#(from what ive seen so far)

[obscurecharactershowdown]

are there any characters so far that the propaganda section has made you really like?

Xuanli from Lanxi Zhen, Spider Core from The Lab--Core Slingshot, and Prince Peasley from Superstar Saga are the first 3 that come to mind!

[gas-station-chai]

man how fucked would it be if i commissioned a mutual to draw one of my faves drinking a grimace shake

[extravagav]

Too🤨 many?? Too🤨🤨🤨 many dudes????? How many dudes are there normally sanji?🤨🤨🤨🤨🤨🤨🤨🤨🤨🤨

[zoroshark]

[Headcanon] Cheeky surprise 

[hansmannette]

you guys can laugh at me when i end up not liking him AHJAHAHAHAHAH

[jaytalking]

Hiiii have I told you guys he's my favourite guy. Have I told you. Can we talk about him for the love of god please Hi hello. <- has not shut up about him in days.

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[falmerbrook]

Peryite is such an underrated daedric prince to me, conceptually. His sphere of influence has so much potential to explore. Like, disease and the natural order together? The way his followers see disease as a blessing? I love the implications there alone. He's the weakest prince, but his sphere has the potential to be so subtly destructive. One of his symbols, skeevers, represents that so well. The series has been kinda meh at exploring the princes philosophically but I feel like they are right on the cusp of something interesting with him, but since he isn't as flashy or obviously "bad" (or sexy) as the other ones he keeps getting put on the backburner. Gimme an interesting Peryite storyline pretty please. Explore things a little

[blabberoo]

I imagine both drifter and bobby are somewhat desensitized of death. Bobby more so cares less of corpses and sees them more as things to loot, while drifter is somewhat numb to the ticking timer he's in (he makes off handed jokes about himself that sounds slightly concerning). Drifter still respects the dead and what theyve left behind, thinking that borrowing their weapons as some sort of relief for the dead (Quirrel's words ;u;). "Borrowing", because he knows well it will be used by others when these things outlives him, and hes ok with it. (He also believes that a tool that still serves its functions has no reason to go unused)

Bobby is a loud and proud jerk, and drifter rattled that concept simply by just being himself, unexpectant on how it would affect bobby. While he had been familiar of death, he never properly grasped the concept of losing someone he truly loved.

And he doesnt know how to deal with it.

[uldahstreetrat]

there's that poll going around about thoughts on not feeling like the main character going forward and while personally I dont mind feeling less central to the story I... still felt like the main character regardless? perhaps Im misunderstanding what people mean when they say this but out of curiosity, for those of us who have finished Dawntrail:

and please feel free to elaborate your thoughts! I really do think I'm missing something to people saying this. but if you go heavily into spoilers when discussing it please make sure to tag that appropriately for anyone who isnt done yet!

[ghostboyhood]

someone Help!!! i wanna get into the beatles.. does anyone have any song suggestions or wanna info dump to me or literally anything!! my ask box and dms are open if so 🙏🙏

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

[altschmerzes]

omgggg shipping is not arophobic in the LEAST but keep making us look like whiners with no real problems by continuing to complain about it I guess

yeah that's definitely what i said in any post ever man great job

average person who has made shipping their entire identity will see a post where someone says 'hey please don't say these specific types of things that are degrading and cruel about nonromantic relationships while enjoying your ships and maybe examine the thought processes and beliefs and prejudices that led to saying them' and be like 'oh so you're a whiner with no real problems who thinks shipping is arophobic?'

telling on yourself there bud

[thatonebipotato]

Bernard definitely "knows a guy"

idk what situation he would need a guy for, but i feel like it wouldn't really matter. His life is just such a collection of weird situations, and he always just happens to know a guy because of it

Did he meet them through some weird online conspiracy boards? Did he meet them through the cult? Did he just extrovert really close to the sun and get away with it? Has this exact situation just happened so many times that he just knows the person he needs at this point? Honestly, he doesn't even know anymore

You know what he DOES know? A guy

[god-damnit-vinne]

i heavily doubt shuichi is actually a pervert and is just a silly guy who gets mistaken for one and is a danganronpa character so yk stuff happens