#yes there's freedom of opinion

[ut-aus-marx]

I can never get why people can't just let other people think what they want, and leave writers alone. They try their best, and sometimes they make mistakes. They're human, after all. Of course, Cross isn't perfect -- in character or in representation. But they are great. Good enough.

We don't deserve you, Jakei.

(PS, I noticed that OP did exactly what they were criticizing others for, 'destroying aspects of a character to create a similar but different one,' by using some of the approximate diagnoses to write of cross being trans-coded)

[im-sorry-what-ii]

i personally will forever hc ice as a shaking ball of overthinking and anxiety with an m&m shell of artificial calm and control to keep it all together. and i would be correct.

[sun-marie]

This is probably gonna be the last time I talk about this bc all it really does is make me sad and it's not the kind of thing I want to focus on abt BG3, but whenever the larian writers say some out-of-pocket shit about Wyll or Gale I'm reminded of this

[monards]

can a girl ramble aboutthe way you can interpret so many parts of the propaganda and characterization of rhine by other the people/general populace of teyvat as people largely antagonizing neurodivergent traits without being chased with pitchforks and torches.

[docholligay]

I think it’s important to remember in fandom that in your own fandom space you are allowed to be god, but never forget that you are also a little stupid.

[carebooks]

makes me kind of sad that no one’s made a proper multifemale edit of taylor’s who’s afraid of little old me? bc, okay look, the song is filled with so much female rage that when i see people using it for edits for male characters, and it’s male characters that i like or love don’t get me wrong, it’s like they’re not getting what the song is about. it feels weird seeing it paired to anything other than women and what we’ve struggled with.

[suffarustuffaru]

🛒

What are some common things you incorporate in your fics? Themes, feels, scenes, imagery, etc.

MY BAD it has taken me a little while to get to every fic writer question ive been asked pfft but i appreciate all of them and theyre really fun to answer :o and alright ok common things—character psychology is a big thing in all of my work :o aa every time i write a characters pov i try to do at least some research into their personality, backstory, etc etc bc my writing is almost always like?? character study type things?? i Really like delving deep into how characters think!!! :o so a lot of my works are like. you Will hear almost every thought in their head HAH. ive been told i have a very recognizable writing style widndnd but i do try to switch up internal dialogue at least a little bit depending on the pov character. i dont know how effective i am at that but i try HAH plus i think its fun trying to capture how someone thinks in the same way that youd try to capture how they speak in their dialogue. i think the most obvious example is probably my recent reinhard stuff—i tried to sound more formal with him? even with little kid reinhard i wrote his internal dialogue kind of formally because i figured that Might be able to create that bit of Dissonance that reinhard has as a character, you know? hes uncanny.

and uh because i focus on internal dialogue a lot, by the nature of things i kind of Have To slap the unreliable narrator tag on the vast majority of my fics HAH but unreliable narrators are fun and i love playing with them!! and i think its realistic in the sense that even a character thats very fair and just and honest may still have the wrong information at times or have emotion cloud their judgment or be a little unreliable for those reasons. that and i tend to pick the mentally fucked characters (which is pretty easy with the rezero cast HAH) whenever i write Very detailed internal dialogue so!!! unreliable narration and spirals into madness it is!!! i just really like exploring like. the humanity behind each character and all their nuances <3 and i Love having to squint at internal dialogue and add that up with a characters thoughts and actions and figure out who this person Actually Truly Is Like?? its like a puzzle :o !!

as for themes. i went into this a lot in another fic writer ask thingy but Definitely like. when characters change as a result of shit hitting their fan and/or their own choices and now theyre Different from the person they used to be. they came back wrong so now what are they going to do? how are the people around them going to treat them now? how will they treat the people around them? i just really like going into like. identity crisis… and um…. suffering that triggers massive self searching bc. the character changed in some way in order to survive through it physically and/or mentally. like seeing characters change for the worse and seeing them either try to crawl their way out or they. keep going down. it can be hopeful or very tragic!!! (bc i love hurt/comfort and tragedy a lot ajdnd) and complicated relationships are a huge favorite of mine to tackle. fascinating multi-layered stuff that i want to study under a microscope!!! i like when multiple contradictions exist within a dynamic or like. a character and their journey. the complexity feels very real to me and i find it intriguing :o

i also love queer themes but due to um. some of the toxicity in this fandom i do hesitate to do stuff with that in this fandom but i DO love queer themes its just not in most of my work atm but thatll change eventually 👍 ill at least slip in a little bit every chance i get 👍👍 (i have exactly one fic with queer themes atm wjdnd)

motifs/random imagery i use a lot also!!!! mostly bc i find them cool and fun but. yes theyre there for a reason. in my first pride otto fic i used second person pov and avoided using his name at points to emphasize that hes 1. being dehumanized and 2. hes dehumanizing himself too as a result. i uhh have also used star related things for subaru a lot bc Of Course. butterflies and moths for emisuba things…. economics themed titles for my pride otto multichap…. bugs for general pride if things…. comparing the knights uniform to bird wings in my reinhard and heinkel fic… i like to describe outfits in general too (pride otto vs main ottos outfits, also felix not wearing blue in the 2 seconds of screentime he has in my pride if fics atm wkdndn) etc etc :o

[odysseys-blood]

nah ive been thinking abt this all way but its not funny haha but funny weird for a black man to paint a resistance group of an oppressed nation that has been under seige for 75 years as being just as bad as a colonizer military backed by every major western power :/

[girlivealwaysbean]

arey

[thesnowflake18]

Alright I know this is super super late but I'm curious, what were y'alls opinions on Greatest Living Show- like was it too disturbing for you? Not great, amazing, just ok, expected or not expected of Toby etc etc. I'm discussing it on Twitter rn and I just need to know

[takeaguessbuddy]

.

[amerasdreams]

if you think for yourself, you will make enemies, even of your own side, because no side has a monopoly on truth, no side is infallible.

people don't want to change course or believe that they're wrong, but it's essential to speak the truth, even if it means being attacked for it-- even ostracized by your own group.

that's scary, but it's better than going against what you believe. better than staying silent and letting things keep going on in a bad direction.

[carebearbussy]

𝙡𝙤𝙫𝙚 𝙡𝙤𝙘𝙠𝙙𝙤𝙬𝙣

ᥫ᭡ 𝙨𝙮𝙥𝙣𝙤𝙥𝙨𝙞𝙨: 𝙞𝙣 𝙬𝙝𝙞𝙘𝙝… 𝙮𝙤𝙪 𝙨𝙣𝙚𝙖𝙠 𝙤𝙪𝙩 𝙤𝙛 𝙨𝙪𝙠𝙪𝙣𝙖𝙨 𝙚𝙨𝙩𝙖𝙩𝙚 𝙞𝙣 𝙩𝙝𝙚 𝙢𝙞𝙙𝙙𝙡𝙚 𝙤𝙛 𝙩𝙝𝙚 𝙣𝙞𝙜𝙝𝙩.

ᥫ᭡ 𝙥𝙖𝙞𝙧𝙞𝙣𝙜𝙨: 𝙝𝙚𝙞𝙖𝙣 𝙚𝙧𝙖! 𝙨𝙪𝙠𝙪𝙣𝙖 𝙭 𝙛𝙚𝙢𝙖𝙡𝙚!𝙧𝙚𝙖𝙙𝙚𝙧

ᥫ᭡ 𝙘𝙬: 𝙖𝙣𝙜𝙨𝙩, 𝙞𝙢𝙥𝙡𝙞𝙚𝙙 𝙙𝙚𝙖𝙩𝙝 (𝙠𝙞𝙣𝙙𝙖?), 𝙣𝙤𝙩𝙝𝙞𝙣𝙜 𝙚𝙡𝙨𝙚 𝙧𝙚𝙖𝙡𝙡𝙮.

ᥫ᭡ 𝙬𝙘: 1.7k

𝙬𝙖𝙣𝙣𝙖 𝙨𝙚𝙚 𝙢𝙤𝙧𝙚? 𝙝𝙚𝙧𝙚𝙨 𝙢𝙮 𝙢𝙖𝙨𝙩𝙚𝙧𝙡𝙞𝙨𝙩

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It was morning, as you were seated at a large gazebo with the very few concubines whom you had respect for. You drank the tea a maid had gotten for you, as you took small bites of pastry from the treat stand in the middle of the round table. The greenery of the courtyard made the day all the much better.

These concubines were also some of the few Sukuna had approved of you being around, so it felt nice to have some sense of normalcy. The girls all admired you, and the love their lord had for you. As the conversation went on, the talks ranged from talking about how great Lord Sukuna was, all the way to asking you personal questions. Until one of the younger concubines asked you a peculiar question.

"Have you ever tried sneaking out, Y/N?"

It rolled off her tongue out of sheer curiosity. "Yes, please tell us!", another one spoke up. The girls sitting around you looked ready for your answer. But you were dumbfounded at that thought. "No, I haven't." You answered, not wanting to even think about that. Sneaking out? Sure, you had your freedoms with Sukuna, but you never got to go out alone before. You wondered what it would be like, after all, and all the great things you could do. Shopping? Seeing your family on your own? Even for one night would really be something to wonder about.

"Really? Im suprised, considering how much Lord Sukuna dotes over you." An older one spoke, acting as more of a parental figure in the estate for you. "I guess... but I never really thought of that. And I don't really want to know what would happen if I were to ever do that." You spoke, searching for opinions from the other girls. "Maybe you should try! We can help you!" Another younger concubine spoke enthusiastically. "We can have a private girls trip!"

Private? Girls night? Those two things didn't sound appealing, especially to somebody in your position. Ever since Sukuna had taken a sudden liking to you, your world of privacy was thrown out the window. Everything seemed to involve him somehow, even when he was not present. A look of distain crosses your face, as you overthink everything.

"Please Y/N! We wont get caught I promise! How about tonight? We can all make preparations, while you just sit back and let us do the work!" And with that, everybody else seemed to agree. Besides, what complete harm could sneaking out for one night do?

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It was the covet of night, as Sukuna had just fallen into deep sleep. His arms were securely wrapped around your body, as you layed on top of his. You blew onto his eyes, just to check to see if he was truly asleep. No reaction. You felt his chest rise and fall with each breath, indicating he had to ill feeling you would try to leave. When he was asleep, it was usually very difficult to escape his grasp. Even when you needed to use the restroom, he would refuse to let you go in most cases.

You ever so slightly slid off of his body, using your hands to try and pry yourself free. You had gotten his top set of hands off your back, but as you were about to fully escape, you heard a low voice.

"Where do you think you are going?" He asked you, only opening his lower set of eyes. You felt your whole body heat up in a nervous mess. "I-was just using the restroom." You say, as your voice starts to crack a bit. "... have one of your servants go with you, like always." He says, while squinting at you. "Don't make me wake up again, brat." And with that, he calls for a servant, thankfully being your close friend in the estate, Miko.

He watches as you move towards the bathroom, and now confirming you were indeed going to the bathroom, he falls back asleep before saying, "And be quick."

As he falls asleep, you and Miko head to pack your belongings into a large bag, making sure to pack all of your essentials. Tip-toeing towards the door, you watch Sukuna with every step, worrying he might wake up and surprise you out of nowhere. But your fears are overtaken with confidence, as you have now reached the sliding shoji doors that lead to the first part of the courtyard. You give Miko a glance, before slowly opening the door, making sure not to wake up Sukuna.

As you open the door, you see the moonlight shine upon the estate, and reflecting on the large fountain in the middle. You had never been out here on your own, really. It was refreshing to be here so late. You stood by the door for a good while, before Miko spoke up.

"Y/N, whats wrong?" She asked you, as she tugged on your hand to keep going forward. "Nothing- its just I have never been out at night alone." You say, as you look around at outside. It was beautiful outside. The air was chilly, but the wind kept at a steady pace, with your thin satin nightgown not helping the chilly air. The wind blew your hair slightly out of your face, letting you get a better view of the outside.

"But you aren't alone, you're with me! And plus, we still have to meet up with the rest of the ladies, so lets go!" Miko says, her head slightly tilted. "Yeah, your right." You say, as Miko leads the way.

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You arrived near the front gate, but far enough to not be seen by the guards. The guards have been given strict orders to return you if you were ever to be caught sneaking out. And you knew this. You and the group of concubines sat near the bench, talking about your escape plan quietly. In the back, you can hear the crickets buzzing as the night goes on.

"Okay so, whats the plan?" You asked, causing all of the girls to look over at each other in disappointment. "So your telling me, you made me sneak out in the middle of the night, just for all of you to not know what to do?" You asked frantically, but still whispering. "Okay okay, calm down. We are not going to get caught, especially for how far we have gotten." The older one spoke up. "Exactly! We have gotten so far, we cant stop now." Miko spoke up, lightly rubbing your shoulder.

You start to overthink all of the possibilities in one moment. Will he yell at you? Kill you? No, he could never do that, but the thought of that makes your mind go fuzzy in a way you cannot explain.

"I don't know guys, we should just go back-" Your words are interrupted when you bump into a particularly large wall. Wall? No, this was Sukuna. You drop your bags, as all the respect in your body is put forward.

"Oh? What do we have here?" Sukuna says condescendingly. In an instant, everybody in his vicinity including you cowers to their feet to bow, leaving no room for questions. Behind Sukuna, who was towering over everybody menacingly, was Uraume, as well as a couple guards huddled behind Uraume. Sukuna proceeds to pick you up by the nightgown, as you dangle while looking into his eyes, causing you to shut your eyes out of pure fear.

"Im sorry 'Kuna, i'm so sorry-" "Sorry for? Its clearly not your fault, but these incompetent women you call your friends. Clearly I need to keep better watch." He says, then glaring down at the set of women before him. He scoffs at them, before he hoists you over his shoulder, holding you on there with one hand on your ass, and another wrapped securely around your back.

"Uraume, take care of these women, and make sure they stay clear of Y/N in the future." He says, before turning the other way, walking off with you back to bed. How did he know? You were sure to cover your tracks well. But this confirmed your suspicions, you really couldn't hide from Sukunas grasp. "Right away, my lord." Uraume replied, as they made a flick of the hands, signaling the guards to do their job.

As you are steered away from the scene, you get a good look of your group of friends being halled away by the guards. But Sukuna does not like ruining the image he had gone out of his way to make for you, so he covers your eyes with one of his free hands. You try to move his hands away from your eyes, but to no avail. "What are you doing with them? Where are you taking me?" You say, kicking your feet at his chest, but the mouth on his stomach catches your foot.

"Back to bed, where you belong. And then i'm going to teach you about the things that happen when you try to pull stunts like this."

What. What did he mean by that? "What made you think I would not find out about such trivial things? You are horrible at hiding things from your king, brat." He says, with a 'tsk'. "I said I was sorry, just please!" You said, a look of concern evident on your face. "Please don't hurt my friends!"

"Friends? There is no need for those anymore, now that I know their intentions, must have not been some very good 'friends' if they were planning on leading you away from me."

The walk back to your bedroom is quiet, mostly consisting of your heartbeat racing, the only thing keeping your mind steady are the steps of Sukunas strides. As he reaches the front steps, he places you down on the ground with care. His stature towers over yours, as he reaches out to place a hand on your chin, forcing you to look back up at him, the moonlight reflecting behind him.

"I do not know where you were planning on going, but you wont get very far without me, just so we're clear."

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[beifong-brainrot]

People will go on about how "Katara's story is a tragedy" because she... ended up marrying the guy she loves, having children and grandchildren which she was always excited about and literally becoming a master waterbender and rising to the top of her field as a healer.

Yes, Katara's story has tragic aspects to it. And there are certainly flaws in how she is written in tlok (Though I will argue that there are actually more issues with how Toph and Zuko are just plopped in there for no reason in later seasons). And her storylines aren't perfect, for example her resolving her trauma around the murder of her mother being more used to prop up Zuko than her own internal turmoil. (Most of TSR is from Zuko's perspective and I hate that actually)

"Katara's story is a tragedy" Why do you have such a hard on for this woman's misery? Let her be happy, man.

You know what gaang girlie's life is an actual onscreen tragedy?

Toph's!

People will fucking downplay Toph's childhood abuse because she wasn't physically hurt, but her childhood was a never ending carousel of abelism, misogyny, neglect and isolation. The way Toph describes her parent's treatment of her as "pressure and pain" is heartbreaking.

Toph's only escape was Earth Rumble and earthbending, but despite her skills, she remained the perfect little lady her parents always wanted her to be. She's never known a different life, and she was only able to be her real self in secret.

And when Toph finally opens up to her parents, when she finally lays her real self bare in front of the people who are supposed to love and care for her?

She is met with what may be, in my opinion, the cruellest rejection in the show.

Despite this, even when Toph runs away, she still cares for her parents' approval. Hell, she's even lured into a trap due to her getting a forged letter from her mom and getting excited because it looked like her mom was finally accepting her.

It's also important to note how determined to be self sufficient and to prove herself Toph is. We can especially see this right after she joins the Gaang, where she refuses to participate in splitting with the rest of the group, insisting on "pulling her own weight". This isn't Toph being a brat, or spoilt, this is her wanting to prove that she can handle herself because people have handled and understimated her her entire life.

Eventually, Toph starts to learn to trust the members of the Gaang and this is a step in the right direction. She's literally making friends for the first time in her life I'm so proud of her.

However, I was genuinely upset when Toph's life changing field trip with Zuko didn't work out. When Toph was trying to connect with Zuko and he blew her off (I'm not blaming him tho they had shit to do), I couldn't help but remember the rejection Toph suffered from Lao.

Post canon, Toph continues to try and prove herself, starting a metalbending school and training new metalbenders.

She also reconciles with her father. Not before Lao disowns he rmultiple times and calls her a rude, ungrateful thing. And while he eventually comes to understand Toph and cherish her, that type of trauma sticks with you.

So it's no wonder really that Toph, someone who went her entire childhood seemingly without even speaking to someone her age, would have trouble forming connections. She has children with two different men, neither of which seem to stick around.

Toph tries to do right by her daughters and gives them the freedom she never got. Sadly, the pendulum swung too far to the other side, since it seems that she started to neglect her daughters, which led to them developing a sleugh of issues of their own.

Toph becomes the cheif of police, which kind of makes sense. Republic City was only slowly emerging as an actual metropolis. Toph took on a role as a protector, and probably as a way to prove herself. But as Republic City grew, Toph probably realised that she became something she hated. A cog in the machine, and started to despise her job.

Searching for a semblance of the freedom and happiness her travels afforded her in her childhood, Toph leaves the city and takes up the life of a hermit in a swamp. She managed to fix her relationship with Suyin to some extent, but still seems reluctant or simply unable to connect with her daughter or grandchildren. Since she apparently hasn't seen Opal, a grown 20 year old woman since she was a little girl.

On the surface old Toph doesn't seem terribly dissimilar to young Toph, still tough and spunky. But she is more jaded, depressed and pessimistic. She comes out to save Suyin from immediate harm and manages to somewhat reconcile with Lin, but then she fucks right back off to the swamp where she seems to literally hide until Wu and Korra straight up force her to come with them.

Toph's story began with her alone and it seems to end with her alone as well. It's a story of a girl who grew up isolated and handled by others, and was woefully unprepared for the real world, which only jaded her further. She lives with the guilt of fucking up her daughters' lives and a belief in the pointlessness of life.

Toph started off longing to experience the world and ended up willingly isolating herself from it.

If that isn't a tragedy, I'm not sure what is.

Mind you, this is not the trauma olympics. I'm not saying that Toph has suffered more than Katara or that Katara's trauma is not as valid as Toph's. Katara and Toph's experiences are completely different, Katara being a victim of genocide and war, Toph being a victim of child abuse. I'm just saying that, objectively, Katara had a happier 'ending' than Toph.

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[wilwheaton]

Donald Trump threatens the entire existence of the American republic. He is able to do this because the Supreme Court he created is assisting him in doing so. It is a corrupt Court – on which more later. It overturned a central right for half of our population. It routinely mixes and matches rationales, jurisprudences, logics to arrive at the end point of transforming America into their extremist vision. We’ve heard that yesterday’s decision was a terrible decision, an extremist decision, that it changes the American experiment fundamentally. No disagreement with any of those points. Most importantly, in my mind, it’s a fake decision. Yes, it will now be controlling within the federal courts. But it doesn’t change the constitution any more than a foreign army occupying New England would make Massachusetts no longer part of the United States. That may seem like a jarring analogy. But it’s the only kind that allows us to properly view and react to this Supreme Court.

The rationale for the decision yesterday has literally no basis whatsoever in the US constitution.

Josh Marshall is correct, but I don’t think it matters. This corrupt, activist, fascist SCOTUS does not care. The majority has decided that the Constitution, 250 years of precedent, popular opinion, and the foundational ideas that have made America what it is since 1787 are what they say they are.

I live in a country of three hundred and forty million people.

In this country, six unelected christian nationalists, five of whom were placed on the court by presidents who lost the popular vote, who are opposed by SEVENTY PERCENT of the population, are making up laws out of whole cloth because their power is unchecked. A country that allows this to impose their regressive authoritarianism on that entire population is not a free country. It is not a Democracy.

America has not been attacked like this since 9/11. Six unelected people forcing their christian nationalist agenda on a population of three hundred and forty million is not a Democracy. It is tyranny.

Everyone is missing the central message of yesterday’s ruling: SCOTUS is going to install Trump as dictator for life, by any means necessary. Somehow, after he loses the popular vote again, and after he’s even lost the Electoral College again, these six Fascists will invent a reason to overturn the will of the electorate, again. Every single one of their rulings this term have been part of their coup. Now, just line them all up and connect the dots.

We are four months away from the likely end of what passes for freedom in America, and once it’s gone, it’s not coming back in my lifetime.