#x files season 6

[cecilysass]

Honest Man (1/3)

Read on AO3 | Tagging @today-in-fic

Chapter One

He almost never goes out to bars in Alexandria, and when he does, he’s typically in some kind of despairing mood. But Mulder isn’t despairing tonight. He’s hopeful.

It’s hope tempered with some reservation, of course. He’s not stupid—the other shoe can always drop—but there’s definitely a feeling that there could be less troubled paths ahead. If all goes well.

The pub is crowded, so he stands in the entrance scanning the room for her, feeling strangely awkward, like an adolescent boy. He jogged a little to get here at the time they arranged, and Mulder’s uncomfortably sweating now in his work clothes. He loosens his collar and tie.

She’s sitting with stately posture at a side booth, a menu propped in front of her. She spots him and raises a single hand.

He eagerly makes his way across the room, ducking in between the people making their way to get a drink at the bar, and slips into the seat across from her. “Hi,” he says. “Sorry I’m late.”

“I’m used to it, Fox,” she says, coolly amused. Diana slides him a menu. “It’s given me plenty of time to look over the culinary options here at the Honest Man Pub.” She draws out the name of the bar in an affected way, a little mockingly.

He smirks at her. “Come on. Who doesn’t like an Honest Man, Diana?”

“Who indeed.” She smiles tightly. “As it happens, I remember your taste in restaurants, so I’m not surprised.”

“Mozzarella sticks,” he says, pointing a finger at the menu enthusiastically. “You want to share some? I’m starving.”

“No thanks. I ordered a negroni.”

“Look,” Mulder gestures towards a woodcut illustration of Abraham Lincoln on the cover of the menu. “It’s Honest Abe, Diana. Trustworthy. You sure you don’t want a burger or something?”

“I’m really not hungry,” she says. But she, too, flips the menu over to look at it. She traces Lincoln’s face with her fingertip. “You think it’s supposed to be a reference to that story about chopping down the cherry tree?”

“That was George Washington.” Mulder sets the menu down and gives her a mildly admonishing look.

“What? I’m no historian,” she says dismissively. “And what politician has the luxury of honesty anyway?”

Diana’s not wearing her work clothes, he notices in surprise. Unless she wears a form-fitting black dress to work, and he doesn’t think she does. He chews his lip, wondering why she bothered to go home to change, especially because he’s pretty sure she lives in DC.

After the server passes by, and Mulder orders his beer and mozzarella sticks, he turns his attention back to her. “Well? What’s up?” He folds his hands on the table. “You made it sound like good news.”

Her cocktail is placed directly in front of her, and she murmurs a polite thanks to the server. “Potentially it is,” she says. “I need your help on a case, and I think if you do well, it could be … a step in the right direction.”

He tries to play it cool, even though this is exactly what he hoped. “My help? Did Kersh have a personality transplant or something?”

“This would be outside of official channels,” she explains. “At first, anyway.”

There are several cardboard coasters on the table with quotes printed on them in homey, old-fashioned typeface. The one nearest Mulder reads: “An honest man is always a child. - Socrates.” He pushes the coaster around the table with his fingertip, nodding slowly. “I’m listening.”

“There have been a series of credible sightings of unusual crafts flying low outside of Groom Lake,” she says in a low voice. She sips her drink, meeting his eyes. “I know you’ve probably been following it. Kersh doesn’t want Jeffrey and I to spend too much time there. But you could go.”

“Under what auspices?”

“It would have to be extracurricular.” She shrugs, the corners of her mouth lifting slightly. “You’ve done this sort of thing before, Fox.”

“Shiner Bock,” the server says cheerfully, setting a bottle down in front of Mulder. “Your mozzarella sticks should be out soon.”

“Thanks,” says Mulder. As the server darts off, he takes a slow sip, mulling over Diana’s words. “How would this be a step in the right direction?”

Diana leans towards him, her glass resting against her cheek. “Jeffrey and I have received some information about experimental craft at Groom Lake,” she says softly. “If we could put that together with your field work—and what you already have in the files—then we could have a report they’d have to take seriously.”

Mulder can’t help but feel excited, but he takes pains to mask it, chuckling cynically. “I’ve been down this road before, Diana.” He shrugs. “It never amounts to much. Plus, Kersh is already looking for any reason to chuck me out of the Bureau. This could easily be it.”

She reaches across the table and clasps his hand tight. “Not if I have your back.”

He frowns a little, confused by her meaning. She’s much more open to this than he expected. Still, his whole soul cries out to get back to working on the X-files. It’s almost all he thinks about these days. If there is a way forward here, he needs to hear all of it.

“We’ve always made a good team,” Diana points out. “We could be again. And this is your life’s work. You’re wasted in the bullpen.”

“Yeah,” Mulder says uneasily, “but what would—”

“I knew it.” interrupts a booming voice startlingly close to their table.

Mulder looks up blankly, and it takes him a half second to place the tall, pink-faced man towering angrily over them.

He knows Bill Scully’s face very well—associates it with some of his most emotionally vulnerable moments, in fact—but seeing it here in this Virginia bar, out of context, gives him a moment’s pause.

“I just knew it,” repeats Bill, his eyes narrowing. He squints down at Mulder murderously. “You’re not even worth … one of her goddamn pinky toes, you no good son of a bitch.”

“Bill,” Mulder murmurs, staring back. The man seems to be swaying slightly from side to side as he spits words out, as though he’s insulting Mulder on rough seas. “I didn’t know you were in town.”

Bill leans over, placing a palm flat on the table, and Mulder can distinctly smell whiskey on his breath.

“You have some nerve,” Bill hisses. “This is how you treat her? After everything you’ve done? Now you’re just out … on some date?”

Diana gives him a significant, questioning look, and Mulder straightens in his seat, his eyes scanning behind Bill’s back for a sign of who might be accompanying him. “I think you‘ve had a few too many tonight,” Mulder attempts genially. “You’re not making much sense. Why don’t I—”

“Why don’t you shut your damn mouth for once in your life?” Bill bellows. The group of young people at the next table looks over, watching them now, their expressions half interested and half alarmed.

Bill turns his attention to Diana, pointing one of his large fingers at her like a scolding father, even though Mulder is pretty sure Diana is at least Bill’s age, if not older. “What do you know about this guy, miss?” His words are definitely slurring. “How much did he tell you? Did you know he’s a dangerous sonofabitch?”

Diana smiles stiffly. “I’m safe, thank you.”

“Well, when he asked you out,” Bill says to her, gesturing sloppily, “did he mention he’s been fucking my sister for years? Destroying her life? Breaking her heart?”

He knows Bill’s drunk, and he knows Bill doesn’t have his facts right, but Mulder can’t help feeling the sting of shame over what he’s being accused of. Part of it, anyway. He hears himself inhale sharply by reflex.

Diana’s eyebrows have arched in surprise. She looks pointedly at Mulder. “Oh? Is that right? Who’s your sister?”

“My sister Dana,” Bill spits out, slamming his hand on the table for emphasis. “My baby sister.”

“Ah,” Diana responds conversationally. “You’re Agent Scully’s brother.” She seems unfazed by this information. “We both work with her, actually. Why don’t you join us for a moment?”

She scoots over in her seat, gesturing calmly to the spot next to her. Mulder doesn’t move, paralyzed with horror at the way this is unfolding.

Bill looks at Diana a moment, his jaw clenched, and then, to Mulder’s shock, slides in next to her in the booth, turning to direct his glare at Mulder.

For a moment Mulder just stares, slack-jawed, back into the man’s furious face. Bill seems to be waiting for something—for Mulder to explain himself, probably.

“This … isn’t a date,” Mulder begins, pointing between Diana and himself. “It’s work. And you need to understand that your sister and I aren’t in a romantic relationship either. Or a, uh, sexual relationship.”

Bill chuckles, shaking his head slowly, then abruptly changes mood, pounding his fist loudly and suddenly on the table and causing both Diana and Mulder to startle.

“Then why?” he demands, meeting Mulder’s eyes intensely in a way that reminds him, unsettlingly, of Scully. “Why does she do it? Why does she put up with you?”

“I … really don’t know,” Mulder admits miserably. “You’d have to ask her.”

“I know my sister,” Bill says, his features softening a little. “There are only … a few reasons why she would do it.” His tone goes cold. “Does she know you’re on a date?”

“No,” Mulder answers quickly, “but it’s not a—”

“I hate you,” Bill leans forward to whisper to him. “I hate you for what you’ve put her through. Now you’re cheating. On a fucking date. Jesus.”

“Yo, Scully,” comes a masculine voice from the bar. “Where’d you go?” Mulder looks around nervously, half expecting to see his partner, but of course the voice is calling for Bill. A group of men in their 30s and 40s, all with square shoulders and military haircuts, seem to be looking in this direction. Bill doesn’t even look back at them.

“You don’t understand,” Mulder says. He feels panicky and anxious. “It’s not a date. And Scully’s my partner, not my—”

“Jesus, shut the fuck up,” Bill groans. He slides out of the booth. “Don’t you ever get tired of your annoying-ass voice?”

He does, actually, more often than one might think.

“Bill, wait, are you—” Mulder stops suddenly.

He realizes what he was about to ask—are you going to tell Scully that you saw us here?—sounds completely at odds with what he has been telling Bill, what he has been telling himself. That question doesn’t make him sound like a partner out talking about work with a colleague.

It makes him sound like he thinks he’s doing something wrong, something he needs to hide.

The truth is that he does think Scully would be angry to know he’d met Diana here. She would be angry for a whole snarl of tangled reasons—and yeah, hurt, like Bill says. He doesn’t especially want her to know.

“Am I what?” Bill sneers, turning back around jerkily.

“Are you … okay to get home?” Mulder mumbles. “You have a ride?”

Bill gives him a look of withering contempt. “That’s none of your fucking business.” He turns and staggers back towards the bar.

Mulder watches him go, trying to swallow back his self-loathing. He realizes after a second that his fists are clenched.

“Fox,” Diana says in concern. “Are you all right?”

He says nothing for a beat, making a game attempt to pull himself back together.

“Yeah,” he says to Diana. He takes a fast swig of beer. “That guy—he, uh, just really hates me.”

“I gathered,” Diana says. She looks at Mulder appraisingly. “You seem to be taking what he says awfully seriously.”

“Well,” Mulder says grimly into his beer, “it’s just he’s not entirely wrong.”

Diana leans back in the booth, lifts her glass to her beautiful lips, and takes a careful sip. “No,” she says coolly, “he’s not.”

Mulder exhales raggedly. “Gee, Diana,” he says, “don’t hold back how you feel on my account.”

“He’s wrong about plenty,” she breathes. “He underestimates you, like most people do. But he’s not wrong that your work has hurt Agent Scully.”

“Don’t you think I know that?” he snaps at her. He pauses to compose himself. “I don’t want Scully to be hurt,” he says in a more controlled voice. “I never have. Her choices are her own.”

“And your choices are your own,” Diana says. Her eyes are dark and shining. “You know, Fox, I hope that if all goes well with this initial foray at Groom Lake, we might all be a little more ambitious in our choices.”

Mulder shakes his head rapidly, still rattled by the encounter with Bill. “Ambitious in our choices how?”

“Well,” she says. “Thinking longer term, I don’t know if Jeffrey is working out on the X-files. I think he might prefer to be elsewhere at the Bureau. And if he does… then I’d be asked for my preference in a partner.”

Mulder looks up quickly. “And you’d … want to work with me?”

“Of course,” she says, giving him an inviting look. “Who else would I want?”

There’s an uncomfortable pause. Mulder toys with a coaster on the table idly.

“Do you think they’d even listen to you?” he wonders. “They’re really not my biggest fans right now. Kersh in particular.”

She fishes an ice cube out of her drink, sucks on it a little. Then she meets his eyes, and there is a dangerous spark. “I can be very persuasive, Fox.”

Mulder’s fingertip worries the corner of the cardboard coaster back and forth, back and forth. He hasn’t asked the biggest question. “And what about Scully?”

“What about her?”

“I couldn’t … leave Scully behind in the bullpen.”

“Without you,” Diana says, sipping her drink, “she wouldn’t be in the bullpen for very long. They would give her a better placement in no time. She’s only stuck there because of you.”

Mulder’s eyes remain on the scuffed tabletop as he considers the truth of this statement. Scully certainly is only being punished because of her links to the X-files. Were she cut free from him, she probably would be given a fresh start.

“I don’t know,” he says bleakly. “I don’t know if I could even do it without her.”

Diana makes an exasperated hiss. “Fox,” she says. “Of course you could. What is this codependency you’ve developed? You weren’t like this before.”

Mulder rubs the bridge of his nose. “Diana, I–”

“Mozzarella sticks,” announces their server, his voice surreally peppy as he places the basket on the table. Mulder nods and smiles miserably, his eyes down on the fried cheese.

As the server walks away, Diana reaches over and places her hand over his. It’s light and soft as silk. “I could be the partner you need, Fox,” she says softly. “If you give me a chance.”

Her fingers now are caressing his hand lightly. Mulder’s taken aback. “I remember … how to calm you down,” she adds, almost a whisper. “How to reduce your stress.” She runs her fingertip down the back of his hand, a subtle but effective gesture. “And I’m not someone who is easily hurt.”

As opposed to Scully? he wonders. Is that what Scully is? Easily hurt? Is that why I’ve hurt her so much?

Somewhere to Mulder’s left there is a loud discussion at the bar. Despite Diana’s surprising advances, Mulder finds his attention drifting over there. He recognizes Bill’s voice, speaking loudly to the bartender, and looks for him in the crowd.

“I’ll tell you what,” Diana adds, reaching out with her finger to gently direct his chin back towards her. “Come over tonight.” Under the table he feels her foot brush against his calf, ostensibly accidentally, and she’s successfully got his full attention back. “We can discuss your Groom Lake fieldwork more privately. I can … convince you of everything else.”

Mulder closely watches her face, every nuance of her expression. “Oh yeah?” he says guardedly.

“Hey folks, you doing all right here? Need ketchup or anything?” The energetic server is suddenly smiling broadly next to the table, hands on his hips, and Mulder can sense Diana’s annoyance from across the table.

“We’re fine,” Mulder says, still staring at Diana, “but I’m going to need to get these mozzarella sticks to go. And our checks, please.”

“Coming right up.” The server obligingly darts away.

Diana’s foot brushes up his calf again, this time with less pretense of accident. “Is that a yes, then?” she says, the barest hint of a smile.

In the background, Mulder is aware of a flurry of activity at the bar—the bartender’s voice firmly declaring something about someone not being served any more.

He looks back at Diana, who looks very beautiful, curvy and enticing in the dress he now realizes was strategically chosen to showcase her body for him.

Then his eyes fall down to one of the coasters on the table. He reads it, then reaches down and picks it up impulsively, sliding it in his pocket.

“Diana,” he says, suddenly sounding more certain than he expects, “I’m going to have to get back to you.”

***

[i-used-to-be-a-spy]

The random FBI guy who witnessed Scully kiss Skinner on the mouth just stood in the elevator like this🧍‍♂️

[littledoggy-girlcollar]

once again my theory that the real answer is time travel is actually the only thing that makes any fucking sense. god. oh my god. i'm so angry about this actually.

[ragnarockz]

Made it to season 6 of my 194726284 rewatch 💚👽

[trans-spidey]

adshknfdsgkjnfk seeing mulders office without all the everything that makes it mulders office is just rubbing me the wrong way plus the guy is an asshole

[carrie11]

How very domestic of them

[spghtrbry]

mailroom and pre mailroom sketch dump

[actual-changeling]

the undercover mission in arcadia only lasting a few days is a criminal waste of potential. lock them in those suburbs together for a month MINIMUM. slowly infiltrating the community and gathering information while trying to not go insane with the way they're Not Talking to each other.

they sleep in the same bed, share meals, spend most of their time together doing research and working on other cases—but do they talk? really talk? about the tension and the awkwardness and the way she still flinches whenever he touches her even with warning? or about the fact that no matter how hard he tries, mulder can't help but linger in her space?

it's torture, it's being locked in the basement office with him, it's watching through a glass door as diana takes his hand and smiles. it's mulder's voice saying words she cannot erase from her memory, fibreglass stuck in her capillaries.

long days of silence followed by even longer sleepless nights. scully refuses to give in and move to the guest room so whenever the dreams get to her, she's stuck in the bathroom relearning how to breathe.

despite everything, though, he's still mulder. she watches him—sunflower seeds, shitty movies, shittier jokes, a spark of warmth in his eyes—and sees him again, not a mask of apathy, and the part that misses him begins urging her back into his orbit.

neither of them ever consciously makes the decision to slowly tear down their walls and yet it happens day by day, week by week. old habits seeping through the cracks.

the first time she wears one of his sweatshirts it takes her two hours to notice and then she cannot bring herself to take it off—she's cold, that's all, she tells herself (he never asks, she never tells). mulder's hand lands on her lower back more and more frequently, and she stops flinching, allowing him to touch, to lead, to shield her from prying eyes like he's always done. he's her partner, unwavering and determined and soft.

he never forgot how she likes her coffee, that she reads the newspaper out of order, that she needs a glass of wine and a long, hot bath at least twice a week. patient and attentive and the friend she's been aching for.

it scares her shitless whenever he manages to make her laugh, the sound having become oddly foreign to her own ears. scully's afraid of the air vibrating in her lungs and the lightness in her head, the way she can forget about everything for a moment. the anger doesn't disappear but it makes space for familiar fondness and the warmth radiating off of him whenever she stands too close to him which is more often than not.

eventually, they talk. awkwardly, slowly, with her voice raised and his eyes trained on her as he listens to every word. there are apologies spoken for things she's already forgiven him for but she needs to hear them anyway. the first time she seeks out his embrace they both cry; something breaks open and finally gets a chance to heal.

they pretend to be in love day after day until it starts feeling like the truth again. until they can finally stop pretending, one way or another.

[leaisterrified]

whos gonna tell him

[consolationss]

watching sanguinarium and DAMN do they look good in this episode

[cecilysass]

The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired  (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

[sentientsky]

The Crane Wives, "Never Love an Anchor"

on knowing love only as a runner-up in a race you never asked to join

[heronroseeros]

biggest x-files plot hole is how mulder did nothing when he came home to find a mysterious, brand new four poster waterbed with a mirrored ceiling in the place of all his trash. bro… what.

[nachox84]

[scullyloves-science]

Season 4 Scully was a vision

s4 ep6

[carrie11]

The episode where Mulder & Scully look perpetually confused

Trevor 6x17