#yeah i know you don't know much about them but would be interesting to find out the favourites before any big lore drops

[raichukfm]

It's a fascinating question and the answer doesn't speak to it at all. We're talking about swapping perceptions, you know, the hypothetical thing that could answer those "What if my blue is your red?" ponderings. Were that the case and you were to swap, you would start seeing everything red as blue and vice versa, but you would be able to tell this. That's a controversial point, but we aren't proposing a full qualia inversion here; your internal concepts of red and blue haven't changed, just the way that your brain maps sensory stimuli to your qualia has. You can imagine red, and it's red as you have always imagined it, you just look at a red delicious apple and you see it as blue. (Actually a fascinating question whether people would agree with this assessment, and has me wondering about people with aphantasia specifically about if they think their 'red as they have always imagined it' can be separated from the way things with that color look to them. I'm getting off track.)

But this swap is different. Semiotics refers to the meanings that things have; for instance, the way you are looking at these squiggles or hearing these sound waves and taking them as a message. I am intending a meaning now as I type these words out, and you are taking away a meaning as you perceive them, and though it won't quite be the same meaning it is related. There's a question of where exactly the meaning you perceive is; is it in the message itself? Is it just contained in the context around it? Was it put there by me? Is it only there when you read or hear it?

And now specifically we're talking about abstract objects, things which aren't concrete; for instance, words as words, not images or sounds but the thing that those patterns invoke. Things where it is already an interesting philosophical question about how exactly it is that they exist. (For those with the bent to ponder it and not just go 'Uh, they just do, duh' because yeah that's fair.) And that's just one example of an abstract object. It's not all messages. There are numbers. There are complex mathematical objects, like groups and rings and fields. Are things like "peace" abstract objects?

If we do this swap of perceptions, so you perceive the meaning of an abstract thing to be the meaning that I perceive... What are you perceiving, exactly? Is it the thing anymore? Is this even truly a swap of perceptions or is it rather a swap of thoughts? If you took one piece of my mental model of the world and swapped it out with one of yours, how would it fit in? Would it fit in at all? It's fascinating.

The world isn't shrouded in darkness. There's not some blinding fog that has settled over everything. You can observe the world, make sense of parts of it, peer into its mysteries and try to think of answers. Yeah, it's confusing and a lot of pieces of it are out of reach but that's just because the world is so fucking big and complicated and so many parts we simply lack the faculties to possess. This question is that lovely kind of philosophical pondering that is fundamentally unresolvable and by all rights has no practical purpose... But we can still talk about it, and in talking about it, we can share ideas and work through how it is we think of things. If nothing else, we can enjoy ourselves. And that's as practical a purpose as anything else.

Don't see something you can't think of how to answer and decide that it cannot be answered and that now is a time to shrink away to safe thoughts that can be trusted. Ponder whatever bullshit that strikes your fancy, and try to think about what the answers would be. Even if you can fundamentally never find out if you're right or wrong, the thinking itself is a worthwhile exercise. Encourage other people to do it too, though don't try to force it; different people have their own sorts of funtime questioning. I've got things like this, some people have how much prep time Batman would need to defeat Shrek in a fight.

equally confounded and obsessed by this quora question and response that i just stumbled onto

[narcjsistx]

𝐔𝐍𝐄𝐗𝐏𝐄𝐂𝐓𝐄𝐃 | kaiser x reader

— part ten

plot: kaiser comforted you after a bad and slow breakup, but what will happen now considering what you two shared? is everything still unexpected or is there something you both simply have yet to realize?. fluff shit 'cause yeah!!

words: 1.9k (1967)

extra: it will probably become a multi part story, tell me if you're interested in a part eleven! I also realized that maybe I write shorter chapters better, so abandon the 2.5/3k word chapters

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!. you can find the other parts of the story by searching in the section dedicated to bllk

Since the parade had taken place you had completely returned to the path you were on, as if the hatred that so many had directed at you had dematerialized: on the one hand you appreciated this thing, but on the other it still made you so angry when you remembered how they had treated you. Many agencies, both German and foreign, had asked you to collaborate, but you had decided that for the moment you would only stay with TraumLaufsteg, which still had many answers to give you; you still wanted to understand what kind of relationship there was between Ursula and Gabriel, and how he was one of the founders. These were questions that tormented you at night, but for some time now you have been spending them more peacefully in Kaiser's arms, where you felt good

The media had begun to suspect the alleged relationship between you and the German prodigy, but beyond speculation there was obviously nothing confirmed. You and Michael were careful to keep things low profile, as complicated as it was for both of you. No one had yet understood that you had moved back in with him, and no one should have understood that now hugs weren't the only thing you exchanged

Michael had been on tour in the Berlin border areas for a week now, and for convenience he didn't come home, as much as he wanted to. You missed him, but he would be back in less than a few days, so you were happy. Life with Kaiser was going great, and that made you fall in love with him even more. The only problem was that Gabriel had suddenly started managing the company's models, including you: this meant being in contact with him more than necessary, and as much as I didn't want to, it was work

"Okay, one last time, whole runway" says the man sitting in his comfortable chair, while you and the other seven models return to the starting position. You had been doing the exact same thing since this morning only with different clothes, and if it hadn't been for the presence of your ex you would surely have been happier. You take a deep breath, taking the first position as the top model. You start walking, gaze fixed and movements flowing, swinging the wide skirt you had to wear as a test. You walk the entire length, reaching the tip where you put a hand on your hip, looking at the imaginary audience and then walking back, always with the same grace. The other models repeat the gesture taking their time, but you always feel Gabriel's gaze on you

He always looks at you, as if it were something that would make him breathe. Even when the attention should be on the other models, his gaze doesn't move from your figure, and you can't do much more than glare at him. Since he started working with you again, he has this toxic habit, which always makes you feel bad even though you haven't done anything. It gets worse when Ursula is with him, who occasionally attends the rehearsals next to the man: it makes you laugh a little how she tries to get his attention, failing miserably... and yet on the day of the show they seemed like best friends. Ursula doesn't talk much with her models, much less with you, so you don't know much about this woman who, in your opinion, knows a lot about you

"Okay ladies. Monica, more movement, you're modeling, not going shopping... and Iseut, more expressions, you have a cute face, use it. Also for our top model..." says the man, waking you up from your thoughts and noticing that everyone has modeled "Nothing to say, we all know she's a professional" he says giggling slightly, and while the others nod you want to do nothing more than go to him and strangle him. You hate his behavior, you hate everything about him and how he tries to flatter you every time. You'd be tempted to intentionally screw up everything to see his reaction, but at the same time it's not like you to ruin your always impeccable work for someone like that, unworthy of so much fame

You are about to leave the room to go to your dressing room and finally call your boyfriend, when you hear the doors of the rehearsal room open, and two video cameras enter followed by Ursula herself. You are surprised by this, because from what you knew from the other models in the agency access to the video cameras is prohibited

The cameras are roaming around the room, as you and the other models stare at them. You hear someone muttering something confused about this, and you don't know how to react even though you've been used to being in the spotlight for years now. You don't know why, but it stinks

Ursula stands next to Gabriel, and from the knowing smile they exchange you understand that the bomb you were waiting for is probably about to explode right now. The stylist's snake-like gaze looks you over, and a cold shiver runs down your spine as you watch the cameras finally settle in front of the two buddies, who are now scenographically side by side. You need to leave now, because the situation is feeling stranger by the second, and you don't like

"Welcome to the agency! Gabriel and I are very honored to be able to give you the opportunity to document life in the TraumLaufsteg, which for a long time has not given such a chance to anyone. Feel free to ask me and our models anything you have in mind" says Ursula in front of the first camera, while Gabriel nods "You have entered at the end of the shift of the models who will participate in the next fashion show, I was just taking care of that" he says charismatically, and the woman nods. One of the two video cameras is put down, while the man holding it comes in front of the screen, probably taking the place of the interviewer "Could you tell us more about the next show?" says the man "You can ask our models, they are ready to answer" says Gabriel, and the object moves towards you, catching you off guard. You and all the others know how to handle the situation, it is a quality that you have to acquire if you do this job, but it is still strange

The interviewer approaches, taking the girl at your side "Could you tell me how a normal shift goes?" he asks, and the woman shows off her best smile while improvising some cool answers, but in truth you don't listen to. Gabriel's oppressive gaze, now a few meters away from you, continues to stare at you with an almost maniacal smile, the same one that Ursula gives you. You gulp down a lump of saliva as you fix your hair, trying to ignore the situation. "How does it feel to walk with an internationally famous model?" the interviewer suddenly asks, and the woman remains silent for a few seconds, honestly not knowing how to respond. They all know who the man is referring to, and you can't help but smile at the camera filming you, one that actually hides a bit of anxiety and perplexity underneath

The woman remains silent, smiling nervously. The interviewer now turns to you, the microphone pointed at your mouth. “This would be the first interview you’ve had since the break” he says, and you nod. “It would have come sooner or later. You’ve obviously had more luck than the others” you say, trying to sound as nonchalant as usual. The man nods “You’re probably right. How does it feel to be back on the catwalk?” he asks “Oh, it feels great. I’ve missed doing the usual things, and going back to the catwalk was like getting some fresh air after keeping my face under water for too long” you say. The microphone shakes a bit "And why choose an agency right here in Germany? And then, such a small one" he says, and you understand why Gabriel was smiling before. You suspect that they are ready-made questions, that they are aimed at putting you in difficulty and make you look like an idiot

"Well, I moved to Germany a while ago, and starting again with an Italian agency would have been uncomfortable because of the country difference. I chose TraumLaufsteg because I saw potential, and I would say I made the right choice when I see the results of the last show" you say, using all the trump cards you can give. It's a smooth answer, but it doesn't reveal anything wrong, or at least that's what you think

"How coincidental, however, to choose TraumLaufsteg, which is precisely the agency where Gabriel is the founder. Is there something in between this choice? After all, there has been a lot of chaos between your boyfriend and you in the last few weeks" says the man, and finally you understand that it is all a trap from the beginning, designed only to advance the main topic, that is, you and Gabriel. You see an immense satisfaction in the man, and you can't help but want to kill him

"There is absolutely no correlation between my choice and the situation you are talking about, since my ex and I are no longer together. I saw potential in the TraumLaufsteg without asking myself too many questions about who the founders were" you say in a serious tone, one that has the aim of not letting anything but your disgust transpire. The interviewer looks surprised, as does Gabriel who leaves Ursula's side, taking steps towards you. You watch him approach, feeling yourself suffocated with each step that brings you closer. He comes to your side, making his way through the models, putting his arm around your waist. Your eyes widen, moving to step aside, but his firm grip doesn't let you move. He smiles at the camera, as if nothing's wrong. If he wants to play like a jerk he's doing it perfectly

"My Y/n is just kidding, we all know in the industry how her humor can almost seem truthful. I don't know what's going on in her head, I just know that we are definitely not exes" he says playfully in front of the camera, which frames the two of you while you are doing everything you can to keep him away. You look at him disgusted, like you have never looked at anyone before. He wants to change the story every time to suit his own convenience, first calling you a traitor and now again calling you his girlfriend

It only takes a second for you to feel his lips crush yours. Your blood runs cold as you feel the sickening sensation you had forgotten and that had comforted you for so many years. He lingers on your lips, feeling them as he always has. You move to pull away, but it's no use because of his firm grip. You would like to cry, slap him, push him as far away from you as possible, but you can't do anything but remain perplexed by the gesture, appearing in front of the camera like a dead person. Now that you've gotten used to only Kaiser's lips, why do you feel those who have only spoken badly of you?

"See? Couple as always" says Gabriel, joking with the interviewer. You watch it disgusted, and everyone on television could tell that you were clearly not comfortable. Because yes, unbeknownst to you this was live nationally

And a certain blond German soccer player was watching the scene in his cold hotel room

tag(s): @rroxii ; @kittenish0 ; @bungoustraydogsno1fan (if you want to be tagged tell me!)

[rosieuv]

Just watched the 3rd Sonic film and it's so good oh my god

This definitely feels like something only Sonic fans would enjoy as the first 2 films are based on the classic Mega Drive games, which not only are the most nostalgified , but also in terms of lore are quite simple. Sonic 3 on the other hand, is based on Sonic Adventure 2, which has a much heavy lore due to the abilities of the Dreamcast making it easier to mix in story and levels. Therefore, if you're like my brother and don't know what the lore vaguely is, you won't find it as interesting. It's strange how all the clips for the trailer were in the beginning half hour though. It did make me wonder how long this film actually was and what it entailed. Either way, it's a very good film and I feel tired after leaving that cinema due to a burnout from all that action causing some kind of over-stimulation (I know that because typically I fiddle with a hair bobble but I just sat there the entire film either watching or frantically kicking my legs up and down at the fight scenes as if I couldn't go "fuck yeah this is so awesome!" in a room full of 10 year olds, then that was the next best thing to deal with the massive screen, massive speakers and my obligation to point out literally anything if a film is good).

okay spoilers here

The plot has so much action and it's great. There's no stupid plot with the other humans, which is what I was worried about considering the B plot with Sonic 2 and the Knuckles show. Instead, the B plot is focused on team Shadow, as opposed to team Sonic. In fact, the humans don't really do much this film as they have no reason to. I also find it cool how the Knuckes show ties in as the guardian of the Master Emerald is Wade (I think that's his name) and he appears for like a minute using it to play ice hockey on the roof of the police station.

The beginning scene is the best I've seen in any film. The switch between Sonic hanging out with his family and friends and having a race while Shadow just kicks the military's ass and leaves in such a badass way and then it all links with the military guys in the helicopter within the first 5 minutes as there's no time to waste and that fight at the beginning is so good that the marketing is all centred around that (to be fair, Shadow has a motorbike) and it doesn't take long to show that Shadow is very much a threat, to the point where I wasn't sure how the heroes were going to win as he was teaming up with Gerald Robotnik who has all this cool tech stuff, and Eggman was watching soap operas in the crab thing because he lost all his government funding and tech stuff in the second film and is legally dead (they never explained how he survived that but it must be some kind of chaos emerald plot armour). I love how they just showed him as even more insane then he was in the first 2 films as he descends from being a well respected scientist to hiding from the government as all he really has now is the crab so once they find out he's alive, it won't be much of a fight. It's also cool how he has the adventure 2 suit in the ending scenes with the climax.

Okay here's a list of notable things I thought were cool:

Shadow having a motorcycle

Maria actually looking like a human and not some bootleg barbie doll (I know it was 2001 but it's surreal seeing all those scenes in high definition with live action as I'm so used to seeing them as Dreamcast cutscenes with motion capture)

Maria's outfits looking more like from the 70s than the 50s as this canonically takes place in 2024 so 50 years ago would've been the 70s and not the 50s like in Adventure 2

Maria never really having last words as she exploded instead of getting shot, so it would be easier to manipulate Shadow into thinking that she would've wanted revenge as there's no way to prove that she wouldn't've (I haven't gotten 'round to playing Adventure 2 though so my knowledge of Maria comes from video essays, but I'm pretty sure Shadow was motivated by him miss-remembering her words, not by manipulation by others).

Shadow with high budget CGI

Jim Carrey coming back again (seriously, these films wouldn't be as good without him as Eggman)

Eggman dying for real at the end in a big space explosion as a sacrifice feels in character for how he was portrayed in Adventure 2

Eggman land in the VR thing

Knuckles still being well written (seriously, the writers really know what they're doing when it comes to his character)

The ambulances and police cars in the London section being actual British ambulances and police cars and not American ones (Hollywood did their research!)

Shadow's voice actor

The scene with Sonic and Shadow on the moon and all that character development

Shadow having his heelys

Tails is better in this film as he doesn't fanboy like he did in the second film (not a major point, it's quite subtle, but I like it)

The dog having subtitles for 2 gags

The blackout caused by Sonic and Shadow

Tails trying to save Sonic when he's falling into the Earth's atmosphere but failing feels more realistic, and it makes more sense how Knuckles was the one to save them both as I imagine he's probably done something like this before and Tails is like 4 or 5

The idea that the man and the woman that I can't remember their names but they're the ones from the beginning, going down the crochet rabbit hole if the main 3 leave for like 2 days is hilarious

The "Sonic getting blasted to pieces thing" in the plan was funny, especially at the laser section (can't really explain it without the clip)

the cinematic remix of that one song from Adventure 2

Wait...wasn't G.U.N mentioned in the Knuckles show? I swear it was...

In the first battle, Sonic asking Shadow "who does your highlights?" (and calling him "Hot Topic" later in the film)

The flashbacks with Maria fitting well with the rest of the film in a way that didn't feel clunky

Shadow commenting on the soap opera

That final scene with Eggman with the live stream reminded me of the broadcast where he blew up the moon in Adventure 2

The moon still gets exploded...kinda

The chao cafe (I know chaos are in the game but I'm not sure to what capacity)

The doughnut guy almost dying due to a slip up (not really cool but I like the character development it showed...and also how damn strong Shadow is that one punch blew doughnut guy into a coma. Makes you wonder how damn strong the main 3 are to still be standing after all the battles against Shadow...)

Shadow having a super form with Sonic (I know it's from the game, not sure where though)

Shadow surviving in the post credits scene made me in a happier mood when I left the cinema as I was sad he died

Sonic saying "gotta go fast!"

Okay nitpicks time (there's not gonna be many though):

The dance scene with the lasers was a bit too long

No Snapcube fandub references

It's never really explained where the crab came from or how Eggman survived

Not really explained how Gerald Robotnik got all the egg weapons too. They're not recreations as they still follow Eggman so how did he get them from the government? Was this part of the deal when he was released from prison?

Where did the Chaos Emerald go when Shadow almost died? He was in his super form.

How the hell did Shadow survive getting nuked by the explosion? I know he's strong as hell and was in his super form, but still.

How do the main 3 and Shadow breathe in space?

Agent Stone putting the full coffee cups in the bin really annoyed me like at least pour it onto the floor so the grass can drink it

I really like how Shadow was written in this film. He's not just "Edgy The Hedgy" like he's portrayed now (don't quote me on that, I haven't really been up to date on this so "now" is more like pre-renaissance) and his weakness is his own grief, which is how Sonic "defeated" him by talking to him on the Moon about not letting that grief distract him and that made him go to Sonic's side even though Sonic could've just beaten the ever loving shit out of him while he got the super form and Shadow was weakened, but he didn't because he isn't a psychopath. And some stuff I mentioned earlier like the motorcycle and the cool powers. Basically he's his Adventure 2 version but even more badass, and his Adventure 2 version was the best version and my favourite character in the franchise.

According to the Wikipedia page on it, a 4th film is in production. Personally I think this works better as a trilogy as how the hell do you top fighting a death ray that's going to blow up the Earth, in space? Also the main villain guy is dead and definitely isn't coming back because isn't Jim Carrey like 70 something now? I think it's gonna be all time travel-ly as it seems to be based around Sonic CD and that's it's main thing. In the post credits thing there was Metal Sonic (who doesn't really fit the aesthetic of the films as all the robots are egg looking things as it's set on Earth, and not space animals who got robot-y and so are a lot more colourful) and Amy Rose, who destroyed some of the robots with her hammer so it's clear she's not going to be like her flat personality in CD and be more like Tails I guess. It's hard to tell considering she only appears for like 15 seconds, but her first appearance in CD was following Sonic around while love hearts come out of her head, and then getting kidnapped, so I think her personality is going to be like her in the Sonic Boom TV show (she gives me "notable time traveller looking for someone who's important in the future" vibes). I feel like this premise works better as a TV show, with each episode being a different time period in each zone. Maybe this is just me wishing for an episodic cinematic universe Sonic TV show where it's the main 3 doing stuff on Earth and Shadow appears every now and then 'cause they have to be doing something with his character as he's shown to be at least somewhat alive in the post credits scene. I know it'll be expensive as hell to do all that CGI, but I can dream.

Yeah that's basically it. Overall: 9.7/10. Now my new favourite film. God I'm tired.

[vonlycaonwife]

Wise, Billy, Ben, Anton, and Lycaon w/ shy and oblivious reader hcs

I decided to combine a couple of similar requests together into one because it seemed easier! Plus I thought this combo would be more interesting together then separated!

Warnings: none

Oh boy, if the teasing from Belle wasn't bad enough when he was sure it was just him crushing. Then it's way worse once Fairy enters the picture.

Fairy very much had to spell it out to him that they were crushing hard on him! He just thought they were socially awkward!

Now he has no idea what to do! He was fine! But now seeing the obvious signs makes him all shy and awkward too. Belle and Fairy are having a field day in the back.

Though once he's given himself a big enough pep talk, he doesn't really have any trouble trying to ask them for a date.

…at least he didn't think it would be that hard. But now he's dealing with a whole ‘nother issue! They're oblivious! Belle is cackling at his dilemma!

All I can say is good luck to him, he's gonna need it.

Nicole, Anby, and Nekomata are all screaming internally at these two! 

There's no hope for them, no matter how much they've tried to just outright tell either of then it doesn't work!

“Whaaaaat? Psh! No way! They don't have a crush on me.” Billy for the love of all that is holy THEY BLUSH ALL THE TIME YOU ARE NEAR!

“H-Huh?! M-Me? N-No way!” …my friend Billy has only let you hold his guns, he doesn't even let the other hares do that!

Even Wise and Belle have a hard time getting the both of them to understand their feelings are mutual, and they have a higher success rate!

Okay I can see Ben having a better time than the last two solely because he would be very genuine in his confession that even the most oblivious person wouldn't be able to misinterpret it.

But getting to that point is the hard part, as I can see him first thinking that the reason they're nervous around him is because they're scared of him. 

It would take a lot of convincing from the other Belobog employees to make him think otherwise.

And then the next challenge comes in, trying to find the best time to talk. Honestly this would be the biggest hurdle since he would be very busy working on the company's finances.

But once he has the time, he definitely takes this opportunity to tell them about how he feels!

Yeah…this is basically the same as Billy. The others are screaming at the double obliviousness. 

It doesn't help when Anton is constantly calling them his bro, which makes things worse. 

Belobog's only hope is to just stick these two into a closet and wait until they finally say something, even then there's a chance it just makes things even worse!

Honestly I'm praying for these two, and everyone trying to help them.

This man has a way better chance than everyone, since he wouldn't need to be told that they're crushing on him like the others. He probably already knew.

He knows he's handsome, so it wouldn't be hard to pinpoint exactly why they're so shy around him. If anything Rina would be able to confirm his suspicions easily if he needed a second opinion.

Though for him to go about confessing, that's where his troubles lie. Since while he would be making these romantic gestures, it would catch him off guard when they're misinterpreted as platonic.

Luckily he's usually able to bounce back quite easily, quickly explaining his intentions. King of communication here.

Honestly it would be hard for him not to be successful at confessing since he's very thorough in making sure his feelings are known.

[erralinadventures]

okay so, I saw this, and decided I was bored again(I'm always bored), and so I shall answer this for Kinnio! He is the only character in Erralin I actually played as a DND character, from level 1.

Yes. Though trauma is usually not something he considers.

Usually saving them from a physical threat, like a dragon or bandits.

Fun Fact: Kinnio is an Illeist. Meaning he refers to himself in the third person, so usually it sounds like he's talking about someone else if you don't know him. But, to the actual question. He would probably be like, 'Kinnio is a super cool warrior king who can vanquish any foe set in front of him'. or just 'Kinnio super strong and cool.'

They percieve themselves well, not really having any problems with themselves, except that he could just be a better warrior.

He stabs into the air a few times, yelling something random.

Thunderstorms. It creates fun battle backgrounds

1994 Toyota Corolla. Why? I've seen too many memes recently.

Eh. I'd say pretty decisive, considering in the campaign he was played in, he made a lot of...decisions. (Nuking a city, nuking a giant stone mech, challenging a demon king, war crimes, buying a tavern, hatching literally every egg he found, including a tarrasque egg.)

Like the entire menu. Not a scrap of that food is being wasted either.

Normally by messing with his hands(Cracking his knuckles, tapping his fingers, cracking his fingers.)

Romantically, he will immediately just be the biggest gentleman whenever he is speaking to them. Also he likes carrying people. Platonically, he'll just be really nice to you and treat you as an equal. Or superior.

I'll just say, there is probably going to be a dead dragon by the end of it.

Silver. While gold is more valuable, he does like the color of silver and normally has his equipment made in that color or with that metal.

He honestly could not care. A little lie isn't one that will hurt anyone.

Strangely, he does like weddings. He doesn't like the people much, but he will usually bring the biggest gift. As a King of Erralin(Modern Day), it isn't unusual for him to appear at weddings, even if it's a commoner wedding.

He is the target demographic for most modern men care products. So like wood and other 'manly' things.

we love the fact you have to specify. Anyways, He likes apples and melon.

Uh, I don't know? I've never heard of this scale, so I'm going to just....skip it. Though it was an interesting google search.

Fighting, and any of the ancient pokemon, or Galarian Zapdos.

White Chocolate.

I don't know any, so I apologize.

He is incredibly loyal and will fight to the death for an ally he trusts.

His trust is hard to gain, and one of the easiest ways is proving a capable warrior.

No, because he can't read...sometimes. Sometimes he can. Depends on if the book has pictures.

I again, have no idea. I think I'm just stupid.

He would love the drift answer, but yeah, he would just pull the lever. That is, if he isn't allowed to just stop the trolley himself.

Fight his way back up. Failure is not an option.

He usually works out or finds one of his many pets, commonly his dragon, Crimson.

I might as well give up, I don't like not answering questions.

He typically just does whatever the hell you want him to do. He is basically just going to just dedicate himself to you.

The Chaos. Honestly, he is very consistent, but also chaotic, my DM has expressed since day 1 that Kinnio was his favourite character in the campaign, and he has tried killing him off ever since, to no avail.

I'm going to assume you mean a different person's action, and not at all. Canonically, King Kinnio killed a shop owner for retaliating against one of the party members(He also had no idea the party member was in the wrong, he just heard someone yell for help and jumped into action. The party member basically manipulated him into it.)

Not very. Usually, he just acts then thinks later.

No. Especially with his party, there is only one person he trusts more than anyone, and would only talk to him about his plans, if he had any at the time.

Alcohol. Wine, Beer, or any monster drop. He would also be the only character(That I can remember) that you can give old weapons to.

The most beautiful face any person has every seen, next. But really though, of the people he would know, it would probably be a royal he met in the campaign he was a PC in.

A poppy, as in the world wars they were a symbol of a battle fought.

For every character(Except Sparta) I use a random name generator and alter the name slightly.

Meat loversx10. It's probably going to be like 90% meat.

He eats a lot, due to his abilities draining his energy. A lot of it is unhealthy eating.

Wish. He has casted it like 8 times between levels 13 and 16.

It wouldn't really make sense unless you played the campaign, but the royal mentioned before, her husband, Sparta(He was thrown into the campaign hastily bc the DM didn't want to come up with a shopkeep), arnold schwarzenegger(He was also in the campaign)

Himself. He usually doesn't think about what other people might want unless they mention it directly.

DND Ask Meme but it's random questions I've asked other players apropos of nothing within the last 6 months

Does your PC believe it’s possible to save someone?

What does saving a person involve?

How would your PC describe themselves?

How do they perceive themselves?

What is your PC’s idle animation?

What weather does your PC prefer? Why?

So if your PC had a car what kind of car would it be

How decisive is your PC?

If your PC rolled through a McDonald’s what would they order 

How does your PC fidget?

How does your PC show affection?

If your PC had to set up a date, what would they plan for it?

What’s your PCs favorite color

How does your PC feel about white lies?

How does your PC feel about marriage? Weddings?

What scents do you associate with your PC? 

What are your PCs favorite fruits (not including gay people) 

Where would your PCs fall on the futch scale? 

What is your PC’s Pokemon Gym Leader type and Signature Pokemon?

What type of chocolate do they prefer? 

What tarot would your PC be? 

What is your PC’s #1 personality strength?

What is your PC’s #1 personality flaw? 

If your PC found a book that detailed their whole life, from birth to whatever death they’ll have, would they read it and why? 

What are your PC’s charm point(s)! 

How would your PC answer the trolley problem? 

When your PCs hit rock bottom, what do they do?  

When your PCs want comfort, what do they seek out? 

Please describe your PC’s romantic type 

How does your PC flirt? 

What’s your favorite part of playing your PC? 

How much does your PC think about their actions before they execute them? 

How considerate is your PC? 

Is your PC an effective communicator? What is their communication style? 

If your PC was a dating option in a farming simulator (a la harvest moon or stardew valley), what kind of items would they like? 

Your PC meets a trickster being whose face changes to the most beautiful face a person has ever seen. Whose face is your PC seeing? 

What flower represents your PC? 

How did you choose your PC’s name? 

What would your PC put on their pizza? 

What are your PC’s eating habits? 

Does your PC have a favorite spell, and if so, which? 

Who is your PC’s favorite NPC(s) and why?

When your PCs make decisions, who or what are they making those decisions on behalf of?

[nothorses]

Hi so I’m a nonbinary lesbian and have been out for well over 6 years. My gender expression has changed a lot over the years and now I’m just. A bit lost. I want to experiment more with masculinity again but I’ve kind of forgotten how to? I’m in a bit of a weird spot where most people around me aren’t trans (except for my roommates) but are of the (very good!) idea that “clothes and attributes aren’t gendered” and dress sort of unisex in as cheap second hand clothes as possible. Some guys have long hair or wear makeup to parties and some women don’t shave etc. But I still feel like most people view me as a woman or woman-lite because even though they’re well meaning and progressive, they’re not really well-educated about transness. And I’m in a long term lesbian relationship and have a lot of hobbies that are more traditionally feminine. My pronouns are they/she but most people use she/her exclusively. I’m starting to feel more and more dysphoric about this after a few years of no dysphoria, but I don’t know how to change things. So yeah do you have any tips on doing masculinity? Or experimenting more with combining gender expressions? I wish I could start t but the trans healthcare in my country is terrible.

ngl a lot of that is so familiar to me- especially the pronouns! It's been a long time since I started to lean more into masculinity from the kind of "I'm not a yucky man lol that would be unfeminist" purgatory I was trapped in pre-transition but post-realizing-i-was-trans-in-some-way (which isn't to imply that's where you're at, that was just my personal journey) but I definitely feel like I resonate with a lot of what you're describing from, like, that specific period in my life.

I think drawing harder lines around how I wanted people to refer to me helped a lot with this, early on. I know a ton of people who have pronouns they use with trans friends that are different from the pronouns they let cis people use; she/they for the people they know will make the effort to use both, but they/them or she/her exclusively for the people they know are unlikely to use those pronouns if they have an alternative. This works with other language as well- but that's all to your personal comfort level!

Outside of that, I think step 1 is really just thinking about what masculinity means to you, and what kinds of masculinity you're interested in or intrigued by. Don't worry too much about figuring out exactly what you want right away- just experiment with whatever seems like it might be fun or comfortable. Think clothes, hair, mannerisms, roles, hobbies and interests; anything you might have denied or been denied because of gendered expectations. There's no one singular way to Do Masculinity, and the goal isn't to start out with a single perfect, consistent way of presenting yourself to the world. You're just playing with things you haven't had permission to play with before!

I also have a lot of "feminine interests", and a big thing for me has been finding masculine role models within those things. In my area it's mostly women who are into horses, and I was the only man on the horseback riding team at my school when I transitioned; but cowboys are totally a thing, and I started leaning into that role pretty early on! We also ended up getting another guy on the team, I think partially because he saw there was at least one other & he wouldn't be the only man there, which was cool (he latched onto me hard, too. it was very funny to me when I mentioned being trans & he apparently had very much not realized that before. I got to watch his worldview shift in real time, lmao)

That one was probably the easiest, though. I've also looked to really positive, loving male teachers in my work in education, and that's been awesome! Sewing & embroidery have been the hardest by far, but I've definitely found plenty of men in both over time. Finding embroidery patterns to try out from gay men depicting masculine-presenting bodies has been especially fun & validating.

I know this isn't the most specific advice, and I'm not sure if you were looking for like, a list of clothes to buy? But honestly this has just been my own journey. I wear what's comfortable and I haven't really changed my interests or hobbies; exploring masculinity has really just meant giving myself permission to engage in things I haven't before, wearing things I feel good in, and looking to others who've given themselves that permission as well for inspiration. I had to be more intentional about considering the masculine-to-me options early on than I do now, but like, it should all be about you and what you're interested in. There are infinite types of guy! I think it's just a matter of figuring out which ones you resonate with and why, and building your own type of guy out of that.

[xitsensunmoon]

Heeeey out of curiosity

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[goblin-enjoyer]

I swear why are half the things i like/fandoms im in made of mostly younger people while the other half are mostly older people? what are the zoggin odds with that?

How it feels being 20 in a fandom with a bunch of 30-40 somethings.

VS how it feels being 20 in a fandom with a bunch of 14-17 somethings.

like am do i just have extremely odd luck with things i like or is this just what being 20 is like?

[q-uuestion]

The character arc lore could have had

[envy-of-the-apple]

Third Wheel

Dark!SatoSugu x reader

(Warnings: Yandere, dark content, dark, misogynistic language, delusional behavior, kidnapping, blood, violence, +ShokoHime x reader, choking (not in the sexy way tho), threesomes, oral!F!recieving)

Synopsis: Regardless of what Satoru and Suguru tell you, you've always felt left out in this relationship. But when you leave, you quickly find out there's no line your ex-lovers won't cross to get you back

Word Count: 7.3k

When you come home that night, they're already cuddled together, watching TV. 

It's cute. Your boyfriends were always so loose with their affection. When Suguru was cooking, Satoru would lean on his back, more than happy to talk his ear off. Suguru would hold Satoru's waist, steadying him, being his anchor. At night, you'd catch them reaching for each other, trying to hold hands even in their sleep. 

It's clear to even the blind: they are soulmates. 

And you were just extra baggage. 

You don't know how you caught their eyes, but this past year was fun. They've been sweet, both of them have. Inviting you into their lives, into their home, into their bed. Everything moved so fast, but you didn't mind. You were young and a bit spontaneous. Two beautiful men showing a glimpse of interest in you wasn't something you could pass up. This was nice, while it lasted. 

But unlike them, you aren't forever. Their bond would never come close to anything they could have with you. 

It took a while for you to accept that, but eventually, you did. 

"Hey, babe," Satoru calls. "Rough day?" He lazily waves you over. Suguru grunts, before shifting over to make space. 

Despite it all, you're a coward. You don't announce it; you just stare at them. Fondly. Yes, this was nice. You don't think you could handle telling them, though; that would be too much. Seeing how little they cared would break you. 

"Yeah." You give. "Rough day." 

You weave through the house. It's theirs. Not yours. That they've made clear. You're an afterthought. It's the little things. Their toothbrushes are together, yours on the other side of the sink. Their shoes were neatly stacked side by side, and yours were always tucked away in a corner. Left out. Forgotten. Why wouldn't it be like that? They've been together for years. You were still an outsider. 

You only have a little to grab. You just grab your extra clothes, the hair clips you have a terrible habit of leaving around. Just a few items. And then the bedroom looks like you'd never been there at all. 

When you come back out, they don't notice your suitcase. Satoru laughs loudly at something happening on screen. Suguru chides him sternly. Good. It's better this way, you think as you take your suitcase to your car. You don't need any additional heartbreak. 

You make a few more rounds, collecting everything you need. Suguru only catches you when you are about to leave their house forever. 

"Angel?" He calls. "Where are you going?" 

He's looking at you, head tilted in mild curiosity. You manage to smile, looking down at your car keys. 

"Out for a drive." You shrug. "I'll be back." 

Suguru takes it at face value. He lets you go with a small 'have fun'. The walk to the car is heavy. Metal dumbbells on your shoulders. 

When you get in the seat, you finally allow yourself to sob. 

~

I'm sorry, I just can't do this anymore

That's how you ended the wall of text before blocking them. It was the coward's way out. 

"No." Utahime's quick to tell you. "It's the only way. Those bastards would've never let you go otherwise." 

You shouldn't be so quick to listen to her, considering she hates them both. Still, she was more than happy to offer you her home while you picked yourself back up, and started looking for an apartment. You'll humor her for the time being. 

"She's right," Shoko pipes up. Her dark circles are even more prominent tonight. You guiltily think it has more to do with you than with her patients, but she and Utahime have insisted that you stay with them. 

"It was for my sake, more than theirs." You say honestly, tucking yourself into the couch. "They...don't care about me. At least, not like they do each other." 

Utahime rolls her eyes. "You are blind." She says. "Those two were obsessed with you. I'm just glad you got out while you could." 

You laugh, but it beats crying all over again. Utahime doesn't find what she said as funny. She chides you again, something about being oblivious before she settles down to watch the movie she put on. Shoko falls asleep right at the intermission. Her head falls against your shoulder. Utahime leans against you too. And it's nice to have friends to fill the void they left. 

~

Satoru appears first. 

You woke up later than you would have liked. Your eyes are itchy and red from crying all night. Utahime was more than happy to give you her guestroom, but you know you can't take advantage of her kindness for too long. Tomorrow, you'll start apartment hunting. 

Today, you'd sit on the couch and eat ice cream. 

When you go downstairs, you hear a hushed whisper. Utahime's by the door, using her body to keep someone out. She looks angry. 

"-No one's here but me. Now get the fuck off my property." She seethes. 

You recognize his voice. You aren't ready. "Have you heard anything? Anything at all?" 

"No." Utahime gripes. "So go, Gojo-" 

He catches your eyes. Your heart gets stuck in your throat. 

He's taller than her. It takes little to no effort to barrel through her body, easily shoving her aside to get to you. You flinch, his touch burns when he grabs you, pulling you into his arms. 

"Oh, baby." He sighs into your hair. "There you are. Missed you." 

It's too soon. You aren't ready. You can still feel the emotions bubble up from that night, when you collapsed in Utahime's arms, sobbing your heart out. This wasn't fair. They never made it fair. 

You cast a glance at Utahime. She was scowling, close to boiling right over the edge. It gives you enough strength to try to push Gojo off, but he only lets go, when he wants to. 

"Okay." He smiles, reaching down to grab your hand. "C'mon. Let's go home. You had us both so worried for a sec, but if we explain everything to Suguru it'll be okay." 

You find your voice then. As well as your strength. His grip on your hand isn't all that tight. It slips away when you gently shake him off. Satoru stops, confused. 

"Satoru..." You start. "Didn't you get my text?" 

He rolls his shoulders, agitated. "Yeah, but-but it doesn't matter." 

There it was. His lovable personality. Casual careless, nonchalance. For once, you aren't annoyed by it. Maybe your grief made you numb to it. 

"I did mean it," you say as plainly as you can, "every word." 

He freezes. You smile at Utahime. 

"Could you give us some time?" You ask. 

She frowns, but she's never been able to say no to you. 

"Ten minutes." She finally says, before she's marching back to the kitchen. You still hear her muttering while leading Satoru back to your room. 

"I'm sorry." He says when the door shuts behind him. 

"For what?" 

He runs a hand through his hair, taking off those glasses he loves so much. You can't look him in the eyes for too long. It brings up too many memories. 

"I fucked up, right?" He says, he sounds desperate. You've never heard him sound like this before. "I'm sorry. I dunno what I did, but I'm sorry." 

You shrug, picking at the lint of your sleeves. "You didn't do anything. I just...it felt like a good point to just-" 

"-Leave us?" He cuts in. "Come home, baby. I'm so sorry, just come home and we'll figure this out." You look away because you can feel the tears burn up. 

"You didn't do anything." You insist, but your voice is weaker. 

"Was it Suguru? Did he do some bullshit?" Satoru interrogates. "What'd he do? I'll kick his ass, I promise." You hide your smile underneath your sleeves. 

"He didn't do anything either," you assure, "neither of you did." 

He's getting more and more desperate. "Then why did you leave us? What's wrong with us? Why can't we go home and talk this out? Please come back, baby; home doesn't feel like home without you." 

Isn't this what you wanted? A confession. Evidence that they wanted you just as much as they wanted each other. Satoru certainly did. Suguru did, too, considering how hurt Satoru implied him to be. A week ago, you might have been over the moon, too wallowed in self-pity to do anything but agree, run back into their arms, and willingly sink back into 2nd place all over again. 

But the thought of going back to their home makes you feel sick. 

"I can't." You decide. "I just can't. It's over, Satoru." 

I'm sorry. You keep that last line to yourself because you're too scared to crack in front of him. Shatter. Splinter. 

Satoru doesn't share the same sentiment. You hear movement, and when you look up, he's crying. 

A part of you wants to hug him, but you hold yourself back because he isn't yours anymore, and maybe he never was. Still, it hurts seeing him like this. The piece of you that still wanted him is ready to forgive and forget. Your vindictiveness keeps it at bay. 

"That's not fucking fair." He's saying through his tears, even when he's crying, he's beautiful, "You-you can't just ditch us like this. You don't get it; we can't live without you. It's killing us; you're killing us, baby." He staggers forward, in a way that makes you afraid he might fall. In the end, he just collapses on the bed. Eventually, you take a seat next to him. 

He's looking around, you catch him eyeing the pile of clothes in the laundry basket. The hair ties on top of the drawer. The plushies on the bed. You think it might finally be starting to sink that that you're truly gone. 

"Suguru can't sleep these days, y'know that?" He starts, a sardonic laugh in his throat. "He pretends to, but he can't. He stays up all night just wishing you'd come home. The guy is miserable without you, and you can't even gimme a fucking answer." 

His voice cuts you just the way it's supposed to. You wince, feeling his words slice into his skin, finding their way into your heart. You look at his shoes for a moment. He didn't bother to remove them. Maybe that's another reason why Utahime was so pissed. 

"I was starting to feel like an afterthought with you two." You speak. "I mean, it makes sense, you two were together, first. I thought the barrier would just take time to go away....but then it didn't." 

How many times has Suguru taken Satoru's hand over yours? How many times has Satoru forgotten your drink but not Suguru's? How many inside jokes you didn't understand? You always felt petty for being jealous over the tiniest things, but those tiny things kept getting bigger and bigger until it felt like they'd been purposely building that barrier themselves.

You were sick of feeling like the third wheel in your relationship. 

"Baby..." Satoru's voice is tinged in guilt and you can't look at him because you can feel the tears start to well up. "I-I didn't realize." He grabs your hand. 

"Come home." He pleads. "We'll fix it, I promise. We'll be better. We'll do better." 

You shake your head, slipping away from his grip. 

"It's too late." Your voice is shaky. Please let him not notice. Please, please, please for once can his oblivious about everything but his one and only work in your favor? "You can't fix anything, Satoru. Not now." 

"You haven't even given us a chance to-" 

"You should go." You stand up. Satoru follows you out the door. Utahime's already outside. She catches your eyes and nods. 

"Gojo." She speaks, tone clipped. "Get the fuck out of my house." 

He stills, frozen like the prettiest painting in the world. His eyes turn to ice as he stares at her. Utahime doesn't budge. If anything, she advances, pulling you close, acting like a human barrier between you and your ex-boyfriend. You take it immediately, nestling into her side, taking refuge from his icy stare. 

There's silence. You only relax when you hear his footsteps fade and the door slams ricochets into the apartment. And that's when you break down into Utahime's arms completely, letting her coo you into comfort. 

"Maybe I am being overdramatic," you say when Shoko comes back later that day. Utahime was enraged since Satoru left, pacing around the apartment. It's only after both you and Shoko coaxed her back into the couch that she calms down enough to take a seat next to you. 

"Maybe this whole thing is ridiculous. I-I should just go back and-"

"No." Shoko is immediately saying voice firm. "Absolutely Not." 

You can smell the hint of smoke when she came back from the hospital. You try not to assume it's because of you. 

"No way in hell are we letting you go back there after what he did." Utahime gripes. 

"He didn't do anything." You argue. "I swear, I-I was just...being pathetic." 

Warm hands lift your head up. You struggle, still shuddering from your sobs as Utahime forces you to look at her. 

Her eyes are brown. Not as glittery as Satoru's, who's eyes shine like the burning sun itself. Not like Suguru, with his celestial purple. No, hers are just brown. 

You didn't realize how beautiful brown eyes could be. Not just the color of home; the color of chocolate; the color of brownies. The way the light cast down at them made them deep and dark, like a night sky. If you looked closer, you could see tiny stars swimming around. 

"Listen. Are you listening?" When you nod, her voice softens. She tucks your hair behind your ear. 

"You deserve better." She insists. "You deserve better than them. So so much better. I know you can't see it right now, but there is better out there waiting for you." Her voice loses all momentum all at once. "Just...trust me, okay?" 

Her desperation to be heard makes you smile a bit. You nod. Her frown loosens, just the tiniest bit. She relaxes. 

"Thanks," you say after a beat. "I...I needed that. I'm glad I have goods friends." 

Utahime's hands drop from your face. She collapses into the couch cushions with a groan. Shoko laughs. 

"Told you." Shoko says, mirth and alcohol on her tongue. 

Utahime flips her off, and Shoko takes her place. She settles into your side. 

"They were assholes." She tells you. "Forget about them. And she's right, you deserve better." 

You were glad they were there for you, even when you weren't there for yourself. It felt nice that they cared. Vouched, Advocated for your comfort. They made better boyfriends than your old boyfriends ever did. Their support helped heal the Satoru and Suguru-sized holes left in your heart. Every day became a bit better. 

When Suguru eventually turned up, you were a bit more prepared. 

He's a bit nicer than Satoru was. He actually knocks, instead of relentlessly pounding on the door. He doesn't barrel through Shoko when he spots you cowering behind her. His face betrays nothing. He's still. A polite smile is stretched on his lips. Shoko isn't happy about letting him into her home, but when she glances at you, you nod. You needed to do this. You needed closure. 

And so did Suguru. 

You don't speak to him until you're shut in your room. Geto cuts the silence first. 

"How have you been?" He asks nicely. 

"Good." You respond. "You?" 

"Good." 

Conversation stilts. You don't know what to say. Luckily, your ex is never the man who stays silent for long. 

"How's living with Shoko and Utahime been?" He asks, "I'm surprised you've put up with them for this long. They were pretty scary in high school." 

"I bet you two were scarier." You counter. 

He smiles. It's soft, looks good on him. You find yourself smiling back. When you take a seat on the the of the bed, he doesn't follow. You don't know whether to feel glad or not. 

"Yeah, I'm not the proudest of those times." He admits with a sheepish laugh. 

It dies down, and you know the artificial barrier between you two has broken. You shift, waiting for the inevitable. 

"Satoru told me what happened." He sighs. "I'm sorry, Angel. We-I didn't know how you felt. Everything was so perfect, I just thought you felt the same." 

"It's fine." You assure, and this time, your throat doesn't clog up, and your eyes don't feel itchy. "Really. It's-it's fine." 

"It's not." Suguru shakes his head. "You'd be in bed with us if it were." 

That comment pricks something deep within your skin. You swallow, turning away from his piercing purple eyes. They were much like Satoru's. Breathtaking, you could stare at them for hours. You used to. 

But now, you don't have that desire anymore. 

And maybe now that you aren't so attached, maybe you could try being a little more honest. 

"I was jealous." You finally admit. "I couldn't help it. I-I always felt like I was fighting within my relationship. You two were so much closer to each other than I was. Than I ever could be, honestly." 

Suguru frowns, troubled. 

"That's not true." He insists, soft, but something's burning underneath his tone. "Satoru and I have history, but that doesn't mean-" 

"I was runner-up." You cut him off. "For both of you. Looking back, I'm not really upset. It was always impossible for anything to come between the two of you. This-" You gesture between you and him "-was always inevitable." 

"It's my fault." You smile at him, hoping it comes across as sincere as you feel. "I couldn't stand being second place." 

He moves then, kneeling in front of you. Eyes the widest you've ever seen them. He catches your hands in his. You let him. A parting gift. 

"Angel." He starts. "We never once thought of you as that." 

You shrug. "It doesn't matter." You reply. "It's how I always felt. You can't really change the way I feel about things, Suguru." 

You think he's realizing that he's beginning to lose you. His grip gets tighter as if he can physically keep you with him at the very least. He shifts until he's right at your knees, looking up at you desperately. 

"Come back." He insists, abandoning his persuasions. "Just...come back. At least for a little while? We can try again, can't we? Just give us a second chance?" 

It's strange, they don't look too similar, but you can see the similarities. Wow, they're just perfect for each other, aren't they? Yin and Yang. Two halves; one whole. 

You were always a leftover. You just had to learn that the hard way, through days of heartbreak, crying, and sobbing your heart out. It took you awhile to understand that the affection they had for each other is different from the affection they had for you. 

You shake your head. His hands nearly crush yours. 

"I love you." 

It takes you a while to figure out what he said. When it does sink in, your world tilts. Your heart stops at his abrupt declaration and you must stare at him because why? At first, you think he's just desperate: lovebombing. And then you look into his eyes, his sincerity. No, he means it. It makes you feel worse. 

"Satoru does, too, but you know him-he'd rather die than admit something like that." Suguru gives a bitter laugh, one you find familiar even after all this time. "I've always wanted to tell you but thought it was too soon. I thought we had all the time in the world." His voice tapers so he doesn't have to say the obvious but clearly you three didn't. 

You want to reach over, tuck a stray lock behind his ear but you stop yourself because he isn't yours anymore. You gave it all away when you ran. Instead, you curl your hands around his in silent understanding. 

You don't know how you didn't realize it before, but Suguru is less put together than usual. His hair is typically well-groomed and shiny, but now you see split ends. His eyes are clear and bright, but today...they aren't. A dull purple. Hazy violet. 

He's miserable. 

You did this. This was all you. 

"Satoru misses you," he says, "always had. Barely smiles anymore. I don't think I can blame him." 

They loved you. They love you. This was all what you wanted. Just a bit of recognition. There's a tiny part of you that's still itching to jump back in Suguru's arms, kiss him until you're out of breath 'just kidding! it was a prank! let's go home!' and then you two would leave hand-in-hand back to Satoru. 

Going back to them would make them happy, but not you.

But Shoko was right. You deserved better. 

 "It'll get better." You assure. "You'll heal." 

Day by day, the cracks in your heart start to seal. Bit by bit. It may never heal over completely, but you know you'll be okay one day. And they'll be alright too. Who knows, maybe in a couple years, you'll all laugh at this. 

Suguru shakes his head and stands up. His eyes are just the bit glassy, but he's blinking them away before anything gives. It's just like him, honestly, so you're not too upset. 

"You don't get it." He's smiling, not quite in humor. "I don't think you'll ever do but..." He trails off, mid-thought. 

"But what?" You press. 

Then he sighs and closes his eyes. When he looks at you again, his signature pleasantly cold smile is on his face. 

"I did all I could, I think." He turns around, abrupt. "I'll see myself out." 

You're caught off-guard by his sudden departure, but by the time you're following him, Shoko's already leading him out the front door, locking it with exasperation. 

"Is that it?" She asks. "They won't be barging in anytime soon, right?" 

You stare out the window, watching as Suguru gets in his car. Something bubbled in your stomach. 

~

It was one of those nights. Shoko had come back early. Utahime was back from the school. You had planned a cute little evening for the girls and a relaxing night in. You had everything: wine, freshly-prepared dinner, a cheesy horror movie, and an announcement you're sure they were more than happy to hear.

You had just settled down the blanket when you hear Shoko come through the door. You take off her coat before she can even touch it, excitedly flitting around her. 

"What's gotten you in such a good mood?" Shoko asks, her dark circles even more profound than before. You don't have to feel guilty about those for long. 

"You'll see!" You chirp back. 

Utahime strolls out of the bathroom, fresh from the shower. Her hair is still wet. You'll ask if you can blow dry it later. 

"That's what you've been saying for nearly an hour now." Utahime groans. "Just tell us already. Or at least, me."

"Patience." You chastise. "But, it's a good surprise, I promise." 

She's not satisfied, but she sits down anyway. They eat dinner, complimenting your skills all the while. You preen at their praise. It's a stark contrast between Suguru and Satoru, how cold they'd often been whenever you did something nice for them: tilted smiles, less-than-receptive words of 'oh baby you didn't have to'. 

As you lived with both couples, you can see the similarities. Utahime's temper is close to Satoru's, but that's where the similarities stop. She's more serious and less likely to blow off your feelings with a playful huff. Shoko and Suguru share the same laid-back personality, but Shoko is always there to listen to you instead of cutting you off with condescending sympathy. 

Wow, maybe Satoru and Suguru were a little more shitty than you initially thought. 

Eventually, the night draws to a close. They're drunk, full, and smiling. Perfect. You clear your throat just when Shoko refills her fourth glass. 

"Again, I'd really like to thank you for letting me stay." You start. "It meant so much to me to have two amazing people to support me like this. So, thank you." 

Utahime smiles. "Don't thank us," she says, "again, you can stay for as long as you want-forever, honestly!" 

You nod. "Well, I don't think I have to do that anymore." 

Shoko freezes mid-sip. 

"What?" She asks. 

"I talked to my parents." You tell them, oblivious to their stone faces. "And I'm going to move back in with them, just until I get back on my feet. Isn't that great? Now, you two won't have to-" 

You stop when you finally notice how cold they look. Utahime looks close to tears. 

"What's wrong?" You ask. 

"You're leaving?" Utahime asks, her voice nearly cracks. "Why?" 

That...wasn't what you were expecting. Shouldn't they be glad the third wheel is finally out of their house? Why does Utahime look so heartbroken? Why is Shoko so quiet? What was going on?

"Isn't-isn't this what you wanted?" You fumble with your words. "Now, you don't have to share the house with me anymore. It'll be just the two of you again." 

They exchange glances, and it reminds you of those secret conversations Suguru and Satoru used to have. Except this time, you can read their faces. 

"What if...we don't want it to be just the two of us anymore?" Shoko starts, hesitant, reproachful like she's approaching a scared wild animal. 

Your eyebrows scrunch. "I don't understand." 

At that, Utahime drops her head in her hands. "Oh, c'mon! We've been doing this for weeks! You can't be that oblivious-" 

And then, she stops herself. Looks at you. You stare right back, and the three of you have the exact same realization at the exact same time. 

"Oh." You breathe. 

"Oh." Utahime whispers. 

"We're all idiots." Shoko says behind her glass. 

"Wait wait. Hold on." You backtrack. "You-you two want...with me?" 

"Yes!" Utahime exclaims. "Yes! God, now everything makes sense. I thought you were just trying to let us down gently, but this whole time you just weren't even paying attention!" 

"No." You argue, face hot. "You two were just really subtle." 

"We all sleep in the same room, these days." Shoko lists. "'Hime sat on your lap with nothing on but a bra and panties." 

"I thought we were just doing friend things!" 

"What kinds of friends sit on your lap, half-naked?" Utahime asks, mortified. 

"I-I-" You give up. 

All this time. You were mourning over something you lost months ago, even when there was something blooming right under your nose. God, you're an idiot. 

Hands. They clasp your own. You look up into Utahime's pretty brown eyes. 

"We want you to stay." She whispers. "We want you." You take a glance at Shoko. 

"Do you want us?" 

You take a deep breath. 

You nod. 

She's smiling, and then Utahime's kissing you. Soft, so soft, nothing like the possessive kisses Satoru gives you. It's innocent and adoring and you find yourself melting into her completely. 

Utahime disappears and before you can mourn her warmth, Shoko's lips join yours. You can smell the alcohol, the slightest sting of cigarettes. You don't mind it. Her kisses are nothing like Suguru's, all powerful and domineering. She takes what you give her, asking ever so nicely for more. 

You break away, panting. 

"You good?" She asks. 

You nod. 

"Good." Shoko hums. "Cuz we're gonna fuck you now." 

"What?" 

Shoko pushes you down on the couch. You land with an oomph before Utahime's descends on you with a flurry of kisses. 

"Waited so long to do this, baby." She's sighing into your lips, fiddling with your shirt so she can pull it off. "Weeks and weeks." 

She pulls down one of your bra cups, massaging at your tits. You hadn't had action in so long, so you eagerly encouraged her movements, kissing her back with just as much fervor. Shoko takes her place next to her girlfriend, pawing at your other tit. 

"Look." Shoko purrs. "One for each of us." Her soft mouth sucks on your nipple, swirling it around her mouth. Your head leans back with a pleasant sigh. 

"Feel good?" Utahime asks. "She's good with her tongue, isn't she?" 

"Yes," you nod, and Utahime gives out a delighted giggle, peppering your face with kisses. You gasp when you feel her hand shift through your shorts, palming at your dripping pussy. 

"Poor thing." Utahime's cooing, and there's a brief hint of mockery in her tone. You've never heard that before. It turns you on even more. "They never gave you attention back there did they?" She circles your clit. "They were too busy sucking each other's dicks to pay attention to such a pretty pussy." 

Shoko pops off your tits, shifting down. She kisses her way to your stomach. You blearily watch as she adjusts herself until she's right at your shorts. Utahime follows her lead, tugging off your shorts. Your panties go next. 

And then you're staring down at them with trepid anticipation. 

"I meant what I said." Shoko says softly. "You deserve better. You deserve someone who cares for you." 

"You deserve us." With that, She and Utahime latch onto your pussy. 

They're everywhere. You have to stop yourself from cumming right then and there, arching your back as one of them sucks on your clit while the other licks into your hole. She manages to stick her tongue inside of you, and it's enough to shoot sparks through your eyes. 

"So tight." Utahime's hissing into your cunt. "Sho, after this, you wanna try to fuck this pussy with your strap?" 

There's a soft laugh, and Shoko pulls away from your clit to answer, much to your disappointment. You whine, thrusting your hips in the air. She stills you with a hush. 

"I don't think we're ready just yet." She hums. "Yet." 

When you glance down, they both are making out with your clit. It's debaucherous. Their soft lips are connected, your tiny bud locked in the middle as their spit trickles down into your pussy. Utahime groans and when you look further down, you realize she's touching herself. 

You don't know which part of this makes you cum, but you cum. It's the hardest you've ever orgasmed. There's so much stimulation that your hips buck up, trying to chase the sparks of pleasure. They let you, licking you through your orgasm. 

When you come down, your thighs fall apart, splayed against the soft cushions. Utahime still isn't finished, licking at your clit. You shudder at the overstimulation, whining until Shoko is pulling her off of you by her hair. 

"Good, baby?" She asks, crawling back up to you. You kiss her as an answer. She melts in delight. 

You break the kiss, glancing over at Utahime. 

Taking the silent request, she kisses you again. You can taste yourself on her lips. You don't mind it. For some reason, it's sweeter on Utahime's tongue. 

When she breaks away, she stares at you, face soft. "You're staying, right?" She asks you. "You'll stay with us? Because after this, I don't think we could ever let you go." 

You give a shy nod, and Utahime beams. 

"Then, you're ours now," Shoko says, settling into your side. "And we're yours. Always." 

"Always." You breathe, content, happy. You could almost go to sleep. 

Shoko slaps your thigh. 

"Not yet." She warns before propping you up. "First, I want you to sit on my face." 

Hours later, you wake up delightfully sore in bed. The two girls are curled up next to you. When you move, you can still feel the bruises Utahime left. You never knew she liked to bite so much. 

You can't even begin to remember what happened, but you don't regret any of it. Hours and hours had passed as they fucked you and fucked each other, and you fucked them. 

Shoko shifts beside you. She was always a light sleeper. 

"Awake?" She asks. 

"Yeah." You softly say back. 

She hums, shifting a little more to face you. Utahime's behind you, arms protectively curled around your waist. At your voice, her eyes twitch. 

"Shut up." She grumbles, but her arms cinch around your waist. 

Shoko stretches as she rises up. You miss her body warmth but you don't mind the view she gives as she saunters over to the dresser, pulling on some clothes. 

"I'm gonna get food." 

Utahime mumbles out her order. You say nothing because you don't want to come in between them, and then Shoko looks at you. 

"What do you want?" She prompts. 

You blink, and when you answer, Shoko smiles, and then she's out the door. 

The interaction makes your heart warm. 

Still, it can't last. 

When you go to get up, Utahime protests, grabbing your wrist. 

"And where are you going?" She prods. 

You fumble. "Back to my room?" 

"What? Why?" Utahime demands with a frown. "What's the point, you're already with us, now." 

"Oh." You blink, but you give in and slink back into bed. "Is...this really okay?" 

"For God's sake, " she hisses, but you don't count it against her because Utahime has always been a little grumpy after waking up. "Yes. We're obsessed with you. How are you so blind?" 

"We want you, and we're not like them." Her voice drops in disdain. "We'll treat you better. You're ours now. You're mine." 

"Yours." You repeat, something warm fluttering in your belly. 

"You can't leave, we'd go crazy, okay?" She seriously tells you. "If someone else takes you away, I'd lose it. And Shoko is okay with murder." 

You laugh. 

"That's not a joke." She warns. 

"I know." And you kiss her again. 

It's like that for a couple weeks. You live in peaceful domestic bliss with two wonderful girlfriends. Now that you're in an actual loving relationship, you can't tell why you ever contemplated ever going back to Satoru and Suguru. Shoko actually talked to you about your feelings. Utahime cared about your input. You weren't treated like an afterthought, second place. 

They were with each other longer than they had been with you, but they never made you feel like you had to fight for your relationship. Speaking off Satoru and Suguru, they never once contacted you after their first two attempts. They'd clearly given up. 

Everything was just perfect. 

And then, it just wasn't. 

You were in bed with them. Fifteen minutes ago, Utahime shuffled off to go to the bathroom. She still wasn't back. Half asleep, Shoko grumbled. 

"She's probably in there fighting a cockroach." She complains, but she rises anyway. "Sleep, I'll be back." She kisses you on the cheek, and then she's gone. 

Their body warmth fades, but they stay because they're tired. These days, you can't really sleep without them, so you wait for the girls to return. Two minutes pass. Then, five. Then, ten. By then, the bed is cold. 

You open your eyes, sitting up. It's so quiet. Are they okay? 

You pull off the comforter, stepping onto the cold wooden floor. The apartment feels strangely...haunted somehow. The air felt heavier now, thick with an invisible tension, like the house itself was holding its breath. It must be because you feel alone, you're sure of it. 

The bedroom leads to a dark hallway. As you make your way down, you can hear something. Voices? Murmuring. The relief almost makes you laugh. Seriously, what were you even afraid about? 

The living room is horrific. 

They look dead. You can't tell if they're breathing or not. Shoko's eyes are closed. Utahime's limp body is sprawled across the floor. There's blood on the wooden panels. 

Suguru doesn't even blink. 

"You're awake." He says it so casually, like waking up to your ex-boyfriends mauling your girlfriends is normal. 

"What..." Your voice fails, you weakly try again. "What did you two do?" 

Satoru answers, smiling with glinty teeth. 

"Isn't it obvious? We're getting rid of the competition." 

You don't understand, your brain hasn't caught up yet, you still think you can talk to these psychos. 

"It's their fault." Satoru's still smiling, but there's nothing happy about his tone. He's carrying a knife. There's blood on it. "It's all their fault. They manipulated you into breaking up with us, baby. That's how these useless sluts got you into their arms." He spits on Utahime's hair. You cover your face with your hands. 

"But, it's not like you aren't at fault, Baby." He points the knife at you. "You left us for them. I'm not letting you off the hook for that." 

You don't know what he's saying. His movements scare you, his eyes, the knife. When you glance at Suguru, you don't know what you're expecting. 

But you know you aren't expecting...that. 

His purple eyes are icy cold. Utterly devoid of any emotion. You don't think you're staring at a person, anymore. 

"You lied," Suguru says, "You lied about us not giving you enough attention. You just wanted to leave us. For them." 

You step back. They step forward. 

Those bastards would've never let you go otherwise. Utahime warned you. Looking at her limp body, you wondered if she thought they'd ever go this far. 

"I didn't." You weakly insist. "I-I wasn't lying about anything! It-it wasn't like I wanted to leave-" 

"Stop lying," Gojo insists. "Stop fucking lying already." 

He smiles again. 

"It's okay, baby. I know you'll come back with us. Right after we're done dealing with these two whores." 

"You'll belong to us." Suguru promises and he steps on Shoko's hands. "Just like always."

They were both crazy. Nothing could get through to them. Now, you would sit there and watch them maul the only things in your life that made you feel complete. 

The worst part is that everything was your fault. 

Shoko's pinky twitches. You can see Utahime take shallow breathes.

And you speak. 

"I'm sorry." 

Your weak voice makes them stop in their tracks. Satoru glances at you, Suguru does too. You can't convince them. The only thing you can do is play into their delusions. 

"You're right." You say, the tears finally feeling useful. "I just wanted to leave. I-I was just bored. I wanted something new." Suguru's lips curl and you quickly move on. "But-but the more I stayed with them, the more I realized...how much I missed you two." 

Satoru halts. You caught him. 

"I did." You stress, carefully making your way to him on feet that were close to dropping at any minute. "Every day, I thought about you two." You reach out, touching his face with shaky fingers. "I really really wanted to come back, but I was afra-afraid you wouldn't...want me back."

Satoru reaches up to touch your hand. His fingers are cold. You resist the urge to shudder. 

"You missed us?" He wonders. 

The lie feels like sand. 

"More than anything." 

His kiss is violent. He crushes you with his grip, touching and biting and everything you hate. You squeeze your eyes shut, letting him suck your soul dry. 

"Don't kill them." You whisper when he finally pulls away. "Please don't kill them. Everything was my fault." 

Satoru's face is pensive. His gaze drifts off to Suguru's. Those silent conversations you hated so much. 

Then, Satoru gives a delighted sigh. 

"You're lucky. I love you so much." He kisses your nose, before pushing you in Suguru's arms. 

"I'll clean up here. Suguru, go back to the truck." He demands. 

You don't fight, letting Suguru drag you away. Shoko and Utahime live in apartments, but you're afraid if you scream, Satoru might change his mind and gut them anyway. Before Suguru leads you off, you catch Gojo scoffing before he kicks at Utahime's face. You gasp and pray that when Shoko wakes up, she'll be coherent enough to call for an ambulance. 

I'm sorry, you tell them. I'm so so sorry. 

Suguru pushes you into the backseat of their vehicle. You obediently take a seat. 

"You shouldn't have left." He tells you. "You should've stayed." 

His face is cold, but his tone betrays the tiniest tremor. If you weren't so scared, you'd laugh. The irony is that he's the one who feels wronged here. 

"I'm sorry," you say anyway. 

He hums, not quite satisfied with your answer. 

"You aren't." He responds, and you hate how well he knows your tells. 

And then, he grins. 

"But you will be."

Hands reach out, gripping your neck. You flail immediately as Suguru cuts of your oxygen. You can't breathe. You can't fucking breathe. No matter how tightly you squeeze onto his wrist, digging your nails into his hands, clawing at his face. He keeps you still, keeping you there as you grow weaker. Your vision gets blurry. Your attempts get sluggish. There's a kiss on your forehead, and you black out completely. 

~

You wake up in a room you've never seen before. And your neck is sore. 

The pain drifts in as soon as consciousness does. You feel like you have a hangover, your head throbs, your eyes struggle to remain open. You can't go back to sleep either, not when it hurts so much. 

The panic doesn't settle in until you catch the cuffs on either one of your legs, keeping you attached to the bedpost. Silver chains, with enough lead to let you move around a bit. The cuffs are padded so you don't rub yourself raw. You don't care about the thoughtfulness. 

They're in the room with you, watching with silent eyes. Nausea builds up in your stomach, and you wonder how long they'd stayed there, just watching you. 

You miss Shoko. You miss Utahime. You missed people who actually loved you. 

Not these two. Monsters that lied and pretended, but deep down, they were just too selfish to share. 

"You were out for a while." Suguru comments. 

"I told you to use the syringe," Satoru remarks, but he doesn't sound too upset. At his voice, Suguru laughs. 

You shift in your spot. Suguru takes that as an invitation. He sits at the edge of the bed, watching you with satisfied eyes. You must look pathetic: shivering, in tears. He reaches up, catching your tears with his finger.

"So cute." And then he frowns. "You know why we're doing this, yes? You were bad. You need to be punished."

"I'm sorry." It's all you can say. You feel like a broken record, doomed to repetition over and over again.

"You aren't. You should stop lying." Suguru says sweetly. "But I'm sure, a couple hours in your new home will help you think about how much you hurt us."

You wanted to scream, but you can't cuz your throat still hurts from Suguru's hands, and you know he's not above putting his hands on you this time. Maybe he never was, you just never saw this side of him until you made him snap.

"You're leaving?" You stumble, moving as they back away but the chains only take you so far. There are no windows, and when Suguru shuts the light off, the only thing that's keeping you from the dark entirely is the light emitting out the hallway.

"Wait." You beg. "Please. Wait, don't-don't leave me here. I'm sorry. This is scary. I'm scared."

Satoru hesitates at your broken voice. Like a shark smelling blood, you pounce.

"Satoru, please."

"If you keep coddling, then the lesson will never be learned." Suguru warns.

Satoru stares at you. He's not wearing his sunglasses. You can see him for what he is now.

"I love you." He says it so sincerely, you almost believe it. "This is for your own good."

The door shuts, and everything goes dark.

[hauntedhowlett-writes]

ROOM FOR RENT

PAIRING: logan howlett x female reader

RATING: explicit (18+) | WORD COUNT: 5.3k

SUMMARY: logan finds a new roommate.

AUTHOR’S NOTE: i have logan howlett brain rot and i’m not sorry. big smooch to everyone who let me yell about this to them including @eupheme @pedgito @wannab-urs @chaotic-mystery @kedsandtubesocks @undrthelights and @murder-wife 💕

WARNINGS: post deadpool & wolverine, variant!logan howlett, able bodied reader, reader being picked up (enhanced strength babyyyy), roommates to lovers trope, meddlesome pet cat, a splash of canon typical violence - mentions of blood and knife wounds, wade wilson/deadpool appearances, mild angst, explicit sexual content (18+ minors do not interact) - dirty talk, pain kink, biting, pet names, praise kink, oral sex - m & f receiving, a little dacryphilia during a blowjob, multiple orgasms, unprotected p in v, begging, size kink. if i’ve missed any, please let me know!

LINKS: masterlists | support for palestine

If Logan has to wake up to Wade's constant yapping for the rest of his life, he's going to go insane. Every morning he's jolted awake by Wade singing in the kitchen. When he notices Logan is awake, the singing stops and the one-sided conversation begins and doesn't end until Logan finally gets up from the couch and leaves the apartment with nothing but the clothes on his back.

Today, with some money in his pocket from a few odd jobs he's picked up, he finds solace in a quiet coffee shop. Sat beside a bulletin board, he scans the postings.

Art show, art show, yard sale, job opening, roommate wanted, art show--

Roommate wanted? Logan tears the paper from the pin.

Room for rent in 2 bedroom/1 bathroom apartment. One cat. Laundry on site.

He folds the ad up and stuffs the paper in the pocket of his jacket before gathering his empty coffee cup and tossing it in the trash on the way out the door, an uncharacteristic spring in his step.

Your phone rings with a number you don't recognize. You consider sending it to voicemail, already exhausted from fielding similar calls about your room for rent, but ultimately decide to answer.

"Hello?"

A man clears his throat on the other end of the line before responding with, "This the number for the rental?"

"Yep," you reply. "Were you interested in seeing it or have any questions?"

"How much is it?"

"Your half would be $950.”

"And it's a whole bedroom?"

"As opposed to a half bedroom?" You laugh at your joke but the man remains quiet and you wince. "I mean, yes. It's a whole bedroom."

"I'd like to come see it, if you've got the time."

"Sure, how's this Friday sound?" You suggest. "What's your full name?"

"Why do you need to know that?" The man's tone grows defensive and alarm bells ring in your head.

"Well, I'd like to make sure you're not, like, a wanted criminal or something," you tell him with an awkward laugh. He's quiet and for a moment you think that he may have hung up on you. "Hello?"

"Yeah, 'm still here," he sighs. "Name's Logan Howlett."

"Logan Howlett," you repeat. You give him your name in return, though he doesn't do much but grunt in acknowledgment. "Alright, well, do you have something to write down the address?"

"Just tell me, I'll remember."

After listing off the address, he ends the call with a rough goodbye. You get to work on your personal research, entering his name into a search engine.

No results.

You refresh the page, thinking that must be an error, but the same message appears.

No results.

You try spelling his name differently.

No results.

You set the phone down, anxiety starting to creep up your spine. It's hard to believe that there's absolutely nothing online about this man, who now has your full address, name, and phone number.

A sharp meow shakes you from your thoughts and you find that your cat has taken up residence on your lap, staring at you intently as his tail flicks back and forth. You run your hand over his head, scratching beneath his chin.

"You'll protect me, right?" You ask.

He leaps from your lap and struts away, fluffy tail disappearing down the hall that leads to your bedroom. You sigh.

Hopefully you haven’t just done something stupid.

Logan's attempt to leave the apartment unnoticed does not go as planned. Althea is sitting on the couch, a re-run of a talk show playing loudly, when he tries to make a run for it. He's distracted, watching her too carefully that he doesn't realize Wade has just returned from god-knows-where.

"Whatcha doin', twinkle toes?" Wade asks, startling Logan, who slams into the kitchen table with a curse.

"Fucking hell," Logan curses, rubbing his hip. "When did you get in here?"

Wade shrugs. "Sometime around the start of your 007 impression."

"My what?"

"Nevermind," Wade sighs. "You look snazzy. Got a hot date?"

"No," Logan grunts.

"A cold date, then?"

Logan pinches his nose. "No."

"Well, care to share, sugar plum? What's got you sneaking around like the Black Widow?"

"The who?"

"May she rest in peace," Wade says, tone suddenly somber.

"He's tryin' to move out," Althea chimes in. Wade's mouth drops open in shock.

"You're abandoning us?!" he exclaims. "After all we've been through?"

"Let the man do what he wants," Althea says. "Damn co-dependent freak."

"Harsh," - Wade places a hand over his chest, -"you know I have daddy issues. And mommy issues. And abandonment issues. And--"

"Enough," Logan snaps. "Yes, alright? I'm looking for a new place. I can't sleep on that couch forever."

"Is it because it smells like old people?" Wade whispers, pointing an accusatory finger to Althea, who flips him off.

"Look, this is your universe. Your timeline. Mine is gone and it's time I start making this whole thing less temporary."

Wade tilts his head and places a hand on Logan's shoulder. "My little Wolvie, all grown up," he says, wiping at a fake tear. Logan shoves his hand away, storming past him for the door.

"Remember to smile! Give 'em the ol' razzle dazzle!" Wade shouts as he slams the door behind him.

You pace your small living room and check the stove clock for the hundredth time in the past five minutes. Logan is due to see the apartment and your nerves have gone from a simmer to a full blown boil waiting for the mysterious man with no digital footprint to show up. Your cat is lounging on the windowsill, blissfully unaware of your inner panic.

Three sharp knocks at the door cause your pulse to skyrocket. You take a deep breath before crossing the short distance to the door, pulling it open with a smile.

"Hi! You must be--“

Your greeting dies on your tongue as you take in the man crowding your hallway. He's wearing a leather jacket over a white tank top that stretches tightly across a broad chest and jeans that highlight thick thighs. His dark hair is cut shorter on the sides than on the top of his head, the ends fanning out in a manner that reminds you of a cat's ears and he's sporting an impressively thick beard.

"'m Logan," he says in the same deep voice you heard over the phone, holding a hand out towards you. You slip your palm against his much larger one and you're surprised by how warm his touch is.

"H-hi," you stutter, shaking his hand. You clear your throat. "Sorry, hi. Uh, come on in."

You move aside to let him through the doorway, not missing the fact that his shoulders practically brush the frame as he steps inside. Your apartment opens up directly into the living room and kitchen with a small dining area set in between and you gesture around.

"Well, this is most of it, to be honest. I know it's not much but--"

"It's quiet," Logan interrupts. "Ain't used to quiet."

"Where, uh," -- you twist the hem of your shirt -- "where are you coming from? Exactly?"

"Kind of a long story. Right now I sleep on a couch in a shitty one bedroom apartment shared by an asshole who doesn't shut the fuck up and a blind cocaine addict."

"Oh," you reply, nodding despite your lack of understanding. "Yeah, it's just me here. Well, and Dumpling."

"Dumpling?"

As if summoned by his name, your cat appears, making a swift beeline for the newcomer. He twists around Logan's legs, butting his head against his shins. You bend down, scooping him up in your arms.

"This is Dumpling. He's cute, but he'll knock over any plants so I wouldn't recommend you take up indoor gardening if you decide to live here." Logan eyes Dumpling warily before holding a hand out. Dumpling sniffs his fingers daintily and rubs head against his palm. "I think he likes you."

Logan huffs, the sound close to a laugh, and it makes you smile. He looks up at you and for a moment you forget that you're complete strangers who have just met. He feels inexplicably familiar, his presence comforting, and you're surprised by it.

"Let's look at the bedroom," you finally say, breaking the moment. You turn, heading for the hall and he follows behind you, steps surprisingly light for such a large man. You take him to the last door at the end of the hall and enter the empty room. "This is it. It's kind of small, but all the rooms in New York are pretty much shoe boxes. It's got a closet and access to the fire escape, though.”

"Better than the couch," he says, looking around the room. "You said $950?"

"Plus half of the utilities," you add. He nods.

"Look, I'll be honest. I'm...between jobs right now." He sighs. "And my schedule can be...unpredictable."

"Oh," you mumble. You think about it for a moment. Renting the apartment to Logan would be a risk but...you can't help but notice that exhaustion in his eyes, how it's clear he's trying to get back on his feet in one way or another. "That's okay. We can work something out."

He raises an eyebrow at you. "Really? You sure about that?"

Were you?

"Yeah," you reply. "I'm sure."

Having a roommate is...an adjustment.

Logan is great. He does his dishes in a timely manner, doesn't leave any clothes on the bathroom floor, and even cleans Dumpling's litter box from time to time.

But he drives you insane and it has nothing to do with his qualities as a roommate and everything to do with how unbearably attractive he is. He could be doing the most mundane activity and suddenly you're more turned on than a faucet on full blast. On top of it all, he's surprisingly sweet for such a gruff man.

Currently, you're watching him pour himself a glass of whiskey. You know he's probably preparing to take the drink to his room so that he can have a cigar on the fire escape, but you find yourself wanting his company.

"Logan?" you ask. He looks at you over his shoulder.

"Yeah, bub?"

"Would you...want to watch a movie? With me?"

He turns to fully face you, leaning against the counter and taking a sip of his drink, dark eyes on you over the rim of the glass. You swallow nervously, prepared to retract your offer and hide out in your room for the rest of eternity, but he puts you out of your misery.

"Sure." He comes over to the couch, taking a seat that's a respectable distance away. "What are we watching?"

"Have you seen The Greatest Showman?"

A musical. He's sitting through a goddamn musical.

"You kinda look like that guy," you say from beside him. Logan tilts his head.

"I don't see it."

"It's the bone structure."

"I'm bigger than him." You mumble something under your breath that he doesn't quite catch, though he thinks it sounded suspiciously like yeah, you are. "You say somethin'?"

"Huh?" You shake your head. "No, nope. Didn't say anything."

Logan relaxes against the back of the couch, settling in. You're curled up against the armrest, a blanket covering your legs and your arms wrapped around a throw pillow. You look relaxed, at ease, a stark contrast to how you had been when he first moved in. You spent more of your time hidden in your room and he's happy to see you're getting more comfortable around him.

It's also torture. You're like a drug that he can't get enough of, a high that doesn't last long enough. He clings desperately to every smile you grace him with and falls asleep with the sound of your voice echoing in his head. He wakes up looking forward to seeing you, even if it's just in passing before you head out for your very normal job as part of your very normal life.

That's what gives him pause. You're not like him, not built for violence, and he would never drag you into that life. He thinks about Vanessa and Wade and the wedge that was driven between them they're working to repair and he can't bear the thought of having you just to lose you.

Logan's so lost in his own thoughts he doesn't realize that the movie has ended and you haven't moved. Your head is angled in a way that has to be uncomfortable, your mouth dropped open as you breathe slowly and deeply. He grabs the remote from the coffee table and turns the TV off, plunging the room into darkness as he stands and quietly approaches you.

He slides one arm beneath your knees and using the other to support your back, lifts you from the couch. You settle your head against his chest but otherwise your sleep remains undisturbed as he carries you down the hall into your room.

It's not the first time he's been in your personal space. One time he woke up to Dumpling clawing at his chest and he marched the animal back to your room for the night, barging in on you while you had been up reading. He remembers the queen sized bed in a wooden frame and a dresser with a drawer that won't shut take up most of the space, the plain white of your walls replaced by a soft blue. You've installed what he first thought were regular shelves but later learned are meant for Dumpling to use for late night acrobatics that he can sometimes hear from his room.

Logan sets you gently on your bed and pulls the quilt up to your shoulders. Before he can think better of it, he reaches a hand toward your face, tracing his thumb over the high point of your cheek. You turn towards the sensation, chasing his touch, and his chest grows tight. He sighs, stepping back and turning for the door.

Dumpling sits in the doorway, flicking his tail. Logan steps around him into the hallway, the cat's gaze following him.

"Shut up," he whispers.

Dumpling meows in return.

You're disoriented when you wake the next morning. The last thing you remember is being on the couch with Logan and watching The Greatest Showman, but somehow you've ended up in your room. You turn over in bed to find Dumpling on your other pillow, curled in a ball.

"Morning, Dumpy," you murmur, scratching his head. "How'd we end up here?"

Dumpling blinks unhelpfully at you before uncurling from his spot and hopping from the bed, leaving through your open door. It's then that you notice that you can hear grunting noises coming from the living room.

You get up to investigate and stop dead in your tracks, mouth dropping open when you find the source of the noise is a shirtless Logan doing push ups on the living room floor. The broad muscles of his back ripple with each movement, each push accompanied by a small grunt that makes your thighs clench together, imagining him making that noise when--

Logan stops, jumping to his feet and you shake your head free of the salacious image it began to create. He turns, giving you an uninhibited view of his thick chest that's covered in dark hair that trails down over defined abs before disappearing beneath the elastic of his sweatpants. You have to say something, anything, but your brain is full of static, unable to operate when he's standing there looking like that.

"Morning," he says.

"Good morning!" you reply, voice pitched higher than usual. You walk past him in a way you hope is casual, heading for the kitchen and prepping the coffee machine. "You got any plans today?"

"Got a friend who needs my help with something. Don't know when I'll be back." His voice is much closer than you expected and you turn from the counter to find him right behind you, a scant few inches of space between your bodies.

"Oh?" you whisper, keeping your gaze firmly on his face. "Is everything okay?"

"It will be."

He drifts impossibly closer, chest nearly brushing yours. Your heart pounds in your chest, a frantic rhythm that's become familiar ever since Logan entered your life. Reaching above your head, he grabs two mugs in one large hand, setting them on the counter behind you before taking a step back and turning to head for his room without another glance in your direction.

You sag against the counter, a wave of lust addled adrenaline crashing over you and leaving you breathless. The last thing you need to be doing is getting involved with your roommate, no matter how tempting he may be.

Dumpling jumps up on the counter beside the coffee pot and stares at you, likely waiting for food, but it feels more like judgment in his green eyes.

"Shut up," you whisper to him.

Dumpling meows, batting you with a paw.

You're sitting on the couch when there's an unexpected knock at your door. Logan is still gone, helping a friend and you're not expecting anyone, so you’re not sure who it could be. You check the peephole before opening the door and see the distorted image of a man in a red suit and mask supporting the weight of your roommate against his side.

"What the fuck?" you ask as you open the door in a panicked rush. The masked man waves his fingers at you.

"Hi there! I've got a very," -- he grunts, adjusting his grip on Logan -- "heavy delivery."

Logan's eyes are closed, head flopped back on the masked man's shoulder. Blood stains his t-shirt in spots that look suspiciously like knife wounds and you gasp.

"What happened to him?!" you shout. "Oh my god, he needs to go to the hospital--"

"He just needs a little power nap," the man says. "I'm Wade, by the way. You mind if I just--"

Wade drags Logan through the apartment, depositing him on your couch with a huff, wiping his hands together. He looks around and you're shocked when the eyes of the mask seem to move, as if mimicking his facial expressions.

"This is a nice place," he says. Dumpling meows and Wade gasps. "You have a cat?! I wish I could pet you, sweet kitty, but Dogpool would put me in the dog house. Ha! Get it?"

"I'm confused," you manage to say. "My roommate is bleeding out on my couch after being dropped off by some wanna-be Avenger--"

"Ouch!"

"And you're saying he doesn't need to go to the emergency room?"

"Nope." Wade lifts Logan's shirt. "See? Good as new."

Despite the blood and tears on his shirt, there's no wounds on Logan's body. He shifts, lifting an arm to smack Wade's hand away as he groans, eyes fluttering open. He glares at the man.

"Get out," he growls.

"Now, now, that's not being a very good host, Logi. What, were you raised by wolves?" Wade replies. Logan roars, a ferocious sound that's more animal than man. His hand curls into a fist and sharp metal blades extend from between his knuckles. "Okay, okay, I'm leaving, no need for the murder mittens." Wade looks at you. "You should come to Sunday dinner!"

"Wilson!" Logan shouts. Wade finally heeds the man's warnings, rushing for the door without another word, shutting it behind him. Logan sags against the couch, blades retracting into his hand. He tilts his head back, closing his eyes.

You stand there in shock, trying to make sense of everything you just witnessed. Logan should be halfway to dead by now, but he doesn't even have a scratch on him. He has claws. How does he have claws?

"Can hear you thinking," Logan says, eyes still shut. "Just say it."

"Say what?" you ask. He lifts his head.

"Tell me to get out, scream, whatever it is."

You sit down on the couch, facing him. "Why would I do that?"

"Because that's what you should be doing."

His hand rests on his thigh and you reach for it, lifting it to eye level for a closer look at his knuckles. You trace your thumb over the smooth skin, up over his strong forearm. He watches you, face almost pained.

"I'm not scared of you," you whisper. "You wouldn't hurt me."

"But I could," he bites back.

"You won't." You're certain of that. You set his hand back on his thigh and stand from the couch, intending to grab him a glass of water from the kitchen, but he stops you with a hand around your wrist. His grip is loose enough that you could break free, but you don't.

Logan looks up at you with an unreadable expression, something close to fear mixed with a conflicting emotion that you think -- or hope -- might be desire. He tugs your wrist, bringing you to stand between his legs.

"How can you be so sure?" he asks.

You place your hand on his cheek, the coarse hair of his beard scratching at your palm. His eyelids flutter and his lips part on a sharp inhale.

"You're a good man, Logan Howlett," you murmur. He closes his eyes tightly and takes a deep breath.

His next movements are quick -- a hand on the back of your thigh, dragging you onto his lap, the other wrapping around the back of your neck to pull you close, his lips capturing yours in a savage kiss. You melt into him, meeting his urgency with your own desperation, tongues tangling together and fighting for dominance.

You pull back to trail kisses across his jaw until you reach his neck, sinking your teeth into the tan skin, just over his hammering pulse. Logan groans, fingers digging into the flesh of your ass, pulling you tightly against him as his hips buck into yours.

"Fuck," Logan says, voice a deep rumble that you feel to your marrow. "Do that again."

"Do what?" you tease.

"Bite me," he demands. "Make it hurt."

You obey, biting down into his shoulder with greater effort, sinking your teeth in deep until he hisses from the pain of it and you let go, lifting your head to look at the mark you've left behind. It fades quickly, disappearing without a trace.

"Jesus," he says, pulling you in for another kiss, slow and deep, as his hands find the hem of your shirt. "Let me see you."

You allow him to lift your shirt up and over your head, exposing your breasts to his hungry gaze. His touch makes you shiver despite the heat of his hands as he traces the curve of your waist up to your chest, his thumbs finding your nipples and teasing them with slow circles. You drop your head back with a moan and he takes the opportunity to kiss your neck, your collarbone, moving down until his lips wrap around one taut bud.

"Logan," you whine, digging your fingers into his hair and holding tight. He hums, the sensation making your eyes roll.

"Thought about this," he murmurs, switching to your other breast. "Every time you'd wear those goddamn tight shirts of yours."

"Really?"

"Mhm."

"Wanna know what I thought about?" You tug his hair, pulling his head away from your chest. "Sucking your cock."

He raises his eyebrow at you and you take the opportunity to slide from his lap, settling on your knees between his spread thighs. You work his belt loose, followed by the fly of his jeans. He reaches past the waistband to free his cock and your mouth waters at the sight. You could tell he was big while you were on his lap, but he's even more glorious than you imagined. Thick, long, with prominent veins and a slight upward curve that you know will hit all the right places.

You take him in your hand, appreciating the weight of him in your palm as you hold him steady. With your eyes locked on his face, you open your mouth and stick out your tongue to lick from the top of your fingers to the flushed head. He groans, his hand curling into a fist that he presses to his forehead.

"Fuck," Logan hisses. You do it again, this time swirling your tongue around the tip before taking him into your mouth, moving down his length slowly. "God, look at you. Mouth stuffed so full you're drooling, huh?"

He's right. Spit gathers at the corners of your lips and runs down your chin as you use your mouth to pleasure him. The sounds he makes above you are downright filthy, deep moans and filthy praise that have you moving faster, taking him deeper, working to get as much of him in your mouth as you manage without gagging. He cups your cheek with one large palm, thumb tracing your stretched lips.

"Keep going, sweetheart. You can take a little more, can't you? That's it," he says. Tears burn your cheeks with the effort to obey, your throat tightening around the head of his cock. "Fuck, that's a good girl."

You breathe deeply through your nose, maintaining a steady pace and using your hand in tandem with your mouth for what you can't easily take. Logan's hips begin to flex beneath you, his words trailing off into guttural growls. His cock twitches in your grasp and he moans your name before his release floods your mouth and you swallow it down.

You pull off of him with a slick pop, gasping for breath. Before you can say anything, Logan is hauling you to your feet as he stands from the couch, lifting you up with one strong arm beneath your ass and urging your legs around his waist.

"What are you doing?" you ask.

"Just getting started."

Logan kicks the door open to your room, startling Dumpling from his perch. The cat races out the door, disappearing into the living area as the door clicks shut. He sets you down on your bed and quickly rids himself of his boots and rest of his clothing before returning his attention to you.

You're lying there in your little sleep shorts that drive him nuts. The fabric barely covers your ass and there's been more than one occasion where he's shuffled into the kitchen in the mornings to see you in them, all the blood in his body rushing south at the sight. He joins you on the bed, on his knees between your spread thighs, and extends a single claw. Your eyes widen, but you don't pull away. In fact, you start squirming, hips flexing minutely against the mattress.

"Scared yet?" he asks.

"I wouldn't say that.”

He carefully slips the blade beneath the hem of your shorts, inching it up until it peeks out above the elastic waistband before twisting his wrist and slicing through the fabric like it's nothing. Claw retracted, he removes your ruined shorts and takes a moment to appreciate the vision you make, legs spread wide and your dripping pussy on display.

"You're a mess," he says, smoothing his hands over the soft skin of your legs. He lifts one of your knees, pressing a kiss to the inside of it before resting it on his shoulder. "Gonna clean you up."

Logan dips his head to your center, dragging his tongue through your soaked sex, groaning when the taste of you blooms across his tongue. Your fingers curl against his scalp, a sharp point of pleasure-pain as he explores your body. He swirls his tongue over your clit, experimenting with broad circles and sharp flicks until you're writhing beneath him.

"Logan," you cry, hips bucking against his face. He dips his tongue into your cunt, nose brushing your clit as he does, and he hums in satisfaction as your thighs tense around his head.

He looks up at you and drinks in the picture you make, gorgeous skin glistening with sweat and your back arched from the bed, chest heaving with desperate breaths. He wants this exact moment burned into his memory, certain it could chase away the dark shadows that linger there.

Logan presses two fingers to your hole, sliding them in with little resistance. You're so warm and tight, squeezing his fingers beautifully, calling out his name as he curls them when he drags them from your body.

"I'm going to come," you gasp. "Oh, fuck, just like that!"

You pulse around his fingers and he slows his movements to work you through it until you collapse against the mattress with a deep sigh. He carefully removes his hand and sits up on his knees.

"Guess I made more of a mess," Logan says. Your eyes squeeze shut with a breathless giggle.

"I'll forgive you," you reply. You reach your arms up for him and he moves to hover over you to accept your embrace. "God, Logan," you murmur, tilting your chin up to kiss him.

In this position, he's able to drag his cock through the slick mess between your thighs and you shiver beneath him, gasping into his mouth. He does it again, more purposeful this time and it drags a moan from you both.

"Please," you murmur.

"Please what, sweetheart? Tell me what you want," he replies. "What you need."

"Need you to fuck me."

Logan reaches between your bodies and positions the thick head of his cock at your entrance, pushing forward. The stretch of him is unreal, almost too much even with how wet you are for him.

"Relax," he says, holding himself steady above you. "You can take it."

You nod and he pushes forward another inch, letting you adjust, and repeating the process until the coarse hair at the base of his cock tickles your sensitive skin. You've never been so full, no other experience compares to this. No other man compares to Logan, in any way.

He starts moving slowly, dragging his hips back until you're nearly empty before plunging back inside. Each thrust puts stars in your vision, makes the knot of want and need coil tighter in your lower belly, until you're moaning his name and begging him to move faster, harder, deeper.

Logan obeys, thrusting into you with enough force that your head board collides with the wall. He sits back on heels, dragging you up with him until you're sitting in his lap and he's able to thrust up into you.

"Feel so fucking good," he says, lips against your neck. "Need you to come for me, baby."

You nod, wrapping your arms around his shoulders and holding him close, meeting each of his thrusts with a rock of your hips that drags your clit against him, your nerves buzzing with the friction and fullness. While the orgasm he wrenched from you with his mouth felt like a wildfire, this one builds and builds, a wave cresting until it finally crashes and you cry out his name.

Logan leans forward to drop you back onto the bed, reaching a hand up to grip your headboard as he continues to roll his hips into yours, chasing his own release. His thrusts begin to grow more desperate until he presses in deep and you're flooded with warmth as he growls, long and low. The sound of splintering wood breaks through your post-orgasmic haze and you tilt your head back to find that his claws have extended through your headboard, splitting the wood and embedding into the drywall.

"I can fix that," Logan says breathlessly, tugging his hand free, claws retracting. You grin at him.

"Later," you reply, pulling him in for a kiss.

You've got better things to do right now.

Thank you so much for reading! For more of my writing, check out my masterlists!

[rosieuv]

Project: Eden's Garden chapter 1 is so fucking good oh my god

btw spoilers here

go watch the official playthrough

Please.

Okay so ever since I saw the announcement trailer I was like "Diana's going to die first, I can feel it". It was something with her design, and her personality that screamed "early target". So when all that trial stuff was targeted towards her, I assumed it meant this was when she died: still chapter 1 but a bit later.

Now I think she's gonna die in chapter 2 from all that heroic monologuing. I also feel like Wenona's gonna play some kind of big role due to the way she acts. Possibly an antagonist? I'm not sure.

The actual contents of the chapter are long, with the official playthrough's being about 11 hours combined (and you bet I watched them the day they came out this weekend) yet the pacing still feels fine. A lot happens within both daily life, deadly life and the trial and I can in vision a timeline based on what happened on each day/part of day. The tournament thing was cool and how despite the murder not being in the new rooms, the fact that it would be impossible without it made it feel like it actually had a purpose, which I was a bit concerned about when the corpse was in the boiler room.

I wouldn't have guessed Wolfgang was the victim though but it makes so much sense. And Eva being the murderer. That was a whole bag of plot twists and they work very well. The rooms are cool, the concept of the whole locks thing is cool, basically everything is cool and Tozu is more interesting than Monokuma and he's definitely some drama kid that get rejected from the lead role and so some organisation thing that Wolfgang's father made (I swear he's going to be important in the future) and he was basically like "yeah just act all dramatic and stuff and scare the kiddies". Why Wolfgang is in this game though...idk. I feel like his father has to be important though, especially with the message on the back that for some reason took Damon so long to figure out when I figured it out very quickly: Wolfgang's father is an asshole and he is too. His animal is literally a sheep how the hell did he not realise this. I mean, the conversation with Tozu was cool as he doesn't appear often, but like, has Damon ever heard the phrase "Wolf in sheep's clothing?".

Okay here's my nitpicks:

some of the furniture models are a bit low poly which doesn't mesh well with the 2D sprites

3D textures are weird in places (Wolfgang's chair is the worst offender of this)

the line width is a bit thin in some of the new sprites and it bugs me because the artstyle typically has quite thick lines

this book is never shaded

the Damon thing I mentioned earlier

this bug in the trial where it fades out to show some kind of floor plan, and Damon is talking, but when the UI fades back in, for a split second it shows the mugshot of whoever was speaking before the fade thing (I can't find where this happens in the official playthrough but I swear it's real)

nobody realising the "thin bit of metal" was a hairpin until it was brought up as a lockpick in the trial like i realised that immediately

does Eva have a game console or a tablet? Pre-trial and at the start of the trial it was called a game console but towards the end when it was relevant, it was called a tablet? I can't find an image of it as the wiki doesn't have a gallery page for her (idk why) but I remember it looked like a DS from it's lid

there's only like 4 minigame section things in the trial: non stop debate, rebuttal showdown, the choosy one and the ending one. where's the letter one? i know there's more and i know this is probably so the programmers don't shoot themselves in the head, but still.

when did they have lunch during the last day? there was the tournament, the blackout, the investigation and then the trial and that was all about 5 hours going based on gameplay so if the investigation was at 9:45 ish and the trial ended 5 hours later, then it should be 2:45 and these poor people are starving! Well, idk about them all but Damon certainly didn't stop investigating to make lunch.

there's little inconsistencies with the art style/quality of the image in the CGs. The ending one with Diana sticks out the most to me: the lineart and shading look a little different. It's like a different artist from the rest drew it.

Okay more praise:

grace pulling the middle finger in her objection sprite

wenona

the music made by mark having a danganronpa motif in

the dummy thing in the execution

the whole scene where eva's true talent is revealed and her "oh shit" sprite

all the voice acting

the maths equipment in the execution

the thing with the calendars and the horses joke at the beginning

eva's free time events (it was shown in the playthrough)

the scenes with Tozu at the beginning of each day

the tree animation is sick

the thing with the footsteps

the thing with the blackout

everyone screaming one by one when they see the body

the beginning

the middle

the end

all those biblical references

Tumblr is going to have a field day with this game.

[mad-hunts]

as far as jack could tell, jervis was really out of it; and it made him wonder it was due to something that had happened while he was out with his father, or when they'd gotten here. perhaps both. jack gnawed on his bottom lip, his eyes darting to jervis's hands, which were flexing like he was struggling with something. an eyebrow rose as jack contemplated asking whether he needed some pain medication.

since he didn't receive an answer to his question yet, jack figured he might as well introduce himself. ❝ uhh, well, you don't have to talk to me if you aren't feeling up to it. my sister told me that you fainted in front of her out there — so, i understand if you're still feeling sick. my name is jack, ❞ he scratched at the back of his neck as he continued to observe jervis. whenever the man tried to get up, jack approached him and was about to caution jervis that maybe he shouldn't by lightly touching his shoulder.

but he remembered matilda telling him something about the other really not liking to be touched, so he merely was going to verbally tell him. up until jervis laid back down himself, anyhow. jack couldn't hold himself back from frowning at his poor present state before venturing out of the room with a 'i'll be right back.' and indeed he had been, with two different vials, alongside a few syringes to inject into that IV bag: should jervis want to be medicated. jack figured it'd be easier to just do that rather than forcing him to swallow anything.

he placed those also on the table before tilting his head at the quote jervis had said until it clicked a few seconds later, ❝ that's a quote from through the looking glass, isn't it? and one that the red queen said in the story if i remember correctly. she was basically teaching alice that staying in the same place is falling behind, right? ❞ jack squinted his eyes at that before a thought came to mind. a soft snort left him, but one that was done of an innocent sort of amusement rather than malice. ❝ that is a kind of roundabout way of talking about survival of the fittest. but hey, lewis carroll was all about the whimsy of things, i guess. and its no big deal. ❞

jack pretended not to see the tears that the other shed for jervis's own sake. the blood on his lips was something he couldn't ignore, no matter how hard he tried, though. jack grabbed a washcloth from his pack and held it out towards's jervis's hand. once it was out of his hand was when jack set down that teacup, the slightly too long stripped pants he wore swaying across the ground. ❝ mm, you and dad were both asleep for nearly four hours. sure — i don't think that's silly at all. i keep something on me all the time from when my brother, julien, was still around. ❞ the bracelet he showed the other on his right wrist then seemed to be made up entirely of tiny conch shells.

julien was a big fan of the sea, which jack thought made his death all the more crushing. after seeing the state that the stuffed animal was in, he figured that that bunny must've been really loved; though it didn't really matter by whom it was. the end result was the same, as love changes you. jack knew this well as he'd never wanted anything more than to be embraced by the warmth of it.

he quickly shook that thought off, only to grab the two vials he got from the fridge once more. ❝ eh... the four hours actually went by rather fast. ❞ jack cleared his throat then, ❝ you know, i couldn't help but notice that you aren't looking so hot still, and so i grabbed some meds for you. but i won't force you to take them. i have a pain reliever as well as something that relieves vertigo. are either, or both of these, something you want? ❞

Eigengrau.

A faint hum buzzed in his ears; his mouth was so dry it felt like he’d swallowed a wad of wool.

The thin sheet beneath him brushed his fingertips as Jervis flexed his hands, cracking his eyes open a sliver. The room tilted, everything blurring at the edges. Ah… so he had fainted. Just as he’d suspected. No glasses, then.

"Hey. Ahh, you're awake… That's awesome. How are you feeling?"

The new voice was barely a whisper, young and uncertain—belonging to a boy, maybe sixteen or eighteen by the timber. Was this another of Barton's assistants, a friend of Matilda’s, or perhaps her brother? Jervis couldn’t quite remember; hadn't Barton mentioned something about having more than one child?

He winced, his body feeling heavy, leaden; aching everywhere. Slowly, he exhaled and tried to push himself upright—tried being the keyword. The effort brought only a wave of vertigo, dizzying and blue-hot, making his vision swim.

… ohh, god…

He swallowed thickly, curling into himself. Something wasn’t right. His glasses and gloves weren’t the only thing missing. He was in his socks, jeans, and a now damp charcoal t-shirt, his body slick with cold sweat. His graying auburn curls clung to his neck in tangled ropes. His boots were beside the cot, his messenger bag on a desk across the room. His overcoat and maroon button-down were draped over a chair.

A flicker of discomfort in his right arm. Burning. Tugging.

Jervis glanced down at the source: a plastic tube. A peripheral IV catheter.

"Ah, you know... 'It takes all the running you can do, to stay in the same place,'" he muttered, his voice clipped and hollow; Bermudian accent casual, almost detached. He turned his eyes to the boy; offered him a faint, strained smile. "Keeps things interesting, I suppose... but I appreciate your concern, lad."

He lifted his fingers to his cheek, feeling the moisture trickle down—salt on his lips. Tears, sharp and stinging. Jervis flinched and quickly scrubbed them away with the heels of his hands.

Cold metal pressed into his spine, tight around his neck—the chain with his and Sylvie’s wedding rings twisted against his skin. He must’ve been thrashing in his sleep. There was blood on his lips.

"Forgive me…" His vision swam as he watched the boy set a teacup on the small table beside the cot, just within view. "But I'm afraid I've rather lost my sense of time. How long has it been since I…?" He paused, his voice barely steady. "... if... if you don’t mind, could you please reach into my coat pocket? You'll find a small cuddly toy. A rabbit..." He rubbed his mouth, lowered his eyes. "It sounds foolish, I know... but it... it was my daughter's, you see..."

The boy nodded, moving quickly to retrieve the toy from Jervis’ coat pocket, and placed it on the table beside the teacup. The bunny was missing one of its button eyes, its white fur faded and matted. A pink satin ribbon around its neck was frayed and tattered.

“Thank you,” Jervis said hoarsely. “I must have been out of it for quite a while.”

[leviathanxprincess]

Introducing Homicipher Characters to Your Plushies - Pt. 1

The Homicipher Characters come to you in hopes for whatever insanity they plan to drag you into, you instead have a different plan! Showing them your plushies!

Based off my series for the whb devils ! Consider this is scenario where you brought them back to your world with you and they understand your language fully now and vice versa !

Notes: Some very light suggestive content. Gender neutral reader ! This round of characters includes: Mr. Crawling, Mr. Scarletella, Mr. Chopped. Mr. Silvair, Mr. Gap, Mr. Hood, & Mr. Machete !

Mr. Crawling

Honestly you could do anything and it would just make him love you more.

But especially in this case!

He will sit and listen intently to every last thing you have to say about your plushies!

And he's memorized all of their names for you!! He knows which ones are your favorites and which ones you find the most comforting when you're upset.

He thinks you're so cute when you talk about them too!

He gives you and your plushies pets as you talk about them!!

Squishes your cheeks, you're the most adorable person to him and he's glad you shared with him such an important part of your life.

Will go out and find even more plushies for you. He would do anything for you after all!

Mr. Scarletella

If I'm being honest you could honestly talk about anything and he would just listen.

It wouldn't matter the topic. You wanna talk about your plushies? Then yeah of course he's gonna listen and eat up every detail.

He loves seeing your smile, and admittedly he does get a bit of cuteness aggression from it so prepare yourself for that lol.

However.... He does get kind of jealous of them too.

What do you mean he's not the only being you've given names to? Not to mention the amount of attention and affection you give to them.

Yes, these aren't living creatures and he knows this but he can't help himself!

He gets irritated about it, if you notice his jealousy right away and stop and give him attention then he'll get over it quick.

If it takes you longer to notice however. Things might end up requiring a much more bigger solution than just a few kisses and cuddles.

Mr. Chopped

They're very cute!! He likes your plushies and how excited and cute you get when you talk about them!!

But... They're not as cute as him, right?

Expect to be showing him an equal amount of attention as you are your plushies as your introducing him to them.

He just gets so grumpy and jealous way too easily.

He very much requires you to gush about him just as much as you gush about these inanimate objects.

And as long as you do so he is pleased and content and can live in harmony with your plushies.

He takes note of the names and while he might not remember every last detail, he does like talking to you about them!!

He knows it's an easy way to make you happy and he very much likes making you happy!!

However you'll never know that sometimes when you're not looking, he's glaring at them.

Mr. Silvair

While I don't think he really cares that much about the plushies, he is interested in humans. And you.

So he'll listen. It gives him a bit of insight to how not human minds work, but specifically yours.

This odd cute stuffed creatures bring you immense joy, he's not sure why, but he knows it does and he would like to know why.

Honestly it doesn't really matter what you do, everything to him provides him with more research.

That being said, it's not like it ends up being solely about his research.

He does end up finding himself being oddly endeared by your behavior and how happy you when talking about your plushies.

He's taking to placing them on your whenever you're upset or need comfort. Especially since he knows it works.

He can soft and sweet sometimes. At least when it comes to his favorite human, of course.

Mr. Gap

The idea came to you when you saw him peeking out of a dark gap that was in your plushie pile!

He came to ask one of his typical questions, but you didn't let him get a word in!

You immediately just picked up one of your plushies and started talking about them!

He doesn't really quite find anything interesting about the plushies, but he is interested in you so!

He will listen to what you have to say. And he does know some of your plushies by name after you tell him about them.

Will occasionally show up with plushies he's found that he thinks you will like.

Of course you need to give him your heart to have them though!

You won't?

Well... he guesses he can settle for a kiss or something instead....

Mr. Hood

He doesn't quite fully understand your deep attachment to these objects, but he'll support your love for them fully.

We already know he's a good teacher, but he's also one of the best listeners as well.

He will sit for however long it takes for you to share with him all of your plushies and their names and even lore if you have that for them as well.

He does find it rather endearing, even if he's not quite sure why he enjoys you talking about something for so long.

Will pat your head occasionally, if only he had a head that you could see because if he did he would have the softest smile on it as he watches you talk.

Truly experiencing you share this with him just puts an even deeper desire in him to protect you from any and all harm.

He will make sure and be guaranteed to protect that bright, beaming smile on your face that you have in this moment. At any cost.

Mr. Machete

He does not give a shit.

Or at least that's what he says.

And well, to be fair, he is annoyed by your focus on these cute nonthreatening soft things instead of just sparing with him or something.

Don't ask him if he's jealous of your plushies, he'll deny it to ends of the earth.

Ignore that he's been acting grumpy since.

Just give him a little extra attention and he'll be fine.

Also seems like the kind to get cuteness aggression. But his cuteness aggression just leads to him wanting to fight you. And bite you. Maybe some scratching too. Basically he's not gonna be nice about it and just give you squeezing hugs or something lol