#yeah its a comedy

[ineffable-crow]

I need to keep reminding myself that good omens is a comedy. A comedy. It's a comedy you hear me? A COMEDY. HAHAHAHA A COMEDY! SO THERE WILL BE A HAPPY ENDING BECAUSE IT'S A COMEDY!!!

[brainlessbaguette]

Crappy Botw AU where, instead of waking up alone, you wake up to a skull kid trying to rob you then get to meet up with old companions of heroes you once idolized. While you work to regain your memories you also learn from them that those heroes were FAR from perfect and its okay to be a person first hero second. Or in less sophisticated words, an AU where botw Link becomes and STAYS an absolute menace to society. Because lets be real Totk seemed to have him go right back to knight mentality and thats not what I want for him.

[lucabyte]

some thoughts on Claude

alt title: diversity win! this Butch Nun is crafting bombs in an unventilated room in her convent while actively courting Mother Superior! Do Not Give Them Access To Unlimited Power No Matter How Nice They Are

+ bonus

[warren-keplers-funk-band]

every time i want to be absolutely ruined, i just think about the fact that, despite being only five seasons, in-universe bbc's merlin spanned over a period of ten years.

ten years during which merlin dressed and undressed arthur every day. took care of his armour. stood and fastened the clasps when arthur was going out to battle. what imaginably could be more quietly intimate than that?

ten years during which merlin withstood being underestimated, withstood all that he had done for arthur being unacknowledged, just so he could stay by his side.

ten years during which the most powerful magical being in albion chose to stay by arthur's side as his manservant, and his friend. destiny be damned.

that utter devotion, loyalty to each other? arthur's reciprocated loyalty to and love for merlin despite the fact that, in his mind, he was just a human servant who hadn't saved his life nearly half as much as in reality?

I'M DEAD. BOWLED OVER. IN RUINS.

[therukurals]

[In]Correct Quotes (insp.)

Blossom 九重紫 (2024)

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[vaguely-concerned]

patented 'not that I care that much or anything so there's no need to dwell on it too too much ahaha *sweats nervously* but tain would you pls consider not murdering my mom (and the mother of your child) for absolutely no reason whatsoever? no pressure tho of course you know best! :)' smile

(it's so dark but also so funny that when tain keeps on Hinting Ominously, garak's reaction seems... slightly exasperated? more than anything, under all the tension fsdjafsl. this exact conversation has definitely happened multiple times over the last thirty years, lending horror an edge of 'oh this again huh' ennui and hilarity. 'I should have killed your mother before you were born'/'so you've told me, many times'. I think it's the turnaround time from 'I've missed you, Elim' to this that drives it from straightforward psychological horror sneaking dread to still that but also kind of hilarious. it really took tain less than five minutes to go there didn't it. wow. well, actually. I think maybe the real horror part is that garak still loves him and doesn't know how to stop. somewhere in there is a five year old whose heart is a desperate stupid little moth and his father is a ruinous forest fire in the night, brighter and closer than any star. of course it burns you to touch it that's just what love is, right. *spots a smiling julian bashir in the loading bay holding a box of chocolates out of the corner of his mind and experiences something harrowing and existential he simply cannot unpack right in this moment thank you* right???)

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[kissingarthurclaus]

Originally they were gonna be watching Krampus (2015) but that seemed a little too mean-spirited, but I really wanted to draw my s/i showing Arthur a...different kind of Christmas movie 😂😂

Taglist♡: @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus @changeling-selfship @crushes-georg

@cherry-bomb-ships @rosieaurora @rejaytionships @in-true-blue-love @tropicalgothships @little-miss-selfships

@cupiidzbow @frozenhi-chews @limey-self-inserts @candyheartedchy @space-sweetheart @halsinkisser @clancykisser @dearheartwitcher

[i-may-be-an-emu]

Clarissa’s story is so sad and messed up she got like kidnapped from her time period and subjected to centuries of brainwashing and manipulation to the point where she eventually forgot who she was and became a buffet cart against her will- and at the end of all that she gets rescued, but now she’s in a time period far into the future with people she barely knows

[xxplastic-cubexx]

your fridge-build , original-red-and-purple-oufit magneto showed up in my dream yesterday and i was so unprepared it woke me up

reading this made me cackle for like a solid minute gjAELKGJAK he just wanted to say hi ....

leaving you with a fridge-magnet-sized magneto. so hopefully he can say hi again but less intimidatingly

[fazgoo-connoiseur-1987]

Reason I like William Afton FNaF so much is cus that motherfucker has range. Yes he's a child serial killer but he also has funny cartoon dice on his bright purple convertable. He may be actual satan or something analagous but he views himself as a cute little bunny. He may be a horror franchise villain but this is a horror-COMEDY so... y'know he's a little bit silly.

[aldebarangel]

the charm of the first two class of 09 games were the balance of satire and realism (which are enhanced by the voice acting) that redeem the 'anti-visual novel' intention too well. class of 09 was fun because we get moments that feel real. there's nicole's arguements with her mom and the conversations between any of the teenagers are time-period accurate despite the cartoonishness

the comedy works because the dialogue flows well. the dark humor and shock value are carefully executed. the edginess works because of the writing knowing its limits

it knows when to be funny (mr lorre meeting up with nicole) and when to take itself seriously (nicole talking about her experience as a myspace escort)

i really think that nicole being a bad person without bigotry (most of the time) is what makes its comedy work.

flipside fails miserably and feels like a disconnection from the other two games. when jecka suffers it's just for the sake of suffering. it isnt like in the other two games where nicole suffers as consequence. honestly, flipside just looks like what class of 09 would be without the proper care it was given. it focused too much on trying to be edgy and funny that it doesnt execute the realism. nicole's mom was written in a way that feels real. her multiple divorces are comedically cartoonish but when she's on screen and voice acted she actually behaves like a real life mother. jecka's dad has none of that. he just says things and yells when he wants to.

[invinciblevalentine]

atp i would snort reeve tuesti fic like cocaine.

if anyone knows any fics that put reeve through the blender like “Son” by She_sees_in_the_dark or “Through Another’s Eyes” by CorsairOriginal—

i need to see that man under enough pressure to make a diamond crack. For my health.

[kanyniablue]

"Darling!" Archer said—and suddenly the same black abyss yawned before him and he felt himself sinking into it, deeper and deeper, while his voice rambled on smoothly and cheerfully

--Edith Wharton; The Age of Innocence

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal