#the tonalities are so on point

[eszter-hazy]

whatever the genre, a GL in it will always hit different

[heartorbit]

searching for a star that's still unknown to anyone!

[littler0b1n]

I can’t believe nobody’s thought of this before

[horns-hooves-fur-tail]

Chine Sangfielle and Laios should meet and talk about their humanity and why they want/are willing to leave it behind. The beauty of The Course. How fascinating monsters are.

They should kiss too, if they feel like it, but that's not as important.

[camaelczarka]

I can’t wait to see like, the relationship dynamic shifts between Louis and Lestat as the show goes on. Season 1 just had so much energy between them and they play off each other so well, but season 2 kind of throws a little curveball in there and we start to see something even more nuanced and tender. Louis’ breakdown of his recollections reveal a lot and their reunion reveals even more. AND. They’ve both been changed by experiences and time. How will they be with each other going forward? What is new and what is old? I don’t think they’ll ever seem quite the same again. I think they’ll seem much more balanced, much more equal in their approach to each other. I want to see Louis actively pursue Lestat a little. I want to see vulnerable and guarded and humbled Lestat not really knowing what to do with that. I want to see Lestat’s perspective on their relationship and how he views Louis. Mostly I want to see the real Lestat interacting with Louis and Louis fully settled with himself. I can’t wait

[ciderjacks]

Wip

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[captain-mozzarella]

Look I I love when the clones have their own little dialect of mando'a. I gobble that shit up

But what I really want is for them to have their own fucked up version of Dai Bendu

[thatsparrow]

giving psych another go after having watched the first season and a bit a couple years ago before stopping because I hadn't really been feeling it

only like six or seven eps in this time, and I am enjoying it, and I would like to stick with it this time, but god, now I do remember why I gave up on it in the first place. for all the show has going for it (which is a lot!) so much of the tone (and shawn is usually the biggest offender) falls back on those really insufferable attitudes from the mid ’00s of like. hit on every woman you see, getting laid is always the biggest priority. kneejerk disdain for anything nerdy or "uncool." I'm a guy and that means I care about porn and sports and that's it

[luna-the-cretar]

You’d think that, between Gideon and Kremy, Gideon would be the easier one to get a read on (in terms of feelings towards certain situations and party members), but no. I can read Kremy like a motherfucking book. The way he spins lies and half-truths like a spiderweb; the way his tone will shift subtly depending on who he’s talking to, what they’re talking about, his feelings on the situation/subject/towards the person, etc; all of it. Kremy is so fucking easy to read for someone who’s supposed to be a silver-tongued conman.

But Gideon? His tone doesn’t shift all that much. He generally has a happy, confused, or entertained tone in his voice, with the exception of when he’s angry, frustrated, or upset.

Idk, maybe it’s harder for me to read Gideon because I listen to the podcast (it’s just easier for me since I can listen while driving or working), so I have to rely on tone shifts and other verbal cues. That, or maybe it’s because all of my past blorbos have been emotionally constipated men, who would only express their actual feelings about a situation based on tonal shifts, body language, and reading into what they’re saying.

[moe-broey]

Fellas can you take this somewhere else. Maybe. Just not in the fucking halls. Thanks 🫡

I couldn't resist drawing out these tags I wrote on a dif post LMFAO

Moe just has...... SO many problems.......

Close-ups of my fave shots!

The elusive Líf...

[hamletthedane]

“I could be bounded in a nutshell and count myself a king of infinite space, were it not that I have bad dreams” is such a raw line, what the hell Hamlet

[scarlettfevor]

How it feels to watch minecraft diaries as a 21 year old woman

[aroaessidhe]

2024 reads / storygraph

Inara: Light of Utopia

anthology of speculative short stories, poetry, and essays and art imagining a liberated utopian Palestine

celebrating identity, culture, and hope for the future, with a focus on queer/trans/disability

one of the stories is in audio format here

[aphverse-confessions]

OK- I'm gonna be honest. I like MyStreet, but not as a show. More as a minecraft story series in general if that makes sense. (not comparing it to MCD in this bc its been waaay too long since ive watched MCD for me to actually write abt it like this)

srry if this is annoying lol, long post.

Some disclaimers!! A lot of these r assumptions btw! Pls do not take these things as 100% fact, this is just how i saw things/"theories". This is also not an attack on Jess, i dont have the authority to judge someone as a person and I dont claim to. these are very strictly my opinions on Mystreet, not Jess as a person. It's hard to take the early seasons very seriously considering its origins as essentially a tropey, slice-of-life version of MCD, and these tropes continue on throughout the series until (i can only assume) Jess went "oh, we're making this more serious, and if the series is more serious, these tropes (Travis being an anime perv, Katelyn being an anime tsundere, Nana's whole thing..) make certain characters unlikeable/weird/problematic/whatever else so we'll just write them out" (Travis confronting Katelyn, the whole Nana Ashida reveal).

While these are occasionally done well, to me it just seems like Jess trying to write out the tropey or bad things that came from the earliest versions of the characters without actually IRL addressing the initial issue with their design (with Nana even dating back as far as MCD, with her first appearance being 5 months before the the start of MyStreet. I'm counting the whole "Kawaii-chan" thing as problematic here bc to me it's.. weird.. but idk, im willing to be educated on that if im wrong!) maybe she doesnt NEED to address some of the character design choices irl but I feel like itd be better to clarify things (I could be wrong). There's a lot of earlier creative decisions (especially with things played as jokes) that don't help with the tone as the series became more and more serious, and even some things in those more serious seasons that were really questionable, and I often feel like I have to just decide which parts of certain episodes are canon or non canon because of things like that. Don't get me wrong, it's very good for something that started out with the technology that it did, but in my opinion it just doesn't really reach "show" quality to me. It leaves a lot to wish for. (I know that there are TV shows that have the same problems, but i wouldnt even bother watching them normally because they dont have the saving grace that is the fact that this is in Minecraft, a charming style of storytelling that kept me interested even when I had these major criticisms about the actual content of the story.) Anyways sorry for incoherent babbling! ^^; Just had to get that onto paper to see if I'm just being crazy or something. I know I might not be right about all (or even most) of the things I said here but thats just how it came across to me. Of course this might not fully convey what i mean to say or even say it in the right way, maybe eventually ill talk more abt this somewhere(I had other things I wanted to talk abt but was scared to) but im too nervous to say it without the safety of anonymity rn haha. I'm open to other opinions, learning, etc. especially if i said something in this post that was problematic or already disproven! /genuine A/N: srry abt forgetting that The Big Move came out before MyStreet (i never watched it unfortunately, probably wouldve mentioned it in the main part if I knew but I dont think it subtracts too much from what im trying to say) & for the overuse of the word problematic, I literally did not know how else to put it :,]

.

[tiktaalic]

do you think your gift for the supernatural textpost is purely in the written word? would you ever do an episode commentary or podcast or the like? also do your family and friends understand your influence.

off the cuff does not really. Lend itself. To My posting style of long meandering paragraphs of bullshit that I go back and tweak and edit before publishing. I think podcasting temperament is akin to yapping temperament which I don’t have at all. I know I couldn’t be a podcaster because I know people at risk for podcasting and it s not a calling that tempts me the way it tempts them. I also in a real way think my only lasting #impacts to the supernatural ecosystem is #normalizing gay Dean which was big for me mostly because lots of people used to get mad at me for 3 days if I said gay Dean and now I can talk about gay Dean without getting even a little canceled. And LACHCE bc it had a monetary impact but that was bshmatthews more than me. My family knows I have a blog to various extents and my friends are in the #blogosphere making titular posts. #my story.