#yknow the drill.

[ridl]

what if ganyu lets keqing touch her horns and pet/comb her fluffy tail as a sign of trust, bc qilin features are a important and delicate topic for her. while keqing lets ganyu do her hair despite being the type to do everything herself, bc she trusts ganyu and allows herself to be taken care of by ganyu too :)

ganqing ft. affection and trust shown thru small, mundane things done for each other my beloved always forever

[jei-rifni]

“Why are you built like a roblox my love”

[ribchillz]

more hot clowns PLEASE

sincerely, a clowngirl lesbian

any excuse to draw them i’ll take idc

[kokoasci]

[lesbiandarvey]

winnix + vintage photographs

[field-guide-to-mud]

i'd fit all my joys and pleasures in one perfect day

[creatively-cosmic]

perhaps the most overdue ref thus far

[possamble]

do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up

i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.

she's never corrected anybody whose called her an elf either.

never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-

i wish the half-elf thing was built upon more. also, underrated marcille line:

okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.

the first reaction we get from Marcille is this huge panel that takes up half of the page

she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later

so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions

"you'll live out your entire life [...] and die that way too"

"a hundred years from now, nobody will be there"

Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.

I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.

On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.

Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.

And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.

Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.

Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it

and look at how exasperated and resigned she looks

And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.

(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)

The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.

And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)

I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.

and one last very important panel, right after Mithrun tells her that all her desires would be devoured

In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.

(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)

[skrunksthatwunk]

just summa them tbh

[lines-and-lies]

New* Fursona

[demonstars]

gay people………..

[lunavagans]

Finished the outlines of the sketch, have it before I start on the colours

[buwheal]

Not even the first time he's done that either loll, hes lucky it still works,, the initial shatter wasnt /really/ technically out of anger, though :-3

[pyjamaart]

I never needed such help / This is my SOS

(Content warning: self harm) (If you don't have a problem with that, huge Drillman essay under the read more lol)

When I said that I wanted to draw Drillman some more, this really wasn't what I had in mind.

This week, I've been shopping for music on various second hand sites, which made me realize I don't physically own one of my all time favorite albums: "Squaring The Circle" by Sneaker Pimps. I had to change that immediately. (As well as buying like 15 other CDs and vinyls, lol.) As I was listening to it once again, I realized just how much the song "SOS" reminded me of Drillman and his struggles.

If you don't want to look it up, here are some of the lyrics:

"I look much smaller seen from inside out/Far too small to see myself/Down on reflection, cast in hate and in doubt/Flawed and flaws I add myself"

"Oh mirror mirror hanging on the wall/Please just show me someone else/My hopes were low and I got so much so less/Nothing left to save myself"

Listen, this dude got some major problems with his self esteem. He feels like an embarrassment because he was forced into a life he never wanted by his father. Now he seeks revenge on the company that bought his families business, along with him and apparently his bodily autonomy. Think about that for a minute. How fucked would it be if your parents wanted you to be a doctor, but a requirement for that would be to have your hand surgically removed and replaced with a scalpel. That's the exact situation Drillman found himself in.

Now a lot of people probably think "Well why doesn't he just ask Dr. Light to give him a new pair of hands then, if he's this miserable?" This is where we get to one of Drillmans biggest problems: the refusal to ask for help in any way. And even after the finale of the season, why would he go to the Lights for help in the first place? Wasn't it Aki who thought the best way to help him through his problems was hypnotism? And in the process embarrassing him in front of the whole city, ruining the last bit of reputation he may have had? (For real though, that episode is so hard for me to watch. I just feel so so bad for him, since I really struggle with social anxiety myself.)

As the guys from the Youtube channel "The D-Pad" (who reviewed all of the MMFC episodes) fittingly commented: "This would be like fucking Vietnam for him." And they were right. Obviously, Drillman is horrified that Aki would humiliate him like this and lashes out, solidifying his opinion that asking for help is a bad idea.

In that episode, there's this one moment that really stuck with me. At around the 8 minute mark, while Drillman is having a breakdown over the terrible "music" Aki made him perform, there's this one shot where he takes a moment to look at the drills that replaced his hands in frustration. The camera perspective makes it seem as if we are experiencing this brief scene through his eyes. It's actually quite upsetting. (A link to the moment I'm talking about: youtu.be/OC_jdhoeTrE?si=ZPzAXu…)

This is also a perfect moment for me to gush over the voice acting for this scene. Andrew McNee did such a fantastic job of conveying Drillmans distress and anger through his voice. That reminds me, giving him a British accent was honestly such a good decision.

The reason he doesn't talk at all throughout most of his first appearance is probably because the writers wanted to surprise their audience a little. As in, you see this big, imposing construction robot and think "Oh man, what a brute. He probably has a pretty deep voice." And then he actually starts to speak and it's this sophisticated, well-articulated British voice instead. Quite the whiplash.

To get back to the original topic, I'm honestly still upset that they didn't give Drillman a redemption arc at the end of the show. This probably would have happened in season 2, as Mega Man even says at some point "I know deep down your inner bits are good", proving to me that the writers definitely had something in mind regarding Drillmans character arc.

And now that all of that is out of the way, we can finally get into headcanon territory.

You might have seen this image while browsing the tags and asked yourself, "Why is this Mega Man Fully Charged artwork littered with content warnings?" And well, now that you're here and reading this, you probably know why. I can't say I've ever made myself sick with a drawing before. That's a first for me.

My headcanon is, that after the finale of the show, Drillman is just utterly lost. Lord Obsidian, who sought him out specifically because he knew of Drillmans problems and offered him a place to stay and a way to get revenge on the people he thought responsible for his predicament, turned out to be a horribly racist human who was just using him to achieve his own devious goals. After getting his ass kicked by the Lights, the same people who had not only humiliated him in front of the whole city, but who had also left him stuck to his abusive father for an entire day (I bet that ride to the police station was horrible for all the people involved, most of all the police bots who had to hear the Drillmen yell at each other the whole time), Sgt. Night is detained by the police. We don't actually see what happens after that, because that's where the show ends.

I'd like to think that the Lights actually try to talk to the robot masters once everything is over, telling them all the horrible things their so-called "leader" has said and done. And most importantly, what he thinks of robots: That they're nothing but tools to him. That once they had gotten him his Mega key, he would have wiped their minds and turned them into mindless machines.  

I'm guessing none of the robot masters would take these news well, but most of all Drillman. I think that after he ran away from Skyraisers Inc. and fought Mega Man for the first time, he was really relieved to have some place to stay and a new goal, maybe even a robot to look up to. That being Lord Obsidian of course. Who knows what lies he told Drillman and the others? Kinda sad that we never really got to see what the robot masters who stayed with Lord Obsidian did the entire day. When they weren't causing havoc in the city, that is.

None of them seemed really friendly with each other in the finale, now that I think about it. I guess "Obsidians robot sanctuary" wasn't really a great place to stay at after all. But still better than being homeless, like that one maniac living in the forest all by himself. Speaking of Woodman, in my AU, he and Drillman already knew each other at this point. This also reminds me of something I forgot to mention in my last post. While I'd love to see them interact in any way, because they're both my favorite characters, I don't ship them in any way whatsoever. I'd also like to think that Woodman and Drillmans father were schoolmates back in the day, maybe even friends? (I'm still holding onto those 30 years).

Anyway, after all the former robot comrades part ways, now without a leader, what was Drillman supposed to do? Once again betrayed by a trusted figure, feeling useless and without purpose, still with these stupid drills mounted to his body... Still too ashamed to ask for help. After all that has happened in the past few hours he begins spiraling, which ultimately leads him to make a very unfortunate decision. Trying to get at least some of the freedom in his life back, he attempts to get rid of the drills making up his body on his own, using the same tools that have haunted him all this time to finally rid himself of this burden.

He regrets this just seconds after, when he's left with an unresponsive limb, metal and wires exposed and oil splattered all over his orange plating. All he can do is stare at the stained drill in front of him in horror.

"I never needed such help/This is my SOS"

Jesus Christ that got dark. Sorry. I mentioned in my last post that Drillman possibly has really bad body dysmorphia, which I'm also trying to convey here. Don't worry, he really gets his hands back after this. Maybe the Lights find him after that and the good Doctor offers to fix him up. By which I mean not only his arm. Because apparently, Dr. Light also doubles as robot psychologist. I just really need Drillman to get his happy ending. He really really deserves it after everything he had to go trough over the course of the show. 

I also need him to have a DJing redemption, besides the normal redemption. I've seen people headcanon that he exclusively likes classical music, but I personally don't believe that. He'd be the kind of music nerd who would say stuff like "I listen to everything" and then you look at his playlists and he actually listens to everything. Maybe not experimental noise rock, though. I can just imagine Aki and Suna helping him put on an actual show, this time without any hypnotizing bullshit, as a way for Aki to apologize for the dread he's caused Drillman during that incident. Drillman would be highly suspicious at first, but actually goes along with it in the end. Maybe they'd also take Fireman along, who Dr. Light also blessed with a brand new pair of hands. The punchline at the end would be that Drillman would have so much anxiety about embarrassing himself again, that he forgets to make an actual set list for the gig. In the end, he exclusively plays Lady Gaga songs, which no one complains about.

Alright then, enough yapping from me. I've really been writing this essay since 8pm. And now it's 2am. My god. I just have a lot of feelings about Drillman.

But now I really gotta go to bed. Stay safe peeps. I hope you actually read the content warnings. Jenny out.

[dsknsk]

Doppel descriptions...for Corrosions.

Doppel of judgment. Its form is a heavenly executor’s scribe. The master of this emotion doesn’t seem to mind it, but remains slightly annoyed with its intentions. A doppel that is always seeking something to judge, part of its body consists of eyes that can move in any direction and see everything. As soon as it sees something that has received a guilty verdict, it locks on to its target, swiftly enacting ‘justice’...but in practice, it will try to execute just about anything, using its hypnotizing eyes to entrance the victim before killing it. The master knows that hiding from it is pointless, but becomes entirely engrossed by it in such a way that her face is formed into its eye itself.

Doppel of earnest wishes. Its form is a pagoda veneration. The master of this emotion has very sincere desires she tries to show, thus this doppel has familiarized itself with that part of her. However, it has grown frustrated with too many stones placed without a shred of sincerity, so it has started assuming that no one is truly earnest. This means that, instead of placing another stone on the cairn, it will decidedly bash anything it finds with a large rock until it finds no more insincerity in its target. Meanwhile, the master remains oblivious to the fact that if the world is entirely rid of insincerity, it will believe that its master’s wish is already fulfilled.

Doppel of seeking. Its form is a wayward passenger. The master of this emotion fully loses his humanity when it is summoned, and has no control over its actions. As it has lost its way, it tirelessly keeps opening and closing dimensions in the faint hope it will ever find home. If it encounters something at the place it wants to be, anger overtakes it and will violently try to remove them from the spot. The numerous sharp teeth on the inside of its body and its blade-like limb often cause the victim to become unrecognizably mutilated. However, the master cannot see anything of this, so he genuinely believes that it isn’t caused by him.

Doppel of abuse. Its form is a backstreets watchdog. The master of this emotion resonates highly with it and is easily overtaken by it. This doppel is a lump of obedience that is constantly led by the electricity that keeps striking it. It does nothing on its own except sit there until it is stirred to move, at which it becomes absolutely rabid, howling and clawing at anything without regard for its identity. Its master appears powerless to stop it, hanging limply on its body, but his movements show that at least a sliver of him remains aware. That is likely to be what remains of his rationality in this state.

[melanodis]

they can see you now.