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falmerbrook · 6 months ago
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Falmer appearance and attire headcanons
(click on drawings for more details and notes!)
Hair
In Skyrim, we pretty much only see two hair styles to go off of: completely bald and the hair the "shaman" have (which are also the only females we see (a post for another day)).
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In concept art, particularly Adam Adamowicz's, we see more potential hairstyles. He draws it as wispy and messy, as well as containing braids and the ties we see in the shaman in the game. This art is largely what defines my own interpretation of their hair.
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I picture the typical Falmer hair as wavy, thin, wispy, and looking frizzy. Given the high number of hairless Falmer we see, I imagine baldness is common, particularly among males, and sometimes among females. Their hair can be commonly styled into braids or knots to keep it under control.
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The ability to grow long, thick hair is less common, but those who can tend to style it in other unique ways. Especially among females, long hair is commonly styled into large dense locs (akin to a Polish plait) and held into shapes using ropes or leather ties.
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(While I think the intention with the way their hair is drawn and modelled in the game models and concept art was that it was braided and held up with those ties, before looking at it closely I always sorta interpreted it as too stiff to just be braided. As a result, I developed the locs headcanon and have become kinda attached to it even though I have 0 in game or lore support for it)
Materials
The material used in their clothing is obviously dependent on what is accessible to them, and given their unique situation that makes the materials they use and value unique as well. In Skyrim, we see that almost all of their armor (which is mostly what we see them wearing) and homes are made of chaurus chitin (and potentially shellbug chitin), so this is likely the most common resource available to them for non-combative coverings as well. Other materials from their arthropods companions could include their cocoons, unhatched eggs, etc.
Bones from other creatures (draugr, skeevers, trolls, adventurers, bandits, etc.) underground or from aboveground raids could also be used fairly often. These could also provide a source of leather or fur, albeit not a lot of it.
Falmer groups and subcultures inside or in close proximity to Dwemer ruins probably make regular use of the materials present in those ruins as well. With all the metal and machinery present in Dwemer ruins, metal probably makes regular appearances in their clothing (and general decorations) even if they can't manipulate it themselves. Falmer more separated from Dwemer ruins would make much lesser use of these materials, however. Additionally, We see implications of Falmer preparing, cooking, and potentially cultivating fungus in-game, but see nothing indicating they have any plants in their diet, and therefore it is unlikely they regularly make or use textiles or fabrics in their clothing, and if they do they likely come form Dwemer ruins or raided adventurers/bandits/settlements from the surface.
On that note, we know that there have supposedly been incidents of Falmer coming to the surface to attack its inhabitants and travelers, as well as instances of them killing bandits, adventurers, and researchers who venture below, so it's not far fetched to believe that they have access to some materials from the surface. This could give them some access to furs from surface animals, beads, glass, jewelry, textiles, metal objects, etc. they might not otherwise have access to. The rarity of these material among the Falmer would depend on the amount of access any given group of Falmer have to the surface, but among many of them these materials could be seen as more valuable for their rarity and the difficulty to gain them.
While gemstones and ore might be accessible from both natural deposits and underground ruins, unless they had some kind of auditory function or unique texture, they might not have much value to Falmer.
General Attire/Accessories
I like to imagine that the Snow Elves, and by extension the Falmer, have an innate cold resistance in the same way Nords do, and therefore don't require clothes for the purpose of warmth even in the chilly caves of Skyrim. Additionally, their blindness likely means that wouldn't dress for visual aesthetic either. My thoughts are that they are then left with the sense of sound and touch to communicate with each other, and their clothing and accessories could reflect that.
Falmer clothing, decoration, and society in general is very heavily based on touch and texture and little on appearances. They touch each other very often for both communication, movement, and just general day-to-day interactions, and their clothes isn’t very modest, but the tactile patterns and materials used can communicate certain things such as position in society, “wealth”/power, whether they are taken, single, pregnant, with a child, etc., their roles, their age, notable achievements/skills, who is who, etc. on both their clothes and buildings. The more noise one makes, the more attention they draw and the more they drown out other noises, and the more noise making things they can “afford” to have, so the amount of noise one makes in a Falmer settlement is a status symbol. Certain types of noises or noise makers are more coveted than others (chitin beads are common, while furs are less common, and materials only gained from raiding the surface are rare and coveted).
Some noise making accessories could include:
Dangling metal, bones, beads, chitin, etc. that hangs off of their clothing or ears and jingle/clank against each other (in my drawing I show them as pretty uniform in shape and size, but they would probably be much more irregular than I depicted them)
Bells (metal or other materials) that are affixed to or dangle off of their clothing or as earrings.
Hollow bracelets, anklets, necklaces, or other accessories that are filled with rocks or beads.
Rattles tied to the body (made of chitin, dried hollow chaurus eggs, dried chaurus cocoons, beads, etc.) with leather or rope.
Flute or whistle like tubes made of metal, chitin, or dried and treated tube-like fungus that makes a woodwind-esque noise when air passes through it in a certain way. They have been designed to make noise easily from even the slightest movements.
Dried grasses (more temporary) tied to the body that make a swishy noise. More permanently, a similar thing can be achieved with hair. The hair can be sourced from Falmer (either through just cutting hair or through taking it from fallen enemies) or killed humans/mer/draugr. That sort of thing can also act as a kind of trophy.
Necklaces with various materials dangling close together that jingle against each other.
Various materials can be tied into braids or the leather ties in their hair as well.
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Some textural accessories could include:
Beads. Since they wouldn't have the ability to tell the color of the beads, the patterning of beadwork would be based on the roughness, material, size, or shape of the beads. (I'm sorry I suck as drawing beads)
Furs. This wouldn't be as common since the Falmer likely don't have too much interaction with furry mammals, but some they may have access to that are big enough to make clothing/accessories out of include skeevers or trolls (and potentially rarely animals from the surface). A potential meaning of wearing furs could be as hunting trophies, but it could have other meanings as well.
Chaurus chitin would like be the most common material in Falmer attire, and depending on the part of the chaurus body, the size of the chaurus, or the life stage of the chaurus it was sourced from it could have different textures. Some chitin parts could include large spikes and deep groves, while other parts could be smoother and less rough. The use of this chitin in clothing could take advantage of this contrast in textures. Additionally, chitin or shells from shell bugs might be a different texture from the chaurus chitin. (it's unclear to me whether shell bugs are exclusive to the caves around the Forgotten Vale or if we should consider them distributed throughout Skyrim's underground)
The placement of textured components on the body could have their own meaning to it alongside what accessories or textures are being used.
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Specific Falmer Subcultures
While most Falmer settlements we see in Skyrim are just a small-ish collection of huts and chaurus corrals, there are two distinctive settlements that are larger, seemingly more organized, and I like to think have their own distinct subcultures worth mentioning: Blackreach and the Forgotten Vale. The unique scope and environment of these Falmer cities (as I like to think of them) could lend to unique clothing cultures as well.
The Falmer of Blackreach have access to a vast Dwemer settlement and have has the space to spread out throughout it more fully since it seems to be more in tact than other Dwemer ruins we see. These guys would likely have a clothing culture much more heavily based on what the can access from these Dwemer ruins (metal scraps, leftover fabrics, etc.)
The Falmer of the Forgotten Vale would also have access to unique resources, such as Vale deer, Vale sabre cats, and frost giants for fur and leather. Additionally, materials accessed from the Chantry of Auri-El such as textiles from clothing, bedding, tapestries, etc. could give them a greater access to fabrics than other Falmer groups. We don't see many close Dwemer settlements to the Vale, so they would have less Dwemeri influence in their clothing than other Falmer groups.
I like to think that the Falmer's evolution exclusively underground has made them poorly equipped to handle the outdoors during the day and has made them particularly susceptible to sunburn, necessitating the need for covering for those in the Forgotten Vale who have significant settlements outdoors. With greater access to textiles and leather, they could use them as coverings when outdoors.
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Armor
I actually have very few notes on armor, for two reasons. 1) I hate designing and drawing armor. It is the bane of my existence. 2) I really like the armor they have in game! I think they look awesome aesthetically, and I like how clearly they are made from chaurus chitin. Per usual, Adam Adamowicz's designs seem to have been the major inspiration for the Falmer armor, and he did a great jobs (even if it isn't the most functional looking armor ever).
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(off topic but I also just want to add that he draws them with little hairs and tufts on their ears and I love it. ok that is all)
I do have a few thoughts about armor though.
Even attire made of textiles make noise when someone moves in them, and I can imagine moving around in armor, especially armor made of hard, insect shells would make a lot of noise when someone moves around in it. When you're relying on sound to navigate your environment and pinpoint potential threats or targets, wearing something making a lot of noise would not be ideal. On the other hand, getting into a fight unarmored would be a problem.
So here's my solution: heavy armor (see below) would only be worm within the camps/settlements where noise was already high and space is more cramped (and therefore more risky in a fight) as a sort of guard in case they were attacked. Those guarding the settlements along the outside might still wear armor as well, but less of it. Those going out to scout or hunt (if they do hunt) would wear as little armor as possible, and try to wear it strategically so that it wouldn't rub against itself and make noise. This is why most Falmer we encounter in the game are wearing little except for loin cloths and kneepads.
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One more idea I have for armor is a specific armor piece. On the note of guarding or protecting a camp or settlement, I imagine the noises of it all (especially with the noise based headcanons I've laid out here) would make it hard to actually catch any potential threats when you can't see. A large slightly concave piece of armor worn behind the head could block out noises from behind the wearer, as well as a help focus sounds ahead of them.
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That is all! Thank you for reading! A lot of these concepts around the culture of sound I think could also be applied to their buildings and even a culture of music, but those are posts for another time.
All of the concept art I used was taken from here and all of the Skyrim screenshots are from UESP.
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leolovesthings · 3 months ago
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thescrolls-haveforetold · 9 months ago
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valentines day fr
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venacoeurva · 9 months ago
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Trial and error
-Please do not reupload/edit/use-
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witchspeka · 1 year ago
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I love my girl Miwa but as soon as I read that this image immediately popped up in my head:
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creeperthescamp · 1 year ago
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what (or who) convinced y'all to get into tes?
i think when I was about 15 a family friend showed me skyrim since i was already into fallout, and she was showing me her dunmer assassin with her little house and her wife and I was like 'yea that looks pretty cool, i might try it out sometime'
however as soon as she mentioned there were cat people I immediately went 'OH FUCK I need this game RIGHT NOW' lmao I don't even remember if I knew anything else about the game! the existence of the khajiit was all I needed to know (and that you could be gay)
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welovetesvkaidan · 4 months ago
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OPINIONS ON KAIDAN EE/IF???
My honest reaction:
in all seriousness, if you wanna hear me yap about it, more under the cut
warning like, genuinely a ginormous yap, like a HUMUNGOUS, sleep-deprived yap,,, im cursed to be obsessed with skyrim + modded followers instead of touching grass
I think a lot of this is probably gonna be the same thing other people have said, so im sorry
if you feel i'm gonna be bringing up redundant points and get mad at me😓dont read
I haven't experienced and thus won't talk about the versions of EE and IF that are now separate mods from each other. I don't know anything about that.
if they're better now yayyy but this is about pre-separation
I should preface this with the fact that I've played through Skyrim 3 times with different stages of Kaidan EE/IF:
The initial Dawnguard + fixes/miscs mod
Kaidan EE/IF versions before extensive faction/NPC dialogue for Kaidan
EE/IF w/ NPC Dialogue (AKA Fratpack)
I was also part of the two different discords that were purged and created during these intervals. i don't even know if there is a discord currently?
anyway, that is to say that I have experienced the mod and it's behind-the-scenes progress, extensively so I have a pretty good idea of what I liked and didn't like
That being said, I will introduce probably my biggest problems with it: Tonal whiplash
Okay, well the most common complaint is ofc that a lot of the writing is out of character - and I agree. But it's not just ooc on paper, it's his voice too. I swear, it is very jarring hearing hushed, mild og Kaidan 2 voicelines, and then being deafened by EE Kaidan SCREAMING in my ear ALL.THE.TIME. (like... why are you yelling at me rn jeez)
Seriously. I'm not sure why they didn't just re-record everything from the original mod instead of adding more and more contradicting lines on top of the originals. It definitely could have been a standalone mod, and sometimes it almost feels like it is - because he is just so different.
My most infamous moment in my last playthrough with him happened after we defeated the dragon at Kynesgrove. His og Kaidan 2 dialogue played first, in it he shows interest and is cordial about Delphine ("I wouldn't mind prodding her mind" or whatver dialogue), THEN immediately after his Kaidan EE/IF dialogue will play, in which he walks up to Delphine and STARTS YELLING AT HER AND INSULTING HER - like they argue for quite a bit wtf. And it's like, listen, I have my thoughts about Delphine, but whether or not it was okay to yell at her isn't the problem. It would be fine - IF he hadn't just calmly told me he thought she was okay.
It is sooo confusing how he contradicts himself :(
I mean, yeah, fragments of who he is are still there, I can tell it's Kaidan, but he's warped to fit a different character. Like a con-artist Kaidan.
Anyway, besides the contradictions, it also feels out of character because of his established backstory.
Let's go over it: He's an orphan, lost his only connection to his family(his guardian) to drugs, fell into substances himself, joined a violent cult, had to escape said cult, came clean from his addictions, has been traveling Tamriel bounty-hunting, got brutally attacked by the Thalmor, rescued by mere chance. Do you honestly mean to tell me this man would be yelling, pissing, drinking, lewding, and joking his ass off?? After all that???? NO - or maybe not these levels of extreme. (maybe some other dude might, but Kaidan's characterization insists he is a brooding, keeps-to-himself man, even though he never acts like it anymore)
That man should be tired, and he did feel like he was tired in the original. He was more brooding then than he is now, usually silent, but could still have an edge of comedy/wittiness, he was smart, he had been through a lot!
In that regard, EE/IF Kaidan felt like... we are experiencing Kaidan 10 years in the past - like a Kaidan in his early 20s when he was still a drunkard low-key terrible person. He is just so energetic, always yapping - GOD he talks a lot now. ugh but most of the time it wasn't about anything, it was either inside-jokes, meta jokes, and only occasionally did we get things that added to the experience.
For example, I think most of us who have played Kaidan 2 remember at least one specific line he has said while exploring. What comes to mind for me is either "Can you smell the magicka in the air too? Smells like a rainless thunderstorm." or "Watch for the mammoth with the carvings on their tusks, that's how the giants mark their herd." Alright, both pretty nice small talk for characterization (he IS smart) and worldbuilding.
Tbh i can't really remember any iconic lines from the additions of EE/IF Kaidan... the only two lines that stood out for me were: the "elevenses" line from the clip above (started bumping into him every time he was about to say this so he would stfu... total tonal dissonance), and one he said while I looted Lucky Lorenz ("poor sod wasn't as lucky as his namesake would have you believe!") kai HOW do you know this man, and his nickname, who told you that??? (idc about it that much but its like the only other added line i remember)
I thought that maybe his ooc-iness might have been caused due to the collaborative approach of the mod, I think the mod authors created their own perfect Kaidan - and that's good for them! It takes a shit ton of work (Ik cuz i was there!!) But I think the original essence was lost with each addition. It might have been lack of direction for the voice acting too, a lot of the lines might have hit better if they weren't borderline screamed.
Okay, at some point while playing I got so tired of his constant himbo chit-chatter that I tried tuning him out and bringing other npcs from vanilla skyrim as followers. Problem: even without kaidan on your party, everything starts being about kaidan. Because the extension made it so that Kaidan either has history with/character interactions and development with different NPCs from the base game.
The main poor sods that traveled with me:
Erik the Slayer: Apparently was Kaidan's childhood friend, got inspired by Kaidan to become an adventurer. Least egregious in my opinion, they say sweet things to each other. I swear, Kaidan yells more at me than he ever did at Erik.
The Companions: dumb, dumber, and dumbest basically.. This part of EE/IF was also known as "The Fratpack" and y e a h they pretty much had Vilkas, Kaidan, and Farkas acting like immature frat boys all the time. Just,, absulutely taking away all the maturity out of these GROWN ASS MEN. im sorry, i guess i dont get the appeal. I liked it when they didn't behave like teens (Aela im so sorry, you deserved better than being part of this)
Lydia: All she does is simp for him, ALL.THE.TIME. You think she's about to have a meaningful thing to say? nope, she's checking out Kaidan's ass. Think she'll have a deep convo with another npc about one another? nope! she wants them to tell her all about Kaidan. Both the Companions and Erik will either talk down to her or have to deal with her thirst for Kaidan. i had to start leaving her home.
They also suffered from the same tonal whiplash as Kaidan, unfortunately
additionally, the mod added an "early flirt switch" - you could basically toggle Kaidan to start showing romantic affection for the Dragonborn before the amulet of mara., the interactions were good on paper, but everytime he stammered and stumbled over his words it was written in such an unnatural way... pls people don't talk like fanfics lol !!!
I did like that he gave me flowers, my inventory got full of them - but then he noticed how many flowers I had in my inventory and judged me for "picking everything i see" ugh dude you gave them to me, but also even if you hadnt... mind your business lol
Another addition was a feature that basically made it so NPCs could potentially throw flirtatious comments at Kaidan and the Dragonborn (Bishop flashbacks😨)
You can't do anything to defend Kaidan from those comments, but he WILL take it upon himself to defend your honor infront of any men, women, jarls, or criminals that even so much as find you attractive (THIS INCLUDES FARKAS AND VILKAS BTW :( ) by being rude, forthcoming, AND violent. so yea, you can guess the target audience
speaking of which, he definitely comes on too strong on you once you start the romance, and it left a bad taste in my mouth. I specifically picked the "go slow" option for the romance, and the next day or two it was him constantly complaining about having to go slow under his breath, how he wanted to do anything but slow rn... and like just, wow. :/ yikeees lmao
Maybe this is the result of "i can fix him" romance ideals? im sorry but I liked him when he was down to earth
Bonus? He comes with a campsite now, which has to be magic because its ginormous and he somehow lugs it around despite it also coming with a whole ass furnace (fine fine i'll hold my disbelief)
anyway I do like it, its basically a player house you can take anywhere (so long as kai is with you ig) also you can have a cat in there
I like that there is an MCM, I like that the MCM lets you get through the quest stages in case you get stuck
I like that he can guide you places, usually he gets stuck in a tree or rock but its the thought that counts
I think if the mod had continued in the vein as its original iteration when it was just audio/bug fixes and included these qol features it would have been better than it is now.
But it seems maybe i'm just not the target audience, and as a young woman I'm really confused as who the target audience is 😓
okay im srry rant over
if anyone else wants me to yap about other kaidan skyrim things also ask or join in cuz i like yapping about skyrim and kaidan to people!!!
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rzpotato-blog · 8 months ago
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"for just one moment, he is flesh and blood, a blessed death is granted to Tiber Septim's battlemage."
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chaddywaddy3 · 1 year ago
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I drew something based off a post about a bad tattoo my friend sent me.
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I just couldn't help myself I had to draw cursed content
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joznii · 5 months ago
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obsessed with how faendals expression is permanently stuck as “disgusted” but the second you talk to him he sounds all “😊☺️☺️🥰☺️”
resting bitch face but bro sounds like a cutie patootie the second he’s talking to someone he likes he’s soo real for that
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falmerbrook · 10 months ago
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Peryite is such an underrated daedric prince to me, conceptually. His sphere of influence has so much potential to explore. Like, disease and the natural order together? The way his followers see disease as a blessing? I love the implications there alone. He's the weakest prince, but his sphere has the potential to be so subtly destructive. One of his symbols, skeevers, represents that so well. The series has been kinda meh at exploring the princes philosophically but I feel like they are right on the cusp of something interesting with him, but since he isn't as flashy or obviously "bad" (or sexy) as the other ones he keeps getting put on the backburner. Gimme an interesting Peryite storyline pretty please. Explore things a little
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whosthere54 · 2 months ago
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I can’t find my original post about it but I did do a poll a while ago on what fic I should finish. Yes it’s been a WHILE but I finally did it so here’s the “If Icarus got that hug in family reunion” fic cause I can
Until Ao3 Works you get it here :]
The TWs for Family Reunion are Panic, Yelling, and Manipulation. Let me know if you believe anything else should be added and I’ll edit the list.
You know how it is, these themes will carry over to my fic so pls make sure to take care of yourselves first <3
“I never asked to be here at all. So why do I still have to face the fear of loosing it?” - Song: The fear of loosing this by Florist
Or - What if Icarus got that hug?
—=+=—
There’s a moment of silence between the two brothers, Rae glancing at Aax before speaking again.
“Do you… do you want a hug?”
They look up, surprise and confusion washing over them before they’re able to adjust their expression to something neutral.
“I… yeah. Please.” Their wings adjust on their back, draping themselves over their shoulders as they move their arms to cross over their chest.
Rae nods, glancing at Aax again who gives him a nod back. He takes a few test steps forward, when they don’t move he walks over to them. Aax follows, keeping a decent distance between her and Rae- letting him have space but making sure he’s safe. They can’t exactly blame him, like they said- the two don’t have the best track record when it comes to “talking” right now.
Rae gets close, and they instinctively take a small step back, feathers flaring for just a moment before settling again.
Rae stops, holding his hands out placatingly. He gives a gentle reassurance, a simple repeat of what they’d said before- another “we’re not here to hurt you” “I-I’m not mad.” and some other quiet reassurance they didn’t quite hear.
After a moment of hesitation, they take the next step forward- Rae immediately pulling them into a hug.
It was nice. They couldn’t remember the last time they had a hug from Rae.
Trying *so hard* not to let tears escape, they look at Aax over his shoulder. Though immediately regretting it when she just looks so… sad. Pity held in her gaze that makes them feel sick.
They hid their face against Rae’s neck, quiet shaky breaths the only indicator that they were trying not to cry. Rae sighs softly, and when he speaks again it sounds like he’s close to crying as well. “It’s gonna be okay Icarus… I’m still going to try- I promise I’m not going to give up on you.”
Maybe that causes some of their tears to fall, and maybe Rae holds them just slightly tighter.
When their knees shake and threaten to give out Rae adjusts them so they’re both sitting in the wet grass, not letting go of them. (Not letting them fall, even if it’s something as stupid as this.)
They hear Aax settle to sit nearby, facing away from the brother to scan for threats. It was comforting, they couldn’t do it themself and if Fable came back and did something to him they don’t think they’d be able to forgive themself.
They sit like that for a while, Rae occasionally murmuring soft reassurance not once loosening his hold. It was nice, a comforting pressure- a distraction away from the cave they were still sitting outside of. Rae seems to think of something then- adjusting slightly and causing Icarus to pull away. Not completely- just enough so the two brothers were looking at each other. Icarus tilts their head just slightly as Rae looks at them with renewed sadness- pity in his eyes causing them to look away, fidgeting with the hem of their sleeves.
“I… Icarus it’s four months today isn’t it…” He says it so softly and they can’t-
“Shut up-“ They mumble.
“Icarus-“
“No-no. He isn’t… he isn’t gone I can fix it I’m going to fix it! He’s gonna come back-“ They wrap their arms tight around their chest careful of the ever-changing wound still concealed.
“Icarus…” Rae tries again, but they cut him off just the same.
“No- if you’re gonna say what all of them have been saying I’m not- I don’t have to *mourn* him he’s gonna come back, I don’t have to think about it because when I fix it it’ll be fine… you can go back to normal and it’ll be fixed…”
Rae’s face contorted into something confused, and then shocked and it crumbles into something sad, he blinks tears away so he can see them clearly.
“Is that… is that why you’re working with him?”
They give him a weak laugh, head angled down so their hair covers their face- goggles having fallen to their neck earlier that day and they didn’t bother to put them back up.
“Icarus…” they can’t handle this. They can’t handle the way he’s talking to them, holding them so gently like they’re something that’s going to *break.* they can’t handle him looking at them like that- they can’t-
“You have to go.” They say their voice firm and monotone.
“Icarus no-“ Rae’s brows furrow slightly and his hands linger on their shoulders.
“Please”
And that makes Rae pause.
“I don’t… Icarus I don’t want to leave you alone here. I- even if I don’t… *like* him Fable isn’t here right now. I’d rather you at least have him here.” When Icarus frowns at that Rae asks another question that leaves them thinking- more than they should be. When they think it doesn’t usually lead to anything good.
“Icarus how long has fable left you alone?”
They shrug. They really haven’t been keeping track of the time he was gone.
“He’s… he’s busy. The faster he gets whatever he’s doing done, the faster we can get this over with.” They mumble. It feels like they’ve said the same things over and over and *over* again and it still seems like nobody understands what they’re doing even after they explain it. Geez how many times have they done this circle of conversations with the things in the past four months?
“So you’ve been… you’ve been alone out here most of the time?”
They shrug, and nod. (They don’t want to lie anymore. It leaves them feeling sick and *wrong*)
“Icarus…”
Aax gets up quickly, face contorting into muffled anger, motioning at them to get up as well.
Rae turns to them- “Icarus-“ but they shake their head, getting up and helping Rae up as well.
“You have to go-“ They repeat the words, this time fueled by anxiety.
“Icarus!”
“Rae!”
“Icarus!” Fable’s booming voice echoes through the small clearing and they back away muttering a quiet apology under their breath that only Rae was meant to hear.
“Are you alright? Are they… are they here for anything?” He pulls out the reaver and it takes all of their power to look away from the blade glinting in the rain dimmed light.
“I’m okay… I ’m-I’m okay.”
“We’re not here to fight.” Rae’s gaze lingers on them for just a moment to long that it makes their skin crawl, arms wrapping around their torso and wings pulling slightly tighter to their back as Fable sighs.
“Of course. I see that it is only the two of you.”
Aax moves to stand only slightly in front of Rae, trident out and ready to attack if necessary. His voice carries confidently actress the clearing, low and sharp. An easy enough warning to understand. “We wouldn’t be stupid enough to come just the two of us if we were here for a fight.”
“No. You wouldn’t be that… stupid. No one would be.” He looks at Icarus then, solid gold meeting heterochromatic gold and purple. His eyes are too sharp, and they look away, casting their head down again.
He turns back to Rae, head held high. “But why are you here?”
“I’m here for Icarus.” They look at Rae through unkempt bangs, eyes darting between Rae and Aax as if analyzing them for a threat.
“Because they don’t need to be alone out here with just you, isolated from everyone else.” His tone holds more anger with Fable than it had with them.
“I’m not alone.” They say, loud and probably too sharp. They wince at the sound of their own voice casting their eyes to Fable when he looks at them again.
“Yes.” He looks away, and they do too. “They have me, they have Ven, they have Arisanna…”
“Which don’t know where you are?”
They cast their eyes down once more shuffling their feet.
“This place is supposed to be a secret for a *reason*, Rae. To keep others safe.”
“From… what, exactly? We’re not the ones running around hurting people.”
“Perhaps not now.”
“You haven’t changed! You’ve always hurt people! I’m starting to remember more of that now! You’ve always been like this… and now…” Rae turns to them, his voice softening just slightly again. “Look, Icarus he’s not a good person!”
“Neither am I!” They hold their head up as they say that, regretting it immediately in the way Rae shuffles and glances between them, Fable, and Aax.
“None of us are good people right now, Rae.”
He starts talking, he starts talking and they try so hard to tune him out. They don’t want it- they don’t want him to say more stupid words that get them to comply because they’ll comply regardless of what he says. They don’t think he knows that, but they will. They don’t… like him. They don’t trust him. But they’re good at putting on a show, and they can pretend they do. (Maybe deep down they do. They try not to, they know he’s wrong and they know what he’s doing to them -they don’t want to acknowledge the fact that it *is* working- but they love him. He’s their dad after all, and when they have no memory of their childhood he’s something that they can cling to)
“You hit me!” Rae says, anger disappearing to leave a suffocating tone of sadness fear, and *betrayal* that lingered in his voice.
“I did.”
They just look between him and Rae feet shuffling against the grass, begging their head to go blank like it tends to do. They’re feeling too much and it’s too wrong and they’re thinking- thinking leads to questioning and questioning leads to things they don’t want to know-
“Where is she.�� Rae’s voice wobbles with anger and unshed tears. They glance up to Fable as he turns to them- “Where…”
“Icarus, do you wish to see your mother?”
They blink, looking back up at him with a muted look of confusion. “Yeah…” they said it too quietly, too much emotion filling their voice that wasn’t supposed to be there. They can tell in the way they feel Rae’s gaze on them again. They try to cover it up- “Yeah, yes, yes.” But then Fable starts to walk towards the stupid fucking cave and-
“W-wait- wait” they stare with wide eyes as Fable creates a small opening, just enough for them to get through. “Uhm..” Rae glances at them again, Aax moves to stand in front of Rae, trident in hand face contorted into disgust and then anger. “Wait-wait where…” He pulls his shield out.
“It was the one place I did not think anyone would go.” He breaks a small hole through the stone, just enough that they would be able to walk through. Rae walks closer to him, while Aax lingers behind.
“Uhm…. Um…” They walk towards him, stopping about the same distance Rae is away from the entrance for a moment before moving up to stand beside Fable.
They don’t want to be here anymore- they don’t want to be that close. They don’t want to *see* it again- they can’t…
Their breathing shakes.
“Where are you… where is…” Aax moves quickly back in front of Rae. “Where is that? What are you…”
“She is in a pocket dimension. Just as Enderian had held her before.” He says his sister's name with a sneer. “I will bring you Rae, and I will bring Icarus to see her.”
They can’t breathe- they look through the space Fable had cleared into the cave. The first thing they noticed was that there was still blood on the floor… theirs or Centross’s they couldn’t quite tell. Their eyes fell on the slab, seeing their blood still dried on the smooth stone and splattered on the ground in front of it. Fuck they can’t breathe… their chest *hurts* they can’t-
They manage to pull their gaze away from the cave back onto Fable as he speaks again.
“I’m sorry, Aax, but I will not let you see her. I cannot take the risk.”
“Why… why does it smell like death in there?” They turn to look at Aax, his tone settling on a heavy undertone of sadness as they speak.
They try to bring themself to explain.
“It… it’s-“ Fable cuts them off sharply. “Because it is a place that I thought was of life. I was *foolish* enough to believe it was of life. But it is a place of death. This is where the first mortals were made by me. This is the place where I first mourned them when they *died.*”
“This is where… Centross… died.”
“And you’re taking him in there alone, just the two of you?”
“Yes. I know you do not trust me…”
Their chest aches. They have to take a moment to breathe through a wave of pain that courses through their chest, through their ribs. They tune back into the conversation a moment later when Fable says their name again, though they don’t pay much attention. Their mind won’t stop wandering, and the things won’t stop talking.
“If *anything* happens to him. Know that I will be hunting you to the ends of the earth.”
“As you should. Rae is important to you, as he is to me.” He turns and walks into the cave, but before they can even *think* about following him Aax stops them.
“Icarus. I need you to promise…”
They nod, trying to get their thoughts to work to the current conversation. “Yeah… I’m- he won’t-“
“Promise me he’ll be okay.” Aax asks, and they nod firmly this time.
“He’ll-he’ll be okay.” They can’t tell if they’re trying to reassure her or themself.
“Okay.”
Icarus turns to the entrance, hesitating a moment before heading inside.
“Are you ready?”
“We’re going… in?”
“Yes. I did not think Enderian had this power. I thought she could simply create the bubbles, but she could move if she wished it. If she had other abilities I now hold. She might have been able to escape at any time if she had known. If she could’ve held the same powers I now have .”
They have to take another minute to even out their breathing.
“She couldn’t escape. She- she gave them to me. She was trapped there.”
“Just as Isla was. But now we can move freely to see her.”
They nod lightly. “Okay.”
Fable inhales, “Here we go.” They teleport into the small pocket dimension.
It was a bright, glow stone blinding encircling the small space. As soon as they looked up at their mother- blonde hair blocking a face they couldn’t even remember- they felt an overwhelming sense of dread. It was almost like anxiety, the way it thrummed through their veins. Just a sense of something was wrong.
They couldn’t tell if Rae felt it, but when they got in there they knew he was more distressed, probably at the sight of their mother in a stasis chamber than anything else.
“Icarus I can… I can help. You don’t need him- I can- I can help her! I can help us…” They don’t know what to say, but they get cut off by Fable before they could respond.
“How, Rae?”
“I… I’m not going to tell you. I’m not going to let you do something else to her. Or screw up trying.” He spits the last part with lingering anger, tears beginning to form in his eyes.
“Rae…” He turns to look at them a moment before turning back to Fable as he speaks again.
“You will not give me the chance to help your mother? *My wife?* To bring her back to us.”
Rae doesn’t speak, he simply shakes his head.
Fable frowns. “No?”
“No.” Rae says softly.
“You’d have her stay here?” Rae’s expression crumbles.
The next time they look back at Isla, they can’t look away. This is the first time they’ve seen their mother in person. They don’t have any image of her in their memory other than the portrait that’s sat locked away in Fable’s house. She looks different, they can’t quite see her face but she seems so… tired. A lingering sense of sadness seems to be all she has in that small tube, and it almost physically pains them to see her like that. (To have her feel so similar to what they feel locked up in their house.)
“I have Enderian’s powers now. I could wield them.”
They look back at Fable then. “What?” They glance between him and Rae.
“You could do this! You could hurt her all over again!”
They frown. “He wouldn’t.”
“He did it the first time!” Stray tears are beginning to fall down Rae’s face now that make them stop.
“As a *mistake*, Rae.” He tries, but Rae isn’t having it.
“So what’s preventing you from making the same one?!”
Fable sighs. “Remembering what happened the first time. Seeing my wife’s face, and having it haunt-“
“She doesn’t want to be yours!” Rae yells, his voice echoing in the small chamber. There are more tears spilling down his face, and Icarus can’t help but take a step back as they take another shaky breath. They watch Fable's face, but he doesn’t seem to react. Simply responding calmly, anger quiet and reserved (as if that doesn’t scare them more.)
“She gets to make that choice. Not-“ Rae cuts him off again. “Does she?!”
Fable frowns, and his tone comes out just slightly more angry than he probably wanted it to. “Yes. When she is well, Rae.”
“You don’t get to make that choice, you tried to take that choice away from her. I won’t tell you shit!” Rae talks over what he tries to say next, words hitting their mark effectively when Fable sighs again.
“Rae!” They start, trying to maybe help in some way, try to get that information. But they go quiet as Fable talks again.
“I understand. If that is what you wish.” He inhales sharply again, and they are teleported back outside the bubble. Back into the cave.
They can hear Rae’s breathing shake, as he is ushered out of the cave by Fable. They take a lingering glance back, eyes falling on the slab, and then spot Centross died before Fable pushes them out.
They linger near the cave entrance as they hear Fable walk out behind them with a sigh. Rae goes to huddle next to Aax with his head down as he wipes the lingering stray tears from his face.
“Rae. When you are ready to help your mother and to fix our family, now you know where we are. You said it yourself, you can do that Rae. Bring her back to us. I have made mistakes in the past, but I have done my best to watch over *you* and your brother in her absence. I have protected you and your brother as best as I *could.*”
His tone changes then, more earnest, more desperate. It was all tinted with an undertone of anger a force perfectly covered as he says the words that hit their mark as Rae seems to cower as he says them.
“It was not perfect, I admit this, none of this has been perfect. None of this had been perfect. I have not been perfect, Rae. But *you* gave me a chance. All the same. As you have given so many others. *You* freed me from purgatory Rae. I owe you my life. You can do the same for your mother. You can give her a *chance.* When you are ready to give her that chance, we will be here.”
There’s a deafening silence as Rae takes a few steps back, eyes moving between Fable and Aax.
“We should go- we should go.” His voice sounds like he’s trying so desperately not to cry and something in them feels concerned, it does, but as Rae and Aax fly away all they can think of is that he didn’t say goodbye.
All they can think of is that he didn’t even look at him after they left the bubble. All they can think about is how he left them alone again without saying goodbye. He’d just said he wasn’t going to give up on them. That he wasn’t going to leave them alone here again, but that’s all they feel like is happening.
Fable ends up coaxing them inside. They take the confirmations and reassurance he gives them, ignoring the fact that they know that sometimes he’s lying to them. They ignore the things all yelling, ignoring the way they erupt again when Fable apologizes to them. Apologizing that he couldn’t remove Quixis from them. They ignore them as they say he just apologized for not killing them that day.
They just don’t want to think about it anymore. (They don’t want to remember… and that’s a concerningly familiar wish for them.)
Fable finally gets them to take their mind off it, changing their focus to the birds lingering at their bedside.
They eventually lie down, Fable leaving them to their own thoughts again. The things leave soon after that, sleeping or going somewhere else they still don’t exactly know.
The silence is so so much worse. They curl in on themself under the covers, their birds having fallen asleep a bit ago on the birch next to their bed, so they weren’t making any noise either.
There’s a lingering feeling they can’t quite explain. It’s something under their skin that just makes them want to cry. It’s the lingering feeling of their brother’s hug, his hands running through their hair and his arm wrapped securely around their back. Their wings try to compensate, wrapping around their curled-up figure tightly as their arms wrap around their chest and their tail falls over their legs.
They want their dad. As stupid as that sounds. They want their dad, they want Rae they want… they want Centross.
Four months.
Their hand moves to stifle a quiet sob.
They miss him- gods they miss him so much.
They miss him randomly interrupting what they were doing to get them out of their house. They miss talking with him, joking with him. They miss being *near* him, as pathetic as that sounds. His presence was always comforting. Something that made them feel *safe* and fuck they missed that feeling.
They miss his voice, they miss and they miss and they miss.
They *swear* they’re going crazy when they get the phantom feeling of fingers running through their hair, just closing their eyes and willing themself to just sleep as their breathing shakes through more muffled sobs.
It takes too long in their opinion. By the time they fall asleep, they’ve run out of tears. Sitting in heavy silence for too long until they finally fall asleep.
Maybe sleep isn’t much of a release, the only thing they see is the memories of their best friend, the happiness stained by a lingering sadness and guilt that follows them when they wake up in the morning because of the memory of the cathedral that the dream always ends with.
Soon.
That’s all they have to remember.
It will be over soon.
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da3drat · 16 days ago
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the last paragraph from this post by @khajiiti-dragonborn finally gave me an epiphany on why I find tes more interesting than other, better rpgs, and it’s exactly BECAUSE they dont answer any of their own questions. They propose interesting ideas (sometimes as a complete accident!) and then don’t develop them or follow them through to completion or they give an extremely unsatisfactory answer. And as a storyteller that compels me SO MUCH because it leaves me with a jumping off point and a world with pre existing lore to work in. Its like being given a prompt, but it’s even better than that because video games are an interactive medium so I can go IN GAME and hunt down locations and lore and random tidbits of dialogue to help fill the gaps, gathering inspiration as I go. (and then fulfill my lifelong purpose of writing toxic women about it)
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narmothewraith · 1 year ago
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I've been working at this piece for 5 hours and I didn't even noticed it so, I didn't eat and drink. Fuck hyperfocus. I hope y'all like it, just like I do :)
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Hurt/comfort hug between Percy & Poseidon ❤️
Poseidon thinking about who made his son cry + payback (aka his wrath)
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damncoldqueen · 4 months ago
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ven
Mi alma va de tu mano, el problema es que sigues intentando buscar la tuya.
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mar-zom · 13 days ago
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Oh dagoth ur how I missed drawing you (⁠っ⁠˘⁠з⁠(⁠˘⁠⌣⁠˘⁠ ⁠)
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