#you are not them. you are your own human person

[azlovesem]

Half this world is abandoned. Then Keira you etupid spoiled rich DESPISED by god cunts have the sudacitybthe nerve to wondef whu God has abandoned you woethless ingrsye rat people. Im not joking the goof hated human race is doomed no matter what you fo now. Gir previous crimes and sins against not only me but God himself. Dont make me send Gabriel to bresk snybof uour lymie pubk ass kong worshipping necjs. Theres only fucon King of warthbsbd thats me and you know it. You wsnna know why i like Emna do much racist? Shes half fuvkn French. Choke on it. Pure lymies get on ky fuckn jerves just by existing. You got that stupid? Half French to me. Its morenin her attitude. Just know i kivked you out of yhe new world. When i come there i own your fuvkn nation now. I epukdnt exceot one person pn your island saying theyre a kong cayse ill laugh in theircfuvkn faces and tell them yiure no king i am. Then ill teach them how to prperly act like one. So remember kids half n half is good. These so calked pure breds get on ky fuckn neeves just by being alive. They emwont be much longer they kerp it up. I promise.,o chsllenged both your pronces to a duel. They cabt fight a King like me Kiera whatever last nane is. If you cannyake that kind of shit youd get along great. Im better thsn dveryone else tuats ehybinwas vhosen and thats why God loves kr more. Than any of yas. I promised good weather for yhe holidays. So i wont beat uour ass England. But in the nee yar all bets are off. Anr im back on again. The eomen like power deep foen thats ehybim do loved. I use it on the sssholes ruinong ghis world eith theor greed. Just know you rich cunts sll of yoy. You end up in a convcentration camp one day.

You will listen to me. Listen! PIRATES OF THE CARIBBEAN: AT WORLD’S END 2007 | dir. Gore Verbinski

[neon-sunsets]

it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.

beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.

(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)

imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."

this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.

but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.

but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).

and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.

everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.

so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.

you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.

it's a convenient narrative, and it's wholly untrue.

you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.

and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.

you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.

and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.

obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.

[earthtooz]

x : LUST FOR LIFE *+ﾟ

in which: sunday discovers a new emotion when he's under you.

warnings: 1.5k words, sunday is B(h)ORNY and doesn't know how to deal with it, he wants reader so bad, lowkey implied switch!sunday, gn!reader being sunday's freak awakening, NO SMUT BUT UNDER 16 DNI, not edited

a/n: five likes and i'll write nsfw for sunday

What good is a leader who can’t empathise with the lives of the people he was supposed to be leading?

This thought has plagued Sunday ever since he exiled himself from Penacony, since he joined the Astral Express in a journey of self-discovery and reflection, embracing the Nameless lifestyle so he can broaden the horizons that Penacony had restricted. There, he was so detached from the reality of the people he was trying to help, so trapped in a whirlwind of his own ideals to experience humanity, too buried in official duties to rejoice in the many wonders of the universe, the simple pleasures and the grandiose ones.

Since boarding, the former head of the Oak Family has experienced humiliation, desperation, and many close calls with death. It seems he underestimated how easily trouble found the Trailblazers, and the diary he carries with him has been updated with multiple entries, filled with exasperated recounts that ended with him being grateful that he is still well and unscathed.

Sunday has also experienced laughter, connection, and the bond of humankind- something he did not have before. When he controlled the Oak Family, had everyone under or at his fingertips, the only person he could depend on was himself. When Robin left to travel the cosmos, what was he to do than learn the bitter truth of independence and self-sufficiency? 

Yet, he sits on the couches of the Astral Express and there is bound to be another by him, trying to converse with him like an old friend. He is mentioned in the conversations like an individual who they keep around because they want to, not because he is crafty, not because of what he can offer. No, he can’t offer anything right now, and the crew still wants him to stay.

He learns more about humanity with each passing day.

However, perhaps one of the more puzzling feelings Sunday has had to confront was… infatuation. 

It’s a tricky feeling. It sends his heart into overdrive and his limbs to become jelly, and at the epicentre of this hurricane of uncharted territory, is you. 

“Sunday?” Your voice comes through muffled from the other side of the door. He almost jumps off his mattress at the sound. 

“Door is open,” he responds as calmly as possible, heart thrumming alive at the sound of your voice, beating in time with the rapid succession of your knocks. 

The door slides open slowly to reveal you on the other side. “Pom Pom just wanted to let everyone know that we will be jumping soon.” 

“I see, thank you for letting me know.”

“No problem,” your gaze then flickers to the angels that flock around him and he watches as your eyes gleam with fascination.

Then, without any hesitation or reluctance, you enter his room and approach him, the door sliding closed without your weight to hold it open. You stop before him without a bow, without a formal greeting of ‘Mr. Sunday’- no, you stop before him like an equal, which you most certainly are. In fact, he would even think of himself below you, but Sunday needs to unlearn this assumption of hierarchy, needs to not let it define the relationships he forms, even if he looks up to you and finds you reverent. 

“Hey, I’ve never seen these little guys before!” You exclaim, sticking out a hand to act like a perch for the angel-like summons. One of them flits up to you and stays on your outstretched finger. “Well, not this close, at least.”

It keens at your praise. Like owner like summon, Sunday supposes.

“I don’t tend to bring them out. They are for combat purposes,” he explains. 

Your eyes widen slightly. “Are you trying to pick a fight with me right now?” 

“What? No! That’s not it-”

“-I’m kidding, Sunday,” you snicker. “We’re friends, I wouldn’t want to fight you.”

“Right,” he exhales, “I wouldn’t want to fight you either.”

“Besides, we already did once.”

He freezes at the memory, remembers when he got hit with the exact train he is currently boarding. 

You, however, are unphased by the recollection, and even continue to rub salt in the wound. “I remember fighting against these little summons too, your owner was a real meanie, do you guys know that?” 

They flock around you, spinning and fluttering like little fireflies.  Instinctively, Sunday covers his flustered expression with his wings, and he doesn’t budge, even when he hears your laugh, the sound almost enough for him to melt into a puddle by your feet.

“Hey, hey, I was kidding, sorry if I took the joke too far.” 

He uncovers himself with an embarrassed sigh, not meeting your eyes. “It’s okay, I think the memory is just… humiliating, more than anything.”

“There are no more hard feelings. Everyone has accepted you on board and none of us think of you to be the same person you were when we first met, I promise.”

Your words are completely earnest, Sunday knows it, can feel it in the way you tell him so unabashedly. So who is he to deny it?

“Thank you,” he says, finally looking up at you, “it means a lot to hear that.” 

“I’ll say it as much as you need. Well, I’ll get out of your hair now, just prepare for the jump-”

Your sentence is interrupted by a shriek when you lose your footing, and Sunday feels it too, the force so strong that even he, while sitting, feels as if is being stretched and pulled into a miniscule hole. What he also feels is your body colliding on top of his, and his hands come to your waist to catch you in an attempt to prevent you from slipping, but it’s not enough and he’s falling with you onto the expanse of his made bed.

The Express is warping to some expanse of the universe, and his stomach drops at the sensation, spreading to the ends of his nerves before disappearing, just replaced by the extremely odd feeling of being pulled through the stars. He just hopes you’re comfortable, standing up whilst warping is tough, he heard the stories of when Stelle first tried to do it and how she fell flat on her face. 

When the feeling of normality returns and Sunday doesn’t feel like he has been stretched out, he opens his eyes and tries to take in the sight before him.

You. Your face. Centimetres away from his.

He’s always thought you were pretty, but seeing you this close… perhaps just pretty is an understatement. His gaze unwillingly flicks to your lips and he wished he hadn’t because suddenly the urge to sit up and lick into your mouth is raging; a fire that can’t be contained. 

Sunday wants you to push him down by the shoulders, with no gentleness or mercy, and just… devour him whole. His hands want to find you by the hips and pull you into him more than humanly possible, he wants you to indent yourself onto him so he can remember your taste forever, so that, in a way, you couldn’t ever leave him. 

Alternatively, he would happily flip around and pin you against the mattress. He would pry you open, explore the cavern of your mouth with his tongue and suck your sacred essence out of you so that it can stay and settle in his bones instead, replacing where marrow should be. He wants to lay you vulnerable so his hands can explore places only you want him to touch, wants to take you so that you stay forever, wants to feel your tongue against his, wants to hold your face and feel how you react when he takes his time cherishing you, revering you. 

This feeling is too much, these thoughts are overpowering, yet nothing has ever been more clear. Sunday wants you, lusts for you, even, and he’s never felt so intensely for someone before. 

How would the symphonies sound when they learn of the atrocities he wants to perform? 

Temptation holds him close and infects him with a desire so strong, he’s practically frozen in place as you recover from the shock, holding yourself up with your arms that were on either side of his head. 

“Ow, I’m sorry!” You immediately exclaim, before realising exactly what position you are in, your chests are pressed together, and you’re mortified to think about how close you were before you picked yourself off him, and- his… his hips… are pressed against yours- okay, you needed to leave as soon as possible.

You scramble off him like he had burnt you, frantically shouting apologies whilst doing so, the words clumsy and rushed, but neither of you can deny how you miss the warmth that was suddenly ripped away. 

(If he wanted to, you could have stayed in that position with him.)

Then, before you could get anymore thoughts, you turn and practically bolt out of his room without another word, leaving a hot and bothered Sunday behind.

© EARTHTOOZ 2024, do not steal, translate, repost my fics and do not recommend my fics onto any other site.

[rebeltigera]

What's your personal favorite of the different Macaques? Also G!Macaque is amazing, he's terrifying thank you

From my own- it's definitely P!Mac

You can see how much I love him from the amount of trauma this babe has

From other people -

I love one from Cryptid!AU @/lopsushi aaaand

From Human Mermaid AU of @/ bismuthfool

I recommend checkin' them out!

[the-secret-keeper]

Where MC Tells the Obey Me Brothers About How Horribly They Were Treated in Twisted Wonderland

This was requested by @sweetlicorice I hope you like it! It was taking longer than expected, so I only did the brothers, but I will do the dateables in a part 2, don't worry.

TW: Talk of being Overworked and Burnt Out, Abuse of Power, Very Angry Demons (but not at you), mental breakdowns, missing a pet (he's not dead, don't worry), and nightmares

Reader is referred to as MC by the characters (though I don't think they say it here) and MC is gender neutral, but this is mostly in second person, so for the majority of the story you'll be referred to as 'You' by the narrator.

Characters include: Lucifer, Mammon, Leviathan, Asmodeus, Satan, Beelzebub, and Belphegor

Could be read as romantic or platonic

This will be long, so the stories under the cut

This is organized by character, with a bit of context at the beginning. Enjoy!

First, it was a coffin. You were kidnapped by a horse-drawn hearse, woke up in a coffin, in another world. A world of magic, and wonder, but also one of pain, as you quickly learned. But you met people. You made friends, allies, and you were learning, even if you couldn't use magic.

And then, it was you landing rather harshly in a room that looked like an old-time, very fancy courtroom, surrounding by tall and intimidating looking young men. It was soon explained to you that you were in the Devildom, and were an exchange student, one that would be living with the Seven Deadly Sins for your own protection.

You didn't know what to feel. Gratitude for the much improved living conditions? Fear for living with a bunch of demons and going to school with demons that would likely have no qualms with snapping you in two if you stepped out of line? Sadness for the friends that you don't know how to get back to? Upset for being forced to leave the place you were finally starting to feel like you fit in at and having to leave Grim? It was a whirlwind inside, and for a time, that's where it stayed. Kept inside.

Slowly, the Devildom revealed to have similar problems as Twisted Wonderland, in the fact that it seems everyone in power here, aside from Diavolo and Barbatos, would like you to die.

Most of the brothers tried to kill you. One of them succeeded! Congrats to them you guess, though, no offense to Belphie, you don't think it was particularly hard for a demon to kill a human.

Through all of this, you got closer to those you were staying with, even forgiving Belphegor after everything. It only made sense that eventually, what happened to you, you started to open up to them about your past. About those that you met and bonded with, all that had been put onto you, and all that was different.

Lucifer:

You were in his office, as you did somewhat often. It was quieter in there than it was in most of the house, and no one would bother you if you were with him. Plus, sometimes he would let you take care of some of his paperwork, just the stuff that wasn't too sensitive or important, but it lightened his load a bit.

"Why do you insist upon helping me?" He asked, not looking up from his paper, as you looked at your own.

"I'm used to doing more work, and if it makes your job easier, then I don't mind." You shrugged.

"More work? Do you mean like a job?" He asked, somewhat curious. Your file had listed a lot, but you had, apparently, been missing for a while when you were brought to the Devildom, so he didn't know what you had been doing before coming there.

"Something like that." You vaguely answered, finishing a paper.

"I am always here if you need to talk." He glanced up at you, as you pulled out your homework instead.

"Thank you."

A comfortable silence fell over the you two. The ambiance of the fireplace, paired with the low volume on the record he was playing, along with the light scratching of his pen, was calming. His office was always dimly lit, enough to see easily, but also darker than the average room.

It was a quiet environment that reminded you of the days when you would sit in the office of Crewel, him taking pity on the amount of work shoved on you and attempting to help at least a little. Or the days when you would study with Ace and Deuce in the Heartslabyul Common Room, Riddle sitting nearby doing his own paperwork, and Grim resting lazily along your shoulders. It was comforting, yet sad, at the same time.

"Back, in the place where I was," you started softly after a few moments of silence, "there was more that was required of me."

"In what way?" He asked, and though you couldn't tell, off in your own world, he had stopped doing his paperwork to focus on what you were saying, fully enraptured in wanting to know your backstory.

"The headmaster, at my last school, his name was Dire Crowley. And he was terrible at his job." You laughed bitterly. "I showed up there one day, against my will, and practically started running the place once he thought I could handle it, or when he was certain I wouldn't complain." You glared at your paper, thinking back on all that was unfairly thrown at you.

"Like what?"

"Paperwork, was the majority." You answered without thinking. "But there were.... others."

"Others?" He prompted after a few moments of a now, much tenser, silence.

"Your demon form is scary." You looked at him, making eye contact. "But it is not as scary as facing seven Overblots within the span of a year."

"Overblots?"

"The manifestation of out of control magic and strong negative emotions that result in the transformation of the magic user, and the creation of a sort of monster. The magic user loses control of their entire being, and it's very taxing on the magic user." Your eyes were glazed over as you seemed to recite the information with no emotion in your voice. "I don't blame them, for Overblotting, and losing control, the world is cruel. I do blame Dire Crowley, however, for making me responsible for dealing with them."

"That sounds dangerous, for someone without magic."

"It was." You agreed, still looking towards him.

Not at him, but through him, as if you weren't registering how much you were saying. This made him all the more concerned, as he got up and walked over to you, sitting beside you.

"I was also responsible for whatever Dire Crowley wanted me to do. Feed the fireplaces over winter break, find out why our sports players are getting injured, stop that one student from taking over the student body, house these people for this inter-school competition, and on, and on." You listed, beginning to spiral. "I practically ran that school. Me! A magicless human who had no idea what they were doing or where they were or how to handle what was happening to me. He stuck me in a shack, filled with mildew, and mold, that was covered in dust, infested with ghosts, and falling apart at the seams with a fire-breathing cat. And he didn't even make me a student at first!" You looked at Lucifer, tears pricking your eyes. "I was a janitor! And when another student got myself, Grim, and another student in trouble, he was going to throw me out! Onto the streets with no understanding of the world, how it functions, or anything at all!"

Lucifer nodded, trying to get you to calm down silently, wanting to hear about your past, even though it was painful.

"And he'd threaten me, Lucifer! He'd threaten my housing, my food budget, and I had no means of income! I couldn't pay for myself in any regard, I was completely dependent on him! I was his little puppet. The puppet of the 'oh so gracious Dire Crowley'." You began to sob as emotions started to overcome you, them all spilling out as you finally let yourself feel safe enough to feel these emotions. "I was so scared! About what would happen to me, and my friends. I didn't know what the next day would bring."

He brought you into his chest, hugging you tightly, and allowing your tears to stain his red vest. He let you sob and weep as you finally allowed yourself to process the emotions you'd been keeping inside this whole time. He kept his breathing even, trying to get you to match it subconsciously, and he gently rocked you, trying to calm you down as best he could.

"I miss Grim!" You cried out, into his chest. "I miss him so much that it hurts. I feel so anxious without him around."

He didn't ask who Grim was, but he knew it was someone important. He'd ask you about it when you were calmer, for now, he'd just let you cry to your hearts content. It had been a long time since someone had come to him, and allowed him to see them crying, but he didn't mind it so much when it was you. He took pride in being someone you felt safe enough to cry around.

No more paperwork got done that night, but he didn't care. You were more important at that point in time, and Diavolo would understand, he assured you of this, when you tried to apologize for taking up his time and crying on him. He brought up that Diavolo would be more mad if he hadn't comforted you, which made you laugh. You were so tired from crying that not long after you calmed down, you drifted off in Lucifer's arms, on the couch in his office.

Mammon: 

You were hanging out in Mammon's room one night, trying to help him study. Mammon was a lot smarter than a lot of people gave him credit for, the main issue you were having was the effort in which he was putting in. Which was zero. He was much more interested in his video game than his homework, despite the fact that Lucifer had threatened to string him up from the ceiling should he not get a satisfactory grade.

It was almost nice, how familiar this felt. The arguing with him about studying gave you a nostalgic feeling, for when you would study with your First Year friend group, and you would try to pry Ace away from his video games. It was never effective, much like now, but the nostalgia made you keep trying to convince him.

Mammon himself didn't seem to notice the effect this was having on you, too focused on his video game. Not that you cared, better for him to remain oblivious that try to pry your secrets out of you.

You sighed, closing the textbooks that you had brought in, accepting the fate of his grade, and making a mental note to find a spot to at least try to hide him from Lucifer. You watched as he played the game for just a few more minutes before you crawled over, sitting beside him as he played, watching the screen.

"Why're ya so good at homework in the Devildom anyway?" He asked, in the blunt way he normally does.

"Diavolo adjusted my curriculum because I don't know much about the Devildom, so I get assignments that are easier." You admitted, leaning against him, your head resting on his shoulder. "I appreciate it, my last headmaster wasn't nearly so accommodating." You mumbled bitterly, thinking back on that incompetent headmaster.

"Really? How's that?" He asked, only half-paying attention, as he spam-clicked the button on the controller to his video game.

"Eh, don't think too much about it. Crowley was stupid, and though he claims he was gracious, he was really anything but. At least to me."

"What's 'at supposed to mean?" He asked before exclaiming nonsensical, frustrated sounds at his loss in the video game.

"I was basically his Barbatos, but I wasn't paid. Hell," You laughed mirthfully, "what money I was supposed to get was threatened, actually. More than once."

"Really?"

His attention was still diverted, and you noticed this. He was likely only wanting to hear your voice for background noise while he played, but you didn't mind so much. At least now you can say you told someone. Even if he wasn't listening.

"Yeah, Crowley threatened my food and housing budget more than once. And he'd push all his work onto me, even though I really shouldn't have had that much responsibility put on me. After all, I was someone without magic in a magic-teaching school, from another world. I didn't know anything." You shrugged lightly, trying not to move Mammon's arm too much, because your head was still resting on his shoulder. "I can't say I miss that part of it."

"What do ya miss then?" He asked, eyes still glued to the screen.

"My friends. I had a group of friends that were pretty tight-knit. Trauma bonded, more like it." You laughed. "And Grim. I miss Grim."

"Grim?"

"My cat."

"Ya sound like Satan."

"Grim was a special cat. He could use magic, and fly, and talk. You remind me of him sometimes." At that he finally paused the game to look at you.

"I, remind ya of... a cat?" He asked incredulously.

"Yeah." You smiled, laughing lightly. "He was sarcastic, and demanding, and greedy. He called me Henchman, you call me Human." He rolled his eyes. "But underneath your... bravado, is a very nice person, who cares a lot. Grim and I... we only had each other. So it just makes sense that we bonded. I miss him, a lot. He used to sleep in my bed, and he'd always be there with me. I've been having trouble sleeping without him. It just feels like there's something missing." You admitted in a soft and sad tone. He wrapped his arm around your shoulders.

"I'll be yer Grim 'til we can convince Diavolo or Barbatos, or maybe Solomon to get yer cat." He said quietly, rubbing your upper arm. "Ya can sleep in here whenever ya need, ok?" You nodded. "Wanna watch a movie?" You smiled at him, nodding once more, as he turned the TV to one of the bajillion streaming services the family all pay for, because they share, and arguing with you about the best movie to watch.

Leviathan:

Leviathan was out in public with you, having gone to an anime themed event at a cafe in the Devildom. He was so excited, that you just couldn't resist when he asked if you wanted to go with. It was nice to hear him rant and ramble about all the things that he was passionate about.

"There's a cat in the anime that waitress is from! And he's super cool!" Levi started. "He can fly, and talk, and use magic. He's also very stubborn, like a donkey. But he's a favorite in the fandom because of how cute he is."

"I know someone like that." You mumbled without thinking, your mind wandering to your feline friend.

"You do?!" He asked excitedly.

"Yeah." You smiled. "His name was Grim, and he used to live with me, back in the time before."

"Really? Tell me more!"

"He wasn't super smart, or very hard working. He used to call me Henchman, and demand cans of tuna. But when it came down to it, Grim was the one I could rely on the most. But, that might also be because we literally couldn't leave each other." You told him.

"You couldn't?"

"No. I don't have magic, and he did. I'm human, he was a cat. The headmaster of my last school decided to be 'oh so gracious'," you quoted, making air quotes around his catchphrase, "and make the two of us one singular student, allowing us to attend his magic school."

"That seems... dumb. To say the least."

"It was." You deadpanned, before the both of you laughed. "He was a bad headmaster. Towards the end of my stay there, I was practically headmaster, just because of how much work he pushed onto me because he could. But while I was at that school I made friends. And I had Grim. Even if the situation I was in was less than ideal." You smiled as the waitress delivered the food you ordered, with a bundle of silverware.

"Ah. I bet you'd prefer them to an otaku like me."

"Not true!" You defended, pointing your fork at Leviathan. "I like you plenty fine, Levi. You actually remind me a lot of my friend Idia. But," you laughed awkwardly, "at least you leave the house sometimes, and aren't afraid of confrontation. Or, at least, you're not afraid to confront some people. Like your brothers." You set your fork down, stopping your silent threat at Levi, that wasn't actually very threatening to him.

"He was an otaku too?"

"Yes indeed, and a master gamer to boot."

"Better than me?"

"It's hard to say." You shrugged. "The games you guys play are similar, but different. It's not a fair comparison." He seemed placated by this answer. "Your brothers remind me of a lot of my friends from there." You said vaguely.

"Do you miss them?"

"Yeah. They're my friends, of course I miss them. And it's not like I know if and when I'll be able to see them again." You explained gently. "I don't miss the work though. Diavolo was nice and assigned me a tutor and easier assignments until I get the hang of the normal work here. And no one makes me do any extra work, or threatens my food or housing. Well, Lucifer threatens punishments sometimes, but he would never threaten my food or housing, and I won't get punished as long as I do my best and behave." You rambled, smiling at how nice it was here, compared to it was in Twisted Wonderland. "Plus, I have all of you, and Diavolo, and Barbatos, and the other exchange students. I miss my friends from there, and I really wish that I had Grim here with me. But I am happy here." You beamed.

"Maybe if we ask Lucifer, he may know how to get your cat." Leviathan suggested, smiling lightly.

"I would love that. He acts like Mammon, but he feels like an emotional support cat. And, I bet Satan would seriously love having him here too."

"You know, we're all here. If you want to talk."

"I know." You glanced around. "What anime is that cosplay from?" You asked, gesturing at another waitress, changing the subject.

He glanced, and started beaming, immediately launching into a rant about the anime it's from, and the character themself. It was nice that he didn't question the change in subject. You'd tell Levi and the others all about what happened to you, and about what Twisted Wonderland was like. Eventually. Maybe.

Asmodeus:

Saying Asmo was flirty, was an understatement. Possibly the understatement of the century. And while he flirted and charmed nearly every being in existence, he did understand consent, and took every no at face value, stopping when asked. Of course, it's a rejection, so at the beginning you had to explain that no, you're not rejecting him as a person, you like him plenty fine as a person, you just don't always want to be flirted with.

He still did it, but when you asked him to stop he'd make a show of whining about it, but stopping nonetheless. It was annoying, but he did take your 'no' seriously, so in the end it was kind of worth it. Asmo was good for conversation, and he knew all the gossip, so he was nice to hang out with.

You had mentioned a handful of times that he reminded you of someone where you were from where you used to live. But all he ever said in response was that there was no one like him. Which is true, as no one else could truly embody Lust like Asmodeus does.

He was doing a skincare night with you, when you brought it up again.

"You know a lot about skincare already, it's quite impressive." He complimented.

"Yeah, had a friend who took it very seriously." You agreed.

"Is this the same friend that I remind you of?"

"Tis." You smiled, gently rubbing the moisturizer onto his face. "He was an interesting man."

"Interesting man? Interesting how?"

"He was insanely hard working, yet it seemed no one saw that." You started, taking a deep breath. "He was an actor, and social media influencer. And he was talented. Extremely talented. He worked hard to get where he was, but he had the means to get there."

"Anything else I should know about this person?"

"Well, he was good at potions. And like, just as good if not better than Satan and Solomon, good. He had the harshest study routine, but it was worth it. Never failed a potions class if he was tutoring me. He didn't have much time to do so, but I was always grateful when he did." You thought back on the memories fondly, smiling, as you stopped rubbing the moisturizer into his skin, and moving onto the next step. "His methods were.... intense, to say the least." Your smile became strained, remembering the VDC. "But, they got the results he wanted, so I guess he didn't see much issue with it."

"Intense in what way?" Asmo asked, noting your tenseness.

"I was appointed manager for a dance team, an interschool competition thing, you know how competitive people can get." You shook your head lightly. "They all came to live in my dorm because it was mostly empty. But, despite me being manager, he decided I needed to follow the same diet as everyone else. My friends said it was a 'we're all in this together' thing, but I thought he was just being unreasonable. I mean, come on, hexing my food? That's just wasteful. And he didn't even pay me back. I didn't get much money for food in general, because I was the magicless student, and there he went, just wasting what I had." You laughed mirthfully, remembering your anger at the situation, and your frustration.

"Well, in his defense, if he was just looking out for you."

"I would have no problems if that were the case, Azzy." You slightly chastised, but it was playful, and held no real bite. "I took your diet in stride, didn't I?" He nodded in acknowledgement. "I would've been fine with it, if that were the case. But he never paid me back for the food that he hexed, or replaced it. I didn't have much, so no one being able to eat those foods, it was wasteful. I mean, it's not like I got much money, if any, from the school for dorm food, like every other dorm."

"Why wouldn't you?"

"I was the magicless student. The errand person. The pushover. The unpaid therapist or headmaster. Depends on the day." You sighed. "The headmaster didn't want to have to rewrite the budget to factor in an extra dorm, when it only had two students in it, that really only amounted to one student."

"Wait, I thought you've mentioned before that you had a roommate."

"I lived with a fire-breathing, flying, talking cat named Grim, who could use magic, and several ghosts. I say technically one student, because the ghosts were faculty members, technically, but Grim had magic, and I didn't, but I was human and Grim was a cat. So, when I popped out of the woodwork, with no magic, no identification, no way to go home, and no clue about how this world worked, the headmaster was 'oh so gracious'," you mocked, "and put us both in a run down dorm, enrolled as a single student."

"Run down?"

"I mean Run Down. It was called Ramshackle, by other students, and it certainly lived up to it's name. The heater didn't work, I had to curl up with Grimm under every blanket I could find in that house. It was caked in mold and mildew, and dust, until Crowley cleaned it for the VDC. I injured myself more than once." You pointed to a scar on your forearm, where you'd hurt yourself in an attempt to fix up your dorm. "I am, honestly, very grateful, for the opportunity to stay here, in much better conditions. I do miss my friends, and I miss Grim." You admitted.

"Is that why you named that stuffed animal Grim? I thought you were just taking after Mammon in your greed."

"I miss Grim." You stated simply. "He was always with me. We were inseparable. We fought, we bickered, but at the end of the day, I knew if there was one thing, one being, I could rely on consistently, it was Grim. He was my ride-or-die. I named my stuffed animal after him, because I have a hard time sleeping without him. Even just, relaxing, can be hard. I miss him, and I don't know if he's ok. I genuinely, worry about him. And I miss him so much, that it's hard to fully put into words."

"I'm sorry." He offered, and you just smiled at him.

There was not much more Asmodeus could say. He couldn't provide you the comfort that you craved, as he was not your cat, nor could he get you your cat. So, he extended his sympathies, and access to his bed whenever you would like. For cuddles, or for more, he was always down for whatever.

He only hoped that his efforts to be there, and open for you, helped to heal you a little bit in the long run.

Satan:

Satan was nice to be around. He was curious, and he liked to know things and ask questions, so he did tend to pry into your past. But he was always good for book recommendations, and was always happy to discuss any book you wanted.

You found comfort in his fondness for cats, finding a kindred spirit in that regard. You didn't tell him about Grim, not wanting to get his hopes up about maybe meeting your beloved companion. He did notice your love of cats though, and had gotten you a giant cat plushie, as a gift.

You had named it Grim, and it lived on your bed. It was much quieter, and honestly, a bit boring compared to the real thing, but it was good for cuddling in the night when you couldn't sleep because you missed your furry friend. You were grateful that Satan had brought you just a bit of comfort in those moments, even if he didn't know it.

"I had a cat." You started one day when he started reading off cat facts enthusiastically after you had expressed the slightest bit of interest. "He was a rather interesting thing."

"Really? What was he like?" Satan liked to hear you talk about your past in general, but he was especially excited to hear about your cat.

"His name was Grim. And he was big, like 2 feet tall. He had a very distinct look about him. Grey fur, with a white chest," Satan nodded, listening intently, "bright, big, blue eyes. So round they almost looked scary sometimes. His ears, they had blue fire coming out of them, and his tail was shaped like a pitchfork. And he could use magic! He could breathe fire, and fly, effortlessly. He could talk too. Used to talk my ear off." You smiled fondly, happy to be able to talk about your favorite creature. "He'd call me Henchman, or Hench Human. He was a trouble maker. Mammon reminds me of him that way."

"Oh." Satan almost groaned.

"But much like Mammon, at the end of the day, push comes to shove, you can rely on him. That was one of the few things I knew for certain back then. Grim was the only one I could fully rely on. I had other friends, but Grim and I, we were inseparable. He was my best friend. He used to sleep in my bed with me, every night. I'm so used to it, it's honestly.... kind of hard to sleep without him." You admitted, laughing tiredly. "I miss Grim."

"Were you allowed pets, or familiars, at your last school?"

"No. No, I don't think we were." You answered after a moment of thought. "But Grim was a special case. He and I crashed the entrance ceremony. I wasn't supposed to be there, and got yoinked out of another world, but he was just straight up trespassing because he wanted so badly to go to that school, and become a great mage." You laughed at the memory. "He committed arson, I helped calm him down, and the rest is history. We weren't students, originally. We were janitors. The Headmaster only let us stay because I didn't have anywhere else to go, and I proved that Grim could be helpful."

"I thought you said you were a student?"

"I was. Half. I was half of a student." You smiled, taking a tired, yet fond, sigh. "I didn't have magic. But Grim did. So, Crowley determined that we would each be half of a student. He got us both into so much trouble, but he always helped me get out of it. I could always rely on Grim. Except in schoolwork," you admitted, laughing a little, "I was alone in that portion."

A million questions ran through his head, and you could tell the gears were turning. It was almost amusing, seeing him trying to decide on what topic to pick. Should he keep going about your cat? Pry about your headmaster? Ask about your clearly troubled past at this school?

He was quiet, but it wasn't tense, or awkward, just comfortable silence, as you patiently awaited his next question. You knew Satan would choose his words carefully, so as to not make you uncomfortable, so you had no fears. You really didn't want him to ask about Grim's homework habits though. Satan prioritized intelligence, and knowledge. You wanted him to have a good impression of Grim, since you thought the two would get along, despite Grim being similar to his older brother, Mammon.

It took him a few moments, you, peacefully sipping your favorite hot drink, as you waited patiently, reading your book, before he finally picked a topic.

"Was your headmaster, truly that bad?" He asked softly.

"His favorite trick to get me to do what he wanted, when I didn't want to, was to threaten me. My food budget, my housing budget, or even my security at the school. I had others I could rely on, should this happen. The other Housewardens tended to take pity on me when I would show up, practically begging for food, because Crowley wouldn't allow me to have any. They were good people. But I always made sure Grim had stuff to eat. I never let him suffer. He actually learned to share through this. But, a diet of tuna sandwiches, just isn't that good for your health. It was better than nothing though." You shrugged, not looking up from your book. You looked up, to see him looking at you, sadness painting his eyes. "I'm doing better now, Satan." You smiled.

"I don't want to pry, but I do have more questions." You took a deep breath.

"Can I answer them later?" You asked, to which he nodded.

"Take your time."

"Can you do me a favor?"

"Of course."

"Can you look through your books, to see if there's a spell, or an incantation, or a potion, or a ritual, that will help me get Grim? I'm worried about him, and, as you can see," you gestured to your eyebags, which Asmo had tried to hide using makeup, but it was late, so they were started to peek through, "being without him takes a toll. He's like my emotional support cat, you know? My sassy, lazy, loud, annoying, emotional support cat, that I love. And I miss."

"I'll see what I can do." He nodded. "No promises, but I'll look into it."

"That's all I ask." You smiled tiredly.

Beelzebub:

Beelzebub had eaten the majority of the fridge again, and it was your turn to make dinner. You sighed, as he looked at you guiltily. It was getting too close to when you absolutely needed to start cooking so you could serve dinner on time, so you couldn't go shopping for more. You just shook your head, and got to work taking everything out of the fridge and pantry, just to see what was left.

"I'm sorry." Beel offered. "I'll help you cook."

"I've done more with less." You said, not registering his offer, and looking over the ingredients that were left, as you had caught him before he could eat everything. "I just need some time."

"I didn't leave you much. I could go to the store, and get some more." He offered.

"Beel," You looked at him, smiling in amusement. "How much of what you get me would you eat on the way home?" He looked down guiltily once more. "I'm not mad," you assured, "really, I'm not. And I appreciate your offer of help. But I've got this." You smiled once more, before turning back to the ingredients, and picking up a few.

With what little you had, you'd started to make a large delicious meal. Beelzebub watched, in what could only be described as awe, as you stretched what you had into enough to feed the brothers, and something that tasted good. He still felt guilty about eating the majority of what you could've used to make dinner, but he was grateful you weren't mad, and he was curious as to how you knew how to make so little go so far.

After you served the brothers, you kept a little for yourself, and Beelzebub noticed. He noticed that you didn't take much, and when he tried to comment on it, you just winked at him, smiling. After dinner, he was designated for clean up, and you went into the kitchen to keep him company, as he had while you were cooking.

"How did you do that? There wasn't much left, but that was a good meal."

"My last school.... I didn't have much." You started vaguely. "My food budget was small, and often taken away, so I would take what little I was able to beg or barter for from the shop keeper, or the other Housewardens, or my friends, and I'd make it stretch. It helped that they often had some leftovers, especially Scarabia, with their feasts every week. And Jamil was a fabulous cook." You complimented, your mouth watering at the thought of his delicious and carefully prepared food. "But I digress. What I'd do is, I'd prepare meals in advance, as many as I could. I had to. Starvation sounded rather unpleasant, to me."

"It was that bad?"

"Not if I planned correctly." You smiled.

Beelzebub related to the feeling of hunger, and starvation. He was often brushed aside as always hungry because he's the Avatar of Gluttony. But the pain was always there, and it was hard to describe the pain aside from, hungry. You were always patient with him, even if he got grumpy because of his hunger, and now he was starting to see why.

If you understood the feeling of being hungry all the time, and starving to a painful point, it makes sense that you'd not get mad at him. It makes sense to him, that you'd be patient with him. He had always appreciated your patience and kindness, but he had never questioned it. Now he was starting to think he should've.

"Was it just you?"

"No. I had a cat with me. His name was Grim, and he was a lot like Mammon." You described cheerfully. "He mostly ate cans of tuna, which I could get for cheap at the school shop, they weren't super popular, and students tended to leave them at the shop after realizing they were the cheapest option of food I had." You laughed awkwardly. "It was a school of ruffians, and bullies, and people who hated me. But they had the decency to not want me to starve to death."

"You were hated?"

"By some. I wasn't popular, but I had my fair share of friends, don't worry." You assured. "I had the first years friend group, and the Housewardens, and the vice-housewardens and honorary vicehousewardens. Even a lot of the teachers liked me. And even if they didn't, I still had Grim. He was my best friend."

"Was?"

"He's still there, so he still is. We're just not together right now. It's like... it's like a part of me is missing, because he's my best friend." You tried. "And he's still there, but I can't see him, and I can't talk to him. I miss him, a lot. I think you'd like him." You smiled. "He used to sleep on my bed, every night. And he'd complain, and whine, and get both of us into trouble, but he was loyal to a fault, and he was always there when I needed him."

"Was your old headmaster that bad?"

"Oh yeah." You nodded enthusiastically. "He went on vacation so often, and it was more like I was the headmaster towards the end of my time there. What with the amount of paperwork and such I was handling in his stead. On top of schoolwork! And he put me in an old decrepit house, with a fire breathing cat. Granted, I asked for the cat to remain with me, but still. I'm sure he could've found somewhere else to put me."

"That sounds awful."

"It could be. But hey, think of it this way, now I'm prepared if you do this again." You teased. He nodded. "Don't feel too bad, Beel. You didn't even know I existed, you couldn't have done anything."

"I wish you would've told us."

"It's not easy to talk about." You admitted. "It's not like... I had the best experience with a lot of people there. I mean, Overblots, burnout, hunger, on top of basically being an unpaid therapist, an unpaid headmaster, and a full-time student? I was busy, and not every experience is a pleasant one. But it's a part of my life, and I wouldn't change it for anything. Because it was my experience." You explained. He nodded in understanding. "I think you'd like the people I met before. So many good cooks. And Lilia, who is on par with Solomon." You shuddered. "But there was also so many athletics clubs. I bet you'd really like Spelldrive." You smiled.

"Spelldrive?"

"Yeah!"

As you launched into an in-depth explanation of the sport, at least as you understood it, he simply watched. He was glad you'd opened up to him, and to hear that you weren't always alone. He would probably ask Satan if he could find anything about getting your cat for you. But for now, he was just happy to see you being comfortable enough to talk about your past.

Belphegor:

Belphegor liked to visit your dreams whenever you'd let him. They were always so interesting. They almost matched you, in that regard. As you were so strange in his eyes. He was very lucky, able to explore your good dreams. Dreams that told of friends, and adventure. Light hardship, sure, but mostly wonder. And happiness. Along with a cat that seemed to pop up in every dream. He didn't know that he only saw this because he didn't always tune into your dreams. Not every dream is a happy one.

It was one day, when you happened to be taking a nap in his general vicinity, that he drifted off, and entered your dream. He prepared himself for the bright light of the outside of Night Raven College, and for the happy smiling faces, or the sound of laughter, as he usually saw when he joined your in your dreams. What he wasn't expecting, was the fire. The screaming, the fear. He was prepared to watch on happily as you got to see your friends, the people you consider family, in your dreams, but instead, he only saw your terror.

He couldn't look away as you looked on in terror as eight towering figures, covering in black ink, with massive ink monsters behind them cornered you. He recognized some of these faces, they were those of your friends. They were friends, friends who would drive you to work harder, and do better, but would always be there to help in any way they could, if they could, when you asked.

But there was one face he was shocked to see, moreso than the friends. It was your cat. Your cat that had been changed into a hulking, massive beast, and it looked more wild than he had ever seen. It wasn't talking anymore, none of those smart ass comments he'd overhear, it was growling at you, roaring at you. It had never done that before.

Belphegor, unable to stand by as you feared for your life, even in a dream, quickly made his way to in front of you, his back to you.

"You need to wake up."

You heard him, but his voice was muddled in your panic, it sounded like he was under water. You looked at him in confusion.

"What?"

"Wake! UP!" He commanded.

You shot up, gasping for air, as you woke up. Belphegor followed not long after, making his way over, and sitting beside you, as you began to calm down from such a panic-inducing dream. He sat beside you until your breathing was under control, and you weren't shaking as much anymore.

You leaned onto him, your head resting on his shoulder, and feeling embarrassed. It wasn't often that you had these nightmares, but they were always intense and unpleasant when you did. You didn't think he knew, he'd never visited those dreams. It's not as though you were actively hiding it, you'd told him that you'd had nightmares before, but you were ashamed that he had seen them firsthand.

You both just sat in silence for several moments, before he spoke first.

"Do you want to talk about it?" He asked, softly.

"They don't know about the nightmares. I mean, my closer friends do, but those who the nightmares are about, don't. They don't need that."

"Why are they in your nightmares? And why did they look like that?"

"They lost control of their emotions, and their magic overwhelmed them. They weren't in control, when they looked like that. That was their anger, and sadness, their pain, that was in control of them, with their magic creating the ink monsters behind them." You explained, quietly. "I don't blame them, no one can be expected to hold it together for so long, but that doesn't make it any less unpleasant."

"And your cat?"

"I don't know why I have nightmares about him like that." You admitted. "I think it's because I miss him, and I'm scared of what will happen to him without me there."

"How long have you had these nightmares?"

"They started after the first Overblot, that's what they're called," you explained simply, "but they only got worse as more Overblots happened."

"Was there no one you could go to?" You shook your head.

"I couldn't go to Crowley, he was useless," you laughed humorlessly, "the teachers were nice, but they couldn't do anything. I told my friends, and they tried their best, but nothing ever really helped. Grim used to sleep on my bed with me, and that would chase the nightmares away pretty well, but," you trailed off.

"You don't have him with you now, so the nightmares are back with a vengeance?" You nodded, smiling a little at his wording. He wrapped an arm around you. "Do you miss him?"

"I do."

He knew you did, he knew that was a redundant question. But he wanted to hear it from you, as a sort of confirmation. He felt bad that you missed your cat, and he wished he could do something about it, but he knew he couldn't. So you two just sat in silence, comforted by the warmth of the room, and the calm atmosphere around the two of you.

He had always wondered why, or even how, you'd taken his actions in stride. How you'd forgiven him so easily. He knew now, that it was just in your nature after having gone through so much at your last school. He decided in that moment that he'd make an effort to be the person to hold a grudge on your behalf, to let people know that you may have forgiven them, but he certainly hasn't, and he hasn't forgotten what they've done to you. He didn't voice this, but he knew that you knew how he felt.

But for now, you two just sat there, comfortable, and warm. He wanted to apologize, and say he'd do everything in his power to get you your cat, but he didn't want to say that without a guarantee that he could do it. So there you sat, close, and comfortable.

"I'll chase your nightmares away." He offered, just barely a whisper, yet because of your proximity, you heard it.

"Thanks Belphie." You smiled tiredly, happy to hear that he would protect your dreams.

You drifted off not long after, Belphie following close behind. But he kept his word, and your nightmares didn't plague you after that, whenever Belphie could help it.

[mekakitsune]

"you don't want me here? then why does your body say other wise?" jinx x fem piltover!reader - nsfw - minors dni

(requested by anon)

for as long as you can remember, your family did everything in their power to keep you from venturing into the undercity. topside was where you belonged, no doubts about it. you were polite, kindhearted and far too soft for that kind of lifestyle– or so you thought.

it wasnt until you met her, that your views changed. she showed you so much, taught things you never had the chance to know, all while being so incredibly...human?

did jinx use your piltover status against you? absolutely. when you first met, you could tell she hated you, just by seeing how you presented yourself. she made it her own personal mission to get as far under your skin as she possibly could.

"you really shouldn't be here jinx, my parents are sleeping downstairs..." you mutter as she pressed kisses along your neck, making sure she left bruises as she went. she ignored your plea, hands roaming under your shirt, making you shiver.

"then i guess you'll have to be quiet then, yeah?" she smiled deviously, hands tracing the underside of your breasts.

"jinx...im serious" you whined, voice low and slightly trembling. your parents would have both of your heads on a spike if they knew what was happening right now.

she slides herself off your hips and moves to dip her fingers into your pants, making you suck in a harsh breath of air. she smirks as her fingers trace over your underwear, relishing in the way you react to her touch.

"youre cute yknow? so sensitive..." she whispers, circling her finger around your clit through the fabric. you moan lowly, hips shifting as a silent plea for more, despite your better judgment. she seems to get the hint, and moves to slide your pants and underwear down– her eyes fixated on your now soaking cunt. feeling rather exposed, you attempt to close your legs, but shes inbetween them, and her hands grip the soft flesh as soon as she feels you hesitate.

"s'funny baby...you don't want me here? then why does your body say otherwise?"

she smirks as she runs her finger through your folds, bottom lip slipping between her teeth as she feels you soak her fingers. "practically dripping f'me" she purrs.

you whine as her fingers find your clit again, rubbing precisely where she knew would make you cry out.

"jinx.." you sigh, looking at her face to see a sinister smirk. she locks her eyes onto yours as she lowers her hand, easily slipping two fingers into you. you moan out, and before you can curse yourself her hand slaps over your mouth.

"shhh, youll wake em up, doll." she giggles, almost as if she didnt have her fingers deep inside of you. you whine against her hand as she thrusts her fingers in and out, curling them into that spot that makes your brain fuzzy. she can feel you getting close, with the way your practically dripping into her palm, and she decided she needed to make you cum, right here, right now.

her thrusts continue, the slick sound making your cheeks heat up as she works you closer to the edge. her chest is heaving softly, the sight of your like this always worked her up, not that she'd ever admit it.

"you close?" she whispers again, hand still over your mouth. you nod desperately, your sounds muffled by her palm. she picks up her pace, practically slamming her fingers into as you writhe beneath her. she groans quietly as she feels you tighten around her fingers like a vice grip, body stilling as you cum, hard.

she lets you ride it out, not stopping until your whine against her palm once more and your thighs are shaking. she removes her hand from your mouth and slams her lips onto yours, biting at your lower lip. your hands find her hips, and without warning, you flip her over so you are hovering over her form. her eyes widen at the sudden movement, a smirk growing on her lips.

"i think its only fair i get you back for that, yeah?" you lean down, face close to hers and you swear you feel her breath hitch in her lungs.

it was only fair, after all, she wanted you to cum? now its her turn.

"keep quiet, or i'll stop" you smirk as your fingers find the waist of her pants.

thank u for the req anon! more to come & feel free to leave me a prompt ;)

[askshivanulegacy]

Yeah, seriously.

The thing that I've never understood is how no one on either side who talks about America seems capable of understanding what America IS.

The people who glorify it don't understand it. The people who whine and cry and hate on it don't understand it.

America is an idea. It's the idea of a place where you can live without persecution. It's the idea of America that we should be working toward. That's literally why we exist.

And like every other country ever on the planet, it has a bloody and violent past. And the past has great and inspiring stories on every side. And every figure on every side was a real human being with flaws and contradictions. They were good and they were bad, and they had complex reasons for doing things. History is all of it. History is fascinating. It's great stories! It's Remember the Alamo and all the great things the founding fathers did. And it's also that they fought for the wrong thing, and they owned slaves and never freed them.

You all love flawed characters and tragic stories and watching trainwrecks happen in your media. We all just watched terrible person, murderer, and war criminal Jinx in Arcane and people cheered for her. It was a great story! And also she was a selfish little bastard who murdered people for no reason and other characters rightfully wanted her dead. Well, that's what history is.

We all have the capacity to enjoy stories - and history as stories - and also to analyze the flaws and context and situations behind them. You can find the Alamo an inspiring moment in time because any life and death struggle can be. And you can also criticize it. Both can be true because people are capable of holding opposing concepts in their minds at the same time.

History isn't either/or, it's all of the above is true. And it's water under the bridge.

I think if more people understood that, they'd be able to celebrate historic moments without taking things personally when people decide they don't want to repeat that moment. And they'd also be able to recognize that you can't condemn for history either - it's over and now you take what you have and move it forward.

What I struggle with, as a public historian and a US American leftist, is how right wing US Americans can say they love history and call themselves “history buffs,” but get so righteously indignant when it is suggested that we can learn from history, and that it is normal and healthy to discuss the flaws and dark sides of various historical figures.

It’s like a wall which I, speaking as a public historian, wish I knew how to dismantle. Like when someone’s all REMEMBER THE ALAMO, I think the natural response is something along the lines of “certainly, but it’s important remember that one of the things the revolutionaries were fighting for was the freedom to continue their enslavement of other human beings.”

For me, that’s not a political statement. It’s a commitment to view historical events and figures for what they were in all their good and their bad and their complexity. But you say that to someone with right wing US American politics, and it’s like you spat on their mother and pooped on the flag.

I do make political posts here as an angry, frustrated progressive citizen of the USA who is also a historian. But right now, I’m posting as a historian, who happens to be a left wing US American. I don’t want to talk shit, I want to figure out how to fix it.

But then, knowing what I do of MAGA Americans, I don’t think there is a fixing it? Unambiguously valorizing the American past in order to maintain the illusion that this country was at some point Great is kind of their whole Thing.

Idk. Just some stray thoughts.

[astrofhobia]

Kat, Earth's voice actor.

So, recently Davis spoke out on a situation that came up in The Lunar and Earth Show fandom.

From what I understand, Kat, Earth's voice actor, is receiving a lot of hate, not only against her characters, but also against her for one of the most recent videos.

I never give my opinion so publicly but I think it would be good to show support for Kat.

It's stupid. All those people who come here to talk nonsense about Earth stepping out of her role of being the good and positive one are very stupid.

All or most of the cast have been through morally negative situations. Moon has abused his own brother for many years, and continues to do so. And it seems like the fandom is constantly covering its eyes to ignore this. But hey, Earth can't deny someone a hug because she becomes the mean girl and the worst character ever. Can you see how stupid this argument sounds?

Maybe, I understand that when the character was introduced it got negative reviews. Literally, they never worked with anyone other than Davis or Reed and introducing a new VA was to take you out of your zone. But, continuing to look at Kat in a bad way is the behavior of a child.

You can't expect an amazing story either, guys, specifically this group of people who are attacking Earth so much, you're not paying for a video service. You're not spending a single cent. As far as I know, Davis, Reed and Kat have spent money to maintain quality content day after day. The show has been updated every weekday for over two years.

Kat has done her best to adapt to the audience's tastes, not the other way around. She has done her best not to be an empty character. But the people who attack her don't even bother to see how their characters have evolved positively. Earth has such an empty story because the audience doesn't even pay attention to it.

You can't expect to have an amazing, original story if every time Kat holds the mic you look away. It's stupid.

Kat has been a great support for the story of like three different shows. I think these people who just want to hate something don't realize how boring the show would be without an intervention.

It's a disgusting thought to hate a fictional character just because she's a woman. And it's repulsive to hate a VA for being female. Are you stupid? Because that's the first thing I think if your main argument is "She's a woman, we don't need that"

I'm not a fan of any of the three VAs. I don't like them personally, but I'm going to defend them, especially Kat if they get any hate for this.

You can't put Bloodmoon, who tortured, manipulated, and murdered so many people, on a pedestal and throw trash and hate at Earth just for existing. It's stupid.

I understand if Kat has distanced herself from the fandom and doesn't want to have contact with the audience directly. Just because you are a public figure doesn't mean you have to swallow all the hate and keep smiling. Kat is not just a source of entertainment. She is a human being, who has emotions, thoughts and a limit.

If you have crossed her line, the only thing you can do is step back and leave her alone. No one would like to receive immense amounts of hate because their character is not to everyone's taste.

If you are part of this group of horrible people, I ask you to please leave. I don't want those people here.

[sunkissedchld]

𝐏𝐈𝐂𝐊 𝐀 𝐂𝐀𝐑𝐃

𝒘𝒉𝒚 𝒊𝒕'𝒔 𝒉𝒂𝒓𝒅 𝒇𝒐𝒓 𝒚𝒐𝒖 𝒕𝒐 𝒄𝒐𝒏𝒏𝒆𝒄𝒕 𝒘𝒊𝒕𝒉 𝒐𝒕𝒉𝒆𝒓𝒔

take your time to use your intuition to choose the pile that will best resonate with you. lastly, please don't be afraid to say if the message resonated or not; it helps me in determining if my interpretations are correct or not, and i appreciate any sort of feedback - even if it's "bad".

good luck to you, reader ✨

𝐏𝐈𝐋𝐄 𝐈

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“Telepathy” by BTS “Not My Nigga” by KenTheMan “Sparks Will Fly” by J. Cole (feat. Jhene Aiko)

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

The Wheel of Fortune ⤸, Seven of Coins ⤸, Page of Wands, Six of Coins, Justice ⤸, Queen of Coins, King of Coins ⤸, Queen of Cups

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those connected to pile one could find it hard to connect with others because it could feel as if no matter how hard you try you always end up being “let down”. You might be described as what’s called a “late bloomer” when it comes to things related to socialization. Some of you may have experienced literal delays in development in that you may have had a speech impediment or been nonverbal for a length of time, but clothes of you - the vast majority of you - may have just felt like you were delayed when it came to figuring out how to make friends or how to start dating. You might’ve tried your hardest to do so the way you knew how, but it’s like somehow for some reason nothing ever took off, and you never felt like you had the type of relationships “depicted in the movies”. 

There’s a strong need to acknowledge that those connected to this pile did (and do) try their hardest when it comes to trying to form connections. You had a period of time (or you may still be in that time) where your mindset was to try to be as excited about making friends and forming relationships as possible. You might’ve gone into things with an open heart ready to show everyone how good of a friend you can be and how willing you are to discuss things with people and to give of yourself not only emotionally but also materially for some of you, but in being so excited (and in some instances blindly naïve) it’s like only wolves saw your want for friendship and, in turn, took advantage of that excitement only to leave you feeling worse off than you did before. 

It’s hard for you to connect with others because prior experiences have left you feeling as if everytime you even try to develop them it just ends with you being burned in the end. There’s a call for you to “keep going” and to “keep trying” even if it feels futile right now, but there’s also a call to analyze the people coming to you for friendship before accepting it. Continue approaching friendships with that excitement and want to help others as they help you, but maybe focus more on the emotional side of things as opposed to the material or even the visual. “Movies aren’t all what they’re cracked up to be” comes to mind. There’s a call to not over invest in others at the expense of yourself or in hopes of drawing people to you but to instead allow your own light and personality to shine as a way to bring true friends in. Cher Lloyd’s “Love Me for Me” comes to mind, so it could be important to listen to. 

Overall, there’s a call for you to transition from being the Queen of Coins to being the Queen of Cups. You can’t heal and invest into everyone and bring about true friendships and relationships trying to appeal to people’s senses and material drive; you have to appeal emotionally by showing who you are as a person even without “all the things money could buy”. There’s a call for you to remain open to reaching out and trying to approach people to create connections and to not fall for cutting yourself off because “there’s no point anyways” because there is a point – to allow yourself to have these emotional connections to others to improve (and prove) a part of your humanity. Humans are social creatures, and you deserve to have that pull for social interaction fulfilled.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

11:11, “blowing bubble gum hearts”, heart shaped lollipops, glass tuning fork, the little mermaid, ring boxes, frilly pink and purple jewelry boxes, clams/oysters, tiffany blue, radishes, “glass half full”

𝐏𝐈𝐋𝐄 𝐈𝐈

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“Pretty Girl Rock” by Keri Hilson “Nightmares” by The Boyz “Harder to Breathe” by Maroon 5

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

Ten of Swords, King of Swords, Knight of Coins, Two of Coins, Seven of Swords, Four of Cups, The Sun, The Tower

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those of pile two may have recently cut off a group of friends or “people” and could be feeling hurt by it. It could be that you knew it was for the right reasons, but “that didn’t make it any less hard to do”. The idea of a “beautiful tragedy” comes to mind when it comes to how you connect with others; some of you could be prone to “trauma bonding” where you end up in relationships with those who abuse you or treat you terribly. The idea that you “know better” or “know that [you] deserve better” also comes to mind, but it could feel as if you just keep slipping into these kinds of connections. You could be currently trying to figure out how to keep this cycle from continuing. You could be prone to getting into “nightmarish” relationships with people. You could find it hard to connect with people because of these past experiences. 

Those in this pile could currently be transitioning to a mindset where you believe it’s easier to stay away from connection (specifically friend groups) because every time you just end up “losing [your] mind” or “[your] sanity”. You could be trying to be more rational or attach to people who are similar in education and ways of thinking instead of connecting to people emotionally. With that, it doesn’t seem that you’re keeping away form connections completely, but you’re approaching them slowly and with caution and as a result your issue could actually be that you find it hard to figure out how to “feel safe enough” to move forward in connections past just thinking alike or thinking the connection makes sense to form. It could also be that you’re trying to figure out how to prioritize yourself in connections because you’re realizing you can’t keep hurting yourself or “setting yourself on fire” in an attempt to help others. 

Ultimately, this pile struggles with having connections with people as a result of always being the “butt of the joke” or being the target of bullying and other forms of abuse. You may have been lied to and told that you’re “boring” or “uninteresting”; some of you could’ve been in a Mean Girls or Heathers type friend group where you were always left out or planned against. With The Sun’s presence it’s important to note that you’re none of the things people told you that you were; you’re not boring or uninteresting or “too quiet” or anything like that. You are worthy of having connections just like everyone else wants, and the advice for this pile seems to be to not close yourself off as a result of bad experiences, but instead to strategize on how to approach them differently in a way that still keeps you feeling safe and protected. 

I said earlier that those who chose this pile may still be trying to form new connections, but they’re focusing more on intellectual things they have in common with others as opposed to emotional ways they connect. There’s advice to slowly but surely open up emotionally in your attempt to form new connections. “Show who you really are” and “This Is Me” from Camp Rock comes to mind. The first step in having better relationships comes from the realization you’ve had recently and the walk away from former bad groups; “it can only go up from here”. You very likely are on the right path in your new approach. It's just that “little modifications” are needed, so you can express your true self “in all its glory” and not just intellectually.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

the number 3 and 5, coconut bras, broccoli, carrots, heart shaped ring boxes, donald/daffy/daisy duck, win, when, wen, hourglasses, butterflies, rainbows

𝐏𝐈𝐋𝐄 𝐈𝐈𝐈

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“The Way You Make Me Feel” by Michael Jackson “Big Girl (You Are Beautiful)” by Mika  “Finesse (Remix)” by Bruno Mars (feat. Cardi B)

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

Queen of Swords, The Lovers, Nine of Coins, Ten of Cups, Ten of Coins ⤸, The Star, Page of Cups, Knight of Cups, The Magician

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those of pile three could be an outspoken bunch; at the very least, you are someone who stands on your own principles even if you stand alone. You could be seen as someone who is comfortable being alone or standing out solo although this doesn’t mean you have no friends at all. Queen of Swords in the deck being used is represented by Circe, the Greek goddess of illusion and necromancy, who is especially known for her tendency to turn men with bad intentions into swine. With this in mind, pile three may specifically be asking why they find it hard to connect with men - romantically and/or platonically. You could feel as if you get along with women just fine, but when it comes to men it’s like you know nothing or have no experience or you never find well intentioned men; the latter explanation is what will be most likely for most choosing this pile, and for those who have issues with developing connections with women also it could be that the attention you receive from men makes women view you a certain way that leaves them feeling “weary”. 

Although you may want to develop deep connections with people it could be that people see you as “too” high maintenance - even if you may not actually be. It could also be that people see you as someone who is on a pedestal, and as a result they get way more caught up in the idea of being in a relationship with you as opposed to actually caring about you as a person – as a human being. People could feel as if you’ve “got it made” and even believe you already have a hearty amount of people you’re friends with, so they could stay away as a result of self-doubting beliefs of “they already have a lot going on and they probably have a ton of friends, so why would they want to be friends with me?”. People could feel as if you’d be the type of person to flake on others easily because of how busy and “on your own” you are. It mainly seems to be that people’s assumptions of how you are cloud their want to actually approach you to see who you really are. 

With The Star’s presence, those of you who chose this pile are encouraged to stay hopeful when it comes to the idea of you developing relationships with others. Traditionally, The Star depicts a woman who is half in a body of water and half on land; she is shown to be nourishing the ground with the water, and you could be encouraged to be doing the same but instead of land it’s people. You could be called to make the first move when it comes to trying to develop connections. This may sound scary, but the quotes “you miss every shot you don’t take” and “the worst they can say is no” comes to mind. It is also the case that the more often you practice approaching people and talking to them, then the more confident you will become, and eventually you will develop the connections you have been looking for. Ultimately, this pile is being encouraged to take the steps to initiate the connections you want to have with others. “Stop waiting on others”.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

333, hair in a high ponytail, the colors black, blue, pink, and green, ballet, black swan, white tutus, black pointe shoes, silver glitter, aphrodite, circe, gold, shells, swine/pigs, wicked

𝐏𝐈𝐋𝐄 𝐈𝐕

𝐒𝐡𝐮𝐟𝐟𝐥𝐞𝐦𝐚𝐧𝐜𝐲 ⟢

“Top Down” by Leikeli47 “Cabinet Battle 3 (Demo)” from the Hamilton Mixtape “Stole the Show” by Kygo (feat. Parson James)

𝐂𝐚𝐫𝐝𝐬 ⟢⟢

Page of Coins ⤸, Six of Swords, Two of Wands, Nine of Swords, Six of Wands, Eight of Coins ⤸, Judgment, Ace of Coins, Ten of Coins, Two of Swords, The Devil, Eight of Cups

𝐑𝐞𝐚𝐝𝐢𝐧𝐠 ⟢⟢

Those who chose this pile may feel unmotivated when it comes to figuring out how to create new connections and maintain old ones. You could have a tendency to just let friendships and other types of relationships just “fizzle out”. You may have someone you text with everyday, and then one week you miss a day; the next week you miss two days, and before the end of the month you haven’t replied to them at all and, therefore, you just don’t talk to that person anymore. When it comes to connections you could operate as the type of person who expects everyone else to reach out to you, but you rarely reach out to others. You could have a mindset of “if people care about me, then they’ll reach out, but if they don’t, then that’s fine too”. Although this mindset may work for you sometimes, it could also unconsciously aid in making you isolated. With Six of Swords and Two of Wands, you could also be someone who is always “on the run” or “on the go”; you could have a lot of things going on in your personal life that prevent you from putting effort into connections the way others expect or want you to. 

There’s a feeling that your prioritizations may be a little “out of whack” or “out of balance”. At this current moment in time you could be hyper focused on receiving recognition in some way. It’s like you want and crave to be seen and noticed; you want to receive a lot of accolades and awards, and you want to feel materially abundant – personally and in the eyes of others, but it’s like the way you’re executing wanting these things is “falling flat” or short of what you envision (or even what you could achieve). For example, you could be working multiple types of jobs; you go to school in the morning, and then you have an internship directly after in the afternoons, but you also have a retail job on the weekends, and you have an online side hustle. Technically, you’re in a lot of areas, and you may be working hard, but your solo focus on work and attention actually hinders you from being able to produce great work and making true connections. It’s like the idea of “having too many eggs in too many baskets”. Of course, a wide array of choices is needed, but you have too much to choose from that you can’t put your best work forward in any of them. There’s a call to think about gaining these things you want in a way that includes longevity; “you can’t only think of the present”. 

Advice for this pile would include cutting down on some of your obligations if possible, or at the very least finding a more sustainable way to do everything. Working to the point you have no time for yourself or others obviously can not create an environment where you’re able to have better connections with others. There’s a need to put in the same amount of effort you have for work and related opportunities into creating and maintaining connections. You have to figure out how to not pick up someone else’s shift at the expense of missing out on another outing with friends or how to ask for help on a project which would cut down the time you need to spend on it, so you can make time to go to a social outing instead of trying to do the whole project solo and becoming a type of hermit. Additionally, there’s a call to reach out to those you already have connections with more than you do right now. Connections are a two-way street, and “the phone works both ways” comes through. Overall, there’s a need to restructure your priorities if you want to have better connections with people.

𝐒𝐢𝐠𝐧𝐬 𝐟𝐨𝐫 𝐂𝐨𝐧𝐟𝐢𝐫𝐦𝐚𝐭𝐢𝐨𝐧 ⟢

666, (get) out, witch’s hat, witch’s brew, wicked, summer bag(s), striped bags, honey, baklava, sail, the bahamas, yellow and turquoise flags, money, triangles, overworking

[judesmoonbeauty]

𝕁𝕦𝕕𝕖 𝕁𝕒𝕫𝕫𝕒'𝕤 𝕄𝕒𝕚𝕟 𝕊𝕥𝕠𝕣𝕪: ℂ𝕙𝕒𝕡𝕥𝕖𝕣 𝟙

This is a fan translation only. Please expect grammatical errors and translation inaccuracies. This is a full translation. Creative liberties are taken for characterization and smoother translation process. Cybird owns everything. Re-blogs are appreciated, but please do not post my translation elsewhere. Thank you for your support! ☾.

— Would people say it’s foolish to chase a promise that won’t come true?

Poorly Dressed Man: Jude Jazza! It’s all - it’s all your fault!

Jude: I ain’t the one who broke the contract.

Jude: If ya wanna file a lawsuit yer sure to lose, ‘n starve to death, then be my guest.

Poorly Dressed Man: You demon! Die!

Jude: Ellis.

Ellis: Yep.

Poorly Dressed Man: Gah!

— Would people call following a twisted sense of justice evil?

Jude: …Ha. The full moon’s annoyin’.

The person with amethyst eyes listlessly lit a cigarette.

The white smoke that rose in the pitch black darkness turned the glittering moon grey.

Ellis: Jude, it’s done.

Jude: Fine. Then let’s get outta here ‘fore things get messy.

A week has passed since I’ve become fairytale keeper.

Guests from Germany called Vogel have arrived, and I’ve been accompanying the others on dangerous missions,

In these hectic days, there are many things that bother me.

However, the thing that bothers me the most is —

Kate: Jude, please take me with you on the mission today!

Jude: Ha. Make an appointment. Business hours are over, so scram.

He looked very unhappy while he glared at me disdainfully.

(But…I can’t back down here.)

Kate: For the past week, I’ve accompanied everyone on missions as fairytale keeper.

Kate: Only you and Ellis are the ones left.

Jude: Don’t care ‘bout yer problems.

Kate: Ughh….

Ellis: Is it okay if I go with Kate?

Ellis kindly soothed my heart that was gouged out by Jude.

However -

Jude: Y'shuddup.

(Haaa, it’s hopeless. What should I do….)

(If I can’t do it by asking directly, then I can follow them without permission, or ask for help…)

The moment I was lost in thought —

Victor: Today, I see Jude is walking about as the human form of cruelty and ruthlessness as well.

The “help” I wished for arrived with beautiful long hair, and in a cheerful mood.

Victor: Don’t be so cold, and take care of Kate.

Victor: The fairytale keeper is an honorable position that Her Majesty recognizes.

Jude: I don’t understand what yer sayin’, ‘n I don’t like it.

Jude: What’s that woman thinkin’, lettin’ ya abuse her power ‘n capture a commoner.

(…..Commoner.)

Jude: Tch….revoltin’.

Jude: Let’s go, Ellis.

Ellis: Sorry, Kate. See you later.

Kate: Yeah….

I gave a small wave to Ellis who looked back with concern as he left.

(I’ve had quite a few bad experiences in my life.)

But this was the first time I’ve been met with such intense hatred for no reason.

To be honest…it’s not a good feeling.

He’s really a “jerk” with a rotten attitude —that was my first impression of him.

But I soon realized as I lived at Crown Castle, that he was like that with everyone.

[Shows different scenes of Jude's attitude.]

Jude: All Crown members on a urgent mission ordered by that Queenie?

Jude: Don’t need my help. Do whatever ya want.

Jude: Get together with Vogel? Ain’t nothin’ in it for me.

Jude: I ain’t goin’ to that thing.

Jude: Fairytale keeper? Thought ya scampered back home already. Dunno though.

[Examples scenes end]

Kate: Jude Jazza’s report…..

Victor: You’ve brought the weekly report, thank you.

Victor: Jude Jazza. He is very arrogant, ruthless, and intolerable……

Just as he was speaking, I snatched the report back from him.

Kate: There’s no way I can present a report full of insults to her Majesty!

…A few days later.

Harrison: Yeah, I got it from Victor.

In the note Harrison gave me —

The Pub near St. James’s Park, 10:00 p.m.

(This is!)

Harrison: Tonight Jude and Ellis are on a mission to bust a gang selling illegal drugs.

Apparently Victor couldn’t just watch things silently, and arranged for me to join the two on their mission.

Kate: Thanks for the note, Harrison.

(The pub, tonight at 10…that means)

When I looked at the clock, there was only an hour left.

Kate: I’ve got to hurry! I’m off.

Harrison: Ah, oi…..Roger’ll go with you, so meet up with him!

Harrison: ….I don’t think that guy’s going to be easy to deal with.

Just before I ran out of the room, I heard Harrison’s murmuring….Perhaps, he was predicting what would happen tonight.

When I arrived at the location precisely on time — the entire mission had been completed.

(Maybe….no, not maybe)

Roger: Hahaha, Jude took you for a ride didn’t lil’ lady?

Kate: ……

His cheerful and merciless voice, unlike Jude’s pierced my heart.

Ellis: Oh, Kate. And Roger too.

(Since Ellis returned to the pub, does that mean Jude’s returned too?)

I leaned forward a bit to see if Jude was there.

(Hm…he’s not here?)

Kate: Ellis, where’s Jude?

Ellis: Smoking probably.

I went to the back of the pub, and found Jude sitting on the stairs smoking.

Kate: …You lied and gave the wrong time.

Jude: Can ya stop makin’ false accusations?

Kate: False accusations?

Jude: Didn’t say it would “start” at 10:00 p.m. It’s yer fault for not confirmin’ ‘forehand.

[All options are +4/+4] - “Option 1: It was my mistake.”

Kate: That’s….definitely my mistake for not confirming.

I was the who assumed the time written on the note was the start time.

Jude: Hmm, so ya got ‘nough brains to honestly fess up when yer wrong. That’s great.

(What Jude is saying is probably right….But..)

Kate: Why would you intentionally do something that would make someone hate you?

Jude: Is there somethin’ to gain by bein’ liked by ya?

White smoke flows from his cruel smile.

Kate: So it’s okay to be hated by others so long as there’s no benefit for you?

Jude: Are ya a fool who wants to be liked by everyone?

Kate: But, there’s nothing wrong with being like, is there?

Jude: Sickenin’. I hate it when people say - “Let’s all be friendly.”

(No matter what I say, it’s a deadlock….)

I’ve tried to meet him halfway so many times.

But each time he’s treated me coldly, and it’s made me really angry.

— That’s why I said this.

Kate: If that’s what you say, then I’ll make you understand.

Words you should absolutely never say to him….

Jude: ….Hah?

White smoke swirls up from his cranky lips like a coiling serpent.

Jude: Whaddya gonna make me understand?

When I heard his rough voice from his thin lips, I realized that I touched a nerve.

But I can’t take back what I’ve said — So, I should just say what I feel.

I glared at Jude on the other side of the white smoke, trying not to be overwhelmed by his powerful gaze.

Kate: By the time I finish being the fairytale keeper, I will find something to like about you.

Jude: Hah?

Kate: I can’t find anything at the moment….but I don’t think it’s bad to be liked regardless if there’s gain or not.

Jude: ………..

Kate: I promise you.

When I nodded, Jude’s lips twisted into an exasperated smile.

Jude: ….Idiot. Are ya insane?

Jude: If ya find somethin’ like that, I’ll listen to any one thing ya say.

(Those words just now…! Can I take them as an agreement?)

Kate: Deal, I’m looking forward to it!

Kate: Oh, and I don’t intend to leave your side until I’ve fulfilled my promise, no matter how many times you push me away.

Jude: Ha. Fine, if ya say so, then do as ya please.

After a long battle, I finally got him to say those words.

Kate: Yep, I’ll do as I please!

I fanned away the cigarette smoke that separated us, and took a step closer to him….

Jude scoffs while letting out a thick puff of smoke.

Jude: Just remember one thing princess….My “promises” don’t come cheap.

Jude: If ya break yer promise, I’ll show ya a hell that’ll make ya think ya were better off dead.

Amidst the elegant scent of sandalwood, which was far from his image, and the sweet, burning scent of tobacco —

Jude and I made our first promise.

[Transitions to the Palace]

Darius: Jude Jazza, huh. - Hm, Nica.

“Vogel” - an organization under the direct command of the German Emperor.

It’s Director, Darius Vogel, smiled gracefully.

Nica: You want me to look into him, right. That’s fine, I’m personally interested in him.

Nica: …So I hope I can gather some interesting information on him.

The following day I was called to Victor’s office.

Victor: Jude, Ellis, and Kate, thank you for your hard work last night.

Victor: Now then, Kate I’ve heard that you’re going to be Jude’s exclusive fairytale keeper going forward?

(Huh?)

Jude: Why’a lookin’ confused, yer the one who suggested it.

(That’s….)

[Flash back begins]

Kate: By the time I finish being the fairytale keeper, I will find something to like about you.

Jude: If ya find somethin’ like that, then I’ll listen to any one thing ya say.

[Flash back ends]

(Maybe that’s it?)

Jude: A one-sided termination of the contract’s invalid. Don’t go back on yer word, people-pleaser.

Kate: I wouldn’t go back on my word, even if you didn’t tell me to.

Victor: Jude truly is an arrogant, insincere, and narrow-minded man, but he never breaks his promises.

Victor: Hence, he demands the same of others, or else they’re met with fierce retaliation.

As Victor’s cheerful voice rang out, Jude and I stopped glaring at each other.

Kate: That means….

Victor: Now that this has happened, there’s no escape for you, is there?

Jude Jazza, his curse is the 13th fairy from Sleeping Beauty.

Twelve fairies were called to the castle for a banquet of the the newborn princess.

Each of the fairies blessed the lovely princess….

— However, the 13th fairy was not invited to the castle, and it cast a curse on the princess out of resentment.

(I’m sure that’s how the tale goes…)

Kate: ….Is this person vindictive because of his curse, or simply because of his mean personality?

Victor: Hmm, that’s a mystery buried deep beneath the sea —

Jude: Don’t care if it’s some curse or not.

Ellis: Will you sign it? Or…

Jude: Signin’ with yer blood’s fine.

As if to prove his rotten personality, Jude smiled sarcastically….

Kate: I’ll sign anything!

I reflexively responded to his provocation, and ran the pen across the paper.

Within seconds of signing, Jude tucked it in his breast pocket.

Jude: Thanks. Let’s be friends from now on, eh princess?

A cruel person who delights in the misfortunes of others.

(There’s no way I’ll ever fall in love with someone like that.)

(But, if I don’t fulfill my promise, then I’m in breach of the contract….)

— I’ll end up as his prey.

[Main Story Master List] [Chapter 2] Dividers: @.natimiles Tags list: @sh0jun @theimaginativelyreticent @sapphire-323 @velisle @nateko @greatwitchsongsinger @cosmowgyrall. @lunaaka

If you wish to be added or removed from my translations tag list, please let me know!

[azen13]

[Not really sure if this counts as a request but here we go] Who’s your favourite male yandere(s) from genshin? And could you talk about why?

Ah I love this question! Thank you so much for asking. I've been really busy with college lately so I haven't gotten a chance to write recently, but after this week I should be finished with a lot of tests until finals. Just to clear things up, I absolutely accept questions like this! I feel like I haven't really shared a lot about myself as a person so I'm hoping to do more of that in the future.

⋆⁺₊⋆ ☾⋆⁺₊⋆

CW: Yandere Themes, Spoilers for Wriothesley's Story Quest

⋆⁺₊⋆ ☾⋆⁺₊⋆

I'd say I have four yanderes who I really like, and then a few who I like but I'm not obsessed with. Those four being Alhaitham, Neuvillette, Wriothesley, and Zhongli. Beyond the fact that I just like them as characters (and I'm gay asf lol) they're the most interesting yanderes to me, in part because of how much power they have in their societies.

Alhaitham is really interesting to me because there's this personal conflict between his values and beliefs and the idea of falling in an obsessive love. Alhaitham is inherently self-centered, not narcissistically so, but to the point where he prioritizes and values his time alone. In doing so though, he's also extremely lonely. I think a lot on how Alhaitham would react to someone who's able to match his sharpened blade of wit with one of their own, how he might exchange parries and blows with that person and find himself needing to understand the nature of their mind. I also think about how he'd react to someone who struggles with taking care of themself, or overworking: how he'd try to get you to stop doing so much and trying to please everyone. If his lover can keep up with his intelligence, he treats the romance like a game of chess, lining up his pieces to topple over the defenses surrounding your heart. His possession of you is slow and methodical, like vines growing on walls, slowly creeping over every inch. If his lover's wisdom is spent in other areas, then he's quick to snatch them up and take them home. While I think he's quick to get you under his control, it's harder for him to make them fall in love and surrender to his calculating embrace.

Neuvillette brings a really interesting element that I like to think about when I'm writing for him: immortality. He's a dragon who's lived for centuries, and that element of the slow passage of time is really fun to both write and think about. I really like to think of Neuvillette as a really, really soft yandere; he's seen humanity at its worst, and doesn't want you, the beautiful thing you are, to be tainted by all of its ugliness. Besides, he just can't help himself, what with his draconic instincts.

Out of the four, Wriothesley is the character I'd say I have the hardest time writing for because it's harder for me to explain why he feels the way he does. The working justification I have is that being betrayed by his adoptive family and living his whole life in Meropide made him incredibly lonely and developed a lot of abandonment issues that remained unearthed for years, as he didn't really make many close friends in Meropide. Then you come along though, and for once, Wriothesley has something good, something he doesn't want to give up. He's definitely one of the hardest yanderes to escape, what with Meropide being a literal prison. I think he definitely takes extra precautions when it comes to you, though, because he's so scared of losing them. Beneath his gruff exterior, there's a heart of gold, a man who only craves your complete affection and attention.

And then there's Zhongli, who was actually the character who got me into writing Yanderes. The thing about Zhongli is that as a yandere, you're practically powerless, unless you're on a similar or higher level of power/divinity to him. Even if you exceed his power, you're still going to have a very difficult time escaping his control. With how long he's lived and how much he's seen, he knows the only way to guarantee your safety is to isolate you from Teyvat entirely. Zhongli has no qualms about doing this, regardless of how much you might protest. Because when you've lost everything but Zhongli, you'll eventually—and inevitably—crumble into his arms. Only then will Zhongli put you back together, shaping you to be his perfect lover. Zhongli's greatest power as a yandere is his patience.

[literaryvein-reblogs]

Writing Notes: Compelling Characters

Characters & Goals

“Every character should want something, even if it is only a glass of water.” –Kurt Vonnegut

Characters should almost always have clear goals, even if these goals are not immediately made obvious to the reader.

Without goals, characters lack motivation—that is, they have little reason to do anything interesting.

For this reason, many writers connect the main character's goals to the main conflict in the story. This generally means that the main obstacle to those goals plays a key role in the plot as well (for instance, in the form of a villain).

Often, the main character is most interesting and when confronting his own shortcomings in pursuit of his goals.

There are a few ways to construct this character-plot connection:

CHARACTER-FIRST APPROACH

Constructs a story’s plot for a character that already exists.

It asks a writer to build a character that they find interesting and then assemble the plot around them.

Example: A character who is struggling to overcome a phobia might, as a plot element, come into contact with the thing she fears. Success in this instance would mean that she doesn’t let the fear overcome her.

PLOT-FIRST APPROACH

Starts by defining the major conflicts the writer wants to include in a piece of fiction and then builds a character who will be motivated by those conflicts.

Example: A writer could decide to explore the effect of a catastrophic storm on a city before writing a main character. A character that would feel motivated by this conflict would be one with a connection to the city or to someone living in the city. Therefore, the son of someone who went missing in the storm would likely be a good focal character for this story.

Small Goals & Big Goals

Though it’s important for characters to have at least one big goal, it can be boring for the reader if a character is totally preoccupied with a single motivation.

Strong characters generally have two or more goals of varying sizes that they might confront separately or at the same time.

The reader excitedly anticipates your character's success or failure in achieving their goals.

Believability

Another factor that can contribute to a successful character is an element called “verisimilitude,” also called “believability.”

When writers talk about believability, they talk about whether the constituent parts of a character make sense and feel cohesive.

Example: We might expect a character who gets paid minimum wage to struggle to pay her bills, so if we see her driving an expensive car or spending several hundred dollars on a meal at a fancy restaurant, we would question these details.

There are, of course, stories in which these situations could exist, but the reader would need to know what allowed them to happen (inheritance from a late relative, perhaps, or an irresponsible approach to personal debt).

Suspension of Disbelief

Stories that take place outside of a realistic modern setting will generally require some extra work on the part of the writer to make them believable.

This is because of an idea called “suspension of disbelief.”

This refers to the tendency of readers to challenge details of a story that seem out-of-place, but not to question those details if they are presented with enough contextual justification.

Example: A story contains people who can fly with human-size wings. The reader would need to learn early on that this is a normal event that occurs in the story world. A reader who unexpectedly encounters flying humans three-fourths of the way into a short story could easily be baffled by this development, and might also consider it a cheap cop-out if it's used to resolve a plot conflict.

Adding Physical Detail

In addition to planning your characters thoughtfully, you must also sketch them coherently on the page.

Careful selection of physical and environmental details will make some of your character’s traits visible to your reader without you having to tell them outright what you mean. Examples:

A character who is disorganized might have wrinkled clothing or might consistently arrive late to appointments.

An introverted character might bring a book or notebook everywhere they go and might also stay out of crowded spaces (or feel uncomfortable in those spaces).

Symbolic Meanings

Be aware of the other meanings that a detail can bring into a piece.

A physical detail, especially one that appears multiple times within a work, might also develop symbolic meanings in addition to its literal meaning.

Writing Exercise

In a short vignette, and using only physical details (e.g., characters' clothing, appearance, or body language), make it clear to a reader that a character is experiencing one of the following conditions: worry, hunger, grief, joy, confusion, lack of sleep, anxiety, homesickness.

The word you chose should not appear in your vignette, nor should any synonyms.

Adding Personality

Broadly, “personality” refers to the collection of beliefs, thought patterns, and other mental qualities that dictate a character’s actions.

A personality trait could be the character’s bubbly disposition, their self-deprecating humor, or the fact that they’re always nervous.

When constructing a character, it’s important to think about how she would react in a number of situations.

Here are some questions to help you discover your character’s personality traits:

Is he fond of attention, or does he avoid it?

Is she curious to learn more about a topic/location/person, or does she keep to herself?

How big of a role does fear play in his day-to-day activities?

How does this character react if things don’t go the way she wants them to?

Does he think that he’s more intelligent/less intelligent than others around him?

Does she think she’s average? How would she define “average?”

How does he feel about making decisions?

Does she make decisions quickly or slowly?

Does he tend to regret decisions they’ve made?

It’s helpful to connect these traits to elements from the character’s life or past.

Example: A character who grew up with a controlling parent might have difficulty making decisions once they start living on their own.

Personality traits might also overlap with physical traits.

Example: Talking too loudly or too softly or interrupting others.

It’s also important to make sure that your characters aren’t good at everything they come across.

Doing so will reduce your story’s believability because—let’s face it—no one is good at everything.

To this end, you should allow your characters to fail at something, whether that something is huge or inconsequential.

Writing Exercise

In a short vignette, deliver some news to your character.

The news can be good or bad.

It can affect just the character, or the entire world population, or any number of people in between.

How does this character react?

Who do they tell, if anyone?

How do they interact with the space they’re in (e.g. punch a wall, hug a stranger)?

Try this exercise several times with the same character but different contexts (e.g., the character receiving the news alone versus receiving it in a public place) to see how they react under different circumstances.

CAUTION: Using Fictionalized Versions of Real People

It’s common for writers to borrow details from real life—the shape of a stranger’s chin, a classmate’s clicking of their pen during a quiet exam, or the restaurant server’s shrill laugh, to give just a few examples—but a writer should be wary of recreating an entire person on the page.

There are legal reasons not to do this, of course, but there is also the danger that a story filled with too many real-life people and events will be flat and boring.

Fiction should generally be a healthy mix of the ordinary and extraordinary.

If the mix is skewed too far in one direction, the reader can find the piece too unbelievable or too boring.

Source ⚜ More: Writing Notes & References ⚜ Writing Worksheet: Conflict Lists: 170 Character Quirks ⚜ +600 Personality Traits ⚜ 100 Sensory Words

[ultravi0lence14]

Butterfly

sam winchester x angel!reader

1k | fluff, fem pronouns

summary: you and sam were complete opposites of each other, and sam had no idea how a gorgeous, pure girl like you could even chose him in the first place.

sam sometimes just stared at you when you weren’t looking, wondering how he got so lucky in finding a girl like you.

you were so sweet, someone sam thought his wretched soul wasn’t worthy of. he’s got demon blood running through his veins, the vessel of lucifer himself. why would you — an angel as pure as snow — even remotely look his way.

that was the funny thing with you angels though. you guys always saw the best in people.

before you touched down from heaven, you had learned the copious stories of the winchester brothers lives. how their mother died, springing them into the hunting life. their tragic upbringing, and how their father raised them poorly. but most importantly, you learned about the youngest.

sam winchester. the boy with demon blood. every angel you spoke to said he was an abomination, but you thought differently.

this wasn’t sam’s fault. he was a defenceless baby, having this curse brought forth onto him by his mother’s actions long before his conception. sam was a victim, a child forced into this life with no say whatsoever; and you felt like the only angel who truly saw it like that.

when you had made it to earth, cordially meeting both sam and dean for the first time, you wondered why your brother’s and sister’s talked so poorly about the man.

he truly was a friendly giant. too sweet for his own good. he cared. about people he didn’t know, his brother especially, and all the strangers he came across on hunts with dean.

watching him console a victim for the first time tugged on your heart strings. he was so kind, so thoughtful and unlike anything said about him up in heaven. it was at that moment you felt your first human emotion. a surge of fondness rushing up your body like bile coming up your throat.

for a fleeting moment, you experienced what human love was truly like.

as time moved forward, you and sam got closer and closer. more often than not, you decided to stay back and research with him instead of going out with dean and cas. you talked with him, learning about his childhood from his mouth and truly understanding the full truth and severity of his life growing up.

the day that he kissed you for the first time was magical, better than the feeling of all angel grace combined. he was nervous, hands shaking as the cupped your face and shyly asking if this is what you wanted.

of course you wanted it. you wanted sam winchester since the moment you saw him, and now you were finally getting what you hoped for.

just as you believed, sam truly was the perfect boyfriend. he was caring and considerate, always willing to drop anything and everything to make sure you were okay. though he was also tough and protective, turning full hunter mode whenever someone bothered you or made you uncomfortable.

one thing you loved was how he spoke to you. he held you at the highest point in his mind, addressing you with the upmost love and respect that he could muster.

because that is how he really saw you. sam in his heart believed that you were possibly the most gorgeous being he’d ever laid his eyes on. you were truly the apple of his eye, and he wouldn’t dream of letting someone as perfect as you go.

he even called you his butterfly. a gorgeous creation of God that flys around and somehow always lands somewhere on him. which was true, because you were a very clingy person.

you two were always holding hands, arms linked, or sam’s arm wrapped around your waist or shoulder. dean had to stop himself from hurling 24/7, and you had to stop yourself from getting cartoonish hearts in your eyes whenever you looked at him.

the peace and serenity that you brought to sam’s life was all he could ever ask for. when you decided to take up drawing and painting, he cherished the times you two would find an empty space, setting down a picnic blanket and drawing whatever your heart desired surrounded by nature.

when he joined you for the first time, and you handed him over a intricately detailed drawing of him sitting down at that very moment, eyes opened and staring woefully at the large trees and flowers surrounding him, he couldn’t help but let a couple tears fall.

“oh no,” you had exclaimed, sitting up on your knees so you could get nearer to him. “you don’t like it, do you?”

he instantly snapped his head towards you, watching as tears filled your bright coloured eyes. his heart shattered staring into your glassy irises, and he cursed himself for ever making you feel like that.

shaking his head and putting down your sketchbook so he could cup your face, sam pulled you over to him so you were delicately perched in his lap. eye’s boring into his as he delicately stroked your cheek.

“i love it butterfly. that is the prettiest drawing i have ever seen. even prettier cause it was made by you.” his cheesy words made you blush, not caring in the slightest how silly you two probably looked to on lookers. with your finger reaching out to trace the slope of his nose, you looked at him with a soft smile on your face, pouring your heart into one look. “you mean that?”

“of course i do.” his eyes held that glossy puppy dog look you loved so dearly, drawing you in like a moth to a flame. “i am not trying to sound cheesy when i say this, but you truly are the best thing that ever happened to me, butterfly. you’re the one of the only one’s who believed in me.”

his words brought a gleeful smile on your face. and as the midday sun trickled across his, you thanked your father for whatever he did to make you and sam come together.

[turbolezgooo]

Why ya'll hate on Cait and call her a dictator?

Well-written characters often have a story deeper than what you explicitly see them do or hear them say. Just because everything is set in a fantasy world, doesn't mean that characters are not affected by tragic events and the human condition.

First of all, Cait wasn't the one who made a police state. Ambessa and the council did that. Ambessa orchestrated the whole thing. Cait went along with it because she was turned around by grief. That shit messes with your judgment, but she was still trying to do what she and Vi agreed on. To focus on the real problem and prevent hurting innocent people.

Cait tried to control an unraveling situation AND literal warlord WHILE being inexperienced in how to deal with it, having a big ol' lesbian break up, AND dying inside.

You could see that when Cait argued to Ambessa that there are innocent people and there MUST be justifiable cause to arrest anyone. In Cait and Ambessa's interactions it's implied that Cait was getting in the way of Ambessa's agenda off-screen. She tried to keep something worse from happening because she does acknowledge the historical and current oppression of Zaunites.

This mirrors the way she offered Vi the badge to give her a voice in what happens to her sister if the enforcers caught her. The enforcers coming after Jinx was going to happen regardless of Cait. She took control by volunteering and taking precautions. See- While they did use gas, Vi would never agree to something that would permanently hurt the people of Zaun. The tactic gave them fewer chances of having to physically fight Zaunites who were just trying to defend themselves. Believe it or not, it was a controlled operation until grief got the better of Cait and things looked worse than it actually was.

The way that Cait deeply believes in equality in spite of a personal vendetta is why Ambessa sent Maddie to try and control her by 'filling' her hole (no pun intended). When Maddie attempted to have Cait stop the police state situation and withdraw, she did focus on Jinx at first but the second part of not wanting to make things worse was something she had a lot more to say about before Maddie interrupted. And Cait was right. What would have happened if she hadn't taken the role and played along? A puppet councillor or Ambessa herself would have been the figure head and do so much worse. Those people don't have the same perspective and understanding as Cait.

When Cait and Vi argue about listening to a war pig oink poison in her ear, she yells "I know!" as she throws a piece of war ship used in strategizing. You can tell her role was a strategic choice to have some control over the events that unfolded. That's why Vi didn't villinize her. Vi understood that Cait never really accepted anything Ambessa said. That's why she helped Vi at the commune. Cait was a double agent taking shit from all sides to stop worse things from happening.

She had grief and really crap options, but she always chose the lesser of the evils to try and stay true to who she really was. She even resigns in her argument with Vi, that she didn't put Jinx, her own mother's killer, in jail or punish her in any way. It's another example of her faltering in decision-making when overwhelming or unexpected things happen and it also tells us what she is. She's human. She doesn't make excuses for taking on an objectively bad role and making mistakes. When she said "We can't erase our mistakes.", she's also talking about herself. She takes responsibility and tries to do good. In the end, all she wanted was closure for her grief by having Jinx accept responsibility NOT by killing or abusing her or innocent Zaunites for that matter.

Imo there's a lot in Arcane that shows Cait as a flawed but inherently good person, and Vi absolutely knows it. They see each other warts and all. If you think CaitVi's lex scene was poorly written read this: https://www.tumblr.com/turbolezgooo/768190482340773888/bro-this-outrage-about-caitvi-relationship-in-s2?source=share

[claudiafrankie]

Soul Purpose/Why Are You Here?

Disclaimer: Tarot is not an evidence-based practice. You are in charge of making you're own decisions.

Pile 1: Abundance

Hey pile 1! You picked the Abundance oracle card. Your tarot cards are the 2 of Swords, 3 of Swords, and the King of Cups.

As I was shuffling I was focusing on the imagery of your oracle card. I strongly got the feeling of being kind of put on the spot. You are having to make quick decisions. It's like the shape in the center of the card has so much going on around it. It's chaotic! The figures filling the picture look like sea creatures to me - sea urchins, those glowy jellyfish that live in the bottom of the ocean, sand dollars... All floating around in the current but in this big, condensed cluster. It's kinda dark in there but there's some sun coming through the current above.

Under sea kelp beds, that's the environment. You're here:

You're not quite sure what all you're going to come across. Cute fish... shark... friendly anthropomorphic sea otter wearing a news cap and suspenders... multiple sharks...

It's a little creepy/ominous but more importantly very beautiful and serene and otherworldly.

You're swimming through this kelp garden and you don't know what you're going to find, and all kinds of different things are going to pop out at you, you're going to have a lot of options in a lot of different areas in your life. You are not going to be someone who is stationary for very long. I think if you are stagnant and still (something you may struggle with) you aren't happy. You are bored more easily than others and have a deep craving for knowledge and novelty, absorbing every last drop of life that you can.

I think in human design, generator people's tell-tale sign for being out of alignment is frustration, they thrive off of having choices to pick from. This helps them feel inspired and like they are getting more out of life. Maybe you are a generator in human design, I think that is the most common type. You are a person of the people, you are salt of the earth, you care deeply for humanity and always pull yourself back to center when you catch yourself straying. You don't let things get to your head as much as you could.

It also looks like there's a chromosome in the center shape on the card. You are here unraveling karma from your past lives and for your ancestors. You are probably dealing with karma that you didn't create personally but exists in your bloodline. The bottom of the deck is the ten of swords - there are mostly sword cards here, with the king of cups standing out as the only water card. This is very Ardra energy in vedic astrology - strong, turbulent, powerful and stormy emotions. Ardra's deity is Rudra, a form of Shiva - who rules over storms. You are clearing out ooooold emotions that have been rotting in your family tree for years. You are finally processing some long-neglected baggage and releasing it.

The combination of the progression of the two to the three of swords, ending with the King of Cups suggests to me that you are going to become a true master of your inner world. Your lens you look at the world through will reach a level of clarity previously unknown to you and likely to your family. You are in tune with the environment in an electric way, sensing the humming and buzzing and shifts in the pitch and tone of the current washing around you. You let it all pass through you, understanding the futility in pretending to be unaffected. You let it pass through you, and you let it be there, and you don't let it shake you. For this reason others will cling to you - the RWS King of Cups sits on a throne carved from solid stone. It is anchored in tossing waves with a grey sky suggesting storms ahead. He looks calmly onward. People will view you as a shock-absorber, someone who can weather catastrophe and guide others through difficulty. I think this is where you are headed, but maybe aren't there quite yet.

Other people might get away (or at least seem to) with pushing aside their pain and never really dealing with it. You aren't one of these people. Your path to fulfillment is through making difficult decisions, sometimes ones where there really isn't a good option. Some of these decisions could affect other people as well. I see this as your heart existing in your head. So much compassion in tandem with a razor-sharp mind. Highly analytical, meticulous, maybe even fussy, combined with glowing warmth that can only be achieved by facing hardship.

There could be a significant male figure in your life who guides you, and you may not recognize the significance of his impact on your life until he's no longer in it. This might be someone you only know for a short period of time before parting ways. Maybe at the time of meeting them it's too overwhelming for you and it doesn't end so well, but the more you digest the relationship over time and think about what you learned from them, the deeper you understand the purity of this person, and the reasons why he navigates the world the way that he does. I think, going through hardship yourself and choosing to remain soft and gentle, you recognize this as a lesson you learned from this person. It's brave to continue believing in people. Also, it's possible to do it without being naive.

This pile knows the true meaning of unfairness. You know what it means to be made to feel selfish for taking care of yourself. You know what it means to carry the weight of the world on your shoulders, to be going through immense difficulty behind the scenes and still getting through the days treating people with kindness. Yeah you just see and feel the pain in others, you sense their stories even if it's just a stranger. You probably walk away from getting coffee and wondering how the barista is handling their breakup even though that was your first encounter with them.

Pile 2: Phenomenon

So right off the bat, Chappel Roan's song Feminomenon might be of significance lol. Maybe that song you was on repeat for you this summer, or you are LGBTQ+, or in some way don't fit in with the norm. Chappel Roan is famous for her drag outfits and crazy makeup and big hair - you could be into style, fashion, hair/makeup. Or maybe you are wanting to get more into these things but don't know how? Maybe you are struggling with expressing yourself right now, and this is a recurring struggle you deal with. If you are struggling with it, I think it's because it's actually something you're really good at - I think you have a natural eye for fashion and art, it's just that you need to reconnect with this part of yourself, and that re connection process will help you get deeper and better with and at it.

Next to your Phenomenon oracle card I pulled the Nine of Cups, Ace of Cups, and the Page of Cups. So all water, you are definitely here to learn how to express your feelings. I think you often feel like sharing how you feel makes you self-centered or you're "making it all about you," even though it ironically helps your relationships because you connect with people better when you're emotionally honest with them.

I think currently you're at a pretty comfortable spot in life. You've worked really hard and have been very much in your earth energy - taking care of your body, keeping a clean home, focusing on consistency at work and in your self-care and discipline. You've worked really hard to get here, and you're finally learning how to give yourself credit for it.

However, I think it still feels like something is missing for you. Looking at your cards (from right to left), the Page of Cups is offering the Ace of Cups to the Nine of Cups. The cup you're looking for, the special sauce that you are missing right now, is connected with your inner child. I think while working on improving your earth energy has been wildly beneficial for you (maybe you're successful for your age, or just really good at keeping your shit together and running a sane life for yourself) you have lost a little bit of touch with your inner softy.

I think you're probably cringing at that too, a little bit lol. Like "man I don't have time to cry and play in my coloring book I gotta pack lunch for work tomorrow" hahahaha. But honestly, if someone has that mindset or thought process about playfulness and fun, they need that energy the most!! In your list of things to do over the weekend that keep your life tidy and chugging along, you are being called to add something wholesome and fun in there.

It's easy to get in the swing of daily living and going through the motions, and it's not wrong at all to pride yourself on your ability to keep a tidy ship. BUT lol that doesn't mean you have to lose out on some harmless chaos and unstructured fun times. You don't let yourself let your hair down as much as you could be. Obviously don't go out and go crazy and do something dangerous lol and if you're not ready to go clubbing every weekend you can start small! Maybe there's a bakery near you that you haven't tried with kick ass muffins, go try that place out. If you're really particular about cleaning your place, try cleaning it in a more 'chill' way if that makes sense lol. Try out letting go of intensity and a "I just need to get this done" attitude. Maybe that means the floors won't be as spotless after mopping than they usually are but hey, they're still clean right?

Yeah I think what's really coming through for this pile is letting going of perfection and holding yourself to unrealistic standards, so much of your power lies in fun, and not just fun but also facilitating fun. Lifting up the people around you. With the Ace of Cups in the middle of your spread, you guys are here to out pour to those around you. People are enchanted by you and think you live a charmed life, they are envious of your innocence, your lack of care for/about status and authority. It's refreshing (i mean, these are all cups cards lol) on multiple levels! You might not notice how your inner child lifts people up, and how just one conversation you have with someone leaves them feeling nourished after you walk away.

Pile 3: Vulnerability

Hey pile 3 welcome!

You guys picked the vulnerability oracle card and your tarot cards are the four of pentacles, the ace of wands, and the magician. This is the description for your oracle card:

"As the flower opens and offers itself, the butterfly says "yes." Opening and exposing ourselves to new possibility comes with risk, but also holds the potential for great reward. Be willing to share your gifts with the world, allowing the acceptance and recognition vulnerability can bring."

This one feels pretty damn straightforward haha, you guys are here to build literally any life that you want to. I am looking and these cards as a progression - the man in the four of pentacles seizes the ace of wands and becomes the magician. Literally he lets go of these four measly pentacles, grabs the magic wand, and become the magician he was always meant to become.

You guys have sooooo much power within you. Your manifesting skills are truly off the chart and it seems like right now you're not really sure what to do with this gift. I think you could be feeling overwhelmed by all the possibilities. You are probably the kind of person who has a lot of different interests, can feign commonality with just about anyone because you're smart and absorb knowledge like a sponge - so you have tidbits of information on a huge range of topics. Someone will bring up in conversation that their grandparents berry farm is suffering because of a disease or certain kind of pest in the area and you're like "oh yeah I've heard that those types of flies are invasive and it's like becoming a widespread problem" lmao.

You could be a gemini mars or north node - the tarot card associated with mars in gemini is the nine of swords - literally analysis paralysis is your guys' biggest obstacle. You have everything in your head, but you struggle to bring your creations to life. I wouldn't be surprised if you guys are some flavor of neurodivergent, maybe ADHD or on the autism spectrum. You are ahead of the times.

I think this pile is similar to pile one because I'm getting an ancestral element for you guys. I think the women in your family have packed on years of frustration because they were made to believe that they just can't build for themselves. The women in your family line have sat with huge creative potential but the fear they carried prevented them from being able to actually use it to birth their ideas into the real world. They saw their fathers and brothers and husbands go out into the world with so much confidence, maybe with less skill or more boring ideas, and create success for themselves. I think you should know that it was not all sunshine and roses for the men in your family - there was such a huge amount of pressure to achieve and earn and perform that they didn't even really get a chance to really choose what they wanted to do. They just knew that it was expected of them to do well and provide for their families.

But the women, ah there is so much rage honestly. You have the chance in this lifetime to channel not only your own creativity but that of your mother, her mother, her sisters, etc. I think when you create it's a full experience for you. Like it's not that you don't phone it in, it's that you can't. You can't make something and not be fully in it. I think this might be part of your blockage as well - you tell yourself that if something you make isn't perfect or exactly as you envisioned it in your head, then it was a waste of time. It wasn't. I think if you allow yourself to be messy and be a little more process-oriented, you can really get the ball rolling for yourself. And honestly probably process a lot of those packed on emotions from your family.

You are someone who can get quick results in things if you really put your mind to something. Right now it seems like your task is to sift through your daydreams, then after that you can start taking some little steps towards making something happen. Even if it's something tiny you do to get closer to a goal, it's still really important for you guys especially to really celebrate that. And really mean it when you celebrate! If you guys work a job you aren't crazy about to pay the bills like so many of us do, maybe you have been drained or just don't see how you have the time to make one of your interests something more than just an idea in your head.

This is going to be a process of re-parenting yourself in a way. If you belittle your accomplishments and progress towards the things you really want to bring into the world, they will slowly shrivel up. You wouldn't make fun of a kid for trying something new and not being amazing at it, so you can't do that with yourself. You deserve support and love on your journey, not only that but you need it! You have the power to create the space for yourself to thrive in, and then thrive in it! You guys are honestly like buzzing with electricity. I think sometimes you have so many ideas that you get confused and tired just thinking about all of them, and maybe you act out in frustration but your not even sure why your upset. There are parts of yourself that have not been given enough attention, and once you start letting them out in the light they can show you what they can help you do in this life.

I think too that getting more in touch with your sexuality will help with this process, getting more in your body and letting yourself feel sexy and sensual, really being in the moment with your body and then carrying that energy with you in your endeavors. Yeah let yourself be a horndog lol it will help you reach your goals

Best of luck pile 3, not that I think you need it hahaha

[mxtxfanatic]

The fact that the QishanWen outside of the Wen siblings are mostly one-dimensional villains representing a stereotypical evil is very important to analyzing mdzs. They do all of these horrendous crimes, have a ridiculous body count, and by the time they’re taken down, everyone—readers and characters—are cheering and hopeful. But then, those characters—characters we readers have spent hundreds of pages getting to know, whose personalities and fears we have become intimate with, who we love, admire, and relate to—start doing the same exact shit that the QishanWen were doing. Things that forced these same characters to wage war for their own lives and the lives of their remaining loved ones. We readers watch the characters we’ve grown attached to transform into the monsters we (and they!) cheered them on for killing, except now we must make a choice: are these characters also just one-dimensional villains we can easily discard as “inherently evil,” are they absolved of their crimes simply because we the readers love and relate to their personal stories, or are they nuanced characters who, despite their human complexity and personal experiences with injustice, still happily pursued the path of evil for their own benefit?

To say it’s the first option would be absolutely ridiculous. To say it’s the second option is to say that “evil” as a concept only applies to the actions of people you, personally, do not like, while evildoers are forever innocent based solely off the strength of your individual affections. Thankfully, the moral of mdzs is the last option: that relating to someone does not make them incapable of the evil that we abhor, that we are not incapable of the evil we abhor just because we fancy ourselves “good people” due to a misplaced sense of kinship from shared lived experiences. Evil is a choice, not a personality, and popularity is not a stand-in for judging moral uprightness.