#yeah yeah writing reasons whatever

[bucksdaffy]

"WHEN they INEVITABLY break up" oh honey bucktommy is endgame, there is no breaking up, they're the IT couple actually, tim told me that himself

[erinwantstowrite]

i once got a comment from someone that was smth like "you're really good at writing mental breakdowns. a little too good, because i'm worried about you" and yeah. i mean. they really got me there

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[eelclaw]

stupid fucking bastard. i am not coping with the leaks

[tackykachowch]

By the way, did we ever talk about how stupid it is that they made Silco the reason Felicia died? I don't mean that he killed her personally, but that he jumpstarted violence on a peaceful protest. Because that's sooo who Silco is, right? A character who makes impulsive and poorly thought out decisions, right? A character who goes into a fight headstrong without carefully planning his moves and strategy and just YOLO-ing it, right? Right?? ......sigh

And don't even THINK about giving me the whole "wElL hE cHaNgEd SiNcE tHeN dUh" crap. Even s2 is smart enough to show us him writing something in a notebook in a flashback, which implies that he was the brains behind the Lanes' creation/revolution as a whole. And if he was he would never sabotage his own plans with something so stupid as throwing a single molotov at enforcers. Literally who does that???? Silco we know would probably organize an attack under the guise of a peaceful protest, but not just. Straight-up ruining just a regular peaceful protest. That's stupid. And Silco is the last character in arcane that would do something stupid. Literally the whole plot of season 1 relies on him being intelligent and sneaky with his plans are you kidding me.

[g1ngerbeer]

do you think they noticed a change, the first few loops. i think they did. because how could they not, cheng xiaoshi and qiao ling, the two closest friends lu guang has, seeing him walk out of the room through a camera shutter and re-enter changed. diminished, faded, sad, the worn and cracking face of an old photograph. more and more tired each time he dives, further and further back with each attempt. every time a failure. and even as he lets the tides of time weather him more - render him a ghost, it feels like sometimes - even as lu guang changes more and more from the person he used to be, so too does that moment of disconnect in his friends’ eyes shorten and fade. because they don’t know him anymore. the golden stretch of time he spends by their sides before it all goes wrong is sliced thinner and thinner with every photo he uses, his touch blurring the memory with blood. each time he fails they know him less - the first him, the one unburdened by the terrible knowledge he now holds and the weight of too many failures.

soon they will never have known him at all.

Because you would notice if your best friend time travelled from a horrible future, but not if he travelled back so far he erased the person he once was (the person you knew) (the person you loved, first. before you loved this newer-older transparent version, never knowing a difference.)

(and this too is a loss to be grieved, he thinks sometimes in the dead of night to the sound of soft breathing in the bunk below, selfishly. but it is worth it if cheng xiaoshi lives.)

(the death of everything lu guang ever was is worth it if it means cheng xiaoshi lives.)

[uncharted-constellations]

Sasuke boutta drop the hottest diss-track of 2k23

[mercymaker]

i feel like a lot of people who write astarion's character off and refuse to engage with his story and character arc are missing out on a very important aspect that is incredibly real and devastating in our world.

it's the existence of an imperfect victim.

which is an unfortunate reality for so many people. and that's why so many of us keep running into this cognitive dissonance where we can't connect the two.

in a way, through media, as well as real life examples, we're constantly being shown this image of a perfect victim, the target of suffering. often completely innocent, there to be tormented and to be weak and to suffer and cry. it's almost... palatable? they're there for us to feel one emotion or another. pity often being at the top of the list. they're at the bottom of the line when it comes to control, authority, aggression. they did nothing wrong. they're there to be brutalized, to fit a very particular role in the narrative. a passive role.

but more often than not, in real life, victims aren't these perfect, meek, quiet, passive figures. especially when it comes to sex trafficking (sex work being looked down by the society and the law surely creates a brutal trap where you're the 'bad guy' even when you ARE a victim). there's no escape. you learn to play by the rules of that world. for so many, there's no 'fairy-tale' ending where you're going to escape by remaining passive and hopeful and continuing to suffer.

there are so many cases where trafficked people end up committing crimes. for some it's just theft, battery, assault. but there are cases where the victims end up brutally murdering their abusers, or their 'clients', or both. and that's when society, as well the judicial system, stops seeing them as a victim altogether. as if they never were one. all of their absolutely horrific suffering gets pushed away, nullified in the eyes of the public. now they are the perpetrator, the criminal. and worst of all, some use this to justify their horrific abuse.

i can't even count how many times i've seen comments where people say 'well, they didn't have to kill them, they could've xyz' or 'why go out of their way to be so brutal?' etc. etc. which yet again... erases sympathy for the victim.

as if committing immoral acts somehow retroactively applies 'punishment' through previous abuse. and the mob's moral craving for 'justice' gets scratched. resolves the cognitive dissonance. it's much easier to connect the two dots, if the person was 'evil' all along. perhaps they were never a victim to begin with? perhaps they deserved it?

and that's where, to me, it loops back to astarion's story. and one of the key points portrayed.

no one deserves such horrific abuse. it doesn't matter if you're an asshole or if you're a sweet girl who had her trust exploited.

and it's not to say that a victim's crimes are suddenly justified because they were a victim to begin with, no.

it's more about our inability to tackle the nuance when someone is both. the one inflicting the suffering as well as receiving it. their 'crimes' are not justified by their suffering. yet, their suffering is also not justified by their 'crimes'.

it is certainly a difficult situation to navigate, but i wish some people would engage with those uncomfortable topics and step out of their comfort zone sometimes instead of writing something off because of some surface details.

[thwispsings]

the idea came to me in a migraine induced dream but now im obsessed with the concept of a mu qingfang who knew the abuse bunhe was going through at the hands of og!shen qingqiu/shen jiu and did his best to treat the kid whenever he could (and bring his concerns to zhangmen shixiong, which were obviously very much ignored) and his constant worry over the situation means that when the qi deviation happens he is suspicious of shen qingqiu’s changes for all different reasons and very much protective of luo binghe -who is a sweet child and an earnest disciple who seems to always find the most incredible medicinal herbs to bring to his mu shishu as thanks for the care bestowed upon him- which means that when the whole shen qingqiu dying thing happens instead of bad mouthing luo binghe or fighting him at every chance he does his best to come over and keep an eye on things to try and help him and make sure luo binghe won’t kill himself trying to bring shen qingqiu back because he remembers that earnest kid and he’s witnessed luo binghe’s devotion to this shen qingqiu first hand and knows there is no way that the kid who cried when ning yingying found a bird with a broken wing and begged mu qingfang to fix it and the kid that would always borrow medical texts and try to find new herb combinations as if it was a game between him and qian cao disciples is actually doing anything nefarious to shen qingqiu’s corpse.

anyways in this essay i will-

[mohntilyet]

not to mention the entire antaam fleet like 😭 that was the PERFECT moment to show off what the lords could do!!! The antaam fucked over rivain, theyve been a thorn in the whole nations side for a long time now, they would not pass up a chance for payback via full scale naval warfare so that the veilguard can do what they need to!! Sure dreadnoughts are dangerous but at this point they probably have tricks up their sleeve, thats one of the few things they have!

also wouldn't it be personal because does solas not try to blow up kont-aar because he's trying to 5d chess tevinter and the qunari into destroying each other. like. i know technically this would not be incredible widespread news because the attack was stopped, but i don't think the wonderful citizens of kont-aar would have missed the tsunami that nearly hit them and the shockwave that actually hit them. rumors go around. and i assume irian/vadis tell varric. who i think would tell isabela. who would tell the group she leads. who would care because ofc, they LIVE IN RIVAIN, and now know that solas and his followers thinks they can trade rivaini lives* to further his plans.

*while i also think there's probably a divide between kont-aar and the rest of the nation, it's one that the rivaini love to jump across and back over. an interesting comparison to be made here with most of rivain having similar sentiments towards dairsmuid and the chantry. like this is the country specifically mentioned to have a lot of citizens who follow the qun/are non-andrastian + it being MUCH more multicultural and accepting than other nations. any attack on rivain, even if it's a qunari settlement, would fan a lot of flames that solas cannot put out so the idea of trying to him taking multiple steps back because he didn't realise how intensely the qun/rivaini/lords would react is very fun for me. it would have been soo interesting for rivain to be a hub for efforts against solas because of how it's not influenced by andrastianism, how he (or his agents) specifically fucked them over, and (maddeningly for solas) also part of this resistance has spirits who willingly guide them against him. this could have even been a plot device where the door goes both ways and solas finds out rook's plans because he manages to eavesdrop through a seer or something.

and on the spirits. all the stuff where the mourn watch regularly communicates with spirits could have been done with rivain as well, and with different takes on being 'friendly' with spirits. iirc there's a spirit in the hall of valor which is so interesting but it's literally just there for flavour text. THERE'S A SPIRIT IN THE HALL OF VALOR THAT DOES NOTHING BESIDES LIKE. SAY HI. ??? bioware i would have liked to see more spirits and seers and the matriarchal pantheists you have talked about please. and also the idea of the peaceful qunari settlement being pushed to protect the country they are part of and what that means for them as qunari vs. rivaini. taash's storyline could have contributed to this . so A LOT less about choosing a side, more about how kont-aar has developed, changed, how rivain has influenced it and what it means to be qunari. not the qunari agents and fighters that we have seen, but their 'civillian' way of life in kont-aar.

complete waste not seeing any of established lore reflected in the lords of fortune or rivain because i stupidly actually thought we were going to see some kind of settlement and be introduced to a very different cultural norms.. in my beautiful mind i like to think taash is a little taken aback by how badly mages/elves/etc are treated. like they understood it was different outside of rivain (they would have been young when the dairsmuid circle annulment happened right? so they don't 'remember' it themself, they likely heard others talking about it when they're old enough to understand) but until they actually saw what was happening first hand, they had a weird dissonance about it. but what we got was a deserted beach, ties to another faction (wardens are fine!! they are great !!!! the fourth blight is interesting!!!! yet they are not the faction with a lack of info about them!!!!!) and also the hall of valor that exists as flavor text with nothing meaningful behind it besides a pub used in a few cutscenes and a minigame.

[glitterrosesnzz]

I saw you might accept tiny drabble reqs for Wanderer?

What about Sethos, Traveler, or even Childe (if you wanna go Scaramouche) finding a "malfunction" in his body that when triggered immediately causes a sneeze/sneeze fit, no matter what. Could be tweaking a certain mechanism, could be a surge of elemental energy (specific element or not), could be dragging a touch in a specific line or rythym along his face/nose?

Might suck idk

this went through so many rewrites that i felt like i was bordering on losing it entirely. i cut off a huge chunk of words cause i just couldn't figure out how to conclude it through that route. maybe i'll reuse it for a different fic later....

anyways. i took creative liberties when it came to what the "malfunction" was hope u don't mind-

"Hh'InKkyYSHhii!"

A particularly strong breeze ruffled Sethos' hair as he startled, almost dropping the cat in his arms as he spun around to stare at the Wanderer, who had been standing behind him. Of all the responses Sethos' could've gotten to off-handedly comparing the other to the cute little kitten in his arms, he hadn't been expecting that.

It was obvious the Wanderer hadn't been expecting it either, if the startled and slightly hazy look on his face was any indication. Sethos opened his mouth to ask- and was interrupted before he could even begin as the Wanderer snapped forwards with two more drawn out sneezes, the resulting pulses of anemo making the loose edges of his clothes flutter.

"HihH'KksShHnii! Hh-heEH-hH'iikKSHyhn-tii!" The Wanderer pressed the back of his hand against his nose, rubbing it for a moment before stopping and just letting his hand rest there, pressed against his nose.

"Woah, are you okay? Those sound way worse than normal." Sethos finally managed to ask- and, as he sort of predicted, the Wanderer responded to that by glaring at him.

"Tch, I'm fine." The Wanderer's voice also sounded different than usual, though Sethos couldn't really place his finger on what, exactly, was different. "Just ihH- ...ignore it-hH'IinNkSHhiiu!!"

"Kinda hard to ignore it when you keep doing it." Sethos said, trying to fix the strands of his hair that'd been blown out of place- and oh, now he knows why the Wanderer's voice sounded off- "You sound a bit congested- are you sick?"

"Wh- no. I-I'm not."

"Then what's up with you?"

"It's just- hH-hiH-.... a-a cat allergy."

"...A cat allergy." Sethos deadpanned, glancing down at the cat in his arms to see if it was believing this complete bullshit before looking back up at the Wanderer, who avoided his eyes.

"What, do you need me to... to repeat it?" The Wanderer rubbed slightly more intensely at his nose, clearly trying to hold back another sneeze.

"No no no, it's just- well, I've seen you hanging out with cats before, and there's never been any-"

"HhiH'KkyYSHhii! Fuck!" The Wanderer swore, before rapidly turning and starting to hurriedly walk away from Sethos.

"Wait, hey! Where are you going?!"

"None of your business!"

~

Over the past three days, Sethos had come to collect a mental list of the Wanderer's supposed 'allergies'. Cats, dust, Sumeru roses, a passerby's perfume, and... sand.

Sethos took issue with that last one specifically, he was absolutely certain that one was not possible, and besides, they're in the city. Sethos has been staying in a rented room and hasn't been back to the desert in over a week- there's not even any sand here to be allergic to!

So, overall, Sethos is 99.8% sure the Wanderer is just outright lying, and should really really be resting in a bed, because he did not seem to be getting better- and the redness of his face, whenever Sethos managed to catch a good glimpse of it from under the Wanderer's hat, was just red enough to indicate a fever.

And, of course, this conclusion is what led Sethos to, at the first opportunity, grab hold of the Wanderer's arm and start practically dragging him back to the Sanctuary of Surasthana.

From the moment he grabbed hold of him, Sethos couldn't help but note that it felt like the Wanderer was shaking.

Shockingly enough, the Wanderer had stopped protesting after the first few minutes, obediently letting himself be pulled along in silence. Or, well, near silence- the Wanderer sneezing intermittently as they walked upward.

(There was also a faint sort of... whirring noise that Sethos couldn't place. He chose to ignore it for now, focusing on the Wanderer's obvious illness first).

Nahida standing at the entryway to the Sanctuary with her arms crossed wasn't much of a surprise.

Aether standing next to her in the exact same pose kinda-sorta was though.

"Hey," Aether said, sliding up between Sethos and the Wanderer, "Hand Mr. Hat Guy over to me while you explain... whatever is going on to Nahida."

After a moment, Sethos obediently handed the Wanderer over (the Wanderer himself too busy focusing on holding his breath in an attempt to keep himself from sneezing to protest), and then turned to begin to explain the situation to Nahida, not even noticing Aether leading the Wanderer off to the side.

"You have to tell him." Aether whispered, "You can't keep this up forever."

The Wanderer, still holding his breath, shook his head no.

"No as in you don't wanna tell him, or no as in you agree that you can't keep this up?"

Aether smirked as the Wanderer glared at him, before turning to pay more attention to Sethos' explanation.

"-and he keeps insisting that he's just allergic-"

"Ha, allergic to blushing maybe." Aether mumbled. The Wanderer harshly elbowed him in the chest, before snapping to the side with a sneeze.

"Hh-hIH'KksSHhyii!! HehH-" The Wanderer's wavering breath was quick to hitch again, and he hurriedly pinched his nose shut, attempting to hold his breath again. Aether noticed with some amusement that the whirring noise that had arrived with the Wanderer had just gotten considerably louder.

"Y'see!" Sethos said loudly, snapping both Aether and the Wanderer's attention back to him. "He clearly needs to be in bed!"

"I-I'm finehH-hH'iikKSHyhn-tii!! Hh'InKkyYSHhii!!"

"His room is on the right, five doors down the left hallway." Nahida said, ignoring the Wanderer's sputtered attempts at protest through hitching breaths. Sethos promptly thanked her, and wasted no time in snatching the Wanderer's wrist and dragging him into the Sanctuary. Aether walked back up to stand beside Nahida as they both watched the Wanderer willingly get led to the left and then vanish down the hallway.

"Y'know." Aether started, "I don't think he hates this treatment, as much as he's trying to make it seem otherwise. ...How long do you think until he tells him-"

"-that his systems are overreacting to being flustered, and the whirring vibration is affecting him in very unsubtle ways?" Nahida finished for him, "Hm... I'd say about a week."

"You wanna bet on it?"

"Sure!"

[icewindandboringhorror]

boy in silly sitting positions compilation

[waitineedaname]

the experience of writing fic for svsss has been absolutely insane so far. I posted a fic less than 24 hours ago and it already has twenty comments. I have been in so many fandoms where you have to BEG to get comments, where you'd be lucky to get more than ten comments and the ratio between hits and kudos/comments/bookmarks was vast, but so far the scum villain fandom has been super responsive! The hits/kudos/comments/bookmarks ratios have been super tight, even on my fics which have all been oneshots under 10k!

And it's not just me! I regularly see fanart for svsss fics, which was a rare sight in a lot of other fandoms I've been in. People reblog minifics that get posts to tumblr and leave tags and replies on them. I've written for a lot of fandoms in my time, and this a shocking amount of fic engagement compared to many other fandoms I've been in!!

I can't help but wonder if it's because of the nature of scum villain itself? Other people have talked about how the story uniquely appeals to writers, and it ultimately is about the relationship between a writer and reader, especially in a fan space. I can't help but wonder if the combination of this being a fandom with a high density of writers and it being a story about engaging with writing encourages a fandom culture that is super engaged with fanfiction!

[stalactites]

wait wwdits really didn't commit to nandor and guillermo? that's hilarious. television got like three gay couples before they were like actually it IS more progressive to tease a will they won't they for six seasons and fail to deliver anything satisfying.

[honorhearted]

TURNsgiving2024 Day 3: You in Turn

We did this prompt last year, so I'm going to be lazy and rehash my response from before, because last month, my family and I went up to CT to look into our family history, and I learned a little more.

On my father’s side, my ancestor, William Leete, was the governor of the colony of New Haven (1661 - 1664) and the governor of CT (1676 - 1683). Quite a few of my ancestors fought in the AmRev, so I feel confident I would've been on the p.atriot side like they were (with the exception of like one n.aval family member who fought for the British). I went looking through some maps to see if I could find my ancestors during the AmRev, and I not only found land for a Leete, but a couple T.allmadges as well. You can read about that in my prior post: (x)

^^Above is a map of my ancestors' land. I imagine that I, too, would've lived somewhere in CT, and that this would've possibly given me an "in" with Ben since he started off in CT in the w.ar (I had to tie this back to the show somehow lol).

[queen0fm0nsterz]

thinking about the Lady again and she actually is the Character Ever.

Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.

But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.

And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.

(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)

These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?

That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.

(I wonder if that would make her envious of her younger counterpart in a different context?)

Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.

A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.

I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.

This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.

I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.

But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?

It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.

Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.

You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.

In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.

The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.

Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.

The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.

The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.

... For the most part. Until Six comes around.