#y’all should redraw your art sometime

[alsoanyways]

2017 v. 2024

[thechekhov]

how would you recommend an artist make themselves better known on tumblr and in general? ive been drawing and painting almost my whole life but its hard to get people to notice me, any advice? thank you, you're my fave artist

Thank you so much! That makes me feel warm and fuzzy inside…

As for your questions… hmm… it’s for sure a good one. 

I’m going to get a bit… strategical on that one. Hope you don’t mind this approach. 

Tumblr and real life are definitely alike in a lot of aspects, while in others they’re polar opposites. For the sake of keeping things neatly shelved, I’m going to focus on tumblr in this post.

＊*☆HOW TO GET ART NOTICED ON TUMBLR☆*＊

by chekhov

1. We have to understand how the tumblr sharing system works. 

I know this sounds a bit too obvious. I mean, we all know HOW. It’s by reblogging! 

I know that there’s a BIG opinion on tumblr that we should share and reblog art as much as possible to help artists get noticed. And that’s TRUE. It’s absolutely correct.

One thing I don’t agree with on that front is the guilt-tripping factor of it all. Like somehow people are responsible for the downfall of less popular artists because they didn’t reblog stuff enough. People are really quick to point at their followers and say “I GOT 100 OF Y’ALL HERE AND ONLY 3 ARE REBLOGGING ANYTHING”. 

I get it. It’s frustrating!

But the fact of the matter is, you can’t force people to reblog stuff. 

Instead, I recommend we harvest the power of the sharing we already have. We have to be smart about this. What I’m going to go into is a bit less concrete. We have to think about the PEOPLE who are doing the reblogging. 

Artists aren’t the ONLY ones with motivations for getting their stuff seen. And because they create media they are, for lack of a better word… a vendor! The buck STARTS with them, but it doesn’t stop with them. 

They have to also think about what the people are going to do with their product once it’s reblogged. Once someone buys from the vendor, they don’t just keep it forever. They distribute it to the others. And sometimes, those others distribute it again. We have to think about the bigger picture, and think about how FAR your art has the potential to go!

So, to get started we need to know… WHO are the ones buying from the vendor… and why?

What kind of rebloggers ARE there? 

I’m going to give my own opinion here, and feel free to disagree. But the 3 biggest rebloggers most important to the artist are these:

1. The Pleaser

Sounds sexy, right? In fact, the pleaser comes in many different forms. But essentially their goal is the same - they reblog stuff like aesthetic posts, and other pleasing things. They themselves tend to like a lot of stuff and reblog mostly beautiful photos, nice designs, and lots of fanart of whatever they’re into at the time. Comics and story-like posts are good here (although if they’re too long, people tend to lose interest.)

How to get reblogged by a Pleaser?

Appeal to their fandom, their interest, and make something that moves them. Pleasers are most active around the time when the new episode of their favorite show comes out, or when their favorite holiday comes around. Drawing fanart during its peak popularity will usually catch a Pleasers’ attention, as will drawing aesthetic Halloween posts around, well, Halloween. 

2. The Teaser

The Teaser is the class clown and the shitposter, and they reblog memes and jokes voraciously. In the Teaser’s audience are other teasers - and they also tend to be very generous rebloggers. The fact of the matter is - memes sell reblogs faster than any aesthetic art will. We’re social creatures and getting a laugh out of our followers is worth a LOT of fake internet points.

How do I get reblogged by the Teaser?

Memes. I mean, you knew this was coming, right? During the height of some new tumblr joke, people usually welcome any unusual spin, or any funny variation of an old joke. 

My meme redraws have consistently been popular and have ‘boomed’ very quickly. For example, this redraw of sapphire from Steven Universe doing ‘the scroll of truth’ jumped to 5k almost within a day. 

Many people peek at my page ‘for the lols’ but end up staying for the art, or because there’s another thing I post they’re interested in. Either way, memes are a gateway drug… to your blog. 

3. The Librarian

The Librarian is a bit more rare, but they’re still important, because they tend to reblog a lot. They’re a bit unusual in the sense that they do this for themselves, instead of for an audience. The blog of the librarian is mostly just a replacement for bookmarking interesting stuff. These people tend to reblog tutorials, reference posts, and things they want to read later on. 

How to get reblogged by a Librarian?

Make things that people want to keep around. Charts, references, tutorials. Chances are, the librarian will snag it up eventually. 

Of course, these 3 aren’t the ONLY type of tumblr blogger. In fact, many of them are a mix of these 3. But the main point is…

2. What do most of these (and other) people on tumblr have in common?

Just like you, many people (although not all) want to get their stuff SEEN. You might be creating the original product, but they choose whether or not to distribute it to their audience. 

Everyone is playing the same game, no matter which part of the chain they’re on.

You, as an artist, have the biggest responsibility to think about this long-term. Not only 1 reblog down the line. 

For example, let’s return to one of my meme-posts that I did about wrist pain (carpal tunnel). When I made this, I had a vague idea of who would consume it. Obviously… other artists. But the reason that this got so popular? Is not only because fellow artists follow me. It’s because the artists that follow me also have followers who are also, conveniently, artists. That’s why despite the fact that many people reblogged the post directly from me - even MORE of them reblogged it from @sergle​ (shoutout to sergle! u rock) who is also a popular artist and also has an audience who were prone to want to reblog the post.

See that orange dot? That’s me. See that bigger blue dot? That’s sergle. 

In a way, this is a game of chance. Will something you reblog be seen by someone with a large enough audience to keep it going? The thing is, we don’t know until it happens. And oftentime, the only way to achieve this is to keep trying. Stubbornly. 

But you can’t just headbutt the wall in the same place and hope it eventually crumbles. You have to look for a door. 

3. So what’s the door? 

Take a look at your art. Is it consumable BEYOND the surface level of your followers? 

Sometimes people get discouraged because their fanart is way more popular than their original art. Although I share their frustration, there’s a good reason for this, and your followers aren’t to blame.  

The thing is, fanart is consumable at deep reblog levels. If you post fanart, there’s a good chance that even 3-4 reblogs down the line, there’s going to be a person who sees it and thinks ‘hey, I know Steven Universe. My followers know Steven Universe. I’ll reblog this!’ Fandoms are efficient because they already have a lot of context for the consumption of the art. They have a story (humans love stories), they’re invested in it, they’re interested in it, and there’s a good chance that sharing more stuff about it will get them more interaction with their mutuals, even if they’re not consciously thinking about all this as they reblog. 

Unfortunately, that’s just not true for your original art. Many of us have beautiful, wonderful stories - but they’re not available to a wide audience. They’re not easily consumed, they’re not easily accessed (in comparison to being on netflix, for example). If you post a picture of your OC - maybe your immediate pool of followers who know that OC will reblog it. But their own followers who aren’t directly following you will not have any connection, emotional or otherwise, to that character. They simply don’t have a reason to care, and they don’t have any means to. Even if they visit your blog - will it be easy to find similar content? Have you got your links available on desktop AND mobile? Is it easy to find the beginning of your story? Is it free of mistakes and easy to read? 

Large companies that make shows or comics funnel tons of money into making their media consumable. There’s a LOT of effort that goes into advertising, too. You, as an independent artist, simply don’t have that kind of manpower. That’s not your fault - but it’s also not your followers’ fault. Why are they supposed to reblog things that their own followers will never understand and connect with? 

4. Back to square one: how do I get noticed? 

I’m gonna keep this short and sweet because I feel like I already took up a lot of your time. After everything I’ve said, hopefully this will make sense:

Make content that has a connection to your audience somehow. Make it relatable to their life. Make it relatable to what’s currently going on. Make it worth their while to look at it. 

Make content that’s easy to understand. Super detailed drawings, with nothing to focus on are difficult to digest. Simpler, sharper drawings that someone can understand within 3 seconds of looking at it are the most digestible of all. This isn’t a museum.

If you’re creating content that goes with a story, MAKE THE STORY. I know it’s tempting to create just a whole bunch of character sketch sheets and leave it at that, but you can’t complain about not getting an audience when your audience doesn’t have anything to consume in the first place. 

Make the story AVAILABLE. Organize your tags. Make sure those tags are easily accessible. People will never like 100% of your art, so many it easy for them to find what they WILL like. 

Don’t be afraid of fanart. Fanart gets you connected with people who like stories and content similar to yours. 

Don’t be afraid to follow and reblog people that you want to connect with. Don’t be afraid to make them stuff and @ them. 

Post your stuff to a LOT of places! Your audience is somewhere out there - probably not only on tumblr. You have to spread yourself thin sometimes, but make sure the account can all lead back to your main hub. 

And last but not least…

Critically re-evaluate your art at least once a year. (I’m personally working on this.) Just because you’ve been drawing for years, and just because your art might be incredible doesn’t mean it’s appealing to people. Sounds weird, right? But think about it - there’s TONS of people who are not that amazing at anatomy, or coloring… but they still have a huge audience, and people connect with their art. A lot of times, it’s because their art is straightforward and easy to read/understand. 

Ask a friend to critique your art. Ask them if they understand your work, or if it’s difficult to make out. Ask them what your work inspires in them. Ask them what they DO like about your work - and exaggerate that!

There’s a LOT that goes into art… no matter it’s a whole industry! Doing it all on your own is HARD and it’s a bit unthinkable how much artists have to do to compete with industries. But it’s not impossible, and it’s definitely worth it. :)

Hope I didn’t bore any of y’all who made it down this far. 

Thanks!

[yukipri]

I never experienced art theft until one of my works became unexpectedly popular- since then, I've found my work reposted, redrawn, and used as reference for cosplays. It's been exhausting, both seeing it, and not knowing WHERE I should stand on the issue. I've let redraws slide (with credit), but I plan on not allowing future ones from occurring. How do you deal with art theft? How do you continue drawing without thinking about the disrespect thrown at you during bad/failed confrontations?

I am so, so incredibly sorry this happened to you, and empathize very strongly with you. Art theft SUCKS, few things can be quite as demotivating as a creator than having something you’ve worked your ass off on swiped by someone else. And unfortunately, given the current internet culture, if you continue as an online artist it’s inevitable that it’ll happen at one point or another.

Because sure, of course part of the reason why we create is because we want to, but a large part of the motivation for sharing it is to hopefully get some response that people like it, whether it be in the form of likes, reblogs, comments, asks, tags, or anything else. That is the tangible PROOF that our work touched someone, and for someone who put in zero effort and has no idea how we felt while creating to receive all of that instead of us…sucks.

I think where you stand on the issue is up to you, and it’s okay for it to change. YOU always have the right to decide how you’re comfortable with people sharing your art, and your feelings are valid regardless of how they change.

Ironically enough, I just had another art theft on Instagram (my Anniversary post) super recently, so I was like HAH when I got this orz

This rant got a bit long, so the rest beneath cut but here’s a rundown about how my feelings towards art theft have evolved over the years.

For example, over the years I’ve gotten much, MUCH stricter. My earliest online art, I just put it up, no url, oftentimes no signature, no warnings in the comments or my blog bio. Admittedly I was starting out and didn’t have much viewers anyway, but the point was I still had Trust at the time.

Then the art thefts began. I started adding my url to all my illustrations, even if it was just small in the corner, as this’d let people at least find my website. Most people are too lazy to type out a url though, and I’ve seen people asking “Who drew this??” on art theft comments EVEN WHEN THE URL IS LITERALLY RIGHT THERE…

And then people started cropping my watermarks. I made my url bigger, and started adding an additional “DO NOT REPOST” to the image itself. I used to allow reposts with credits on platforms I’m not on, like fb, until I realized that people were then reposting from THOSE communities without credit and putting them into their videos and fics and I just…decided it wasn’t worth it.

I switched to no reposts PERIOD. I have lengthy disclaimers on all of my art that leads to an even lengthier FAQ post that, should people wish to look, leads to even an even more detailed post about WHY art theft sucks, as I’m explaining now.

(EDIT: ALSO, reduce the quality of the images you upload, and NEVER upload the full resolution, and try to keep you unmerged original files. This is for several reasons: no matter how much an art thief reposts your work, they’ll never have access to the higher resolution, and if they ever decide to try to print to sell for profit it’ll be shitty quality compared to anything you make with the original. ALSO, you having the maximum resolution with no watermarking with additional unmerged psd files will be proof that you are the true creator should you need to prove it, which I’ve heard is sometimes necessary to show when your art is stolen at say, an artist alley)

I also used to bother trying to talk to art reposters. I’d comment on the post, try to send messages, etc. It’s fucking exhausting, and while there are some exceptions, the VAST majority of art thiefs will feel attacked and immediately get rude and defensive. (the failed confrontations and disrespect you mentioned orz) If it’s a large community, they may even try to gang up on you. I’ve unfortunately experienced this most frequently in communities centered around other languages (mainly Spanish) because of different mainstream attitudes towards art reposting etiquette combined with a language barrier.

You will, and no doubt already have, encountered people who will argue with you, like the people I describe above. “You should be grateful for the bigger audience!” “We just want to appreciate your art, how can you be so horrible?” “We’re all fans together!” “This is fanart and doesn’t belong to you anyway!” Etc. etc. etc. It’s exhausting, it’s repetitive, it’s neverending, and you already felt awful before it even began and the stress just continues to build.

So I personally have just begun reporting people, if the service allows it. Use DMCA takedown request forms (and YES, even if it’s fanart it’s still yours if you drew it). This is stressful too because it sends your real name + info to the reposter (and wow I clearly can’t trust these people to begin with, why would I want them to have that???) but most sites (facebook, instagram, certainly tumblr, twitter) are very efficient and responsive, and in the end the relief of receiving that email that the art has been taken down is worth it. Especially with facebook, they also send a scary official warning email to the reposters which I sincerely hope will help educate them and discourage future art thefts.

I try to avoid posting public urls because yes I’m aware how mob mentality Tumblr can get, but sometimes it’s just too much. There’s no convenient form of getting my content removed (perhaps bc it’s in a compilation with a ton of other content), or for some reason my attempts to communicate have failed. In those times I have occasionally asked my followers to help, with a reminder to PLEASE always be polite and respectful, regardless of the offense. Y’all have been amazing, and this has saved me many nights of crying in the past.

I will sometimes also write lengthy posts (like this one!) to help educate. Because I do feel that art theft will continue so long as people don’t understand what it does to artists, and it’s up to the community as a whole to make that change, which also depends heavily on the consumers not just creators. A lot of art theft really isn’t intentionally meant to harm, but IS super ignorant.

But in the end, all I’ve ranted about so far is how I’ve dealt with actually removing/dealing with the shit. But the emotional pain, it builds. Sometimes, when it’s too frequent and the stolen art gets way more attention than my original that I worked my ass off on that basically flunked on my own platforms, I feel a bit of me break.

And in the end, it’s up to you what that threshold is, where posting art and feeling good about it is overwhelmed by the pain, fear, and anxiety of art theft. I’ve crossed my own threshold too many times, and once had to take an art hiatus because of it (fandom was BH6). This lead to a break in my productivity and motivation and my eventual complete departure form the fandom. I’ve seen many other artists just stop posting art entirely or moving everything to private. It’s terrible, but my feelings are with these artists, and I feel so, so sorry that they were hurt so much to the extent they had to do this.

With my current fandom and followers, I feel that regardless of how niche an audience my content tends to be geared for, I have a community that is really satisfying for me to create for, one that is responsive to me and gives me tons of feedback. This is the number one reason why i continue to feel motivated to post a ton of online content despite the risks.

The takeaway form this long meandering post: Posting online is a hobby, it’s for fun, and I don’t make any money off my public audience (unless they come to Patreon! LOL!), so I’m a firm believer that once the anxiety + misery starts outweighing anything positive you personally may get from sharing online, which for me heavily depends on my audience and their responsiveness, there’s no reason to subject yourself to that anymore and you are in no way obligated to stay. There are various methods to more efficiently get rid of art thefts without dealing with them in person which is stressful AF, and also ways of marking up your content in ways that may look less aesthetically pleasing, but will hopefully discourage art thefts, and at the very least give them very little leg to stand on should they do it anyway. How forgiving you are in art thefts also depends on you, but the more forgiving you are, the more it can get away from you. And in the end, YOU as a human are more important than any complaints about art looking less pleasing or the feelings of art thefts who don’t get to do what they want with YOUR hard work.

Sorry this was so disjointed and literally just me spewing at you, but I hope some of it was helpful ^ ^; Please let me know if I can give you any other advice, and I’m sorry again that you have to deal with this ;_;

(and to respond to your second ask, I do try to respond to most of my asks, but sometimes it takes a while (sometimes even months orz), especially if it’s one that requires a lengthy detailed answer like this one ^ ^; thank you for your patience!)

[thecasinowolf]

Long Ramble Post

(Post Under The Read More)

I’ve been sitting at this text box for like 5 minutes with like 3 post ideas but none of them are good I don’t have any UT content The tumblrtronic fandom is dead and I should work on changing my pfp back to Seth but I wanna make a new one bc the old one was stale I’ve been too lazy to work on my webcomic but I’ve been trying to improve my art so there’s that and I haven’t gotten in to my Seth cosplay in 5 days maybe I should post my Seth videos idk or I could work on publishing my old fanfic drafts I also considered making an UT edit hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh what do I do to make UT content when there is none My hyperfixation rn is Undertronic but there’s nothing new maybe I could do something wild like creating the UT locations in Minecraft or get back to dubbing the whole novel Y’all remember that project?? or what if I redraw all the canon UT art in my style or make fake screenshots like if the novel was an anime I dunno if any of these ideas sound good or if I’d be able to pull them off h why’d this have to become my newest fixation and not Splatoon I just started playing that and it’s pretty fun maybe I could doctor my broken undertronic bracelets What if I take them both fully apart and put them back together like an Osiris/Chronos bracelet zombie Or make a Seth shrine in my room my mom would kill me isodgjrfogijfkigjgvkl I dunno It’s late and I’m writing this because maybe I can come back to this list tomorrow and go “that’s a neat idea I’ll do that.” But I’m half asleep. So maybe not. There’s lots I COULD do but I end up not doing. Like that old Hexeris Rewrite The Stars animatic I started working on several times and kept scrapping. and that time I tried to live action re-create the novel with my friends. Or that time I tried to start a re-write of the novel if nothing went wrong. It feels kinda weird, I’ve been here for so long. I’ve seen a lot. UT’s gotten me through a lot of hard times and makes me happy But then there’s things like Simply Silphy, and Graveyard Kitten being linked to trauma. Good songs, bad memories, you know? I remember how my first boy name I went by openly was Cider. And my middle name was Demonax for a while. Imagine if I went through with that... I wouldn’t pass well, that’s for sure. ... sometimes I wonder what would happen if I didn’t randomly check Shara’s youtube one day, check out her latest video and get addicted to Tick Tock. Then go to the description, find her Tumblr, and see the characters had backstories. UT is a big comfort item for me. It helps me with a lot, it always has. The music, the characters, the novel. and Shara, who I relate to in a few of the things we struggle with. I know she’s seen some of my posts, and despite how bad they’ve been, this is probably the post I’d be embarrassed if she saw ahaha- but anyways. I think that’s all I have to say about UT tonight. Maybe. I don’t know, I was thinking about a lot. I could probably say more but... I’m tired. Maybe I’ll make myself a new icon and go to sleep. Although, I do kinda want to go back to being TheCasinoWolf but I think that user’s still taken... Cider’s my favorite character even though Seth’s my comfort character or whatever. Idk if that makes sense. Anyways... that’s all from me. If you made it this far,,,

thanks I guess? You really didn’t have to read this whole thing but I appreciate it. For your troubles...uh...have this Cider icon I made for my Youtube? Idk if you want a better reward or something iosfkdgjfiogjkfdifkgj