#yes this is about a group project

[vyeoh]

Social media self care talk needs to die because too many people hear "make time for yourselves" and take it as an excuse to abandon their responsibilities and obligations to other people

[m00nbuggies]

minecraft but i have to survive COLLEGE LECTURES

[starcurtain]

I would pay such good money for confirmation of whether Ratio and Aventurine have worked together before Penacony. How did it happen??? The talks that went on before Final Victor... The initial spark of inspiration to stick Those Two Guys together...

Like, I just have to know if someone in the IPC deliberately tossed Aventurine and Ratio on to a team together (with or without good intentions). Are any of the higher ups in the IPC or the Intelligentsia Guild out there counting on this partnership working out for the best?

To be a fly on the wall when Ratio found out who he'd been hired to "consult" with...

And Aventurine, getting the IPC mission orders across his desk like "Ah, yes, finally. He's here. My Government Assigned Boyfriend™."

[stop-breaking-my-heart-telltale]

What can I say? They're my favorite.

[tearwolfe]

i'm unable to draw any character without including tsukasa

[pinkieroy]

I think the biggest problem that I have with the fandom is that when characters disagree there is this need to pick sides as if we were watching a soccer match and not a fictional narrative. It's not Imogen/Laudna vs. Orym, it's just different people with different backgrounds and motivations (that have known each other for just a few months) that have this giant weight put on their shoulders and are trying to work together, they disagree because that is just how people work

[lasbiarez]

I find it very interesting that Tsukasa has all the potential to be the "main character" of wansho but he's just... never framed as such. I'd argue that title goes to Emu with how she's the one to start wansho and ends the arc with her dreams being reached.

Tsukasa is the leader of wansho and—compared to the other leaders, aside from Kanade—takes on that role more literally than the others. This is not to say that Minori, Ichika, and Kohane doesn't deserve that title because I won't deny that they're the catalyst of each group's creation, but compared to the three Tsukasa is in charge of the group itself and has been acknowledged to be the leader of wansho multiple times by other characters.

Tsukasa's biggest title or dream is being a star; the centre of attention and basically what would be associated to being a 'main character'. He's the sole creator of wansho's SEKAI and song to access it before deciding to share it with wansho at the end of the main story. He's loud and all encompassing, Kaito has specifically mentioned that people simply gravitate towards him. This all leads to the potential of wansho's storyline to surround him and his dreams.

And yet, and yet, and yet.

Tsukasa has always been framed as having a supporting role. The only reason he stayed at Wonder Stage is because of Emu's dream of saving Pheniland, and to reach that dream he needs to bring wansho together and lead them, advancing his skills was just another way to support that dream.

His first focus event wasn't even about himself but about how he helped wansho and the staff of Phoeniland orcestrate Project Wonder, how important his leadership is to rally people for a cause. In the the Scramble Fan Fes event Tsukasa's card isn't about him performing or anything of the sorts, but he's encouraging Minori and guiding her through her stage fright before her performance. His entire dream of becoming a star is spurred on by his desire to bring smiles to Saki and supoort her through her hardships, later Toya too, and then that desire spreads even more to everyone.

Tenma Tsukasa is defined by the people around him, by how much he's able to bring joy to his family and his friends and in turn their happiness becomes his happiness.

And he's so natural at in the way that Emu recognises it the first time she sees him and asks him to join Wonder Stage, in the way that Rui is allowed to change because of the chance Tsukasa gave him, in the way that Nene feels inspired by his exponential growth that she pushes herself forward too. Tsukasa is so important to Toya and Saki for the same reason, Rui asked him to record lines to cheer up Mizuki for the same reason, Shizuku recognises how kind of a person he is for the same reason.

TLDR; Tsukasa loves and cares for his friends and family and his character is defined by his ability to make them happy and support them despite how main character worthy he is

[roxannepolice]

Yk, hands down my biggest problem interacting with any fandom, but especially DW, is that I literally can't even begin to understand approaching a character independently of the writing. Like, the statement "This is a great character, just poorly written" is straight up an oxymoron to me. I sometimes get the impression there's this weird belief in a platonic ideal-like "true history" version of a character that got denigrated by hostile chroniclers and [insert hegemony-adjacent adjective] Hollywood directors or something. Belief based mainly on the fact the actor did what they do for a living. Which is just. Again, something I can't even begin to process.

[dapurinthos]

now the objective is to move from this hallway in search of flash-fried food because the temple hath no fried crispics or flash-fried potatoes (chips/fries).

“While doing this you are, classes you have.”

Sifo-Dyas is instantly as suspicious as if a ruby-red pyramidal holocron with a ‘touch me’ label appeared in front of him. “Classes?”

Dooku gives him a serene smile, closed-mouthed, much like Master Yoda’s. I want to point between the two of them because it's the same smile! I vibrate with the need to do so.

“It's only a short session,” he says. “Twice a week for two and a half months. You get to have meetings with members of the EduCorps and Master Yaddle. There are assigned readings and quizzes. I had to take them before I could take Rael as my Padawan [...] You are going to get extra assignments.”

“What? Why?”

Once again, I am indicated by a hand gesture. “Eight.”

Sifo-Dyas half-shutters his eyes, glances from side to side, and then takes a step closer to Dooku. “You obviously did well.”

“Of course I did.”

Sifo-Dyas rises on his feet, one hand on Dooku’s shoulder to exert the leverage needed to pull their heads closer together. “How much for private tutoring?”

[carnivalcarriondiscarded]

I was sitting and thinking and in my immediate thought was “water damage to fabric” because my thoughts bounce around like ping-pong balls in a hectic game of 16 player free-for-all table tennis.

Anyways the thought I’m trying to say is: in my mind bc you said the rest of the gang will eventually wake up later (sans Frank who woke up first), I imagine bc of Poppy’s size it would be hard for her to have a fully secure area.

TLDR: The end thought is “what if Poppy’s feathers on her tail and head (the big ruff I mean) are shorter in this au bc of water damage?”

OHHHH CHOICE CHOICE CHOICE i am thinking Very hard about this! because although she's stored with everyone (read: crammed in w/ everyone) in the Large Dry Closet eventually, who's to say that she wasn't exposed to leaks? or accidentally dropped in a puddle or two and then Not Dried Correctly? also there are

she could be the one to inadvertently teach Wally that hey. damage exists when water happens. avoid it / treat it correctly or your friends are gonna get even more fucked up. A+++++ suggestion im adding it to the au-canon

[kayzero]

i wanna do something weird and fucky and majorly audience-participationy with my fantasy universe that would both be entertaining and also help me worldbuild but i don’t think enough people would be interested and there’s no audience participation without an audience y’know what i mean

i am asking for affirmation, gay people in my phone—if i made a fantasy worldbuilding sideblog with like fiction snippets and weekly exploration polls would you send asks

[silverselfshippingchaos]

what exactly is your taste in women.... asking for a friend ofc.....

[nimeve]

what if i just go to bed

[shadowedvales]

not that i even include any of the nina project canon on this blog, but what really annoyed me about it all [i mean, basically everything to do with the storyline lmao] is that jane continued to call brenner papa. he claims they're “father and daughter”, offers his hand to her, and she takes it in order to continue the work. she confirms he is her papa. by calling him that, it continues to implement that he is some kind of role model or positive figure in her life. the fact that she didn't confront him about her childhood until he physically stopped her from leaving, and put the shock collar around her neck, is wild to me. all of jane’s development from the very first episode is amazing. at the end of season one she associates “bad” to brenner, after spending one week with the boys. one week compared to eleven years with brenner.

yes she did try running away from him the moment she saw him, and she was only thinking about helping her friends in working with nina, but she would not have put up with his behaviour towards her. she knew who he was at that point, and if not just to her, then to her friends: he faked will’s death, threatened to kill the boys, and most importantly destroyed her mothers life. anyway. the point of this post, is that after season two and her experience with kali, the man who hurt terry, and brenner’s vision, she only refers to him as brenner. there is no more papa. she is not giving him that credit, or allowing him to have that possession over her. if he were to ever come up in conversation, he is brenner, and that’s it.

which, on that note, i believe jane would stop referring to terry as 'mama' and instead simply call her 'mum.' when jane is looking through the documents regarding hawkins lab in the cabin, she sees terry for the first time, and realises she is her mother. without thinking, she calls out for mama, [not ma, not mother, not mum etc] the title already engrained into her from her so-called father: in that moment she still believes brenner is her father, and this woman is her mother. so they are both automatically mama and papa in her perception, the only parental titles she really knows of thus far. she's connecting these two vastly different people together by titles, which may seem simple on the outside, but has far more meaning within. the word papa will always be tainted to jane, and once she finds out about her real father, andrew rich, she would never call him papa, so why would she call terry mama? 'mama' is immediately associated to 'papa' and when jane grows up a little more and comes to realise these titles connect to one another, she only calls terry her mum or mother.

[gumihoe]

red velvet 10th anniversary. happy happy day. happy red velvet 10th anniversary. 10 years of red velvet. I'm a day 1 fan btw. I still remember where I was. rotting in my high school bedroom. when I check out sm's new girl group. I watch their music video. they've got this awful dip dye and the mv is so cheap looking and they've clearly been rushed out to cover up a bunch of the company's scandals. but they're such good performers. so charismatic. and that BRIDGE. shine on me let it shine on me. I fell in love and never stopped. their music changed my life. I spent my youth with them. I've spent TEN YEARS with them. 10 years of the best music in the industry, immaculate vibes, powerful performances, and more. I love you red velvetttttttt

[deltastorm101]

Alan Wake dies.

In this essay I will-

... actually try my hand at a relatively objective examination of and discussion about why Alan Wake 2 ending with Alan's death would, and would not, make sense. I even used proper capitalization for once to emphasize how serious I am /hj. This has been kickstarted by this post by @stuckinthedarkplace; lately I've been thinking a lot about how AW2 could possibly end, and I feel like this possibility should be talked about. So. Let's not pad this out any further.

Pro #1: Alan’s death would make for an excellent tragedy and/or further reinforce the concept of him dying a martyr if they make his death vital to defeat the antagonist for good (who- or whatever it might be). After a years-long torturous fight, the hero sacrifices himself in unwavering bravery to do one last thing for the greater good. A selfless act, ensuring that even if he can’t make it, his loved ones will. Something like that. Plus, I imagine the majority of us players would like to see him walk away from it all alive; taking this away from us might elicit a rather emotional response, which is what every storyteller wants, right?

Contra #1: All these aforementioned years might feel like they have been for nothing. The lengths Alan went to to fight, to persevere, to endure, to survive, for more than a decade – in vain, pointless. Remedy themselves have stated that Alan has “wished he had died many times” – but all this time he held on, not letting go of the fickle hope that he can come back, come home, to Alice, Barry, Sarah. Remedy making an effort to explain what Alan was up to, in Night Springs during the events of American Nightmare and during the setup and unfolding of AWE, and them securing all the rights to the IP for good back in 2019; Alan as a character seems a bit too big, too important to just kill.

Pro #2: Him dying would leave few loose ends. Alice has lived under the presumption that he died for a few years anyway, probably until Mr. Scratch showed up at her doorstep at least, but if we assume that he’ll be taken care of over the course of the game while Alan does not escape, then him biting the dust would be the next most logical option. Saga and Alex either finish their mission knowing they failed to take him in alive, or even be forced to abort it, maybe because of unforeseen complications or lack of results. Alan has been living in hell for so long, by dying he’d finally escape it. It would be over, and if other characters could be made aware of his definitive passing maybe they too could move on, find peace, be done with the nightmare.

Contra #2: Alan is Sam Lake’s baby. Would he really kill him off for good? I certainly don’t think it’s beyond him, at this point I think he could write anything and it would somehow fit, but... Alan is Sam’s baby. Sam has been fighting to bring him back for this entire time. Somehow I have my doubts he’d throw that away, throw him away. (cf. Contra #1.)

Pro #3: Alan has killed Casey in The Sudden Stop. If Sam killed Alan, his story would directly mirror Alan’s and Casey’s; this would add another excellent meta layer on top. Kill your darlings or something. Let’s hope Sam doesn’t get writer’s block and plan to travel to some cabin on a lake anytime soon.

Contra #3: It might feel cheap and unimaginative. It’s an ancient trope, almost older than It-Was-All-Just-A-Dream. Can’t figure out an ending? Don’t know where to take the story next? Looking for a straightforward way out? Kill the protagonist. Better yet, just kill everyone. Boom, job done. I’m exaggerating of course, but I speak from experience. Don’t look for my old fics.

Pro #4: The story of AW1 was, at its heart, about the creative process and a lot of the feelings and mental mechanisms behind it. Stories end, lives end. Death feels final. Inevitable. A dead writer at the end of the story... there’s a ring to it. (contradicts Contra #3.)

Contra #4: Remedy would make it harder for themselves to expand further on their connected universe, which they have said was their goal for the next project(s). At this point I imagine AW is a very precious asset for them. Granted, I’m sure they’d always find a way to expand anyway, this is Sam Lake we’re talking about but... I still doubt that it would feel quite right. I mean, hell, they used to call AW2 “project big fish”. That’s gotta count for something, right?

So. Which side are you on?