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insipid-drivel · 9 months ago

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Horses: Since There Seems To Be A Knowledge Gap

I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!

Some Of The Most Common Horse + Riding Mistakes I See:

-Anybody can ride any horse if you hold on tight enough/have ridden once before.

Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.

Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

-Horses are stupid/have no personality.

There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.

-Riding bareback is possible to do if you hold onto the horse's mane really tight.

Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.

Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.

-Big Horse = War Horse

Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.

Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

-Any horse can be ridden if it likes you enough.

Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.

Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.

When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!

-Horseback riding isn't exercise.

If you're not using every muscle in your body to ride with, you're not doing it right.

Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

-Horses aren't affectionate.

Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.

-Riding crops are cruel.

Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?

Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.

-There's only one way to ride a horse.

Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

-Wealthy horse owners have no relationship with their horses.

This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

-Horses can graze anywhere without concern.

This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.

#horses #horseback riding #writing #writing tips #long post

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keferon · 1 month ago

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Chapter 2 of Blurr storyline >:D

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”

Part one

Holy shit I actually managed to finish it…..Oh. My god.

Under the cut⤵️

Is it stupid to miss someone who doesn't even exist?

Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?

For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.

Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.

It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.

Wait, hell, not days. Cycles.

His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!

But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.

Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.

He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.

Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.

Swerve isn't sure he wants it to pass.

He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.

So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.

That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?

Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...

His small persona wasn't important enough for anyone to notice his disappearance.

Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?

Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.

Swindle would probably get upset about the money he'd lost.

It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!

People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.

In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.

He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.

Most of his memories are occupied by--No. Frag.

Don't think about Blurr, don't think about Blurr, don't think..

He's thinking about Blurr. A lot.

Blurr occupies a surprisingly important role in his comatose dreams.

In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.

Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.

Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.

But that's not quite true, Swerve thinks.

Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.

Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.

Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.

Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.

Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.

Uggh.

The doctor was wrong. These thoughts don't go away. These memories don't dull.

Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.

When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.

When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.

The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??

Freaking cursed.

Jazz looks puzzled by his reaction, but all Swerve can think about are two things.

One, if Jazz is here, does that mean everything else was real, too???

Two - holy shit, Jazz is tiny.

It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.

If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--

He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?

He's going to get sick.

He needs to talk to Jazz right now.

____________

Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.

They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).

“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”

Jazz frowns

“Oh. I’m sorry to hear that.”

He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.

“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”

Swerve mentally crosses his fingers.

“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”

Jazz looks at him with huge eyes before switching to English in surprise.

“Mech, what the hell?”

“...And we lost him...” finishes Swerve with a sad smile.

Before thinking for a bit, and adding.

“I'm going to show you a trick I can do.”

And then projects his holoform onto the table in front of him.

This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.

Prowl looks confused.

Jazz looks absolutely frantic.

“SWERVE????”

Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?

Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.

Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.

“Dude, I'm not complaining but what...how???? You just kinda..."

Swerve laughs and twitches his eyebrows playfully.

“I still speak English, you don't have to torture yourself with Common.”

“Oh thank fuck.” Jazz throws his hands up dramatically “you're my favorite person right now.”

There is a polite click of the vocalizer resetting above their heads.

“I” Prowl says “very glad you two are happy but I'd like some explanation”

Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.

Although Jazz doesn't seem to feel the same way?

“Short version - I sleepwalked my holoform to another planet.”

He pauses dramatically.

“The long version is...”

Jazz raises his hand

“What's a holoform?”

Swerve sighs.

“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”

Jazz whistles impressed. And then immediately turns back to Prowl

“Have you been able to do that all this time too?“

Prowl hums

“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”

Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.

“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”

Jazz laughs

“Dude. So you're telling me you were basically sleepwalking the whole time?”

“ I was.”

Prowl frowns.

“But the range limit of the holomatter generator is only four hundred miles...”

“.... I had a lot of practice...”

Jazz claps his hands.

“You learned a whole other language! Got an ID!. You had a job!!!”

“I got carried away,” Swerve admits.

Jazz scratches the back of his head, still looking very amused

“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”

“Two. And I failed my driver's exam.”

“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.

Swerve blows the hair out of his face

“Says you who retook the physical several times. You couldn't pass the "being human" exam.”

Jazz just wheezes incoherently in response. Prowl looks alarmed.

“Don't worry, that's him getting excited. So...where have I been...”

Swerve nervously shoves his hands into his pockets

“...Do either of you two know where Earth is?”

Prowl twitches his door wings

“No. Since Jazz was teleported we don't have much clues.”

Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.

He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.

He's thinking.

Oh hell, yeah! I knew it wasn't a dream!

Then he remembers the mess he left behind.

Oh, no, it wasn't a dream.

Jazz puts a hand on his shoulder.

“Swer... Swerve? Dude, are you okay?”

“Ah frag..” Swerve says weakly ”it wasn't a dream.”

Jazz looks...puzzled.

“Is that bad?”

Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...

“It's...complicated.”

This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...

And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...

Hahahahah oh fUCK.

He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.

It's also probably too late.

But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.

And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.

Jazz glares at him with a worried look on his face

“ That expression you have...”

Swerve puts the smile back on his face.

“I need to get to Earth.”

___________________

Swerve is not an idiot.

Or maybe more accurately an idiot, but with several degrees.

He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.

Ask the Quintessons. Or look for it himself.

The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.

He just needs to do some preliminary reserch.....

Jazz, now back inside his Mech looks doubtful.

“You're not going to die suddenly and for no reason, are you?”

Swerve laughs.

“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”

“It's not harmful?”

Swerve makes an uncertain gesture with his hand...servo.

“If I have enough fuel. And an additional connection to an external generator.”

Jazz tilts his head

“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”

Swerve bites his knuckles.

“ I have some unfinished business?”

“Pshhhh you sound like a ghost.”

Swerve only laughs in response.

_______________

Concentration is tricky.

Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?

Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost

Shit. No. Earth. Think Earth.

What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.

He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.

The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.

After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.

He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--

Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.

This is the place where he was last.

He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.

Blurr is not here. The place where his Mech was lying is empty.

Which means he was at least found and dragged out. Dead or alive.

Swerve's bites his knuckles. Okay.

All right.

He's got things to do.

_______________

He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?

He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.

He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.

Breaking the rules feels...it's exciting.

All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...

He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?

The answer is probably none.

Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.

A degree in spying on the Quintessons' ships wouldn't hurt him either.

Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.

Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.

Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.

Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.

It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.

He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.

It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.

Blurr's name isn't there.

So his smug, shiny ass must be around here somewhere.

He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.

That's...something's wrong.

He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”

Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.

“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?

Uh-huh....... Uh-huh.Okay.

Give me half an hour...okay, yeah.”

This is it, Swerve thinks.

He shrinks himself further and teleports under the collar of Swindle's coat.

He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.

He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.

Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.

Shit. Shit. Shit. Shit. Shi

Blurr looks like a mangled corpse.

Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.

Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.

Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.

Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.

“'Got bored without me Swindle?”

Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.

“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”

Blurr wrinkles his nose.

“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”

Then he stops talking for a few seconds and raises an eyebrow curiously.

“You wouldn't have come here in person just to say that. Why are you really here?”

Swindle adjusts his glasses

“Have I ever told you why I made the contract with you?”

“Because you like money” Blurr says without hesitation.

Swindle lets out a quiet chuckle.

“Fair point. But money wasn't my only priority.”

He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.

Goes back to his seat.

“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”

He raises his hand when Blurr rushes to say something.

“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”

Swindle sighs and adjusts his glasses again

“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”

Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.

“But you... found a way to change that, didn't you?

Swindle rubs the bridge of his nose

“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”

Blurr blinks.

“Why are you telling me all this.”

Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.

“You're that shield right now, Blurr. You can't leave.”

Blurr's eye widens

“Is that why you insisted on ‘befriending’ me with all those bullshitters?”

“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”

Blurr runs his fingers through his hair

“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”

Swindle puts his hat back on.

“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”

The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.

Swindle puts a hand on his shoulder.

“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”

They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.

Swindle moves his hand away and gets up from his chair.

“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”

Blurr smiles sourly.

“My lawyer is going to charge you such a handsome sum for that stunt.”

Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.

“We’ll see about that. Seriously though. I need you there.”

Blurr bites his lip.

“I..don’t know...”

Swerve...doesn't know what to think of that.

Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.

Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.

The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.

The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.

Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.

Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.

Ah, damn it.

Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.

And now that he knows where to look, he sees things he'd rather not see.

Blurr ... is crumbling.

Swerve doesn't know all the details and consequences, but that incident did leave a mark.

But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.

He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.

And continues to act like a jerk of course.

The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.

Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.

When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.

Or when he develops that stupid habit of leaning his elbows on people standing next to him.

It's the model behavior of a rich, spoiled brat.

It's also an inconspicuous way to stay upright.

Employees say “that dumbass has never heard of personal space.”

Investors say, “I think he likes me.”

Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”

Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.

Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.

On the other hand, without Blurr, everything is going down the pit.

Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.

Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.

Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.

Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.

But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.

It makes a difference. Small one. But still.

It turns a disembodied imaginary “combat units” into a tangible person.

From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”

More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?

There have been two fronts here all this time, Swerve realizes.

While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.

After another conference, Shockwave stops Blurr in the hallway.

“Good show.”

Blurr laughs. Soundly and proudly.

“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”

Swerve, hiding on the ceiling again, snorts.

Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.

“It must have been hard getting here with your injuries.”

Blurr shrugs and lazily turns his head around distracted.

“It's just a few bruises here and there. Not the end of the world.”

Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.

“Of course it isn't. But hardly good for your career.”

Blurr freezes.

No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't

“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”

Blurr makes an indifferent face and tucks his hands into his pockets.

“Like I said. Not the end of the world.”

Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.

Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.

“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”

Blurr visibly shivers and looks away.

“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”

Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.

“It may not be the end of the world, but it is the end of you.”

He writes a set of numbers on the same page, tears it off, and hands it to Blurr.

“You are broken. I can fix you.”

Blurr frowns, but takes the piece of paper.

“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”

Shockwave tucks the notepad into his pocket.

“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”

Blurr flinches.

“I don't need your help.”

“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”

...

“By the way, you might want to wipe the blood off.”

Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.

____________________________

Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.

Holy shit...

Jazz pokes him gently on the forearm

“Are you alive? You've been gone for like quite a while...Did it work?”

“Hey Jazz” frowns Swerve “what do you know about Blurr?”

Jazz laughs

“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”

Swerve sits up and rubs the back of his head.

“Ah...”

“So it worked?”

“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”

Jazz rubs his hands together happily.

“I'll take it.”

Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.

He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.

He has eight fingers again instead of the human ten. Huh.

Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.

Left to himself.

He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.

....

Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?

He looks at Jazz and Prowl.

“You two get along really well.”

Jazz chuckles, sitting on Prowl's shoulder.

“Right now, yes. But we got on each other's nerves quite a bit when we first met.”

Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.

On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.

_____________________

”Are you a ghost?”

Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.

He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?

“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”

Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.

Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.

“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”

Blurr squints amusedly.

“You can walk through walls?”

“Uh, I can teleport into the next room?”

He backs up his words by making himself disappear and reappear in another corner of the room.

“Cool!” says Blurr cheerfully.

Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.

“ Show me more?”

“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”

“Wooooo look at you, you're like an action figure~”

Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.

Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.

“They really drugged you huh?”

“It's not the drugs” snorts Blurr ”...it's my eye.”

He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair

“... depths Per…percen.. ah, shit. I can't tell how far away things are.”

Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.

"If you can't tell how far things are, how are you going to drive?

Race???”

He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???

Blurr drops his hands back on the blanket

“I won't.”

He freezes when the all too close fireworks rumble outside the window. Then points to his head.

“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”

Swerve sits down quietly cross-legged on the blanket.

“Well...at least you're alive....”

Blurr shakes his head.

“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”

“...”

“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”

Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.

Blurr frowns and leans back against the pillow, looking up at the ceiling.

“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”

Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.

“Hey, don't say that. I think what you're doing is great.”

“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”

Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...

Swerve folds his arms awkwardly across his chest.

“I can be mad at you and think you're cool at the same time. I'm a multitasker.”

“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”

Swerve stiffens.

“I...Wwhat?”

“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”

He's silent for a couple seconds before he hesitantly continues

“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”

Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.

“Actually” says Swerve ”I'm an alien.”

“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”

Swerve wants to run around and bang his head against the wall.

Instead, he gets up from the hospital bed. Carefully.

“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”

“You'll tell me later?”

Swerve hums quietly and pulls the curtains all the way closed.

“If future, sober Blurr would want my company.”

---------------

Jazz looks at him. Very intensely.

“Are you going to tell me who this mystery person you keep coming back to Earth for?”

Swerve snorts.

“What makes you think it's anyone in particular?”

“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”

Swerve crosses his ..metal arms over his metal chest.

“Is it that big of a deal? He thinks I'm a ghost or something.”

Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.

“Sooner or later, he'll put the facts together~” says Jazz in a chant.

Swerve laughs.

“That's unlikely. He's got a pretty bad memory.”

_______________

His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.

He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.

They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.

Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.

Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.

Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.

Pharma smiles sweetly and reaches out for a handshake

“Mind some company?”

Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.

“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”

Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.

“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”

Blurr, to his surprise, backs up his act almost instantly

“Really? But I thought there was nothing to take from the old models?”

“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”

Pharma tilts his head

“Can it wait? We were actually talking here!”

Oh no, thinks Swerve I'll show you who's talking.

“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”

“What do you mea...”

“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.

“No I'm just...”

“I had a better opinion of you, to be honest.”

“I...” opens his mouth Pharma “...WHAT...?”

Swerve shakes his head.

“And I thought his profession was to help people, can you imagine?”

“Wh..”

Blurr rolls his eye.

“Any idiot can get an important position these days.”

“Wait..”

“Tell me about it. Especially doctors.”

Pharma looks like he's about to start pulling the hair out of his head.

“Can at least one of you shut up??”

Swerve adjusts his cap in a businesslike manner

“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”

He raises his eyebrows knowingly

“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”

Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.

“…..Wha....there's rumors?”

“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”

He leans in conspiratorially, effectively pulling all of Farma's attention to himself

“So if I were you, I'd stay out of any more things you don't understand.”

Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.

“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma

Swerve shrugs.

“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”

Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.

A quiet cough sounds behind Swerve's back.

“So. Should I be worried about Norman's health?”

Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.

“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”

Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.

Blurr snorts one last time, cutting off the laughter.

Then he reaches out his hand to him.

Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.

Swerve, not expecting this, freezes with his hand outstretched.

Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.

Ugh, and how to explain it all to him....

“Uh...you...uh...probably don't remember me. I...it's...”

Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.

“You're real???”

Swerve awkwardly waves his hands in front of him

“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”

Blurr shrugs.

“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”

Swerve twitches.

“Third??? How are you still standing???”

He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.

“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”

Blurr laughs quietly.

“I'm glad you're back.”

_____________________

He wakes up in his quarters and can feel his face burning.

When he goes out to get the energon, Jazz throws him a look.

“Is something wrong? You're all kinda...shaky.”

“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”

Jazz smiles

“ Oh, I went crazy when I found out. But we figured it out.”

“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”

“Worried about what your human friends will think?”

Swerve swings back and forth on his heels

“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”

Jazz frowns

“No offense, but keeping secrets isn't your strong suit.”

“Haha” Swerve waves his servo “ Watch me.”

#maccadam #tf mecha universe #blurr #Swerve #mecha writing #mecha kef writing #mecha bs writing #if you saw any mistakes - no you didn’t #it’s six am I need to go to bed but I wanted to post it before my brain shuts down completely #mecha pilot jazz au #jazzprowl #jazzprowl happens on the background lol #Swindle #two nano seconds of Vortex #Shockwave #Pharma

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ancientgoddessofegypt · 6 months ago

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Astro Notes : Short N Sweet - The power lilith holds <3

Lilith in the 1st - Very strong personalities. Gifted in using the eyes to seduce others. Magnetic. Can fight the demons off of you so please be weary of getting to close if you don't want them to see what hides beneath the surface. There angelic, believe it or not. They're not here to see the world as you see it, they have a taboo personality, yes, but its also because they must learn how to live for themselves and not for anyone else.

Lilith in the 2nd - Cash cow. Can basically get any man to give them what they want. They have to be comfortable in getting under peoples skin, because they can trigger people with how they talk. Insensitive? Not exactly. Just doesn't budge and cares to be 'nice'.

Lilith in the 3rd - Creative freaks. Can use the mind in a million ways, but they still seek out one thing that works for them as they are very passionate people and whatever keeps their attention the most they'll go at it forever. They are use to the attention from people since primary school. So they like to hide a lot. They have a weird mind and they don't care to share it with too many people. If they ever considered writing, they could make some pretty interesting stuff. Sibling rivalries are a thing here.

Lilith in the 4th - Tumulous relationships with family & friends. It's because they're the outcast of the group. I mean, they know a lot and they can't stand for nothing but the truth. But sometimes the truth kills, even when they don't mean for it to be. Can be a hard knock life but they make it worth something. They're no angel, just the universe in the flesh. <3

Lilith in the 5th - Captivating presence. Lovely auras, and amazing bodies. Could be good at dancing. Could be a lil promiscuous. Could be a little dangerous. You never know. Secretive/private about their affairs.. But the stories they have I promise you its like reading a novel. Naturally sensual & can't get enough of them, even if you tried ;)

Lilith in the 6th - Goes hard for groups that aren't seen enough. Can have jealous coworkers or people who want to annoy them and get them out of character. Could also have sensual experiences with co workers. Demands compensation. Could be extremely well liked or hated no in between.

Lilith in the 7th - Spicy individuals. People love to hate them. Could have bisexual allegations from time to time. Most people like to be around them but despise them after a while. Sweet as a pie though, most people allow the rumors to get to them but usually these people are naturally sweet and empathetic. Popular loners.

Lilith in the 8th - Strong personalities. Capable of seeing beyond the veil. Has issues with society due to their daring nature but they do come out ready and swinging. Hypnotic presence. Can heal as much as they can poison, so be careful wit em ;)

Lilith in the 9th - Very beautiful spirits who are the epitome of being carefree. The universe takes them wherever their hearts want to go, and the journey is always something that last a life time. Being connected to someone with this placement could give you the feelings of something amazing. Always hold their hand tight because once their gone its over.

Lilith in the 10th - Dreamy auras. Have a knack for the public and the audience can feel their raw energy. Have haters from all area codes, this just makes them more confident. They know how to appease society well, and they can take on roles that others are too afraid to. This is great placement for lilith to be in.

Lilith in the 11th - Could had to fight to keep their self esteem in check. Due to being outcasted alot, they could of been the scapegoat for a lot of reasons that didn't pertain to them much. With time, they learn to accept that their energy isn't for anyone, and that their value is more than what you can define it. Helpful sweethearts who just wants to be around community that gets them.

Lilith in the 12th - The dream world is a nightmare. My apologies to y'all cause I'm suppose to start it off a little sweet. But this is placement of a witch/warlock. You guys have many gifts that go past the ordinary. And you more than likely come up with some ish down the line. There is a time where you will undergo a lot of spiritual refinement to keep your head going. Don't be afraid of what shows up, it might teach you something!

#im so sorry to lilith in the 12th #astrology thoughts #astrology theories #thoughts #love #astrology #astrology observations #tropical astrology #astro observations #spirituality #astro knowledge #short n sweet

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kirain · 1 year ago

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I want to take a moment to talk about Gale's "obsession" with Mystra, because I've had that thrown at me a lot when discussing his character with players who hate him.

First off, I'd like to emphasize a point that many people already know: Mystra groomed him. Though his exact age when she "slept" with him isn't known, a new document that's been supplied in the epilogue confirms he was merely "eight summers" old when she took him under her wing and sent Elminster to find him. Mystra, in fact, has a vast history of grooming little boys, to the point that many parents hide their sons from her gaze if they show an early aptitude for magic. Though Gale did have other lovers before her, Mystra was really all he knew throughout his childhood, and the power dynamic was not equal. It makes sense that he'd have trouble pulling away from her at first, especially since she convinced him that she/the Weave were his only value in life.

Second, I want to discuss something most players probably aren't aware of. In D&D lore, there's a place called the City of Judgement. This is essentially D&D limbo, where all mortal souls go to be judged after death. Bad news for atheists, if you don't believe in or worship any gods, you're known as a "faithless", and since no gods will grant a faithless entry into their domain, your soul becomes part of the Wall of the Faithless.

In short, a faithless' soul will be sucked into the wall, where it will guard the city and suffer endless torment for all eternity. This fate isn't only reserved for faithless, however; it's also a punishment for fallen Chosen or anyone who's been abandoned by their gods. Like Gale. He's absolutely terrified, and he tells you as much if you romance him. If you keep things platonic, he alludes to it during the "go to hell" scene. This is compounded by the fact that raiding demons sometimes attack the City of Judgement, tear souls from the wall, and drag them to the Abyss, where they're used to spawn new low-level demons or to feed their masters. There's no good ending, whether a soul remains trapped in the wall or not.

Gale doesn't explicitly say it, but he's contemplating his own death here, as he probably did the entire time he was locked away in his tower. This is why he's so quick to agree to kill himself for Mystra's forgiveness. It's not because he's "obsessed" with her or because he wants her back, it's because he'll literally go to hell if he can't convince her he's worthy of her twisted sense of forgiveness. By the time we meet Gale, he's honestly over Mystra in all romantic sense, and even more so by Act 2, whether you romance him or not. He's simply...

#bg3 #baldur's gate 3 #gale of waterdeep #gale dekarios #bg3 tav #tav #larian studios #elminster #all my homies hate mystra #dnd #d&d #astarion #lae'zel #wyll ravengard #shadowheart #karlach #mystra

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rosenclaws · 1 month ago

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Lost || Logan Howlett x Reader

summary: You risk your life on missions when you shouldn't. Logan can't stand it. He thinks it's because you want to play hero. It isn't until something shifts that he realizes there's more to it. That the two of you are more alike than ever.

warnings: Suicidal ideation, implied Self harm (scratching), depressive thoughts and feelings, self hatred manifesting in different ways, mostly the reader is very mean to themselves, the reader is having a mental spiral basically, poor eating, angst, injuries, hopeful ending.

wc: 3.3k

a/n: PLEASE READ THE WARNINGS! This fic contains very triggering topics and if you think that reading or being exposed to them will hurt you please DO NOT READ. I value peoples well being over this fic 1000%. If I'm being honest this was my own kind of therapy. The way I wrote the reader's thought process and feelings is a lot like my own. I've been going through it a little and I just needed to get something out. I would also like to disclaimer that I am okay! Please take care of yourself first and be gentle to yourself. If you need someone to talk to my dms and inbox are open or please consider reaching out to someone

Things worked like clockwork around here. The kid would go to class. Do their homework. Play outside. The adults would be training or teaching. Dinner was at the same time every night. Occasionally the team would get sent on a mission and even then things worked like they normally did.

Scott led the team with a plan, Logan usually ignored that plan, Ro got between them when their childish bickering got to be too much, and you all got home just fine.

"Again?" Beast is shaking his head as you hobble into the lab again. A pained smile on your face as Scott helps you onto the cold metal table.

"What can I say beastie, I just love your company." You groan as he gently touches your side. A sharp pain shoots through your body and dark spots cloud your vision.

"Broken ribs, definitely." He mutters as he writes something down. He asks you to follow his finger and you do your best.

"Concussion. Again." You wince as his tone grows harsher.

"Superficial cuts and bruises." The list goes on and on as you're examined.

"Can you just prescribe me some pain meds and let go? That's what we did last time." You ask and he just looks at you like a disappointed parent.

"We did that last time and the time before that and the time before that. This is your third concussion and I can't even remember how many broken ribs." You feel like a child as he starts lecturing you on safety and the dangers of missions and blah blah blah.

Look you get that this isn't great but you're an X-Man right? They help people by any means even when the world seems to hate them. So you're helping people by putting yourself in harms way. Even your teammates.

"I really don't understand why you continue to do this to yourself." Beast injects something into your arm and you flinch.

"Fuck! A little warning next time please." You rub your arm and close your eyes as the exhaustion is starting to catch up to you.

"No missions for at least three months." He says to Scott who you forgot was still there.

"What!" You shoot up and double over in pain from your ribs.

"Come on, you can't bench me for three months." You whine as you look at Scott.

"Our top priority is that you're safe and healthy firefly." Scott says and you scoff.

"No our top priority is helping people." He sighs and pats you on the shoulder. Great, is this another scolding? Beasts was like a parent but Scott was always more brotherly than anything.

"Firefly, We understand the want to help but you can't help people if you keep getting hurt. You throw yourself into danger without even thinking about it."

"So does Logan!" You protest but you know the argument is futile.

"Logan has rapid healing factor. You don't. Look, just take the three months okay? Please? We worry about you." Scott says with such sincerity it makes you feel a little bad.

"Okay fine." You mumble in agreement. Satisfied with your answer Scott leaves, letting Hank patch you up. You're silent as you think back to the mission.

It was dangerous. You weren't dealing with low level grunts or something. These people were deadly. They weren't going to spare anyone. Rogue and Jubilee joined the mission and as much as you loved them they weren't ready. The fight was getting messier and exhaustion was kicking in.

Out of the corner of your eye, you saw Jubilee and Rogue barely fighting off their attackers. Without thinking you jump in to help them. The calls to retreat came and you saw Logan come help the three of you. His claws sliced his way through.

"Get back to the ship!" He growled as he took down yet another man. Everyone else was safe except for the four of you.

"Go, I'll be right behind you!" You yell over your shoulder.

You put up a wall to block the bullets as you walk back. In your head you know how this plays out. You get on the ship and they shoot it down, killing you all. Or you don't make it. Or a million other ways it can go wrong. As Logan grabs Jubilee and Rouge and pulls them onto the ship he holds his hand out to you.

"We need to go!" Without thinking you take down you start to build energy in your hands. The wall wavers as the bullets continue.

"Quit fucking around and get in here!" Logan roars. Sorry Logan, you tend to ignore him anyways on missions. Which is how you tend to get hurt but you always end up okay.

"I got this!" You can hear Logan's angry shouting as the plane door closes. They had no choice but to listen to you. A bullet pierces your wall and rips through your side. You let out a cry as your knee buckles. Sweat pours down your face as you gather every last bit of your energy into your hands.

"Eat shit." You snarl as you make eye contact with who you assume was the leader.

You release the energy and it blasts through everyone and everything around you. The ship is safe due to protective measures but you aren't. The blowback slams you into the hard jet doors. A sickening crunch as your body hits the cold metal. Your vision becomes hazy as you hit the ground hard. Spots dancing in your vision as you crawl away from the jet.

Everything fucking hurt. You vaguely hear the doors opening again and the hands-on your face. Someone's talking to you but you don't register a thing they say. Which landed you back in the lab. Right now getting patched up.

"Thanks Hank." You say as you hop off the table. You decline any help getting to your room and awkwardly walk to the doors. To your surprise, Logan stands right outside of them. Arms crossed a really pissed off look on his face.

"Logan, always a pleasure." You flash a smile and he rolls his eyes. He stalks after you as you walk slowly to the elevator.

"Did Charles send you to check up on me or something because I'm really not in the mood."

"What the fuck were you thinking?" He snarls. He slams his hand on a button and the elevator stops.

"Logan I really want to go to bed." You groan as you try to push past him but to no avail. It was like a brick wall.

"No, you're going to shut up and listen. I don't know what compels you to be so incredibly stupid but you need to fucking quit it." You shrink under his harsh words.

"I've seen people like you before, always trying to play hero. You're reckless. Putting yourself into danger so you can be the one to save the day." You let him rip into you. Not speaking a word he slams his hand on the button and the elevator moves again.

"Nothing to say?" He rolls his eyes and storms out of the elevator.

"I'm sorry." You whisper to no one as the elevator doors close on you.

No one sees you for a while. You stay locked up in your room. Not even coming out for food. Every day some student brings food to your door and leaves it there. You wonder who told them to do that. Jean maybe, probably 'Ro.

Sometimes you take it just so they don't worry but other times you leave it there until the next plate comes. You spend your day staring at the ceiling or sleeping. Sometimes though you're too tired to sleep. Does it make sense? No but it's how you feel. Logan's words replaying in your head.

If Beast and Scott were like family, Logan was something more. As much as you tried to hide it your feelings had changed, evolved from friendly into something more. You cared so much about what he thinks of you even when you don’t want to. You can’t help it.

So his words cut deeper than anyone else's. You aren't trying to be a hero or take the glory. But maybe you are? Maybe you want that love and recognition from people, from him. Does it matter though? What your intentions were?

Apparently, you come across as an egotistical reckless person with a hero complex. It's not like that. You argue with yourself about it all the time. Shifting from hero to villain in an instant. You're selfish. You do it for attention.

No wonder he thinks that way. Does everyone else think so too? But you care. You're an X-men but you aren't one of the X-men. You're not the one people think of when they come to save the day and you're okay with that. Your expendable. Better you than them. Right? You've hurt people in your past. You aren't worthy of this life. This family. You need to prove yourself. Sacrifice yourself if needed.

The spiral won't stop. It never. Stops. You can't get it to stop. You just want peace. Just one day where you don't wake up and feel guilt in everything you do. A loud knock on your door rings through your room but you don't move.

"Hey." It's Logan. What is he doing here?

"Look I uh, I shouldn't have snapped at you. The other day." You can tell he's struggling to get his thoughts out. Not that he didn't want to do it, he just didn't know how.

"I was angry." He waits a few moments and you hear a frustrated growl.

"Come on firefly, you've been holed up here long enough." You roll onto your side to face the door. Looking at his shoes through the small crack in the bottom. He's pacing.

"Seriously I-er We're getting worried alright?" You don't catch the slip of his tongue. Too wrapped up feeling guilty. Again. Guilty for hurting your team, for not understanding what was wrong with you. Guilty for even feeling this way in the first place.

"I thought you should know that Remy's making your favorite dinner." You hear him sigh and walk away. More guilt creeps up on you. You're making everyone worry about you.

You're being selfish, just pull it together. Beating yourself up over and over again. As the sun goes down the smell of dinner wafts through your room. It doesn't normally do that so you suspect someone is trying to lure you out. Enough of this.

You get up and change your clothes. You stop and look in the mirror, trying to put on your best smile. You don't look very convincing but it should be fine. Peeking your head out you hear a lot of voices coming from the kitchen. You quietly walk into the doorway.

It takes a second but someone notices you and then everyone does. The talking dies down as they just stare at you. It's really uncomfortable. You feel terrible for making them worry. You don't deserve to be worried about like this.

"All this for me?" You joke and thankfully the room grows louder again.

You say hi to some of the people who come up to you. A plate is placed in front of you and you graciously accept it. Looking across the room you can see Logan staring at you. He's silent but watching your every move.

"So how's recovery coming? You've been taking bed rest pretty seriously." Scott says with a smile.

You know he doesn't mean anything by it but for some reason, it stings. Like you've been lazy or something. You're a mutant. Recovery shouldn't take this long. You're not putting in the work. You're wasting your time. You don't get to rest.

"Hey? Firefly?" You snap out of it and put on a smile.

"Going great, it's nice being able to sleep without interruption." People seem to accept that answer and the conversation moves on.

You pick at your food, moving it around your plate and chopping it up but never putting it in your mouth. It's your favorite meal but you just, can't bring yourself to eat it right now.

The room is so full of talking and laughter but for some reason, you feel a million years away. Like you're lonely. Really, really lonely. How can that even be? To feel so alone while being surrounded by so many people.

As dinner wraps up you quietly slip out. Sneaking out to the gardens instead. It's cold and you have no coat but you don't care. Some fresh air is what you need. Maybe the trees can tell you what's wrong with you. You find a small bench and sit down.

The stars shine so nicely tonight. You wonder what it'd be like to be a star. If it's freeing to be up so high. Or is it lonely? To lack the warmth of the sun and be a million light years away from each other.

"What are you doing out here?" Logan stands in front of you. You hadn't even noticed him.

"Nothing." He lights a cigar and takes a seat next to you. His legs spread out, knocking his knees into yours.

"So you wanna tell me what's going on?"

"What are you talking about?" You wrap your arms around yourself, trying to hide away.

"You may have fooled everyone else but I know somethings going on in that head of yours." You just shrug.

"I'm fine."

"Bullshit." Logan scoffs. You watch the soft glow of cigar ash tumble to the ground.

The light dies out as it hits the cold cement. He wants to help, or at least he wants to listen. For some reason, you can't get the words you. Anger replaces any rational thought. You want him to leave, to not care so damn much.

"Why do you even care? Last time I checked you don't do these heart to hearts." You snap.

The cold air bites your face and you shiver. Your nails scratch down your arms harshly. The slight stinging soothes you in some fucked up way. Logan notices and grabs onto your hand. Taking it and holding it in his warm one.

"Just leave me alone Logan." You try taking your hand away but he won't let you.

"No. You're right I don't do the sappy shit but this is different. It's more than you're letting on." You feel a pit forming in your stomach.

Everything in your body screams for you to run. To hide and put up your walls and ignore this ever happened. But then you look into his pretty hazel eyes. The rough and tough Wolverine was silently begging you to stay. To talk to him.

"I don't try to be a hero, It's not a hero complex, or a savior complex or whatever you want to call it." His thumb rubs over your hand as you talk. He wants to butt in but he lets you talk.

"I don't know. It's a lot. What goes on in my head." You start to count the blades of grass that you can see. Anything to keep you from breaking down.

"I don't care if I get hurt if I'm helping people. I just. It's how I help. My life is worth saving people. Saving you guys. I don't care if..." You trail off. You can't get the words right.

"You don't care if you die." Logan finishes. He swallows harshly. It breaks his heart to hear but that small part of him understands. More than you’ll ever know.

"Kind of. It's complicated alright? I'm not actively trying to die but...Look I don't think I deserve this life sometimes. I've caused a lot of hurt and I've lost so many people." Logan reaches up and wipes away a tear.

There's a lot of pain that sits with a lifetime of trauma. Pain that you've chosen to ignore over and over again. Burying it until you've convinced yourself this is what life is like. What you deserve.

"It's stupid right? There's so much that I should be grateful for. What right do I have to complain about?"

"You're a mutant, your life hasn't been easy."

"Yeah I guess." Logan doesn't let go of your hand. He holds it, squeezes it. Its warm and fits perfectly with yours.

"Life sucks, a lot. Trust me I understand. It's like the days blend together right? There's this massive hole that just seems to get bigger. You can stuff it with things, try and close it up or even pretend it never exists. But it never goes away." Logan says.

He understands because he feels the same way. Maybe not exactly how you feel but he knows what its like. To have this, hatred for yourself grow and fester until you can't breathe. You convince yourself that nothings going to change so why even bother?

"I just want it to go away." You whisper sadly.

"It will, we're tough. We survive."

"What if I'm tired of surviving? What if I don't want to be strong anymore?" You confess. You feel like you have to be strong all the time and it weighs you down like bricks. You're drowning.

"That's okay, you come to me and I'll carry what you can't." He pulls you in closer and you bury your face in his neck. He's warm, protecting you from the chill.

"Just please, promise me no more heroics on missions okay?" He mumbles.

You scared the shit out of him. You were bleeding and in so much pain. You couldn't even register that it was his hands on your face. That he carried you to the jet and held you while you went in and out of consciousness. He stayed by your side until you got back. He disappeared to the background as Scott took you to the lab. His worry and fear of losing you turning to anger. Wondering why you continue to put yourself in danger.

"Okay." You lean in and press a light kiss to his cheek.

"Logan, Can I ask why you're out here? How did you even notice something was wrong?" It's not that you weren't friends, in fact you were closer than most. But Logan isn't really the best with this kind of thing. Yet somehow, he always knows what to say.

"You mean a lot to me firefly..."

He could tell you that he loves you right here and now. Tell you that you're everything to him. How he's fallen in love with you over the years. But he keeps it inside. It's not the right time. Sometimes love isn't enough to get better and he knows that there's work to be done. He doesn't want to put this pressure on you to get better for him. He wants you to get better for yourself. He'll be by your side for the whole thing though. He won't let you spiral as long as he's there.

"You mean a lot to me too Logan." You smile, a real one this time. He caresses your face, tilting your head as his lips kiss your forehead. You giggle as beard tickles your skin.

"There's that sweet sound," He hums. He takes off his jacket and places it on your shoulders. The worn leather smells like him.

"You really think things get better?" You ask as you link your hand with his. He doesn't answer right away. He'd be a hypocrite to preach that everything's fine and dandy all the time. Sometimes he doesn't believe it himself. But he keeps going, every day. Just as you do.

"Yeah I do, I don't know when. But someday it will." You nod and rest your head on his shoulder. It might take a long time until you truly feel better but you can keep going. Waking up and living.

With a hope, no a belief, that someday. It will get better.

#logan howlett #logan howlett x reader #wolverine x reader #logan howlett angst #logan howlett x you

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ldrfanatic · 10 months ago

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Italian Theodore Nott Headcanons

So... by popular request (I think like literally one person commented on a post from ages ago) and also because I'm still working on my most recent part to the '13' Series (linked here) here's some Italian Theo headcanons to keep you sated.

sorry if this is inaccurate it's based off of my own knowledge of italians and what I think Theo would be like

slytherin boys masterlist works

So, unlike most, I don't think that Italian Theo would be a whore. Let me explain:

Sure Italian men like to flirt, (although Theo doesn't), but they do it because it comes so natural to them and because more than anything, they value their partner.

They're well dressed and take pride in their appearance (something Theo does do) but they don't always entertain the people of the heads that they turn

They also have a natural air of confidence that Theo has and doesn't even have to use

However, just because Theo isn't a whore doesn't mean that he doesn't have his own little clique of fangirls.

In general:

As a person, Theo is incredibly quiet. His English is not the best as he grew up in the Italian countryside and spends his breaks there. He spends most of his time observing, and the rest of his time, mentally translating sentences from English to Italian and vice versa (and yes that's exhausting).

He does however take food incredibly seriously (as most Italians do I feel). His favorite kind of pasta is Paccheri and he will die on the hill that the Italians were the first to make Pizza (who else could make bread, sauce, and cheese taste so good?). He was also incredibly shocked when he found out the drinking age in England was 18. Theo had a glass of wine with dinner every night since the age of ten.

Another thing he doesn't quite understand about England is the frequency through which they drink tea throughout the day. At most, he has a cup a day while some of his English friends have four to five cups a day and usually, one cup with every meal.

Theo also had a very strong connection to his mother. Now that she's gone, he spends a lot of time in his head with his memories of her. It's not all that shocking to anyone really that he doesn't quite have the time or the patience for girls.

Platonically:

As a friend, Theo is a little more open but not much. His two closest friends in the group are you and Lorenzo who's also Italian. He'll talk to either of you and open up a little, but only if no one else is around. He's a bit impartial to Mattheo although he does think the boy is a loose cannon and he actually secretly despises Draco and his blood purity nonsense as it reminds him too much of his father (whom he also hates). So yeah, he spends the majority of his time with Lorenzo and Blaise.

In regards to your friendship with Theo, he's a complete gentleman. He never sits too close in fear of startling or offending you. He opens all of the doors the pair of you walk through and carries your books to class when you have the same class.

In fact, despite being significantly more well mannered than any other boy in your year, the only thing that hinted to you that Theo felt anything towards you other than indifference were small smiles and shared secrets.

Romantically:

Before you even became friends you'd caught Theo's eye. The first time he'd noticed you, you were comforting a crying first year muggle-born that Draco had bullied to tears. You spoke so kindly and softly to the boy. Theo knew then that you weren't like everyone else in Hogwarts. Most people were too afraid to stand up to Draco but the next day, you punched him square in the jaw and told him to stop being such a prick.

The first person to find out about Theo's crush on you was Lorenzo of course. He didn't tease him for which Theo was grateful. Now as stated, Theo is an incredibly quiet person so it's not clear to you that Theo has crush on you.

Also, once Theo has decided that he likes you, other girls don't even approach him anymore. Not after the Ravenclaw incident. A Ravenclaw from your guys' year approached him and asked him out. He didn't even acknowledge her. Just stood up and left.

He does however, make an attempt to spend more time with you whenever her can. He sits with you at meals and during lessons, he asks you for help in charms (even though he's already receiving high marks, but you don't know that). He brings you soup when your sick.

The way that you find out Theo has a crush on you is actually really surprising for you.

Lorenzo came running up to you after Potions one day, completely out of breath. "Y/n! Come quick." He didn't give you any room to disagree as he grasped your wrist firmly and began dragging you down the corridor towards the courtyard. When you got out there, your stomach dropped.

For the first time since meeting him, you saw Theo fight. He had Addrian Pucey on the ground and was currently pummeling the poor boy. The scariest part was that he remained completely calm, cold. Mattheo and Draco were standing on the sidelines egging him on while Theo ruthlessly delivered blow after blow in dead silence. He didn't even wince as his knuckles began to split open and bleed.

Blaise was desperately trying to pull Theo away but he wouldn't budge. Finally, you snapped out of your stupor and approached the boy. As he was throwing punches with his right arm, you approached him from the left and placed a hand on his left shoulder apprehensively. "Theo."

At the sound of your voice, Theo stopped immediately. He didn't look at you immediately. Instead, he stood and kicked Adrian who was on the ground rolling in pain. "Stay away from her." The crowd dispersed as the fight ended. When Theo turned to look at you, his eyes were blazing. For the first time since you'd known him, Theo was burning with rage.

"Theo come on." He let you lead him away in complete silence. Worse than what Adrian had said to you, Theo was ashamed. He couldn't believe that he'd let his emotions take over like that. Now he may have lost you for good. When you finally stopped in a secluded corridor, Theo turned away from you.

"Theo?" He was silent and your concern grew. It wasn't Theo's usual kind of silence, it was a silence that made your heart feel heavy. "Theodore."

"Don't."

"What?"

Finally Theo turns to you and his eyes are glossy. It was startling almost, to see the normally calm and collected boy tearing up. "Don't do that tesoro. Yell, push me, hit me if you need to, but I'm not Theodore. Not to you."

"What happened?" He sighed.

"I overheard Adrian say something completely vile about... you. I couldn't let him talk about you like that. I'm so sorry. Please forgive me cuore. You are the only light in my dark life."

You reached out and grabbed Theo's hands in your own. "That's incredibly sweet of you Theo. But why would you do that for me?"

"Isn't it obvious! I am entirely and irreversibly in love with you. I cannot live without you and I will not allow anyone to say such things about you."

After that, Theo took you out on a date. Thanks to his Pureblood lineage, Theo's family was quite wealthy. And his father had always taken to making sure he was well cared for financially, perhaps out of guilt from his emotional abuse.

For your first date, Theo took you to a London shopping district with his Black Card. At first you refused to spend any of his money. That is until Theo became resigned to buy you everything that your eyes lingered on for more than five seconds despite all your protests.

To end the date, he treated you to a nice dinner and then brought the pair of you back to Hogwarts.

As your boyfriend:

As your boyfriend, Theo's go-to nickname for you is either tesoro (treasure). He spends a lot of time staring at you which Mattheo teases him endlessly for of course.

He wishes you could meet his mother, but he adamantly refuses for you to meet his father. Instead, he introduces you to his grandmother. She teaches you how to make pasta from scratch and you and Theo often sneak into the kitchens at Hogwarts to try and make it there.

He makes it pretty clear that you're the only girl for him. He even tells you one night how his mother's dying wish was for him to find someone that he loved wholeheartedly and who loved him as much. Theo knows that this person is you, and he has no shyness in telling you.

He hates to see you cry, but if for any reason you're feeling sad, he recites Italian poetry to you in a soft and devoted tone.

Questo nostro amore, vita mia

lo prospetti felice

destinato a durare per sempre.

Dei del cielo, fate voi che lei dica il vero,

che lo prometta sincera e dal cuore,

che si possa per tutta la vita

mantener questo patto inviolabile

(This love of ours my life; I predict will be happy; destined to last forever.; Gods of the sky, do what you deem to be true; that promises to be sincere and from the heart,; which can be for a lifetime,; keep this inviolable covenant.)

When Theo speaks his native tongue it makes you a little weak in the knees. The way that his lips curve around the words and his tongue effortlessly forms each syllable makes your heart swell.

Overall:

Italian Theo is a complete cutie with impeccable manners and expresses more romance in ten minutes with you than most men express in their entire lives. He sees you as a light that brightens his life that he will do anything to protect.

----

help this is so bad

#slytherin boys #slytherin #theodore nott #theo nott x reader #theodore nott x reader #theo nott #slytherin boys x reader #mattheo riddle #draco malfoy #lorenzo berkshire #blaise zabini

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alessiamalfoyzabini · 3 months ago

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Howl at Midnight

Pairing | werewolf!Jimin x human!Reader

Word Count | 7.5k

Warnings | +18, angst, smut, halloween theme, an apparently abandoned castle (don't trespass on other people's property 🤧), mentions of a pact made with the city's residents, poison, MC doesn't really have much choice 💀, forced nudity, dark themes and also yandere (?), underneath MC finds the situation exciting, bites and marks, sink the canines and drink blood, PWP, oral sex, pussy worship, dubcon, begging, virginity loss, unprotected sex (use protection!), vaginal sex, big dick, knotting, MC abandons herself to her fate (I think Jimin's supernatural nature contributes in MC's choices), eat cum, this is not for minors.

This fanfiction is dark and yandere, if you don't like the genre, don't read and if you are not of age, don't read.

I don't want to hear any complaints in the comments, thank you.

This does not reflect my way of thinking or living at all, it is just a work of fiction, it is like watching a horror movie, many of us love horror movies, but we would never dream of what we see in those movies happening in reality as well.

Simply put, this story was written for entertainment purposes, it should not be seen as a reflection of my values, opinions or morals. I absolutely do not condone such acts.

⤷ Summary | You always thought you lived in a quiet, small town. You never imagined that the locals would be able to keep such a secret for centuries, you fell into their trap… But it doesn't seem so bad.

➢ Author's Note | Hi, guys!!! 🥹

My best friend and I challenged each other to write a Halloween-themed story using the following keywords: werewolf - halloween - virginity - castle - poison.

I don't know why I came up with such a story, it was supposed to be something simple but my dark side took over WAY too much 💀

Anyway my best friend liked the story and suggested that I publish it, so here it is, I already apologize for any mistakes and for the plot which is not who knows what 🥺

Howl at Midnight was written for recreation, but I still hope you enjoy it ❤️

PS: I really didn't know how to classify this story, when in doubt I put the warning “yandere,” since there are behaviors that go a little beyond 😵‍💫

Permanent Taglist | @katherine-kookie, @btsuga-d, @reallygenerouskoala, @takemeaway5402, @velvet-stardust2002, @jimincrystal, @ke1k029, @kylafox09, @pantara, @themwordsblog, @angelicsmilesworld

It's a rather dark night, you think, as the flickering lights of street lamps barely illuminate your path. You and some of your friends have decided to spend Halloween night roaming the more desolate streets of your small town, rather than attend the party of the school's homecoming queen, the most popular and at the same time most hated girl ever by you and your friends, a common ground that has certainly welded your friendship.

You are reminded of the afternoon you spent at Glenn's house deciding how you would spend Halloween night; Glenn's initiative had been rather unique, since he was not a fan of that holiday.

“It will be fun, everything is so scary at night, we might even meet a real vampire! I mean, not like Edward Cullen, I mean one who doesn't sparkle-” but Glenn's excited monologue had been badly interrupted by his girlfriend, Claire, who had hit him over the head with a book, and who knows why, said book was actually titled Twilight. You remember giggling, willingly accepting that idea, but now...

“We were simply supposed to go for a walk, Glenn,” you mutter ruefully, looking around, “Do you want to tell me where you're taking us?”

The red-haired boy snorts again, settling into his vampire costume bought at a thrift store stall, “Come on Y/N, what would life be without a little thrill?”

Claire, for her part, nods in turn with a euphoric smile, as if she knows something you don't, prancing merrily dressed as a red devil among black lace decorations and lace.

“Life would be as it has always been, wonderful,” you blurt out nervously, freezing suddenly.

The asphalt has run out and the streetlights have stopped dimly illuminating the entire street, you are at the edge of the most talked about lands in your town. When and how exactly did you get there?

“Here we are, my girls,” you hear Glenn say, satisfied with his feat.

“What are we doing here?” you swallow, far from cheerful.

Answering you is Claire, “It's an abandoned castle and this is Halloween night, what do you say?”

You grit your teeth, shaking your head, “You're crazy, I'm not going in there!” you take a step back, your heart stirring, but Glenn stops you in a single moment.

“Where do you think you're going? I promised your brother I'd keep an eye on you,” he tells you sternly, and you know he's right, you can't just leave on your own, the streets are empty but it would still be dangerous.

“Don't you want to see what it's really like inside, aren't you the least bit curious?”

Short answer? No.

More articulate answer? Fuck no.

“Come on, don't be a wimp now!”

You snort, casting a glance at the castle in question.

It is as large as it is gloomy; the older inhabitants of the town have always spoken of the presence of various monsters within it, which is why the lands surrounding the castle are so large, preventing the actual growth of the otherwise large and well-populated town. Some of the land had been ceded to keep the monsters quiet.

That's some bullshit. And you're certainly not a wimp.

What will you find in there, maybe overgrown spiders? You shake your head, certainly nothing up to the Acromantulae seen in Harry Potter.

“I'm not afraid,” you limit yourself to saying, Glenn and Claire seem satisfied with your answer as they begin to step over half of the downed iron bars surrounding the gates of the immense building. It bothers you that they haven't bothered beyond you, but it's Halloween night; you can't really spoil their fun.

You hold on tightly to one of the rusty old iron bars, lift one leg trying not to fall off because of the bulky skirt of your witch costume, and end up straight on the ground covered with dry mud and grass, thank the heavens that it hasn't rained in the last few days, otherwise goodbye costume, although more like an elegant medieval dress and nothing more than that.

“Guys, wait for me!” you exclaim as you turn toward them, but you find yourself rolling your eyes.

The darkness is almost completely pitch black, only the moon high in the sky gives you some brightness in that open space surrounded by green trees and uncultivated grass. Your friends are not there.

“Please tell me this is a joke, please,” you growl, turning only a few seconds to climb over the railing, “Glenn? Claire?”

A shiver of unease snakes down your spine, as if someone - or something - is watching you. But you immediately banish the absurd thought. The Halloween atmosphere always makes everything quite scary; your friends chose that place for that very reason.

Imagining that you simply find them in front of the castle's entrance, you also wander down the path that actually looks like anything else by now. You will meet each other there.

The wind blows without worrying about your bare shoulders because of the dress's boat neckline; the cape had long since been taken away along the way. You bought it in an antique store and the elderly man seemed quite eager to get rid of it. He even gave you a discount.

The sound of falling leaves under the force of the draught is quite terrifying, especially now that you've discovered you can't use your cell phone. There is absolutely no service there, and isn't that how the best horror movies begin?

A frustrated groan leaves your throat, you don't have to think about it.

“Glenn?” you try to call out once more, but along the path echoes the hoots of an owl that is probably scrutinizing you with condescension, wondering why a silly girl like you is wandering around in such a desolate, godforsaken place.

When you arrive at the gates of the castle, you find yourself admiring the extraordinary Gothic architecture of the huge, ancient building made of stone and marble. The fact that it has survived over the centuries without any kind of restoration is a testament to the good materials that were used.

One by one, you walk down the stone steps, sudden thunder jolts you violently, and with fear in your veins you throw yourself toward the immense reinforced door, finding it ajar, a sign that Glenn and Claire must have already entered. You ignore the hint of annoyance, since they could at least wait for you, you must escape the sudden storm.

Wordlessly you notice the large, thick black clouds enveloping the sky, obscuring even the immense full moon.

You carefully close the ancient gateway, looking around the thick-walled atrium decorated with paintings that are surely worth more than your current home, not to mention the carpet you are walking on, though a bit worn, is definitely from the time of the castle's founding. You wonder which lord lived there and whether it can be traced in the history books.

“Claire?” you whisper, afraid of disturbing someone, but who exactly?

Sighing wearily, you really have no time or inclination to play along with your friends, you rest your hand on the wrought-iron railing of the staircase, beginning to climb so that you can find those two idiots as soon as possible and get home safely.

They say 'God makes them and then matches them up,' right? You mentally growl, well, you would’ve just wiped them out instead.

Between corridors that are not real corridors but dead ends, some narrow and some exaggeratedly large, you finally find the wing reserved for rooms, hating the enormity of that place.

“Hey, you ... are you here?” you ask, slowly opening a bedroom door with one eye closed and one only slightly open, fearing to find the two lovebirds doing strange things in the leto of an abandoned castle, because they would be perfectly capable of it.

But what you find is just a lavishly decorated bedroom absolutely empty of any other life forms but you.

“This is definitely a joke,” you chuckle mirthlessly, clutch your arms to your chest, and continue that unwelcome tour of yours, continuing to open rooms at random, with no more expectation of finding anyone in them, until you come to a rather large bedroom.

Quite different from the others, which up to that point had been yes, beautiful, but empty, lacking a soul.

This one was immense just like the castle itself, yet warm, thanks to the burning fireplace. The four-poster bed was adorned with red silk sheets, as were the velvet curtains tied to the solid wooden columns, on the walls finely decorated with gold paint were hung medieval tapestries, depicting hunting parties, running horses and wolves, wolves everywhere. One that particularly strikes you depicts two wolves and a woman in the center, they seem ready to bite her fiercely, you notice with discomfort.

High glass windows with curtains left open allow lightning to illuminate the entire room, followed by a terrible, howl-like rumble.

That horrible noise seems to awaken you from the sort of trance you fell into while admiring the surely master bedroom, and you finally take serious note of the burning fire. Why a working fireplace in a castle uninhabited for years?

“To many the night brings counsel, to me it has brought a lovely maiden, I see...” you gasp surprised and terrified, turning toward the silky, warm, yet slightly hoarse, almost growling voice.

A relatively young man watches you with his shoulder resting against one of the stained glass windows. You had not seen him. No. He was not there before, you are absolutely sure.

His dark, shiny hair has been grown down to his neck, some curling around his sharp, elegant jaw, the neck left bare by his unbuttoned, white shirt is a set of sinuous, sharp, powerful lines. The soft black pants do nothing to hide the wonderful figure of his long legs, his feet are bare, you notice. He feels perfectly comfortable, as if... as if that were his home.

“I-I... I'm sorry, it's Halloween and some friends of mine thought...” you try to explain with your hands clasped to the skirt of your dress, but you are immediately interrupted by the man's sophisticated, sassy giggle.

“They thought it was a brilliant idea to violate my property?” you pale at his question.

“We... the whole town believes the castle is uninhabited,” you reply with a shy breath, trying to justify them.

The young man breaks away from the glass window, slowly approaching you, you take steps back, inadvertently bumping into one of the pillars of the bed.

“And does it look uninhabited to you, little girl?”

Little girl? By the look of him, he wouldn't seem that much older than you, in fact.

Now that he has moved closer, standing only a foot away from you, you notice details of his face that you did not catch a few moments earlier.

He has high, pronounced cheekbones, and his lips seem so plump and soft that you blush at the thought of kissing them, his nose is well-proportioned and straight, while the peculiar shape of his eyes gives him a rather sweet and angelic air, although the fun written in them is anything but angelic.

“I didn't know, I'm really sorry, sir,” and it's true, the last thing you want is to be a nuisance to someone you don't even know, “I'll get my friends back and we'll leave right away, I promise.”

Dark eyes rimmed with long eyelashes watch you closely, before dropping to the rest of your body. Suddenly you remember the deep cleavage of your witch's dress, your skin burning under his watchful gaze.

“Right now there is no one else in the castle, except you and me,” he approaches again, you can feel his warm breath meet your neck, you shiver as the man clasps one hand above your head, around the pillar of the bed, doing the same with the other. This makes it clear how statuesque his physique is, compared to your more petite one, you also catch a subtle citrus fragrance, light and not cloying, is that him?

With a huge effort, you process his words, widening your eyes. No one else?

“But how-”

“In my opinion you made it all up, little girl,” he sneers, "Just admit that it was your curiosity that drove you here," but you shake your head, vehemently denying it.

“I really came here with friends!” you fret, you've never been good at handling pressure and this guy is not helping you at all.

“Oh, really?” a devilish smile makes its way across his soft, smooth cheeks, "So it's just a coincidence that you're wearing this dress?" you don't know how to answer the question, you can't, not when he lowers a hand over you, brushes the outline of your face with a finger, trailing down the delicate line of your neck to your cleavage, your rippling, shivering skin longs to receive his touch once more, you struggle to recover.

“Th-this dress?” you stammer in shame, his finger is still grazing your chest and you are doing nothing to push it away.

“Mh-mh,” he nods, pushing your cleavage down a few millimeters, enough to make you squeak with red cheeks, “How much do you know about this castle and its owners, little girl?”

Nothing, you'd like to answer, but your eyes already communicate your answer as he pulls back, finally letting you breathe. His scent still hovers around you, though.

“Year 1479, the people of the town of Howl enter into an agreement with the seven lords of Midnight, ceding a part of their lands to these noble lords and agreeing to send a virgin once every ten years, on the so-called Halloween Night,” he narrates, leaving you speechless, “In return, none of the townspeople would be hunted down and killed, does that ring a bell?”

“L-Listen to me, I really don't know what you're talking about, I definitely have to go now,” you nod at your own words, but the door slams shut along with a new and terrible rumble, an anguished cry involuntarily leaving your throat.

“The dress you're wearing is soaked in poison, little girl” the imperious tone terrifies you, automatically your body closes in on itself, as a kind of protection.

“This must definitely be a joke, it is Halloween after all,” you whisper to yourself with tears in your eyes.

“It's a security, for us. It ensures that the girls don't run away, because we are the only ones who can neutralize that poison” you don't know why the man started speaking in plural, you just know that you have to leave, even though something inside you is screaming at you not to. Because it could end very badly.

“You'd better take it off, your body might absorb more poison than is really necessary, the sooner we start the better,” he sighs, beginning to take off his white shirt, showing off a well-built, smooth chest and abs studded with thin scars lighter than his skin, swallowing without any more salivation, following long lines of black ink that weave across his pecs, forming some kind of mark, perhaps related to some cult.

“What are you doing!”

The man tilts his head, his soft hair following the movement meekly, and grasps the edge of his pants, running his forefinger and thumb over it defiantly as he watches you, “I'm taking what was given to me, little girl,” he sneers again, not at all impressed by your shock.

It was not uncommon for him and his brothers to be served girls who were totally unaware of their own destiny, they were tiresome at times, they would not stop shaking and crying, praying not to be deprived of their purity, but you smell so delicious that it might make him go beyond your dullness.

The fabric of his excellent quality pants slowly flows over the flawless skin of his toned legs, the blood rushes straight to your cheeks, and your heart misses a beat with a strangled “iiih” as you realize that the stranger has not only freely undressed in front of you, but is not wearing any underwear.

You've certainly never seen a naked man in person, but based on your anatomy books, that is definitely not a normal penis.

With a strange feeling of dizziness and no little embarrassment, you realize that even at rest, it is definitely big, with a swollen base almost as big as perfectly round testicles and such obvious purplish veins that you wonder if it is actually already hard, in its own way. Could that vibrant pink be an indicator? God, what the hell are you thinking?!

After a little dizziness your eyes fly to the closed door, you have to leave, run.

“Are you sure this is what you want?” he asks you, smiling with a hint of danger in his eyes, “Do you want to run? Run away from me? Know that this will only excite me more.”

You try to look away from his cock, with extreme difficulty, as he spoke, his cock had moved slightly, as if agreeing with the man's words. You ignore the slight jolt between your legs.

“If I can get through the gates of your property, will you let me go?” you propose almost shyly, staring into his sly eyes.

“Um... if I let you go, you'd die from the poison, but if that's what you want...” he shrugs, making you frown. The story of the poisoned dress might be bullshit to convince you to let him fuck you, but what if it's not?

You shake your head, it's all just a bluff. This man is clearly a pervert, maybe he gets off on fucking on such nights with stranger women.

“That's what I want.” you assure with a note of panic in your voice, the desire to escape is so urgent you can hardly think, “Open the door.”

But the man shakes his head, “Strip and I will leave you free to roam my lands until I find you.”

“I don't-!” the words die between your lips, his singsong expression gone, giving way to a sternness that clashes with his regal features, the difference making that contrast frightening.

“I like to play, little girl ... but I don't tolerate whining, don't make me angry, because I might decide to take you now, we have a bed available right here and now,” he hisses, clenching his fist against the polished wooden backboard of the four-poster bed. The more he looks at you, the more his balls throb fiercely; he's trying to control his desire; if his cock hardens, that's the end.

You're the first woman he's seen in 60 years, finally his turn has come, and there's no way he'll let you go. Do you want to play? He'll let you, but eventually you'll give in to his desires. The scent of your sweet virgin pussy makes his wolf growl, eager to get out to meet you.

Perhaps you sense something strange, because with trembling fingers you go to unbutton the side opening of your dress, a little sorry to him, the plunging neckline raises and shapes your breasts invitingly, though the stench of the poison with which it is imbued leaves him disgusted. An idea of humans to persuade chosen women not to flee, his eyes scroll over the ancient clock hanging above the door, the hands turn and you have just four hours to go before the poison takes effect, killing you. He would be sorry to see you die without having had a chance to taste you first.

“Tic-Tac, the clock is ticking, little girl... the slower you are, the more likely you are to die,” he informs you with a smile, your fear written all over his face igniting his loins; he has to restrain himself so he doesn't jump on you, and you're aware of that now, too.

Your eyes study his shoulders, they have stiffened noticeably, and with embarrassing speed you unfasten the last side button, letting the soft black fabric of your dress slip off like a veil, leaving you in your bra and panties. You start up under his eyes, which move to observe every nook and cranny of your body, from the soft breasts enclosed in the cups of the purple lace bra, going lower and lower, past the delicious curve of your hips to the tightly clasped mount of Venus covered by more purple lace. You yourself realize that for a man who wants to possess you, that kind of lingerie might make you look like a neatly wrapped gift in his eyes.

“Don't stop,” he tells you hoarsely, his eyes veiled with glowing lust.

The blood leaves your veins; if he were to take you, you would already be ready to receive him. As your fingers move to get rid of your bra as well, you realize you don't find it such a disturbing idea after all, even when you finally pull down the light fabric of your panties, showing off something no boy has ever had the honor of looking at, his nostrils flaring as if to inhale something in the air, you are aroused.

“You'd better start running, little girl, I'm going to give you exactly twenty seconds head start,” his voice comes out as a guttural sound, making you widen your eyes and really run, when the door suddenly opens wide.

You don't even wonder what strange contraption he used to close or open the door without having to physically do it, you just know you are definitely in danger.

Every nook and cranny of the castle is an unknown, he owns it, he may know passages unknown to you; therefore, you always try to wander the corridors with no visible openings. A tense, animalistic roar makes you scream in terror, with spirited eyes you look down the stairs, you are close to the stairs to the hall, the door has not been locked, you just need more time, you can make it.

You sling yourself barefoot down, almost tumbling from your haste and throw yourself out, skipping the stone steps and then to the wild path, short of breath and fear dictating your decisions, you remember it took you a good twenty minutes to get to the castle, but walking the whole path is out of the question, it would be too obvious and easy, you necessarily have to lengthen the path and consequently put in more time to get away from that terrifying place.

With horror you realize that you don't know where Glenn and Claire might be at all, would he hurt them if he found them?

Of course he would.

You don't know the man, but you have noticed all too well the bestial aura around him; he is someone capable of harm, and he will harm you if you cannot escape him.

Your feet step on scattered branches on the ground and you whimper trying to ignore the pain, another roar - or maybe it's a howl? - rips through the air, mingling with the howls of the rushing wind, and you stifle an anguished cry.

Scratches open along your body, trees ravaged by bad weather and never tended seem to want to block your way in every way possible, and the darkness certainly doesn't help.

Like a wounded animal you limp aimlessly, not imagining the hunger of the ravenous beast that sneers at the scent of your blood.

You feel tired, sluggish at times, your peripheral vision somewhat obscured, an excruciating doubt makes its way into your mind. Could it be that the story of the poisoned dress was true?

But why sell it to you, how could the seller have known that your friends would take you to that castle on Halloween night?

You begin to stagger, a sharp twinge in your head stops you, it is so painful that you collapse on the icy, muddy ground.

You realize you are screwed in every sense of the word when a weight suddenly crushes you to the ground, you scream in terror and wide-eyed, trying to shake it off.

Jimin doesn't think twice about clasping you in his vigorous arms, burying his nose on your neck damp with cold sweat, the accelerated beat of your heart rumbling in his own chest, driving him to moan with need. He presses himself against your soft curves, basking in your feverish warmth despite the stormy, icy night.

“Don't hurt me,” you shake your head with your eyes closed, trying to fight the unusual fatigue to plead with him, "Please, I was wrong, forgive me...I won't come back here again, I swear," the boy snorts against your flustered skin.

He reluctantly lifts himself up to allow you to turn toward him, you find some strength to open your eyelids wide, being invested by his sometimes divine appearance. His eyes, no longer as black as you thought they were, are tinged with an extraordinary shade of gold, he watches you from receptive pupils as you notice the grin on his mouth, a mouth larger than you remembered. There is something strange, not human, about him now. And despite the run he must have made to keep up with you, he doesn't have the slightest hint of fatigue in his breath, he's as fucking fresh as a newly bloomed rose.

“You're dying, little girl,” he hums, shaking some hair off your forehead, you lose a beat at the sight of long claws where once there were short, well-manicured nails.

The claw grazes your skin unhurriedly, you feel it scratch without hurting, you anxiously lick your lips closing your eyes, you are so sleepy that you even willingly accept your fate, Jimin snorts through his nose, almost laughing, before lowering himself onto your jugular.

It would be really easy for him to sink his canines into your flesh and bite your throat to rip it out, but fortunately for you he is not a vampire. All he wants is to sink his cock into your pussy and make you cum repeatedly, but if you died it would be hard to put his plan into action. He wants you alive and receptive.

He licks a long streak of saliva onto your delicate neck, heedless of the dirt that has stuck to your skin, before gently biting you. Your reaction is immediate, you start sobbing like a puppy at the feel of his fangs penetrating your flesh, you cling to his shoulders trying to move him weakly from you, and you kick awkwardly with your legs, legs that are locked in a vice grip by his. That way it is easy to feel something hard and heavy pressing against your belly, you try not to think about it as the man seems inebriated by the taste of your blood flowing straight down his throat.

The bitter taste of the poison is revolting, but fortunately your blood has such sweet notes that it counterbalances that horrendous taste in a balanced way, here, now he just has to lick your wound thoroughly. He collects the last rivulets of your blood with his tongue, before dripping his saliva into the tiny holes created by his sharp canines, little holes that begin to close with light smoke, cauterizing the wound and partly removing the poison toxins from your blood.

With no longer a grip on your throat, your head falls limply back to the ground, you gasp trying to fight off the shock of such an experience.

“Mpf!” his tongue invades your mouth treacherously, the taste of your blood making you squeal on his lips, so unfairly soft and pleasant to the touch. The hot and unusually long muscle pushes into your oral cavity eagerly, saving your life has as if awakened the more primal side of Jimin, one of the seven lords who unleashed hell in Howl's town. And the mating ritual has begun, but you cannot know this.

You break free by gasping for air, “W-why?” you stutter breathlessly, “You don't even know me!” you cry as you drive your nails into his forearms, triggering in return a reaction of possession in him, prompting him to grab your thighs and lift them onto his shoulders to your profound horror, he is so wild as he spreads your legs wide open to sink his face in between them that you can't utter a single breath.

As he runs his tongue along your pulsing, hot folds, Jimin realizes with nastiness that during your escape you got wet for him, he had smelled your arousal as he pursued you, on some people the quickened heartbeat has that effect, but the sweet and slightly salty taste of your juices are now a definitive proof for him. And you can't deny it, you love how he teases you by slowly sliding around your swollen clit, plays with it by holding it between his lips and then releasing it after sucking hard, almost biting it. He tortures it by pricking it quickly with the tip of his tongue and then returns to lapping your thick juices from the soft slit, which seems to melt every time that devilish tongue penetrates it, managing to lick and stimulate walls that a normal tongue could never reach.

You shyly move your pelvis against his face, your thighs stained with your arousal tremble against his cheeks, and a terrible heat makes you pant desperately. The man abandons your slit to push himself again against your unbearably sensitive folds, they are so moist that you can hear the noise they make every time that cursed tongue stimulates them to push a few millimeters toward your clitoris, never reaching to touch it.

“God!” you curse, suddenly reaching out an arm to grab his hair, not recognizing yourself when you desperately push him against your pussy, longing for the pleasure he was spoiling you with at first.

His arousal makes him grunt like a wounded animal as he sinks into your core with languid, sensual movements, rewraps your desperate clit with his lips and tongue before continuing with more direct, zigzagging movements, crushing it at times with the flat part of his tongue and then flicking it with the tip soon after. He would never stop kissing and licking you like that, his tensed cock vibrating each time he eats you up a little more, delightedly swallowing your juices, enjoying retrieving them each time they flow between your wide-open, rosy thighs. A clearer, liquid substance squirts slightly out of your slit, causing you to shake around his head, you clench your lower lip between your teeth with tears sliding down your flushed cheeks, you are instigating Jimin to pleasurably hurt you, and the funniest thing is that you don't even notice.

Finishing licking some of that shiny, transparent substance from your inner thigh, the boy moves up your body, biting slowly at the flesh of your belly and then higher and higher to the softness of your breasts, titillating a turgid nipple before pulling it between his lips.

“W-What are you doing to me?” you gasp, wishing he would never stop adoring and cuddling your body, why? Just moments before you were running from his clutches, why are you lifting your pelvis now, inviting him to take you as if you've been waiting for this all your life?

“Are you just...” he murmurs, before kissing your chin with his devilish lips, "Responding to your desire" he kisses your mouth again, an electric sensation forcing you to comply, chasing his tongue with yours, collapsing to the spicy taste that is now all over his mouth, your taste.

With half-closed eyes you realize that the dark lines of ink are moving, taking the shape of a wolf watching you, you have no way to comprehend the unsettling sensation that invades you. The man, with one hand pressed against your bare back, forces you to turn away without you having any say in the matter, you find yourself with your face to the ground and the wind blowing down your back, shivering under his fiery, golden eyes, your legs trembling from the effort to keep you on your hands and knees, fighting the sweet pain pulsing in your naked pussy.

“Now hold still, little girl,” he murmurs in your ear in a husky voice, sensuously pumping his cock with one hand, swollen veins pushing against his palm, which squeezes along the entire shaft to the base, then back to the thick tip from which he is already dripping his thick cum, "I need to get all the venom out of your pretty little body, am I right?" he sneers, positioning himself at your entrance.

You open your eyes wide, panic stifled by arousal, but it's still there nonetheless, clenching your fingers between the grass and damp earth, rubbing your knees against pebbles that make you moan in pain. The length of his cock begins to push against your slit, forcing it open for him, a choked cry leaves your throat, feeling your walls that, despite their wetness, struggle to let him in.

“You're still so tight,” hisses the man unfamiliar to you, "I must spoil you some more, huh?" he chuckles, sliding his hand between your legs, using his index finger to stimulate your throbbing bud, you gasp arching your back and raising your buttocks toward the man, who takes the opportunity to plunge his cock another inch into your entrance, which throbs and squeezes him rhythmically, almost making him lose control of the situation.

The sensation of the claw grazing your folds each time he presses and massages your swollen clitoris brings you almost to the edge, you feel a wild sexual desire, something you never experienced even during your teenage years, a crucial period of sexual development.

“Go ahead, please!” you exclaim breathlessly, pressing your forehead against the ground, every single millimeter that moves inside you without really penetrating you is like torture, your index finger moving languidly, and you're going fucking crazy.

“Are you really begging?” he teases you, you grit your teeth until it hurts, but finally you give in.

“Please... fill me, take me!”

“Do you want it?” he asks again, pulling the tip almost completely out, the only part he had managed to get in, you clench your legs desperately trying to recover what your intimacy has lost.

“Yes! I want it! I want your cock, I want it to fill me all the way, and I want it now!” you growl with an anger that burns under your skin, looking at him from behind, his face is an emotionless mask, but his eyes...oh, those never lie, you read the fire of desire in them, he's suffering that anticipation as much as you are. Bastard.

“You begged for it so well, little girl... I'll just have to satisfy you,” the cavernous tone clashes with his appearance, but it anticipates what happens next and leaves you breathless, abandoning your contracted clitoris he grips your hips tightly, almost penetrating your delicate flesh with his claws, pushing himself into you with a vigorous thrust, instantly breaking the thin membrane at your entrance, effortlessly. The burning that follows makes your eyes water, your body instinctively trying to escape the man's savage assault, suddenly realizing that you have lost your virginity that way, out in the open, sweaty and dirty, just like an animal.

The man on top of you hisses and makes strange deep sounds, inebriated by the sensation of his throbbing cock finally and completely squeezed between your trembling walls, trying to adjust to the abnormal size. You gasp whimpering, moving your pelvis trying to disentangle yourself from the overgrip, his claws are hurting you, but he doesn't seem to want to let go, not now that he is buried so deep.

With a grunt he thrusts out slightly, watching as your pussy instinctively clings to him, as your thick juices and virginal blood wet his entire length, lubricating him. Leaning toward you, he lets a long trickle of saliva fall back between your buttocks, slipping between them reaches the point where you are joined. He thrusts back into you forcefully, striking deeper and deeper, and you feel every detail of his cock penetrating you and thrusting higher and higher, touching points so delicate and sensitive that you howl meekly, like a she-wolf offering her whole self to her mate, the pain has been replaced by the need to be possessed, you move against his pubes with urgency, the thread of pleasure is getting thinner and thinner, you feel incredibly wet, practically soaked, and the sounds of your union are so obscene that you are shamefully aroused. Your walls flutter drunkenly with pleasure, at one point with the thick, red tip he manages to hit the entrance to your cervix with precision, you stiffen whimpering breathlessly, and Jimin collapses on top of you, continuing to move his hips tirelessly and with spellbinding sinuosity.

You take it so well that it is impossible for him not to want to have you again and again, throwing back his head to be hit by the moonlight that increases his desire, his pupils widen and he feels his testicles clench with urgency as the base of his cock swells, making him shake all over. Without a second thought, he begins to enter you with deeper and longer thrusts so that his whole cock sinks into you without any more constriction, he hears you panting and crying and this only causes him joy, you are completely abandoned to him and your sensations.

You're about to come, you're not so ignorant that you don't know what's happening to your body, you've even heard of intense orgasms, but this... god, this is going to be devastating, you know very well. It's nothing like the ones you had with masturbation, this one is deeper, snaking through your lower belly and you feel it in your uterus. You stiffen all over, trying to block the erection that keeps pinning you down between hard, sensual thrusts, every time it touches your cervix you risk going crazy.

“Don't stop me, little girl... It's here, isn't it?” he gasps at you, slamming into you once more, high up between the entrance of your uterus and another sensitive area that makes your clitoris and walls tear with intense pleasure, your toes curl and you can't help but nod desperately, "Alright, love," he replies without even realizing it, kissing your bare, sweaty shoulder, his knot is almost complete, but he wants you to come before he gives you his cum.

He teases a sensitive, turgid nipple with the tip of a claw as he reaches the point of your union, massaging your folds to help you come, though with a hint of naughtiness he doesn't dare touch your clitoris, he wants you to orgasm on your own, knowing that the intensity then will be greater and you will collapse weak and distraught in his arms.

“Oh, fuck-!” you widen your eyes, being hit by a pressing and beautiful sensation of jouissance, sucking him furiously into you amid tremors and searing waves of pleasure, the same clear liquid as before leaks from your slit, this time in a greater quantity, causing Jimin to grunt as he is run over by your jet, slamming into you almost brutally, streams of his cum fiercely fill your core, as if to mark you for life, and finally his knot swells completely, locking him inside you.

Although immobilized, he cannot stop coming, his testicles quivering violently, and only one thing could quell his aching desire. With his eyes now almost completely encompassed by the black pupil, he pushes your hair away from your neck, exposing your previously tortured skin.

“Why does this go on?” you ask feverishly, confused by the enormous weight widening your walls and locking his big cock into you.

“Sssh” he rubs the tip of his nose against you, making you shudder, "Just wait a little longer" his words are followed by an excruciating twinge, his grown canines penetrating like blades into your skin and sinking into your flesh amidst your shocked and submissive screams, your body surrendering to his force, instinctively submitting and waiting for him to finish marking.

Jimin loves blood, your blood, it pleasantly bathes his tongue with its density and sweetness, he moans with need as he loses himself in your scent, instinct commands him to move his hips once more, even though you are both locked together, with a weak moan you take in the last strings of his cum, resting possessively in your belly, you feel heavy and unbearably full, but at least he seems to be finished, you feel him relax as he once again licks the holes left by his teeth, healing them. He looks like a wolf cleaning up after his mate after mating.

“What are you?” you ask wearily, by now surrendering to the idea that the man cannot be a mere human, that probably everything he has told you, from the poison-soaked dress to the deal with the town, is real.

“Jimin” you hear him grunt at such a low frequency that if you hadn't been alone, you probably wouldn't have heard him. You snort weakly.

“I asked you what you are, not your name,” you murmur, the strange, heavy weight preventing you from moving, hissing as Jimin moves awkwardly between your legs, putting you in a more comfortable situation, letting you rest against his chest lethargically, occasionally kissing the back of your neck and licking your neck, or behind your ear.

You'd be lying if you said you didn't like all that attention; you feel a delicious bite around your heart as you cling to his embrace, protected from the evening chill.

You don't know exactly how long you spend like this, maybe forty minutes, maybe an hour, the fact is that finally that thing between your legs seems to melt away, making you sigh almost strangely.

Jimin gently untangles himself from you, leaving your warm shelter slowly and with a feeling of emptiness that stuns you, your legs finally relax and you try to move them to regain some mobility, you feel his cum pushing to come out and two of his fingers enter you, plugging your entrance. No claws, you notice as he slowly turns you around.

You hiss at the burning, your knees are completely ruined, but Jimin begins to sprinkle them with kisses and saliva, the man is back between your thighs again, you can see his long, wild hair shining as he licks and sucks your skin from time to time, all the way to his fingers, he moves them slowly inside you and you twitch involuntarily, closing your eyes at the warmth of his tongue licking a thick streak of cum and juices dripping roughly from you, pushing it down to your hypersensitive clitoris and you moaning in pain.

“Don't do it,” you gasp, closing your legs tightly, but he doesn't give up, grabbing your chin between two fingers and forcing your mouth wide open, your heart faltering with a strange emotion, you let him spit all his creamy load into your mouth, running along your tongue with a surprised cry.

“Swallow,” he orders with a gleam of interest in his eyes.

You do as he tells you, wanting to please him in every way possible, accepting him back into your mouth for a slow, intimate kiss. It is also dominant and sweet, intense.

“I'm Jimin, a werewolf and also one of the masters of the castle,” he explains pushing you against his bare chest, you hug him back as if it were the most natural thing in the world to be there, clasped to him on a bed of dry leaves, "You are my mate, it's no accident that you were chosen ... being a virgin at your age is unusual for humans, but not for us wolves, you waited for me," he emphasizes with fire in his eyes.

“But ... my friends?” you can't help but ask, which makes him chuckle.

“My people have learned to be among humans, they recognized you by scent and led you to me at the right time, they are fine,” he informs you with a caress, “In fact, you should worry about yourself,” he says with a note of reproach.

“H-How?” fear advances again.

“I've waited too many years for your birth, little girl... it's time to repay the wait,” he hums as something hot and hard returns against your belly.

“Jimin, wai-!” too late, the tip of his cock captures your entrance again, this time with more ease and the next thrust has you writhing against him with tears in your eyes, “Oh, shit!”

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mamawasatesttube · 11 months ago

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you guys i have so many thoughts about tdr. i have so much to say. like i don't want to be super mean but dude that comic fucking sucks and i can't lie i think it made me kind of homophobic actually

#my stance up to now has been that i don't really care about tim/ber but now that i have read this. dude...#it sucks that they gave a canon queer tim narrative to someone who uses homophobia as shock value and virtue signaling points #and who actively tears down characters who don't like her special little uwu flawless oc (kate im so fucking sorry)#there's no substance to this relationship i don't see why they even like each other #bc she keeps just stating oh they're perfect they make each other so happy but she doesn't like. show that at all #and i HATE the shock value homophobia like i cannot overstate how much i hate it #oh these random cops are homophobic (that's how you know they're BAD!)#oh bernard's parents are homophobic (that's how you know THEY'RE bad too!)#it's so hamfisted and it reads like such. cheap storytelling #especially bc tim as narrator doesn't even get to have ANY thoughts on his own queerness or seeing this homophobia in the world around him #and then she can't go more than two pages without being like BTW BERNARD IS THE BEST EVER AND TIM CAN'T STOP THINKING ABOUT HIM #while against this ugly backdrop of shock value homophobia #there's no substance to this relationship. why do they even like each other. it just falls apart if you examine it at all #because she just is fundamentally incapable of writing either of them as people with character flaws #for fucks sake she can't even be consistent with tim's BASIC character tenets. ''i always dreamed of being batman'' false lmao #but then to follow it up with ''i never wanted to be batman i always wanted to be my dad''#and then on TOP OF THAT to make the Only mention of Jack drake and his impact on tim's life ABOUT BERNARD AGAIN.#yeah sorry im a hater now. this was shit tier #rimi talks

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twisting-roads · 3 months ago

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DEBUNKING COMMON RAIN WORLD MISINTERPRETATIONS

The target audience for this was for people who don't know too much about the game as well, so I'm going to explain things that a normal player might already know.

Rain World is known for how it simply throws you into the world with almost no tutorial, and is often praised for it.

But this lack of explanation if you do not go out of your way to find it has also lead to a lot of misinterpretations from those who did not read all the game’s available information, or misunderstood what they were being told. I used to watch some RW lore videos that would explain and summarize these things, and in the past I believed them.

I’ve since stopped doing that after having some time to actually process what I’ve been reading, and I’m here to say...

YOU ARE ALL WRONG ABOUT RAIN WORLD.

Ok, hyperbole. Not everyone believes these, and art can always be interpreted in different ways by different people, and I won’t stop you from having these beliefs. But also, there’s plenty of ingame content which completely disproves most of these unsubstantiated points from those who do not fully research the game before making videos about it.

Looking at you Tale Foundry…

The purpose of this is to pick apart some of the sadly far too common points I’ve heard many times before from Youtube videos, to Tumblr posts, to people I’ve spoken to on Discord.

Starting with my least favorite…

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“The 5 karma were seen as sinful”

Obvious westernization of a game based off fucking Buddhism aside, there’s no ingame text directly supporting this claim. There isn’t any that says otherwise, but we have good reason to believe this isn’t the case.

The 5 natural urges, as they’re sometimes called, were NATURAL. They were what bound you to the cycle. They never worsened your life or made you a terrible person should you keep following them, but an aspect of life on the same level as suffering or ecstasy.

Hey, I’ll break down the 5 karma and their meanings to show you that they're not just "sins"

I believe the natural urges have 2 different meanings: an animalistic one, and a more “human” one.

KARMA 1 This obviously represents violence, as you see one guy stabbing the other. I believe it also represents competition and intense emotions, For example: Artificer experiencing intense grief and lashing out in violence as a result. It was not the violence that started it, but her emotions. (Yes, its Downpour. But it’s a good point.)

KARMA 2

They’re having sex. They’re fucking. They’re- ok you get it. Karma 2 represents reproduction. But, I also believe it’s desire. Joyful bodily experiences, and such. The 2 figures seen here are in a much more playful pose than if they were simply doing this only to reproduce. No, they’re having fun.

KAMRA 3 Connection. Bonding with others. Yet also trade and personal belongings. Attachment to things that are not yourself.

KARMA 4 It’s mentioned ingame that this represents gluttony It’s overindulgence, you know. Similarly to karma 2, it can also be searching for fulfillment. I'm not particularly good at telling what the meaning of this could be.

KARMA 5 Self preservation. Self preservation can come in many forms, from an animal running away from a predator or somebody getting defensive after being accused of something or being threatened, this one is rather vague about its meaning.

I do this to show that the 5 urges have very NEUTRAL meanings. It being positive or negative is entire dependant on context. They’re not sinful, get out of here with that Catholic shit!

The 5 karmas have both positive, negative, and neutral contexts which they can fit into.

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“The ancients hated being alive”

The ancients simply hated the cycle itself and its unknowable properties, as well as being much more aware of things like karma and the urges. Rather, they valued being effortless to disconnect themselves from this cycle.

“This was an eternal dilemma to them - they were burdened by great ambition, yet deeply convinced that striving in itself was an unforgivable vice. They tried very hard to be effortless.” – Bright Green Pearl (DS)

Some practices did of course include things like starving yourself, but as mentioned by Moon, these methods proved to be mostly obsolete. Void Fluid fundamentally changed their culture from what we see. Rather, we do see the ancients enjoying life and valuing it in their own way, which is INCREDIBLY important to some of the games themes, but I’ll get into that later.

"[...]'In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids[…] Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane.The assorted memories and qualia include:Watching dust suspended in a ray of sun (Old age). Eating a very tasty meal (Young child). Defeating an opponent in a debate contest, and being applauded by fellow team members (Late childhood/Early adulthood).’...and the list goes on. I'm sorry, little creature, I won't read all of this - the list is six hundred and twenty items long.” – Deep Magenta (SH)

There’s quite a lot to pick apart here, I had to cut down some parts short, but even the cut parts have important details. Just not important enough for me to bring up here.

The Memory Crypts we see ingame are… well where memories are kept. The qualia (personalized experiences) is stored within these mutated fleshy neural organisms referred to as “cabinet beasts”. These of course, contain the “living memories” or qualia of those who have ascended. There are people smarter than me who have already covered these ideas of course, so I won't go TOO indepth.

The ancients greatly valued titles and achievements just as us. They still lived normal lives. As well as this, they valued personal experiences and memories of the carnal realm so much they built an entire citadel to store memories.

As we can see as well, Seventeen Axes has quite a lot of enjoyable memories from throughout their life. Eating nice food and winning a debate contest and getting validation from their peers? That sounds rather… complacent with the 3rd and 4th natural urges, doesn’t it?

I do not believe this screams “I hate being alive!” as much as people have made it out to be, and is honestly ruins part of the game’s messages of compassion and personalized experiences, especially in the game’s ending where Survivor dreams of home.

“You have no name. I once had! I was embalmed, adorned, readied for the journey. So proud. There was jubilation! My name was sung, loud and clear. Did they know? That I didn't quite leave, didn't quite stay? Should I be ashamed? That I linger here, where my memories are kept? Should I be ashamed that I now envy your flesh prison?” - Four Needles under Plentiful Leaves

This is leaning into personal theory territory, but...

I personally believe that the ancients were somewhat terrified of the unpredictability of the cycle and the fact that life would always have more suffering in it.

RW’s religion is heavily based off Buddhism. This is well known of course. The Cycle is a variation of Samsara. Now, I’m not Buddhist, and I’ve tried to do my research about some of these topics. Feel free to correct me, I’m simply going off what I know. (Also I'd love to hear what you have to say regarding your thoughts on the game!)

In Buddhism, each new life you could be taken into the body of an animal, or even end up being tortured in hell for a very, very, VERY long time if you made the wrong decisions, which made escaping it as soon as you could seem like a rather reasonable thing to do.

The ancients never fully grasped the scope of the cycle, and the prospects of having your soul wake up in the body of some miserable worm with no memory of your past or any ideas of your future might’ve seemed bleak.

Suffering is inevitable. But that doesn’t mean they hated being alive, like I said before.

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“Rain World is post-apocalyptic.”

It really isn’t. There was never any apocalypse. The ancients simply left on their own accord, leaving behind their mark on the world that will slowly be buried once again in the ever so present cycle.

“The bones of forgotten civilizations, heaped like so many sticks.” - Two Sprouts, Twelve Brackets

The world is thriving, even. The purposed organisms left behind have evolved and taken over and become it’s own ecosystem.

The iterators are dying though. Dying very slowly, but soon they’ll all decay and everything will move on.

It’s all just another manifestation of the cycle.

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“The creatures in Rain World cannot die”

This is definitely something I hear from people who haven’t played much of the game and only hear about it from outside sources and watch the gameplay.

Yes, it is easy to believe this. As slugcat, when you die, you wake back up again. This is entirely a gameplay thing and not actually related to the lore. Saying this might seem like I'm avoiding the question at hand here, but the rules that apply to you do not seem to apply to other creatures.

Every creature in the game has a 4 integer ID (it can go higher, but not in a standard playthrough).

This makes every creature you see an individual of sorts with its own randomized values or appearance.

As well as this, creatures spawn from specific marked dens. When you kill a creature that spawns from a certain den, the next cycle, that creature’s ID will never appear again. Instead, the den spawn is replaced by a creature of the same species with a different ID, or a new species entirely.

Through gameplay, you see that the respawn rules that apply to you do not apply to other creatures. I’ve heard many points about how these dead creatures are transported to another alternate universe where they are alive, but I really do not want to delve into that theory. You do that yourself.

Excuse my unprofessional language, but this is kind of stupid. Billions and billions of little timeline splits accounting for every single insect and microbe that dies seems far too complex of a solution. Occam's Razor and all that.

With this gameplay element you see, I also want to give LORE explanations as to why this is incredibly stupid.

1) If death had no impact, the 5 natural urges would not matter

If no creatures died, there would be no point in eating (karma 4), competing with other species (karma 1), or any form of self preservation (karma 5). Reproduction (karma 2) has no role and there would be absolutely no reason to do anything any longer. All natural processes would be useless.

2) Light Blue Pearl

The information received from the cycle is most likely from the Light Blue Pearl, found in Outskirts.

“[...]The repeating mantra is important because it symbolizes the cyclical nature of life and death, and the termination verse is a symbol for ascension above and beyond it. I don't know how familiar you are with the nature of life and death, but I imagine like all living creatures you have some intuitive knowledge? Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring. Some ramble in agonizing longevity. But the basis is agreed upon: like sleep like death, you wake up again - whether you want to or not. This is true for all living things, but some actually break the cycle. That doesn't apply to you or me though, you are too entangled in your animal struggles, and for me not breaking that cycle is an integral part of the design. Our mantras keep repeating.”

“Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring.“

This line is very misunderstood. Moon specifically mentions birth and death. She mentions death. She never brings up the notion that nothing truly dies either.

As well as this, Moon says that “some say”, implying that even the ancients weren’t sure what the cycle was either. This is more important to my point regarding how the unfathomable nature of the cycle was why the Ancients were so averse to it from above, though.

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“Sliver of Straw found the solution.”/"There is/isn't solution"

No she didn’t.

Ok fine I’ll explain.

If you’ve played Rain World you know that the purpose of the iterators is to find the solution to the “Great Problem”, the problem of how to ascend ALL living creatures.

You’ll also know Sliver sent out the Triple Affirmative…

“[...]affirmative that a solution has been found, affirmative that the solution is portable, and affirmative that a technical implementation is possible and generally applicable. She's also one of few that has ever been confirmed as exhaustively incapacitated, or dead. We do not die easily.[…]” - Pale Yellow (SL)

After sending out this affirmative, the iterators became conflicted. They never could figure out if she really ascended and had found the solution, or if it was some sort of catastrophic error.

The answer to the Great Problem is clearly intended to be as obscured as possible. There cannot be an answer one way or the other. The themes of it and the endless tolling of the iterators would not be as impactful if we knew there was or wasn’t a solution.

“[...]Either way, after that these different factions developed, as well as a huge forensic effort to recreate and simulate Sliver of Straw's last moments. Some of the simulations were wrapped in a simulation wrapped in a simulation, in case something dangerous might happen. Nothing much has come from it.[…]“ - Pale Yellow (SL)

Here’s my favorite way of explaining what I mean…

Imagine Schrodinger's Cat, the famous thought experiment. There’s a 50/50 chance that when you open the box, you either find the Solution, or find out there is No Solution.

Except you cannot open the box. And the box is entirely theoretical and nobody’s seen it. It seems impossible, but maybe one day you’ll find that box. That’s what the Great Problem is.

Sliver apparently having found the solution would have completely broken everything. Five Pebbles wouldn’t have ended up hurting himself and Moon had Sliver finding the solution been known with certainty. He was taking a shot in the dark.

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“Ascension is akin to suicide.”

I strongly believe this point harms the role that ascension and the void sea play in Rain World’s narrative. Ascension is meant to be a final destination, a goal you build up to and prepare for when you’ve lived every bit of life you possible could, and can now move on.

Bringing up the Memory Crypt pearl from earlier, Seventeen Axes lived an incredibly fulfilling life from what we see, and ascended happily.

As well as this, Buddhism strongly encourages those who wish to liberate themselves to discover their own path, which is also subtly shown through the gameplay, as there are many many routes you can take to Five Pebbles, Looks To The Moon, and The Depths.

I do also think this is why Five Pebbles failed. He tried to brute force his way to ascension.

Suicide implies that ascension is only meant to be a fruitless escape and that it’s wrong to ascend. I… do not want to go into why suicide is bad. It’s a strong topic and I’m just here to talk about video games. But ascension is a neutral thing that you can choose to do or not do and to wait until you’re ready.

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Conclusion...

I really only have the time to cover these 6 misconceptions, and I believe it should be enough. There have been many others I’ve seen, such as the ancients being malicious or that there weren’t any civilizations before them, but there’s not as much to say about them, and they aren’t as common.

Rain World is a very confusing game. I’m not upset at people who think these things to be true, and I do not believe they’re stupid or don’t have any media literacy. I just wish that the people who did actually cover this game did some more looking into it, and actually discussing it with Rain World fans.

Also I should say, that during this entire discussion I have avoided talking about Downpour- RW’s DLC- as it’s more of a official fanmade project. And so much of what it says may not be entirely in line with Vanilla. Because my life isn’t easy and of course there has to be an incredibly divisive and confusing thing like this that I need to avoid bringing up so that way the conversation isn’t muddled.

Thanks if you managed to make it through all this by the way

#itref #rw #rain world #rain world lore #rain world ancients #textadactyl

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