#yes i'm obsessed with virginia woolf so what
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19-25, 36, 37
19. how do you keep yourself motivated?
you know, it's honestly not that hard for me because of the way i balance it? i work on school stuff a lot. so much that i will always need a break. this is that break.
20. how many WIPs and story ideas do you have?
two mini series that i would love to update if i ever had the time. i also kick around ideas about elenore from time to time. i've been thinking about whether she stays a lawyer, whether she stays married to sean despite really loving him, etc. i think the answer is yes to both, especially the sean thing. but i kick stuff around just to see what might work and what would not.
21. who is/are your favourite character(s) to write?
lucy and sam. i don't know how many different ways i can say it, lol. they're the characters that feel the most me to me. i love being able to be both of them. i think lucy is who i really am, and sam is the character i play in front of people i don't know that well (e.g. students). either way, they're both very real parts of me, and i love them. but like, you know i love will and sadie, too. so those original four are always going to be my favorites to write about, but i have an even more special place for lucy and sam.
22. who is/are your favourite pairing(s) to write?
i'm going to be difficult and answer this question in a few ways, lmao.
my favorite canon endgame romantic relationship is obviously lucy and will. god. they love each other so much. it's unreal. he is devoted to her, and she is devoted to him. they like each other. they understand each other. they grow up together in a way that the other pairings do not, and i think that makes them so much stronger. like, yeah, sadie and daniel were kids together, and they'll always have that frame of reference. but lucy and will catapulted into adulthood at age sixteen together, and no one will ever quite understand that time like they do. they're bonded by mutual admiration, trust, and unique circumstances. i love that they're a given for each other, but neither of them ever takes the other for granted.
my favorite canon non-endgame romantic relationship is sam and carrie. i don't count sam and steph because even though they weren't technically together at the time of sam's death, i think it's either strongly implied or just outright stated that they were headed there. but oh, sam and carrie. what could have been! like lucy and will, i think they get each other in ways that no one else can really broach. sam understands carrie's quirks and the creativity that rattles awkwardly inside her mind. he wants to help her let it out, while charlie is too often oblivious to the fact that it's there. and carrie can see through to sam's silent emotions, see through his jokes, his song-and-dance numbers. sam is so easy to pair with all sorts of characters. i can't deny that. but there is a large part of me that thinks, even with steph in the picture, sam should have ended up with carrie. steph can still end up with katie! but sam and carrie should have been forever.
and my favorite non-canon romantic relationship, which could have happened in a very different world where very different things occurred, is lucy and sam. i think, in a world where neither of them ever knew will, or will had never been born, this would have been a great partnership. their personalities just sing to each other, imo. she is the seriousness to his silliness, but they are both so brilliant, so witty, so cool. these two very unusual, very glittery people could have been a great team. in their reality, they have no romantic or sexual tension whatsoever, as they're both busy being obsessed with will (๐). but they could have been together in another world.
23. favourite author
idk, lol ... jane austen, charlotte brontรซ, virginia woolf, charles dickens, chinua achebe, some works by jerry spinelli (really just stargirl and its sequel), katherine mansfield ... it could go on.
24. favourite genre to write and read
i mean, broadly, realistic fiction with an emphasis on youth and coming-of-age. and you know what i mean by that: not necessarily school dances and first crushes, not necessarily high school stuff. but just a young person navigating a difficult situation.
25. favourite part of writing
dialogue and character dynamics.
36. last sentence you wrote
Sheโs not supposed to know anything, but she canโt help reading Elenore like a dog-eared copy of a deeply old book.
37. first sentence or your current WIP
Lucy knows whatโs been going on, but she hasnโt told anyone yet.
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[@genericusername37 asked 'Like, a shifting pov? What the hell is "head-hopping"??']
Hope it's okay to pull this out but I need a bit more than the answerbox.
Head-Hopping is one of the Writing Sins the Online Writing Advice Listicle Bubble is obsessed with, it's when (ostensibly bad, young, inexperienced) authors in ostensibly third person limited 'hop' from perspective to perspective in a single scene, so;
'Oh Janet, damnit, I love you!' cried Brad, thinking Let's hope it wasn't the ring I dropped in the parking lots' gutter earlier. 'Oh, Brad!', Janet moaned in surprise. Oh damn, she thought. Not what I hoped he'd say but there really aren't any other men in this stupid town and I guess he's not so bad?
This is considered bad style because it ostensibly makes the narrative confusing, takes the reader out of the story (by reminding them it is a story they are reading) and creates emotional distance between reader and character. Now I know I was just here yesterday saying yes actually get gud at language and now today I'm saying fuck a third person limited, lets go head-skipping. But the * that comes with that writing advice is that it only applies if your explicit goal is to create currently-fashionable 'invisible' workmanlike genre prose with high reader immersion and high character identification, in which case, yes, 'head-hopping', in addition to being plainly out of fashion is maybe not the right stylistic technique to use.
(I actually once read a romantasy that used head-hopping to great and clearly explicitly wanted effect, because the only people head-hopping were the romance leads and only after they'd consummated their magic-mind-meld-soul-bond-marriage! It was a cool use of the technique!)
(The 'this is confusing your readers!' thing is such a silly complaint, tho, like come on. "Genre-prose" head-hopping comes with indicators like thinky-tags. If, as an author, think your readers are so bad at reading that they cannot figure out who's thinking what thought in the example up there ... maybe have less contempt for your readers?!)
The literary term I was looking for was Free Indirect Discourse, a Modernist narrative technique/mode which discards both the omniscient third narrator, limited first narrator and the third person limited POV for a free-floating focus that takes on whichever character (or sometimes object) is currently the centre of narrative attention.
To borrow from cinema, imagine a long-take tracking shot like the one in Goodfellas (1990) in the Copacabana, were yes, stuff's confusing, but there's clearly, like, one specific guy we're following through the scene. Compare that to the tracking shot from Wings (1927), were we flit through the cafรฉ, passing all these different couples each only for a second, but always long enough to get a glimpse into their specific dynamic, creating this multifaceted image of what a romantic relationship can look like at different stages and in different situations, priming the audience for the wwi-action-rom-com about to unfold.
And Free Indirect Discourse is not solely the domain of modernist and postmodernist ect pp litfic. One of the authors known for it is Jane Austen. You've read this and you've probably not even noticed (because she's so good at it). At the 'very noticeably and (purposefully) confusing' end of the spectrum you've got something like Katherine Mansfield's The Garden Party.
The reason I'm so bitchy here is that this kind of cheap listicle shit is objectively worse than just bad advice because it makes the people who read, regurgitate and follow it incurious and actively worse at writing, reading and discussing literature. And it's also really annoying when I forget what it's called and try to google 'shifting perspective head-hopping literary device modernism' and only get brain-dead booktube shit as results.
Like. Virginia Woolf and XXXbloodyrists666XXX both [notoriously 'head-hop'/make expert use of Free Indirect Discourse] but arguing that and that alone is what makes their work [good/bad] to the point of [complete incomprehensibility/defining a generation] [please strike N/A] is ridiculous.
On the one hand it is true that most writing 'rules' can be safely disregarded, on the other hand it is true that there is such a thing as better or good writing and it is not solely down to taste, and on the third hand which I will need to borrow off someone real quick I currently cannot find the literary term for the example I wanted to use to illustrate this because the internet is top to bottom swamped with god-awful 'what is head-hopping and why is it RUINING YOUR NOVEL' writing 'help' articles completely obscuring the valid literary term for the valid literary technique this also refers to when you do it well & on purpose.
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Vita & Virginiaโs Anniversary!




๐ ๐๐ข๐ญ๐ ๐๐๐๐ค๐ฏ๐ข๐ฅ๐ฅ๐-๐๐๐ฌ๐ญ ๐๐ง๐ ๐๐ข๐ซ๐ ๐ข๐ง๐ข๐ ๐๐จ๐จ๐ฅ๐ ๐๐ข๐ซ๐ฌ๐ญ ๐ฆ๐๐ญ ๐๐ง๐ ๐๐๐ฅ๐ฅ ๐ข๐ง ๐ฅ๐จ๐ฏ๐ ๐๐ ๐ฒ๐๐๐ซ๐ฌ ๐๐ ๐จ, ๐จ๐ง ๐๐๐๐๐ฆ๐๐๐ซ ๐๐, ๐๐๐๐.
โจ ๐๐ข๐ซ๐ ๐ข๐ง๐ข๐โ๐ฌ ๐๐๐๐ฅ๐ข๐ง๐ ๐ฌ ๐๐จ๐ซ ๐๐ข๐ญ๐ ๐ฐ๐๐ซ๐ ๐ข๐ฆ๐ฆ๐จ๐ซ๐ญ๐๐ฅ๐ข๐ณ๐๐ ๐ข๐ง ๐๐ซ๐ฅ๐๐ง๐๐จ: "๐ญ๐ก๐ ๐ฅ๐จ๐ง๐ ๐๐ฌ๐ญ ๐๐ง๐ ๐ฆ๐จ๐ฌ๐ญ ๐๐ก๐๐ซ๐ฆ๐ข๐ง๐ ๐ฅ๐จ๐ฏ๐ ๐ฅ๐๐ญ๐ญ๐๐ซ ๐ข๐ง ๐ฅ๐ข๐ญ๐๐ซ๐๐ญ๐ฎ๐ซ๐".
๐ ๐๐ก๐๐ฒ ๐ค๐๐ฉ๐ญ ๐ฌ๐๐๐ข๐ง๐ ๐๐๐๐ก ๐จ๐ญ๐ก๐๐ซ ๐ฎ๐ง๐ญ๐ข๐ฅ ๐๐ข๐ซ๐ ๐ข๐ง๐ข๐โ๐ฌ ๐๐๐๐ญ๐ก ๐ข๐ง ๐๐๐๐.
#yay itโs v&vโs anniversary!!!#love#virginia woolf#vita and virginia#yes i'm obsessed with virginia woolf so what#๐#sapphic#art#wlw#lesbian#cinema#vita sackville west#vita Sackville-west#orlando#literature#russiansappho#playlist#sappho
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This photo of Vita Sackville-West reading To the Lighthouse by Virginia Woolf > everything else
#virginia woolf#vita sackville west#vita and virginia#sapphic#to the lighthouse#literature#iโm not crying youโre crying#yes i'm obsessed with virginia woolf so what#v&v#woolf#Sackville-west#russiansappho#wlw#lesbian#love
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Looks like a love letter Virginia Woolf wrote to Vita Sackville-West

#vita and virginia#honey#love#letter#virginia woolf#sapphic#yes i'm obsessed with virginia woolf so what#vita sackville-west#wlw
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Damn, if i had your talent i would never stop writing. I have so many ideas but when i try to put write them down it just, has no life.
I've read everything even from fandoms i don't belong to. Do you write profesionally?
first of all, thank you so much. this was so kind that i was genuinely shocked and stunned speechless. i've been having a rough year, really, with some personal and family issues recently so this was a nice pick-me-up.
(anon, if you have a tumblr, i'd love to put a name to the person who brought a smile to my face)
secondly, don't disparage your own skills !!! i'm glad you like my writing so much. truly. but there are lots of my currently still published (i've orphaned some works from pre-pandemic) works that i'm not excessively fond of. i like them all, but i can safely say i'm not satisfied with any of them per se. i think it's difficult to be satisfied by your own writing ever. so truly, if you feel your own writing is shit, i want you to know i feel that too, even about the fics you may love. one man's trash is another man's treasure, and writing is so inherently personal and subjective, it's hard to analyze quality by your own judgement alone. i say with this full honesty and frankness, i dont think your writing is shit, anon op.
i don't think writers give life to their works, as much as readers do. readers adopt these worlds i've written and breathe life into it, by connecting and sympathising with it. just as i can say, i don't think writers will love their writing the most, it'll always be the readers. there are certain fics out there which i'm entirely obsessed with, my holy grail truly. and i hope for you, and any of my other readers out there, i hope you find comfort in any of my fics. i think the hallmark of a writer isn't necessarily to persuade their readers to do this or that, but to help them find something, a small thing, in a certain work that identifies with them. i hope my works identify with you. again with writing being so inherently personal, almost like you're like looking into myself, it takes a lot of courage to publish and put it out there, and knowing others empathise with me is another joy, unable to be put into words. i don't think i write action, romance, emotions, metaphors, or description or a very good many list of things well, but that doesn't matter as long as someone can identify and find comfort in certain aspects of my fics.
(apologies for this long and dragged on explanation, concision is something i really struggle with. and my virginia woolf is very much so responsible for the stream of consciousness writing that i can't stop.)
also, i'm truly flattered you've read my fics. i've written 91 ones as of rn, and i have countless others i've anon-ed and orphaned, and it's no joke to even read 91 of them. i have an insane schedule and i know that (amongst my many flaws, lack of self-awareness isn't one of them). i truly don't know what to say but thank you. it really is motivation for me to write more, esp when im struggling with many irl things rn.
finally to answer your question, the answer is sort of. i write for my uni newspaper (it's actually pretty renowned but since this platform relies on anonymity that i crave, i won't say which) as a journalist. other than that, i publish poetry and creative writing to my uni creative writing journal (see above explanation) and i get paid to write basically. because i won a fellowship, and it ranges from around 10k usd per sem. besides that, i do academic writing for my econ lab and internship at an international economic non-governmental authority.
i also work as a graphic designer and copy writer.
so, yes. i'm kinda a professional writer. i do not have any proper published novels and the like, but as a uni student, i do a fair bit of writing. other than what my school homework already requires and what not.
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I canโt stop thinking how โPortrait de la jeune fille en feuโ is similar to โOrlandoโ:
Cรฉline Sciamma dedicated her film to Adรจle Haenel in the same way Virginia Woolf dedicated her novel to Vita Sackville-West.
Imagine your beloved immortalizing you in her work, capturing your soul in art...
The power of these women leaves me in awe!
#virginia woolf#orlando#portrait de la jeune fille en feu#cรฉline sciamma#sapphic#vita sackville west#adele haenel#art#literature#cinema#lesbian#wlw#feminism#the power of women#creativity#yes i'm obsessed with virginia woolf so what#vita and virginia#vita sackville-west#russiansappho
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ยซย Could loving, as people called it, make her and Mrs. Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs. Ramsayโs knee.ย ยป
~ Virginia Woolf, โTo the Lighthouseโ
#lily was in love with Mrs Ramsay#here I said it#love#lesbian rights#to the lighthouse#virginia woolf#sapphic#yes i'm obsessed with virginia woolf so what#wlw#art#literature#novel#lesbian#lesbians#violet#detail#russiansappho
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~ from โThe Yearsโ




โshe did not want to move or to speak. She wanted to rest, to learn, to dream. she felt very tired.โย
- Virginia Woolfย
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I've celebrated Virginiaโs birthday with my growing collection.
#virginia woolf#happy birthday#January 25#yes i'm obsessed with virginia woolf so what#literature#books#art#mrs dalloway#orlando#writer#the waves#to the lighthouse#reading#aesthetic#collection#words#russiansappho
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โLife is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semitransparent envelope surrounding us from the beginning of consciousness to the end.โ
~ Adeline Virginia Woolf
(25 January, 1882 - 28 March, 1941)
#happy birthday#virginia woolf#yes i'm obsessed with virginia woolf so what#yes it is january 25 already#i love this woman#adeline virginia stephen#sapphic icon#russiansappho
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Happy Birthday, Virginia! ย I wish I could convey how devoutly thankful I am for the chance to behold your sophisticated soul. ย I can't help being mesmerized by your mind, which 'hums with scraps of poetry and madness'. Words fail me - I love you so much and can say so little...
#happy 136th birthday#i can't believe it's the 25th of january#i wish i could talk to her#it's a strange feeling#i miss her even though we never met#yes i'm obsessed with virginia woolf so what#virginia woolf#words fail me
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Dedicated to Virginia Woolf ๐โจ

๐ ๐ญ๐ช๐จ๐ฉ๐ต๐ฉ๐ฐ๐ถ๐ด๐ฆ ๐ณ๐ฆ๐ง๐ญ๐ฆ๐ค๐ต๐ด ๐ต๐ฉ๐ฆ ๐ช๐ฏ๐ค๐ข๐ณ๐ฏ๐ข๐ฅ๐ช๐ฏ๐ฆ ๐ด๐ฌ๐บ,
๐๐ข๐ณ๐ต๐ช๐ฏ๐จ ๐ช๐ต๐ด ๐ฆ๐บ๐ฆ ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ธ๐ข๐ท๐ฆ๐ด
๐๐ฏ๐ง๐ฐ๐ญ๐ฅ๐ฆ๐ฅ ๐ช๐ฏ ๐ญ๐ช๐จ๐ฉ๐ต, ๐ฃ๐บ ๐ต๐ฉ๐ฆ ๐ธ๐ข๐ต๐ฆ๐ณ ๐ ๐ญ๐ช๐ฆ,
๐๐ฆ๐ต๐ต๐ช๐ฏ๐จ ๐ฎ๐บ ๐ต๐ฉ๐ฐ๐ถ๐จ๐ฉ๐ต๐ด ๐ฅ๐ช๐ด๐ด๐ช๐ฑ๐ข๐ต๐ฆ
๐๐ฏ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ฅ๐ถ๐ด๐ฌ๐บ, ๐ญ๐ข๐ฏ๐จ๐ถ๐ฐ๐ณ๐ฐ๐ถ๐ด ๐ข๐ช๐ณ
๐๐ฆ๐ท๐ฆ๐ณ ๐ต๐ฐ ๐ฃ๐ฆ
๐๐ค๐ญ๐ช๐ฑ๐ด๐ฆ๐ฅ ๐ฃ๐บ ๐ฅ๐ฆ๐ด๐ฑ๐ข๐ช๐ณ -

๐๐ฆ๐ญ๐ท๐ฆ๐ต ๐ข๐ฏ๐ฅ ๐ค๐ณ๐ช๐ฎ๐ด๐ฐ๐ฏ ๐ด๐ฑ๐ช๐ญ๐ญ ๐ฐ๐ท๐ฆ๐ณ ๐ต๐ฉ๐ฆ ๐ด๐ฆ๐ข
๐๐ฏ ๐ข ๐ง๐ฐ๐ณ๐จ๐ฐ๐ต๐ต๐ฆ๐ฏ ๐ฅ๐ณ๐ฆ๐ข๐ฎ.
๐๐ข๐บ๐ด ๐ฐ๐ง ๐ฅ๐ฆ๐ญ๐ช๐จ๐ฉ๐ต ๐ณ๐ข๐ช๐ฏ ๐ถ๐ฑ๐ฐ๐ฏ ๐ฎ๐ฆ,
๐๐ข๐ต๐ฉ๐ฆ๐ณ๐ช๐ฏ๐จ ๐ข๐ต ๐ต๐ฉ๐ฆ ๐ด๐ฆ๐ข๐ฎ๐ด.
๐๐ง ๐ฎ๐ฆ๐ฎ๐ฐ๐ณ๐บ ๐ช๐ด ๐ต๐ฉ๐ฆ ๐ด๐ฆ๐ข๐ฎ๐ด๐ต๐ณ๐ฆ๐ด๐ด ๐ฐ๐ง ๐ง๐ข๐ต๐ฆ,
๐๐ฐ ๐ฐ๐ฏ๐ฆ ๐ค๐ข๐ฏ ๐ณ๐ฆ๐ด๐ค๐ถ๐ฆ ๐ฎ๐บ ๐ด๐ฐ๐ถ๐ญ.
๐๐ฏ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ด๐ถ๐ฏ๐ด๐ฆ๐ต, ๐ ๐ด๐ฉ๐ข๐ญ๐ญ ๐ฆ๐ด๐ค๐ข๐ฑ๐ฆ
๐๐ฏ๐ฅ ๐ง๐ช๐ฏ๐ฅ ๐ข ๐ณ๐ฐ๐ฐ๐ฎ ๐ฐ๐ง ๐ฎ๐บ ๐ฐ๐ธ๐ฏ.

๐๐ฉ๐ฆ๐ฏ ๐ข๐ญ๐ญ ๐บ๐ฐ๐ถ๐ณ ๐ฑ๐ฐ๐ฆ๐ต๐ณ๐บ ๐ต๐ถ๐ณ๐ฏ๐ด ๐ต๐ฐ ๐ฅ๐ถ๐ด๐ต,
๐๐ท๐ฆ๐ณ ๐ต๐ฉ๐ฆ ๐ฑ๐ข๐จ๐ฆ, ๏ฟฝ๏ฟฝ๐ฐ๐ฏโ๐ต ๐บ๐ฐ๐ถ ๐ค๐ณ๐บ.
๐๐ฏ๐ค๐ฆ ๐บ๐ฐ๐ถ ๐ณ๐ฆ๐ฎ๐ฆ๐ฎ๐ฃ๐ฆ๐ณ ๐ต๐ฉ๐ฆ ๐ต๐ถ๐ฏ๐ฆ ๐ฐ๐ง ๏ฟฝ๏ฟฝ๐ฉ๐ฆ ๐ฑ๐ข๐ด๐ต,
๐๐ช๐ด๐ต๐ฆ๐ฏ: ๐ ๐ญ๐ฐ๐ท๐ฆ ๐ต๐ช๐ญ๐ญ ๐ ๐ฅ๐ช๐ฆ -
๐๐ฐ๐ณ๐ฆ๐ท๐ฆ๐ณ ๐ฆ๐ฏ๐ค๐ฉ๐ข๐ฏ๐ต๐ฆ๐ฅ ๐ข๐ฏ๐ฅ ๐ธ๐ช๐ญ๐ฅ.

#virginia woolf#thewavesofpoetry#poetry#love poem#woolf#the waves#to the lighthouse#happy birthday virginia#wlw#sapphic#love#vita and virginia#literature#yes i'm obsessed with virginia woolf so what#russiansappho
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โThen came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down!
The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it โ a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!โ
~Virginia Woolf,
โMrs. Dallowayโ

alessandra ferri and francesca hayward photographed performing in "i now, i then" section of wayne mcgregor's woolf works by darren thomas
#oh my goddess#this passage always makes me cry#mrs. dalloway#sapphic#art#Virginia Woolf#woolf works#theatre#darren thomas#ballet#yes i'm obsessed with virginia woolf so what#kiss#wlw#love
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Yes, I really do celebrate anniversaries of historical lesbians, thank you for coming to my ted talk.๐

Vita & Virginiaโs Anniversary!




๐ ๐๐ข๐ญ๐ ๐๐๐๐ค๐ฏ๐ข๐ฅ๐ฅ๐-๐๐๐ฌ๐ญ ๐๐ง๐ ๐๐ข๐ซ๐ ๐ข๐ง๐ข๐ ๐๐จ๐จ๐ฅ๐ ๐๐ข๐ซ๐ฌ๐ญ ๐ฆ๐๐ญ ๐๐ง๐ ๐๐๐ฅ๐ฅ ๐ข๐ง ๐ฅ๐จ๐ฏ๐ ๐๐ ๐ฒ๐๐๐ซ๐ฌ ๐๐ ๐จ, ๐จ๐ง ๐๐๐๐๐ฆ๐๐๐ซ ๐๐, ๐๐๐๐.
โจ ๐๐ข๐ซ๐ ๐ข๐ง๐ข๐โ๐ฌ ๐๐๐๐ฅ๐ข๐ง๐ ๐ฌ ๐๐จ๐ซ ๐๐ข๐ญ๐ ๐ฐ๐๐ซ๐ ๐ข๐ฆ๐ฆ๐จ๐ซ๐ญ๐๐ฅ๐ข๐ณ๐๐ ๐ข๐ง ๐๐ซ๐ฅ๐๐ง๐๐จ: "๐ญ๐ก๐ ๐ฅ๐จ๐ง๐ ๐๐ฌ๐ญ ๐๐ง๐ ๐ฆ๐จ๐ฌ๐ญ ๐๐ก๐๐ซ๐ฆ๐ข๐ง๐ ๐ฅ๐จ๐ฏ๐ ๐ฅ๐๐ญ๐ญ๐๐ซ ๐ข๐ง ๐ฅ๐ข๐ญ๐๐ซ๐๐ญ๐ฎ๐ซ๐".
๐ ๐๐ก๐๐ฒ ๐ค๐๐ฉ๐ญ ๐ฌ๐๐๐ข๐ง๐ ๐๐๐๐ก ๐จ๐ญ๐ก๐๐ซ ๐ฎ๐ง๐ญ๐ข๐ฅ ๐๐ข๐ซ๐ ๐ข๐ง๐ข๐โ๐ฌ ๐๐๐๐ญ๐ก ๐ข๐ง ๐๐๐๐.
#yay itโs v&vโs anniversary!!!#love#vita and virginia#virginia woolf#vita sackville west#sapphic#i made a meme for the first time in ages#grandmaโs back at it#sorry not even remotely sorry#yes i'm obsessed with virginia woolf so what#๐#art#wlw#lesbian#vita Sackville-west#russiansappho
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