#yeah I'm cooking that

[glo-shroom]

yes & no by Natalie Wee | Trigun Ultimate Overhaul

[souenkun]

I need the pokemas anniversary to come soon so we can hopefully see volo go batshit crazy again for the second time!!!

[inkskinned]

as we enter the start of a semester and the dreaded Hour of Making Friends us upon us... if ur ever at a loss for what to say in one of those weird social situations where you only vaguely-know people, one of my favorite questions to ask is "what is your favorite food crime." a food crime is like the food combination that you love that other people find revolting. press them to take it further than pineapple on pizza, that's rote. food crimes is a good topic that has many benefits as it turns out all people are degenerates and also it will give you some cool ideas to try out later in the privacy of your own degenerate kitchen

the other good thing to ask is "okay but has anyone here ever been someplace haunted" bc it turns out if you ask most people directly they don't believe in ghosts, but many people are like "oh yeah i lived in a haunted house. ghosts aren't real tho"

[captainfairygodmother]

You know what I really love that should be explored in even more Merlin fanfics?

Immortal Leon. Like, you've just got Merlin over there sulking about while he waits for Arthur to return. Then there's just Leon, living his best immortal life, doing the most randomest shit known to mankind

[luna-loveboop]

I want. Four to get appreciation. Because

Four gave a ton of unnoticed help when Twilight was injured

The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal

But Four did something that no one else really thought of to help- He took care of Twi's stuff

From the beginning he told Twilight to not worry about them

So Four took care of pretty much everything but the others (that Sky and Wars handled)

He took care of Epona

Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her

And for Epona, a horse so attached to her human, having some company can help so much for reassurance

He took care of Twilight's stuff

He got Twi's shield- his bags and equipment, and organized it into one place

And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.

Also- because of his placement in this scene

I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything

And he did housekeeping!

Wars payed for the inn, so Four took care of the inn

Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in

Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn

Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn

Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious

There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future

But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way

Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things

No matter what develops in the future- this amount of care shown is important ya know?

.

Art and comic from Jojo @linkeduniverse au :)))

[theghostkingisdead]

dpxdc - Neglected Child AU

As one of his first acts as Ghost King, Danny basically created ghost CPS. Mostly they help new spirits come to terms with the fact that they're dead, but situations like Danny's are a lot more common than the Observants had lead him to believe. People who come back from the dead or are exposed to large quantities of unstable ectoplasm often lead sad, short second lives. Either because they are unable to obtain the nutrients their new forms require, or because their communities turn against them in fear. This is a story about Jason Todd.

There was a lot Jazz loved about her job. She loved helping young ghosts find acceptance. She loved matching cases with foster Fraids. She loved meeting new people. She loved the rare excuse to travel dimensions. But some days, Jazz was intimately reminded of why this program was formed in the first place.

Knock, knock, knock.

Jazz looked up from her laptop. “Come in!”

Apple – the ghost of a dryad whose tree was chopped down two summers ago – poked her head in.

“Uh, Lady- I mean, Ms. Phan-, no,” Apple took a shuddering breath. Jazz smiled encouragingly. The girl had only been working here for a season, and already she was making excellent progress. “Ms. Jasmine, there’s a city spirit here to see you, uh, on behalf of a uh, potential client.”

“Thank you, Apple, you can send them in.” Jazz said.

Apple flushed green, closing the door with a sigh. Jazz guessed she had about two minutes before the impromptu meeting began. She used the time to sweep some papers off her desk and into a drawer. It had been some time since she’d had a walk-in like this. Jazz had a strict open doors policy when it came to her office, despite the technical fact that her door was often closed; it was just easier to focus that way! She had no idea why most ghosts preferred to submit claims by mail, really it was much better for them to speak with an officer in person.

Thirty years ago, Jazz would’ve had trouble describing the spirit that walked through the doors. Fifty years ago, even looking at it would’ve been painful. But Jasmine Duchess Phantom had been living in the Infinite Realms for almost eighty years now, and liminal senses reached out subconsciously, cataloging scents and colors that her mortal mind would have balked at.

The shape of a steel-colored skeleton peered out at her from a billowing cloud of grey smoke, which curled around its feet and seeped across the floor. Jazz tasted gunmetal and sugar, smelled stale urine and burned bread, felt desperation-fear-hunger-love crash violently against her. Like a cliff to a wave, Jazz stood her ground, letting herself be tested. This spirit was old and afraid; when it spoke, it spoke in a million overlapping voices.

“My apologies for barging in unannounced, Your Grace. I come before you with an issue of great import. One I have reason to believe our King may have a personal interest in.”

Jazz nodded, “My doors are always open, City Spirit. I’m always happy to help. But before I hear your petition, may I know who I am addressing?”

The skeleton did not move that she could see, but Jazz heard windchimes like chittering laughter.

“I am Gotham, Your Grace. My apologies for my rudeness. I have little reason to travel these days and am unaccustomed to necessary introductions.”

Jazz nodded, committing the name and its taste to memory. “No need to apologize, Gotham. Your situation is not unique amongst your kind. Have a seat,” Jazz gestured at the plush couch across from her desk. “What troubles you so, to bring you so far from home?”

There was more windchime tittering, and Jazz wondered if the spirit was laughing or just readjusting itself on a plane she could not see. A nervous tick, perhaps? Maybe she could send Apple for something to make Gotham feel more at ease. Bullet casings or chocolate chip cookies would be equally soothing to this entity, Jazz guessed.

Gotham folded into itself, form blurring slightly before reforming on the couch, leaned forward with elbows on knees. “Many years ago, a mortal man pledged himself to my service. I accepted him as a City Guard, my mortal Champion. This man has many children who have likewise pledged themselves to my protection.”

Jazz smothered the urge to interrupt. She loathed the idea of child Guards; the fact that this City Spirit was here now asking for help meant that this instance had gone just as well as it usually did.

Unaware of her internal judgement, Gotham continued. “The second child died and revived some seven years ago, I…” This time, the rattling sound emanating from Gotham shook the room with the force of a thunderclap. “You have to understand, I don’t claim kids as champions, so technically he was never even under my protection. And when he came back, he ran! I don’t have power outside the city, you know, so even if, well, it’s not like there was anything I could have done differently,”

Jazz was aware that she was frowning. She could only guess what her aura felt like to Gotham, whose smoky aura was rapidly thickening. A bird puffing itself up to look bigger. A cheap trick. If Jazz were in a more compassionate mood, she might have felt embarrassed at such a juvenile display from a spirit decades older than herself.

“You neglected a child, or-” she cut off Gotham before it could protest, “allowed a child to be neglected. For seven years. What changed? Why petition him now and not then?”

Gotham chittered, “Well, you see, he came back to me just over a year ago, retook his pledge and everything. And, well, things were rough, I thought the fraid was just readjusting itself, but, er-”

“Tell me.”

“Well, the problem is I don’t exactly know what the boy is anymore, but he’s more ghostly than not, and his fraid’s fully human. If this infighting between my Guards goes on for any longer, it’ll tear me apart. I figured The King might want to step in, considering this boy might be a halfa, maybe he could help him and the fraid get back to normal.”

Jazz grinned. “Rest assured, Gotham, The Crown will indeed be taking special interest in your case.” Words dripped from her lips, caustic even to her own ears. “Now, why don’t you go outside and give Apple the rest of the details. I have some visits to make.”

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[demaparbat-hp]

Yoi is a babe 🫶

A diva, is what he is.

[calamitoustide]

james potter as a line cook who blasts songs like Yeah! by USHER in the kitchen at 10 am every single morning and regulus as a server who's just trying to get through his shifts without crying in the walk in

[crazypatrolstudent]

Oh, Lili... Germs!

Had this idea for a while ago. I like how it turned out.

[scifidreams]

Hey! Wanna go commit crimes? 🤖

inspo from @gleamer (cuz if there's one thing uni taught me, it's to cite my sources)

[valalice]

older gf!cait loves to remind you about using your manners!

[anxiousapplepie]

I know you've got a million things going on but can we hear a little more about Cook!Mirabelle? I super love that particular AU branch (all are great but like the Isa/Sif and Odile+Bonnie dynamics of those two are so fire I NEED more) but of that group we really haven't heard much about Mira and I'd really like to learn how she got in the cook role, why she's sticking with the team and/or how she supports and interacts with the rest of them =D

You MAY hear a little more about Cook!Mirabelle, because she is a part of the million of things going on in my head! <3 How Mira got into her cook role isn't fleshed out yet, but I like to think she realized (as a teenager or young adult) "my cooking skills are really bad. I want to improve them so I can be a little more independent!" but instead of going into a House of Change, she just went into neighbors houses and assisted them with their cooking and learnt all of the favorite recipes She even learnt how to forage for ingredients! Which is why she left Dormont to travel before the Time Curse started happening. As for why she joined the team? Well. Let's just say she took one look at that line of saviors and for once didn't feel the Impostor Syndrome down to her core. She was confident she could be an asset, even if she didn't fight. You'll get more information on how she interacts with everyone later!! but thank you SO much for showing interesting in my cottagecore dream girl! <3 I love that Mira! she deserves more attention!

[total-mkulia]

The gabbellie dynamic.. to ME

[shadowxamyweek]

[bread-is-my-life]

@tekitothemagpie hey what if I said that I spent 6 hours drawing it because the post you made is absolutely canon