#you can't invent gravity

[toast-on-dandelioms]

🕷️Just Another Neglected Story🕷️

[previous] - Part 4.1 - [next]

Any names that you find familiar, in this part, were taken (with permission) from the fanart made by @the-broken-truth, while some changes like description of what's happening were made by me then modified by my beta reader, my bbg, Jamie.

tw: Joker, angst/no comfort, small description of injuries, small description/mention of a panic attack (I am unsure if it was that, please tell me if I am wrong).

Weeks passed with you still being Spider and a 'normal' teenager at the same time. But some changes and new things happened in these weeks.

You got visited by Superman almost daily, or nightly since he always visited when you were patrolling at night. You never questioned how he knew where to find you, you didn't want to think about it and just let him follow you during your nightly patrols.

He also helped you train while using all of your strength because you usually held back in fear of hurting people, so his tips helped a lot  considering that he also had the same problem before.

Furthermore, now that you started to help with small problems around Gotham, like small thefts and gang problems, those problems started to slowly stop, giving you more time to train with Superman and help around the community.

You still didn't join the Bats or even the Justice League whenever Superman tried to propose it, you just didn't want to fight big shots like Joker or other super villains.

You liked doing small things and loved seeing the change it brought from you helping.

Just defeating super villains won't reward you with a pie from the nice old lady after helping her move her things in the apartment and give her groceries if she can't go to the supermarket, or getting drawings of little kids after you help them go home safely.

You also scored candies whenever the moms had them, which made you incredibly happy because they always had the candies you loved. 

So you were happy, especially since Alfred never mentioned your breakdown after that night and kept on the usual routine of leaving your food on the desk in your room so you wouldn't have to come down to the kitchen.

You did notice him acting a bit weird but you pushed those thoughts aside since you didn't really notice anything weird happening around the Manor so you thought he was just nervous for something Bruce did.

You gave him too much trust and sooner than later you will regret doing that.

But something did change around the Manor, you just didn't notice because you started to walk on the ceiling, without shoes or Alfred would kill you, to avoid annoying encounters with anyone in the house, even if listening to music while on the ceiling was a bit difficult but you’re managing.

Well, Alfred knew that if he walked to Bruce and told him about you and what you felt he would've been ignored, especially since Bruce barely remembers that you even exist in the Manor and that you're a member of the family.

And even if Bruce did remember that you exist he would be annoyed, especially since he clearly hated your mother and was only paying the child support because he had to, especially since your mother threatened to take him to court if he wouldn't pay when he first got the news.

Talking to any of the batkids would've also been useless, because he also knew that no one in the Manor remembers you, especially now that you could walk on walls no one could even see you.

He couldn't count how many times he almost got a heart attack whenever he could see you on the ceiling, just hanging out or doing your homework, even though he still didn't understand how you could work without gravity making everything fall.

So he decided to do it in small steps, starting with leaving photos of you around the house in places where everyone sees them.

He put almost every picture that he owns of you, like you at a dance recital as the lead dancer or you at a science fair to which you won first place with an invention of yours.

One thing Alfred knew by putting your photos was that every person would notice how in all your photos you were alone and how your face never showed any emotion.

He knew it was small but he couldn't wait anymore, he needed to take action now or before you decided to leave for the Kent family, he couldn't let you go after he heard you talk about Clark and Conner while he made food in the kitchen.

He just hoped it wasn't too late for you, especially with your break down. He hoped you could still let someone in after all these years of being alone.

He did try his best but he was only a butler and he couldn't change someone's view of another person if that view was filled with hatred.

And you never noticed thanks to your walking on the ceiling or walls, moreover, you couldn't care less if they actually noticed you now. You were finally moving on and having a new start thanks to Spider.

But now it's not the time to think of Alfred's attempt of getting you acknowledged by the family, you were getting busier thanks to all the work as Spider, school and also dance classes.

You also kept on using yourself as a test subject, just to check the process of the spider DNA that's now in your DNA and seeing if anything changed or you had some mysterious new powers, taking videos to record the process of your evolution with the now Spider DNA in your body.

One thing you acquired after a while was invisibility, or camouflage as you called it since invisibility sounded magical and you didn't want it to sound like you were a kid.

How you found out you could use it was not a good experience.

You were in the kitchen with Alfred, just hanging out with him while he cooked when Damian suddenly entered the room to ask Alfred for some food for a new pet that he adopted.

In your panic at the sheer thought of Damian seeing you and hurting you like he did in the past made you freeze up, squeezing your eyes shut in hopes that he would just disappear from existence. Praying to every god you could recall that Damian wouldn't find you, you tried to not breathe too loudly so he wouldn’t hear you.

After a few minutes of paranoia passed and you didn't hear anything around you, you slowly opened your eyes and saw Damian still waiting for Alfred to give him the food for a cat he adopted and completely ignoring you.

You were still scared he would see you so you stayed silent and waited patiently, albeit apprehensively, for him to go away before actually making a sound, which was a loud sigh of restrained relief as air poured back into your lungs. Somehow you hadn't noticed that you'd been holding your breath the whole time. Strange.

You slowly got down from the counter you were sitting on and walked up to Alfred, confused as to why the old man wasn't looking at you and instead was looking at the ceiling before softly calling out his name.

You got even more confused and slightly worried when he got scared since you were standing right in front of him but he, for some reason, couldn't see you.

After a bit of Alfred trying to explain that he couldn't actually see you and you not understanding why, you finally managed to make yourself visible.

You quickly went to work at the corporation to take a few tests to see what happened and didn't see anything with those tests but after a few days of trying to understand what happened and how you could make it happen again, you managed to go invisible on command.

It took a bit but you managed to do it, which got extremely useful to sneak into the kitchen when you need to get some snacks in the middle of the night so that Alfred doesn't catch you on the wall eating chips at 3 am.

Plus thanks to that time you found out that your eyes glow in the dark, which was a bit weird since the spider that bit you wasn't a bioluminescent one but you figured it was your own DNA that changed some things.

In the time following that discovery and training with Clark, you slowly started to join him in solo missions for the Justice League, but made sure to tell him that you didn't want to partner up with another person except him.

And you made sure that he knew you weren't an official member of the Justice League or of the Young Justice League, you just joined him so you wouldn't get rusty since Gotham is still filled with crime but fighting with teens or men who just swing a crowbar or knife is not really challenging.

You didn't want anyone except Clark to join those solo missions, not because you were scared of hurting another person since you learned to control your strength thanks to him and got pretty good with your spider senses.

You just hated being around people you didn't know or trust, especially if they were a member of the Wayne family, you absolutely detested them.

You refused to look at them and especially talk to them even though you had the voice modulator.

One of the many reasons you used the voice modulator was to not get recognised but also because you hated your own voice and the voice modulator helped when talking to lost kids or just kids in general.

You never told anyone why you hate your voice, you just refused to talk one day and learned asl to communicate with people and also used notes if people didn't know asl.

The mask was like a hearing aid, it changed your voice and helped you use it more so you could talk sometimes.

As time passed, the birdies (basically all of Bruce's kids, you just called them all bird to show how much you didn't care about them) kept on trying to talk to you and showing up where you were when you were patrolling.

You had a list of most annoying to less annoying since you couldn't really do much about them, especially since Clark forbade you to throw another one of them off a roof if they got too close to your liking or just breathed wrong.

They never sustained grave injuries since you always threw them to another building or a dumpster, or to Superman if he was around.

Most of the time in a dumpster to make yourself smile since you would take a photo then swing away before they could do anything, but they started to pose whenever you would take a photo, making you annoyed and ruining your fun.

The most annoying was Dick, with how persistent he was even if he was stuck on a wall thanks to your webs when he got too close or made you uncomfortable by continuing to call you nicknames that he would use with Damian and Tim.

You hated how he would just laugh and call you his little sibling, especially since he would never call you that if you didn't have a mask on and you felt that it was unfair that he suddenly cared about you just because of the mask.

It made you feel like you were getting ignored and forgotten once again but this time to a version of you that he likes while the one behind the mask is always getting ignored.

Just like at the Manor, the real you will never be appreciated and accepted with love.

The second most annoying in the list is Tim, it was gonna be Damian but Tim took second place with how creepy he is around you and how he knows too much of what you do.

Like, you knew he's the one who knows everything about every hero and villain since you saw him work on the bat-computer while you were stealing a few grappling hooks for your web shooters since they broke. (You were invisible and you got lucky that Cassandra wasn't there or she would've found you immediately.)

But seeing him open a folder and watching how many videos and photos he has of you in the bat-computer, like when you were fighting some gang members or when you were helping some nice old lady crossing the street.

If anyone else showed you their collection of you doing badass or just normal stuff while you were a vigilante then you would've felt impressed and very honored because you never thought someone would actually go out their way to be a fan of you.

But seeing Tim, someone you still had some respect for, having so many files, especially from when you first started and hit so many walls while swinging around made you weirded out and somehow violated, especially with how concentrated he was while staring at the videos.

Seeing that folder and all the information he had on you made you lose all the respect you still had for the boy.

Another thing he did was that, whenever you met him while patrolling or eating a few hot dogs with your favorite guy, he would always talk of things you did like he was there and creeped you out so much that you had to restrain yourself from throwing him off a roof or wherever you two were.

Most of the time you just tased him and went your way, paying the hotdog guy a little extra so he wouldn't stop selling you hot dogs.

You're also starting to think that hot dog guy is using you for the tips since you always tip him 50$ or more to stay silent and let you grab more hot dogs from him.

Third annoying but still so annoying that you want to punch his face is Damian. Mostly because he treats you like you're his older sibling.

Like he respects you and looks up to you. But you knew it was because of the mask since you also knew that if you ever took off the mask in front of him he would try to kill you.

You have to be supervised by Clark and even Jon since your only solution to get rid of Damian when he’s around you is throwing him off a roof without worrying about not using your super strength.

You hated the kid and didn't really hide it but he never said anything about it since he thought you two were bonding and you acting like you hate him is normal.

You wanted to tase him when he dared to call you his older sibling in Arabic, hating the look on his face that had so much adoration and admiration for you since it actually made him look like a normal teen.

(You learned some Arabic to get close to Damian when you found out where he was from when you were young)

Like he didn't create so many scars on your arms and legs with his sword and those batarangs. Like he didn’t make you so afraid of the Manor that Alfred had to assure you that he wouldn’t hurt you or you would get a panic attack by getting near the Manor.

Least annoying but still annoying is Jason Todd. You hate that mask he wears because you can't see his face and know what he’s really thinking about, and especially how he acts like you two are two old friends who meet up everyday.

You hate how he pats you on the head when you're distracted, since the spider sense doesn't really deem him a threat for you, and manages to evade your attempts to kick him away or throw him off a roof, laughing whenever you try to do so.

Like you two were just playing and you weren't angry at him and wanting to throw something at him but couldn't.

So your one solution was ignoring him and walking to the side of the building so he wouldn't reach you since he couldn't walk on walls like you.

Which did make you smug whenever he complained about it on the roof of the same building, finding it funny when he acted all offended when he understood you were smug by how you were acting even if your mask didn’t show your face.

Yea you and Jason did get along sometimes, most of the time if you were having a nice day and if he was the first one you would meet of the birds.

You had a decent relationship with Jason, yes you did have fun sometimes but you wouldn't call him a friend or even your brother.

Plus you never forgot about the years he would ignore you and especially when he punched you in the eye and didn't even apologize decently.

Or how he would complain about how terrible of a father Bruce is, or how annoying Dick is to anyone else while you would just stand there, completely ignored since he was probably talking to someone else or to himself.

And acted like he was the only one who's life was 'ruined' when Bruce got in his life when he's still loved even after everything he's done.

Even though he's still remembered every Christmas and given big gifts that means that the person who bought them thought of him, and birthday while no one even remembered you had a birthday and you always celebrated it with a cupcake or some friends.

So you preferred to ignore him or you would punch his skull if he tried to complain one more time about Batman and his death.

Not like Cassandra, Duke and Stephanie were any better.

Cassandra was annoying because of how silent she was. You always managed to see her but you knew she wanted you to see her.

Plus, 'hanging out' with her was just you doing your usual stuff while she followed since you couldn't push her away like the others.

And fighting wasn't in the option since she could kick your ass with just a hand and without moving, so you just ignored her, even though your spider sense was always going crazy when she was around since she was a walking threat.

Even five minutes with her would give you the worst headaches that you had to ask her to stand very far or you wouldn't be able to even walk around without wanting to puke.

You hated her because she was taken in by Bruce like you but instead of being hated because of her upbringing, she got accepted with open arms and he always loved her.

What did she have that you didn't?! Why does she get all the attention and love you always wished for while you're getting forgotten and hated?!

You saw her getting accepted, getting all the love you always wished for, seeing your father going to her dance recitals while he didn't even bother to even acknowledge that you do the same sport as her but in a different and smaller dance studio since you couldn't afford to go to the one Cassandra goes because of how expensive even one lesson was.

Stephanie was another person you hated. You knew of her past, you used the bat-computer whenever no one was in the batcave when you managed to control the invisibility.

You knew about what her dad did. You understood her reasoning to become a vigilante. You didn't hate her for her past, god you didn't even care who her father was.

You just hated her because of how loved she was by everyone. She was like Cassandra but once again, all the love was going towards the two and it never even touched you.

You did try to bond with her when you arrived at the Manor but she did look like she wanted to be everywhere but not with you.

Even when you only talked about things you knew she loved, it still wasn't enough for her. She still avoided you and preferred to spend time with either Barbara, Dick or Tim.

And after a bit you gave up and let her live her life without you in her way since she clearly didn't care about you.

The worst part was that everyone prefers Spider than you, since she also keeps trying to hang out with you when you're patrolling or spending time with kids and teens.

Or getting beat during a game of basketball since you sucked at that game and the teens you played with would tease you which made you laugh since you liked spending time with people the same age as you.

But it would be ruined when she would show up, wanting to play too even though she would just play with you and make it obvious she wanted to make you win.

Which ruined the game entirely for you and always made you leave after a bit with the excuse of being busy as a vigilante, which made the teens and also Stephanie confused.

Duke was the only one of them that you knew tried to hang out with you when you weren't Spider. That's why he was one of the ones you hang out with most if he came to see you while you were patrolling.

He came when you were almost 15, you didn't remember how old you were but you knew he was one of the ones who actually paid attention to you.

But after a while, all his duties as Signal, as a high schooler and as one of Bruce's kids made him too busy for him to spend time with you, to which he explained whenever he was late for something you two planned to do.

And you understood, you cheered for him from the back and always smiled at him whenever he was with you as Signal, even if he couldn't see it. And he did tell you the best places to get food during patrols so you liked him for that, but you remained loyal to the hot dog guy.

But then there was Bruce, acting like he was the savior from his kids that kept annoying you even though he wasn't any better than any of his kids, he was one of the worst in terms of how annoying he was.

He was starting to compete with Dick for the first spot on your list, which you didn't like since you just wanted to be alone, or with Duke and Jason.

Like he would keep on calling you kid and other nicknames you heard him give to his sons over the years, which made you sick because it reminded you of when you were little and that your biggest wish was to also get a nickname like your brothers and sisters and spend time with him as your father even if he never paid any actual attention to you.

But what you hated most was how he always smiled softly at you, even when you tried to kick him away and he would just grab your ankle like it was nothing, like you were his favorite child. Like he didn't tell you that he would never be a father to you when you gave him a father's day card when you were 12 and trying to bond with him.

Looking at you with so much love and adoration, making you disgusted since he was the same man who once looked at you with disgust and hatred just for entering his office because you needed his signature for something.

The same man who clearly told you to not expect him to treat you like his child since you weren't. You were just an annoying kid who had to come to his house since no one else wanted to take you in.

You wanted to puke whenever he looked with love, refusing to forget about everything he did just because you were a child of someone he hated.

You understood why Bruce hated your mother, you couldn't force everyone to like what you like, but you still didn't understand why he had to ruin your life by keeping you with him.

He could have sent you to a foster home, he could have sent you to boarding school all your life so he could never see the face of the one he hates. But he didn't.

No, he decided to accept you in his home and ruined your life, making you miserable by keeping you there and then basically neglecting you and forgetting you even exist.

You wanted to puke whenever he looked at you with love when you were Spider, you had to take so many showers and had to scrub your skin so hard it turned red by how hard you tried to wash away his touch whenever he managed to actually touch you on either the shoulders or head.

You found comfort in Clark since he never forced you to interact with the Robins and Batman and understood why you hated them since you explained to him who you were but didn't tell him everything.

He did annoy you whenever he tried to suggest you to come with him to Metropolis even after you explained that you couldn't just move to another city right in the middle of the school year.

Moreover you were still a minor and you would need Bruce's consent, which you refused to ask since you refused to acknowledge that he was supposed to be your legal guardian.

Plus you always had fun with his kids when they were around since they would throw you in the air and catch you, making you laugh like crazy since their throw was like making you fly for like 2 minutes before catching you.

Conner was more fun to be around because he understood what you were going through since he also had problems with Superman when the kryptonian refused to accept the clone as his son.

Plus he always made the best jokes and made you laugh whenever you would have a bad day after seeing your legal guardian and his kids having a fun outing together while you were at the Manor since they didn't even remember you existed.

Or when you had a bad dance practice and almost destroyed your pointe shoes with your strength because you thought you weren't good enough to be a ballet dancer which spiraled to thinking that because of you not being good at dancing then you weren't good enough to be recognised by your legal guardian and his family.

He was more like an older brother than Dick, Jason and Tim ever were for you. And you didn't even care, you loved him as a brother and loved hanging out with him.

Jon was nice but he was also friends with Damian and you didn't really spend that much time with him because of that. You were scared Damian would be with him and you didn't want to see the evil spawn.

But the times you did hang out with him were nice, he always brought cake that his grandparents made and shared it with you while you listened to him talk about whatever he wanted.

He was fun and very nice but you weren't used to hanging around a small teen who actually wanted to be with you and actively seeked you out for your attention.

You were more used to a small teen who would glare at you and attack you if you dared do anything, even just breathing in his direction, the scars on your arms and back proved that.

But you never said anything to Jon about what his best friend did to you, you didn't want Jon to feel like he had to choose between two sides.

And you knew he would choose Damian's side, no one ever chose your side. You knew no one would even dare to be by your side.

Well after a while of going to missions with Clark and him letting you do most of the work as training with his close by to make sure you wouldn't get hurt, you were finally going on a relatively simple mission with Conner and unfortunately with Jason.

You knew Conner didn't want him there but he probably got Batman to convince Clark and him, so you didn't say anything to him about Jason being there and just stayed by his side while you were in the small ship.

The whole ride was spent in silence, only stopped whenever Conner would check the coordinates or by the sound of you fixing the web shooters to make sure they wouldn't go haywire when you were fighting.

You finally landed in the spot where you were supposed to start your mission, near the villain's lair, if you could call it that since it was an unused bunker a group of cultists found and are now living there, which made you get down eagerly since you wanted to finally do a mission without Clark's supervision.

But your excitement immediately died when you saw Stephanie waiting for you there, making you let out a loud string of curses.

And yes, you did ignore the message on your phone from Clark that said 'language' and just walked past Stephanie and Jason, just wanting to get the mission done and go home with Conner.

Plus he did promise you his grandmother's best pie if you finished the mission and you could not pass up the opportunity of getting another slice of that delicious pie.

As you walked up to the lair with Conner, you patted him on the back before standing in front of the door as Stephanie tried to open it by picking the lock. You waited exactly 10 seconds for Stephanie to unlock the door before pushing her away, kicking the door down with your strength since she was taking too long for your liking.

You didn't even care if they were watching, you just glared at them all in silence for a few seconds before they were able to hear you say.

"Stay here and you two don't follow me, Conner don't try anything or I will tell Clark"

Then, right in front of them you became invisible before walking off, the only sound they could hear were of your sneakers walking down the metallic stairs.

(Switch Pov to Stephanie)

Stephanie knew she wasn't the best person. She knew of her father's evil doings and she knew she wasn't the best Robin or the best vigilante.

But when she saw Spider, she thought that they were perfect. They were always helping people and never too busy for everyone.

She, at first, didn't even know who Spider is because of how busy she was with her life and her vigilante job. But when she saw Tim researching them, she was amazed.

She knew there were other vigilantes in the city, it was a big city but she didn't know about a vigilante who didn't fight big villains like the others.

She saw Spider helping old ladies, stopping small gangs from forming by helping the teens and just being an image for the people to rely on.

She knew Bruce stopped high grade villains like Joker or others but Spider, Spider was different.

They didn't fight Joker, no they just fought the criminals who would bother people that couldn't do anything to stop them.

She admired the vigilante and wanted to be friends with them, maybe one day she could convince them to join her and her family at the Manor.

But what she didn't understand even though she craved to know was why they hated her. Why they hated her and the rest of her family.

She tried so much, she craved their validation so much that she trained so hard and tried so many times to interact with them.

But she would keep on getting ignored or she wouldn't be able to follow them by the speed of them swinging or when they walk on walls to avoid her.

She cried so many nights at the thought of her idol, the one person she wanted, no craved validation would hate her so much when she can't even remember or know why they hate her so much.

But when she heard of Jason joining Spider for their first mission, she was so jealous that she used the bat-computer to check where Spider's mission was supposed to be and followed them in another ship.

She wanted to show to her idol how brave she was, so maybe they will praise her and laugh like when they're with Conner, Clark and Jon.

Plus she wanted to wipe Jason's smirk off his face since he kept on bragging about going to a mission with Spider for days and how he was the favorite since compared to the rest of them, he was the one who Spider stayed the longest before leaving or throwing him off the roof.

But all her excitement and hope died the minute she heard Spider curse when they saw her, her head slowly lowering as she tried not to cry.

And when Spider told them to stay there, god she wanted to protest but strangely Jason held her back and just told her to hack in the security system to watch Spider with the cameras.

She didn't understand why she couldn't follow Spider to help them but did as Jason told her to, watching all the cameras with him and seeing henchmen getting knocked out or tased by Spider even though they weren't visible.

Plus she found it hilarious when a goon got knocked out by a flying metal tray and the others just stood there confused before also getting knocked out by a taser or a punch then getting tied up on a wall or floor.

As she watched the security feed, she noticed that Spider entered the boss's sanctuary, filled with small and useless artifacts that the Justice League used to trace the villain so they could capture him and stop him before he tried to grow his cult or summon some demon.

She kept watching and trying to find a camera inside the sanctuary, starting to get annoyed and also panicking a little because if she couldn't see anything in the sanctuary then she couldn't call for backup if something went wrong, especially by how far Spider was, and even if they were going to help them, it would take too long.

She kept on switching cameras and trying to hack into anything that was electronic, getting more frustrated as time passed since she could see the villain approaching the sanctuary with someone next to him, making her confused since he wasn't supposed to have partners that helped him.

She managed to switch a camera in time to see Joker next to the villain, the blood in her face draining as she stared at the clown on her screen in silence, her eyes wide like bugs and no sound could be heard from all three of the teens.

She went back to where Spider was and noticed a camera was on, to which Stephanie immediately tried to warn them by moving the camera a bit but it was too late and both villains entered the sanctuary and closed the door so Spider wouldn't be able to leave without getting noticed by the cultist and the clown.

She watched the feed without moving any part of her body in terror that if she even moved then the two villains would notice Spider and do something horrible to them.

She gasped when she saw Joker suddenly pulling out a gun and pointing it at where Spider was supposed to be, not managing to hear what he was saying since the cameras were old and didn't register any sounds, plus his psycho-smile made it difficult for her to read his lips so she couldn't even use that to her advantage.

As Stephanie kept watching, not noticing that she was holding her breath by how focused she was on Joker then cursed loudly when she saw the screen turn black, throwing the tablet in anger as she got up, making signs for Jason and Conner to follow as she ran into the lair.

She quickly jumped over any henchmen on the ground, needing to get to Spider immediately and save them.

She had to help. She had to stop that psychopath from hurting them. She needed to protect them.

As she ran, her vision was starting to get blurry by the tears threatening to fall as she ran. As she ran, she suddenly got blocked by the metal door that was blocking her from saving Spider.

She immediately called Conner, wanting to use his strength to open the door but unfortunately he couldn't even throw a decent punch that could leave a dent on it.

Even after a few tries Conner didn't do anything so she started to try to open it by using the panel next to the door, her frustration already growing by how useless he was.

So Stephanie sent Conner outside to call Superman and Batman while she and Jason tried to open the door as they waited for the two heroes to arrive.

As the three of them waited for Batman and Superman to come, Jason and Stephanie saw something coming out the door that made their blood cold.

Some form of gas kept on coming out the door and the only thing they were able to hear were some noises of something or someone getting hit and coughing.

Stephanie did smell the gas, trying to pinpoint what the gas was but she couldn't recognise it since the only thing she could detect was that it had a sweet smell, which was nothing like all the gasses she ever smelled before.

The only thing she knew is that the gas wasn't the usual gas Joker uses on his victims since she wasn't laughing or having a maniacal smile but she still couldn't pinpoint what the gas was.

Stephanie stayed silent, trying not to show how terrified she was while Jason was trying to kick down the door while yelling curses directed at Joker.

Conner was outside the lair to use the ship and communicate with Batman and Superman, knowing they were both on different missions and he couldn't fly to both of them to ask for help, especially since he found out that he couldn't even fly, making him even more desperate for them to come.

As they waited Stephanie tried to make Jason stop punching the door when she saw his knuckles bleed, not wanting another one of her siblings get hurt because of her incompetence before looking at the door.

The blood drained from her face, her knees giving up on her and making her fall to the ground as she heard a scream, the cold metal floor the only thing she could feel at the moment.

She knew the scream couldn't be of Joker. He heard him yell before and this scream wasn't his. She hoped for every god as she tried to hack the panel of the door, even though she already tried before, with a bit of difficulty, her vision starting to blur as tears started to fall and her hands trembling as she was trying to ignore the multiple screams she kept hearing.

She couldn't let Spider get hurt, she should've been there to help them. They didn't deserve the pain and hurt she and almost all of the Robins went through because of Joker.

She stopped when she felt a familiar hand on her shoulder, the realization that she was just messing up the wires and making it even more difficult for the door to be opened when she looked at her hands tangled in between the wires.

She looked up at the man and visibly relaxed, completely giving out on the floor as Jason helped her by cutting the wires tangled in her hands while Batman examined what was happening as Conner explained what he knew, Superman next to him and waiting for Batman to give orders since he knew that if he acted irrationally then Spider would be in danger.

(Switch to Bruce's POV)

Bruce knew he wasn't a good person and a hero like Clark and Diana, that's why he called himself a vigilante since heroes save people and stop criminals but he couldn't save everyone.

Sometimes he was too late and he couldn't save someone innocent that unfortunately crossed ways with a villain or a gang.

Another thing Bruce knew was that he wasn't the best father because he let his kids get hurt by going on patrols with him as a vigilante, not thinking about what could happen to them if they fought someone too strong or if he suddenly decided to make them stop being a vigilante by saying that it was to protect them, which made everyone sneak out to be a vigilante.

He had to bury his children too early because of vigilantism and couldn't help his son when he was being trained by the League of Assassins.

But when he saw Spider for the first time, seeing a child that looked no older than 14, maybe 15, made him think that maybe, maybe he could help this one become the best version of themselves.

And if he was good enough, he could be a father again and get another child saved from the darkness and evil that surrounds Gotham.

Even if the only evil Spider saw was him and his family.

One thing he hated was that he couldn't understand why Spider absolutely loathed him and everyone of the vigilantes who live or have lived under his roof.

He couldn't understand why and even after checking every mission he ever did that included helping kids/teens in Gotham, nothing gave him a lead as to why Spider hated him.

And the worst thing was that Spider decided, out of all the heroes and vigilantes in the world, and especially in the Justice League, to trust and get close to Clark.

To Clark! His enemy! He was supposed to be the one teaching Spider to control their strength! He was supposed to be the one laughing with them while eating hot dogs and sharing funny stories of stupid people they say during patrol.

(He knows about it thanks to a small camera he put on Clark’s costume after he found out that he and Spider got close)

He didn't trust letting them go on a mission even if Clark told him that they could and that they were ready.

He thought it was too early and that they weren't trained to fight villains like he and the others fight everyday, especially with Conner since he wasn't perfectly trained so he managed to convince Clark, with much manipulation and guilt tripping, to let Jason come with them if there was trouble.

He didn't know Stephanie would also be there, especially since he didn't talk about it in the batcave about the mission but he already guessed that Jason bragged about going so she also went to also see her idol, knowing about her obsession with Spider to which he didn't say anything but encourage it with his own obsession towards the arachnid vigilante.

Not that he minded, two of his kids were better than none and Spider needed all the protection necessary even if the mission was one of the easiest possible. Especially since he chose it as a way to make sure Spider wouldn't be in actual danger.

But the moment he got a message from Conner explaining that Spider was in danger because of Joker, someone who wasn't supposed to be there in the first place, made his world crumble as he ran to where his jet was, needing to get there as soon as possible.

He couldn't let another person, no he couldn't let Spider get hurt or worse, killed, by the clown bastard.

He needed to save them, he needed to stop that fucking clown and he couldn't let Clark beat him to it. He knew that if he was the first one to save them, to help them then they would trust him more.

He couldn't lose that huge advantage to Clark or it would be impossible to even be able to get Spider to trust him or any of his kids. Which was already difficult but he saw them being more comfortable with Duke and Jason.

He arrived almost 3 seconds before Clark did, even though the kryptonian made his presence known since he made a crater at his landing and looked extremely infuriated as he walked towards Conner.

Bruce was already next to the boy and listening to his explanation on what happened, his usual frown that always made him seem annoyed with everything since he didn't want to show that he was scared.

He listened to superboy as he explained what happened in detail as they walked in the lair, a small smile appearing on his face whenever he saw henchmen and cultists knocked out and all tied up in Spider's web.

As they walked he noticed Conner and Clark weren't flying even if the space was big enough for them to even float, so he approached the boy, knowing it couldn't be Clark since the kryptonian was flying just two seconds ago, to see if he had anything on him and saw a familiar glowing green stuck to the boy's shirt.

He quickly grabbed it and put it in a container to block its effect since he knew it was kryptonite, the result showing on both kryptonians because they now could fly again.

He showed the container containing the kryptonite when both Supers looked at him "it was on Superboy's shirt, not sure who put it on him" he explained, now confused but especially enraged to who dared to interfere with the mission and put Spider in danger.

When they arrived at the door he saw something that made him frown more but also worried. He saw Stephanie continuing to tangle her hands in the wires of the panel next to the door, probably trying to open it but he saw her shaking and sobbing, making him understand that the girl was too focused on trying to save the vigilante inside the room that she couldn't focus on the task she was doing.

He then turned to Jason and saw him kicking the door and punching it, small dents on it to show how much strength he was putting in it and his bloody knuckles showing for how long he was doing that.

Bruce quickly checked on Stephanie and Jason before telling Superman to get rid of the door, the silence around them being too suspicious and dangerous since almost 2 minutes before they arrived both Stephanie, Conner and Jason could hear screaming from inside the room.

Dividers were made by @cafekitsune so please check them out because they do amazing stuff.

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[viceroywrites]

the way i have this whole story for gravity falls (stan x reader x ford) and am so tempted to write it but i need to finish my other wips

so i'll just dump it out here (some of this is also somewhat inspired by the swooning over stans dating sim)

edit: i ended up making it! interested in reading? click here for the masterlist.

-

pretty much the premise is that you are dating ford during the time that he's deep into his research into gravity falls. you become uncomfortable seeing how bill takes over his body and the havoc bill causes when he's in ford's body and after seeing what happened to fiddleford when entering the portal, give him an ultimatum: cut ties with bill or you're done.

of course, ford chooses his research. ford chooses bill.

you can't get over him, and after countless nights of tears, you appeal to fiddleford to let you use his memory gun to erase the memory of ford from your mind.

and he does.

you move back home, confused on how you ended up in a small town in oregon but fiddleford makes up a story, saying you were an old friend, visiting him while he was doing research. you lead a normal life free of the paranormal for many years. you sometimes have dreams, visions of a face that should be familiar but you can't seem to make it out.

planning out a roadtrip through the pacific northwest, you find yourself in explicably drawn to the town of gravity falls and figure you might as well check it out since it's on the way through your drive up to washington, you figure why not.

your car ends up dying on you, the battery giving out almost five miles out of town. as you're on the phone trying to map to the nearest towing company, a gruff voice calls out, asking if you need a hand.

you look up to see stan, his window rolled down and his arm dangling out the side of the car.

why does he look familiar? you think to yourself as you put down your phone.

"yeah if you have jumper cables, i just need to get my car running to get to the next town and hopefully get a replacement battery." you say.

"of course, i have jumper cables, kid - look at my car, you think i haven't been stranded out here myself." stan chuckles, making a effortless u turn with one hand before pulling his car close to yours.

you pop the hood of your car, giving stan access to hook up the jumper cables. you both stand in silence while stan attaches the cables to your car before stan's voice cuts through, "so uh, what brings you out here? you just driving through?"

you almost chuckle at his awkwardness, "sort of. i'm doing a whole road trip through the pacific northwest. i was gonna check out this town ahead, gravity falls."

stan blinks, expecting you to just be passing through the town. his lips spread into a grin, pulling out a business card from his leather jacket. "well, if you're stopping by, you gotta check out the mystery shack! one stop shop for mysterious oddities!"

you take the business card with a giant question mark on the front. you look up at stan, almost feeling like this is a con but as your car starts up to life, you figure you might as well check out what sounds like a tourist trap to appease the man who just helped you.

after driving your car to the mystery shack, you get a tour from stan himself, who shares that he used to be the former owner. as you walk around the building, it almost feels like home, like you've been here before.

talk about deja vu.

little did you know that you would run into the man that you once loved as you rounded the corner, finishing the tour. ford was outside fiddling with a new device with his back turned to you and stan elbows you in the arm, "that's my poindexter brother, ford. he's always working on a some geeky invention."

"you know i can hear you, stanley?" ford sighs, turning around to face you two.

he freezes, seeing the woman that left him all those years ago. "y/n?" he calls out to you.

you blink, stan staring at the two of you in confusion and you tilt your head, confused yourself, "sorry... have we met before? how do you know my name?"

[hipstergecko]

Waking Up.

Hey so remember that DPxDC prompt I wrote awhile back? I've been writing it! Here's a brand new chunk.

Ghost in a Box: Danny experiences extreme sensory deprivation after getting trapped in a coffin like box his parents invented. His box is opened on the JL watchtower after being found in an underground bunker. Humans can't do sensory deprivation for too long. Apparently neither can Danny.

Original Ghost in a Box prompt here.

----

Black bat was waiting. She was quite good at waiting. Sometimes on a mission you had to be patient. Still and silent. Waiting.

The boy that had come out of the box had been in the intensive care unit for days. He had been dehydrated and was terribly emaciated. He had been starving. How long had he been in the box?

They couldn’t ask him until he woke up. So she had been waiting.

Cass sighed and walked silently down the hall to the ICU. After they had gotten the boy into the medical wing, she’d gotten the whole “that was incredibly dangerous” spiel from her dad Batman. He was proud of her though. She could tell. It spoke through the lines of his shoulders and the tilt of his head. The softness of his hands. Hopefully that softness would be given to the boy from the box.

There had been multiple debriefs and meetings to discuss how to proceed with the boy. The majority of heroes were loath to continue opening boxes. What if they were full of creatures much like the boy? Capable of so much damage and danger. They didn’t even know what he was.

The documents they had uncovered called the boy a ghost. But after checking his vital signs, they found he had a pulse. He had a heart, breath, and blood. He was human.

But he was in the box. So he wasn’t. The members of Justice league dark had been contacted and were due to arrive any day now. They had been on assignment somewhere else. Cass hadn’t bothered to find out where they’d been.

None of that mattered anyway.

What had mattered, truly, was that the boy from the box was afraid. Afraid and unable to communicate. And Cass understood him. He was terrified and desperate. And Cass saw him beyond the horrors.

He was a child and he needed help.

So he was hers now. No matter what anyone else said. She reached out to him first and he was her new brother/son/child. Bruce would have to deal with it.

She had stayed on the watchtower, with Bruce’s blessing, since the box had been opened. She barely left the boy’s side much to Bruce’s chagrin. He was not pleased with the possibility of her being in danger. But Tim had pointed out that she was plenty dangerous herself.

She loved her brothers.

She stayed on the watchtower all the time now. Staying with the boy and only leaving the observation room to shower and eat on her own. The doctors had insisted, gently, that she should take some time to herself after those first few days. So she does. Today she took a hot shower and attended a few meetings to keep up as to what they planned to do with her new brother. She also got to spend some time with Spoiler who had just so happened to be on the watchtower that day (she sent a thank you message to Tim over the family chat).

She looked through the observational window, a frown hidden behind her mask. The boy was hooked up to various machines to monitor his vitals. His eyes were still covered and the headphones were still firmly on his head. He looked so small and frail against the bed linens. There wasn’t much more they could do until the JLD members arrived.

The doctors inside the room were gently cleaning the boy. Running a warm soft wipe down his arms and legs, checking his vital signs, laying a warm blanket over him for comfort. She watched impassively at first, then with intense interest as some of the monitors showed brain activity.

Signs of waking. Her new brother was waking up.

She was the first one in the room when the boy jerked awake with a gasp.

---------

Consciousness.

Discomfort.

Gravity.

The air tastes funny. His arm itches. His legs feel heavy.

Weird.

Danny floated on the edge of wakefulness. Or at least what he thought was consciousness. It was hard to tell anymore. Everything was a cycle of dreaming and waking, or was it dreaming and dreaming? It was hard to find reality. Nothing changed except the hallucinations his mind conjured. And even his mind had started to get things wrong.

He couldn’t trust his memories anymore. He couldn’t remember what life was like. If he saw his mother in the box with him, he couldn’t make out the details of her face. Or His father’s laugh. Or his sister’s hair. Everything was fuzzy. Distant. Faded from his memories.

Did he even have a family? Was that something he made up?

He couldn’t remember.

How long had he been in here? He’d stopped counting the days when his eyes ceased to glow. Recycled ectoplasm was good at sustaining a ghost, but not good at feeding a ghost. And him being only a few years dead, he was still developing powers. Well he would be if he wasn’t essentially being purposefully stunted in this stupid box.

What a stupid box. Can’t even sit up in it. It was more like a coffin than a box. It would figure that he finally got put in a coffin. Specially since he died all the way but not quite once already. How lame. Someone somewhere was probably laughing about this.

What was he thinking about? Oh yeah. His eyes stopped glowing. Made it harder to see what was real. He couldn’t see the shadows of his real hands and the lack of them on the images his mind conjured. It was hard to tell the difference. If he could even tell the difference anymore.

He probably couldn’t tell at all anymore really.

He floated beyond consciousness for a moment more, resisting the press upon his mind to wake. Better to sleep. After all, there wasn’t anyone coming to get him. The whispers were silent when he wasn’t in his mind. The voices stopped. The hands didn’t pull at his mouth and eyes. It was the only chance at peace he got.

Something touched him.

Weird.

Wait…

Something, no, someone was touching him. Moving his itchy arm. He felt hands on his legs, moving them under the heaviness.

The hands were touching him.

Danny jolted to full consciousness with a gasp. He violently jerked away from the hands and scrambled back. They’d never moved him before! They’d only tried to! He had always fought them off! They were just hallucinations!! His mind only thought he was being touched!! What happened?! How?! WHY?!

His breath came in larger gasps of air as he spiraled into panic. The hands, glowing and green, decayed and skeletal reached out of the darkness. Whispered words filled his ears, static and chiming all at once. He flailed out at them frantically, touching nothing. He whimpered. They weren’t real they weren’t real they weren’t real.

One of the hands grabbed his arm.

He cried out at the contact. The weak and raspy sound pulling painfully from this throat as he lashed out at the hand and fell back. The ectoplasm felt firm and plush beneath him.

Wait, was that really ectoplasm? Was this real?

Somehow in his retreat, he reached an edge. He slipped.

He fell.

He hit a hard surface and felt the air whoosh from his lungs. He choked on the strange air and grasped blindly around himself. There was no ectoplasm, nothing swishing around him as he moved. He struggled to breathe and reached frantically out to his sides.

There were no walls.

No walls, no ceiling, no swishing stale ectoplasm.

What…

He… he wasn’t in the box.

This couldn’t be real.

He scrambled back along what he felt was the floor until he hit something hard. A wall? He didn’t care. This wasn’t real, but it felt real enough to use as an anchor, so at the wall he stayed.

Danny grasped at his arms. Nails dug into muscle, piercing the skin and drawing ectoplasm. He felt the pain and it grounded him. He was real. He was still real. His breathing was still harsh, the panic still real. The hands still reaching for him weren’t real. The floor and wall weren’t real. He was just trapped in another hallucination.

He just needed to calm down and wait until he came out of it naturally or hurt himself into reality. Either way he would still be in the box.

Abandoned in the box.

He dragged his nails down his arms, leaving behind gashes that wept. He wasn’t concerned though. His ghost form would heal fast enough that it wouldn’t make a difference. All he needed was to stop seeing things that weren’t real. He’d shed enough tears over illusions of his friends and family. Been through enough terrors and memories to doubt his mind. He knew he was in the box. Once he found the box again he could try to go back to sleep.

He’d lost the will to do anything more what felt like a lifetime ago. All he had left to his obsession was protection. Self protection. Survival. Keep his human half alive. By staying a ghost and surviving the horrors of his mind.

It was all he had left.

He ran his hands up his arms to start tearing at his skin again and found… wetness? He hadn’t healed yet? He lifted a hand to his face and licked the wetness on his fingers.

Copper tang. The faintest taste of ectoplasm.

It tasted like… blood?

Danny’s heart stopped in his chest. Wrong. His heart stuttered in his chest and he scrabbled at his neck. He fingers found his pulse.

Oh no.

He had a pulse. He was human again!

The darkness surrounding him was suddenly suffocating, pulling at his breath and stealing his rational thought. He was real, but he was going to die. Humans can’t survive as long as he had without food and water and air! He couldn’t keep control of his ghost form and his human half was going to die! He had to change back or he would fail at doing the only thing he had left!!

He started hyperventilating and desperately grabbed at his ghost core. An immediate searing pain shot through his chest. The sound he made was akin to someone tearing paper and he fell over on his side. He began trembling all over.

That hurt so bad. That hurt so bad.

He couldn’t think. He could breathe but that just brought him closer to death. Tears welled from his eyes and caught on something just beyond his eyelashes, turning the blackness somehow darker. He was going to die and the recycled ecto had failed and he was going to die and the static wouldn’t stop and the hands wouldn’t let him go and he was going to die alone and forgotten he was going to die again nopleasenopleasenotagain-

Something touched his hands.

Danny jerked back and away, nausea surging up his throat. He pushed himself up only to vomit stomach acid. The only thing in his system. It burned as it came and went. His stomach clenched so hard that he curled over on himself. His muscles shook with strain as he hyperventilated. He couldn’t get enough air. He couldn’t see. Couldn’t hear. Couldn’t breathe. Couldn’t move…

Something touched him again. A gentle pressure on his back. Warm and soft.

He tensed beyond what he thought he was able. Rigid, but shaking in fear. He had no thoughts beyond the sheer terror of what he thought was unreality becoming reality.

Moments passed. And nothing happened.

The pressure on his back stayed. It did not grasp at him like the hands did. It remained gentle and soft. A warmth. It was different. It was scary.

It felt nice.

Slowly, ever so slowly, Danny’s breathing calmed. Slowly, he felt things around him. He felt the blood trickling down his arms. The cold floor under his legs. The soft, long shirt on his body didn’t close in the back or reach down past his knees. He was warmer than the floor which was strange, but made sense. He was human again. He couldn’t even remember the last time he turned back human. It was his greatest fear. To turn human in the box and die alone and small in the dark enclosed space.

But he wasn’t dying. He was breathing. The air was fresh. It tasted strange. His hands fluttered along the wounds on his arms. He felt pain and knew it was real. And the pressure on his back felt real.

Did… did someone open the box?

Hope hit him so hard that he began to cry softly. He couldn’t let himself hope, but he couldn’t deny it. Not when this all seemed so real. His crying grew harder. Harsh stuttering breaths that he couldn’t even hear. Which was kind of odd. Why couldn’t he hear himself? Did he still have ears? He slowly reached up and felt where his ears should be. There was something covering them. A hard plastic thing that went up over his head. Slowly his hands moved in front of his face. He found his nose and his mouth. They were still there. Then he touched the places where his eyes should be. He felt cloth.

His eyes and ears were covered?

Another hand touched his own and he jolted. It was as gentle and warm as the other hand. He could finally hear his ragged cries as the hand took his gently and intertwined the fingers. A gentle squeeze had the tears coming hard and fast. From fear or hope? There was no telling. A sheer outpouring of emotion.

Someone had opened the box.

And they were holding his hand.

He desperately hoped this was real.

----------

That's it for now! Honestly I'm just writing snippets of story beats and then stringing them together when the anxiety has quieted. I have an AO3 account now, but I'm still posting everything here first!

Nyeeeh keep an eye out for more I guess.

[fangirlingpuggle]

so since ford is like, CONVINCED dips and mabel are his kids in this au he is obviously not going to avoid them no matter what stan says about it (yet another point of tension between them...) so any thoughts on how he trys to bond with them? dd&md perhaps? children like that game right? maybe when it becomes clear mabel doesn't like the actual gameplay aspects he and mabel draw art to replace the official stuff and thats how he bonds with her? weapons also. he also trys to bond by giving them weapons ( i mean its ford cmon now)

Oh he totally disregards Stan warning him off

Ford: These are my children Stanley

Stan: No sixer, no they are not, they are your grandniece and nephew you were in another dimension when they were born

Ford: Oh please Stanley time is easy to mess that proves nothing

Stan:Ford your being stupid, when did I become the smart twin?

I think he's very unsure how to bond with them at first. Dipper is easier though Dipper wants to know all about the journals and Ford is more than happy to tell him everything (His son is so much like him) He also may be asking questions while talking to Dipper about any unusual powers he may have, or if they may manifest later in life. (He is sure all the strange things Dipper has found so easily are him unconsciously using his powers)

Stan: Sixer it's not hard to weird stuff, you found it

Ford: Yes Stanly but I was a genius looking for all of it the twins stumbled into it

Stan:I CAN'T WALK OUTSIDE WITHOUT TRIPPING OVER A GNOME FORD IT'S NOT HARD

With Mabel Ford can see she takes after Bill more with her chaotic nature, but he also see her empathy (And she reminds him of the version of Bill he thought he knew and cared) He encourages her creativity and listens to her talk about ideas and 'I'm sure I can invent that' he makes her insane creations, and doesn't bat an eye at the insane weapons she wants.Stan is close to having as heart attack.

He also gets them to come on explorations with him showing them places in gravity falls and explaining about science and how theoretically certain powers would work. (And if they had certain powers how this would work)

he would totally share his D&D interest and DM for their adventures, Dipper would love it and I think think Mabel who love the RPing and would making the most insane mix of classes Bard, Druid, Ranger with unicorn pig animal companion or something similar. She'd also totally draw characters and maps.

[captainofthedauntless]

When Life Gives You Lemons

Rise Donatello x Reader imagine

Info + Warnings: Reader's at the Lair to help Mikey in the kitchen. Mikey's caught up in something else. Donatello gives Reader a way to pass the time. No gendered language, pronouns, or Y.N used for Reader. Vague not-friends to might-be-friends with feelings. Set a few years post movie.

Commentary: He's much harder to write for than a certain blue menace. IDK if this even sounds like him.

It's easy to think Donatello doesn't care.

Well... that's not true. You've seen him unveil his latest and greatest inventions- he cares so much it's impressive.

But it is easy to think he's extremely (impressively) neutral on you.

It's a kind of intense neutral that you haven't seen anywhere else.

He's polite. Or his version of polite, anyway. It's not like he avoids you, he just is neutral in a way that somehow pulls on your attention.

You can't explain how or why.

You're just aware of it the same way you're aware of his family's fondness for you. His near-apathy has the same volume as Leo's jokes and Raph's warm support and Mikey's excited integration of you into their schedules.

You call it Hamato Intensity, in the privacy of your own mind, the way they all are. It's shapeless and beyond definition, and you really shouldn't think too hard on it because it simply is the way that gravity just is, but you almost can't help yourself.

They just have a presence.

Maybe it has something to do with that Ninpō thing Mikey and April tried to explain to you. It's like magic, but it's not magic, but it's kinda magic? But then Donnie had cut in to explain that it was absolutely not magic and he had a whole PowerPoint and everything got very derailed very very quickly.

You were more confused at the end than you were when the conversation had started.

So you try not to think about it too much. You get that they're glowy and dangerous, and it has something to do with ancestral connections, and you think April's haunted, and that's just going to have to be enough.

It's a lot like how you don't quite get Donnie.

You're pretty sure he doesn't dislike you. Over the few months you've known the family, you've seen him dislike several people, and it is always extremely clear. It's sharp and hazardous and can be a little (lot) intimidating- and he's never been like that with you. He's just dry. A little reserved.

The weird part is that it isn't really... awkward?

Like, it should be. It so should be. Right now, with you sitting at their kitchen table waiting for Mikey to get home so you can help him with his latest culinary adventure (per his request) and Donnie silently brewing coffee and typing away at his gauntlet, it should be awkward.

It isn't.

It's comfortable, in a strange way.

The realization is a surprise- one only trumped by the surprise of him speaking.

He says your name in way of greeting, and your head whips around like he'd screamed.

"Yeah?" You say, confused.

You think it might be the first time he's said it to you.

He stares at you for a beat like he's studying you, just long enough for you to start to feel out of place. "Still waiting for Michael, I presume?"

"Yeah," You repeat, no less confused. More confused, you think. "He's grabbing ingredients. Apparently Leo ate the end of something and Mike's making him portal them around to replace it," You explain (over explain? You can't tell) with a fond amusement. "Said they couldn't find it at the first place they tried, so they're making extra stops."

Something dings on his wrist, and he drops his eyes to type something into his gauntlet again. "Excellent," He says neutrally, still typing. "That leaves you free to assist me."

You blink at him, confusion growing. Again.

He seems to notice, his hand stilling on his keyboard for an almost imperceptible moment. "If... you are not otherwise occupied, obviously."

"Um, no. Nah, I'm free," You respond, finding your footing again and deciding that much stranger things have happened, really. "What's up?"

"I require an extra set of hands in the lab, to hold a circuit board in place while neither crushing nor breaking it, which- despite his best efforts and gentle demeanor- makes Raphael a less-than-ideal candidate," He explains, his typing hand coming up to twirl once in midair in a very Donnie motion of simultaneous acknowledgment and dismissal.

It occurs to you that this is the same lab that may-or-may-not have some sort of nuke tucked away in it, depending on who you listen to.

The thought is brushed away by the realization that your curiosity outweighs your caution (again).

You slip out of your chair, nodding at him. "Sounds... uncharacteristically simple," You say, testing the waters with a gentle joke at his expense.

It seems to pay off as he nods. "I assure you, the end goal is extremely characteristic," He says, and it takes you a second to realize he's- it's not joking, but it has a self-aware, playful edge to it. It's subtle, but it's there, and it catches you off-guard as two robotic arms reach out and pour a mug of coffee without him looking.

"Then lead the way."

He turns without a word, retracting one metal arm as the other brings the mug to his hands before disappearing into his shell.

You follow him to his lab, hesitating just outside as he slips right back into his element.

You've been in the lab before, but it's rare, and usually with the company of his entire family. Here, you have no cues to follow.

He glances back at you and raises a brow.

"Do I... need to take off my shoes or anything?" You ask over the synth and bass filling the room, only half joking. It feels like walking into an operating room, like you need to sterilize your entire being before you breathe on any of the impressive technology.

"No," He says simply, turning back to his workbench, "The floor is cleaned bi-daily by SHELLDON. Bi-daily, in this case, being twice-per-day- not every other."

You nod at his back. Of course it is.

You walk towards him, not quite able to resist the urge to look around. You settle for keeping it subtle.

"Here," He says, pulling your attention from an organized mess of cables and metal hanging on the wall like technologically-advanced macrame. "Hold this over here, at roughly a 59.6 degree angle."

Taking the circuit board- a foot square and heavier than you expect- you nod again, trying not to laugh as you step to his side and lift it up to rest against yet another unintelligible pile of technology. "Right. 59.6 degrees."

"Roughly," He amends, the start of a smile visible in your peripheral. He reaches out- into your space- and nudges the board into a sharper tilt, presumably finding that approximate angle for you as his metal arms grab things from the tool chest behind him.

"Like this?" You ask, trying to hold still as he pulls away.

Oddly, you almost miss his space in your own.

"Roughly," He repeats dryly.

That's alright. You aren't striving for perfection.

Roughly is fine.

You feel compelled to strive for perfection.

You swallow the urge.

He's back, hands full of drill and screws and metal hands holding more metal pieces that you can't quite see around his battle shell as he crouches slightly to look at the underside of the board in your hands.

"Slide it to the left- your left, not mine."

You nudge it gently.

"More."

You nudge it again.

"More- too much, back the other way."

You cock a brow at him- or more accurately, at his red-and-blue goggles, which show you your own reflection. You can't see his eyes, but he must see you, because he mimics your expression.

You nudge it back the other way.

"Adequate," He says in something close to approval.

It's nicer to hear than it probably should be.

"This will be an unpleasant sound. It will jostle the board. If it slides out of alignment, we'll have to reset you."

"Alright."

He's correct- as per usual. It's a very unpleasant sound, metal on metal combined with the whir of the drill, followed by clanging as his battle arms hand him extra pieces and parts.

He ends up entirely beneath the metal monstrosity, supported by the two metal arms as he leans back to look up at the machine's underbelly.

You end up in a long-abandoned rolling chair. You tell yourself it's just because Mikey isn't home yet.

Eventually, Donatello calls your name.

"Yeah?"

"Four-point-five millimeter hex key."

You glance over at the little work table he'd rolled over earlier, and spot a tray of neatly organized hex keys. A closer look reveals perfectly placed labels.

One reads 4.5, so you slip it out of its slot and roll forwards to pass it to him.

"Thank you."

You hum a little acknowledgment, and kick your chair back slightly.

"-and for some insane reason, he decided to catapult himself-" You wave an arm out in emphasis, mid-story as Donnie meticulously wires together the plates you had installed, and a third metal arm darts out to gently catch your wrist.

You stop speaking, and you stare at each other.

"Hotplate," He says after a beat.

You glance over your shoulder, and your hand is being held just shy of a metal platform on the desk behind you. There's a little red light on the front, and a bright purple sign plastered neatly below it, warning Hot. Do Not Touch. Do Not Use As Microwave.

"Thanks," You says softly. You can feel heat wafting off it now, enough to give you the impression that had he not interceded, you'd be nursing a nasty burn.

He hums and retracts the hand, tucking it neatly into his battleshell. "You were reminding me of Nardo's foolhardy ways?" He prompts, attention already returning to the project in front of him.

Eventually, you hear Mikey holler from outside the lab, calling you.

"I guess that's my cue," You say.

Donatello does not look up. "Agreed. I appreciate your assistance."

"Any time," You say casually.

As you turn to leave, you're absolutely dumbfounded to realize you actually mean it.

You've enjoyed your stint as his lab assistant.

"How was the lab?" Mikey asks, a little too playful for your tastes.

"Hazardous," You quip dryly, replaying the hotplate incident. "No wonder he's so protective of it."

You miss Mikey's response, mentally counting metal hands.

Donatello's battleshell has more than two.

You're pretty sure you've seen him with five before.

...So why did he need help?

"Hello?" Mikey asks gently, an innocent- too innocent- smile on his face.

"Sorry, flashbacks to my near-death experience." It's not quite a lie.

He doesn't quite buy it.

"I said if he asks you to test fit a helmet, say no," Mikey repeats.

You nod slowly. "Speaking from experience?"

"Don't worry about it," He chirps, slipping an apron over his head. "Speaking of experiences, are you ready for Angelo's All-You-Can-Beat Eggstravaganza?"

"Absolutely," You grin, happy for the change of subject.

And excited for lemon bars.

Win-win.

"You're telling me-"

"Nardo, don't-"

"I teleported all over New York and the Hidden City-"

"You are in the way-"

"So that you could get your wrenches passed to you?" Leo exclaims, the picture of incredulity as he stands between Donnie and the equipment you'd helped with. "That was your grand plan?"

"I had no grand plan," Donnie responds, stubbornly sidestepping his twin. "Michelangelo had a grand plan. I was a victim, dear brother, same as you."

"Oh, of course, of course," He says, hands coming up in dramatic surrender. "Because spending time with someone you have the hots for-"

Donnie taps at his gauntlet, turning his music up over his brother while sliding back beneath his newest baby.

"-Is exactly the same as stopping in thirteen stores-" Leo continues louder, undeterred- "for a niche lemon species you eventually start to think Mikey made up!"

"And did he?"

"He might as well have, for how deep into Witch Town we ended up!"

Donatello rolls his eyes sharply, adjusting bolts above himself.

They don't need adjusting.

"If you don't come out to try their lemon bars- and sing their fucking praises- I will come in here and haul you out myself," Leonardo proclaims, ducking into Donnie's space. Persistent, unyielding, obstinate. "And I will tell everyone- everyone, you heard me- about last month and the rollerskates-"

"You are a monster."

"And I will do so in detail," Leo finishes, a smug grin on his face.

Donnie glares at him.

"We're not kids anymore, hermano," He says matter-of-factly. "You've taken on supervillains, aliens, ancient mystic entities, and all of NASA's cybersecurity-"

"Allegedly."

"-You can handle a direct conversation without hiding behind your tech."

Donatello does not respond.

Leo pats the metal chassis they're hunched beneath in lieu of touching Donatello himself and takes his leave.

The kitchen is loud when you and Mikey present a tray of perfectly sliced, perfectly proportioned lemon bars, each presented in an adorable white paper liner and covered in a light dusting of powdered sugar.

It's loud and happy and sounds like love, and you find yourself marveling at that Hamato Intensity again as Raph and Casey bicker about the wrestling match they both watched the night before and Casey Jr excitedly asks Mikey all about the bars and April and Leo and Splinter sneak in closer to the tray, only freezing when Mikey fixes them with a dangerous glare over Junior's shoulder.

It's a lot. They're a lot.

It smells like citrus and sugar and coffee.

The coffee reminds you of the smell of steel, which reminds you of the clanging of metal, which reminds you of whirring drills and gentle nudges and self-assured sass from beneath a machine you still don't understand.

And then you're jolted from the surprisingly warm memory by Mikey sliding a lemon bar just under your nose, happily saying something about chef privileges, and the bars taste every bit as good as they smell and he's grinning broadly and your heart feels warm all over again at the happy sounds from the group you love so much.

Metal claws dip into your vision, dangling your keys in front of your face like a worm in front of a fish. "Missing something?" Donatello asks dryly, quietly, from behind you.

"Where were these?" You ask, cupping your hands beneath them and catching as the metal claw releases.

"Workbench," He says simply, his claw- and another- darting forwards and grabbing two bars by their liners. He drops one in your hands and takes the other, tucking his metal extensions away. "How did these turn out?"

"Why don't you try it and find out?"

"I like to know what I'm getting into."

"I'm biased," You shoot back, your voices similarly amused. "As a man of science, you recognize the issue here, no?"

"Touché." He takes a bite, chewing slowly, thoughtfully.

"...So?"

"It appears you are more-than-adequate in the kitchen as well," He says, and it feels like a compliment.

It feels like a big one.

You nod, playfully smug. "I'm happy to hear it."

You are.

The realization makes you feel a little brave. "If you find yourself needing an assistant again..."

"I'd have to be able to steal you away from Mikey."

"I think he can share."

"In that case," Donnie says, amusement in his voice as he speaks beneath the noise of his family, just to you, "I will keep you in mind."

It doesn't sound half bad, really.

[cheeriecherrymain]

papa!Viktor blurb, anyone?

A/N: slowly, slowly, recovering from the creative drought ive been in

it's nowhere near a waterfall again, more like a frustrating dribble, BUT. It's something. But anyways, here is a Papa Viktor Thought Blurb (listen, my sister is almost three months old now, and I am so besotted with her, she's my favourite tiny person, and i am full of Caretaker Feelings)

Content Warning: 18+ MDNI (not explicit, but very very suggestive), afab!Reader, pregnancy, labour and birth (again, not explicit, but still with some depth), papa!Viktor, no beta no editing we simply die

Imagine Viktor, and him believing he'll be alone for his entire life - working so hard to make some kind of legacy for himself, putting everything he has into his creations and his machines. Every calculation, every experiment a labour of love.

This is how the world will remember his name.

At least, he hopes.

But then he meets you.

You're charming, he has to admit. You make friends wherever you go, and you have a weird habit of bringing people out of their shells. There's just...something about you that makes others want to bare their souls to you. Something that draws people in.

Like you have a tangible sort of gravity, and wherever you go, someone ends up in your orbit.

He won't mean much to you, he thinks, after conversing with you a couple times. You're creative, like he is, and you're enjoyable to talk to. But nothing more. Sooner or later, you'll continue on somewhere else, making waves and drawing attention. And in your wake, he will be left to sink. It's what expects.

Except...

You don't leave.

Your chats start out small. Short and sweet, a How are you today? wondered whenever you pass each other in the halls a couple times a month, curious about the goings-on of his life.

He never has anything interesting to tell you about. No adventures or tales to tell, nothing beyond the walls of a cramped and cluttered office.

You must be bored, he thinks.

But then you start seeking him out. Instead of just catching up for a couple minutes whenever you happen to walk past each other, you hunt him down in his office - and god, he wasn't lying when he'd told you it was cramped.

You're amazed he even has the space to think in there, with how tight it is. Yet you still shimmy yourself into the tiny room, careful not to disturb any piles of papers, and find a careful seat on a spot of open floor beside his desk. There's no room for a second chair, and you've always made it clear that you dislike standing when you're having a long conversation.

It's nice to sit down and rest somewhere together, you'd told him one time.

You grow closer after that. From seeing him a couple times a month, to a couple times a week, to literally every day. You don't seem to care that he never has anything 'exciting' to share with you, even going so far as to chastise him for calling himself uninteresting.

Your experiments are cool, you'd insisted, while leafing through one of his old journals. It's incredible to get to see how your mind works, and how creative and inventive you are. You have so many ideas, Viktor, and I really believe that they could help people.

Something changes in him, after that. He'd always been quieter around you, listening to your stories, and dutifully answering your questions: never quite letting you in.

Now he looks forward to seeing you.

His heart skips a beat every time he hears you knocking on his office door, a chipper little pattern reserved only for him. You know that he doesn't always like dealing with students after hours, so you'd come up with a way to let him know that it was you who was greeting him.

Things progress...surprisingly natural.

He's not subtle by any means, even if he thinks he is. The moment he realizes that he has feelings for you, all bets are off. His cheeks dust pink whenever you're around, his palms get sweaty and he fidgets, and the staring.

Looking at you with ill-contained admiration and affection.

You can't not kiss him.

You spend the next couple years having the time of your lives. Moving from classes and overbearing internships, to actively working on experiments. Collaborating with each other, drawing up ideas and debating functionality and form. The two of you get so heated when you're creating things together.

Neither of you are surprised when it devolves. Wide gestures and hasty chalkboard sketches, impassioned explanations and wild eyes - you bite your lip as you let your gaze trail over him, in all his dishevelled beauty. Hair a mess, tie crooked and loose, shirt partially unbuttoned, and sleeves rolled up to his elbows.

Many nights are spent like that, cooped up in his little laboratory, surrounded by sketches and blueprints and scribbles and stray notes. His fingertips digging into the soft of your skin as he kisses the breath out of you. The rhythmic clunking of his crooked desk most telling, as he draws forth your little squeaks and sighs of delight.

Absolutely ruining you, filling you, stretching you open. Feeling the way you tremble in his hands, held tight to his slender body as he reaches so deep into you that you'll feel him for days.

Sinking his teeth into the side of your neck when he finds his own release - to stay quiet, he tells you. But you both know it's his way of marking you.

Claiming you.

You're his. You're his person, his love, his partner. Your eyes only ever shine the way they do when you look at him.

Your body, splayed out and spread before him, quivering and gasping and covered in a thin sheen of sweat - his.

Your taste, sweet on his tongue - your mouth, your skin, your arousal that drips out of you whenever he so much as looks at you.

His.

And he knows, without a single atom of doubt, that he's also yours. So entirely entangled with each other, neither of you knowing how you'd managed to exist separately before now.

How had you possibly found beauty in every day, when you'd never heard his voice? Never caught a whiff of his sweet shampoo as he ambled past you? Never felt the warmth of his touch, or the puff of his sighs on your cheek? Never known the tickle of his hair on your bare skin as you slowly woke every morning to find him curled around you, his face smashed into your back and soft snores emanating from him?

No matter, you think. You have him now, and that's what's important.

...until everything changes.

You miss a period.

You tell him about it.

You're both on edge, but he tries to remain optimistic. Cycles can be upset sometimes, he tells you, as if you don't already know. (You're certain he's really just trying to reassure himself.)

But deep down, you know.

You can feel it in the all-encompassing tiredness you wake with every morning. In the random bouts of nausea, and the sudden food aversions. The back aches, and all the sudden new smells you can detect.

You know something is amiss.

And he knows, too, when he finds you one time in the middle of the night. Standing in your shared little kitchen, in the dark, illuminated only by the light of the open refrigerator.

Pulling pickles straight out of the jar, dipping them in mayonnaise, and sinking your teeth into them. Like they were to most delectable thing you'd ever ingested.

You're both terrified, of course.

You're not really surprised that you've managed to fall pregnant - not with the way you two lust after each other practically every night, and sometimes in the morning. Maybe even once or twice in between meetings, when you're both squished together in his compact office.

Neither of you ever thought you'd become parents.

And certainly not right now.

But...you want this, you realize. You want this with him. You want a family with him, you want the evidence of your love - you want a future with him, and you want to see what beautiful little person you'll make together.

Would they have his eyes? Yours? He hopes they have your smile, he tells you, eventually.

It takes you by surprise, his words, what with how quiet he'd been since you'd both figured everything out. You'd been worrying that he wasn't really on board with keeping the baby - with being a father. And you hadn't blamed him, really.

You'd been beyond stressed at the idea of raising a child alone. The thought of him leaving you, leaving behind something so intrinsically tied to him, had been slowly breaking your heart. You hadn't wanted him to stay simply out of obligation - you know you wouldn't be able to cope with the eventual resentment that such an action would breed.

But to know for certain now that he'd only been anxious?

That he wanted this with you, and was excited?

You're so happy that you immediately burst into tears, squeaking and sniffling and snotting uncontrollably while Viktor bites back a laugh and herds you into his embrace. Stroking your back and murmuring the sweetest things to you while you try to catch your breath, leaving gentle kisses all over your face.

Telling you all about what kind of person he hoped your little one would be.

Your smile, most certainly, he said, resolute. You have the most beautiful smile. You light up the room wherever you go. Maybe your sense of humour, too. And certainly your compassion.

Your tears slowly began to lessen, as you let yourself be lulled by the comfort of his arms around you.

Your hair, though, you insist, smushing your face into his shirt. You look so pretty in the mornings, all fluffed up and in disarray. It's the cutest shit I've ever seen.

That garners a laugh from him.

I want them to have your eyes, as well, you admit, albeit somewhat shyly. I've never seen a colour like yours, so intense and complex. Way back when we first met, and you looked at me for the very first time? I almost lost the ability to breathe. It was...it was like I knew, right then. That you were the person I wanted to spend my life with.

He squeezes you a little bit tighter, stooping down to tenderly slot your lips together. Slow, lazy, intimate. Sharing breath and warmth and love and-

He takes you again.

Right there, in the dim quiet of his office, not seeming to care if anyone passing by in the hallway might hear you. Spoiling you absolutely rotten, speaking praises against your skin as he brings you over the edge again and again and again.

Pupils blown wide as he sinks his fingers into you, crooking them perfectly as to reach the spots he knows will drive you mad. The papers strewn around the room don't matter - they don't even cross his mind, as you wriggle and squirm and quiver and cry out for him.

How could they, when all he can focus on is the way you look when your body tenses up, another wave of ecstasy coursing through your veins, culminating in your lovely little noises, and the addicting feeling of your pleasure dripping down his fingers and over his palm, soaking him thoroughly.

He would be happy to have you like this, as frequently as you would let him.

He knows how sensitive you must be by now, not only from his ministrations, but also from the way your body is changing. He's done his fair amount of reading since discovering your pregnancy - he's aware of all the ways you might be feeling.

The hunger, the exhaustion, the aches and pains.

The all-encompassing, single-minded lust you might go through.

He's ready to please you, however you might want - his fingers, his mouth. And whenever you might want. You could wake him up in the middle of the night, for all he cares. You could nudge him from the sleep that he so desperately needs, and he'd ask not a single question besides What do you need, darling? How would you like me?

What he doesn't expect is his own desire.

You're beautiful. You always have been beautiful. Even as things change, he was absolutely certain that you would never stop being beautiful.

It's you, so of course he's going to want you.

But seeing you now, whining and looking at him like he's hung the moon in the sky, specifically for you? Your tummy already growing round with the life that you've made together, visible proof of your love? Desperate whimpers falling past your lips, begging him for more, for him to fill you up again and again and again?

He can't resist you.

Even when he starts to ache, and his arms start shaking, and his throat is raw and dry from breathing hard and calling out for you.

He can't resist you.

You're insatiable.

So is he.

He's a little more careful as the months progress. Manhandling you less, digging his fingers into the soft fat of your hips a little gentler. He's cognizant of how you're most comfortable, watching in awe as you tremble on top of him, grinding down on him and taking his entire length into you like you were made specifically for him.

Nearly every day, you beg for him.

He loves you.

And when the time eventually comes for you to waddle carefully into the labour centre, meeting your midwife along the way, Viktor tries to keep his worrying quiet. Tries to stay by your side as a supportive pillar, regardless of how well or not he might actually be able to hold you up.

Holding your hand, kissing your knuckles. Trading his fingers for a stress ball when you squeeze a little too hard (and then another stress ball, stronger this time, when the first one explodes in your fist after a couple minutes. It shocks both of you, but to his surprise, you start laughing).

He tenderly dabs the sweat off your forehead as the hours go by, keeping your hairs from pasting themselves to your face and neck. Staying nearby as a source of comfort, but not so close that you feel smothered by him - allowing you the space you need to wiggle around as you see fit.

Telling you stories to distract you, listening to your complaints and observations as his words become unable to mask the pain of your contractions. Doing his absolute best to bite back a fond grin as you breathlessly curse him for doing this to you.

I didn't mean it, you tell him, as soon as the words leave your mouth, your eyes wide and tearful with sorrow.

I know, he promises, leaning forward to press his lips to your dewy skin.

You sigh happily.

It's not for another couple hours that your baby finally decides to enter the world.

You're beyond exhausted, and Viktor is starting to get fidgety with his worry. Is it supposed to be taking this long? he wonders internally, keeping his questions to himself so as not to stress you out even more.

The midwives, to their credit, are incredibly skilled. Staying by your side throughout the whole process, carefully monitoring everything they need to in order to make sure you're healthy. That the baby is healthy. He knows that they would say something, if anything was truly wrong.

And when the little one finally arrives, she does so kicking and screaming, making an absolute ruckus in the quiet room. The door is shut tight, keeping the sounds of the busy establishment at bay, and the curtain is drawn for your privacy so no one can see in when the staff come and go.

But when your girl begins shouting her absolute displeasure into the air, Viktor swears he can hear some quiet clapping and cheering from the hallway. He doesn't know if it's for your success, or for something and someone else entirely - but for a moment, he likes to believe that there are some strangers out there who are happy for him.

They don't know his story, and they don't know yours - but they've heard a great cry from somewhere hidden and full of struggle. An all-encompassing wail that confirms the presence of life, shouting to the world I am here, I am alive, and I have absolutely no idea what's going on!

He doesn't know when the tears start trailing down his cheeks.

Perhaps it's when he first lays eyes on your girl, pink and cranky and a little bit squished. Putting up a fuss on your base chest, scrunching her little face up as you speak softly and tenderly to her.

Perhaps it's when one of the midwives hands him a very soft towel, instructing him on how to carefully pat away the blood and fluid still clinging to your child. His eyes growing wide when he oh so gently cleans her off to reveal more of her tiny features.

She's still new, and needs time to decompress (so to speak), but he stares at her with such rapture. Taking in every inch of her, burning her face into his mind so that he might never forget her. Ever.

She's still new, and yet he can already tell that she has your nose. And your lips. Your smile, he realizes, with a palpable joy spreading through his chest.

His tears eventually dry, if only so he's able to better see you and the newest member of your family. Laying kiss after kiss to whatever part of your skin he can reach. Stroking the tips of his fingers over your girl's hair - her tiny arms and shoulders, her chubby cheeks, the bridge of her nose and over her brows.

But some two hours later, when you're finally allowed to rest in your comfortable hospital bed: when your baby is now dry and fed and swaddled up happily in Viktor's arms?

The tears begin again.

Privately, in the dim of the room, while you snooze a couple feet away from him, he weeps. Silently, and without so much as a sniffle. He cannot stop the wetness that rolls down his face, even if he wanted to.

Your girl is finally relaxed, after her grand, dramatic entrance. On the edge of sleep, warm and with a full tummy, making funny little expression while she dozes.

Much to Viktor's delight, she has a head of fuzzy brown hair - dishevelled and sticking in every direction, not matter how the midwives had tried to tame it. It'll settle down in a few days, they'd promised. But he didn't care.

The wild mop on top of her head rivalled the chaos of his own. The same shade of chestnut, though perhaps less coarse in texture. Maybe it will grow to the same thickness eventually, he thinks, a fond smile pulling at the corners of his mouth as he imagines how much he's going to have to help her with it as she grows.

Brushing the inevitable tangles out with a soft brush. Pulling the strands back into braids so she can run around and play easier - or maybe little buns on the top of her head, he realizes, the image conjuring up in his mind.

All at once, pictures pop through his head, so vivid and bright that he can almost see them appearing in front of him.

Watching your daughter grow. Sleepless nights of taking care of her, catering to her every whim. Making sure she's fed, and comfortable - entertaining her with silly little toys that make silly little noises, bright colours painted across them. Reading her books with bright, enticing visuals for her to stare at, despite the fact that she doesn't know what words are.

Making trinkets for her as she gets a little older. Things that help her learn, but that also keep her excited and enticed, encouraging her exploration of the world around her. Teaching her to walk, by helping her strengthen her little legs. Sitting on a footstool, a wide smile on his face, as you hold her by her arms and support her as she figures out how to use her legs while upright. Leading her right over into his waiting arms.

Until she's able to balance on her own, after a number of weeks of practising together. Pushing herself up into a wobbly stance, doing her absolute best to try and balance. Maybe she stumbles a couple of times, but she's persistent -stubborn, like he is- and continuously rises back up until she's able to make it over to him on her own. Giggling and wiggling when he scoops her up and praises her and showers he in affection.

Teaching her about anything and everything, the bigger she gets. Answering every question she has, no matter how confusing or senseless - encouraging with his own suggestions, and prompting her to discover some answers for herself. Putting together little experiments for her, so they can learn together and so he can watch her eyes widen with the joy of new information.

Fixing her toys for her whenever they break, as she brings them to him with misty eyes and a wobbly bottom lip. Papa, it fell apart, she says sadly. To which he pulls her onto his lap, regardless of what work he was doing, and helps her repair the damage. Letting her watch and observe when she's still too small to hold a screwdriver, and carefully explaining things to her when her motor skills start to develop more.

And then helping her figure out in what way her toy broke, when she's a little bigger. Asking specific questions, so she can work to connect all the dots herself. Helping her gather the materials that she needs in order to fix things herself, and praising her to the high heavens when she presents the finished product to him.

The little thing is slightly lopsided, but he fully believes that it adds to its charm - tells her as such, when she sighs about it not being the same as before.

It's a little uneven, just like me, he says, with a laugh.

And, much to his complete shock, she wraps her little arms around him, and gives him her strongest possible squeeze.

It adds to your charm, she parrots back to him with complete honesty. I like you, Papa.

And once again, for the umpteenth time throughout his daughter's life, his eyes well with tears and he presses a kiss to the top of her head.

She could go anywhere she wanted, once she grew up. Learn anything, do anything, be anything. Perhaps she'd enjoy the sciences, like he does - machinery, and building, and designing, and inventing. Maybe she'd get into art, and spend her days painting or sketching, or writing, or making music - inspiring other people with the things she makes.

It doesn't matter, though. Because no matter what she ends up enjoying, or where she goes in her life, Viktor will support her with his entirety. Even when she grows all the way up, and inevitably leaves home to begin her own life, whatever that may be.

He knows he's going to cry then, too. So many years together, and yet it will still never be enough.

But for now, he sighs, staring adoringly down at the tiny infant in his arms. For now, they have time. He vows silently to never waste a single moment with her, and never pass up the opportunity to spend time with her. No matter how busy or frustrated or tired he gets, he won't let her grow up feeling unwanted or unloved or unimportant.

He'll give her a better life than he grew up with, and that is both a promise and a threat.

After all, he would do anything, for her.

His greatest creation.

[melbatron5000]

Murder Board 2.0

Updated 9/27/24

Since I've figure a few things out, I need to re-do my Murder Board. New answers, new questions.

What I think I know:

Hints given out by NG are suspect at best. (I cannot blame him or anyone else on the cast or crew -- they spent A LOT of time and energy building this very meticulous puzzle game for us -- why would ANY of them give ANY of it away? That would ruin all the fun!)

Lots of the discontinuity of Season 2 can be explained by POV switches between characters. See here and here for more. I think the title/location cards are also probably POV Clues, that needs a closer look.

Crowley gave something to Aziraphale in his mouth when they kissed. It's the fly. Now, what else was in the fly besides Gabriel's memory? RECORDS. Incriminating records that are why the Metatron let Beelzebub and Gabriel go, but nailed Aziraphale. The Metatron knows Gabriel has those records, he doesn't know they got passed to Aziraphale.

Saraqael and Crowley and by proxy, Aziraphale are all working together. See here and here for more. That explains A. the tiny miracle blowing up into a 25 Lazarii miracle. It didn't. They had to cover for something else that did. B. Saraqael showing the archangels the book shop in 2019 in the spy hole. C. Crowley's spy turtle neck and where he went during Aziraphale's Job flashback. D. Why Saraqael helps him see the trial in Heaven. (Oh! Muriel's now in on it, too!)

Crowley's memory is fine, it's a red herring. It might mean something else, though. I think he is dissing Furfur, he is denying knowing Saraqael even after she gives him a reason to recognize her to hide that they are working together. He tells Jim he doesn't remember why they invented gravity, but that whole scene is from Aziraphale's perspective, so the conversation likely didn't actually go just like that.

Shax is on a mission besides Gabriel -- she's looking for whatever Aziraphale and Crowley are hiding. Gabriel is a side-mission.

The hand-washing comment from Crowley in the Resurrectionists minisode -- he tells DaVinci about helicopters in Good Omens the novel. It's just a thing he can do.

What is up with Maggie? Maggie's freaking Jesus 2.0. She's what Shax is looking for, and who Crowley, Aziraphale, and Saraqael are hiding. Also, where is God? God is busy being Maggie, that's where. That's why Crowley says "Oh God" before his speech in the final fifteen. He's bringing up what they're hiding, reminding Aziraphale that someone has to stay and keep an eye on Maggie. That's why he can't go. Now, how the FUCK did Jesus 2.0 wind up owning a record store she inherited from her family NEXT TO AN ANGEL?? (Ah, shit, now I'm doubting this one. Now I suspect it's Nina, and Maggie is Mary MAGdeline. Same questions still apply.)

SECRET SONGS??? Why are the songs secret?? I'm losing my mind, what is happening?? I think this is a message that A. Aziraphale and Crowley are okay, and B. We will absolutely be getting part 3 of 1941.

I still think the scenes might be out of order. Is it as simple as watching them in chronological order? Could be.

The Metatron is a naked man. i.e. he was originally HUMAN.

Aziraphale and Crowley are talking in subtext A LOT. Aziraphale's tells are easier to spot than Crowley's. He raises his eyebrows and does vocal bunny rabbit ears, says "um," and "ah." "Our Gabriel miracle," "The establishment in question," "Certainly on to something," "Haven't yet cracked the case." Crowley's tell seems to be being effusive. "Frozen peas," "You wouldn't be interested in love?" "Well, today is your lucky day!" "How do you know I didn't do it?"

We are missing the scenes that should mirror the Resurrectionists minisode. What we do have instead of mirrors to that are Crowley telling the demons they are out of order. He can tell time has been messed with.

There are two Crowleys. I think the head in the book shop is his way of keeping in touch while his twin is off doing things, and the red eyes are him, too. Now, why?? What do they need 2 Crowleys for?

What still needs answering:

The clocks jumping time. And why are the extras moving in double-time when we first arrive to Whickber street?

The weird hand in the 1941 photo.

Aziraphale's chair position being moved still doesn't make sense. Unless Crowley was talking to himself??

The extras behaving strangely.

Crowley's car being in the wrong spot on the road after Shax threatens him.

Weird sounds -- Aziraphale turns to look at a crashing sound when he returns from Edinburgh, to look at a car horn, the very loud clock in the final fifteen BUT ALSO when Jim says he will go out to the demons, nightingale singing when Crowley leaves in the FF.

I'm not sure that POV switches explain Crowley's sunglasses going from silver to black.

I don't know why Aziraphale went to Edinburgh, or why he stopped at the graveyard where Gabriel's statue is, or why he looked like he realized something important while he was there.

Why does Michael do the "nothing's in the box" thing with the matchbox? It's a petty specific action. Someone pointed out that Michael's nails look chewed and terrible, are we meant to stare at the matchbox while something else goes unnoticed? Well, duh. But what?

We most certainly did not get the whole scene where the Metatron is talking to Aziraphale. What else was said?

What did Crowley do during his ALL-NIGHT JAUNT in Heaven? Did he sneak around and steal something? Did he uncover something? Did they hurt him? I think he stole something.

What did Aziraphale do with his briefcase that he took to Edinburgh? We see it in the book shop from his POV, and Edinburgh is seen from Crowley's POV, so they both know it exists. And then it's gone.

Why does Gabriel prophecy with God's voice? IS it God's voice? It's a woman, is it Frances McDormand? It's hard to hear. When he remembers the beginning, I think it's God's voice. When he prophecies, it may be someone else. Frances McDormand has no credit in that episode.

Why the heck did Maggie and Nina go talk to Crowley while the Metatron was talking to Aziraphale? What they had to say wasn't important enough to leave Nina's shop during a rush, and I definitely don't think they derailed Crowley from what he needed to say to Aziraphale, though it might look at first as if they did. So what was that about? Were they trying to speak in husband-code to warn him about the Metatron?

When Shax stops Aziraphale for a ride, he says, "Oh, I really need to get to --" and then is cut off. He really needs to get to where? It's an easy assumption to think he means the book shop, or London. But is that all he means? Or was he on his way somewhere else? And if it was just the book shop, what does he mean he's late? Late for what?

When Crowley leaves Heaven, he tells Saraqael and Muriel to come, too. But in the elevator, Michael and Uriel are there! When the fuck did they show up??

Why does Beelzebub tell Shax to attack the bookstore? Aren't they worried about Gabriel being harmed? And they know Hell is understaffed. Maybe that's why they command it? Because they know Shax won't be able to get many demons?

What about the Masons? It's such a specific thing for the pub owner to bring up, what is the meaning of it? And Maggie has a Mason symbol on her necklace. Did the Masons carve the statue of Gabriel? When did they see him?

The only narration we hear in the entire season is Aziraphale in the Resurrectionist flashback. I believe this is to throw us off the POV character switches all season. But still, why do we only hear him narrate 1 flashback? I think he's reading the diary to himself in the present day. That would explain the end, "And that was the last I was to see of Crowley for some time." He JUST heard the story of the jukebox from Maggie. And Gabriel appearing at the pub -- same city that statue is in. Of course he thought of something important from that diary entry! Now, what did he notice?

Is the Book of Life a real threat? We hear two stories about it, that it's real and that its ability to erase beings was something to scare the cherubs with, this is inconclusive. Crowley gets nervous after Beelzebub talks to him, but I think he's pissed that Heaven and Hell have taken an interest in them again, especially since they're trying to hide Nina!Jesus.

So many promo posters show Aziraphale, Crowley, and Jimbriel together, or symbols of them. Three feathers: two white, one black. Tea cup, cocoa mug, wine glass. The three of them. Not with Beelzebub, not with Muriel, the three of them. And all three of them have been Jesus-coded in some small way. No one else. Those three. What. Why. Are they the sacrifice required to bring about the new world? Why not Beez, then?

The whole collection of Maggie's album's from the Amazon X-ray are great, big CLUES.

A post that I didn't reblog pointed out that the record Aziraphale is listening to when Garbriel shows up is neither Shostakovich nor 21 minutes long. That seems important, but I'm not sure how. (The record is opposite when Crowley gives Aziraphale the fly containing records -- the actual symphony is, according to the original blog, one written by a rebel in contempt of his government. Do the records have to do with the rebellion and fall?)

What the heck does Furfur mean by "little monkey in the waistcoat?" How does that sound like Crowley?

Why does Furfur change the subject when Aziraphale asks where Gabriel and Beelzebub would like to go?

Why does Mrs. H say "for God's sake" two times in a row? No one says that on this show without a meaning.

Shax notices Crowley going to Heaven and makes an epiphany face.

Why is the end credit music for the ball French cafe music? French must be important. And the end credit music for The Hitchhiker is old timey and scratchy, then skips and becomes the same song in a newer, clearer style. Because they repeat the bullet catch trick in the modern day, perhaps?

I thought I heard that Crowley and Aziraphale are in the fly in the opening sequence, but nope. So why are they in a cave?

Why are there multiple elevators and multiple mountains in the opening sequence??? What the hell does that mean?? And multiple Edens?? All right, what's up??

I count at least two times Aziraphale glances right at the camera, probably more. Who is he looking at? Us? Is he looking at Crowley?Why??

When Aziraphale arrives back from Edinburgh, he asks how "everything is with -- mm." Crowley says "he was sleeping, I heard him singing." I don't think they mean Gabriel. At the cafe, Crowley says when Gabriel smites you, you've been smitten. Aziraphale says he isn't "you know who any longer." Again, I don't think he means Gabriel. Who are they hiding?

What has Aziraphale's attention when he asks Maggie about Every Day? She points to the coffee shop, and all of a sudden Aziraphale can't stop looking out the window and gets very nervous.

Twos. Why are twos so important?? Repeating twos. And there's doubles of damn near every object on screen.

Repeating themes: (I am just realizing that these aren't just themes, they are all Clues!)

Beverages of all kinds -- tea for Aziraphale, wine or whiskey for Crowley, cocoa for Jim. Oh, and LAUDANUM. And coffee!

Time -- lots of clocks/mentions of time. Everyone notices the ticking clock during the Final Fifteen, but it's ticking loud when the demons attack the ball, too. Also, why is the first scene of Whickber street shown at high-speed? Is time sped up? Or something else?

Love/partnership/togetherness being stronger than separateness

Memories/forgetting/remembering

Payment -- money comes up in both the Resurrectionists minisode and the Flesh Eating Nazi Zombies minisode, but no one pays for anything in present. There is bartering, but no money. Both times money is brought up, it's Crowley using Aziraphale's money, and both times, it's to buy a life. It's funny, but I feel like there's a point to it.

Rising from the dead -- Job's kids (even though they weren't actually dead), bodies used for science, Nazi zombies, the Second Coming. I think this is all just hinting around Jesus -- sure, hinting around Jesus, who we were expecting to show up in Season 3, but she's already here. The hints indicate that she is already on Earth, not going to show up next season.

Unreliable narrators. Because we are seeing the whole show from various characters' points of view. Because of that, we can only see what they know, expect, believe, or understand, but also what they want us to see. We need to take the whole second season with a grain of salt.

Death in general -- but 8a., I'm a dirty pagan, why didn't I make this connection sooner, death always leads to REBIRTH, change, something totally new and 8b. there are tarot cards in the magic shop, and even if you're not a dirty pagan, the Death tarot card means transition, something must die before a new thing can be born. Hmm.

Morality and what is "good" and what is right

Recognition and identity and hiding one's identity. Ah! Probably at least partly because Maggie someone? is Jesus. How would you recognize them? (I think it's Nina now.)

Licenses, permits, permissions, rules, proof, evidence, what's allowed. All of the minisodes mention this, and it all gets mentioned again over and over. Because Heaven and Hell do have rules they have to follow. Which drives home my theory that Gabriel stole some very incriminating records from Heaven when he left, Crowley got hold of them and gave them to Aziraphale during the kiss, and now Aziraphale is going to nail them.

Colors. Lots of colors!! Job's kids are dressed in the colors of Nina, Maggie, and Aziraphale's shops. Jesus on the Resurrectionist Pub sign is in blue and red, blue and red crop up a lot in extra's clothing, as do yellow and red, Crowley colors. The Ladies of Camelot are in red and blue. Aziraphale says Earth will be a blue-green planet, Nina's shop is blue-green.

Horses. Horse statue, horse wine label, people saying "dark horse." The four horsemen again? I feel like they already had their ride, so what the hell? I think it's because season 2 is an echo of season 1, I THINK -- I have to check -- that horses appear or get mentioned when the horsemen have corresponding scenes in season 1.

Numbers. A lot of numbers get said. Does it matter, or am I overthinking?

Repeating words and phrases:

Technically

Properly

Isn't it just?

Too late

Funny old world

Not as such

Made for each other

EVERYWHERE

Obviously

Two shakes of a lamb's tail

Dark horse

What are you/am I? As opposed to WHO. Aziraphale asks in the Land of Uz, and Crowley asks Gabriel.

Are you sure? Quite sure.

The Marvelous Mr. Fell is described as marvelous in his mysterosity, Shax says the demons have dangerosity.

Mrs. H in 1941 says "for God's sake" twice in quick succession.

Schtum

Every day

Hints:

Powell and Pressburg films

The Crow Road

Catch 22

The Amazing Maurice and his Educated Rodents, Terry Pratchett in general

Jane Austin

Book Good Omens

Season 1 Good Omens

The titles of episodes, minisodes, places, etc. 7a. The Arrival: a book and a movie, though the book seems far more relevant. And lovely. The Clue: a movie. Companion to Owls: a line from a Bible story. I Know Where I'm Going: a movie. The Resurrectionists: two novels, each called The Resurrectionist, singular. Both look unhinged. The Hitchhiker: a Twilight Zone episode. Nazi Zombie Flesheaters: Literally no other reference. ?? Nazi Zombies do appear in a LOT of movies, comics, and video games, usually as a dark joke. The Ball: a video game. Irrelevant? It's a puzzle-based game, so maybe not. Every Day: a song AND a movie. Some themes repeat here: Puzzle games, being re-directed from one's path to find true love, death and being brought back to life in a gruesome and unpleasant way.

Objects that get a close-up/centering:

Starmaker's nebula book -- Nebula 231,080

Shax's compact mirror

Maggie's note

Shostakovich record

Tomatoes

The box

The Bentley

Eccles cakes

The bell

Head statue

The book Jim drops

Jukebox

Gabgriel's statue

Laudanum bottle

Phones in Edinburgh episode

"Very closed" sign

Broken whiskey bottles in 1941

Hourglass in Hell

Furfur's camera

Bullet catch in the magic shop

Instruction booklet for bullet catch gets 3 close ups -- because the bullet catch trick is that important, or because it happens 3 times? Both, I think.

Puppets

Dancers' silhouettes

Mr. Fell sign

The actual bullet

Angelic beings book

Photo evidence

Shax's shoes

"Surrender the angle" brick

[realmsalot]

I've been obsessed with Relativity Falls au for some reason lately so of course I've been turning around my own version in my head lately. And with Fiddleford I keep flip flopping on who I would switch him because there are many good options. Like

Fiddleford <> Pacifica:

This seems to be the most popular option, I've seen many old woman Pacifica designs, but I personally cannot see McGucket be the snotty rich kid that Pacifica was at the start. I CAN see how he could be rich (Tate McGucket probably invented something and got a lot of money for it) but CAN'T see him be anyway snotty about it. I think the best way to make Fiddleford fit this role is through a series of misunderstandings. He is trying SO HARD to be nice to these twin brothers who are spending their summer in Gravity Falls and he just keeps messing up. He tries to make a robot to help them out but it end up turning evil and they assume that it was ment to sabotage them from the start. He tries to have a nice conversation with them but because he's rich he's just out touch enough to come off rude and show offy. FIDDS IS TRYING TO BE NICE FROM THE START!

Fiddleford <> Candy

It is easily the second most popular option here. There really isn't much to say with this one it's probably the one that makes the most sense. I can easily see Candy going to Backupsmore and telling Dipper/Mabel about the weird things shes seen in Gravity Falls. The idea that Stanley and Fidds became friends first before Ford and Fidds is interesting. My main grip with it is that if we're going with the version where Dipper is swapped with Ford, it implies that Mable and Candy never really became friends in this universe, which I find really sad. Honestly I think that the main reason this swap exists in that context is because of that one episode were they go on a road trip and Candy got crush on Dipper mixed with fact that many people ship FiddleAuthor.

Fiddleford <> Soos

Hear me out, hear me OUT! I've seen a few versions where even when Soos' Grandma is swapped with Soos, they also add Fidds as a handyman at the Shack anyways. But why not go the whole way, ya'know? Soos was a friend that Dipper met and shared a dorm with in Backupsmore. Soos was still older than Dipper. Soos and Melody were already married with a kid on the way, and Soos was also Gravity Falls' local handyman. He decided to get college and get like a mechanical engineering degree or maybe a trade in something there because even in the small town of Gravity Falls technology was only getting more and more complicated and Soos wanted to be able to keep up so he can keep making money for his family by fixing things. During their time at Backupsmore, Soos would tell Dipper about some of the crazy things he's seen living in Gravity Falls, and that inspires Dipper to go study it after college. And then the rest of that rolls out predictably. I can easily (and sadly) see Soos becoming the local kook. I imagine that it will also be much sadder for the locals to see Soos acting up because many of them have memories of him coming to fix their microwaves and stuff. And as for Fidds, he's the Mystery Shack's handyman. You can make him around the same age as the Stan twins, we know that in cannon that Soos started working there around that age, so he doesn't have to be Soos' cannon age. I think this works best with Dipper and Ford switching places because in cannon Dipper and Soos were friends, so it kinda easily transfers, ya'know. I've put a lot in this one.

And uh yeah that's my incoherent ramblings...

[gerogerigaogaigar]

Phineas and Ferb fascinates me from a structural standpoint. I'll admit I haven't watched the show front to back, but I've caught the odd episode here and there and I certainly get the gist of it.

The first time I saw P&F it seemed charming but unremarkable, the second and probably third time it became obvious that it was a clever but formulaic show. At some point it clicked. Children's shows are usually formulaic, Dee Dee will destroy Dexter's invention, Elmer Fudd will fail to hunt the Wabbit, He-Man will defeat Skeletor, and Sisyphus will roll that boulder up that hill. Phineas and Ferb asks not just that we imagine Sisyphus happy, but that we imagine that he is ecstatic to see that boulder roll down the hill.

Where the status quo is an unspoken rule of older cartoons it is the explicit law of the P&F universe. There is a roadmap to every episode, you probably already know it but I will spell it out regardless. Phineas will say the phrase "I know what we're gonna do today" thus kicking off their project for the episode. Candace will try and fail to get them "busted". There will be a musical number. Meanwhile Doofenshmirtz will have made an -inator that Perry will be called upon to destroy. Perry will get caught, Doofenshmirtz will explain his plan, Perry will escape, destroy the -inator and the ensuing chaos will clean up Phineas and Ferb's backyard shenanigans just in time for their mom to get home. Ferb says something at the very end, often his only line in the whole episode. The end.

There are stock lines that must be said. "I know what we're gonna do today" "I wonder where Perry is" "Busted" "🎵Doofenshmirtz Evil Incorporated🎶". The show doesn't just have a cartoon status quo, the universe operates off of the laws of cartoon status quo to the extent that characters actively notice when the cycle doesn't complete correctly. The characters seemingly know that their world operates on cartoon physics, but to them it's just physics. In P&F a giant whirlwind carrying away a giant backyard amusement park is as natural as gravity.

Candace's place as the character who knows this is all insane must be a tortuous existence considering the whole world is conspired against her. Not out of a cosmic meanness but a deep thematic kindness. Candace is the only character whose intent is to cause purposeful harm and the universe will not let her get away with it.

Truly this is one of the most unerringly kind shows I've ever seen. It is unreal how much faith it puts into wordplay, running jokes, and raw absurdity to carry itself while never stepping into the realm of cartoon cruelty.

You know cartoon cruelty. It's why Tom gets punished for Jerry's actions and why the Trix rabbit can never eat his own damn cereal. At its best cartoon cruelty manifests as Ed, Edd n Eddy or the Looney Tunes short Duck Amok where there is catharsis in seeing the characters hoisted by their own petard. At its worst you get CatDog which is so intensely cruel to the character of Cat that I can't comprehend what the writers were going for.

The confident lack of irony is part of what makes Phineas And Ferb work. The show is a parade of cartoon cliches and dad jokes and it never it never winks at the viewer or lampshades how silly this is. It just has absolute faith that the corniest jokes ever really are that funny. And so they are. I actually laugh out loud every time they do the "Aren't you a little young for this?" "Yes, yes I am" bit. Maybe it's the delivery, maybe it's just the confidence in the bit. Probably a bit of both. I am smiling to myself just thinking of this dumb running joke.

But what this all amounts to is what every bit of fandom wankery amounts to. I am of course talking about shipping. For my money the best bit in the show is the romantic framing of Doofenshmirtz and Perry's rivalry. This is where the show's cartoon logic and unrepentant kindness synthesize perfectly. The homoerotic undertones of the spy/supervillain dynamic are an extremely tired observation and are usually only emphasized in an ironic sense to poke fun at pieces that never intended the gay subtext. P&F flips this joke by not being even a little bit ironic about it, but still adhering to the unspoken nature of the gag.

The end result is that Perry and Doofenshmirtz's status as a romantic couple is tacitly understood to be part of the shows status quo, but never commented on. The world of P&F is too inherently kind to be homophobic (homophobia being a key component of the joke) but it still has a joke shaped hole to fill. So it does the funniest possible thing and fills the hole with nothing. The joke is the lack of a joke. The expectation of a joke that is met with a shrug from the show's own internal logic. And that's really funny. An evil scientist and a platypus are in a loving relationship that happens to also be a hero/villain rivalry. Don't worry about it. It's not the weirdest thing happening in the tri state area I promise.

[eightyonekilograms]

I went to the Apple Store yesterday to try the scripted demo of their VR headset. My overall impression is that it's the best possible execution of what might be a fundamentally flawed idea.

The passthrough video is pretty incredible. It's somewhat dimmer than reality, and the color accuracy is just OK, but it's more than good enough to feel like you're looking through clear displays at the real world. I'm told the passthrough on the Quest 3 is even better, but haven't tried that and can't comment. One thing is that there is a weird motion blur effect when you turn your head, I'm not sure if that's a display tech limitation or introduced deliberately by the software as a workaround for a different display tech limitation.

The resolution is 4K per eye, which, as mentioned, is more than enough for a powerful sense of presence in the real world. One of the nifty bits of the demo was when you turn the dial to tune out the world and suddenly you're sitting by a mountain lake, and the feeling of actually being there is overwhelming. The dystopian implications of needing a VR headset to sit at a mountain lake aside, it would be cool to have one just to have your office be anywhere you can imagine. Not $3500-before-tax cool, but cool.

Wow sports leagues are going to love this thing. I don't give a shit about sports and even I was thinking, "If the NBA put a stereoscopic camera courtside and sold you games for $50 a pop, I'd absolutely buy that"

But 4K per eye is not enough to do work, not even close. The experience of using normal computer-y applications on this was not unlike plugging your laptop in to a TV that's at the normal TV distance. You can do it, it works, but it's not anyone's preferred way of working. Text is amazingly legible, but only at sizes that are equivalent to having a single webpage take up your entire 4K monitor at normal monitor distance.

It is not particularly comfortable. Part of this might be that the store demo makes you use the "catcher's mitt" strap, which only goes around the back of your head and so gravity has to be countered only by the pressure of the thing against your face. Reviewers have said that if you use the other band that goes over your head the situation is better, but still.

A lot of early comments were making fun of Apple for having the battery be an external thing you put in your pocket and attach with a wire, but I think that's just fine: we all walk around with giant batteries in our pockets anyway, and anything you can do to have less weight on your head is a Good Thing. But then Apple took all those weight savings and spent them on making the stupid thing out of metal and glass instead of polycarbonate. It's nuts! It's like if you made a car that was 500kg lighter because you invented magical tech for keeping the engine somewhere else, and then went "great! with all the weight savings now we can build the body out of lead". Apple, you don't need to fear plastic. Plastic is good! Plastic built modern civilization.

You control it with a combination of eye tracking and pinch gestures. This is the main piece of evidence of my "best version of a bad idea" thesis: it works really, really well; so well that I can tell this is probably an evolutionary dead end. It's just fine— miraculous, even— for dragging windows around and doing the basic stuff the in-store demo has you do. It's amazing that you can more or less have your hands anywhere, including on your lap, and the recognition works perfectly (by contrast with the HoloLens I tried 5 or so years ago where the gesture recognition was total crap). But it's immediately obvious that you can never do serious manipulation of your computing environment with this.

The takeaway is that it's incredible for passive consumption of specifically-made media, assuming that ever exists at scale. But it will be a long time before we're gogged in like Hiro Protagonist to do our office jobs this way.

[ckret2]

How married are you to shapes carrying pregnancies at all? As opposed to other methods of making babies, such as spores or eggs or more outlandish sci fi options like parts assembly

Bare minimum, we know that shape reproduction needs a mother and a father.

I'm going to take it as a given that for Euclideans "mother" and "father" refers to "two individuals performing two different but necessary parts of a reproductive act to produce offspring," and not something like "they're totally not necessary at all but the government requires two people to sign up to co-parent before they'll hand out a baby" or whatever.

I'm taking it as a given because if I didn't, the contrary alien worldbuilder in me would go "well if mother and father are made up social roles rather than social roles derived from pre-existing biological roles, then why did they have to make up social roles that just so happened to be so similar to humanity's? I'm calling bull, bad worldbuilding, how dare you foist mom/dad pairs on a species that had no reason to develop mom/dad pairs as if we're supposed to just accept that that's the only NATURAL and NECESSARY way to rear offspring—" so I'm not giving my inner worldbuilder that option.

So, with "reproduction requires two different roles" as our starting point: at the moment, my own personal purpose in worldbuilding how Bill's species works is for use in the post-canon fic I'm working on that explores Bill's home dimension in flashbacks. That's what I'm keeping in mind when I worldbuild.

And I say that to give context to this: for my own personal purpose, my motivation is to worldbuild the way Euclideans' reproduction works in a way that ISN'T so interesting that mentioning it in fic will cause the readers' imaginations to immediately veer off the plot and focus on that detail. I'd rather how they do the do to be unremarkable as hell.

Anything mentioned about Bill's homeworld in the fic is put in either to explain who and what he is and why he's that way, or to sprinkle in a jazzy little bit of flavor. I'm trying to avoid turning his species into a deep exercise in alien speculative biology, since that doesn't mesh with the vibes of the story I'm telling. (As I say this i'm covering that "which shape sexes are reproductively compatible" chart with my body so you can't see it. I said I'm trying to avoid getting deep into the biology, not that i'm succeeding lmao. I'm too interested in how Bill sees his gender.)

Every aspect of Flatland was worldbuilt specifically to comment on the horrors of contemporary Victorian society, even the stuff that surprises readers that don't know much about the Victorian era like "well surely the stuff about irregulars being euthanized or poor babies being stolen and given to middle-class families is a dystopian invention," and anything that DOESN'T serve the social satire is handwaved away with "we have a very interesting way of propelling our bodies but unfortunately I don't have time to talk about it." Bill is written into Gravity Falls to be a foil to every member of the Pines family and to show what they could be like without love, trust, support, and family. That's the same role I want Euclydia to serve in my fic. Anything that diverges from rather than reflects Gravity Falls' contemporary society is out of place.

Putting in something like "eggs" or "spores" opens up cans of worms. How would laying eggs make their society different—are they less attached to their own kids, is trading eggs around and pre-hatching adoption more common, do people steal a neighbor's egg and leave their own? If it's spores, is it even possible to identify your own kid, does anyone care to, do kids ever just spawn out of a rotten log in the forest that spores settled on, are babies self-sufficient since they might be born without an adult nearby? These are fascinating avenues for some great alien worldbuilding! However I'm currently motivated to keep alien worldbuilding to a minimum lol.

In truth, I'll probably never need to know or explain HOW the shapes reproduce—pregnancy, eggs, spores, ritualistic magical waltz, collaborative geometry homework, whatever. Taking time to explain it means talking about details that aren't relevant to the fic, and the ghost of Edwin Abbott Abbott would sadly shake his head at me. However: if I don't explain reproduction, and if it requires two roles, most people are gonna default to assuming pregnancy. I can live with that.

All I need to figure out is how the two roles in the Two Roles Needed For Reproduction are assigned—like, can every member of the species automatically perform both roles at any time? (I don't wanna do that.) Are they born performing one of the two functions? (I don't wanna do that either, because now we've just invented a new male/female sexual dichotomy.) Does which you perform depend on your sides, the one with less sides does X and more does Y? Does it switch seasonally? Does it switch based on your age? Does it switch based on the number of each shape in the local population? Etc. (I'm not attached to any of these ideas, they're just examples.)

And the only reason that's something I need to figure out is that that could affect how Bill thinks about himself and his identity. Like, if which role you perform switches based on the amount of similar shapes in the local population, then it would have some kinda impact on him knowing that his body's been locked into the Lmao There Are NO Other Triangles Nearby role for the past trillion years. If it switches based on your age, then the fact that he never got old enough to switch would be one of many examples of the way his biological age has been in stasis since his dimension was destroyed. Etc.

[unreliable-narrator-2845]

massive info dump abt an au im working on below ( +art)

some doodles from an au im working on w/ some friends... it's kind of a riff off of both the portal swap au and mr bill pines au... essentially, the brothers are swapped from the beginning - stanley is seen as the smart, successful one, and ford a bit of an outcast black sheep of the family, seen as bad luck because of his extra fingers. stanley is the good, normal one, the one with all the people skills, and ford is the 'brute' slacker, and seen as far more stupid than he really is. stanley is the one who invented the perpetual motion machine - and ford destroys it on purpose out of frustration and jealousy, and is the one that gets kicked out.

ford goes down the path of crime, like stan did, but he's a little more, uh... intense about it. he can't go off of people skills, he's gotta bring actual stuff to the table, so he travels to weirdness pockets (smaller than gravity falls) and basically turns the whole criminal underground on its head by his uncanny ability to harness this stuff. people do not like him, but he's VERY useful, so he gets to live in constant fear of whether people doing deals with him are going to leave him alone after or kill him after, since he can't tell which is which.

unlike stanley, who i think would absolutely hesitate to actually do severe physical violence (past beating people up) even while during his homeless years, i think ford wouldn't hesitate as much. ford has absolutely killed people. he will kill again.

how i see it going down is that bill, doing his usual dealings and such, has one of his hosts killed by ford while he's in it after ford witnesses a crime. he goes "haha! oh shit! a witness!" and then gets his neck fucking snapped the moment he advances on him. bill is Not Particularly Pleased, until he actually gets into ford's dreams, and is... impressed.

i am a simp for bill being a simp - in this au bill doesn't bother manipulating him, he wants this rugged badass to be his husband NOW. when they make a deal, ford writes a paper contract that they regularly update. bill and ford have a very mutual deal, to say the least, and they get married - and ford is the one to take his last name, since he cut contact with the family who kicked him out, so he's mr. stanford cipher (which i think is a good au name?). stanley is the one w/ the middle name filbrick in this au btw.

behind the eye scar: ford got into some shit with the cartel. this happens after his and bill's marriage, but what bill can do is limited w/o being physically present, so he has to watch in horror as they torture ford as he tries to find a way to get his husband out. this is the inciting incident that makes him particularly antsy about getting a portal up and going.

meanwhile stanley in gravity falls comes across an interesting cave...

trivia:

bill could minorly heal the eye, but only so much. the eye is now permanently bill's, or at least in his coloration. ford keeps it closed, but it opens fully when bill is fully possessing him. their contract details that bill can come and go only with ford's explicit permission. they often have a half-possession going, where bill can enhance ford and take only mild control, if any at all.

ford has 4 depictions of bill across his body, all tats. he has lots of vague triangle tattoos also, and the portal shape on his back. bill is fond of possessing the depiction on his throat, which he can move around as he pleases

bill's priorities during the initial writing of the contract were extremely funny. ford was trying to figure out the exact details of mind access, body access, etc, and bill was just gushing about "WE NEED RINGS!!!" and "i get to take you on 4 dates before i propose hehe"

stanley went to BMU and was dormmates w/ fiddleford. they are covertly (not legally) married (because 1980s) and went to gravity falls together. stanley and ford both have an interest in cryptozoology in this. ford avoids gravity falls like the plague because he knows stanley would probably be there

^^ addition to the above: stanley's full name is Stanley Filbrick Pines-McGucket, though he is only Pines-McGucket informally

stanley also still has his mullet. sue me. also he has glasses because he needs them and he's a nerdy science guy in this one

i really enjoy the pre-portal 1980s part of the timeline. can you tell. there's so much potential here. i am frothing at the mouth.

anyways............................................. more content soon. repurposed an old empty sideblog to maybe dedicate to this au/gf content. we shall see.

[eyesfromhell]

Taylor's greatest assets all throughout the story were communication, awareness and her ability to think on her feet. The 1000-spiders-in-your-mouth attack could only take her so far (see: Mannequin, Behemoth).

She invents a ton of techniques for using her bugs against foes who can't be attacked with bugs, and she communicates to solve problems that can't be attacked brute-force.

As Khepri, she doesn't really try to communicate through her thralls. We later learn it's impossible (she makes Parian call for help and only manages a scream), but it's such an obvious solution that Taylor doesn't even attempt. She literally found a way to talk through buzzes but didn't try this.

I think there are two ways to interpret this: 1) it's an ooc moment because of an outside force (like how the concussion made her more violent without the necessary character development (although she did later become violent all on her own))

2) an alt-power Taylor would be less inclined to think creatively and communicate, the more obviously powerful her power is. Khepri is Taylor so she has experience with creative thinking, and her problems as Khepri didn't have straightforward solutions - how to get people close to me? how to kill god?

which raises the question: which power to you give Taylor that solves her problems with as little creative thinking as possible, leaving her as unthinking as Number Man and Contessa?

I think you would need something that could easily beat the bank and Bakuda, and survive the E88 rampage. Everyone vs the ABB has a lot of support and the Merchants is almost a gimme. Then Mannequin kills Taylor because she didn't learn anything before that. She wouldn't hatch the Shadowstalker plan in this timeline though.

I think a power that pushes everything away (be it using wind or gravity or whatever) would work. thoughts?

[bakurapika]

hey i'm uhhhhhhh rewatching gravity falls and just got to the little gift shop of horrors, and in particular the story stan makes up to try to sell waddles

about waddles doing fun shit and dipper doing nerd shit, and then waddles accidentally gets super intelligent and they start hanging out without mabel, and then they start inventing crazy stuff and the following convo happens:

Dipper: With this, Waddles will be able to solve all the greatest puzzles of the UNIVERSE. Waddles: The origin of life. The meaning of existence. Why dudes have nipples. Dipper: Soon, your pig is gonna be famous! Meeting with scientists, presidents… I wonder if I could teach him to wear pants. Mabel: The whole world? But when will you have time for us? I'm your best friend. Waddles: I'm still your friend, Mabel, but I'm helping people now. Mabel: But what about helping me? Do you really want to spend your whole life in meetings with dumb smart guys? This brain junk has made you forget who you are. Don't you remember... us?

and waddles abruptly decides that being too smart IS pointless actually and he would rather do stupid stuff with mabel like they used to, and just hang out and be silly and play pretend, and decides it's okay to be a dum-dum. and he destroys his own invention, because

"What good is helping the world if I can't help my favorite person in the world?"

just uh.

just thinking about ford's plans to figure out the secrets of the universe. and that smashed invention and. things. i uh i have something in my eye

[junebugtwin]

haven't posted some of my own art here in a hot sec so heres a random oc (not related to worm).

still trying to come up with a name for her but the concept for her is that she's like the big bad of an imaginary childrens book/tv show- with the intended age range of like gravity falls or animorphs.

long ramblings on her below:

her Backstory (tm) is kind of complicated but to sum it up she was the girlfriend of this guy who was like the Chosen One of this prophecy and she's his tragically fridged girlfriend who he had to sacrifice in order to stop the big bad (who just so happened to be her brother) from gaining too much power and potentially destroying the world.

In order to stop her brother he 'had' to lock him in this dungeon in hell (don't worry about it) which would drain his life force. Unfortunately there wasn't enough time to convince her to leave her brother to die so she had to get locked in there as well.

so basically she was stuck in a creepy dungeon with her brothers corpse for potentially forever- unless she figured out a way to get out. She did eventually by studying her brothers arcane tattoos and sort of brute force replicating them until she could figure out a way to magically escape the catacombs. Of course this was a sort of out of the frying pan into the fire situation because after escaping she was still very much stuck in hell.

In this universe hell is like a dimension that's parallel to ours that's not really meant for people- even existing there is fatal to most people. Her newly gained magic was enough to stop her from dying but as she explored hell looking for a way out she found her body slowly changing. Becoming pale and then almost blue tinted, her eyes greying and pupil narrowing, her hair falling out. But the real change came when she hurt herself accidentally and instead of bleeding she cracked and instead of muscle she found something worse lurking underneath her skin- a sagging bloated corpse, waiting to be exposed.

The roots are an invention of hers- they helped her suck up the ambient magical energy in hells air so she could survive without food or water- of course, they were meant to be summoned from her palm, not sprout from her cracks, but beggars can't be choosers.

When she finally escaped hell she found that instead of struggling to filter hells toxic energy into scraps of something usable, her roots sucked up the plentiful mana of the overworld with abandon- suddenly she was more powerful than those who had spent their life studying arcana.

Now a days she spends her time gathering a group of loyal followers with the goal of taking down the magical society that she thinks wronged her and her brother- the magic itself is not a problem, but clearly people aren't great at using it responsibly. And whose idea was it to teach a bunch of teenagers how to commit magical war crimes anyway? Get a job or a hobby or something, she's taking away the magic toys until you people know how to use them.

[cindelsclouds]

"I want a delusional partner!!"

Until it's not "I can't live without you."

And it's "The government invented gravity to prevent us from ascending into our pure astral form."

Or "No matter how special I am to you, no matter how loved I am by you. Even in our most intimate moments, even if I have your ring on my finger, I'll always wish it was ___ and not you." Except ___ is the weird distorted figure they'd hallucinate and vent to whenever life gets fucked.

I hate it when people (especially normal ones) say "I want someone delulu plsplspls" Though once they get with one but they don't have the delusion they 'wanted' its like dudeeeee....

Too many people only want partners with delusions that benefit them. Not the violent, paranoid, or anything that'll cause them to be weirded out by. Eeeeveryone wants someone delulu but the moment it isn't a glorified version of bpd they start tweakin.