#yes i know i'm fucking ancient
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zombimanos · 1 year ago
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When I was 15, my bandmate pushed HUM onto me. "You HAVE to buy this album!" So I did, and I hated it. ...but then a week later I saw them play this on 120 Minutes, & I ended up listening to the album on headphones every night that summer. I was eternally floored. (honorable mention: that was also the the summer I first fell in love & i lost my virginity)
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bitegore · 7 days ago
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I made a character sheet to plot your OC's development over time! (There's supposed to be a character name in the big white space next to "over time" but it got eaten a little lmao)
You can use this for whatever you want, and you don't have to credit me. Feel free to change or edit anything you feel like. Please don't tag me if you credit me - just link to the original post.
Credits, explanations & a transparent version under the cut :D
Credits:
The actual image was made with the free NBOS character sheet creator, which is a sort of dated but free and solid text-layout sheet maker intended for ttrpg style character sheet creation.
Fonts used were Bisdak (titles) and Rockwell (body). Both are free! You can use them to fill it out if you like.
Inspired by a comment @maybe-solar-powered-calculator made on this other post about filling it out for characters at multiple points along their arcs. Thanks for putting the idea in my head :D
This is explicitly released under a CC0 1.0 deed, ie: you can do fucking whatever you want with it and I don't care and you don't have to tell anyone where you got it from and no one gets to stop you.
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Last time I made one of these I got a bunch of questions on all manner of things, and I can never keep up, so I'm just appending a set of notes for how to use it and a glossary because I know some of these phrasings will be confusing.
Ignore or change anything you don't feel like works for you here. You can do whatever you want forever.
Suggested / intended use & general notes:
This sheet could work for something story-level, if you want. But it's really only good for individual arcs; if the character goes through multiple arcs in your story, then they're going to fit poorly here. In that case, you're probably better off doing versions for each arc, or just adapting this to a different format more suited to your thing.
Also, if your arc has a nontraditional structure - divorced from the typical "rising action - climax - conclusion" type of structure where there's a clear 'important turning point' - it may not work as well either.
The mindset section is meant to come at it from a 'golden mean' standpoint - that is, everything on either extreme of the slider is 'too much' and therefore bad. It's not bad-to-good! The far right side is a flaw too. They're only grouped the way they are on basis of the specific OCs I personally had in mind when I put it together.
Growth is labeled 'worse'-to-'better' but it means, like, active decrease in that area vs active increase; if nothing changes, it should stay at the center even if it sucks. The category is about contrasting changes, and sometimes changes are for the worse!
The entire sheet is very deliberately subjective. It should really be answered from the character's perspective - how they feel about it, not what's necessarily true. Technically you can do whatever you want and I can't stop you, but it's a better tool if you approach it from the point of view that the character may believe things that aren't true - that will define their behavior way more than the objective facts of the story.
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Definitions:
This part is long as hell - recommend using ctrl+f to find the specific words you're stuck on. I defined everything.
General categories:
Mindset: how your character thinks about themself and how they act. Their understanding of their own approach to life. Attitude, viewpoint, decision-making process, that sort of thing.
Circumstances: the relationship between your character and the world around them. Where they are, what that place is like, and how they feel about it.
Growth: how the character and their impact - their attitude, their behavior, their immediate surroundings - changes over time.
Outset: the start of the character's arc.
Present: the 'center' of the arc. If you're planning something ahead of time and it hasn't 'happened' yet, then this is the near future.
End-game: where they are after the conclusion of the arc.
Mindset terms:
Center of the world: "If I have a problem, it's the only thing that matters to me." Self-centered, self-absorbed. Doesn't necessarily mean anything beyond that - they don't necessarily have to be unpleasant to be entirely focused on their own life.
my life isn't relevant: "Everyone else's problems are so significant, I don't pay any attention to my own". Someone who ignores or neglects their own life in service of some other thing, or doesn't consider their own behavior to have any real importance.
Only see enemies: Paranoid. Everyone's out to get them. Anyone who seems nonthreatening is hiding their potential for danger and everyone who seems threatening is a threat. The character must remain ever-vigilant, lest the cashier at the 7/11 suddenly stab them, or their best friend turn out to secretly be trying to poison them to death.
Only see friends: Naïve. Everyone is a good actor who wishes everyone else well, and if they don't seem like they're acting from a place of kindness or care then you probably don't understand what they're up to. The character is pretty sure the stranger holding that knife is, like, someone to chat up maybe, they're clearly only hanging out in this dark alleyway because it's a nice spot and no other possible reason.
overthink everything: Ten thousand thoughts per every single action taken. Maybe they never get around to acting at all. They have to consider every possible outcome. What if by eating lunch they accidentally trigger the apocalypse?! Who's going to think about these things if not them?!?!?!
impulsive to action: Act first, think never. What do you mean "consequences of actions"?
Unilateral decisions: "I will make every choice and no one else's opinions or thoughts are relevant". Discounts outside suggestions. Firmly convinced that they know best in any situation, and will brook no disagreement with their views when it comes to actually doing things.
Command me, please: "I don't know what to do and I don't know what to even start with, someone please tell me what to think". No confidence in their own views. Will not make any decisions unless forced and even then will beg someone else to please tell them what to do. Has no idea what's best and is pretty sure anyone else will have a better idea.
can't ask for help: No one will ever help the character; they have to do everything themself, even the things other people have repeatedly offered to do for them and have much more experience with. Doesn't necessarily mean that no one will help them or that they are explicitly barred by some real-world circumstance; just that, for whatever reason, they refuse to ask for help. This is an attitude thing - will they ever reach out? No? Then they're here.
too reliant on others: Have they ever solved a problem alone? Do they believe they're even capable of doing so? The character all the way at this end of the scale absolutely never expects to be able to do anything themself, has no trust in their ability to solve a problem, and needs someone else to come save them from it. The kind of person who needs ChatGPT to do their homework. Again - doesn't actually mean anyone will help them, or that the people they're relying on are reliable - just that they think they are helpless without ... well, help.
Weapon maker: This has to do with problem-solving strategies and not actual weapons. The weapon-maker is a character who views every situation as a conflict that cannot be de-escalated or solved by cooperation, and responds appropriately. The most fundamental weapon maker character turns everything into an argument, a fight, a war, etc. There are a bunch of other responses to conflict, though - they might avoid problems that need solving because they avoid conflict generally too. Fundamentally what you want to answer here is: when they see a locked box and they don't have the key, do they respond to it the same way they'd respond to someone telling them "you can't open this box"? And how do they respond to that? Typical weapon-maker approaches: - brute-force the box open or try and then give up if it doesn't work; and also get into an argument that might turn physical with the hypothetical person - shrug and give up immediately, in both situations so on and so forth. Another hallmark is that they kind of suck at problem-solving and give up if brute-forcing a problem doesn't work. This is not someone who is picking locks unless someone else told them to - they have one solution, it's to make everything into a conflict, and then to win that conflict by beating them or to give up because they think they'll lose.
Tool maker: This person approaches every situation like it's a puzzle, not a fight - up to and including actual fights. Tool-maker characters generally assume that a situation can be solved by just finding the right approach and doing it the clever way. There's the same fundamental question as above - if your character sees a locked box and has no key, would they approach it differently than someone telling them they're not allowed to open the box? 'Typical' tool-maker approaches: - I can trick the person into giving me the key by saying the right things, and I can also pick the lock because fundamentally there are 'right answers' to both of these - If i make friends with this person, they might change their mind, because now we're cooperating. I can still pick the lock because there are 'right answers' there. - The person has a reason for wanting me not to open the box, so I can definitely figure out what that is and solve the reason so then they'll let me open it. I can take whatever it is even if they really want to keep it if I just find the right answer. I'm going to break this box into little pieces because that's the easiest way to get into it but I could probably open it some other way if that wouldn't work.
A note - the center of this bar is someone who generally has different responses to different kinds of situations - like, in the box example, they'd approach the box and the person with two different general attitudes and processes - but generally responds to those situations using the same kind of decision-making process for each category every time. Most people are nowhere near either extreme. Characters tend to be classifiable into weapon-maker and tool-maker because they are fictional and it's easier to define one kind of approach than many. Approximately average approaches: - pick the lock if no one's around, but give up if someone is there because someone telling me not to open the box is a conflict i think i'll lose but a locked box is just a puzzle that i can solve - argue with the person, but give up on the box, because they're approaching the box as a puzzle and they don't think they have the skill to get into it, but the person is someone who can be convinced or bullied into handing over the key
I made this particular dichotomy up, which is why I think I get a lot of questions on it whenever I put it into anything, but I also don't know of any other snappy way to describe this sort of thought or approach variance, and it's genuinely useful for character writing in my opinion.
Pessimist spot-finder: Generally a downer but not necessarily. This kind of character just approaches everything with a close eye for problems, issues, reasons to find fault. If they're miserable, it might be why, but like, they can be a cheerful spot-finder if you want, I just wanted to get at "the glass is half empty" and "the glass is half full" more than anything.
Optimist upside fan: The opposite. "The glass is half full". If there are problems, they can find something about them that's not so frustrating or bad to focus on. Pretty damn good at overlooking minor issues if there's no reason to fixate on them. Not necessarily cheerful.
Abysmal company: could not give less of a damn about treating people the way they 'should' be treated. Maybe they take pride in that. Maybe they just think it's irrelevant. Either way, they know they treat people badly and they don't see any reason to stop. Does not necessarily mean that they treat people badly if they think they're doing the right thing and are wrong. Doesn't mean they're actually pleasant or unpleasant to hang out with, either, unless you really want it to mean that.
Decent to others: treats people well as a matter of course, or at least they sure think they do. Makes an effort. Would probably care and/or consider changing their behavior if someone said they were treating someone poorly. As before - they can be completely un-self-aware and just think they're doing right by people while treating them completely horribly.
Morality is irrelevant: 'abysmal company' for broader approaches to life and problems. Maybe they just know they're myopic and don't think other people's problems matter. Maybe they just gave up on trying to differentiate between 'good' and 'bad' and outsourced it to someone else or stopped paying any attention. Maybe they just like to take morally unjust actions and can't be bothered giving a damn when someone points out that they're morally unjust, or maybe they're proud of it. Kind of a villain trait generally, but not necessarily - it doesn't have to mean they act badly, just that they don't care if they do. Also, this is about how they choose their own actions and view their own behavior. They can think morality is relevant for other people as long as they ignore it when they act themself.
Always in the right: feels morally righteous in every decision they make. Standard superhero type of trait. Doesn't necessarily pass judgement on others, doesn't necessarily act well according to everyone's moral code (see: blue and orange morality), but they are extremely principled and will never deviate from the moral code they personally believe in. And they do genuinely believe in it.
Circumstances terms:
Generally terrible to generally excellent: how subjectively decent is your character's situation, overall? If they think everything is horrible, but the situation is charmed to everyone except them, then it's generally terrible.
Need for changes to passive tolerance: will they do something about it? Do they feel like they have to?
No agency in action to decisions are huge: agency being "how much power do I have to make changes here?", this just asks how much they have. No agency means that, no matter what they do, nothing will happen - they might be locked in a cage or somehow otherwise completely unable to use any sort of power at all, even the power of just leaving. The other end of the spectrum is where every decision the character makes makes a huge difference, not just to themself but to everyone around them as well. They can start wars, they can have anyone they want killed, they can do anything whenever they feel like it. If they think they have no agency even though they do actually have agency, they don't have agency here. If they feel like they have all the agency in the world and can do anything, then they do even if it's not true. It's perceptual again.
Stakes are deadly to mistakes solvable: what are the consequences of failure? Will you die, will you lose status you can't afford to lose, will you lose belongings, will you have to apologize, will nothing happen at all? Mistakes solvable is where they think every mistake is solvable forever - the character pushes someone through a woodchipper and they come out and to fix it, maybe an apology has to occur, but not much else. Does not necessarily mean no one gets hurt or killed as long as the character thinks there are no permanent consequences. This is the most important one on this section to keep subjective because it will greatly influence how your character approaches situations. A character who thinks everything is deadly-stakes may go to cartoonishly-extreme lengths to avoid turning a report in a day late. A character who thinks all mistakes are always solvable may push someone through a woodchipper and then just assume they can say they're sorry and it'll all go away. The setting and their approach do not need to be applicable.
Needs go unmet to attended with care: how do the people around them treat them? Do they pay attention when the character needs something, or do they ignore it? Does the character have to do everything themself around here, or are there people who will help out?
Regarded poorly to regarded well: how do they think other people see them? Are they respected, are they liked, or are they disliked? Do people broadly trust them or are they pretty sure everyone regards them with suspicion?
Nothing changes to changes in seconds: functionally the 'stability' meter of your setting - is the situation generally stable, or are things constantly changing? Does your character feel like every five minutes, there's a new problem that needs dealing with, or do they feel like nothing has ever happened ever?
Growth terms:
Changes in place: do they go somewhere else? Does the physical setting otherwise change (eg; earthquake, war, etc) ? Are there any other reasons that the 'vibe' or 'experience' of the place is different from before?
Change in power: does the character's percieved agency (see: no agency in action to decisions are huge) change? Alternately you can use it if they've gained or lost power in some percieved way (deposed, assigned a commanding position, etc).
Change in bonds: do their relationships with people change? Have they made new friends, lost old friends, changed the nature of their relationships with friends or partners, etc?
Change in beliefs: straightforwardly, have their beliefs, morals, etc, changed?
Change in hurts: have they undergone some horrible experience? Do they have past trauma from some pre-arc horrible experience they're healing from and/or discovering they're more powerfully subject to? Did they experience a physical injury that they're recovering from or which materially changed their life? Did something recent dredge up old issues? So on and so forth.
Change in hopes: Do their desires for the future look the way they used to? Do they care about different things now? This is something the character is not actively working for, but may be tied to actual goals.
Change in fears: are they overcoming fears? Growing past them? Gaining new ones? Are they scared of shit different from how they used to be?
Change in goals: Not the same as a hope because it needs to have a specific, achievable outcome the character is actively working toward. Do those material goals look different? Perhaps they no longer want to work against something, maybe they didn't have any goals and now they do. Or maybe they've realized the goal is impossible, or something has happened to make that goal unachieveable. Whatever it is, if there's a change, it's a change.
Change in self-awareness: their beliefs about who they are and what they're like, and what their circumstances are. Have they gotten more self-aware, have they gotten less self-aware, or has nothing changed?
Change in relationships: their relationships' overall health and resilience, as far as the character is concerned - which doesn't mean they're necessarily good, just that the character thinks they're how they're supposed to be. Have they improved? Have they gotten worse? Have they not changed?
Change in knowledge: do they feel like they know more about the world, their place in it, the people around them, etc? Not necessarily how to do things - just general information and awareness.
Change in social standing: how does others' regard for the character change over this part of their arc? Do people like them more or less? Are they respected more or less than before? Has nothing changed? And so on.
Change in skills and abilities: do they feel more skilled than they were before? Do they feel like they know how to do as many things as before? Again - not necessarily rooted in reality - a classic example of a character being wrong about this is a 'big fish in a small pond' character who used to be the high school sports star going to college on a sports scholarship and discovering they're not the best any more, and suddenly feeling like they're the worst - when they're better than they've ever been in an objective light. Use a subjective viewpoint for this.
Change in agency in life: how does the character's percieved agency change? Do their decisions matter less now than ever? Do their actions make way more happen than before? (See: no agency in action vs decisions are huge)
Change in outlook: Here's the upper/downer part. Are they more or less hopeful for the future? Do they think things are more terrible now? Are things improving as far as they're concerned? Or has that not changed?
Change in goal progress: how do they feel like they're progressing on the goals they've set for themself? Are they getting further and further away? Are they getting closer?
If some of this doesn't make sense and you want a clarification, you will have to tag me to get my attention, because I'm turning notifications for this post off the minute it leaves my immediate social circle.
Transparent version: (sorry you had to scroll so far)
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thefloatingstone · 2 years ago
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Remembered this song from a boss fight early on in NieR Automata, during which a cult of robots had come together to pantomime the concept of religion. (the robots in the game are all trying to strive for a sense of purpose in being alive by mimicking behaviour of humans who have by now gone extinct but there's not enough time to go into all of that here).
And this cult of robots come to the conclusion that their version of gods if they follow the human translation of the word is "the creator" which to them are organic beings. And so if they are pantomiming religion in an effort to find purpose in being alive, then through the practice of religion you are supposed to ascend to a higher state of being equal to that of the gods.
And so, if you are a robot and your creator is an organic being, what is it that separates you from your creator? That is of course the realities of being an organic being, and being tied to the reality that being organic means having to die one day.
And so this robot cult comes to the conclusion that to ascend to a higher state of being is to become as gods, and for a robot to become as a god, their creator, is to ascend to that of organic being, and to do so is to embrace what separates machine from organic which is death.
And therefore, to die is to become god.
And then they all attack you and this song plays called "become as gods". Which includes the robot cult chant of "We'll all die together and become as gods" while the choir chants in the fictional language of the NieR series which is its OWN separate dump of lore, but which is roughly labelled and understood as "The language of the gods". That being a weird translation of the GATTACA code which makes up human DNA.
....
NieR Automata is a good game. It's one of only 2 games that managed to make me bawl my eyes out at the end. Not for a story reason, but for how the game directly connects you with every other human being who has played the exact same game and the concept of sacrifice to help another in ways I don't want to spoil because if you've never played and finished the true ending of NieR Automata there is nothing in this world that will prepare you for its ending and I would not dare to spoil that for you.
Anyway I rambled a lot but it was needed to explain the full force of this song for you to understand why it's not only a banger but a banger with some deep fucking WEIGHT behind it.
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(btw this is genuinely unrelated I just remembered at time of post it's the Steam Summer Sale and Nier Automata is 50% off right now but that was not the point of this post)
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ghostieblotts · 26 days ago
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TOTK SPIN-OFF HYRULE WARRIORS GAME OH MY GODDDDDDDDD
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autumnoakes · 4 months ago
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bg3 is going great
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glow-in-the-dark-death · 11 months ago
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To Be Wooed
I blacked out and wrote this. This is so silly to me.
Enjoy!
Look Danny didn't mean to kill the Joker it was an honest mistake, he was still recovering from escaping the GIW and whatever they had used on him had still been in effect when he honest to Ancients ran into the fake clown.
Of course it doesn't look like an accident with how he left the Joker
But it was!
Really it really was!
Whatever the GIW did was out of his system, but that still left a very dead and coreless Joker.
Yeah...apparently Joker had a core, but not anymore because he ate it like it was pop rock candy, if the weird cousin spicy version of it. He still feels like he has some of it stuck in his teeth.
Anyways! Not the point!
Joker! Very dead at his feet, what is he supposed to do-
THUMP
Oh Ancients he's going to die again that's the Red Hood!
"Uh...I can explain, well not really. But it was an accident! I promise and-"
"You killed him?"
"I'm really sorry? He bumped into me, it was an accident I swear!"
"Go on a date with me."
WHa-what?! Did he just hear correctly why would he ask him out out of nowhere it made no sense and..oh.
Red Hood's been touched by Death not like him but enough to count, and enough to have some ghostly instincts.
Okay ghostly courting he can do that, he totally can, no sweat!
Shit who is he kidding he may have the instincts but he was never actually taught how he's supposed to use them or anything.
Well he's always been good at making it up as he goes, and at least his instincts will help push him in the right direction.
So he should just do what feels natural to him.
"Yes I'll go out with you. If I were to make jewelry and knives out of his bones would you accept them?"
"...For me to wear and use. Yes."
~
Danny freaking out about just killing and kinda eating someone: I'm in so much trouble!
Jason behind him fixing his appearance: "Well hello there handsome come by here often?"
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Joker bumping into Danny: "ahAHA you will make a good experiment!"
Danny is high as a kite and getting the munchies: "I didn't know I could order food with my mind!"
Joker: "Whut-"
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Jason seeing Danny absolutely wrecking Jokers shit: *Ghost Instincts Activated*
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Jason falling fast for Danny without even knowing his name: "Can I pretty please kiss you?"
Danny realizing what's going on but still being clueless: "Does that mean you will accept these gifts made from Jokers bones?"
Jason's Ghost Instincts rising to a fever pitch: "I'm going to woo the fuck out of ya and then we'll get married then we'll fu-"
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Danny's Ghostly Instincts being connected to his 'Protection' & Jason's to his 'Revenge' showing these kind of specific gestures towards them is incredibly romantic.
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Jason and Danny's relationship basically:
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#They're like Morticia & Gomez absolutely smitten for each other
#Jason brings a crying & beaten up GIW who has been stalking Danny
#Danny almost swooned
#They start flirting with each other while standing on top of the GIW dude
#Jason's goons are happy that their boss found 'The One' apparently but can they please stop eyefucking each other while they're there and-
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Just an Idea
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corkinavoid · 8 months ago
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DPxDC Glass Coffin
Weirder shit has happened in DC universe, but hear me out, Young Justice finds a glass coffin with Danny sleeping inside it. Maybe it's in some ancient tomb and hidden away for centuries, maybe it's in some villain's private collection of artifacts, maybe it's in some museum in plain sight.
And then Kon hears a heartbeat from it.
(I'm going with the version of YJ that is Kon, Tim, Cassie, and Bart here, fyi)
Assuming they didn't come to wherever they found the coffin just for the sake of it, they, as the responsible teenagers they are, finish their business first and take it to Mount Justice later to figure out what the fuck. Meanwhile, Danny is sleeping peacefully like a princess, all up in his King garb, with the Crown of stars, cape of night sky, and whatever else pretty stuff you want him to have. Point is, he looks majestic.
Tim looks up the records for the coffin. The files say it's hundreds of years old, and no one has been able to open it yet. The boy inside is stated to be either a statue or some kind of really well-preserved corpse - no amount of scanning registered any signs of life, so it was treated like a piece of art for the most part.
Yet, Con is absolutely positive he heard a heartbeat inside. What's more, he can still hear it now. It's impossibly slow but still recognizable.
Cassie finds a whole lot of legends about it, most of them speaking of 'only those from the other side can open the casket', and there are no clarifications to what kind of other side they are all talking about.
Of course, they all try. Because this is some kind of Snow White or Sleeping Beauty shit, and besides, none of them even think they would be able to open it anyway. And, sure, as soon as they are done having fun with it, they will report to the JL about their finding. Maybe the magic users will know something about the weird Sleeping Prince. They even go as far as to reason with the casket, loudly proclaiming where they are from, because they all come from very different 'sides'.
Bart goes first, explaining how he is from the future. The casket doesn't budge. Cassie goes next, stating herself as Themyskirian, but to no avail. Kon is next, with his half-Kryptonian heritage, but the glass coffin doesn't accept him as worthy either.
And then it's Tim's turn. And somehow, he flips the glass lid open with no effort at all.
A moment of silence follows, all the YJ members frozen in place, waiting for anything to happen, but the boy inside keeps just laying there, unmoving and with his eyes closed. Then Cassie makes a joke about kissing the princess to wake her up, and all of them start arguing on ethics and stuff because why is Robin the one that has to do the kissing, do you have any idea where that boy has been? Fuck off, you kiss him if you want it, and also, do you really want him to wake up, what if he is some kind of villain or an evil spirit, or-
"Which one of you assholes is dead enough to wake me up from my nap?"
And that's as far as I got with this idea. Maybe Danny was put into some magic sleep, maybe it was Clockwork's time shenanigans, maybe someone locked him inside and he decided to sleep it off, maybe he is there on his own volition, taking a vacation from Kingly duties.
I'm just having this vision of eternally beautiful Danny in a glass (oh, maybe it's not glass, maybe it's ice) coffin, and the YJ arguing over it. There's also Dead Tired potential here, because I love them, yes.
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bunni-v1 · 2 months ago
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your shadow milk cookie relationships headcanons are now my canon. like what the fuck how can a piece of literature be so accurate to established information we know about him!!!!!!! hejsjsdjejwje ur shadowmilk is so loving and so cute lowkey
if you don't mind, since your requests are open, could you elaborate more on some more aspects of the relationship pre-ep 8 and post-ep 8? (if u haven't finished this part then u can just ignore this hehe) you mentioned how smc naturally gets more and more devoted as time goes on and he opens up (THEY MAKE ME FEEL SO ILL) so i've also wondered how he would act like when there is a threat that legitimately puts his lover in danger, or at worst, sets the tone to losing them. he'd mald, i imagine...
feel free to answer, feel free to ignore—i adore your work and i think it's not strange at all for you to shift to cookie run after dabbling in mostly human-ish games like ZZZ and TWST. all in good fun, plus you're feeding a parched audience (i am audience, haha) have a good day!
🍓Okay so this ask kinda has three parts to it, so please excuse me if it seems a little... all over the place. I'll answer both the pre and post ep 8 things, and then I'll be touching on what he's like with the threat. I do hope you enjoy my love <3
Tw: Mentions of body horror (cookie body horror?); Shadow Milk Cookie; Obsessive and Possessive behaviors; unedited
Info: Shadow Milk x Reader; Fluff; Angst (lowkey tho); Pre and Post episode 8 SMC (spoilers ahead lol); Drabble/Headcannons(?)
Pre Episode 8
From how the story seems to be set up, the confrontation with SMC should happen last, they just released it now because of the anniversary knowing he'd be hella popular lol. So I'm functioning with the idea that Gingerbrave and Co. arrive around when the other Ancients are finishing up their own confrontation with their respective beasts, meaning there's a lot of time to work with hehe.
Anyway, pre-episode 8 Shadow Milk leans into the category of 'yandere' a lot more than post. He's very obsessive about you, again stalking and watching you, learning as much as he can about you before he even allows you to see him.
You're more often than not being monitored by him, and if you're not, he's probably with you. He gets annoyed when other cookies talk to you, and he isn't afraid to voice that. While he does give you a lot of freedom, he does subtly limit the things you do and the people you're around. It's harder when you're not with him in the spire, but he goes about messing with the environment to keep you where he wants you.
And, yes, he'll crumble cookies in your name if he needs to. Their lives are arbitrary in the grand scheme of things, especially so if they're causing you strife. He won't hurt any cookies you hold dear to you -- though he really may want to at times -- only cookies that are a threat to your emotional or physical well-being. If the death causes you too much terror, then he'll tone it down to just... making their lives a miserable hellscape. It's what the deserve for hurting you, of course!
When you do join him in the spire (because you will, it's just a matter of how long it takes him to nudge you in that direction), the behavior is a bit more obvious. He doesn't like you leaving the spire for literally anything, and if you do he knows and will pop up by your side the second you stray too far. He plays it up as cute worrying, but he's legitimately scared for your wellbeing, like terrified. You're never alone in the spire if he can help it (and he can).
Like I said he watches a lot. There are eyes all around the spire and they follow you shamelessly. They appear content to just watch you, sometimes even literally forming hearts, so they're no threat to your well-being. Again, he's just observing you, more excited now that you're actually in the spire and close to him.
There is a notable difference in the environment, though you likely don't notice it (because you've only ever seen post you moving in). The atmosphere surrounding the spire is lighter, more colorful, and happy. It reflects his excitement at having you around, a visual nod to his love for you, even though you're not exactly away of it.
Despite the negatives here, there are positives! He's incredibly doting, you'll want for nothing with him. Your greatest dreams will come true with a wave of his hand, even with only half his power. He does let you wander around, you just won't be alone when you do so. He's very aware of the dangerous environment on beast yeast, he's cause for it, so he won't be risking your safety.
He's incredibly showy with his style of loving. Grand gifts and performances just to get you grinning and giggling. (He loves writing plays where the two of you are the main characters, falling in love in a million different ways, cutie he is.) He serenades you with syrupy sweet lyrics all about how much he adores all of you. Scoops you up in his arms and dances around with you. He's very touchy, like I said, always needing to have physical contact for whatever reason. (It's because he's scared you'll leave him too.)
He doesn't kiss you much if only to initiate more intimate activities. When he does, his intent is to fluster you nearly every time. Kissing is something that's hard for him, for whatever reason. It's more intimate than touches, and weirdly enough more intimate than sex in his mind. It makes him so vulnerable, so he tries to avoid it unless it's to get a reaction out of you.
Most of what he does is to get a reaction, actually. He likes seeing the way you express yourself, and regardless of what you do, he finds it cute. It's a little intimidating how much he stares, and he stares a lot. Very frequently you'll find him sitting around just... watching you. He won't stop even if you acknowledge it, just smiles all innocently until you go back to what you were doing.
That's sort of how it feels during this whole time, that he's just watching from the outside. There's a distance he keeps between you and him, the power dynamic is a lot more stark here. However, when you're not aware - be that you're sleeping or doing something where you can't see him - genuine affection comes out.
Floating around the spire in his arms as you rest, he whispers sweet nothings he could never bring himself to say to your face. He'll lead you around the winding halls of the spire with a path of your favorite flowers, aiding you in getting to where you want to go. He leaves gifts around, taking you on little treasure hunts just to reveal something sweet and heartfelt at the end. The spire itself shifts and changes around you to be more to your liking, and there are rooms within it dedicated to the hobbies you enjoy.
This gentleness is all hidden when you're together, though. Only showing itself when you can't look him in the eyes and reject him. He can't bring himself to let you in, he's scared of that rejection. He wants you to think he's powerful and amazing, so allowing you to see just how much he adores you would be terrible. What if you don't like him at his weakest? What if you realize that you could do better than him? What if you meet Pure Vanilla and you realize how much better he is? What if you leave him? Oh, it tears him apart.
So, he can't let you in. He'll put on a performance so dazzling it'll distract you from how much his heart aches when he sees you. He'll prove that he really does love you through flowery words and fantastical shows, anything to hide how much he adores you. Even when you try to get him to connect, he'll brush it off for fear of you not accepting him as he is. He can't handle you rejecting him, not after all he's done to keep you at his side, not after how hard he's fallen in love with you.
Post Episode 8
This is where we see Shadow Milk Cookie open up a lot more to you. After the so-called betrayal of Truthless Recluse, and his being incredibly emotionally vulnerable from Compassionate Pure Vanilla's offer for friendship, he's now forced with the problem of you knowing him. You saw that raw vulnerability, the loneliness that aches deep within his dough and infects his very being with a sickness he cannot cure.
No matter how much he puts on airs, he cannot avoid you knowing him now. He has nothing to hide behind anymore, you saw how much he craves connection and care, there's no going back from that. He briefly considers leaving you, but the idea of losing you sends shivers up his back, so he dismisses the thought as quickly as it comes. He may actively avoid you for a little while, but if you are patient and kind to him, he won't be able to hide for long.
Showing him that you still feel the same way by continuing your regular shows of affection is a huge relief to him. He truly expects you to think less of him now that you've seen that side of him, but you don't. It's rather odd to a cookie like him, who spent his entire existence being worshiped, revered, and feared. He assumes when you see him weak you will despise him - that you were only there for all the grandiose gifts and displays. He doesn't consider the thought that you have fallen in love with him. That you consider him yours as much as he considers you his.
It takes him a bit, but he begins to pick up where you left off. This time, though, he's more... gentle about everything. You get to take the lead around this time, and as odd as it is for him, it's cathartic to be taken care of for once. He can let his walls down and relax while you stroke his hair and hold him close to your chest. You kiss across his face with reverence that not even the most loyal of his followers could ever begin to replicate.
You love him.
He becomes addicted to the feeling, your affections being something he craves with a hunger he'd never felt before. It takes a bit for him to come to you for it, so usually you'll have to initiate it, but he melts into your hands so easily. It's pathetic how much hold a little cookie like you had over a god like him, but when you're humming sweet words at him he can't bring himself to care too much. (He will huff and puff if any of the other beasts give him shit for it, telling them off like a angry child.)
All of those hidden affections of his become much more obvious to you as time goes on. He's a bit awkward with it because he's never really been so open with any cookie before, but it's charming the way he tries so hard to be genuine with you.
You get to hear those sweet words of love from him directly, earnestly said while he holds your hand in an iron-tight grip. He gives you those heartfelt gifts by hand, telling you all about how he worked so hard to get it for you and how much care went into it. He leads you around places himself, preferring to be by your side than guiding you from a safe distance. Even the way he holds you is different, much more adoring than before. It's a kind of care he hadn't really shown you before, more considerate of what you might want rather than what he believes you might want.
And, of course, he kisses you now. Very frequently. He still does do it to fluster you at times, but less than he did before. Now every kiss has a purpose behind it, a means of displaying his affection for you. They're soft and loving, full of emotion.
Something that carries over consistently is the watching. He keeps an eye on you at all times, regardless of where you're at. Since you're no longer in the spire, there's more risk so he wants to ensure your safety. Even if you're with another beast or with Black Sapphire or Candy Apple, he's watching you anxiously.
Now if you acknowledge the eyes, they'll react to you. Before they usually just continued watching, but now they'll squint and shift excitedly at your attention. Sometimes he'll even drop flowers or a little plushie at your feet while the eye seems to grin at you with glee. You can kiss them, if you'd like -- they're warm and soft but they don't feel like eyes. If you do so the pupil with dart around nervously, then it'll pop out of existence and arrange itself to another spot you can't easily fluster him at.
Still, though, they just watch you for the most part. Making sure you're safe and happy when he isn't around. He's a bit less obsessive about who you're spending your time with, though. He trusts that you won't leave him a lot more now, and no longer finds himself threatened by anyone (other than PV).
Bonus below
Now, as a mortal cookie in beast yeast, most things put you in danger. It's a tough environment to live in, and there are a lot of violent characters around that wouldn't care if you died or not. However, most cookies are aware of Shadow Milk Cookie's, shall we say, claim on you.
There are very few things that could actually threaten you, especially with Shadow Milk Cookie monitoring you so closely. He makes the environment around you safer, and he makes sure everyone knows that you are off-limits. Unfortunately he cannot control everything, though he really does try to.
If anything, anything ever puts you in actual danger, he is beside himself with worry and rage. Your soft and sweet dough is not made for battle and danger, regardless of what you might feel. It would take the witches themselves to stop him from tearing apart the lands to ensure your safety. And tear them apart he would. He would carve deep valleys into the ground for you, slice mountains to their base, and raze forests flat if it means you will be safe.
If it's a cookie? Some insignificant act or protest from a foolish mortal, deciding to use you to get his attention? Oh, they'll know hell.
Depending on how much damage they do the punishment will vary, but it won't be pleasant regardless. If they just take you away for a little while, he'll torture them. Ensuring the life they go back to is much harder for them to live through, but he won't kill them. They have to learn their lesson and live to tell the tale so no one is stupid enough to follow their example.
If they hurt you at all, they're dead. Shadow Milk normally makes a show out of any crumbling he does, but when you are involved? He doesn't waste time with any silly shows, they just crumble. No fanfare, no sparkle, just death. They don't deserve anything more than that, not when they've caused you hurt.
Ah, and if there is a threat to you -- silly or not -- he takes it very seriously. His monitoring will increase tenfold, and he does his best to keep you with him at all times. He will not take your safety lightly, not when he adores you so.
If there is a genuine threat to your life, he will do everything in his power to remove it. After the fact, he becomes much more obsessive of your safety. It's almost suffocating for a while, but if you express concern he'll ease up a bit. Though you can feel the anxiety in his body language and the way which he speaks.
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mediumgayitalian · 20 days ago
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"Can I kiss you?"
"I don't know, can you?"
The second the words are out of his mouth Will prays for death.
Oh my gods.
"Purge it," he orders, words muffled by his own hands. He glares when Nico laughs. "I'm not joking, purge that from your memory or I'll do it for you --"
"Solace," says Nico, and there are crinkles in the corners of his eyes, and his smile is just slightly crooked, and his hands are cool like cobblestones in the early mornings on the rings of his wrists. He tightens when Will continues to try to wrench away. Or hit him. Or both.
So fucking humiliating.
"Solace, hold still."
Ever since ten year old yapatron dork Nico di Angelo stepped foot in this godforsaken child soldier hellscape however many years ago, Will refuses to count for his own mental health, he has not known peace. Since the very first day the bright-eyed smirking punk pulled up with a pack of cards and a literal bag to collect the change he swindled out of the Entire Apollo cabin, Will has been karate-chopped in the face with the very specific strain of the Ella Enchanted curse wherein his stupid mindless drone of a brain stops every available function and immediately pivots to do whatever Emo Boy commands. It's an issue. It's a problem. It's a curse, and no one takes him seriously.
"Bars," Nico says solemnly.
Will snaps his teeth at him.
"You know, you get kind of bitey and hot when you're embarrassed."
"Shut the fuck up."
"I'm just saying," Nico grins. "It happens when you're angry, too. You get this -- dimple, here, when you scowl."
He reaches out without permission and presses his thumb into the divot of Will's cheek, ridges of his fingerprint sliding along the valleys of his spattered scars. Like the jagged edges of torn paper.
There's a haiku in there, says the Apollo that lives forever in Will's brain.
I'll kill myself for real, seethes Will back at it.
He notices Nico's widening smile when his delicate hands reach behind the curve of his ear, sliding through strands of his hair. His palm burns icily along the length of his jaw.
Coincidentally, his heartrate jumps three ECG strips.
"So?"
"So what."
His voice cracks so horribly the clouds wince in sympathy. Were his face capable of getting any redder, it would, but at this point in time it was already riding the line between roan and pumice.
"So." Nico ducks his head, meeting Will's eyes. "Can I kiss you." He snorts. "Or, rather: may I kiss you."
Will thinks of saying no, just to be difficult. But then the ten-year-old Will that lives in his mind throws himself to his knees, weeping in agony, and he relents.
"Fine," he says quickly. "But only a little one and it can't be very good!"
Nico raises an amused eyebrow.
"It can't?"
"No! I'm in -- scrubs!"
"As opposed to your ratty camp shirt," Nico surmises. "Ah, yes." He waits a little. He smirks. Will clocks the fuckin' Look in his eye one half millisecond too late, because God hates him. Yeah. That one. "Or, you know. The scrubs don't have to stay on."
"Bye."
Will turns around to leave, or tries to, but the sheer amount of blood in his head and face region leaves him more than a little lightheated, so he goes ahead and just sways right into Nico's waiting arms. Why not? His dignity is dead and buried. Might as well put some flowers on the grave.
Or something.
Look. You try digging up metaphors when none and all of your synapses are firing at once, somehow.
"You're so dramatic," Nico murmurs, voice liquid with fondness. The curve of his smile melts into something sweet and he adjusts his arms around Will's waist, dipping him backwards. "I am going to kiss you, now. Stop me."
"'Kay," Will squeaks, and grips onto strong, wiry shoulders as hard as he can. His toes curl.
He's laughing, when he presses their lips together.
It tastes like sweet bubblegum and ancient TV static.
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lixies-favorite-cookie · 6 months ago
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⋆.˚ ᡣ𐭩 ⏖ ’  simple acts of love from skz
—All the times stray kids said I love you in the little things.
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words・6.8k pairings・stray kids x reader genres・fluff, a little crack, established relationships warnings・lots and lots of kisses!! happy tears, drunken re-confessions, silliness, playful living room dancing, minhos a shy baby, he's also a little shit in changbins, erotic painting in hyunjins, hans is a little bit more emotional, silly little proposals, my terrible attempt at writing lyrics, jeongin stalks your goodreads profile and buys your entire TBR list like I don't have at least a thousand tbr books...some of these are silly some of these are sickeningly sweet,
a/n・I wrote these drabbles based on these headcanons, but I did change Minho's because I believed it fit him better!! Also, this has been rotting in my drafts for MONTHS im not super proud of them, but I hope you like them anyways.
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ᡣ𐭩 chan + sneaking into your bathroom to trace hearts onto the bathroom mirror.
"This is a suicide mission!" his lungs scream as he slips into your inferno of a bathroom, a heavy cloak of steam hugging him instantly. His respiratory system begs for release, a moist cough rolling up his throat; but like the magnificent boyfriend he is, he shoves those rebellious bodily functions right back down his windpipe.
Was his silly little plan worth the ability to breathe? Yes. Did he also wonder how you even could? Also yes.
The mirror fogs like the surface of an ancient lake, obstructing the image of his mischievous grin. He brings a pointer finger to the glass, drawing all his ardor in the mist—though it only comes out as lopsided hearts.
Your voice floats out from behind the curtain, absentmindedly humming to a silent tune. Shadows of your hands move through your hair, your body refracted onto the thin sheet.
You are so beautiful...
Cupid smacks his jaw shut.
He manages to slip out right as the water sputters off, sliding into the living room by his socks. He face-plants onto the couch, scrambling to sit upright. The loud smack of your towel echoes in his ears as his wide eyes dart to the table, frantically searching for something to occupy his attention. He snatches the first thing he sees, which just happens to be a... candle?
Whatever, no time!
Chan is intently studying the ocean-blue Bath & Body Works label, when you come pattering out, damp hair dribbling water behind you. The moment you step into his line of sight, his heart plummets—that stupid aromatherapy candle nearly tumbling with it.
There you were, in all your drenched glory, your towel wrapped snug against your chest, tears rolling freely down your cheeks. Did you hear that?! Tears!! You were crying?! Why were you crying?!?!
Chan must have embodied the spirit of a kangaroo, because he’s never jumped up faster in his life.
"Why are you crying? You're supposed to be happy!" he yelps, yanking your body into his arms, water seeping into the thin fabric of his tee shirt. His brain becomes the equivalent of the world’s most fucked-up ambrosia when you begin laughing, the curve of your smile pressed into his chest. He blinks—he doesn't know whether to kiss you or call a priest. Maybe he should do both?
Suddenly you pull away, cocooning his cheeks with pruney hands, your bottom lip wobbling as you sob, "I'm so in love with you."
Well, good job—now he's sobbing too.
"I'm in love with you too, baby."
You had drawn hearts on the walls of his soul in the same way he had drawn them in the steam of your mirror. The only difference is, yours would never fade away.
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ᡣ𐭩 minho + randomly sending you songs that remind him of you.
Minho wasn't the type to throw his arms around you, pressing kisses to your face with all his overflowing ardor. Instead, in the minuscule overlaps of time between talking on the phone and constructing a perfect dance routine, he'll find himself sitting dazed upon the lounge room couch, mindlessly nodding to a catchy tune. He had left his Spotify on smart shuffle, finding comfort in the idea of a song found without searching, as if it were fate's gentle finger dusting the path to new adventures. He flutters his eyelids shut, ripples of sound washing over his skin.
And I've heard of a love that comes once in a lifetime
And I'm pretty sure that you are that love of mine
'Cause I'm in a field of dandelions
Wishing on everyone that you'd be mine, mine
In a rash flood of emotions, he sends you the song just before Chan steps into view, announcing his dire need to finish choreographing the final steps of their newest single. Begrudgingly, he slips his phone into his back pocket, his earbuds following suit. The only thing that keeps him sane throughout the day is the anticipation that he will go home and see you, and that makes it all worth it.
ᡣ𐭩
May I have this dance?" you declare, extending your arm with feigned seriousness, though the playful smile tugging at your lips betrays you instantly.
“What?” Minho chuckles through furrowed brows, observing the unusual surroundings; candles flicker dim lighting on the walls, throwing shadows on the rose petals you had scattered around your living room, forming an intriguing resemblance to a romantic dance floor. He sets the bags of groceries on the ground. Lee Know is so beyond confused, yet also pleasantly surprised, especially when you waltz over to him, tight red dress hugging all your gorgeous curves.
“You still haven't answered my question,” you sing, playfully twirling into his arms. Your hands find their way to the nape of his neck, tracing mindless circles in his hair. A shiver rolls up his spine as you tilt your face forward, lips so close; his heart flutters like a fragile leaf tumbling down from an autumn tree. He blinks before exhaling—
“Of course, I'll dance with you.”
A delighted squeal erupts from your lips, and you jump away from his arms, heading straight over to your phone to play the song he sent you prior. A warm blush floods his cheeks, painting them a bashful red.
“Did you like it?” His eyes fall away from yours.
“Did I like it?? Of course I liked it!” you squeal, gaping at him like he was the dumbest person on the planet. World War Three rages inside his chest as he fights not to fold like a lawn chair, flopping on the floor like a flustered starfish. Though when your hands rub their way up from his chest to his shoulders, he's surprised he's even upright. Your hips sway to the melody, a warm smile melting away all his defenses; but when you guide his awkward hands to the dip in your hips, it’s game over. He stuffs his face into your neck, littering the sensitive skin with kisses, his brain screaming: distract the enemy!! distract the enemy!!
“Do you know how much I love you?” he mumbles with striking genuineness. Instead of answering his question, you simply twirl yourself around his finger, placing his hand to wrap around the small of your back. He dips you down right as the music swells. It was magical, really—the candlelight twinkling in your peripheral, spills of starlight dancing off the ocean's surface. It was all so perfect—that was until your shoe caught on one of the rose petals, the floor turning slick under your feet. You send yourself tumbling straight to the ground. Minho squeals, grasping at thin air, but then he too also slips, frantically shooting his wrists out so he doesn't crush you.
The music cuts through the deafening silence as petals weave their way into your hair. You roll your lips into your teeth, glancing over to an eerily still Minho, staring at the ceiling like a spooked tabby. As if he could feel your eyes, his gaze finds yours, and only then does he burst out into roaring laughter, which prompts you to also join the fun.
“Are you sure you're the main dancer?” you tease through breathy giggles. He gasps, smacking a dramatic hand over his chest.
“I’ll have you know you fell first.”
And I've heard of a love that comes once in a lifetime
And I'm pretty sure that you are that love of mine
'Cause I'm in a field of dandelions
Wishing on everyone that you'd be mine, mine
In that moment, as the light hits you just right, he swears he finds the universe in your eyes. Your skin is showered in candlelight, head tilted back—joy flickers on your tongue as honey drips from your teeth. His heart pounds against his ribs, flowers sprouting in his lungs. To the world, he was an aloof grump with smooth moves and an impressive affinity for cats; but to you, with you, he was so much more.
Mid-snort, he captures your cheek, pressing his lips to yours. In a single gesture, he is pouring all the words he wished to say—
though to you, it tasted a little bit like—
If he had to blow a wish on every dandelion in the universe just to keep you, he would; and only through your lips would he find the power to keep breathing.
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ᡣ𐭩 changbin + gushing about you while drunk
The balmy patio is sticky with soju-infused groans, most of the boys slumped in their respective seats, throwing back exasperated swigs of their drinks as they desperately try to drown out Changbin’s relentless rambles.
The two semicircle outdoor couches form a full circle around an unlit bonfire pit. On one of the couches sits a completely unfazed Felix, taking small sips of his soju between chuckles; an extremely annoyed Seungmin, glaring daggers at Changbin; and I.N, who doesn’t seem to be doing much of anything except, well, sleeping—body slumped against the armrest. Hyunjin is sandwiched between Chan and Changbin on the other couch: Chan, who wishes he never even brought up the idea to buy beer in the first place, and Changbin, who is currently slumped over a very irked Hyunjin’s lap. Han is somewhere in the house, probably giggling at his own swirling reflection.
Hyunjin digs his fingers into the roots of his locks, fighting every urge not to yank the tufts straight out.
“N-no, but Jinnie, you don’t u-understand—she’s so pretty,” Changbin slurs, stuffing his face into his friend’s hoodie, which makes Hyunjin frown and swat him away.
“That’s it! I’m calling Y/N!” Seungmin announces, jumping up from his seat. Chan grabs his sleeve, yanking him straight back down, much to Seungmin’s dismay. he sinks into the polyester in a puddle of disgruntled grumbles.
"Or we could record him," Minho calls out from the shadows of the back entryway, only ever appearing when he needed more beer or more entertainment. And right now, it was dinner and a show. Minho simply shrugs as if his evil plan wouldn’t ruin his best friend's bad-boy reputation. "Send it to Y/N later," he mumbles to himself, the devil tilting his cheek up. Nobody seems to hear him, so he slyly pulls his phone from his pocket and presses record.
"No, no, no! You can't call Y/N. She’ll know I love her!" Changbin gasps in horror, stumbling to grab the phantom phone that apparently appears on Hyunjin’s lap with the way he paws at his jeans. Hyunjin takes a nice, long swig of his soju.
"You know you and Y/N have been together for over four years, right?" Felix chuckles, finding the whole ordeal pure comedic relief.
"No, you don’t understand. She’ll know I love her... lover," Changbin’s words slur into an incoherent shake of his head. Minho's evil cackles float out from the concealment of the doorway, and Chan perks up.
"Minho, what are you doing?!" Minho slams his phone against his thigh. What the hell?? Does Chan have Spidey senses or something??
"Nothing!" he yelps, sounding super convincing. Chan narrows his eyes toward the darkness where Minho is supposedly lurking, sporting an eerily perfect rendition of a frustrated father. That is, until Changbin begins a very off-tune version of “The Itsy Bitsy Spider,” rolling over on Hyunjin’s lap to tap his fingers up his arm and eventually landing on Hyunjin’s nose with a giggle. When Hyunjin almost bites his finger off, Chan finally diverts his attention. Minho thanks God for the shadows—how else would he have gotten away with recording all of that?
“I’m about two seconds away from bringing you back to Y/N,” Hyunjin sighs, his lips pressed into a tight line as he glares at the man whose eyes just burst with light at the thought of seeing you. Chan smacks Hyunjin on the back sympathetically, pinching the bridge of his nose.
"Why me, Lord? Why me?" Chan sings his woes under his breath but just loud enough for the camera to pick up—and for Minho to giggle.
"Y/N, I miss Y/N. Can I go home to Y/N, please?" Changbin hiccups, slumping his head onto Hyunjin’s shoulder. Hyunjin’s eye twitches. "I wanna tell the pretty girl I love her."
Felix emerges from his silence with a fit of laughter, nearly spilling his beer all over the floor. "Weren't you just saying you didn’t want to tell her you loved her?"
Changbin whips his gaze forward, his eyes hardening into a very foggy glare. "Well, now I want to tell the pretty girl I love her," he states matter-of-factly, his eyes fluttering a bit, betraying just how drunk he is.
Felix’s amusement is transparent as he raises his beer in Changbin’s direction. "Somebody needs to bring him to Y/N and let him re-confess his undying love for her."
Seungmin has never jumped up so fast in his life; he’s mid-volunteer when Chan grabs the cuff of his sleeve again and yanks him right back on his ass. Seungmin collapses onto the couch, ready to spit a disrespectful insult at his elder, but he folds like a lawn chair when Chan shoots him that look.
"Seungmin, you are far too drunk to take him home, while I," he looks to the sky with regret, "am very regretfully sober." Chan sounds like he’s going through the five stages of grief in one sentence.
"Okay, buddy, I’m taking you home," Chan grunts, clapping the drunken boy on the back. Changbin beams like he just heard there was a cure for cancer.
"Hell yeah!" He jumps up, only to stumble slightly, the patio swimming in his vision as he catches himself on Hyunjin’s forehead. When he finally, barely stabilizes himself, he throws his hands up. "See y’all bitches later! I—” he dramatically points to his chest in pride, “—am going to see my girl," he declares and marches straight out the door. Chan is mid-goodbye hug turned introspection with Felix, wondering what he’s doing with his life, when he hears a loud shatter in the hallway. Chan falls out of Felix’s arms immediately, his stride turned sprint. 
"Son of a bitch, Changbin, that was my favorite vase!"
ᡣ𐭩
“Go ahead, tell the pretty girl how much you love her,” you tease, playfully mimicking kissy faces while simultaneously poking Changbin’s crumpled form, his boiling cheeks sandwiched between his knees.
Why did Minho have to send you that video? But most of all, why did he have to send it while Changbin was still hungover? All this humiliation can’t be good for his headache.
Changbin groans, falling back on the bed to pull a pillow over his scorching face. The fact that the whole mattress hasn’t burst into flames is truly beyond him. Giggles pour from your lips, even as they settle atop his stomach, leaving kisses all the way up his torso. You can hear his flustered pants from down here.
“Okay, that’s enough bullying for one day,” you say, straddling his waist to snake your arms around his waist, pressing your chests flush together. Your teeth graze his shoulder, softly biting the flesh. “Come on, baby, take the pillow off your face.” You press your smile against his shirt before resting your chin on his chest.
He peeks out from under the pillow, tugging it down just enough to reveal his eyes, still reluctant to fully reveal himself. You bat your lashes at him, pouting ever so slightly. He folds—like a damn lawn chair, at this point, he’s practically collapsing in on himself with how much he’s folded. His face melts into a grin as he finally pulls the pillow down.
He so regrets that.
Your face lights up with laughter as you take in his beet-red cheeks, your eyes disappearing into crinkled slits. “I’m sorry, I just... I just can’t,” you cackle, doubling over in heaves.
“I hate you,” Changbin shouts, flustered, smacking you square in the side of the head with the pillow. It does nothing to quell your amusement; in fact, it only makes it worse.
“That’s not what you said last night,” you snort, falling off him as you kick your feet against the sheets.
Despite his urge to tie a millstone around his ankle and jump off the face of the earth, he can’t help but smile, caught in an unusual state of awe. Your mouth is boxy, laughter filling the air like strands of warm honey.
“Apparently, you think about me a lot,” you snicker, still rolling around. his smile only spreads wider.
If only you knew how much he thought of you.
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ᡣ𐭩 hyunjin + painting perfectly captured portraits of you
“Hold still for me, baby,” Hyunjin whispers, his voice low and intimate, as he lightly drags his brush down the length of your arm, adding the final touches to your portrait. His gaze traces your bare body, memorizing every inch until even the freckle on the upper left side of your waist is drawn onto the inside of his eyelids. The valley of your breasts trembles with each labored breath, your muscles tightening against the couch where you lay.
“I’m really trying, Jinnie, but it hurts,” you whine, fighting to keep your head steady. Your boyfriend lets out a breathy laugh, savoring one final glance at your naked form. With careful precision, he drags the sharpest part of his brush down your thigh, finishing the entire painting with his favorite peice of you.
“Done,” Hyunjin murmurs, settling back into his chair with a satisfied smile, admiring the art he’s just created. Usually when he painted, there was always something he hated about his work—whether it's the proportions or the colors were slightly out of harmony—it was never good enough. but when he paints you, there's never an issue; for he could capture you with children's finger paints, and you'd still find a way to look utterly breathtaking.
“Let me see,” you squeal, jumping up from the uncomfortable spot you’d claimed on his couch. A faint blush appears on his face as he turns the easel around, unraveling his heart before you. And oh, when he does—you collapse into his arms, all your strength diffused into a shuddering gasp. He had dipped his brush into your soul, and with every meticulous stroke, he gathered the very essence of your heart. It was almost unreal how perfect he made you appear to be—your moles speckled across your skin in gold, dusted like stars; your stretch marks adorned in silver, shining like slips of light.
How are you not sobbing right now??
“Is it okay?” he asks, bashfully wrapping his arms around your naked waist, completely unfazed by your current state of undress.
“Hyunjin, this is more than okay,” you sniffle, voice crackling with emotion. You turn to meet his gaze, only for his palms cradle your cheeks with a touch so tender, it's barely there. One second, you’re breathing; the next, you’re transcending, existing only between his lips.
By the time you come up for air, the world around you has changed. He’s on top of you now, his hands resting on either side of your head, thoughts long forgotten. He moves closer, allowing whisps of his hair to tickle the sensitive flesh of your neck; for his lips to settle upong the delicate curve of your collarbone. He doesn’t stop—he doesn’t stop until the sun kisses your skin, until the sky is filled with the very stars he painted upon your skin.
Only in love and art are you eternal and in hyunjin, with hyunjin, you are both. 
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ᡣ𐭩 han + hiding messages into every song he produces
"In every lifetime," a heartfelt promise whispered between shuttering breaths. Han's lips parted, your tongue savoring his astonished gasp. "What did you say?" quickly transformed into "Did you mean it?" when you had tenderly threaded your fingers into his hair, the pad of your thumb settling just under his jaw. Your needy hands had fogged his head, but he never forgot it.
"In every lifetime," you had uttered many moons later, nestled underneath the stretch of midnight sky. The universe had stilled, all of time and space screeching to a deafening halt. You unraveled the scrolls of his soul, and with the eternal vow of "I do," swore forever. So, he, for however long he may live, intends to hold you to that promise.
From: Hannie 🐿 Do not by any means play my new song!!!
From: Hannie 🐿 Im serious!!
From: Hannie 🐿 Promise me Y/N!!!
You giggle at his earnestness, clicking the notification to message him back.
From: My Wife ❤ I won't I promise!
From: My Wife ❤ Scouts honor 🫡
You admired Han's dedication to his craft, but what you admired most was his need to share every single part of it with you.
"You didn't listen to the song, did you?" Han calls out from the foyer, slamming the front door behind him. He urgently throws off his shoes, his heavy footsteps following him all the way up the stairs. Your mirth bubbles up behind a bitten grin, lip firmly tucked between your teeth.
"No!" you shout back, feigning indifference; though when he swings your bedroom door open, you’re overcome with breathy giggles—his hair is tossed around at all angles, puffed cheeks pink and gasping.
Now that was the man you fell in love with.
"Somebody's eager," you tease, chucking your phone somewhere on the bed. His eyes are oddly fearful when you lift yourself up from the comforter, pressing a soft kiss on his cheek. His chest heaves, breath labored and shaky; flighty fingers find the knot of his tie, yanking it loose. You reel your head back. Since when does he wear a tie? You flick your gaze down his figure. Since when does he wear suits?? Your confusion only festers as he lets out an anxious chuckle, wringing his hands like wet rags.
"You have no idea." You didn’t know—didn’t know what he was about to risk. His heart was clay in your hands, and with the delicacy of a butterfly's wing, you pressed your fingerprints into his skin. For now, through touch alone, his soul will find you in every lifetime; but first, he must promise you himself in this one, and that appeared to be an impossible feat.
It's now or never, he tells himself.
So, with an arduous breath, he steadies his quivering hands just long enough to slip his phone out of his back pocket. Was it just him, or is it suddenly really hot in here? He swipes to YouTube. Why was it getting so hard to breathe?? He presses play. His heart somersaults its way down to his stomach when the opening melody echoes from the speakers. Your brows lift, lips pursing in your signature concentrated quirk. His mouth forms around a smile, breathing getting marginally easier, but that peace is short-lived as the chorus begins—only then does he feel the symptoms of real fear.
In every lifetime, his warm voice melts from the speaker.
A falling star just shot from space and hit you directly in the chest, rendering you utterly speechless; even as your gaze finds his glassy eyes, you just can’t believe it.
In every lifetime you swore.
It’s just too perfect.
So, for as long as I may live, I wanna be yours.
He’s just too perfect.
In every lifetime I'll dip my knee down.
There’s no way.
And yet he sinks to one knee, slipping a velvet box from the confines of his pocket. Your hands make purchase around your mouth, stifling a wet cry.
In every lifetime I'll ask to be yours.
"Y/N L/N, will you marry me?"
You drop to your knees, tears tracing cordate-shaped rivulets down your cheeks. "Yes, Han, I'll marry you! I'll marry you!"
Your lips swear forever as they land on his, and that promise echoes far into lifetime number twelve.
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ᡣ𐭩 felix + giving you gum wrapper hearts
Lee Felix was stupid in love, heavy on the stupid, figuring he was about to start World War Three to get that gum wrapper out of Seungmin’s hand.
“Please,” Felix begs, drawing out the "e" in an obnoxious whine.
Felix has been professing his love for you through gum wrapper hearts for about as long as he’s been chewing gum, so he is going to be damned if he lets one gum wrapper gets away without meeting his fingers first. Seungmin’s eyes harden into an frustrated glare, about two seconds away from punching a pizza-sized hole in his best friend’s face.
“You know, the more that you beg me for this wrapper, the more I don’t want to give it to you,” he deadpans, voice flat with irritation. Felix throws his head back in an ear-splitting groan.
“Whyyy not??”
“Oh my gosh, Seungmin, just give him the damn wrapper,” Chan interjects, exasperated.
“Yeah, listen to Chan. Give Felix the wrapper,” Felix teases, laying his chin on his hand, fluttering his lashes with a shit-eating grin. Seungmin clenches his jaw, crumpling up the foil—much to poor Lixie’s dismay.
“Did you see that, Chan?! Seungmin crumpled my wrapper!” Seungmin squeezes it harder. “Look! Do you see that, Chan?! Seungmin is bullying me!” Chan sighs, digging a knuckle into his eye. He is about five seconds away from sticking both grown toddlers in time out.
“Seungmin, for the sake of my sanity, give Felix the damn gum wrapper.” The fact that he actually had to tell two full-fledged adults that was truly beyond him, yet here he was.
“It’s the principle of it, old man—” As soon as the words leave his lips, Seungmin wants to stuff them right back in. Chan grits his teeth, steam practically whistling from his ears.
Oh, crap.
“You little—” Chan dives for Seungmin, to which he squeals, ducking from his elder’s hand, gearing up to smack him square in the forehead. In the clamber of movements, he ends up dropping the beloved wrapper. Felix lets out a squeal of excitement, lunging for the foil. When the crumpled aluminum sits in his hands, he has never felt so rewarded in his entire life, smiling like he just won a million bucks.
Almost out of muscle memory, he begins smoothing it out, folding up all the right corners. He beams, stuffing the little token into his pocket, fingers itching to give it to you later.
“Thanks, Seungmin,” Felix smirks, taking a proud sip of his drink. Seungmin manages to stick his tongue out while trapped in a headlock.
“You suck,” he wheezes, throwing weak slaps onto Chan's bicep. Felix giggles, his phone buzzing against his jeans. Felix quite literally drops everything to pick it up, his heart singing the same song as your special ringtone.
From: My world 💙 Look, baby, isn’t it so beautiful? I took the pic while I was on my way to work. I actually swerved off the road to take the picture, haha. Just wanted to share it with you. Love you, baby!! [Image.png]
When he clicks the image, his phone is flooded with the most breathtaking view. The sky is stained like melting ice cream, cotton candy colors that burst around your hair, though that isn’t what Felix is looking at—he is looking at you. The moment he looks into your lopsided smile, Cupid shoots him all over again.
From: My star-light 🌟 Wow.
From: My star-light 🌟 No words.
From: My star-light 🌟 I didn’t know my girlfriend could look so stunning.
From: My star-light 🌟 Oh, wait, there was a sunset back there somewhere.
From: My star-light 🌟 Yeah, that was pretty too.
From: My star-light 🌟 Are we still on for tonight?? I miss youuu.
From: My world 💙 Oh my gosh, Lix, you’re making me blush, haha.
Seungmin chokes somewhere in the background. Felix doesn’t notice. Felix is submerged in the silky ocean of rose-colored love.
From: My world 💙 Of course we are!!
From: My world 💙 I miss you too, baby!!
From: My world 💙 Literally can’t wait to see you.
Felix is mid-text when his friends suddenly turn bright red, clambering to untangle themselves from the mess of limbs they got themselves stuck in. Felix doesn’t realize the reason Chan is suddenly fixing his hair or Seungmin is unruffling his shirt is because two of the most stunning women just walked past them. Felix was too focused on making time move faster.
ᡣ𐭩
Felix has never been to space, though he can accurately say that he has tasted the sky.
He sips the stars off your lips, every shared breath an inhale of the galaxy. Felix knows that somewhere, someplace time exists, but not here, not now, not with the blades of grass lacing through his hair; not when he’s pressing your chest flush against his, rolling around on the ground until the night sky is kissing the earth in his vision. Your laughs are buried in his neck when he gets too dizzy to continue, littering kisses on the sensitive flesh there. You pull away for only a moment, brushing a rogue strand of hair off his brow. You smile, dipping to press a soft peck to the tip of his nose.
The two of you had crept into this darkened backyard hours ago; you proposing a date under the stars only to share them between your lips instead. You have been locked in this position for lifetimes, and Felix has no plan to stop.
His palms lift to graze your cheeks before sealing your mouths together again. His soft laugh puffs against the seam of your lips, his smile curving against your own. “God, I am so in love with you.”
He was; he so, so, so was.
He was so in love with you, he had almost forgotten about his gift. Key word: almost.
“Oh, I almost forgot,” he gasps, chasing your warmth when he pulls away, sitting up.
“What?” you playfully whine, biting back a grin, settling your hips against his thighs. He chuckles, poking a finger into his pocket, fishing out the gum wrapper heart.
“I know it’s not perfect,” he whispers, cupping something in his palm, “but I hope you still like it.” He rolls his fingers out bashfully, offering you the crinkled silver heart. He bites his lip, a faint blush falling over the apples of his cheeks. The little gift was by no means perfect; it was ripped, wrinkled, and just a little lopsided. Yet you can’t help the fondness that explodes in your chest. Still cradling the heart with care, you throw your arms around his neck, tackling him to the ground. Your chest flush against his, he grunts when you land upon the earth, smacking slobbery kisses all over his face. You don’t stop, not until he is flipping you over, now attacking you with equally wet kisses. Your giggles live in the balmy summer air.
To you, he was the sun; but to him, you were the universe 
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ᡣ𐭩 seungmin + buying you a bouquet every time the old ones wilt
October 11th, 2020.
That was the last time your apartment smelled like something other than florals. That was also the first time Seungmin had ever bought you flowers—a simple gift for your one-year anniversary that spiraled into a four-year tradition. You don’t ever talk about it, and he certainly denies it, when you thank him for how the wilting tulips magically evolved into beautiful daylilies. You find it endearing, the faint blush that falls over his cheeks when he tries to convince you that it wasn’t him.
Now that you think about it, your white roses did seem to have a little bit of brown on them yesterday.
Mid-wipe of the bathroom counter, you rush down the stairs, almost sliding into the kitchen in your socks. Without fail, there they were: bright red tulips, replacing the withering roses that had been in the vase earlier. A spreading grin pulls at your lips as you check the stove clock, quickly connecting the dots.
You had been cleaning the bathroom most of the evening, your earbuds blocking the world out. He had probably heard you humming from upstairs, choosing the perfect time to sneak in through the door. You squeal, sprinting up the stairs to throw open your bedroom door. You expect to find him lounging on the bed, but instead, you find him below it, cradling a square object in his hands. His head whips around, panic falling over his features. He slams the lid shut before fumbling to shove it right back under the bed, much to your dismay.
“Hey, what?” You yelp, diving for the box. Seungmin blocks you, accidentally knocking it out of his hands, unfurling its contents all over the floor.
It looks like a garden just threw up in your bedroom.
Hundreds, thousands of differently shaped petals are scattered on your floor, tufts of colorful memories spread out like a silky scroll. First, you freeze. Then, you gasp; your muscles thawing like a flower unfurling in the snow. It hits you slowly, blossoming in your chest and spilling from your eyes—Seungmin hasn’t been throwing away the flowers he bought you. He’s been collecting them.
You didn’t realize you were crying—not until you spoke—“Seungmin, what is this?”—then you heard it, your voice withering and wet. When you finally go to meet his gaze, he can’t seem to look at you, tilting his head down in shame.
“W-Well I-I’ve just…” he begins, trailing off with a rub of his burning neck. “Fuck, this is going to sound so stupid,” he flushes, staring down at the single yellow petal that fluttered onto his folded thighs. Suddenly, Seungmin feels your thumb brushing over his knuckles, and something shoots through his skin, something that straightens his spine and evens his breathing.
“I-I’ve um…” This was harder than he thought it would be. “Been collecting them for a while now, I wanted to keep them for when we get married. Wanted to scatter them down the aisle…”
His voice gets smaller with every word, sinking into himself as though that will make the gravity of the sentence less exposed, less raw. For a second, as silence stretches between you, Seungmin feels so stupid, embarrassment painting his cheeks red. You must think he’s such a fool, must think he’s crazy for ever believing he could marry you—his thoughts stop the moment your lips meet his, palms pressed firmly against his cheeks.
“I love you,” you whisper in between breaths, kissing him until it feels like you can’t kiss anymore; until he falls back upon the feathery bed made of magnolias and memories; until, with a star-lit sigh, he pulls away, untucking the red of a dried rose tangled above your brow. Even surrounded by God's most beautiful creations, he can’t bring his gaze to fall from yours, your eyes and all the mesmerizing sparkles they hold.
Seungmin couldn’t trace the exact moment he fell in love with you. Rather, it bloomed slowly over time, a feeling that took root; wrapping around the slabs of his ribs.
With you, he grew, and all of a sudden, with every breath he inhales, he finds you fluttering in his chest. At first, it terrified him. Though, now he knows—some gardens never die.
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ᡣ𐭩 jeongin + stalking your goodreads profile to annotate your favorite books
“So, you’re a stalker, huh?” you muse, brushing your palm over Jeongin’s shoulder, which was clearly not a good idea, cause no sooner do you make contact is he jumping twenty feet out of his skin. You throw your hands up when he swivels around, ripping off his headphones like they were going to materialize into a baseball bat.
“Crap, y/n, you scared the hell out of me,” Jeongin pants, a relieved smile pulling on his cheeks; grateful that the intruder was indeed his girlfriend and not a 6-foot-tall man in a scream mask. For a second, he wonders if you’re possessed, a lopsided smirk playing on your lips while you tweak out, kind of laughing, kind of nodding, kind of looking like you need an exorcism. Then it hits him. Hits him like a 200-pound dump truck, rendering him breathless once more. He puts Flash to shame by how fast he slams his laptop shut, scrunching his face in cringe. The laugh you let out is devastating, a full-belly guffaw that makes you double over, stumbling straight into his arms.
For a second, when the lamplight hits you just right, Jeongin has to stop.
His breath catches in his throat, taking all of you in. There you were, with your hair falling in messy tangles, your eyelids slightly smudged in black, your smile boxy and sun-bright, you were perfect, and you were sitting on his lap. If you didn’t start talking, he would have stared at you for hours—probably would have started drooling as well.
“So, this is how you’ve known all my favorite books, huh?” you tease, wrapping your arms around his neck. It takes him a hot second to gather himself, heart fluttering at the newfound proximity.
He stuffs his head into your neck, the heat of his cheeks burning into your skin. “Yeah…is that weird?”
“Is it weird?? Yang Jeongin, I’m pretty sure you just inadvertently proposed to me,” you reply, your tone light-hearted though you're dead serious.
“What?” He chuckles with a shy smile, leaning back.
“Yeah, I mean, you stalk your girlfriend’s Goodreads profile to read and annotate her TBR list. That is a proposal. I don’t make the rules.”
“Is that so?” he smirks, inching forward, your noses brushing together.
“Yeah,” you whisper, hot breath fanning across his lips, you lean in, finally sealing your mouths shut. Jeongin groans, your thumb swiping the nape of his neck. His heart pounds with a thousand different translations of 'I love you'.
“How many?”
He hums, slamming back down to earth, still a little bit dizzy.
“How many books have you bought?”
That sobers him up.
His eyes widen slightly before he bashfully chuckles, awkwardly scratching his ear. “Oh, uh…not that many.”
“Can I see them?” He’s two seconds from saying no, until you brush your lips against his cheeks, then his forehead, then the sides of his eyes, before, finally, he is tasting your grin instead, “Please?”
Well, how can he say no now?
He fiddles with the bottom of your shirt, biting his lip before sighing and pointing under his bed. “They’re all under there.”
You squeal, clambering off him to dive at the foot of his bed, sticking your hands into the dusty abyss below. It doesn’t take you but five seconds to find the box, though it takes you 5 minutes to actually pull the damn thing out, feeling more like a dead body than dead trees.
However, when you flip open the lid, the struggle is all worth it. Your jaw drops. Jeongin’s stomach flips upside down.
"Yang Jeongin, there’s no way..." You peer at him through dewy lashes, there had to be at least fifty books in this container. "You were planning on giving me all of these?"
"Well, yeah. Just...when I had enough time to annotate them."
"You've already given me like 10. How have you found enough time to read them?"
"I read them every night before I go to bed."
"And annotate them?"
He clears his throat, a faint blush falling over his cheeks like rose petals. "Yes."
"Where did you get the money for all this? These books have to have been like a thousand dollars."
"My check had just come in, and I knew how much you liked to read... I just wanted to do something nice for you. Why is this starting to feel kind of like an interrogation? Are you mad? Is this, like, really weird?" Jeongin can feel his eyes widen, anxiously shifting in place.
“One more question,” you step forward, pinching his chin between your thumb and forefinger. He shutters when you make contact, gaze fluttering down. Jeongin expects you to laugh, maybe demand that he takes them back, or the worst of them all tell him he’s too obsessed. What he doesn’t expect you to do is drag him forward, and smash your lips together.
“How are you so perfect?” you exhale, puffing onto his lips like a breath of his own. He was going to show you how, he was going to show you how all night long.
ᡣ𐭩
If you thought he was perfect then you definitely think he is perfect now.
The sun slips through the curtains, dyeing your sweaty skin in gold; your mouth is nuzzled into his neck, lashes tickling his skin every time you shift. He draws phantom circles over your naked waist, savoring this moment, soaking your body in until he can remember the feel of your form through memory alone. You stir, feeling his heartbeat pick up.
It must have been a dream that urged you to say it, because somewhere, on the edge of sleep, you murmur, “What’s your favorite story?”
He didn’t have to think about the answer, not when he had thought about it a million times before. Without hesitation, Jeongin whispers, “Ours.”
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(I rushed tf out of some of these I'm sorry)
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breelandwalker · 3 months ago
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I'm starting to question how much the "old" pagan costumes and festivities were indeed about fertility, sex, etc.
Ronald Hutton claims that there is no evidence in history that the maypole was saw as a phallic symbol, for example. And there are other possible meanings. But you usually just read in books as a matter of fact that it was a phalic representation and the dance around was about fertility etc
I recently read the witche's bible because I was curious about traditional wicca rituals and there is suuch a high focus on how every single costume or holiday was about fertility and sex that honestly it makes me wonder, how much it was indeed about those things and how much is just the interpretation of modern people like Gardner making it about those things
You're hitting the nail on the head without even realizing it, Anon.
SO much of what we think we know about "old pagan customs" comes from books written by Victorian-era occultists. And if there is one thing to be said about Victorian-era occultists, it was that they were horny as FUCK. (And the Edwardians weren't any better.)
These people went around rubber-stamping FERTILITY in big red letters on anything to do with goddesses or springtime or even the most passing reference to pregnancy, childbirth, midwifery, or babies. Literally any excuse for ritual nudity or a sacred orgy. And no, that is not satire. Or a euphemism.
The other thing that can be said about Victorian-era occultists is that quite a lot of them were history buffs and very prolific writers. (If you look at the roster of the Hermetic Order of the Golden Dawn and their regular guests, it reads like a Who's Who of the writers of fantastical fiction and poetry at the time.) So the result of that is a whole lot of literature about folklore and "ancient pagan customs" written by people who were filtering what little historical information they had at the time through the lens of their own opinions and those of their colleagues.
(It's worth noting that that "lens" often consisted quite heavily of free-associated ideas not supported by history or things they completely pulled out of their own asses. Leland's "Aradia" is a good example of the "Ancient Sacred Text Given To Me By A Real Witch Who Totally Exists And I Definitely Didn't Write This Myself And Make Up This Claim For Clout" genre.)
Quite unsurprisingly, a lot of these beliefs got absorbed into the roots of the modern witchcraft movement a few decades later, since those were the popular resources available at the time and the same generally-prevailing opinions and biases were still present. So this started WELL before Gardner and his coven were on the scene. They just picked up the thread.
And as we all know, once there's a generation or so of removal from the founding beliefs of a movement, people tend to take the older texts as gospel, regardless of how flawed they might be.
See Also: We Still Have To Talk About The Witch-Cult Hypothesis Because Margaret Murray Wrote The Encyclopedia Britannica Entry On Witchcraft And It Wasn't Updated Until The 1960s.
See Also: We Still Have To Explain The Difference Between Historical Fiction And The Historical Record Because Of The White Goddess And The Mists Of Avalon.
See Also: We Still Have To Talk About The Burning Times Myth Because Raymond Buckland Made That Stupid Fucking Documentary.
See Also: Why The Hell Is Anyone Still Recommending Silver Ravenwolf.
Anyway, the short answer is that yes, your impression is correct, and I'm glad you're reading Hutton and forming that practical context for the witchcraft/pagan literature and media that you encounter.
Keep honing that bullshit detector and best of luck!
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mywritersmind · 6 months ago
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ok so very happy for charles obviously but i neeeed some fluff for lando after this race - thank you sm 🤭💘
C’MERE - LN4
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listen up : was craving some cuteness as well!! some dirty jokes. helmut marco hate (well deserved and is not a warning) love u guys!!
word count : 810
⋆。‧˚⋆
“I’m just- UGH!” I groan as Lando closes the door behind him, I immediately drop my purse and tug off my heels. “It’s unfair, Lan.”
“I think you’re more upset than I am.” He locks the door, sighing and walking closer to me. I pout as he runs his hands up my arms, getting to the straps of my stress and moving one so he can kiss my shoulder.
“It’s still unfair.” I mumble as he kisses me again.
“I don’t wanna talk about it. I wanna lay with you and eat a shit ton of food and have you tell me every piece of gossip you heard today.”
My dress is off and I'm in comfy shorts and one of Lando’s shorts in minutes. Lando walks out of the bathroom, washed off and changed into sweats and a white shirt.
I smile and sit back on the bed, “Pretty.” His eyes close, breathing in before melting on top of me, his hands going around my waist and resting his head on my stomach.
“Thanks for coming.” I run my hand through his hair. I know he gets sad after a bad race but today he just seems defeated.
“I’ll always be there.” He kisses my stomach and it makes me laugh. He looks up at me, just staring. “I’m proud of you.” He smiles and I can’t help my mouth from moving, “Especially after that fucker Helmut and his little comment-”
He laughs at my angry tone, dropping his head back on me, “This is why I love you.” He sits up a bit, grabbing the menu from the nightstand and handing it to me, “I also love you because you know what I like to eat! Have at it.”
I grin widely, I've been so nervous I could barely eat all day. Which is odd because I'm not even the one in the car. I order our food and just run my hands through his hair for a bit.
There’s a knock at the door and I think he’s fallen asleep until his hands move down my body, his head peeking up at me. His eyes look tired but oddly content? Lando pulls himself up and rolls- yes, rolls- off the bed.
I sit up and clap my hands together as he rolls our food in, “God!” I groan at the smell meeting my nose. Lando plops down next to me and happily munches while I bite into my pancakes, “Would it be bad to say that I might just love this more than you?”
He shrugs and playfully hits my arm, “At least I know where your loyalties lie.” I grin, kissing his cheek as we continue to eat in silence.
This has become our routine after races. They're pretty overwhelming, especially after not having the result he wanted. So we sit and eat and stay quiet until he’s ready to talk or go out or sleep.
I might need it more than him, I love just sitting with him. Is that weird? He’s so comfortable to be around and I feel like it fits us.
We finish eating, Lando pulls me out of bed to wash our faces together because apparently he’s codependent now. We brush our teeth and I let Lando messily braid my hair.
We’re back in the bed, in the same position we started in with Lando laying on me and my hands in his hair.
“What if he’s right?” Lando says suddenly and when I pull a confused face, he looks away from me, “Helmut.”
I shake my head immediately, “Lando.” I move my hand to his chin, turning his head to look at me, “C’mere.” He sits up, his arms still around my waist but his face closer now. “You will never be weak. That fuck head-” he laughs, “knows nothing! He’s actually ancient and you know what they say, your biggest haters are just jealous.”
He laughs again, resting his head against my shoulder, “I don’t think he’s jealous.”
“Well fuck him, anyway! Lan, I'm serious. You shouldn’t listen to what he says. Or anyone, for that matter. Even I say stupid shit sometimes!” I sigh, “You’re more important than a stupid title or some dickhead's words.”
He giggles more, “I can’t believe you just called Helmut Marco a dickhead.” He looks up at me, smiling. It makes me feel relieved, “Thank you, love.” He kisses me softly.
“Plus if he knew that your ‘ritual’ was getting on your knees for me maybe he wouldn’t find you so wea-” He’s laughing harder now, kissing me deeply and pushing me into the pillows.
I laugh into the kiss, biting his lip as his hand grips my waist. His hand slips up my torso, kissing my neck as he whispers into my ear, “You’re perfect.”
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tiny-space-platypus · 9 months ago
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Half baked idea time!!
DC/dp au where it's like late teens/warily twenties punk Danny being tired as shit. Like this man just wants to sit on a roof top, patch himself up, maybe smoke then go back to having to do inner dimensional politics or another fight. But Danny can't have that instead every time he tries a hero either thinks he's going to kill himself and tries to intervene or some sort of fight breaks out and his stupid core makes him have a mighty need to assist. Also, where the hell did all these heroes come from, ancients knew they weren't there when he needed help. He's just a tad bit bitter about the only time he's getting attention from heroes is the only time he doesn't want it. He goes everywhere just trying to catch a break.
Or
Danny tries to find some peace and fucking quiet only to end up freak out the league because dear god this kid is going through it and they need to get him before he becomes a supervillain or something.
Metropolis
Chills for 5 minutes seeing Superman nopes the hell out of there cursing in kryptonian. He deals with his kind enough in the realms he doesn't want to deal with the living either. "Nope! Not today! Not dealing with you today!"
Superman is freaking out because there's a kid that was sitting on top of the daily planet only to disappear speaking his language??? He also had a really slow heart beat? Was that child alright??
Coast city
Danny's on a large skyscape sitting on the edge watching the streets below as he patches himself up and lights a smoke only to have it glow green and ripped from him.
"You know, this stuff isn't exactly good for you. Especially on skyscrapers. Besides you seem a little young to be smoking."
Danny who looks like he wants to tackle Hal pit of the god damn sky for interrupting his break. "I feel like I'm too young for a lot of things but here we are"
Hal starts some sort of space cop speech and Danny decides fuck this and jumps off the building mouthing "Acab" with a salute and disappear giving the green Lantern a heart attack. Since he thinks he's about to save a kid from falling to his death only for the kid to not be there.
Central City
Danny is yet again trying to relax on a skyscraper only to be interrupted by the flash. At least this time the hero doesn't take his smokes instead just sits next to him. It's nice actually, the quiet white noise of the city below shining how stars would in the sky. Eventually Danny would finish his smoke and put it out before shoving the bud in his pocket. (He won't litter) as soon as Danny stood up the flash grabbed him forcing him back to sitting.
"Look kid, I don't know what's going on but there's gotta be a better way than this. I'll help you if you need help just-"
Danny now staring at him. A little dumbfounded then laughed.
"I'm not trying to kill myself. Just wanted to smoke in peace." Danny looks down at the ground from 150 meters up "besides I've fallen from worse"
"Great! Wait what?" The Flash looked relieved for a second then proceeded the second part of what Danny just said. The flash only looked away for less then a second which gave Danny just enough time to disappear scaring the shit out of the hero.
Bludhaven
Danny after having a rather rough fight as phantom with his parents. Bleeding and mumbling curses as he patches himself up on another skyscraper. "Stupid ecto-gun, stupid laws, stupid, stupid"
Just as Danny started to patch a literal hole in his side Nightwing would make his appearance. "Back away-"
Danny snapped at the hero. "You've got to be fucking- I'm trying to kill myself, Yes I'm injured, no I do not want help, yes I'm fine. Will you be going now?"
Nightwing paused then sat next to the kid a little disturbed. As he watches this kid doing stitches on himself. "Bad day?"
Danny snorted as he finished stitching himself up with fishing wire. "Bad life" He then started smoking again making the vigilante frown. This kid was nowhere near old enough to smoke but the kid was also giving himself stitches on a roof so not the worst thing this kid has done so far. "Wanna tell me what happened?"
Danny shrugged. "My parents shot me again"
"I'm sorry what? Again?!"
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rna-world · 6 months ago
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DEBUNKING COMMON RAIN WORLD MISINTERPRETATIONS
The target audience for this was for people who don't know too much about the game as well, so I'm going to explain things that a normal player might already know.
Rain World is known for how it simply throws you into the world with almost no tutorial, and is often praised for it.
But this lack of explanation if you do not go out of your way to find it has also lead to a lot of misinterpretations from those who did not read all the game’s available information, or misunderstood what they were being told. I used to watch some RW lore videos that would explain and summarize these things, and in the past I believed them.
I’ve since stopped doing that after having some time to actually process what I’ve been reading, and I’m here to say...
YOU ARE ALL WRONG ABOUT RAIN WORLD.
Ok, hyperbole. Not everyone believes these, and art can always be interpreted in different ways by different people, and I won’t stop you from having these beliefs. But also, there’s plenty of ingame content which completely disproves most of these unsubstantiated points from those who do not fully research the game before making videos about it.
Looking at you Tale Foundry…
The purpose of this is to pick apart some of the sadly far too common points I’ve heard many times before from Youtube videos, to Tumblr posts, to people I’ve spoken to on Discord.
Starting with my least favorite…
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“The 5 karma were seen as sinful”
Obvious westernization of a game based off fucking Buddhism aside, there’s no ingame text directly supporting this claim. There isn’t any that says otherwise, but we have good reason to believe this isn’t the case.
The 5 natural urges, as they’re sometimes called, were NATURAL. They were what bound you to the cycle. They never worsened your life or made you a terrible person should you keep following them, but an aspect of life on the same level as suffering or ecstasy.
Hey, I’ll break down the 5 karma and their meanings to show you that they're not just "sins"
I believe the natural urges have 2 different meanings: an animalistic one, and a more “human” one.
KARMA 1 This obviously represents violence, as you see one guy stabbing the other. I believe it also represents competition and intense emotions, For example: Artificer experiencing intense grief and lashing out in violence as a result. It was not the violence that started it, but her emotions. (Yes, its Downpour. But it’s a good point.)
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KARMA 2
They’re having sex. They’re fucking. They’re- ok you get it. Karma 2 represents reproduction. But, I also believe it’s desire. Joyful bodily experiences, and such. The 2 figures seen here are in a much more playful pose than if they were simply doing this only to reproduce. No, they’re having fun.
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KAMRA 3 Connection. Bonding with others. Yet also trade and personal belongings. Attachment to things that are not yourself.
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KARMA 4 It’s mentioned ingame that this represents gluttony It’s overindulgence, you know. Similarly to karma 2, it can also be searching for fulfillment. I'm not particularly good at telling what the meaning of this could be.
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KARMA 5 Self preservation. Self preservation can come in many forms, from an animal running away from a predator or somebody getting defensive after being accused of something or being threatened, this one is rather vague about its meaning.
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I do this to show that the 5 urges have very NEUTRAL meanings. It being positive or negative is entire dependant on context. They’re not sinful, get out of here with that Catholic shit!
The 5 karmas have both positive, negative, and neutral contexts which they can fit into.
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“The ancients hated being alive”
The ancients simply hated the cycle itself and its unknowable properties, as well as being much more aware of things like karma and the urges. Rather, they valued being effortless to disconnect themselves from this cycle.
“This was an eternal dilemma to them - they were burdened by great ambition, yet deeply convinced that striving in itself was an unforgivable vice. They tried very hard to be effortless.” – Bright Green Pearl (DS)
Some practices did of course include things like starving yourself, but as mentioned by Moon, these methods proved to be mostly obsolete. Void Fluid fundamentally changed their culture from what we see. Rather, we do see the ancients enjoying life and valuing it in their own way, which is INCREDIBLY important to some of the games themes, but I’ll get into that later.
"[...]'In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids[…] Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane.The assorted memories and qualia include:Watching dust suspended in a ray of sun (Old age). Eating a very tasty meal (Young child). Defeating an opponent in a debate contest, and being applauded by fellow team members (Late childhood/Early adulthood).’...and the list goes on. I'm sorry, little creature, I won't read all of this - the list is six hundred and twenty items long.” – Deep Magenta (SH)
There’s quite a lot to pick apart here, I had to cut down some parts short, but even the cut parts have important details. Just not important enough for me to bring up here.
The Memory Crypts we see ingame are… well where memories are kept. The qualia (personalized experiences) is stored within these mutated fleshy neural organisms referred to as “cabinet beasts”. These of course, contain the “living memories” or qualia of those who have ascended. There are people smarter than me who have already covered these ideas of course, so I won't go TOO indepth.
The ancients greatly valued titles and achievements just as us. They still lived normal lives. As well as this, they valued personal experiences and memories of the carnal realm so much they built an entire citadel to store memories.
As we can see as well, Seventeen Axes has quite a lot of enjoyable memories from throughout their life. Eating nice food and winning a debate contest and getting validation from their peers? That sounds rather… complacent with the 3rd and 4th natural urges, doesn’t it?
I do not believe this screams “I hate being alive!” as much as people have made it out to be, and is honestly ruins part of the game’s messages of compassion and personalized experiences, especially in the game’s ending where Survivor dreams of home.
“You have no name. I once had! I was embalmed, adorned, readied for the journey. So proud. There was jubilation! My name was sung, loud and clear. Did they know? That I didn't quite leave, didn't quite stay? Should I be ashamed? That I linger here, where my memories are kept? Should I be ashamed that I now envy your flesh prison?” - Four Needles under Plentiful Leaves
This is leaning into personal theory territory, but...
I personally believe that the ancients were somewhat terrified of the unpredictability of the cycle and the fact that life would always have more suffering in it.
RW’s religion is heavily based off Buddhism. This is well known of course. The Cycle is a variation of Samsara. Now, I’m not Buddhist, and I’ve tried to do my research about some of these topics. Feel free to correct me, I’m simply going off what I know. (Also I'd love to hear what you have to say regarding your thoughts on the game!)
In Buddhism, each new life you could be taken into the body of an animal, or even end up being tortured in hell for a very, very, VERY long time if you made the wrong decisions, which made escaping it as soon as you could seem like a rather reasonable thing to do.
The ancients never fully grasped the scope of the cycle, and the prospects of having your soul wake up in the body of some miserable worm with no memory of your past or any ideas of your future might’ve seemed bleak.
Suffering is inevitable. But that doesn’t mean they hated being alive, like I said before.
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“Rain World is post-apocalyptic.”
It really isn’t. There was never any apocalypse. The ancients simply left on their own accord, leaving behind their mark on the world that will slowly be buried once again in the ever so present cycle.
“The bones of forgotten civilizations, heaped like so many sticks.” - Two Sprouts, Twelve Brackets
The world is thriving, even. The purposed organisms left behind have evolved and taken over and become it’s own ecosystem.
The iterators are dying though. Dying very slowly, but soon they’ll all decay and everything will move on.
It’s all just another manifestation of the cycle.
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“The creatures in Rain World cannot die”
This is definitely something I hear from people who haven’t played much of the game and only hear about it from outside sources and watch the gameplay.
Yes, it is easy to believe this. As slugcat, when you die, you wake back up again. This is entirely a gameplay thing and not actually related to the lore. Saying this might seem like I'm avoiding the question at hand here, but the rules that apply to you do not seem to apply to other creatures.
Every creature in the game has a 4 integer ID (it can go higher, but not in a standard playthrough).
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This makes every creature you see an individual of sorts with its own randomized values or appearance.
As well as this, creatures spawn from specific marked dens. When you kill a creature that spawns from a certain den, the next cycle, that creature’s ID will never appear again. Instead, the den spawn is replaced by a creature of the same species with a different ID, or a new species entirely.
Through gameplay, you see that the respawn rules that apply to you do not apply to other creatures. I’ve heard many points about how these dead creatures are transported to another alternate universe where they are alive, but I really do not want to delve into that theory. You do that yourself.
Excuse my unprofessional language, but this is kind of stupid. Billions and billions of little timeline splits accounting for every single insect and microbe that dies seems far too complex of a solution. Occam's Razor and all that.
With this gameplay element you see, I also want to give LORE explanations as to why this is incredibly stupid.
1) If death had no impact, the 5 natural urges would not matter
If no creatures died, there would be no point in eating (karma 4), competing with other species (karma 1), or any form of self preservation (karma 5). Reproduction (karma 2) has no role and there would be absolutely no reason to do anything any longer. All natural processes would be useless.
2) Light Blue Pearl
The information received from the cycle is most likely from the Light Blue Pearl, found in Outskirts.
“[...]The repeating mantra is important because it symbolizes the cyclical nature of life and death, and the termination verse is a symbol for ascension above and beyond it. I don't know how familiar you are with the nature of life and death, but I imagine like all living creatures you have some intuitive knowledge? Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring. Some ramble in agonizing longevity. But the basis is agreed upon: like sleep like death, you wake up again - whether you want to or not. This is true for all living things, but some actually break the cycle. That doesn't apply to you or me though, you are too entangled in your animal struggles, and for me not breaking that cycle is an integral part of the design. Our mantras keep repeating.”
“Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring.“
This line is very misunderstood. Moon specifically mentions birth and death. She mentions death. She never brings up the notion that nothing truly dies either.
As well as this, Moon says that “some say”, implying that even the ancients weren’t sure what the cycle was either. This is more important to my point regarding how the unfathomable nature of the cycle was why the Ancients were so averse to it from above, though.
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“Sliver of Straw found the solution.”/"There is/isn't solution"
No she didn’t.
.
.
Ok fine I’ll explain.
If you’ve played Rain World you know that the purpose of the iterators is to find the solution to the “Great Problem”, the problem of how to ascend ALL living creatures.
You’ll also know Sliver sent out the Triple Affirmative…
“[...]affirmative that a solution has been found, affirmative that the solution is portable, and affirmative that a technical implementation is possible and generally applicable. She's also one of few that has ever been confirmed as exhaustively incapacitated, or dead. We do not die easily.[…]” - Pale Yellow (SL)
After sending out this affirmative, the iterators became conflicted. They never could figure out if she really ascended and had found the solution, or if it was some sort of catastrophic error.
The answer to the Great Problem is clearly intended to be as obscured as possible. There cannot be an answer one way or the other. The themes of it and the endless tolling of the iterators would not be as impactful if we knew there was or wasn’t a solution.
“[...]Either way, after that these different factions developed, as well as a huge forensic effort to recreate and simulate Sliver of Straw's last moments. Some of the simulations were wrapped in a simulation wrapped in a simulation, in case something dangerous might happen. Nothing much has come from it.[…]“ - Pale Yellow (SL)
Here’s my favorite way of explaining what I mean…
Imagine Schrodinger's Cat, the famous thought experiment. There’s a 50/50 chance that when you open the box, you either find the Solution, or find out there is No Solution.
Except you cannot open the box. And the box is entirely theoretical and nobody’s seen it. It seems impossible, but maybe one day you’ll find that box. That’s what the Great Problem is.
Sliver apparently having found the solution would have completely broken everything. Five Pebbles wouldn’t have ended up hurting himself and Moon had Sliver finding the solution been known with certainty. He was taking a shot in the dark.
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“Ascension is akin to suicide.”
I strongly believe this point harms the role that ascension and the void sea play in Rain World’s narrative. Ascension is meant to be a final destination, a goal you build up to and prepare for when you’ve lived every bit of life you possible could, and can now move on.
Bringing up the Memory Crypt pearl from earlier, Seventeen Axes lived an incredibly fulfilling life from what we see, and ascended happily.
As well as this, Buddhism strongly encourages those who wish to liberate themselves to discover their own path, which is also subtly shown through the gameplay, as there are many many routes you can take to Five Pebbles, Looks To The Moon, and The Depths.
I do also think this is why Five Pebbles failed. He tried to brute force his way to ascension.
Suicide implies that ascension is only meant to be a fruitless escape and that it’s wrong to ascend. I… do not want to go into why suicide is bad. It’s a strong topic and I’m just here to talk about video games. But ascension is a neutral thing that you can choose to do or not do and to wait until you’re ready.
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Conclusion...
I really only have the time to cover these 6 misconceptions, and I believe it should be enough. There have been many others I’ve seen, such as the ancients being malicious or that there weren’t any civilizations before them, but there’s not as much to say about them, and they aren’t as common.
Rain World is a very confusing game. I’m not upset at people who think these things to be true, and I do not believe they’re stupid or don’t have any media literacy. I just wish that the people who did actually cover this game did some more looking into it, and actually discussing it with Rain World fans.
Also I should say, that during this entire discussion I have avoided talking about Downpour- RW’s DLC- as it’s more of a official fanmade project. And so much of what it says may not be entirely in line with Vanilla. Because my life isn’t easy and of course there has to be an incredibly divisive and confusing thing like this that I need to avoid bringing up so that way the conversation isn’t muddled.
Thanks if you managed to make it through all this by the way
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felassanis · 4 months ago
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I genuinely think Lavellan is the first relationship Solas has had. Especially an explicitly romantic one.
Veilguard Spoilers ahead. But regardless of what the primary nature of his relationship with Mythal was. There clearly was an infatuation. A dedication so raw back then that I genuinely don't think Solas was looking at anyone else but Mythal. Either because he longed for her in some (arguably unrequited) capacity or the loyalty he had for her trumped any other distractions.
But then. She dies. And he grieves, and he ultimately destroys the world in that grief. And he's spent thousands of years away from Mythal. And while he's still obviously dedicated to her, the rawness of that bond has simmered.
And then he meets Lavellan.
"It's been a long time," he says when you tease him about him using fade tongue. And while yes, you could see this as Solas confirming he has had prior romantic relationships. I actually think it refers to Mythal, to the fact it's been a long time since he's felt so close to somebody.
We know ancient elves felt operated differently than modern-day elves when it came to expression in a relationship. What we think is romantic might not have been as such back then. So I'm NOT saying Solas is inexperienced, but rather, I do think the only bond he's had that consumed him completely, that was loving, was Mythal. Until he meets Lavellan.
There is a genuine...newness to the relationship. There are so many instances where Solas seems so mildly surprised by Lavellan's actions. For the care she puts into their relationship. My favourite being when Lavellan promises to protect him in Haven from anyone looking to hurt him because he's an apostate elf. The way his eyes widen and he says "...thank you," like he's never experienced someone looking out for him so...outwardly. So willing to put his safety as a priority. (And that makes me sob cause oh my god I wonder if anyone cared about Solas's safety ever)
And I genuinely think his bond to Mythal coloured Solas's expectations when it comes to any relationship, especially a romantic one. It's like Solas isn't used to someone reciprocating HIS feelings lmao. And that's doubly apparent in the Solavellan ending, I think. Lavellan and Solas's interactions are so interesting because Solas GENUINELY has not let himself believe for nearly 10 years that Lavellan forgave him. Cannot believes she is even there, willing and wanting to save him from himself.
This does not strike me as someone who's used to relationships. To the give and take. The safety. The sustainability....
I think Solas spent so long yearning for the reciprocation he never received from Mythal only to get it finally with Lavellan. He longed for Mythal to reciprocate, and she didn't. Not until she finally shared the burden of their actions at the end. And there is no comfort in that burden now being acknowledged by her. She releases him from her service and vanishes as he's left to double over by himself.
At least he would be, but lavellan is there to lower herself to his level and comfort him. They're equals where Solas and Mythal were not. Solas is not Lavellan's lapdog. And she is not warped and changed by him as she offered to do so back in Trespasser. He didn't let her come with him to avoid the fate that befell him when he followed Mythal. They're Partners. Lovers.
And even THEN. EVEN THEN. Solas is shocked Lavellan wants to go with him to the Fade. To the point his eyes tear up, he CRIES. Warning her away but you can see in his face he is fucking DESPERATE for her to follow. Because he wants to love and have that love returned at long last.
And it is. It finally is.
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muletia · 1 month ago
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HOO u into fishes? Yes?
Merformers are soooo PEAK. Any great headcanons or ideas for merman ratchet and optimus?
Or u can choose just one
I am not immune to robo-fishes lmao. And they are absolutely PEAK
I’ve got a few merformers ideas. From the classic “you find an injured merman, nurse him back to health, and along the way realize you want to fuck a fish lmao” to an entire island of merformers where you end up after a plane or shipwreck and as abonus, you also get a whole fish harem.
I deeply apologize for yapping, but I do not apologize
I'm thinking TFO Optimus for the scenario below, but honestly TFP or any other version works well too.
Now, if we’re talking specifically about Optimus, I was thinking about a Cast Away-style scenario: your ship or plane crashes, and the waves carry you to an island where you must survive until a rescue team comes for you (spoiler: they never do). As you explore the island, you discover remnants of an ancient civilization that apparently believed in mermaid legends — judging by the numerous paintings covering the walls of houses and caves. Soon enough, you realize those legends didn’t come from nowhere, because more than once, between the waves near the shore, you catch a glimpse of a massive blue-and-red whale-like tail, one that definitely doesn’t belong to any fish species you know.
Your first encounter happens, but the merman barely speaks English. He is, however, very, VERY clingy. He constantly wants to touch you with his slick, webbed servos, exploring your legs, face, and neck, stroking you at every possible opportunity, all while loudly purring and cooing softly. You assume it’s just fascination, but the truth turns out to be far more complicated.
The civilization that once lived on this island coexisted with the merformers. The merfolk protected them from hostile tribes, and in return, they offered them human brides/spouses. A young Orion Pax was next in line, overjoyed at the thought of having a human mate, but his joy turned into bitterness as he waited… and waited… and waited. A plague wiped out the humans on the island. Not a single one remained. But Orion still believed — knew — that one day, his beloved mate would arrive. So when the others slowly drifted away from the island, he stayed. Maybe Ratchet stayed with him too, if we wanna end this story with you getting sandwiched between their massive fish tits lmao.
Orion waited hundreds of years. So long that he stopped being Orion. He became Optimus Prime, leader of the pod, though that title had long lost its meaning when there was no one left to lead.
Your arrival on the island is nothing short of a miracle to him. His human mate has finally appeared! No more torment, no more worrying himself to death. At last, he has purpose again. It’s fine that you don’t want anything to do with him at first, you’re probably just shy. Even when you spend your days on land, he patiently waits for you near the shore, just so he can finally wrap you in his arms, purr, kiss you, and hold you till the cows come home.
And maybe eons of waiting have shattered his processor, turning him into a desperate, delusional ruin with an all-consuming obsession for you. But he truly wants what’s best for you. He wants to be the best mate he can be <3
So yeah, obsessed!merformers!Optimus with a heavy dose of delusions, devotion, and overprotectiveness. And along the way, Ratchet joins in, eventually warming up to you and getting addicted to the humanussy himself lmao
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