#you can tell which of these characters I draw all the time

[vacz]

SOME HUNTER AU DOODLES! And this time WITH FULL COLOR YEIIII!!!!

I realized how most of my drawings don't have colors on it so I decide this time to paint some of the concepts, mostly of how Woodsman Wirt finds his new victims (which is the main point of the character--)

Now, how does he chase down people with a axe when he is carrying a huge bunch of breaches on his back? He just threw all that away and then came back to grab them all on the floor (They are already cut so...). When Wirt appears it is like playing the Russian Roulette, you don't know what to expect from him, BUT there is a way to tell: If he is the one to get closer first then you can be sure this guy is about to kill you. Wirt doesn't usually search specifically for victims... unless he needs more ellewood, in that case there is no way to convince him to not do it so you better pray you are faster than him.

And about the other doodles, some are like: how he wants to hold on himself on this "good boy" etiquette the Beast puts on him, you know, looking for aprobation to know if he is doing something 'right' and to be wanted despise his gruesome actions. And the other is Wirt being the beast's pet, and how much Wirt needs to feel affection, but since he can even make friends with other people, the person he has left is The Beast. The Beast's skin is literally wood, cold, with a bunch of holes on it, but Wirt would accept anything as long as it holds him tightly and affectionally

And finally the little comic is of @wirtpilgrim 's headcanon about Hunter Wirt having a small beard- I went with the whole 'being hairy' later. The reason why I liked it is because it actually makes sense, he doesn't really grow older and is basically in his eternal 17-18 limbo state but his hair DOES feel time, so if his hair did grow as much in his head... why wouldn't in the rest of his body?

Look, I know it's kinda weird I also made Wirt jacked in this AU but if you let me explain--

Okay! I hope you guys enjoy it! ^^#

[unicyclehippo]

Hey, Ollie, you mentioned AGES ago that Show Me the Way Home (Avatrice) had a second chapter, it just wasn't perfect yet-- do you think you'll ever post it? Or is that officially an abandoned fic?

its not abandoned, i actually did some minor editing on it the other day. the problem is that its a very seasonally locked piece in my mind & also im lazy & also a perfectionist & also i want to watch wn again before i keep writing it bc i need to rmbr what the characters are like & basically any one of those obstacles are enough to shut me right down so.

it actually is a four part story & if u want, i can share a little with u now? maybe that'll make me feel better for not posting it yet lmao

thursday 22nd december

// 6:55 //

Beatrice stood by the doorway of her apartment, phone in hand and duffel bag at her feet, and wished she was already at her parent’s holiday home. 

It wasn’t that she thought their reunion would be simple or pleasant; it was more that today had started hot and was getting hotter and her parents kept their home at a crisp twenty-three degrees at all hours of the day and night, environmental impact be damned. As the humidity clung to her, a bead of sweat rolling down the back of her neck, Beatrice’s thoughts drifted to the crystal blue pool and the ocean wind that would blow up from the cove and she checked her phone again for any word from her driver. 

Camila’s voice travelled from the kitchen. ‘Maybe you should take the can opener with you. I mean, what if you need to open a can and you don’t have one? There might be beans. Baked beans, cannellini beans, red kidney beans.’

‘I’m sure my parents have one. They do have a kitchen. And a personal chef.’

Camila heard her. The apartment was too small for her not to have heard but she continued listing off every tinned item she could think of. 

‘Lentils, obviously. Diced tomatoes, crushed tomatoes, peeled tomatoes, puréed tomatoes.’ There was a long pause. Beatrice wondered if Camila was reading the labels of what they had in the pantry; if she was, those lentils had been there for a very long time. ‘Tinned peaches.’

‘I think those come with a tab now,’ Beatrice pointed out. She kept her voice mild, not really wanting to draw Camila’s attention to her hiding place by the door. 

At some point over the last few days, the nerves buzzing under Beatrice’s skin had jumped ship and now Camila was the one pacing the confines of their apartment. She’d picked over every inch of the house in search of things Beatrice might need—which ranged from the useful, like the good phone charger she’d “found” (definitely hadn’t stolen out of her room a month ago) to what could be charitably called not useful, like the can opener—and now she stood at the end of the hall bearing the can opener and a dark frown befitting a serial killer. 

Beatrice cleared her throat. Carefully, she said, ‘I really don’t think I need it.’

Camila looked down at her weapon. ‘Oh. Right. No, sure, of course not.’ She tossed it backward into the living room; it missed the couch, landing instead on the floor with a loud thud, the sound of their rental bond being instantly halved. Beatrice winced. Camila seemed not to have noticed, though, and with her hands now empty she returned to chewing nervously at her thumb nail. She scanned the living room, hawkish, before fixing her attention on Beatrice once more. 

‘Can I help you?’

‘Are you sure you want to do this?’

‘Camila…’

‘Because you don’t have to. You know that, don’t you? It’s not your only option—you could come home with me again! My parents would love it, we’d all love it, I promise. And you wouldn’t be intruding at all, I swear. The boys ask about you all the time and when you’re coming to visit again.’

‘They’re very sweet.’

‘Sweet! When they want something, sure! They’re still hoping you’ll teach them how to throw people—they bring up your match with Conner every time I call home.’

‘Tell them I’ll think about it.’

‘That can be your Christmas present for them. And Pop, he says you’re the only good one of the bunch.’

‘It’s because I don’t talk.’

‘I know. Poor guy. Christmas in a household of me’s. It’s so loud we have to mime everything for him.’

Beatrice smiled. ‘He turns off his hearing aids.’

‘What? That sneak!’

‘Don’t tell him I was the one that dobbed him in.’

‘It’ll be the very first thing I say—then you won’t be his favourite anymore and the rest of us will have a fair shot.’ Laughter shone in her eyes; it faded a little as she stared at Beatrice, gaze flicking down to the duffel at her feet. ‘I’m serious, Bea. You could call up your parents and tell them you’re not coming anymore. I’d prefer you tell them to go fuck themselves but.’ She sucked in a breath, shook her head. ‘Bea. Don’t waste your time on them. Spend your holiday with people who want you around. Who love you.’

It was a tempting offer. Of course it was.

From the day they met, Camila had been Beatrice’s friend; from the second, her sister. She’d gone out of her way to be all that a sister could be—kind, understanding, supportive, deeply irritating—and offered it all without cost. Her family was just the same. 

Beatrice remembered last Christmas fondly. The singing, the laughter, her chair squashed up to the end of the table next to Camila’s, the friendly chatter, the elbows bumping, the squabbles breaking out, the yet more guests arriving and pulling up a chair, the pass the salt, pass the butter, pass the damn water would you I’m dying over here, where’s the champagne, Arthur we don’t need another bottle of champagne it’s not even midday for Christssake, Beatrice do you want a second serve help yourself sweetheart, when do we open the presents. It had been loud, sometimes overwhelming, and wonderful all the same. 

But. 

Beatrice shook her head. 

Camila sighed. ‘I had to try, obviously.’

‘I know. Thank you.’ She set her hand on Camila’s wrist and squeezed. ‘I appreciate it, very much. Please tell them… Please tell everyone I miss them and that I’ll see them soon.’

‘You mean for your surprise birthday party?’

Beatrice smiled. ‘I’m looking forward to it.’

‘Good. Because mum’s going to need a menu from you—’

‘I thought we agreed we’d buy the food, Camila, I’m not making your mum cook for me.’

‘She likes to cook for her kids. Unless you want me to tell her you’d prefer eating a stranger’s food over hers?’ Beatrice scowled at the bold threat. ‘That’s what I thought. Pick what you want and I’ll tell her. Better yet, text her yourself.’

‘If I know your mother, she has something in mind already.’

‘More like eleven somethings.’ 

They shared an identical grin. Camila’s mother had a small habit of going overboard for parties and events. A buzz broke the moment. They both glanced down at Beatrice’s phone. 

Mr. Morris I have arrived

Beatrice Thank you. I will be there momentarily.

Beatrice nodded. This was it. She slid her phone into her pocket. ‘Mister Morris is here. I should go.’ To Camila’s suddenly stricken expression, she soothed, ‘It will be fine, Camila.’ And, because she was not completely oblivious to Camila’s concern, ‘I will be fine.’

‘I know that. Of course I know that. But I want—you don’t have to be just fine. You should be having fun. You’re my best friend, Bea, I want you to be happy.’

Beatrice paused. She struggled for a moment to think of a way to explain the purpose of this holiday to Camila, explain her purpose, in a way that she would understand and accept. 

‘It means so much,’ she began, carefully, ‘to be welcome in your family. But they will always be your family.’

‘Bea…’

‘You and they are all beyond generous.’ She held up a hand to stop Camila interrupting. ‘I know they love me, and I love them. I do love Christmas with your family. It’s always wonderful and comfortable and fun.’ She paused, considering her words. ‘But this is - this is about me,’ she admitted with difficulty, and was rewarded for the effort when Camila softened. ‘I want to go. I need to find out whether I have a place with them or not. And I’ve been so uncertain of how it might turn out that I haven’t tried. But this invitation is an opportunity. One would like to make the most of.’

Camila grabbed both of her hands and pulled her close. Very intensely, she said, ‘Okay.'

'Okay? Just like that?' Beatrice asked, doubtful.

'Yeah. I’m not going to say I understand because I don’t. It honestly makes me furious and a little bit sick to think of you going back to them. But I love you and I trust you and I want you to call me if you need anything. And whatever happens, Beatrice, you always have a place with me. Always.’

Beatrice smiled. Shifted so that she was the one holding Camila’s hands. Her friend wouldn’t let her go willingly and there was a big part of Beatrice that wanted to let herself be held tight and give in to her friend’s protectiveness, to be bundled safely up into Camila’s terrifying little car and trundling off to visit family. 

It was hard to pull free. 

Beatrice stepped back and opened the door.

‘There’s no need to fret, Camila. I’ll have Ava with me, remember?’

‘Yeah. I know. It’ll be great, you’ll see.’ The tightness around her eyes told Beatrice she didn’t quite believe her own words. ‘And you’ll call me.’

‘Every day.’

With one last hug, Beatrice picked up her bags and left. 

// 7:03 //

The town car waited for her outside the apartment. It was sleek and black, washed and polished; the only evidence of the recent storms were faint specks of grey mud deep in the tyre wells.

Beatrice stopped at the bottom of the stairs, observing the car and its driver—Mister Morris, patiently stood at the kerb—and swallowed around a lump in her throat. He looked the same as when she had left. A little more silver in his hair.

He might not have changed much but she had. Now that she was grown (or perhaps, now that she was not in that household), she found herself full of questions—where was it that Mister Morris had driven from? Where did he live? Had the storms been bad on his side of town? How had he passed the time? Had they lost power? (She and Camila had huddled in their living room—it was, Camila had insisted, the perfect weather for a marathon of gory slashers—and the rain had hammered against the windows with frightening strength but had done no damage. She knew others had not been so fortunate.) Most pressing of all, how had he been? Questions that could not be answered by hiding.

Beatrice gripped the strap of her duffel and, setting her shoulders, marched to meet him.

‘Good morning, Mister Morris.’

‘Miss Turner,’ he greeted her, his smile small but true. ‘A pleasure to see you again. How are you?’

‘Quite well, thank you.’ Then, keeping her tone light and brisk, ‘And yourself?’

‘Very well, Miss Turner. Very well.’ It looked as if he wanted to say something more but then he only smiled and cleared his throat. ‘Your luggage, Miss?’

‘I can see to it myself.’

Beatrice stashed her duffel in the boot then folded herself neatly into the backseat. Mr. Morris retook the driver’s seat. For a moment, neither of them spoke. Beatrice fixed her eyes on the headrest in front of her.

‘We have another stop to make, Mr Morris.’

‘Yes, miss. Do you have the address?’

‘I do.’ She ran a finger along the inside of her watchband, rubbing away the sweat that had gathered there. She made it a notch tighter, then loosened once more. ‘They are - That is to say, she is my—’

Mr. Morris met her eyes in the rear-view mirror. His were green and kind. The kindness did not make it easier to say.

‘She is my girlfriend.’ 

‘Yes. I know.’

‘Oh.’

‘Though your mother used slightly different terminology. Companion, I believe she said.’ He kept his eyes locked onto the rearview mirror. When Beatrice glanced into it again, he said warmly, ‘Congratulations, miss. That’s wonderful. I’m very glad to hear it.’

When she had been younger, there had been a stretch of time where running away had seemed very appealing. Each time she attempted it, Beatrice had never made it further than the park four streets from her home. She’d been too pragmatic, even at ten years old, but she’d also been stubborn so Beatrice had say there in the swing until someone noticed; whomever did notice, it was always Mr. Morris who collected her. She was reminded of it as he started the engine. The sound of its growl scared old memories out of hiding—she remembered how the plastic swing creaked, the feel of the metal chain in her little hands, how the gravel of the park entry had crunched beneath the town car tyres. How the headlights had washed over her and away with the tilt of his park and how invisible she’d felt when the lights turned off. Like a ghost haunting the playground.

Beatrice stared thoughtfully at his back, remembering how he would climb out of the car and sit next to her on a too-small swing until she’d been ready to return.

‘Thank you, Mr Morris.’

He nodded. Then, ‘I do still need her address, miss.’

‘Oh. Yes, of course.’

[masquayla-the-splendid]

Bolts4Brains Update: 1/21/25

Okay so I might need some help. (Dw it's just input, you're not drawing.)

Every time I approach an Ennard shot, I lose my sparkle after like 2 sketches.

This is the objective:

I have to draw that.

So I didn't animate them in SFM, I just posed him and pieced them together in screenshots. It was mainly for the first half, because I couldn't figure out the camera angle of which he talks to the eyes.

Now, I'm not looking to draw these characters biblically accurate. More like I'm drawing them on-model, but with some tweaks to make them cartoon friendly, like how I colored Baby's eye-plates blue, moved her brows to the rim, and simplified her shoulder plate ruffle things. Or how I just made Funtime Foxy's eyes all yellow.

I sketch Ennard way more often than a full drawing, and I have to be consistent for this project. So I figured I'd just pull up the 3D frames and trace over his shapes. Yknow, like a guide. Well he still wasn't turning out right, so I thought maybe it's because I'm drawing too big? He takes up a lot of space in these shots.

So I return to paper and eyeball them instead, at a much smaller scale than my laptop. Just to see if it's the method or me.

Well some of them turned out alright, but I think you can tell he was burning me out a little. Like I said, I have to be consistent. That's how animation goes. I know how to draw him, I know the shapes he's made of, but it's Ennard. They've got a lot going on to keep up with.

So here's my predicament. When making a Fnaf user friendly, I'll riff off of other cartoons if I need pointers, like the ones mentioned previously. I cannot think of anything from the 80s all the way to the early 2000s that shares even a sliver of resemblance to Ennard. If I look on the robot side, it's too heavy on the machine aspect. If I look on the clown side, it's too much clown, not a lot of uncanny.

Is there any character in the 2D moving picture medium that at least shares their sghetti-ness?

[leebrontide]

I was watching some anime and started thinking about when I used to draw a lot of very sparkly anime eyes when I was younger, and thought I'd do it again. Very soothing.

Y'all have been talking about the beauty of various types of brown eyes, so here's a variety.

These are the characters from the Second Sentinels books (Secondhand Origin Stories, Names in Their Blood, Brittle Idols)

From the top:

Enoch- The quiet and reserved custom-engineered messiah. He was raised and educated by one of the genetesist who built him gene by gene to conquer the world in anticipation of a new golden age. He's not used to having the freedom to make his own choices and consequently makes some very questionable ones that come from a place of deep moral conviction and unexamined trauma.

Issac- Keeps saying he doesn't want anything to do with the world of pro superheroing and has 0 superpowers. Keeps winding up in situations where weapons are pointed at him because he has 0 capacity so not backtalk and because he loves his family. Perpetrator of the nanite incident, and is hoping to go to college and not spend his early adulthood dealing with felony charges.

Opal- She reads a lot of gothic novels (especially more modern, queer ones) but isn't thrilled whenever her actual life starts resembling one- which it turns out is a thing that can happen when you involve yourself in multigenerational superhero's families.

Yael- The only child of the US's most notorious and dangerous supervillians, raised among superheroes after their deaths. But xe's totally fine with that. No hangups at all about the cult that produced xyr genes or how taboo xyr origin has been for almost xyr entire life. Everything is fine and xe's going to be a superhero. Yael's all golden retriever vibes right up until xe's NOT- and xe hasn't got any hangups about that either- nope not at all!

Zipporah- She's got a whole array of genetic modifications and most of them don't work right. Unlike some people, she's perfectly willing to tell you about her trauma and that the process of being genetically rewritten because her foster parents decided she wasn't good enough, and she'll be charming the whole time. But there are plenty of others things you'll never get out of her.

Jamie- The weakest child of a superheroing family, she knows what she wants from her life, but has no expectation of making it. She has no desire to be a rebellious daughter but also 0 capacity to let things go, stay out of the way, or prioritize self-preservation. Her first crush, on Opal, hit her like a mac truck.

[bogkeep]

okay i Finally. finished wind and truth

first i wanna preface that maybe i should've waited to read/listen to this book until i was in the right mood for it, and until i had some better Quality Audiobook Focus Time (which is usually when i work with clocks at school) instead of scattering it piecemeal throughout my winter break. at least the second half i've been listening to while assembling watches at my practice placement, which has worked very well.

as for the Mood, i just haven't been vibing that much with brandon sanderson's work lately, not because it's Bad or anything, it just hasn't been scratching the right itch. i still feel dismayed with all the worldhopper business and the MCU feel that they invoke in me. i also feel like the last two books have had more of a pathologizing bent to them, bringing contemporary psychology into a high fantasy world in a way that feels Weird. i loved the first three stormlight books so so much and they didn't feel Like That, i think. granted, i also read them for the first time before a kind of. uh. a period in my life that for better or for worse changed who i am as a person, and my tastes in stories might just have Changed.

i think the two first books especially have a much more limited scope, and stayed very close to their worldbuilding, which was a huge draw for me in the first place. but with the introduction of more and more Cosmere Lore and Off-World Characters it has gotten harder for me to keep up and keep invested in the larger plot, like... first we establish a lot of rules and now we insert elements that don't follow the established rules so keep up!! same goes with the modern psychology aspects - inserting concepts from our contemporary culture, particularly concepts that our perception of which changes frequently as we learn more about them, into a world as alien as roshar, just. feels intrusive! obviously i think roshar should have therapists, but it seems incredibly odd to me that nobody on this planet has "invented" therapy in any form for thousands of years. idk. i don't know how to feel about kaladin's therapist arc! thematically, as a synthesis between his medical identity and his military identity, i'd buy it. he's always been inspiring and has experience overcoming bad brain times. but in practice... idk!!! idk. i think angling it explicitly as therapy made it weird to me.

it was similar with shallan's plurality - book three had her accepting her plurality, and book four had this incredible intro with her being open about it, changing her hair color to indicate who was fronting, veil making friends with kaladin and adolin as her own person, i Loved That So Much. but then the book got like, Really medical and clinical about it, like you can tell the author talked to some people for increased accuracy, but it... mh. reducing shallan's alters from their own people to "no we are Purely a coping mechanism who only exist as training wheels to you" made me so sad. like, Thematically i understand why shallan's story is taking the integration route, but it made me so sad to fridge veil over it! like, several characters in these books get arcs centering about accepting their personhood and their right to exist in peace and make their own choices, but veil and radiant Don't Get That because the story hammers in that they're Just coping mechanisms. i would personally much have preferred that for shallan's character development, they relinquish their burdens to her (her Memories and her Violence) and then they could stay and exist and find identities beyond those burdens. maybe that's a radical take but it is my take

ANYWAY sorry that's a lot of lukewarm dismay. here's things i enjoyed:

- ace jasnah !!!! jasnah is ace.

- i really liked kaladin's, dalinar's, szeth's and adolin's arcs !

- genuinely dalinar is an incredibly written character and his arc over all five books is really really good and i think about dalinar moments often. i love that he has changed so much and still finds new ways to change. i can't believe it took like five books for me to go "wait is the way of kings just The Bible. is this an allegory for the bible" and even then i still think it works so so well. like i think his story would rule even if it was just straight up the bible and nohadon is jesus

- kaladin and syl dancing together <33333333

- very happy for renarin and rlain congrats to them

- the more i think about adolin's arc the more i love it. i love that he lost a leg Possibly Permanently. i love that he had a Privilege Revelation in the middle of a life or death fight. i love that he forms bonds with spren without oaths that rules so much

- gavinor as odium's champion was an inspired choice!!!!! i'm sad that he got sidelined so early when things could get soooo juicy

- i am So pleased szeth fired his spren. i am also very pleased that his spren got character development

- oh god when i realised szeth's mental illness arc was moral ocd. yowch (complimentary)

- szeth's story in general... man !!!!!!!

anyway that's what ive got for now. my freshest impressions straight from the oven

[strang3lov3]

get to know your moots!

ty for the tag, @ace-turned-confused!

what's the origin of your blog title?: title or username? strang3lov3 is a depeche mode reference. from their song strangelove lol. but my current blog title says "i'll lay you badly, but i'll lay you gladly" and that's just a quote from roman roy that i like lol

OTP(s) + shipname: mmmmm. bob and linda from bob's burgers.

favorite color: light blue

favorite game: most jackbox games, overcooked, tlou, silent hill 2 remake, unpacking, stray,,,,uhhh what else what else. there's this board game called azul that i really love.

song stuck in your head: okay. party up by dmx but the lyrics are changed to "y'all gonna make me shrink my dink up in here up in here" my fuckin brother in law started singing that when my niece and i did some shrinky dinks on saturday night so. so that's what's marinating in this brain of mine. who up shrinkin they dink rn.

weirdest habit/trait?: i crack like, every fuckin' joint in my body all day long. everything, toes, ankles, knees, hips, fingers, thumbs, wrists, back. it's like a visceral need. i feel Not Right if i have not cracked myself.

hobbies: writing, (attempted) gaming, knitting, drawing, watercolor painting, and spending time with my kitty babies ♡

if you work, what's your profession?: i'm a student! gonna be a high school history teacher one of these days.

if you could have any job you wish what would it be?: ¯\_(ツ)_/¯ i think i'd just like to not work, like ever.

something you're good at: i am like...concerningly good at hanging paintings and making things level with just my eyeballs.

something you're bad at: being uncomfortable and tolerating pain.

something you love: the lazy river

something you could talk about for hours off the cuff: the hierarchy of power between cats in a household. the cat who sits at the highest point of the room sees himself as above everyone else and he will take offense at the notion of being groomed. he is the one who grooms others because he is Top Cat.

something you hate: loudness. being sweaty. tomatoes. avocados.

something you collect: tattoos lol. and perfumes! i don't have the largest collection but i really love getting new perfumes. my most recent purchase is hypnotic poison from dior and i looooove it so much it smells like root beer, which is my favorite pop.

something you forget: to take my birth controllllll. lol. i could never take the pill on time so i switched to the ring, and i'm often late to putting a new one in oopsie

what's your love language?: i'm down to clown with all of the love languages tbh. i am a biiiig mushy love slut deep down. real ones know

favorite movie/show: succession, tlou, bobs burgers, what we do in the shadows, it's always sunny.

favorite food: pad thai, paneer butter masala, and then any combination of carbs + cheese. cheese fries, mac and cheese, breadsticks and cheese, whatever. gimme.

favorite animal: cats and raccoons, which are just like, wilderness cats lol. they're troublesome and i love them.

what were you like as a child?: shy but attention seeking. i am a middle child lol

favorite subject at school?: history + art class.

least favorite subject?: chemistry and physics. those can get fucked

what's your best character trait?: my loving heart, my empathy, my endless patience for animals.

what's your worst character trait?: i kinda...kinda run hot sometimes. and i have a hard time with letting go of anger.

if you could change any detail of your day right now what would it be?: i'd make it just a liiiiiiittle warmer out. it's 6F, feels like -5.

if you could travel in time who would you like to meet?: mmm probably not what the question is asking, but i'd like to go back fuck, 8 years ago now and spend some more time talking to a loved one who passed. our last conversation was him telling me that i could call him at anytime and he'd pick me up from an iffy situation, no questions asked. i'd also like to go back in time and meet my parents and grandparents before they had children

recommend one of your favorite fanfics (spread the love!) diner by cuntoid ♡ it's a comfort fic to me

npt @cum-a-calla @fridays13th @bitchesuntitled @guiltyasdave @littlepadika-main

@evolnoomym @prettybpdgirl @fawnjaw @angelsanarchy @amanitacowboy

FULL PRESSURE TAG THIS TAG IS THE EQUIVALENT OF ME SPRAYING YOU WITH A PRESSURE WASHER @beefrobeefcal ♡

[freaky-flawless]

The De Nile sisters!

[wanderer-clarisse]

"Mano po."

Pagmamano (Tagalog) - "honouring-gesture;" a sign of respect towards elders

A continuation of sorts, of this other drawing I made of the Feänorians, which was roughly inspired by Filipino culture. I originally planned on completing this for @nolofinweanweek, specifically the first prompt about how Fingolfin and Feänor's families got along, but life got in the way and I didn't finish it in time. More background/my long rambles under the cut:

Pagmamano - touching the back of an elder's hand on one's forehead - is not restricted to family, but it's usually done in the context of elder family members. I have many memories of attending family reunions and being told to follow the other kids to "mano po" a grandfather, aunt, or uncle. While Elves don't have elderly relatives, per se, I thought this image was too fun not to draw. Also, I love envisioning Feänor as that cool uncle who gives the most amazing gifts but like, the kids are intimidated by him, so they have to be told (and supervised) by their parents to line up and greet him properly. Fingolfin's just standing there making sure his kids all greet their uncle. (Maedhros, presumably having already finished his greetings, is sidetracking Fingon.)

All this to say, I think that these guys didn't have the perfect relationship. But. You can't convince me Finwë didn't get the whole family together from time to time on some sort of family reunion camping trip. And Feänor just has to begrudgingly tolerate it because he can't say no to his dad. While the kids, obviously, have a great time.

[ghostofsnails]

so did you guys know theres this character called tristan vik disventure camp and

[moeblob]

OC OTP. Just a prince (Ego, the ginger) and his wonderful energy alien fiance (Serenity) who he doesn't know is an energy alien. Ego also doesn't know that the future marriage is never going to happen and he's been lied to his whole life.

[protagonist-art]

"Uh- I'm Arnold. Bennett. It's profoundly difficult to get your lifes works and studies accepted if your name isn't... yes, oh! Are you a fan of moths, sir?"

NEW RDR2 OC!! a reclusive, clumsy entomologist and bug collector; cooped up in his study of uniformed clutter

[just-rainbow-thoughts]

“So, how’d this year go for you?”

A simple question leading to a variety of answers

[blue-eli]

Realised it’s @khoc-week so even though I don’t have the energy to do it daily have this I did a while ago but never posted.

Arxeht my beloved. They came to me in a dream where I was a replica (of multiple people but looked most like Vidar) made by apprentice Nort/Xemnas, who was the fifteenth member of the organisation and also had my knowledge of hit video games Kingdom Hearts and kept getting randomly thrown through space and time.

[im-smart-i-swear]

unable to let go

something something both of these fuckers have spent so long depending on each other that they cant function w/o the other guy despite Tashi's continously worsening mental state and unhealthy clinginess and Soup's desire to explore the world and meet new people...

like the thing about soup is that she had never really been a person who does well stuck in one place for too long, but also tashi is her brother. theyve been through hell and back together and she feels immense guilt for even considering having a life outside of their little family, and also she has NOT worked through her gladiator trauma AT ALL and has been just holding everything in and trying to be a perfect caring figure despite all the anger and frustration she experiences on a daily basis...

(tashi is dealing with that too, but hes never been as good as her at hiding it, and also he has the tendency to make this stuff everyones problem - thus sidelining soups problems by accident. i think soup is kind of what tashi desperately WANTS to be, in a way. on the outside shes the 'stoic selfless caregiver' and i think tashi is jealous of that, so much so that he sometimes forgets that soup is just as much a person with her own problems and desires and flaws as everyone else)

soup is frustrated by how shes been having to take more and more responsibilities as time goes on (bc of tashis Whole Thing and buddys fear of assuming any kind of leadership position) and a part of her loathes this life and she wants to leave. i think her and zoras relationship plays a big role in her feeling on the matter bc shes NOT part of the family, shes someone new and diffrent and thats enticing... also over the years soup had built up this calm easygoing persona that zora can see through, zora is very aware of soups violent past and she is not sfraid of it, giving soup a safe space to express those more negative feelings freely for the first time in YEARS

Its very hand in unlovable hand coded but they very much love each other still and thats kinda the problem

Also putting some notes on their younger selves here bc this feels relevant to how these two ended up

[egginfroggin]

*smacc*

It's ya boi. Major character death.

Emmet's fine, he's just a wee lil bit dead, that's all. Nothing some therapy won't help.

So I've had like no inspiration last long enough to really finish an illustration, so instead I'm trying to embrace the sketchy half-finished look.

Also, highlighter brush, beloved.

Have a good day! :>

(Program: Krita; time taken: about 1 hr. 40 minutes)

[t3chborb]

I don't consider Ramattra difficult to draw, just very time consuming due to all the details.

... Excluding his ELBOWS, of all things.

Try extending your own arm and twisting your wrist and then entire arm. How in God's name do those kinds of motions (or in my case, poses) translate to a robot arm without a ball joint at the elbow???? I swear whenever I pose my arms to get a better idea on where the elbow itself points, which side of the hand has the the thumb, etc etc, then translate the information onto him, 99% of the time he ends up with dislocated elbows...