as beautiful as you are.

Then, you both look at each other for a long, silent look before you start caressing his face with both hands, who knows if you want to tell him something and he doesn’t understand what you want to tell him!

Acacius finds himself closing his eyes in a moment of total abandon, something he had never allowed himself to do before. Because of his role, he could never let his guard down, he always have to be vigilant and wary, but at that moment he doesn’t even know why he feels so captivated by you, a mysterious girl.

Your touch is so gentle it almost sends shivers down his spine and for a moment he feels like he's in the right place at the right time where no war or duty calls him back to his place, he feels an absolute peace even if it lasts until you move your hands away and he opens his eyes again.

Your eyes are a mixture of confusion, fear, curiosity and beauty. Acacius wants to do the same thing you did with him, but then he thinks that maybe you would have been afraid and you would have run away.

“What’s your name?” he asks again, hoping that your name comes out of your lips, the name of a girl who seems to have hypnotized him.

You look at him again, opening your lips slightly as if to speak to him, but no sound comes out of your mouth.

Are you mute?

His expression softens and a faint smile curves his lips. You imitate his expression, “I have to go now.” he tells you slowly in the hope that you could understand and taking a step back.

Oh, how much he’d have given to stay and not have to return to Rome, he knows what awaits him!

You too move away from him, lowering your gaze for a moment and then looking up again.

After a last silent glance, everyone goes their own way. Who knows if you live there!

The next day, Marcus, much to his embarrassment, was gifted a new marble statue as a result of his latest conquest for the Empire. It’s beautiful and the sculptor seems to know him very well since he managed to depict in detail every single wrinkle and war scar. He thanks the man, but deep down he doesn't feel comfortable taking that gift with him, but he can't refuse it either as it would mean offending the sculptor.

A few weeks later, he's on the ship headed to Rome. Acacius had thought about you several times, but without finding you, and yet there aren’t many villages in the surrounding area and he finds himself very disappointed at not being able to at least say goodbye to you before returning to his home. The General is near the bow of the ship, reading important documents in which his last enterprise is documented, when there’s a strange splashing sound that takes his focus off from the papyrus. Marcus looks up from his papers and walks over to the railing. Nothing special except some ripples and probably a few dolphins here and there.

The Sun dips into the waters of the Mediterranean Sea, when the man goes to sleep. Despite his tiredness, he can't sleep because on the one hand he’s happy to return home and live his city again, but on the other he knows that with this his latest victory, the emperors will force him to marry some domina. And Marcus knows that, although he's a man and enjoys certain freedoms, in the end he will have to give in and marry so as to contribute to the birth of other powerful men who will contribute to the glory of Rome.

The man must have fallen asleep because suddenly he feels a jolt to the ship, he gets up with difficulty staggering from one side to the other. The sea is definitely stormy. When he leaves his quarters, his men are screaming for mercy from the god Neptune. The waves reach the deck, wetting everything and everyone, and the ship rocks more and more violently.

“General, we’re lost!” someone shouts “We’re still too far from Rome and we can’t even go back! This will be our tomb.”

Although he wants to encourage his men, the situation is truly desperate. The waves are crashing onto the deck with great violence, wetting everyone, and the sky is torn by flashes of lightning. Then, everything changes for the worse in a few moments, a lightning struck the mainmast which breaks and catch fire. Some men throw themselves into the sea in desperation, others remain clinging everywhere could. General Acacius is hit in the head by bow mast and ends up in the water.

The man doesn’t even know how he doesn’t faint after receiving that strong blow to the head and tries to surface despite the high waves, but his clothes and the fury of the sea don’t help him at all. He begins to drink saltwater and drown in the depths of the sea, when something seems to grab him and drag him away. The man faints.

When Marcus regains consciousness, he feels the gravel and the sand of the coast beneath him. He opens his eyes, barely raising his head, he feels overwhelmed and confused, when he sees a girl — that same girl, you — next to him, he's about to say something, but you place a finger on his lips, your skin is soft and cold as he remembered it, you look at him with a pleading and worried look, you smile at him as if you are happy to know he’s safe and after looking into his eyes again as if to make sure he's okay, Marcus watches you go away and disappear into the waves. A few moments later a fishtail appears where you disappeared.

It can't be!

No one can understand how much you love the world above the surface, the sun, the wind, you love every sound that comes from it.

You are a mermaid, but you want so much to live up there.

You are looking out more and more often, running the risk of being seen by humans. According to your father, they are the worst creatures in the world, always hostile and destructive to each other and to you. But not according to your aunt, Mira, she loves humans and in fact she encourages you to go up and explore the terrestrial world.

When you were still a baby, you went up to the surface with her. It was your first time and you loved every moment, at least until a galley almost saw you and this led to a furious argument between the two brothers which then led to Mira exile.

From that day on, your father prevented you not only from seeing her, but also from imitating her. You should never have come to the surface again.

You obeyed, at least until the renewed curiosity towards the surface and humans came back forcefully to make its way inside you and since then you’ve started secretly collecting everything related to the human world, they are so beautiful, they do so many wonderful things and they write so much. One day you’ll learn to read in their language, maybe you can ask your aunt Mira for help, she knows a lot of things.

You mostly come up to the surface in the evening or at night, this is because it's the safest moment not only because your father isn't around, but also because you are less likely to be seen by humans.

And that evening is no exception even though there is a strong wind and the currents are quite strong even down there in your world. It's one of those days, that humans call summer, the first time you see him.

In the evening you like to watch what your aunt explained to you is called Moon reflected in the waters of the Mediterranean Sea. The water becomes so bright on the surface that creates a strange play of light. That summer evening, you surface cautiously and very carefully, looking left and right, you come out of the water. Your beautiful fish tail gradually disappears as you surface and is replaced by nice long legs.

Your aunt had explained to you that this magic happens for you mermaids. You can go up to the surface, but you can't stay there for long. Magic always comes with a price, she told you. In fact, if it was possible to have legs, then you would also feel great pain in having them.

Effectively, your legs always hurt a little and it's not always pleasant to walk on them, but walking on the ground makes up for that pain. You immediately notice a small group of men at a certain distance, they seem to be soldiers from the way they are dressed. Your aunt Mira told you everything about them, even though she always warned you not to get close to them because it's too dangerous. Watch them from afar, but never get close to them, these were your aunt's words. But you want to touch them, see them, talk to them. It can't be that they are just murderers like your daddy says.

Your father told you that humans are always fighting among themselves, always ready to kill each other, to hurt each other, to prevail over each other and he once told you about a large group of humans wandering around from one corner of the sea to the other who does nothing but crave power and claim their dominion over that territory. Mira told you that when they don't live in their beautiful houses, they move from one place to another and use tents to sleep and several tents together form a camp.

Oh, it must be wonderful to move on ships or living in beautiful houses like the ones you've seen in the books you keep in a little nook away from everything and everyone!

You see many tents in the distance, so you know that further ahead there are many humans around. You look around you cautiously, close your eyes and strain your ears: there are some who speak of something and others who say something else, someone silence someone else and others are making strange thudding noises.

You open your eyes and step out of the water completely. After a few steps you turn toward the sea and see your home from the human perspective: a mass of dark water tossed by the wind. You turn around and look for something to cover yourself, you are completely naked and you aren’t sure if humans go around like that.

After getting dressed, you move silently and approach those voices that are gradually becoming louder and louder.

Then, you see him: a man with a grim and sharp look, his eyes are dark and he looks at the man at his feet with a serious expression. The kneeling man is shaking and says something you don’t understand, but the man in front of him continue to stare at him coldly, then someone behind the man with the cold gaze, approaches with something in his hands that has every appearance of being something dangerous. In a few seconds something happens that you never thought you'd see: the third man with that stuff in his hands, quickly approaches the kneeling man and hit him with that same item he has in his hands. The man falls on his side almost screaming, you open your eyes wide, amazed and scared at the same time by the speed of the gesture and by that dull scream emitted by the man on the ground who doesn’t move anymore.

You look at the cold-eyed man and the third man, the first one has an annoyed tone of voice towards the other one who in turn answers with great speed. Who knows what they are saying to each other!

Then, you look back at the man on the ground and only then you notice what what appears to be blood. You’ve seen enough, it's time to go back. But as you step back, you step on something that catch the eye of the cold-looking man who turns his head in your direction. Your eyes meet for the first time and you feel a strange sensation that make you run away quickly in the same direction you’ve taken to reach that field.

You can't run as your legs still hurt too much. A burning disappointment spread in your chest, maybe your father is right about humans and your aunt is wrong. You’ve almost reached the beach, when you hear the same voice behind you. His voice isn’t cold this time, he seems surprised. You don’t understand what he's telling you, it's the first time you hear a human speak. It's a strange language theirs, but for some reason, even though you don’t understand anything he's saying, you turn around towards him and his dark eyes almost freeze you in place as if he has cast a spell on you.

His voice don’t seem to be threatening at that moment, yet you see and hear how he addressed the others, who is the man in front of you? You press yourself against a tree behind you with a frightened look. You see him put away what he has in his hands and lift them up as if to reassure you, he speaks to you, his tone of voice is calm. It gives you the shivers. He starts to come towards you, approaching with a slow pace, you want to run away, but your legs don’t seem to respond to your desire to escape.

He's telling you something, his voice is warm and peaceful. Beautiful, almost musical. It reminds you of the echo that seashells produce on windy days. It's a nice sound, but it makes you shiver. He's now one step away from you, his eyes are so dark. His stained face has a strange color, his skin color is so unique.

You find yourself reaching out to his face, his first reaction is to pull away and you pull your hand away in fear of his response. Then, he seems to relax and you stretch out your hand again.

His skin is a little damaged and warm to the touch, tingling where his beard is, you graze the outline of his lips and face with your fingertips, then follow the line of a scar under his eye as if to memorize every detail of him. Humans are so beautiful, so fascinating. You want to tell him he's beautiful, but you don’t know how.

Then, something inexplicable happens: by touching him you can feel and see what he saw, he really saw so much. How much blood he shed and how many people he saw, how many he argued with, talked with, you can even sense his deep torment, you feel even more curious about him now!

You look him straight in the eyes for a long time and he looks back at you in silence. For a moment the air seems to hang between you two, then you wake up from that spell and withdrew your hands.

He speaks to you so sweetly that you almost have trouble associating him with that man with the cold, authoritative look from earlier and the bloody memories you somehow saw. His eyes have a hint of sadness that contradicts his fury in battle.

Maybe he’s not happy doing what he does!

You'd like to tell him that he's beautiful and at the same time how beautiful and complicated human nature is, but you don't know how to tell him. You wish you could talk to him, understand him.

Then, he talks to you again, walking away from you and you realize he's leaving. You didn't want him to leave, but you can't force him and then now more than ever you want to know everything about humans, their culture, how they live, but above all you want to know what he will do, where he will go.

You do the same thing without ever leaving those dark eyes that in the light seem to be the color of the sandy bottoms of your home.

When you are sure he’s gone, you slowly reach the shoreline. You turn in the direction you came from and think back to that human, Marcus Acacius. You were very struck by how he hides his torment behind that almost cold and authoritarian mask. He’s such a fascinating creature.

You smile as you think back to what the human — Marcus — has seen and done, oh how you wish you could see some of the many things he sees, experience them with him. It would be incredibly fascinating.

You stay there for a while, then when the wind ripples the surface of the sea, you understand it's time to go. You place the soles of your feet in the water and at that moment a sensation of trembling mixed with cold spreads inside you, a sharp, painful sensation jolts you and runs through your legs, then gives way to an almost giving way feeling in your legs. You end up falling forward and at that moment you no longer feel your nice long legs, but your tail again. You drag yourself through the water until your tail is completely submerged and you can dive back into the depths of the sea.

Oh, you want to talk to your aunt Mira, you want to ask her if she knows of a way to get you to stay on the surface longer.

In the days that follow, you often return to the surface, barely peeking out of the water just to see him, you often see him on the beach, sometimes you see him sharpening what you’ve learned to be a dagger, you see him take off his armor and remain on more than one occasion with only a gray tunic and thoughtfully observe the horizon. He looks sad, thoughtful. You wish you could see again what is bothering him so much, you wish you could help him.

You still haven't found the courage to go to your aunt and ask for what's closest to your heart: to become part of his world. You hope your aunt can help you, she knows a lot of things.

Every day now when the sun goes down, you come up to the surface just to see him. One day you see him sitting on a rock a few meters from the shore, you hide because you don't know how to explain to him of your fishtail, he probably wouldn't understand. You see him wearing a wet shirt completely adhered to his body, he’s all intent on washing his hands and arms, they are dirty with what appears to be mud. His hair is wet and his curls are matted and dripping with water, one curl falls untidily on his forehead. His features in the light of the sunset seem to be even more masculine and incredibly beautiful.

You reach out a hand towards his face even if from afar as if you wanted to caress him and at that moment a light wind rises and the man's hair is as if shaken by a tender breeze that leads him to look up towards the horizon and you to hide behind a rocky ridge.

Oh, Marcus..

“I'll find you,” you hear him whisper. It’s one of the first sentences you understand in the human language. In fact, in these days listening to them you have learned a lot and now you are starting to understand something too. You hope he's talking about you, though of course you're not sure.

Days go by and coming to the surface and being with him, even if at a considerable distance, has become a nice habit. You don't even care if your father sees you or not, you go to him. Unfortunately, a galley appears near the coast of the island and you understand that they have come to take the man away from there. Who knows where they're going... maybe if you followed them a little...

You don't regret following him, even if you go really far away from your home, but you don't care at all. You follow the ship at a distance fearing that someone might see you. You’ve been following him for almost three days and you often see him there on the deck. He often stands there staring at the horizon with a thoughtful expression, who knows what he's thinking about.

One day the sky is almost as black as the night sky, the clouds are so dark that they scare you and you are so afraid for him. The wind is so strong and the waves are getting so high that even swimming is difficult for you.

Then, everything changes in an instant. A bolt of lightning strikes the trunk of the ship, which breaks in two and hits Marcus who was not too far from the rail and falls overboard. You rush towards it, the water is so dark that for a moment you can't see anything.

A few moments later a noise reverberates in the sea waters and you see the ship sinking, it’s a disturbing sight. You move with difficulty through the waves, you see many objects that were surely on board end up down, then you see him.

You see him unconscious, whirling in the waves and ending up under. You swim as fast as you can and reach him, grabbing him and making him resurface.

“I’ll save you, don’t be afraid.” You tell him reassuringly, he opens his eyes for a moment and then closes them immediately and abandons himself on you.

You can't quantify the time that passes until you reach dry land. Without thinking that anyone might see the scene, you drag Marcus, still unconscious, to the shore.

You start to feel pain in your fish tail which is a sign that your tail has started to change and turning into legs, but it doesn’t matter now. You drag Marcus until he's almost completely out of the water, his hair is wet and full of sand and gravel, “Please, open your eyes,” you beg him, moving a wet curl that fell on his wet forehead. You look at him and notice his torn robe on his arm, there's a bloody cut and you immediately peel a scale off your tail to heal him.

“You are beautiful, Marcus,” you murmur, looking with a rapt air at his face, so beautiful that it reminds you of the one depicted in a book you have at the bottom of the sea. You caress his face, his burning lips, but this time you can't see anything, perhaps because he is unconscious. You put your head on his chest and you feel him breathing fortunately. Only now you give yourself a moment to relax and smile happily that he’s safe.

A few moments later when he starts to wake up, you lift your head from his chest and at that moment he opens his eyes. He has beautiful eyes, you can't help but smile at him, you murmur "You’ll be fine now, you’re safe.” You quickly let go of him when you hear a chatter approaching.

You leave him so quickly that you don't think he could have seen who you really are.When you are far enough away, you turn around and see him surrounded by a small group of people who have reached him and helped him, "Now you are safe." you repeat to yourself, casting one last glance towards him who never stops looking towards the sea.

You smile one last time before diving back in the bottomless blue of the sea and reaching your home again, but with the promise that you’ll soon return and see him again.

[profundcherrylady]

SINGLE DAD!SAE ITOSHI

A/N: This isn't my usual content, but I was thinking about this scenario and I had huge baby fever so I couldn't NOT write it. I love Sae too much y'all. Also sorry for any spelling mistakes english ain't my first language.

Warnings: Mentions of death and grieving, Sae tries forcing his daughter to either eat her vegetables or go to school hungry (he doesn't go through with it)(this is a very brief scene but it could still be triggering to some people). STILL MOSTLY FLUFF I SWEAR.

Contents: Sae being a girl dad fr, y'all can't change my mind on this one, also Rin being an uncle. That's pretty much it. A little ooc (Rin mostly)

"Papaaaa" Mao complained, her voice echoing across the house and making Sae drop the dishes he was washing and walk across the house into her room to see what was going on... this time. Although he had a pretty good idea given her recent tantrums.

"Can't sleep?" he inquired, but he knew the answer as soon as she saw her curling up in her little bed and pouting, her doe teal eyes looking up to him as if to give him pity. "No, Mao, you cannot come sleep in my room."

"Why not?!"

"You've already been sleeping there all week... come on, you're a big girl, you can sleep on your own room."

"But I wanna be with you..." he sighed. It had seemed she had inherited his stubbornness, because sometimes it felt like there was just no way of making her change her mind when she was set on something. He leaned against the door a little, thinking about what to say that may change her mind.

"I know I was away for a while the last couple of weeks and I understand you missed me, but I can't have this conversation with you every single night."

"Why do you go away in the first place..."

"You know why, I have to for work." he countered, "And do not ask me why I can't bring you along, we've talked about this countless of times before. I don't go away for fun. If I bring you with me, you'll want to go everywhere with me and then you'll get fussy and mad because I'll be working all the time, or worse, you'll get bored to death in the hotel. Believe me, staying here is best for you when I go on business trips."

"But I just wanna be with you!!" his eye almost twitched in annoyance at the sight; he knew that tone of voice all too well. It was another tantrum coming his way, but still, he tried to remain calm for her sake.

"You're with me now."

"So can I sleep in your room?"

"No." then she threatened to start crying. He let out a low, defeated huff, holding back the urge to roll his eyes. She just wasn't giving up, was she? Pushing himself off the doorframe, he looked back at her before speaking. "Fine. Come on."

"This is the last time." he knew damn well that was a fat lie, but he still had to at least pretend to be firm. She would grow up to be a spoiled child otherwise, or at least that's what he was used to tell himself.

The little girl beamed, quickly jumping out of bed and running towards her father. She hopped with her arms up towards him asking to be carried, to which he complied. He wrapped his arms around her small frame and lifted her up, watching as she clung onto him as if he just came back from war or something. Could he really blame her, though? She had lost her mother and he was away all the time; it would be strange if she wasn't feeling lonely.

"Papa, sing me a song." Sae reconsidered his life decisions for a moment there, not gonna lie, but how could he honestly say no to those pleading eyes?

"Fine..." he sighed, his voice soft and low as he began humming whatever song he could think of on the top of his head. Still keeping a secure hold on her, Sae began rocking his daughter to further lure her to sleep. He held her with one arm so that he could close the door of her room, the soft click assuring him that everything was in order, and then started walking a few steps towards his.

By this point, little Mao was sound asleep on his arms, and he almost chuckled at the thought of his daughter refusing to sleep until she was with him. He carefully opened the door a few meters away and walked quitely to the bed, trying his best to not wake up the sleeping child on his arms, and set her down to rest. Once tucked in and comfortable, he let out a sigh of relief. Finally, the brat was asleep and he could be at peace. She could be so clingly and energetic sometimes... not that he cared that much, even though her restlessness was exhausting, it showed that she felt safe and loved enough to be her enthusiastic self around him without any regrets.

It was weird to him, like an unfamiliar sense of pride that surged at the sight of her young daughter bouncing around and playing endlessly. He would often look at her and think about how different her personality was from his, and how much it reminded him of her mother. Sae tried not to though, as he despised comparing his daughter to his late wife over and over again, but sometimes he just couldn't help it. From the way she smiled to the color of her hair... they were just so alike each other. He still kept all the memories from her close to his heart, which in a way made him feel guilty. Sae knew just how much his daughter yearned for a maternal figure; someone to talk to and educate her about girly stuff that he may not understand. He would watch her staring at the other kids with their moms and act like it really wasn't a big deal to avoid making him feel like he wasn't enough, but Sae knew better. It was obvious to him that his daughter absolutely adored him, and he was sure she thought he was enough, but he also knew that she missed having a mom. She missed her mom. He missed her mom too.

Normally he would avoid talking about it. It had been hard enough trying to explain to this small child that her mom wasn't coming home that night, or ever, let alone process his own grief at the loss of the only woman he once loved. If he cried, he had to do it when his daughter wasn't looking, because the last thing he needed to add to his worries was worrying his daughter to the point of avoiding everything that may set off a bad mood on him. It wasn't her fault, he just felt his heart break everytime he took her home and she pointed at a framed picture of her mom exclaiming 'Mama!' Or 'Hey mama', 'I'm back, mama', 'Miss you, mama'. He would hold back his tears and take a deep breath whenever she tried asking if she could visit her mom in the place she was at (as he initially had told her it was a place where she couldn't come back), having to explain carefully that she couldn't. She would get mad and ask why a bunch of times, but he didn't have the heart to tell her 'She's dead' straight up. He really tried to just give her an excuse like that she was sleeping forever or something, as if she was in the sleeping beauty, but then she just began asking if a true love kiss from him would wake her up. She was a child, after all, and she hadn't quite grassped the concept of death yet.

He let himself watch her sleep for a few moments, sinking in the stillness of the night. Taking care of a young child made this moments rare, and he treasured whatever rest he could get. He reached out to the nightstand and picked up the heater remote, pressing a couple of buttons to turn it on a bit; just enough to keep the room warm, as he knew nights at that time of the year could become fairly cold and he didn't want his daughter getting sick. And as expected, she got very evidently more comfortable as the room became warmer, falling into a deeper state of sleep. She had only carried her favorite bunny plushie from her room to hold onto and apparently that was all she needed to fall asleep. He plopped himself onto the bed as well and fell asleep almost instantly from the exhaustion of the day, not even caring about closing the door or the half-washed dishes he left on the sink or even the fact that he hadn't even changed his clothes. He was DONE for the day.

Although, the next day he most definitely regretted it.

He had to wake up early and finish cleaning all the mess his daughter had left throughout the day, plus now he had to make breakfast, wake her up and get her to school. Sae was a rather organized person and he would normally not find himself in this type of situation, but it seemed like ever since he became a father he was running short of time for everything no matter how much he tried to plan in advance.

"Morning." Sae greeted his still somewhat sleepy child as she yawned and climbed the chair infront of her to eat. "Slept well?"

"Mhm..." Mao mumbled, rubbing her eyes with one arm while she still clung to her favorite plushie with the other. He placed a plate on the table for her and then one for him, along with his usual morning coffee and the only damned brand of juice that she liked for some reason and that he had to drive for an hour to buy.

"Come on, eat. You have preschool today."

"Can't I skip? It's snowing so muuuuch." the kid dropped her head onto the table and sighed, clearly displeased about going to school.

"Apparently it's not snowing enough to cancel your classes. Now, please, eat."

He watched intently as his daughter took a close look at the food, pouting and feeling now rather down since she wasn't allowed to skip school. She took a couple of bites of her breakfast and she had a few sips of her juice, then she pushed her plate a little to indicate she was done.

"Thanks for the food." she was about to get off the table when she was interrupted by her father's stern voice.

"Not so fast. There is no way you're full with just that."

"Yeah I am..." such an obvious lie.

"Why aren't you eating? And I want the truth."

She pouted, AGAIN, before reluctantly giving an answer.

"It has green peppers on it..." and there you have it; this was the real challenge of Sae's day.

"I told you, they're good for you."

"But they're gross! Can I eat something else please?" this is Sae's life now. Even winning a soccer match was easier than getting his daughter to eat her vegetables.

"Mao, I spent a lot of time making breakfast for you, can you please finish your food? You still need to get ready to go to school. I don't have any time to make you more breakfeast; I have to go work."

"But... I really don't like them... please?" that was the last straw for him. He didn't mean to sound cruel, but he was tired and didn't know what else to say.

"Mao Itoshi, you're staying on this table until the last bite of food on your plate is GONE. If you don't, you'll go to school hungry and I'm not making you anything else after I pick you up. You are eating this one way or another." he almost instantly regretted the harsh tone of voice he had used, as he saw his kid's eyes begin watering. He passed his hands through his face in exasperation, took a deep breath, and walked around the table to pick her up. He exhaled, trying his best to remain calm before speaking to her again, as he could feel Mao's tears on his clothes and the little shudders she made at the effort to hold back tears. Sae patted and passed his fingers through his daughter's hair in a poor attempt to soothe her, but the damage was already done. She was holding thay bunny plush in her arms like a lifeline. "Sorry, okay? I didn't mean to be so hard on you. I woke up early to make your breakfast and you just took a few bites of it... I got frustrated, but that wasn't a reason to force you to eat something you don't like. I'm just saying, green peppers aren't the end of the world; they can be tasty."

"I guess I can eat them..." he sighed.

"No, you'll just be eating them out of guilt. You shouldn't do things you don't want to just because you're afraid of someone's bad mood." he thought for a moment. Mao eating the green peppers wasn't the ideal result now, she was hurt and vulnerable and that would only teach her that she should fear and comply which wouldn't end well on the long run... still, he did spend his time making her breakfast and didn't want it to go to waste. "Tell you what. I'll eat the green peppers for today, if you promise you'll at least try them next time, and I'll find another recipe to try to make them taste better. Sound good?" she nodded, still hiding her face from him by pressing it against his clothes. "Good. Now, I really don't have more time to make you more breakfast, so let's pick out the stuff you don't like just this once, and only this one time. I seriously need you to try to learn to eat your vegetables."

"...'kay."

"Let's hurry then; you still need to get ready for school."

Sae for sure was missing having some help on the raising of his daughter. He would never admit it though, he would try and pretend parenting was the easiest thing in the world when in reality he was fighting for his life everyday trying to shape this little human into a good person, and refraining from helping her while she failed at tying her shoe countless of times before admiting she didn't know how to do it (this is why he only buys her velcro).

He left the tiny sparkling pink shoes on the ground as he heard the doorbell, then looked at the clock hanging from the wall nearby. 8:14am, who in the world was it this early? Sae indicated his daughter to stay still on the couch before walking towards the door, and right after seeing the face on the other side he furrowed his eyebrows in surprise.

"Rin? What are you doing here?" his little brother then proceeded to push him aside and step inside as if it were his own house.

"Move, I didn't come here for you." his eyes traveled the room and eventually fell on the little girl sitting on the couch, and in a blink of an eye he had lifted the little girl up and hugged her tightly. Despite her surprise, she could obviously recognize her only favorite uncle.

To everyone's surprise, Rin absolutely adored his niece. Sure he had problems with his older brother but he didn't have to take it out on an innocent child that had done nothing to him. Besides, she was so adorable and bubbly and so NOT like Sae. Rin sometimes would stare at her in amazement, wondering how it was possible that this was truly Sae's spawn; yet the teal eyes and lower lashes were unmistakable. She was an Itoshi alright.

"Umclw Rwin!" her voice came out muffled, as she was currently being burried on his chest, but the sentiment was there.

"What are you doing here?" Sae was straight to the point, not caring about his cold tone of voice this time. And he says he doesn't have favorites.

"I just came back from my morning run." the younger Itoshi explained, still not looking at him in the eye. "Thought I'd stop by to say hello."

"To her."

"Yes, I didn't want to talk to your pathetic-"

"Language."

"Shut up."

"Don't hug her when you're still sweaty and gross, she just took a bath." he continued scolding Rin, earning a groan of frustration from him.

"Your dad is so annoying." his niece giggled at the obvious beef between his dad and uncle. She didn't really understand it but it was funny from her point of view. "Such lukewarm rules he has."

"Lukewarm!" she repeated.

"Rin, stop teaching her those words. Mao, say bye to your uncle; we have to get you to school."

"Awwwwww, can he come with?"

"Fine, whatever will get you to actually go to school. Rin, let's go."

"Don't boss me around." he complained, walking with his niece on his arms towards the door and setting her down. "Let's put on our shoes, shall we?" he took the shoes Sae had set down earlier and helped the kid put them on with ease. Of course, he had dealt with this countless of times before. Sae had the bad habit of using him as a free nanny for whenever he had to travel, which was often.

"Uncle Rin, how do you go running with all this snow? It's so cold!"

"When you run, you sweat and then it doesn't feel so cold." he finished tying the kid's shoelaces and took her by the hand, then Sae picked up a scarf wrapped it carefully around her neck.

"Don't take it off." he warned, watching as she began squirming to get away from the scratchy scarf. "It's cold out, I don't want you getting sick."

"Okay, papa." he gave her a quick kiss on the forehead before taking her free hand and not so subtly making Rin let go of her as he finally opened the front door. They were quickly hit by the cold winter air, and Mao shuddered a little at the sudden change in temperature.

Stil, Sae made sure his hand was holding hers tight and that she kept herself on his field of vision. There would be someday in the future where she wouldn't need him to hold her hand; he had to treasure these moments and not let her go while he still could.

[maddy-k-reads-all-day]

I don't trust Joanne at all.

I don't get why people use Joanne's words and motives as part of trying to figure out Amanda, Wooly, and Hameln.

Now let me clear this up now: I do not think Joanne is a bad person. She is willing to do anything to save her brother. And I think we need to understand that that anything is not within our best interests.

First off, I'm probably a bit biased considering I didn't trust Joanne from the very beginning. We meet this masked stranger who is somehow in our aunt's house. (Seriously, how did she get in there? Kate may have given her the keys but... why didn't she tell us about Joanne at all? If Joanne is helping Kate, shouldn't she have said that Joanne might help us too?)

I mean, I think it was a bad idea for Riley to just go into Joanne's car (and sleep in it no less) considering Joanne hadn't yet given us any real proof of her identity or even her name. Like Riley, stranger danger?!

Like if she had turned out to be someone from Hameln coming to kidnap Kate and/or Riley then this would've been really bad. I know she isn't, but at that point Joanne could've been anybody. And we just... went with her without question.

Then we break into the library with her. Like... even if she had Kate's keys she's not an employee there... so that's breaking and entering.

Then let's talk about Joanne's speech. Kate died because of her. Because she was willing to do anything to get her brother back... because she pushed Kate too far. Joanne admitted that this was mostly- if not all her fault. Now, I think she could be blaming herself a bit too much... it's probably not all her fault. But she also admitted that she used us. For her own gain. Not for Kate or our best interests.

But I think the interesting thing about this is that even though Joanne admits that she did all this... it doesn't stop her from doing it again.

In that Cassette tape, Kate was telling us what she wanted... she wanted us to stop. She wanted us to escape and never deal with Hameln's wrath. But instead of respecting Kate's wishes, Joanne goes directly against them, telling us to fight Hameln.

Once again, I'm not saying Joanne is evil or a terrible person. Just that she's working purely for her own goals... our safety and best interests are not on their radar like they were on Kates.

The whole scene of the Wooly monster killing her could mean anything, not just that it's siding with Hameln. I mean, it could definitely be siding with destroying the tapes... it could also be protecting Riley and Kate from a person who clearly dangerous to them specifically.

That night she screamed at Kate to give her those tapes... and I imagine she was probably pushing Kate really hard to find a solution. Kate and Riley are the only two known characters working in Amanda (and to some extent Wooly's) interests of escaping the tapes and ending the show so it can't hurt anyone anymore.

In the "Do you feel safe tape" Amanda warns us about strangers, and also seems to stop trusting us when she hears Joanne's voice. Remember, Joanne is not working in Amanda's best interests which seem to be our best interests as well. She doesn't want to save Rebecca, she wants to save Jordan. Kate probably knew that destroying the tapes would hurt Amanda and Wooly, she probably would have told Joanne this, but Joanne doesn't care. Amanda doesn't trust Joanne. She has every reason not to. We have every reason not to. For she is someone who is willing to sacrifice anything to save someone she loves... and as noble as that is... that includes us. Kate, Riley, Amanda, and Wooly. If it meant saving her brother... she probably wouldn't think twice about doing something that would bring them harm.

What I'm saying is, both demons recognized Joanne as a threat. Now does this mean they are both working to protect us? I have no idea. But Joanne being a threat to Riley and Kate is an interesting piece of the puzzle to consider.

I don't trust Joanne because she is only in it for her goals and not ours. Not that she's a bad person for doing so, plenty of people could probably imagine being willing to do almost anything to save someone they love. But with a person like that... you just can't trust everything they do and say.

Wooly warned us about strangers. Amanda warned us about trusting people. They were probably warning us... about Joanne.

[miraculouslbcnreactions]

Do you think that Ms. Bustier is overhated?

Not particularly. I don't have any strong feelings about her, but she's clearly a terrible teacher who is in way over her head. I totally understand why she sets some people off. If she was a real person that I actually had to deal with, then she'd probably set me off, too, because she so perfectly encapsulates toxic positivity. If you're not familiar with that term, then here's a quick definition:

Toxic positivity is the act of avoiding, suppressing, or rejecting negative emotions or experiences. This may take the form of denying your own emotions or someone else denying your emotions, insisting on positive thinking instead. Although setting aside difficult emotions is sometimes necessary temporarily, denying negative feelings long term is harmful because it can prevent people from processing their emotions and overcoming their distress.

Read that definition and then look at this scene from Zombiezou:

Marinette: But Miss Bustier, it's so not fair! It was Chloé, pulling another...Chloé! And...I'm the one who's getting in trouble?! Miss Bustier: Of course you're not in trouble, don't worry! As the class representative, I want you to set a good example for your classmates. Don't give into feelings of anger. Try to forgive Chloé instead. Marinette: I don't get it... Chloé is the meanest person I've ever known. Miss Bustier: Come on... There are much worse people in Paris right now than Chloé Bourgeois. I'm sure people like Chloé are capable of great things. The problem is, they only think of themselves. They don't understand the meaning of love, and we can't force them to change. But perhaps we can show them by setting a good example. That's why Marinettes are so important in today's world; because they have a lot of love to give. I'm counting on you. Marinette: Yes, Miss Bustier.

This is toxic positivity in action. Marinette is told to set aside her extremely valid feelings as if anger is a terrible thing, but it isn't. All emotions have their place and ignoring them can do real harm, a lesson that Miraculous really struggles with. It seems to see "negative" emotions as bad and they're really not. What matters is how we express and address our emotions, not that we experience them. If you want to see a family friendly piece of media do this topic right, then go watch Pixar's Inside Out.

There's also the fact that Chloé is never punished for her actions in this episode. She ruined a gift that probably took Marinette hours and yet Miss Bustier puts the onus to fix things on Marinette, blaming the victim and doing nothing to actually fix the situation. Canon mildly complicates this with Chloé's father's willingness to meddle, making punishing her apparently impossible, but Miss Bustier doesn't even acknowledge that here. The stated logic is that you need to be nice to your bully and that will hopefully magically fix things, which is a terrible lesson that I don't want any kid to learn! What kind of logic is that?

I'll admit that I'm a big fan of "an eye for an eye leaves the whole world blind," but that doesn't mean that you should never acknowledge harm or fight back. It just means that you need to be measured in your responses and pick your battles wisely. If this episode was about that, then I'd be fine with it, but that's not the lesson here. There is no point where the wrong done to Marinette is even mildly acknowledged. Miss Bustier's initial reaction to seeing Marinette's ruined gift is:

Miss Bustier: Well, I think this present is wonderful. It'll be my new cosmetics bag! Then I'll be able to think of both of you every time I use it.

And we go straight from that to the toxic positivity.

Something is wrong with this woman. You shouldn't even take this approach with preschoolers! While I could see this being a good final solution to something like Chloé scribbling on Marinette's drawing, Chloé's behavior still needs to be addressed. She is still the one in the wrong here. The one whose behavior needs to change.

This is one of many cases where there are two paths to take with this character. The writers clearly want Miss Bustier to be a wonderful teacher, but they wrote a victim-blaming disaster who shouldn't be in charge of anyone. If you're ever adapting her, then it's up to you if you want to redesign her into her intended self or if you want to lean into the bad writing. I think both paths have merit because the writing is so bad that there is no way to make canon Caline work as a good teacher. She's too fundamentally flawed so you either acknowledge how awful she is or do a major overhaul where she's much less forgiving and actually acknowledges things like the Chloé problem.

[antispopausandstuff]

stans criticize antis for including the scene of Catra scarring Adora as a child in the cycle of abuse, going on about how she was just a kid, that a kid can't be abusive, etc., but here's the thing:

there's this kid i know and love. they're autistic, non-verbal // limited in speech, and are prone to emotional bursts. they always know more than people think, try to help you if you cry, and absolutely loves sharing food // treats with others and meeting new people.

but there are times i'm scared of them. hell, there's times i, admittedly, hate them.

i understand that they have little impulse control, that they're a child, a disabled one at that, and they don't understand the consequences of hurting someone or maybe even that they're hurting someone at all, but your "fight or flight", your anxiety, your fears, PTSD, etc. does not care who or what it is.

that and, honestly, i still resent my bullies. i know they were kids, too, but that doesn't take away from the pain and embarrassment i felt. for so long, i thought i was completely unlikable, and it was because of them. my ma tried to teach me the "ignore them", "kill them with kindness", "sympathy // empathy" lessons, but none of them worked.

bullying and abuse aren't that different, if they are at all. the victims always suffer, in one way or another, and bullying // abuse can lead to suicide, mental decline, physical decline, and overall ruin your entire fucking life for so long.

i understand that kids are little balls of energy and don't understand the consequences of their actions. my bullies likely thought what happened to me wasn't a big deal or was just a joke. maybe they didn't even have bad intentions in the first place. but that doesn't take away what i've gone through since then, because of them.

Catra was a child, yes, but so was Adora. why do you forget that? any child would be scared of someone, even their best friend in the whole world, if they just suddenly clawed them in the face just for asking "why did you do it?", any child. anyone, in fact.

there's exceptions, but generally speaking, we're afraid of what severely hurts us. Catra severely hurt Adora, just for asking a question that anyone else would've asked.

the cycle of abuse continued when Catra didn't care about Adora's health and safety, meanwhile Adora always cared.

now, after this, it's just speculation, but i had an interesting thought.

Catra punched Lonnie ( presumably, as there's no scar or implication that she clawed her, just that she hit her, and that typically means punching ), but clawed Adora. and hard enough to send her flying halfway across the room.

yeah, Catra was angry with Lonnie ( jealous ), but, ultimately, it's Adora who suffers the worst consequence. the writers obviously let Catra do what she likes, but i think this is just more evidence that she knew, even subconsciously, that Adora wouldn't fight back.

i originally thought that Catra only used her claws against Adora because of her hatred and knowing that Adora wouldn't do anything, but there's something else to consider.

she's clawed Octavia, disabling her, and almost did the same to Lonnie.

now, why would she do that to either of them, when neither have that much important to her, in comparison to Adora?

in the first scene, Catra did it just because she could. just because she thought Octavia was, more or less, ugly.

in the second scene, Catra did it because Lonnie pissed her off. but she's been pissed off before, many times, even to Lonnie, so why only try to claw her now?

to me, it reads as her using her claws on a person ( directly or indirectly ) when she knows the other is defenseless, in some way or form, or as a form of punishment. not necessarily because they have importance to her.

Adora just happened to be the one she wanted to punish the most.

[danykindaforgotaboutdre]

Fix It Fic (how many of these are there by now?)

I was so irked by Meljay's ending that I had to write them a new one. It isn't a fanservicey, perfect endgame, it's still a breakup of sorts, but to me it feels sweeter and more in character, and holds both characters accountable without the judgy bullshit Jayce pulled. Read the first scene as starting directly after Jayce says "It doesn't matter" and the second scene ending with their passenger exchange, which I still think is mostly fine writing wise. They aren't long because dialogue exchanges in this show tend to be short, and I want it to fit.

Scene 1

"It was you, wasn't it? You saved my life the night of the bombing."

She only looks at him, her silence the answer he needs.

"I wasn't worth it." he says

"Don't say things like that."

They go to each other in three long strides each, and he cups one large hand around her shoulder and another along her cheek, shuddering quietly at the feel of her. It's been so long and they've both changed so much, there's something fearsome in laying his hands on her now. And yet he doesn't let go, the width and sadness of her eyes won't let him.

"Where did you go?" he says.

She forces a weak smile "Never mind all that"

"No, tell me."

She reaches up to lift his hands away, and takes a step back. "I was taken. there were things I needed to learn about myself. Even if the learning was rather painful."

He understands. It was painful for the both of them. "Yeah, I think I know what you mean."

[enter Viktor *blam blam*]

Scene 2

They sit on the floor, near the big windows, shoulder to shoulder like waiting children. The silence is thick and overwhelming. Being near her doesn't bring him the same peace that it used to, but he knows it's simply because nothing can. Not after the things he's seen. Still, she's Mel, the one who always let him be close when he needed it, he wont deny her that now. She too is haunted by something he can never see or confront, what else is there to do but be next to her?

"We did the wrong thing Mel, Hextech... it was the wrong thing. I know that now," he says, his own voice sounding strange to him. He knows this isn't the time to bring this up, not with the way she's hurting, but he can't help the words that escape his lips.

"But we can make it right, maybe that's why we're still here," Mel says, the hope in her voice as true as it is devastating.

"I don't think there is any making it right. We did what we did. We hurt people... I hurt people. I can't make that go away."

"But we can do something," she says, more forcefully. "We can always do something."

He reaches for her hand, clasping it with his gloved one. He knows what he needs to do, but he wont say it, he can't bring himself to tell her that these may be the last moments they have left. Because he can do something, he will do something. But that something will be the end of him, he knows it somehow.

"You only ever wanted to do good. And I know you still can."

He leaves it there, hoping against hope that she doesn't ask what about him? They trade a glance, full of bittersweetness and the love they share that won't die even as the rest of him does.

She lays her head on his shoulder, resigned, quiet. War looms all around them and inside them, but not in this moment. Not here.

[sophsicle]

haha so like who is jack hughes he’s all over my fyp

oh my god.

thank u so much 4 this ask.

lets talk about it.

let me paint u a scene.

SO. Jack Hughes. he is, first and foremost, a middle child. this, i feel, is important information. he also looks like a lil doll.

WHICH. is a complicated thing 2 look like in hockey. because, on the one hand, u have mass appeal amongst teenage girls (boys and theys) but you automatically have the hatred of all old men who watch hockey and young men named some variation of Brayden who "would have made it if they didn't break their pinky finger in juniors" or whatever. and now they look at jack hughes who is both pretty and talented and they hate him. so sad 4 them. they should probs get over that tho. also he is 5'11. which he will tell you. agressively. is not small. but average. AVERAGE HEIGHT. SO. just - jot that right down, okay???????? (again, 4 context, anything below six ft. in hockey is small TM)

ANYWAY SO. Jack Hughes, pretty lil boi that he is, goes first overall in the draft in 2019 (i think) at age 18, because the nhl is a cradle robber, and, if u don't know how the draft works, the worse the team the earlier they get to pick, so he goes to one of the worst teams in the league (the new jersey devils) and in a SHOCKING turn of events this teenager does not manage to save this team immediately and therefore is attacked.

(sad jack hughes edits are my JAM i'm gonna be real)

HOWEVER, Jack Hughes's super power, and i say this with the utmost love and affection, is that he is. dumb. and he simply never once stops believing in himself. like truly, the dumber u are the less anxiety u have. one time. his team was not that great but they were winning games somehow and a reporter asked him about it and he was like "yeah we're just too stupid to lose. like we don't know we're bad so we don't know we're supposed to lose" which. tbh *inspiring*

being dumb also means he is unintentionally one of the funniest players in the nhl.

ALSO, idk how to explain this. but like. there's a whole thing where he didn't know how to cook broccoli one time, and it haunts him 2 this day and it makes me laugh.

BUT the most important thing to understand about Jack Hughes is that he loves his brothers. he has an older brother, Quinn, who is A GEM. a gift. the sweetest hockey play 2 ever hockey. and a younger brother Luke, who plays on his team. and these boys do nothing but support each other 24/7 it is truly HEART WARMING. and precioussss.

"my brothers are good hockey players, but they're better people" - Luke Hughes

Last, but not least. Jack Hughes is a member of the NHL boy band known as Trevor Zegras, Cole Caulfield and Jack Hughes. All pretty and very good players who were on the same juniors team and are now in the NHL

AND THAT is Jack Hughes lore 101 I feel

[hauntingofhouses]

arcane rant. spoilers for all of season 2 #caitlyn-critical

yeah okay i was scared to say this which is SILLY but ALAS. anyway yeah seeing that im not the only one i feel like i have to get this off my chest as well.

i wanted to give caitlyn a chance in season 2, especially in the beginning of this season during her """corruption""" arc wherein she was turning into a tyrant and a bad guy. because see, to me that was caitlyn at her best. not as a person but as a character. before this she was just so uninteresting and downright annoying to me, but starting with s2e1 i started really enjoying where the writers were taking her journey. i would've loved to see her continue down that path and caitvi evolving from reluctant allies to lovers and then perhaps to enemies-WHILE-lovers. i wouldve loved seeing caitvi hatefucking, and i thought that was where this arc was taking her. but no, instead she's still the good one, while maddie turned out to be the bad guy all along. plot twist! but it made me feel nothing but more annoyance not only at caitlyn but also at the way the narrative seems to baby caitlyn and excuse her for everything despite the supposed anti-cop messaging intrinsic to the way vi was written throughout season 1.

i understand that caitlyn's whole thing in season 1 is that she's a naive rich girl just trying her best in the ways she knows how, and that's by being a cop. like yes i get that, which is why i didnt mind her very much and gave her a chance to grow, and even though i didn't care for her as a character at all because she's boring AND a cop, i did like that she was in the story as vi's love interest, and primarily served the story in that role.

but when season 2 decides to give her a bigger role and allow her to shine on her own, they do a good job! until... they don't. because caitlyn still has to be a good guy, because she's SO loyal to vi. and why? the two barely know each other, they're attracted to each other but I don't understand why and how caitlyn could so easily put aside all her rage and grief and desire for vengeance and retribution, to be loyal to vi. to betray ambessa and work with jinx?

like i think my biggest problem is how little conflict there is for vi and cait to end up fucking in that prison cell. like if it was angry hate fucking, that would be perfect and honestly a natural followup if you really do wanna implement a sex scene right there and then. but it wasn't. instead it felt more like "okay my suicidal sister gave me her blessing to fuck you so i can finally do it now yippeee" meanwhile jinx literally went to kill herself over and over again while ekko had to keep trying to talk her down.

like the thing is i'm here for the drama and im here for a rollercoaster ride of emotions and i'm here for character development. but more than anything else i'm here for the drama where vi and jinx's story as sisters, as family, is ultimately the driving force of the story. so for them to just push that aside SO quickly, felt JARRING. like "okay sister MOVE i wanna fuck this cute cop who was acting like a tyrant in the city for the past few months (?), and btw the cute cop works for an institution that killed my parents and destroyed our whole lives ❤️ #lovewins"

like okay. i dont mind if the final ending finds both jinx and vi distanced and estranged because they both need to heal and move on from the past (and each other) in order to grow and invest love in their own new found families. but for it to have been done just like that, for caitvi to get together in the same prison cell where vi's suicidal sister had just been suffering in mental agony and grief... I don't know. i don't like it.

[dobadoo]

˗ˏˋ ꒰ DON'T HUG ME. I'M SCARED꒱ ˎˊ˗ be with me

• pt I - pt II

characters — yandere!scaramouche/fem!singer!reader

sum — Scaramouche loves you - painfully, incorrectly, abnormally. As if he were putting out cigarettes and licking burns, breaking bones and knitting them in his own way. He throws from one extreme to another. warnings — dark comtent, dead scene, unhealthy attitude, angst, psychological abuse a/n — I want to portray it not as psychopathological madness, but as selfishness and tenderness in one bottle and control of emotions over actions. On the victim's side, there is a heavy contradiction, doubts and Stockholm syndrome.

4.234 words

Enjoy and be careful reading! I hope some moments will not confuse you. The work will be changed, edited and improved, but without plot changes.I want you to set boundaries in time and take care of yourself first and foremost.

Scaramouche is not one to sacrifice his time, running through the shadows of alleys and trying to be more attentive for the sake of a foolish mortal girl.

Someone inside him laughs sarcastically - a pathetic lie.

This is exactly what the harbinger does. At first, quietly, completely unnoticeably, he watches from afar, being carried away by the color of your eyes, or the shimmering ringing scattering of your voice. Scaramouche catches with his gaze the girl's half-smile, the sliding gait and the heap of unruly hair, braided into (your hairstyle)

You appear every shift in different corners of the island of Narukami and the main city, one way or another near the village of Konda, and for a long time you sing intricate tunes with a fairy-tale flair, while you are showered with mora

The balladeer finds it as pitiful as it is natural, because the ringing of the coins, their shimmer and shine when they are next to your slender legs, dressed in attractive stockings, all merge with your shining skin, your alluring eyes and interesting appearance, with an image worked out to the last detail.

A well-planned show. And one cannot help but notice how you, seemingly opening up to people, while your gaze is just as cold and far from participation, preserve your mystery.

Your little mortal soul sees him for the first time out of the corner of its eye and does not even attach any importance to it. He, leaning against the wall in a large hat and dark clothes, is erased from memory like a haze on the surface of the water. And Scaramouche can no longer deny himself the mischief and get to your hidden essence.

And more to come. He follows on your heels, finds you in all parts of Inazuma.

With each subsequent day, the harbinger appears more often. Now you can't just forget him, and now you allow yourself to watch him back, squinting invitingly as you shower everyone with your beautiful voice, moving to the music on stage. He smiles slyly back, a silvery glint in his gaze. You mistake it for curiosity.

Scaramouche is really trying to be gentle with you. As much as he can.

The lanterns are lit in Inazuma as you finish your song and, to the satisfied hum of the crowd, you gather your mora, disappearing between the houses and exiting the city onto the main path. His voice bounces off the expanses of Teyvat in a dull echo.

"Aren't you afraid of running into a wild kitsune at such a late hour?" - "What? Feel like keeping company?" - You immediately slyly respond to his mockery.

To all the sarcastic comments and stinging reproaches, you willingly echo him in the same way. Puppet laughs to himself: it is so funny that you perceive his words as a challenge.

Y/N…

Your name spills on his tongue like a viscous, bitter molasses.

And it is the only name in his entire life that he will carve into his memory until bloody scars.

Scaramouche is not one to place such a high value on mortals.

However, he understands that he is not so much captivated by your mischievous eyes or your melodious voice, as by all of you.

"I visited Ritou recently," you say casually.

Balladeer of course, knows.

You turn to him and slyly pull the corners of your lips.

Inside, Scaramouche trembles as the sun reflects off the chrysalite of your eyes and illuminates your face as brightly as you illuminate his darkness with a smile.

"I met a guy, he seems nice," he tilts his head in anticipation.

"Nice?" He looks falsely surprised.

"Do you really think so, sunshine?"

You shrug. "His eyes are beautiful, like amber gold."

"It's stupid to play with fire," Scaramouche exhales into your neck, very close. "And don't even try to disappear, deciding to run away."

"I didn't plan to," you grin, but After a long look from Scaramouche, you add: "Okay, okay, I promise not to run away. Any more instructions?" You ask mockingly.

"Don't let yourself be shared with others."

You roll your eyes. You should take this more seriously, but you're too used to this kind of commanding tone from Scaramouche. You, stupid fox, perceive it as a game that tugs at the strings of your soul.

"And where do you even get the right to be jealous.."

Your feigned indifference and arrogance mix with bright flashes of sympathy and traces of embarrassment on your cheeks. You admit to yourself that you like him - not with a passionate hurricane feeling, on the contrary, routinely, but inevitably. This knowledge brings the harbinger to an exciting saturation.

He creeps up on all the bolts of your soul like a predator, and someone else's sincerity is a sweet poison. Help yourself, my dear demons in the dark. Demons willingly accept and ask for more, only everything suddenly falls out of their hands and bursting at the seams, seeing you with that worthless man. Again.

Wasn't he merciful to you?

Scaramouche takes his eyes, as if he were plucking ripe berries from a bush, and crushes them in his hands, melting this amber gold with his icy rage.

He wrings someone else's neck under the screams of the victim and your frightened look.

He is not one to forgive a mistake.

And despite this, puppet gently cups your face in his palms, leaving bloody streaks on your skin, and says irritably:

"I warned you, didn't I?" You look at him nervously and see nothing but blood stains and cruelty. You can't breathe in or out.

"Oh, so you can't say a word because you feel guilty?" Scaramouche adds caustically. His fingers slowly, almost lovingly stroke your cheeks, but you feel nothing. You yourself seem to be at the bottom, completely lost. You stop feeling your body and are left alone with a visual nightmare and a dry throat.

"I," you exhale with titanic efforts, "got it."

"I won't do it anymore.." You forcefully pull the words out of yourself as if with pliers.

"Ha-ha-ha!" His laughter, sincere, condescending, the kind that happens when a child does stupid things, thereby amusing you. You glance sideways and see behind Scaramouche, the lifeless body of a familiar guy. You feel nausea approaching.

"Don't act like an fool,little one, it doesn't suit you. We both know that I can't trust you anymore." You know, but you don't want to believe it. How could this happen? How could you cross paths with the wrong person. How could you — feel lovestick to him — how?!

Scaramouche brushes your hair away from your face, smearing blood across your skin and staining your hair, and peers into your face with his indigo eyes, which you used to look at so lovingly.

"Don't tell me you felt sick from the sight of blood and someone else's death," He sarcastically pulls and rolls his eyes. — "Forget about him and let's go, you look bad."

And he pulls you like an obedient doll. You are scared of what has fallen on you and chained you, but you are even more horrified by the familiar, harmless tone of the harbinger, as if everything is as before. He is just as kindly sarcastic and playful, and you — caustic and sharp-tongued. A stunning symbiosis.

Only the system was initially flawed - Scaramouche never tried to appear kind.

in the third part it will be… tough, it will be really tough.

@anantaru @hitomisuzuya @lavandulawrites @himasgod @neuvigroove @quimichi @rsventhesecondd @anemoswirlsmyheart @nil4everheartz @kujiba @genshingorlsrevengeance

[black-flag-if]

Helloooo players! To all those that write in asking about progress, you're more than noticed and appreciated. It's nice to know the story is loved. To those that write in about songs reminding them of some of my characters, it's also very nice to see and read those!

As for the story and update. I am still working on it, buuut I haven't had much progress done since the last update. I should've known holidays would slow things down for me.

And it's not like I haven't done anything. I really have. I deleted and rewrote a few times. Not once. Not twice. I'm starting out for the fourth time, actually. 😮‍💨

I'm new to interactive and new to coding in general, so when I first started to write I thought it's best to do and write as I go. Just thought to see how people felt about it. Not the case, hence why the big set back. So although I keep going back and forth between Prologue and Chapter 1, I am writing and I'm not just working on code though that is the most difficult and tedious, and I mean very tedious, part! 😒 It easily drives me bonkers. Also, being a perfectionist, I'm never happy with my product and think I could do better hence the constant rewritings. But, I'm learning to be gentle and I understand that I will never be a 100% happy with writing. It's a working process and so am I.

But I do take some ideas from you all, so I got a lot of messages asking if there was more to some of the RO scenes in Chapter 1, so I'm tiding up everything and rewriting a lot!

So it's a lot of work and I am working. I will not make any time estimates because we all know they never work out, unless I'm like 90% done then maybe. So while I unfortunately don't have the best news, know that I didn't give up. Let's hope for some better news next month.

Take care of yourselves. 💌