#wuxia inspired

[koglasain]

[mlundart]

Yet another silly alternate ending to Mysterious Lotus Casebook cuz . . . I'm not over it, ha ha!

Enjoy!

[hanfugallery]

hanfu fashion matched with miao fashion by chinese designers

[romanceyourdemons]

most fucked up thing in my life is the fact that the burning of the red lotus temple (1928) is lost and i can’t watch it. like i feel like everything cool that could possibly be in london after midnight (1927) already exists in the promo stills, but i absolutely need to see what could have happened in the burning of the red lotus temple (1928) to justify this image

[ID: a lobby card for the burning of the red lotus temple (1928); two men in hanfu shoot lightning at each other with their hands, while a young man and woman stand back and watch /end ID]

[you-are-my-neverland]

GODHOOD >> A COMIC SANS INTRODUCTION

welcome to the wip that's been eating my brain for more than six months. i recently started draft one, and having the time to explore writeblr more inspired me to do one of these! image description can be found in the alt text (hopefully it looks ok).

i have no official taglist yet, but if anyone is interested, please just let me know. all interaction is appreciated.

[shuuenka]

[OC] Li Yi Ling

[enmi-land]

i have so many ideas for enha aus, but lowkey know that i probably won’t be able to work on all of them at once and that’s disheartening 😔

[wuxiaphoenix]

Short Worldbuilding Bit: Inspiration in Odd Places

In previous posts I’ve mentioned the movies Mr. Vampire and The Ultimate Vampire 1991. The actor who played the Taoist priest in both movies was Lam Ching-ying, who played in many, many other Hong Kong fantasy films I haven’t seen yet. But I hope to track them down, because he portrayed a great Only Sane Man when dealing with monsters!

...Which is part of the inspiration bit. I have a definite liking for characters who take aggravating situations in stride and improvise their way out of it. And if they’ve actually prepared things in advance as well, and are just improvising because they didn’t expect things to get that supernaturally bad that quickly? Even better! Competence, how I adore thee!

But also, and in specific. There’s a neat trick that Lam Ching Ying’s characters use. He’ll do something like touch a candle or lantern flame, and then he has the flame on his fingertips to apply to magic or monsters.

Which is part of the idea I had for Colors - that whatever force/substance you’re using exists already, you’re pulling it from somewhere else.

If you want to check out some 80’s wuxia magic, here’s a few clips!

[playingplayer2]

Reminding myself daily (gently) that long hair does equate femininity and that the longer I grow my hair out, the more layers I can have while still being able to use all of my pretty, fancy, sparkly, ornate, hair sticks and pins.

[mlundart]

Loved loved loved Mysterious Lotus Casebook, and that epilogue still haunts me. I feel very torn about it.

So here's a stupid fix-it that came to mind during one of my re-watches :P

[sunriseverse]

the au has consumed me: a cautionary tale

[mtkay13]

My version of the wardrobe template! yay!! I had a LOT of fun doing this and feel like I could elaborate a bit more on each of those.

It's already linked up here, but here's once again a > link to the post.< Anyway! More about these designs below!

So first, for WKX's template! - Chapter 2: Grey robes I had already made my design of those for the full TYK lineup I made a while back. I really, really like those, and took inspiration from some of the robes SHL!WKX wears in the show for the shapes. - Chapter 69: dark robes with dark red belt I expected to like that style for him, but not that much! I had seen a tutorial on how asymetrical hanfus were worn by archers in the past and that inspired me, purely on a fashion level of course. I like how intimidating he looks with those and enjoy the touches of blue in the inner layer of the robes. - Chapter 75: dark red robes The GVM robes! which I also designed a while back when researching for the illustrations of the Mt Fengya battle scenes that I wanted to make. I reworked them just a little bit and got rid of some details that I didn't like anymore. I tremendously pleated skirts for WKX so I went at it once again. I also used shifts in hues to make it look like it could have been drenched in blood. - Extra 5: deep red robes For the reminder (since apparently some people are not aware of extra 5's existance), this extra is set 5 years post-canon. I wanted WKX to wear something that looked comfortable for traveling but also practical and fashionable. The teal jacket is of course another nod at SHL since the red and teal combo was an absolute banger. Let's say I didn't want WKX to just sport an all-red look. Furthermore, the teal really works to adorn the red hues. - My personal favourite I actually don't really know whether those are my actual personal favourites, but I've come to LOVE WKX dressed in red and white thanks to @kwehxing's designs. I think it really suits him and on top of that it avoids the question "is this Hua Cheng" LMAO--okay jokes aside, I combined most of the shapes that I really like for WKX (wider shoulders, wide sleeves, and long robes with pleated inner robes) and I find him very elegant like this. Now, for ZZS! - Chapter 1: sapphire blue scholar robes Those had already been designed before as well! They're my go to generic TC!ZZS robes, haha. I was a bit extra with the blue colour here, but oh well. I'm quite obsessed with the silver brocade cynching his waist, haha. - Chapter 2: stolen farmer robes A classic as well as far as I'm concerned--of course, inspired by his hobo fit in SHL because it was quite efficient. I'm forever fond of my scruffy hobo!Xu and his toes poking from his sandals. - Chapter 18: luxurious robes from the Gao family Those were a new design! Which I had a lot of fun coming up with. Putting ZZS in a different colour scheme was also really nice. For those who don't remember, ZZS feels quite ridiculous when he sees himself in a mirror wearing those fancy robes while being so emaciated and still sporting his hobo mask. I wanted to give this "out of place" feeling; and also work on a very "wuxia" style for the robes, since this is jianghu and they were provided by Gao Chong. - Extra 5: black robes I'm incredibly fond of this design. I worked quite a bit on it, since I wasn't sure of where I wanted to go. My main guidelines were: practical and cool. I really like ZZS having a lot of room to move so ideally not too much fabric in the way, and I think he also needs arm braces to be rid of annoying sleeves. Of course, him looking much healthier and having a dynamic ponytail really works to "complete the look", and I find that he looks really cool there haha. - My personal favourite This one has been refined over the months, but it's definitely, overall, my favourite look for him in terms of shapes and construction. I like that the robes are short, I like the more fashionable jacket. I'm especially into the "pants tucked into the boots" silhouette, as well as the little ribbons keeping them tight around the ankles. I'd say that this leg shape + short robes + a bun (or sometimes a ponytail) is THE ZZS design combo for me, haha. It looks practical and fun and adventurous, just how I like it.

To conclude the whole post, I had more fun doing this than I even expected, and needless to say that I'm very excited to see other versions of them following this template. It was a good opportunity to try and project what the characters look like throughout the book, and a fun design exercise as well. I actually don't really like doing character design usually, but for characters I'm obsessed with, it's of course a much nicer experience. Anyway, thank you for reading!

[wuxiaphoenix]

Such a pretty costume...

DAQIANG🥹

[ziseviolet]

Hi! I have a question. Im not entirely sure if these belong to chinese fashion because I only ever saw them in uncredited pictures. Theyre very intricate "eye patches", seemingly made from like gold or metal? they cover only one eye and I was wondering if they have a name or if its something made up? thank you for all your work!

Hi, thanks for the question, and sorry for taking ages to reply! (x)

The intricate gold/metal "eye patches" covering only one eye that you see are most likely based on "半面妆/Ban Mian Zhuang" ("Half Face Makeup"), a popular Chinese novel written by 萧十一狼/Xiao Shi Yi Lang and published in 2015. Well-known Chinese gufeng-style illustrator 古戈力/Gu Ge Li provided beautiful artwork for the novel, as seen below (1, 2):

Gu Ge Li's artwork inspired many hanfu photoshoots with ornate eyemasks (1, 2, 3, 4, 5):

These eyemasks are essentially made-up fantasy masks with Chinese elements incorporated into the design. They are not based on historical Chinese masks, which look very different. Thus you can just call them 面具/mianju, which is the general Chinese term for masks.

On a related note, similar types of fantasy masks also appear frequently in Chinese guzhuang (period costume) films & dramas, especially in the wuxia and xianxia genres. As @audreydoeskaren touched on in this post, these masks are typically not historically accurate, but are included for aesthetic effect (like many other elements in guzhuang media).

Below - fantasy masks in Chinese film/dramas. Clockwise from top left: women - Painted Skin: The Resurrection, Legend of Nine Tails Fox, The Empress of China, The Blue Whisper; men - Love and Redemption, Xuan-Yuan Sword: Scar of Sky, The Untamed, Battle Through the Heavens:

Deriving inspiration from art and television, fantasy masks have become a popular accessory for hanfu photoshoots.

For more examples of Chinese masks (both historical & fantasy), please see my masks and eyemask tags.

Hope this helps! ^^

[gaywarcriminals]

Shen Jiu is an Abusive Mother

Yeah this is my Mother's Day post <3 This is just for funsies, and I by no mean think its the best lens through which to see SJ and LBH's relationship— its just a comparison I find interesting, and I was feeling festive 🥰.

To start, none of this is to say that SJ is a feminine character. I don't believe that, and I think that he's often misinterpreted as more feminine by western fans due to differences in gender norms/gender roles (which is a Whole Other Coversation). Maternal/mommy are being used loosely here.

Secondly, I don't think we'd even be looking at SJ through a maternal framework if the man who took over his body wasn't Shen "I would never abort you" Yuan. SJ is mostly pulled into this because he exist in juxtaposition to Mr. Freud's Wet Dream (go read tshirt's SVSSS Freud zine btw, several points here are inspired by it).

The fact remains, though, that even without Wifebeam Supreme playing the part, there is something distinctly parental about the role of Shizun. Shizuns cannot be compared to teachers or tutors, who the child either go to visit durning the day, or who come to the child's home when it's time for lessons. Even with the respect due to them, a teacher remains distinct from a child's home and family. They do not overly incorporate themselves into these things that define a child's life. 

Shizuns are a little different. There is, ofc, lots of variation within the xianxia and wuxia genres, but in most of the stories I've encountered— and more importantly for our purposes, in SVSSS itself— unless the child’s family home is their sect, when a child is accepted as a disciple, they're expected to join their shizun/shifu either in the master's home/sect, or in free-roaming travel. In both cases, the shizun's home becomes the disciple's home, and their shizun becomes the main adult responsible for the child. The master will take over in guiding the child's development from here, shaping them by their hand. Is that not a parent? I think some such imprinting is inevitable, even among more well-adjusted disciples. Do you know who's not well-adjusted?

Luo Binghe enters the sect soon after the death of his mother. There is a mommy shaped hole in his heart. Though absolutely nothing could replace her, he's a sad, lost, and angry child, coming to a mountain of immortal masters, desperately hoping for one of them to take him as their own. As much as he's motivated by fulfilling his mother's wishes, isn't he also looking for a place to belong in this world, now that the hut that he once called home is ruined by his mother's absence? Doesn't he hope, if only for a short time, that someone else will see fit to care for him? As much as Luo Binghe is already hurt and hardened in many ways, he's still just a child; he's not yet blackened beyond dreaming of someone to love him.

Shen Jiu is very much Not That. Shen Jiu is not a merely a lofty immortal ambivalent to his disciple’s emotional needs. No, Shen Jiu hates Luo Binghe enough to unfairly punish and ostracize him, and even puts him in deadly harm's way twice before just outright trying to kill him (the manual, the demon invasion, the abyss). Going by the framework of SQQ as a parental figure, he's undeniably an abusive one. In what way could this be said to be maternal, though? In my eyes, it comes down to motive.

Shen Jiu has a lot of motivations for abusing Binghe, mostly coming down to the fact that's he's more trauma response than man at this point, but one of these is more explicitly outlined in the text than the others: Shen Qingqiu saw three things on the original flavor’s face: envy, envy, and more envy. Envy that Luo Binghe had a mother who was “the kindest in all the world to him,” envy of Luo Binghe’s talent, envy that Luo Binghe would enter Cang Qiong Mountain Sect at the best age for cultivating. He was indeed the kind of person to brim with envy and resentment toward a young child.

Envy and jealously, at least in the western canon, are usually associated with female characters (and though it’s outside the scope of this post to dissect, let it not go unremarked that this trope is deeply misogynistic in origin). They are almost always envious of a younger, more beautiful, and/or more skillful woman, who are posed at the moral superior to the jealous woman. That's right, Shen Jiu is an evil stepmother! He tolerates having no superior or equal on his peak, needing his power and superiority to go unquestioned. Outside of his abuse of Binghe, and the references early in the novel to SJ chasing away talented disciples, I think this is also shown by how the male disciple SJ tolerates the most is Ming Fan, who has only middling talent and is obsequious before his shifu, never challenging SJ in any way, and never threatening to surpass him.

But of course, SJ’s relationship to Binghe is the most obvious example. Shen Jiu sees himself in Luo Binghe (derogatory). He sees Luo Binghe as a symbol of everything he never had. Luo Binghe is a creature like himself that, for no rhythm or reason, was given so much more than SJ. It is also notable that, at least as far as Shen Qingqiu, as an outside observer, can tell, the thing which first sparked SJ's ire was the mention of LBH's mother. Never mind that LBH says in the same breath that she's dead; the fact that when she lived, she was a kind and loving mother to LBH is enough for SJ to envy him, and as he finds more to envy, it comes justification to hate the boy, and to punish him for daring to have someone who died loving him. 

(Side note: after consulting the qijiu server about the implications of SJ’s reaction, my reading is that SJ never knew his mother. The only alternative is that she was a bad mother, but I don't think he would find such unilateral comfort in women if that was the case. It's made me wonder if SJ ever believed that having a mother, a protector, would have spared him his fate. But alas, this post is not about SJ's mommy issues. Another day!)

Even outside the realm of cartoonish villains, I think this particular brand of envy is, in some ways, associate with motherhood. There's a natural tendency in parents to see themselves in their children, but as mothers are almost always the ones more involved in raising children and more expected to foster emotional connections with their children, I think this is both more common and more encouraged in mothers than fathers. Mothers are expected to be in charge of and over-involved in most aspects of a child's life, and in turn their lives are expected to revolve around their children, blurring the boarder between the self and the child. The child becomes symbolic of the mother's past self and what she can no longer be. The expectations on the child are the expectations of the mother's idealized self, and whether the child meets them or not, the mother will resent them for it, for daring to fail when they are her, or daring to succeed when they are not.

That's not to say SJ ever had such deep identification with LBH— he certainly never cared for LBH, and if anything, he's more like a mother who resents her child being born (as though he did not pick this boy out of the dirt himself)— but the hatred for a child under his care being like him but supposedly better off feels evocative of this characteristically maternal form of envy.

And finally, there is the fruit of SJ's actions, and the most explicitly/textually maternal aspect of SJ's abuse: it created Luo Bingge.

“Has Shidi ever considered that, if you hadn’t treated Luo Binghe like that in the beginning, everything that unfolded today never would have happened?”

He had singlehandedly created the Luo Binghe of today,

Luo Bingge, the all-powerful demon, the ruler of the three realms, and Shen Jiu's own personal torturer, would never have existed without SJ's intervention. Luo Bingge is shaped in Shen Jiu's image, and everything Shen Jiu ever did to destroy the boy only twisted him to further fit this mold. Luo Bingge's fate, the shape of his very soul, have been defined by SJ. And what is more maternal than giving someone their life defining trauma?