#yes it's a harem

[cryindollhouse]

HEAR ME OUT

(or maybe my boy just has a thing for sad bois with snakes)

[benevolenterrancy]

"If the original novel had given this thing more than ten words of description, there was no way he wouldn’t have remembered!"

[deikshen]

Schrödinger's Cumplane: adopting a stray cat and they name him Bingpup, they share an apartment so that Shang Qinghua can write whatever he likes without fear of not having the money to pay the rent, they do their monthly shopping together choosing things that the other likes, they go to dinners and coffee shops just for entertainment (not as dates), they share room and bed sometimes even because of the number of times they fall asleep watching anime or criticizing dramas on the TV in Shen Yuan's room. Obviously, everyone - family, neighbors, friends, people from forums - thinks they are... something. Relationship. A couple. Married. God knows.

And Bingge appears in search of his Shizun's soul. A soul that has not been taken by another cheap copy of him... But, this little Shizun also seems to have been stolen by another cheap version of himself?!

Because the man who lives with that Shizun, with that wild hair, those disheveled clothes, even the broader shoulders!! It's like seeing a weaker, more worldly version of himself. They share the same eyebrows and eyes, even!

But the only "Bing" is that black cat who hisses him a lot, and... what kind of name is Airplane? Why does his little Shizun call that cheap copy of him that?

WHY HIS SHIZUN CALL HIM QINGHUA?

Luo Binghe only appears in their lifes to say: I will stay. This cheap copy of him is weak enough to not put up any resistance! And his little Shizun, after the initial shock, asks him a million questions and decides not to call the cops - what the hell are cops - decide what, well. It doesn't matter. They have a spare room anyway and Binghe can occupy it.

And Luo Binghe doesn't understand anything.

Well, if this Shizun is supposed to have already been taken over by that weak and mortal copy of him (not a hint of demonic blood, not a bit of spiritual power! Ha!), why doesn't he behave like a husband should? Why doesn't he cook for him, why doesn't he worship the ground he walks on like the other he?

That just means that Binghe has a better and easier chance to show his best against this Shizun! Ha! In your face cheap copy!

(Shang Qinghua has no idea why Luo Binghe hates him so much. He stays away, writes, complains every time Shen Yuan forces him to stop writing ABOUT BINGHE'S SEX WHILE THE REAL BINGHE IS IN THE SAME ROOM. Well, he is a man of habits, and his novel continues sell.)

(Shen Yuan feels a little intimidated by the fact that he has Luo Binghe living in his home. He also wants to beat up Shang Qinghua for the clear and obvious self insert mannerisms he put into his Stallion Protagonist. Damn, he would love to not see the similarities, but now he can't stop noticing and it's driving him crazy! They're like brothers! The same wrinkle of the nose when they don't like something, the same grimace of the lips before saying something unpleasant, the same fucking intense eyes! Fuck it!)

[theladysunami]

I had a very odd dream where a train (or bus?) I was on got yanked into another world. While my dream had nothing to do with SVSSS, it did have my waking self thinking about how hilarious and/or horrifying such a thing could be as an AU.

Imagine Shen Yuan riding the subway, train or bus one day, when something happens and his whole car gets yanked into the world of PIDW. Nobody else in the car knows anything about PIDW, so Shen Yuan finds himself with the self imposed task of keeping this eccentric group of strangers alive in a weird world full of demons, monsters, and aphrodisiac plants.

The group’s first assumption would probably be that they’re still on modern earth, and just got teleported somewhere. Their second assumption, if they come across common folk, might be they somehow ended up in the past.

Then they run into some monster, or people riding on swords with specific uniforms, or a commoner mentions a name or event only Shen Yuan recognizes. The rest of the party debates what sort of Xianxia or Wuxia world they’ve ended up in, while poor Shen Yuan sweats bullets. He knows exactly what world they are in, and they are so screwed.

I have this image of poor beleaguered nerd Shen Yuan successfully protecting and leading this group of primary school kids, their cute teacher, and a handful of grannies and grandpas, while all the other adults and older teens keep wandering off and getting themselves in trouble.

[pareidolla]

been chewing on my opportunist for awhile and i think he’s coming along really nice! smth smth “the voices in my head can’t this cute”

bonus:

[mahanoormoon]

Sakura Haruka my favourite harem protagonist

[sheilasolane]

For sale! Message me for price

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[camilahxly]

Reblog for next part🔥🔥🔥 FaceTime show who’s horny?

[late-night-secrets]

It was impossible to not at least fall a little for Gojo Satoru, the strongest sorcerer in the world – and your colleague. Both of you started working as teachers at Jujutsu High at the same time. Back then, you had heard of him, of course, but with you graduating from the Kyoto branch, you had only met him a few short times, even less had talked to him.

He was just like everyone said: Loud, cocky and extremely powerful. His whole presence had pissed you of at first, but just after a few weeks and one or two very mature moments of self-reflection you had realized it was admiration. Admiration and envy. Because he was the strongest and infuriatingly good at everything he did, and why on earth did he have to start teaching at the same time as you?! People would compare the two of you, naturally, and there was no chance against him. It was outrageous.

And the worst of it all: He noticed you (How could he not when he had arrived terribly late at your initiation and you and Principal Yaga had waited for over an hour?), he knew you (How could he not when he grew bored within the first five minutes of Yaga’s speech of the school’s principles, had asked for your name and used it ever since when he was greeting you?), he seemed to like you (… How could he?).

To be fair, it’s Gojo Satoru. He smiled almost all the time and seemed to be endlessly excited about everything and everyone. If he disliked someone, he had no problem with showing and saying so, and at some point, you noticed, he had never said he disliked you. No, quite the contrary, when he was bored, he was looking for you bothering you while you had work to do; nagging, poking, invading your personal space, whining about a lack of attention right in front of your class to a point where you had to kick him out. When you were getting lunch, he joined you without being invited to or asking to be; as if it had always been like this. He chatted with you about everything and anything at all, and you chatted back. Because you had realized Gojo Satoru might be a nuisance, but he was good and kind, and that was nice company to hang out with, you thought.

One day in winter you went into the teacher’s lounge in between classes to grab a quick cup of coffee and found him… existing there for whatever reason. You just gave him a short greeting, not paying attention to what he was doing, and immediately went for the coffee machine. Instead for a greeting in return, you were met with silence first, and then a: “Are these yours?”

You looked up to see him holding one of your gloves. It looked incredibly small in his large hands.

“Yeah, why?”

When he turned to you, you couldn’t see his eyes, but you imagined they were wide open with surprise. At least that was what his hanging jaw indicated. “Are your hands that small?”

You raised your eyebrows in offense. “I find them perfectly fine.” To prove your point, you raised your hand, palm facing him.

Without hesitation he put his against yours to compare the size of your hands. His infinity was off, and skin touched against skin. “Woah, they really are small!” He put his hand and your glove down and made his way to the door. “Anyway, gotta teach. See you.” And just like that he left.

And you were left standing there, your palm still tingling from the contact of his warm hand and your heart pounding a tad bit too much. A part of you wanted to react with humor, throwing an exaggeratingly desperate “What are we?” after him which he would have definitely heard. But you couldn’t because your voice left you for a minute or two. Why was your heart still pounding? And why were you frozen in place repeating these few seconds again and again in your head?

Retrospectively, that palm-on-palm encounter was most likely where it all started. You began second-guessing all of his interactions with you, everything he said. For a first, you realized that he was very touchy with you, seeking your proximity: His fingers brushing against your arms nearly every time he was talking to you. As if he wanted to pull you closer. Or your fingers always touching when handing him something. Walking unnecessarily close to you, or shifting after you sat done, so there was merely an inch left between your arms or legs. Perhaps it all happened by accident, but your heightened attention caused you finding it more significant than that; and it occurred too frequent to call them accidents at some point.

Another thing you noticed was the staring. More than once you felt a tingling sensation at the back of your neck, and when you turned your head, you would find him looking at you. It was a bit difficult to distinguish whether he had actually been observing you or something lying in the same direction, with his blindfold and all. But most times when being caught he would either smile or quickly turn away.

And lastly, and most importantly, the way he spoke to you. It created butterflies in your stomach. He wasn’t particularly flirty, not more to you than to anyone else, but he seemed so carefree when he was talking to you. There was all this nonsense and his jokes, of course, no one got spared, but with you he seemed to relax in a way that sometimes made him turning a conversation to more serious matters to which he not only contributed cold facts but also his very own thoughts and concerns; his opinion and worry on certain topics, he shared them with you. The moment you realized he didn’t do that with everyone, your heart fluttered, somewhat prideful of the fact that you were someone Gojo Satoru confided in. You felt special.

It made you think of him outside of work; about interactions with him, involuntarily reading into them. That one time the teachers of the Tokyo and Kyoto branch had to group themselves into pairs of two for a field day activity for the students, and Gojo pretty obviously used his Six Eyes during drawing lots to get paired up with you? Yes, he wanted to be teamed up with you, but why? Because you had more patience with him than Urahime or Nanami? Or because he enjoyed spending time with you, liked that you laughed about each other’s jokes? Because he liked you? Or that one or two times when he pinched you out of sheer boredom in one of the meetings and then snickered at the way you squeaked and slapped him on his shoulder as a punishment? Or that time around Christmas when there was decoration all around the city and you and him were on a mission and he had spotted a heart-shaped Christmas ball that he wanted to hang on your uniform?

You tried to think about it rationally. Despite hanging out with him so often, you barely knew him. You had no idea where he was born, if his parents were still alive, what his favorite color was, which kind of music he enjoyed listening to, whether he had a partner. It would make sense, that last part, because this was Gojo Satoru, the strongest, the most handsome, the wittiest of them all. How could he still be single?

On the other hand, wouldn’t he have mentioned them at some point at least? Hm, not necessarily; he was the strongest which also meant he had lots of enemies. He probably didn’t want to put anyone in danger who was dear to him.

Okay, then: Would he act towards you like he did when he was already happily taken? Maybe? Maybe not? Probably not. Right?

It drove you mad. You could hardly concentrate on your work which affected your results, and that drove you even more mad. It was ridiculous. You were a grown adult and felt like a teenager with your funny, little feelings for that dashing colleague of yours. Surprisingly, every time you spoke to or ate or worked with him, you found yourself maturely nonchalant considering the turmoil he caused within you. Quite the opposite even: When you saw him, you felt at ease and the storm inside your head calmed down.

You fell for him.

It was maddening.

You decided to tell a friend – that you were crushing on your coworker, not who said coworker was exactly – and they managed to give you enough courage to ask him out. “He will say ‘No’ if he’s not interested. Or if he has a partner, I guess,” they said. It would be the first time for Gojo and you to meet privately. After pondering for hours you texted him whether he wanted to grab a coffee sometime this week.

He took an awfully long time reply but after six hours full of agony you received an answer: “Yeeeeees, sounds like fun! ^^ But I’m not in the city this week :(“

You texted him back, suggesting a day next week. Once more, many, many hours passed. He’s a highly demanded sorcerer, you reasoned, he’ll be busy.

He replied that he couldn’t say for sure whether he’d be in Tokyo next week but not to worry, you guys would manage somehow.

His words were encouraging but at the same time you felt a little Pang in your chest that it didn’t work out as planned. But, rationally speaking, it was going well; he agreed on meeting you and that gave you hope.

When he didn’t text you at the end of next week and you hadn’t seen him at school either, you dropped another message asking about his whereabouts. His answer came the next day, that he was fine but also very busy.

You suggested another time for the coffee, and this time he agreed.

All of a sudden, you became nervous. It wasn’t as if you two had never met before, or if you had never spent time alone with him. But for some reason, this felt different. Nonetheless, you were excited when you were getting ready. Sometime on your way to the café, he dropped you a message that he would be sitting inside the café waiting for you. With excitement you noticed that he was actually on time for your… meeting (you didn’t dare to call it a date). And when you spotted him sitting inside, wearing his sunglasses rather than his blindfold, your heart skipped a happy beat.

The greeting was warm and full of smiles; it had been quite a while since you two had last seen each other with missions and all. You got your drinks and started chatting about what you had done in the last couple of weeks. You were talking about your classes, about that especially annoying curse you had had to take care of on your supposedly free day, and some family business you had had to attend to.

After that, he told you about his super top-secret mission – abroad even! – he had been sent to, about how he had finished it with so much ease (of course) that he had been able to return back to Japan earlier than expected “… and thanks to that I spent a few days in Kyoto, that’s where my girlfriend lives.”

He continued on, talking about some new sweets he had tried, or was it about some old colleague he had met? Either way, you couldn’t pay attention. It sounded so cliché, but you were quite positive about hearing your heart shatter after he had said that last sentence. Your mind stopped working for a good minute before you snapped back and feared that he realized.

Was it just your imagination or had he gazed at you a bit more intensely than usual when he had said “girlfriend”? You didn’t know and you couldn’t skip back and replay that moment.

You wished you could. You wished you could stop everything right before he said that awful sentence. You wished he was joking but he hadn’t been using his teasing tone. You wished you would wake up and realize that you just had one of those horrible nightmares that hit a bit too close to real life scenarios.

But nothing like that happened. And just like that, within a second, your heart was broken; unintentionally even, you thought so at least. Gojo wasn’t the type to lead someone on. He’d be a bit flirty with everyone, yes, but he wouldn’t want someone properly fall for him when there wasn’t a chance. He wasn’t cruel to people he liked.

And yet there you were. The meeting was very nice; lasted for hours because the two of you had lost track of time. That was even worse. If it would have been awful, you thought you could eventually live with the fact that the two of you clicked at work but nowhere else, but that didn’t appear to be the case. Just like usually, you guys could easily joke around, talk about stuff related to work but also to some more private matters; teasingly banter about your favorite dishes being the whole opposite of each other but agreeing on the problems of the Jujutsu society.

Only when you were alone at home, you allowed yourself to let the fact sink in that Gojo Satoru had never been romantically interested in you. That all of his acts and words were nothing but platonic. Perhaps even an expression of mutuality that you mistook for romantic affection. And maybe that was the reason why you fell for him at the first place, because he interacted with you without any ulterior motives.

During the hours you spent with him at the café, he hadn’t mentioned his girlfriend a second time although there had been some possibilities. You also hadn’t dared to ask; either because you had feared to cross his borders, or because a part of you wanted to pretend she didn’t exist which meant you knew nothing about her except for that she lived in Kyoto.

You wished you had known beforehand because then you might have never properly fallen for him. But what had happened, had happened.

And all you knew was that you had to work with him while trying to make your stupid, little feelings fade away. You had no idea whether you would manage.

**********

masterlist

[imeriayapping]

[wherethegoldenleavesfall]

I made my first meme!

[beastialmoon]

I love my Trans Author Shelf 🩷🤍🩵

[stelly38]

This is NOT my commentary, but I had to share it because it gave me joy…

I saw this photo elsewhere on tumblr and someone had either written or tagged it with “Boss bitch and her three malewives.”

lollololll. If you’re the commenter, please take credit for your brilliance. You made a small part of my day!

[lastofthe20thcenturygirls]

(ln8 spoilers) jinshi thinking except for my godly looks i am just average and then his smartass goes and kills around five birds with just one brand. someone whose status is so high that even his name can't be said by anyone except the emperor jinshi branded himself with the crest of the empress vowing loyalty to her assuring her he doesn't wants to take the place of her son. one-upping his "bro" with this who refuses to let him leave the line of succession wouldn't let him become a commoner doesn't wants to let him become a servant to the royal family. only slaves get branded and if this ever got out there will be chaos in the court. gyokuyou tho considers jinshi like a brother and he did swear loyalty to her but if she ever tried to cross his family her clan's brand on his body would be enough to prove her as an adultress which would be bad for her and her clan.

and jinshi did this in front of these two people and maomao so now she is the only one who can see him naked and the emperor cannot order him to marry anyone which was something that was definitely gonna happen had he not done what he did. as a bonus he gets to spend more time with maomao after a long time and he did all this while saying the exact words: empress gyokuyou, your enemy i shall never be in front of maomao reassuring her because she once muttered i don't want to be an enemy to empress gyokuyou and he had heard her but before he could tell her that he had no intention of doing that either he couldn't because of the lishu incident. one of the major reasons maomao hadn't accepted her own feelings for jinshi one of the obstacles he promised to remove for her. even though he doesn't even know that maomao's concerns about her becoming gyokuyou's enemy had to do with his birth secret his true status. that no matter what he is the rightful successor. something jinshi himself isn't even aware of and yet without knowing that he did this to deal with it all in a single way most preferable to him: masochism

[gomzdrawfr]

I really love seeing you ship Raven with so many characters. I get so self-conscious when I ship my OCs with more than one character, but I feel a lot less alone seeing you do the exact same thing. ❤️ Thank you for always blessing us with your wonderful art!!

Been there, I was incredibly self-conscious when I had GhostRaven thoughts, it took me a year to be comfortable sharing it on the internet, even now I still feel that same sense of worry whenever I talk about Raven with someone besides Price.

But it’s fun, trust me, once you let go of like the expectations and fear its a wild ride but a worth one. There’s so much to explore, different dynamic and responses to think about even though it’s the same OC. It offers a different depth (and brainrot fjsicidi) with multi shipping.

Thank you for your kind words! I’m glad my silly doodles and rambles made you feel comfortable :)