#you are in love with el
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chirpsythismorning · 1 year ago
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Ok but picture The First Time on the s5 DNA board? Are you seeing the vision???
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aseaofquotes · 10 months ago
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Amal El-Mohtar/Max Gladstone, This Is How You Lose the Time War
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nicktoonsunite · 11 months ago
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misc NU doodles part tres
last comic is based off off my nasb 2 clip
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theerurishipper · 3 months ago
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First <- Part 18 <- Part 19 -> Part 20
Masterpost
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sunshinesere · 4 months ago
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Amal El-Mohtar and Max Gladstone / This is How You Lose the Time War
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kidovna · 8 months ago
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manifested mileven at the snowball in 2016, so now I’m manifesting byler at senior prom🪻🌻
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bloomishere · 8 months ago
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chalkrub · 3 months ago
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saw some mangy dog on the outskirts of town
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bedenimderuhumlagitti · 3 months ago
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shushmal · 5 months ago
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tw: for implied past emotional abuse, im in my feels today
"What the fuck were you thinking?" Hopper growls. He's not quite shouting, but he's still loud, raised voice echoing through the living room. "She's not ready to drive yet, I forbade it, and what? You two decided that you knew better?"
Eddie rolls his eyes, but gamely keeps quiet. He knows Hopper's less upset with Ellie taking a spin through the parking lot and more upset about the property damage. Eddie's on her side though, that phone pole came out of nowhere. Must have been pretty rotted out too, to fall over that easily after a little love tap.
Ellie had done a damn good job fixing the huge dent in the bumper.
But if Hopper wants to be dramatic and chew everyone involved out, Eddie's not going to stop him. Whatever gets the guy's blood pressure back down.
"You're supposed to be responsible adults! Especially you, Steve!"
Rolling his eyes again, Eddie glances over, hoping to share a commiserating look with Steve.
Except Steve isn't looking anywhere but down, shoulders and spine ruler straight. Eddie stalls there, stuck on the way Steve's standing, tense from jaw down to his ankles, his hands balled into tight fists flat at his side, knuckles white. Hopper keeps ranting, pacing a wide circle in front of them, but Steve doesn't flinch, doesn't look up, doesn't react. It's like all the color has washed from him.
"Are you even listening?!"
"Yes, sir," Steve says tightly. He doesn't look up. Hopper keeps going.
Eddie watches as Steve's throat works to swallow, like he's choking. Like he can't breathe.
"Hopper," Eddie snaps. "Shut the fuck up."
Hopper whirls on him, livid, but Eddie's not looking at him, fixed on Steve as he reaches out. Tries to take Steve's hand, just holds his wrist when Steve can't unclench his fist, gentle as he touches him. Steve is tightly wound and trembling under his fingers.
When he looks, Eddie finds Hopper with deep regret on his face, struck silent. He doesn't say anything when Eddie leads Steve away, back out onto the porch. They sit on the swing, Eddie's arm around Steve's shoulders, rocking back and forth until the muscles loosen and Steve slumps, strings cut, into Eddie's side. They'll sit like that for a while more, watching the woods as the sun sets and listening to the dusk settle, crickets and cicadas and chats calling the moon up, filling their silence with nighttime music.
Later, Hopper will come out, temper cooled, and sit on Steve's other side. Will ruffle Steve's hair when Steve starts to stiffen. Will apologize when Steve eyes him warily.
Later, Eddie will scowl and glare, but ultimately keep quiet, unwilling to make the whole thing worse for Steve, another fight, another shouting match. Will stiltedly tell Hopper good night and take Steve home, wait patiently until Steve finally speaks, when he finally tells Eddie a little more and a little more, until Eddie's holding him tight.
That's later though. For now, he digs his heel into the porch, rocking them back and forth, and waits for Steve to breathe.
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arttuff · 8 months ago
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this is based off the cutest panel of them. i like to think this happens often
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arunneronthird · 1 year ago
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truly a heir to the batman
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eledsart · 1 year ago
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the gerudo outfits are always my favorite
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myersesque · 1 year ago
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(1x3) i love this show's portrayal of clark so, so much. i love how his sense of identity and where he comes from is such a massive theme - how he becomes superman in an attempt to better understand himself as a person, as well as satisfy his need to help people - but under all of that, the thing that matters most about clark is that he's a good person. it doesn't matter that he can fly or shoot lasers from his eyes - it matters that lois, within a day of meeting him, knows he would risk his job to help her if she just asked him to. it matters that he risked blowing his cover to save his friends. it matters that he only manages to discover new powers when somebody needs his help, never when they would be beneficial to him alone. rib him for being a boyscout all you like, but there's something so necessary imo about heroes who are wholly, unapologetically kind
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mirefireflies · 3 months ago
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everything I’ve ever written has been about you
@peaceful-poetry / water lilies — claude monet / this is how you lose the time war — amal el-mortar and max gladstone / vanishing interior — suzanne buffam / water lilies — claude monet / and then i tried — rene ricard / i’m writing another poem about you — mira lightner / water lilies — claude monet
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sunshinesere · 3 months ago
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Amal El-Mohtar and Max Gladstone / This is How You Lose the Time War
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