#you don't hear me say
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ardenzia777 · 5 months ago
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Finished the Stained Glass heart for Odysseus that i'm using for my Love In Paradise Animatic
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quinklequonkle · 3 months ago
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YouTube recommended me a track from my favorite game, Okami, and I like to do this thing where I won't play it for a very very VERY long time like- I'll wait YEARS until I forget majority of the game and then I'll play it and be wowed all over again
I'm like Sora at the beginning of each Kingdom Hearts game that comes out
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cextra-loz · 10 months ago
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Fuck this image goes so fucking hard bro!!!!!!!!11
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Yeah, I don't know about you, Fidds, but I'd fold at this 🙏
Previous!!
Next!!
First!!
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homkamiro · 7 months ago
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*heavys voice* entire team is BABIES!!!!!
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teaboot · 3 months ago
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Social anxiety level: Chatting with someone experiencing a schizophrenic episode and becoming increasingly self-concious of how I'm just saying "That sounds really stressful", "I've never heard of that but it sounds scary", and "You must be pretty worried about that" over and over again
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valrvn · 2 years ago
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enough talk of boy pussy. I am here to discuss man cunt
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crimeronan · 1 month ago
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shoutout to the poly people who never found those "every poly triad is a fat girl and two gross neckbeards" memes funny or cute & who have had to see that shit All Over reddit and ifunny and tumblr and twitter for the past Fucking Decade. may all of our creative endeavors and joy get 10,000 times more traction than an article written by a monogamous person who's defending poly people by saying "don't worry, fellow monogamous kids! i too think the poly community is irredeemably fucking irritating!! :)"
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egophiliac · 7 months ago
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LEON
LEON YOUR EYEBALLS
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slfcare · 2 months ago
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the thing is; this world needs you exactly as you are.
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linkcharacter · 2 months ago
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Oh I have so many thoughts on aroace Curly, I think it brings so much on the table when analyzing the game's story.
Amanormativity ties in with the reoccurring mentions of the nuclear family, from Wrong Organ making 1950s mock advert posters, to Swansea talking about how getting a wife and kids didn't bring him any fulfillment in life.
In the cake cutting nightmare sequence, where Jimmy talks with Dream Curly about the mediocre cake, Dream Curly begins to talk about how sometimes you can only get the subpar stuff in live. Sometimes he'll get promoted, buy a house, fall in love. But other times he'll just have some awful fucking cake with his friend.
I think there is that subtle implication that Jimmy does buy into Amanormativity, with him projecting his beliefs on Dream Curly that a platonic relationship is lesser then a romantic one. But we never see Curly suggesting that he wants such a thing in the pre-crash.
With Jimmy thinking that Curly has everything in life, except for the desire (although I think Jimmy would view it as Curly not having the skills for it) to get a romantic partner, he would heavily lean into getting the one thing that Curly couldn't get in life to one up him.
THATS EXACTLY WHAT IM THINKING!!! AMATONORMATIVITY BE DAMNED!!!!
Looking at Mouthwashing through an aroace lens is interesting
"Jimmy thinking that Curly has everything in life, except for the desire", well said, well said! And references to the nuclear family fit in very cleanly thematically for Mouthwashing.
Jimmy leaning into amatonormativity is a smart observation. Jim internalizes all the social norms and standards on what you have to do to have a normal and desirable life, who sees everything Curly has and what Jimmy wishes he had, and is offended that Curly isn't satisfied, that he has the "audacity" to be unhappy. Curly meanwhile only wishes for his life to be something he doesn't have to run from, because by all means, he has already reached a point where he should feel accomplished, but isn't. Curly doesn't want to be a freighter captain his whole life, he doesn't want to settle with his sustainable position, he just wants to be happy. Like Swansea who has reached the "ideal" outcome of his life, having a wife, kids and a good career, it will never feel as good as embracing all what society deems undesirable yet right for you.
Jimmy does imply to seeing himself as lesser as a friend, "fall in love" being a goal and a "cake with a friend" being something he "has to settle for", it's all in the subtleties with underlying themes of "what you're "supposed to want" by society's expectations" against "what feels right for you". Jimmy is frustrated that Curly is going to "leave the dirt behind him", when in actuality, letting the crew and him go is the last thing Curly wants. Curly wants to be with his friends, he deeply cares about his crew, and about his close friend.
Mouthwashing as a whole reads to me as platonic through and through. Swansea and Daisuke having such a meaningful familial bond, Curly and Anya being sweet, playful and caring without romance, Anya and Daisuke having something of a siblings dynamic are dear to me. Also it's really rare to get to see representations of "toxic friendship" in media. Its always toxic romance this, toxic yaoi that, toxic family there, however in reality, friendships aren't excluded from being as rotten and abusive as the others, yet they're often overlooked. Jim and Curly are especially unique in this way. It's very impressive how they managed to showcase Jimmy's mistreatment of Curly in such a platonic way (at least that how I read it). Jim too, like Curly, in general avoids hints at romance and attraction explicitly related to him during his gameplay, not with Curly, nor with Anya (dear god thanks for that at least). It's all spite, annoyance and parasitizing off of these two. (That man's dry and lowkey hates everyone and everything) No attraction attached, no desires except hoping it hurts.
Curly to me is very much aroace, or at least on the spectrum. Like, the trivia fact that one of Curly's fondest memories is that of his friends putting in effort to make a shitty awful cake, tells us all we need to know on how dear his friends are to him. Platonic relationships mean so much to Curly, even when it's Jimmy fucking Mouthwashing, the worst friend ever imaginable.
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brainrotcharacters · 5 months ago
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deadclaws badassery where it's revealed Wade and Logan tested the distance on Logan's hearing.
Watch them hundreds of feet away from each other in the battlefield and all it takes to set Wolverine loose is for Deadpool to mutter "Logan."
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gif credits to original owners!
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keferon · 4 months ago
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Imagine you're in the world of Transformers. Imagine you woke up randomly in the med bay and you're a giant robot.
You don't know which version of Transformers this is, the movies or the TV series or the comics? You don't know.
But you need to pick a faction and join it right now.
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isatartdump · 8 months ago
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Would do the entire dialogue but drawing Bonnie crying is the bane of my existence! HA
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Anyway my reaction to when this entire dialogue was over was just. Hihi.
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awakefor48hours · 8 days ago
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We don't give Adora enough credit for what she did with her time in the Rebellion. If my lesbian childhood catgirl situationship told me that I should commit war crimes, I would just do it. Morals be damned.
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marypsue · 2 months ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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