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schmokschmok · 4 years ago

Text

everything changes, nothing perishes

Fandom: The Magnus Archives

Relationship: Jon Sims x Martin K. Blackwood

Characters: Jonathan Sims, Martin K. Blackwood, Gerry Delano, Georgie Barker, Melanie King, Tim Stoker, Sasha James

Wordcount: 10.000

Freeform:

No Archive Warnings Apply

Alternate Universe - College/University

Romantic & Platonic Soulmates

Brief Georgie/Jon

Amicable Breakups

Trans Melanie King & Martin Blackwood

He/Him & They/Them Pronouns For Asexual, Nonbinary Royalty Jon Sims

HOH Tim Stoker

The Mechanisms Are The Archivist’s College Band

Summary

It’s just like Martin to get a soulmate who’s already bound to someone else.

A "the first words your soulmate says to you are written on your skin"-au but the twist is only a twist if you haven't read the first installment of the series (which is not necessary but appreciated).

Read on AO3: https://archiveofourown.org/works/28395876

Complimentary Georgie/Melanie Fic: https://archiveofourown.org/works/25056415

CN: Alcohol (mentioned), Canon-/Fanon-typical Martin Loneliness, Food (mentioned), Toxic Parent-Child Relationship (Martin’s mother)

Just got drunk and walked in.

It’s kind of a funny story, Martin supposes, what with the admission of alcohol being the catalysator and the cocky confidence of the script. When he was young, he thought about this sentence a lot, even though his idea of ‘getting drunk’ didn’t correspond to reality. (He still thinks a lot about it, but it’s not as rose-tinted anymore. Or at least he likes to think it isn’t.)

He never pictured a face or an actual voice to accommodate the words. But he thought about the tone, and the inflection, the way someone might say it with anger or arrogance or the intensity of a really great punchline.

The stories he made up were full of bravery and heroism, of drunk shenanigans and questionable decisions, of happy accidents and laughter. Fantastical in places, but realistic most of the time.

On better days he imagines a whole group of people close to him – friends – waiting for him in their favourite pub or on a patch of grass in front of the college he’s going to attend soon or in the flat of one of them. He imagines them chatting and retelling stories animatedly, laughing and talking over each other in enthusiasm and comradery. And one day there would be someone new, someone Martin would not have seen before. And in the moment, Martin would get into earshot, they would say it: Just got drunk and walked in. And it would be the start of a story about the lack of courage and the finding of it on the bottom of a bottle. Or the beginning of a tale about someone trying to do good, being all on their own, however. Or it would be the end of an adventure of nerves and worry.

Martin can see himself with someone equally as anxious as him. But he can also see himself with someone cockily declaring that they drunkenly walked into a place they shouldn’t have been in as well.

On worse days he imagines hearing the words in a crowd, only in bypassing, the source of countless daydreams and nightmares swallowed by the masses of people going on about their day without ever realising he was there in the first place.

One thing stays the same though in all of his imaginations and phantasies. In every single version Martin can think of, he falls in love with the voice before seeing their face first. It doesn’t matter if the words are yelled in arrogance and vanity or muttered self-consciously and kind of self-deprecatingly or hesitantly contemplated. He falls in love so fast and hard he stops breathing for a second then and there.

He had years upon years to build up enough expectations to know it only needs a little shove to snowball all of his fluttering endearment into the devastating, all-consuming love he was always destined to feel.

Martin is a romantic at heart and it doesn’t matter that all of his what ifs are futile and unrealistic, he’s in love with the idea of having a fairy-tale romance and that’s enough as it is. With all its daydreams and the gentle warmth in his stomach.

He doesn’t want to be lonely, really, he tries his best not to be. But it’s hard and he doesn’t know how to change it. When he still lived with his mother, she complained a lot about him being home all the time when he wasn’t working. (He shouldn’t think too much about it, she also complained a lot about him being away too much – no matter if he was out working or meeting up with somebody who could turn into a friend.)

The first two years in college didn’t change that fact at all. He was friendly with most of the people he met in his department and at the events he attended. But he wasn’t friends with them by any means. And that had always been the problem, hadn’t it? They thought he was a good lad, a nice chap, a dapper mate, a “we should hang out sometime!” and an “it’s lovely seeing you here!” but he’s not interesting to talk to. People don’t remember him because: While he can hold small talk relatively well, conversations with him tend to be one-sided. He asks the right questions, listens and reacts appropriately to the things people tell him, but he doesn’t reciprocate, can’t counter a story with a story because they’re either too personal or too embarrassing or don’t exist at all.

The first person talking often enough to Martin to make him share a few selected stories here and there is Gerry Delano. They share a single class and find themselves sitting next to each other, sharing and comparing the notes they made during the lecture. They haven’t met up outside of their shared class before, so Martin’s pleasantly surprised when Gerry asks him to come see his band the up-coming weekend.

He’s late. Because of course he is. One time. One single time he gets invited to something, so naturally he has to put in overtime. He’s at least an hour late, maybe even a little bit more. The text he shot Gerry to let him know that he’s late sits unread and unanswered in their chat and Martin feels awful.

Eventually, he reaches The Anglerfish, the small student bar just off the campus that hosts open mic nights and concerts for student bands. Gerry’s band is supposed to play tonight as the closing act; the after-act for a bigger student band Martin’s never heard of – The Mechanics? The Mech– something something. Apparently, they have a longer set than the other bands so Martin could be lucky to only have miss one or two songs of Gerry’s band.

Martin hasn’t listened to a single song of any of the bands that play tonight, so he’s not sure what to expect from the evening. Muffled music spills out of the slightly ajar windows, but he can’t make out a genre or any specific instruments, so he reaches for the handle of the door and takes a deep breath, for the last time relatively alone, then he opens the door and goes into the dimly lit entry way.

The first thing he hears are the chattering voices of people standing off to the bar and sitting at tables lining the walls, but when he dives into the crowd, simultaneously scanning it for Gerry’s lanky figure, he hears it.

“Just got drunk and walked in,” declares a voice loudly and with a manic kind of arrogance. Martin freezes in place. This is all wrong.

But he doesn’t get the chance to dwell on the fact that he heard the phrase etched into his upper thigh verbatim from someone he can’t even see, because the crowd doesn’t stop moving. Despite Martin’s need for the whole world to take a fucking breather, the people behind him shove him into the room and he tries to get air into his lungs again, but he only manages a few shallow breaths before the voice carries on and Martin realises that it has to be the singer on stage who said the most fateful words of Martin’s life.

The voice is gruff now, deeper and drunkenly confident.

Careful not to bump into too many people, Martin navigates through the crowd, trying to catch a look at the stage. In spite of his height it proves difficult and he goes further into the bar, diving into the crowd, while absolutely forgetting why he came in the first time: To meet Gerry who wanted to see the band Martin’s currently enraptured by, before playing with his band.

Finally, he manages to find a place at the far-right side of the publicum – close enough to see the stage but far enough to not stand in the way of the fans that came specifically for the band.

The song’s still going, and Martin scans the stage briefly. The band’s bigger than he expected and if it weren’t for the sheer presence of the person standing front centre stage, clutching the retro silver microphone with only one hand, Martin’s sure he’d have to look at every member of the band to determine who he’s looking for.

Adjusting his glasses, he attempts to take in every detail he can but he’s pretty far off and he can’t see everything he wants to. The things he can see are their long brown hair, dishevelled and laced with braids to keep it from falling into their face, goggles perched on their head like a headband; the dark brown skin of their face and hands and the lower half of their left arm; the black paint around their eyes, rampant like ivy roots; the black nail polish on the hand holding the microphone; the white linen shirt underneath the muddy brown waist coat, a dip hem skirt in the same soily brown over fishnet stockings and heavy brown boots with at least four or five centimetres of heel.

Their voice sounds like it’s made to narrate and yell and sing and– well, talk, actually. It sounds like a voice Martin would love to talk to and listen to and wake up to and– shit. This is bad and, did he mention, this is all wrong.

A narration begins and Martin realises all of a sudden that it took one measly song for him to lose all dignity and sense of appropriateness and instead win all of the love at first sight he dreamt of but didn’t anticipate to, well, suck so much.

He can’t have a crush on someone like, like that! Someone beautiful who carries themselves with ease and swagger and confidence. Until now he thought he could do this, you know, meeting his soulmate and instantly falling in love and maybe even talk to them like a civilised human being. But he was wrong, god was he wrong! He can’t talk to that ethereal being in fishnets. This is, wow, this is so far out of his comfort zone, he involuntarily takes a step back.

The only reasonable explanation is that he must have misheard the narration, must have missed a quintessential detail of what happened. Or it’s a very strange coincidence, his soulmark isn’t the most non-sensical sentence, there’s probably plenty people out there being able to say the exact same sentence. He just hasn’t met them yet.

Still, he can’t avert his eyes, he’s transfixed on the stage, listening to the, to be embarrassingly frank, horribly hot voice laying down the events leading to Oedipus’ Trial of Wits. Everything except the stage steps back and Martin’s brain singles out the band. The elbows touching him and the feet stepping on his don’t feel as real anymore, or maybe he’s less real in this weird interspace of knowing your soulmate or crushing on a complete stranger with the intensity of a thousand burning suns.

But there is no way to know, is it? He can’t go back and enter the bar again, consciously heeding the sentence that caused his distress. The only things he can think of doing are either getting to know the singer, who introduces himself as Jonny d’Ville just a few songs later, which is pretty creepy and Martin doesn’t want to do that – or he has to attend the next concert (or next concerts?) to determine if he merely misheard which doesn’t seem like a better alternative, if Martin’s honest.

So, still unsure what he should do next, he focuses on Jonny d’Ville and the way he gestures while narrating and singing like he’s winding his thoughts forth; the way he sits down during the songs he’s not involved in; the way he can’t hold back when Marius von Raum sings the part of Herakles and he mouths the words excitedly before jumping back to the microphone to sing the part of Zeus; the way he uses a single drumstick to beat the drum and holds the harmonica; the way he draws a steam punky gun and flourishes it like a natural extension of his arm.

“I’ve been looking for you!”

Gerry’s voice is so close to his ear, that the sudden proximity startles him more than the actual talking to him, or at least that’s what he tells himself. He’s not far gone enough to admit, even if it’s just to himself, that he was captivated by the band so much that he didn’t even realise that they neared the end of their act.

“D-Didn’t you get my text?” Martin yells back, leaning back, out of Gerry’s personal space. “Had to put in overtime and when I got here, I couldn’t find you.”

Gerry waves dismissively and shouts back: “Well, I found you at last, we’re up next!” He grins self-consciously and nods towards the stage. “Don’t really wanna get up after them but the crowd’s hyped up so maybe they’ll accept us as one of them.”

Even though his gaze flickers to the stage multiple times, Martin succeeds in looking at Gerry and smiling encouragingly. Then he says: “You’ll do amazing, Gerry. Don’t worry.”

While Gerry opens his mouth, the last notes of Elysian Fields carry through the bar and applause rings out. Jonny d’Ville takes a step forward, basking in the applause of the crowd and chugging water from a half litre bottle. As the applause dies down a bit, he lifts the microphone up again and exclaims: “Thank you! Thank you! Now, we are aiming to put that on CD, ehh, sometime around July. It won’t be exactly the show that you saw, this is, well, this is the debut. This’ll be refined and processed, et cetera, et cetera.” He bows outlandishly. “But if you want to help with that occurring – and you know you do – there is a crowdfunding, an indiegogo page, uhm, for this, uh, CD, there’s lots of,” he fumbles for words, “lovely perks from dice to patches and all sorts of brilliant things. So, go there, give us all your money.” The crowd laughs. “And then we will make a CD and we will send you the CD and you can listen to this to your heart’s content, uhh,” the crowd cheers again, “but thank you so much for coming!” He gives a few more thanks, then he says. “We’re going to, well, we’re going to leave you, uhm, with one quick final song and I think you probably know which one. So, sing along if you know the words.”

And the crowd knows the words.

Involuntarily, Martin steps back, overwhelmed by the sheer energy that erupts because of the people around him jumping up and down, yelling the lyrics to Drunk Space Pirate.

After that, it doesn’t take too long for The Mechanisms to clear the stage off their instruments and The Black Eyed Keays to set up their own act. Gerry comes out, hand gripping the neck of his electric guitar harder than necessary, knuckles lighter than the rest of his tan hand. His band is composed of five members including him, Martin’s yet to meet them.

Before he can start really looking at the other four musicians, he can see Ashes o’Reilly coming through the makeshift curtain separating the backstage area from the public. They goe straight to a woman standing off to the side, while politely dismissing people congratulating them and trying to involve them into conversation. As Martin averts his eyes because it seems like a private moment, he sees Jonny d’Ville leaving the backstage area, pulled through the curtain by Raphaella, their hands intertwined.

Something in Martin halts, something that had been on edge for the last hour or so, something that seemed to only be satisfied by the crushing reality of his potential soulmate holding the hand of someone other than him. (They could be friends, Martin knows that, he’s not that dense to think that everyone holding hands has to be romantically involved with each other. But it doesn’t stop him in the slightest of thinking that he wants to be in the place of holding Jonny d’Ville’s hand. He doesn’t even know the real name of the guy and already wants to hold his hand. Pathetic. And definitively creepy.)

Shaking his head to remind himself that he’s here for Gerry and The Black Eyed Keays, he turns away from Jonny d’Ville and Raphaella stopping at the bar, but out of the corner of his eyes he catches sight of Raphaella wrapping her arms around Jonny d’Ville’s waist.

As far as Martin can tell, it’s going well for him, wonderful even, just perfectly fine. He realised today that he hadn’t spent too much time wondering about The Mechanisms or Jonny d’Ville in the past few months and he’s rather proud of himself for not obsessing. His shift ended a tad early today, he didn’t have any costumers that grinded his nerves, the night provided him with a good eight-hour long sleep, and he didn’t even have nightmares.

This is the literal incorporation of a good day. Martin doesn’t have too many of them, so he tries to really bask in the feeling, who knows how long it’s going to last.

On the way out of the Ceaseless Watcher, he picks up two cups – one filled with black coffee and one with a herbal-fruit tea blend – and starts walking to the patch of grass in front of the Jonah Magnus’ University where he’s supposed to meet Gerry. Careful not to spill coffee or tea or burn himself, he clenches one of the cups between his forearm and his chest, while he fumbles for the phone in his pocket.

For a second, he contemplates coming to a halt to text Gerry that he’s on his way, but he doesn’t want to stop, being in the momentum already. While concentrating on proper (or at least somewhat comprehensible) grammar and typing the right letters, he’s paying a little less attention to the way as he should. Of course, he notices the change of underground from the hard-stomped way underneath the trees to the openness and softness of the grassy patch. But, actually, that’s about it. It’s not too crowded because it starts to be too cold outside to properly hang out, so he doesn’t even have to navigate through groups of students.

The thing is: Martin doesn’t really think something (or someone) could cross his way, so he doesn’t even try to pay attention to the area around him. And that’s why he doesn’t reckon with the incredibly inauspicious sounding crinkling when he steps on something that is decidedly not lawn.

Martin stops dead in his track, draws a shaky breath and wants to say anything (like an apology probably), but the only words leaving his mouth are a softly whispered: “Oh no.”

The words of apology are stuck in his throat and he doesn’t dare look up from the sketchpad he stepped on unintentionally. Right on top of a study of the two statues in front of the academic museum of arts is a rather perfect imprint of the sole of his boot. Martin swallows.

“You cannot be serious,” drawls a voice that makes heat rise in Martin’s cheeks – out of shame and recognition all the same.

As if the voice had snapped Martin out of a stupor, he rushes to say: “Oh, god, I am so sorry.” Shoving his phone into his coat pocket and setting down the two cups, he crouches and starts to wipe at the now slightly damp paper, more apologies tumbling from his lips.

“Alright!” The voice cuts him short, impatiently. “Stop it. It’s alright. Don’t bother.”

Two hands reach for the sketchpad, taking it out of Martin’s hands without further ado.

“I’m really sorry,” Martin says again, still not daring to look into the face of the person he just ruined the day for. Instead, he’s looking at their hands – one of them pulling the sleeve of a jumper or hoodie out of the sleeve of their coat and over their other hand to gently dab at the paper that already starts to get wavy where Martin’s boot hit it.

The person who is definitely not Jonny d’Ville (because Jonny d’Ville is a stage name and Martin doesn’t know who the human being in front of him is) retorts curtly: “I gathered as much.”

“Is it …”, Martin interrupts himself, shifting his weight so that he’s sitting on his heels instead of the balls of his feet. “Was it important?” He scrunches his nose. “I mean, I didn’t– didn’t destroy, like, a project for a course you’ve been working on for months, did I?”

“No,” they reply but their tone suggests otherwise. “It’s not … It’s nothing.”

They stop dabbing at the paper and Martin realises that they’re looking at him now and that it would be the polite thing to look back. It costs him approximately a metric shit ton of effort to lift his eyes and meet theirs. But he manages. (Just about.)

Martin regrets his decision to meet their eyes at approximately the same time that he can start making out the details of their face that he hadn’t been able to see in the dim light of The Anglerfish and the distance between him and the stage. It’s the exact same moment that Martin realises that they are as beautiful as Martin thought they would be. In a more reigned in and moderated kind of way – their hair confined in a bun, their face not painted with ivy roots but dotted with circular scars, and their outfit more suitable for daily use – but nonetheless beautiful.

“It doesn’t look like it’s nothing,” Martin says softly, and he doesn’t know where he’s getting the courage from. (Probably nowhere, he’s not exactly thinking as it is. And ‘not thinking’ is not the same thing as conjuring up courage.)

A scoff slips past their lips and they reply: “It is, though. And even if it wasn’t: I don’t see how this could be of any concern to you.”

Martin averts his eyes and looks down at the two cups he placed next to the place where the sketchpad had previously lain. The shock of already having his foot in his mouth is probably the reason why Martin just goes on: “If I want to make it up to you, I need to know just how bad my clanger was.”

His gaze flickers back to their face and takes in the steep corrugation between their drawn together brows.

Slowly, they say: “You don’t have to make it up to me.” They look almost appalled at the thought, and Martin’s not sure if he should be offended on his behalf or theirs. (Does he look like someone who ruins peoples work and then walks away? Or did nobody ever thought about righting their wrong when interacting with them?)

“I know I don’t have to,” Martin retorts, then he backpaddles and tries to correct himself: “I mean, you don’t seem like someone who’d enforce rectification but … I want to.” He swallows around the lump in his throat. “Make it up to you, that is.”

“Oh,” they say softly, and Martin thinks that they seem like they didn’t even notice they said anything at all. Absentmindedly, their left hand fiddles with the hem of the maybe-sweater-maybe-hoodie sleeve still pulled over their right hand.

“This was absolutely and entirely my fault,” Martin says when they don’t speak up again. “So, if it would be alright with you, I would like to, I don’t know, buy you a coffee?” The blush on his cheeks intensifies because he knows what this could look like. But someone like them would never even consider that someone like Martin could hit on them, so he tries not to dwell on that thought for too long. “I work at the Ceaseless Watcher, so, you could drop by and get a coffee on the house?”

Martin attempts a smile but it’s a rather weak one. The palms of his hands are clammy and a little numb, but he doesn’t dare wiping them on his trousers to get rid of the feeling.

“Are you working on Thursday?”

In all honesty, Martin didn’t reckon they would actually agree. Much less on the first go. (Such things don’t happen to Martin. He is never lucky enough that things just work out.)

“I– uh, yes,” Martin rushes to say before they can think about changing their mind. “Five to eleven.” An owlish blink in Martin’s direction. “P.M.”

“Good,” they say, both hands now lying flat on their sketchpad. “Then I will see you on Thursday.”

Martin takes this as his cue to stand up and leave, and it takes him almost ten whole minutes until he realises that he doesn’t even know the name of the person he had just met. And it takes him almost five more minutes of self-loathing and -pity until he remembers that they will see each other again. Next Thursday.

Maybe one time everything can work out for Martin. Just one time.

It doesn’t work out for Martin.

It doesn’t work out for Martin, so obviously and severely, that Martin genuinely thinks about hiding in the employee’s bathroom so that Jane can take over the register and deal with the slowly trickling in students of the Jonah Magnus Institute.

Jon (that’s his name, Jon without an H, it’s short for Jonathan, narrowed eyes at Martin’s name tag, Martin) has a girlfriend that is beautiful like a flower meadow in full bloom underneath the blue open sky. But they don’t just look great together (and they do, Martin’s perfectly and painfully aware of that fact), they seem to get along greatly, too. (Which is good! It’s not like Martin’s begrudging someone’s happy relationship or anything. It’s more like … he envies it? Envies the apparent ease and comfortability that come with knowing someone intimately for a long time. Envies the way they lean into each other and share private smiles. Envies the look of contentedness and trust when they look at each other. – Or maybe he’s overanalysing things he has never been part of. Eternally condemned to an etic approach to romantic relationships.)

Today, however, Martin wants to flee the scene because Jon looks livid and Georgie’s attempts to calm him down seem rather futile. They’re barely in earshot when Jon hisses: “I still don’t understand why you invited her along.”

“It’s not every day that you meet your soulmate,” Georgie replies soft spoken and with an exasperation that implies that it’s not the first time she has said this sentence to him. “And I won’t let you antagonise her just for the sake of it. At least get to know her. If she’s as bad as you think she is, you get to tell me that you told me so and I’ll back off.” She smiles at him. “Deal?”

But she doesn’t wait for him to answer, instead she turns to the counter where Martin’s been standing the whole time, trying to look like he hasn’t been eavesdropping, and greets him: “Hey, Martin.”

“Hi.” Martin tries to smile through the awkward glances Jon shoots him. “What can I do for you?”

“Two latte macchiatos, one decaf, one regular, and one white coffee,” she replies. While he’s ringing up her order, she continues: “And maybe if you could answer me this: Do you think Jon’s approachable?”

Martin stops dead in his tracks and Jon splutters: “Georgie!”

“What?” Her gaze flickers between an indignant Jon and the redder and redder growing face of Martin. She tilts her head in confusion and furrows her brows.

Jon hisses: “You can’t rope Martin into your schemes, you wretched thing!”

“Why not?”, Georgie questions before Martin gets to have a word in this. (Not that Martin would actively try to intervene when they’re obviously fighting about something important. Something Martin doesn’t want to think about while they’re still standing right in front of him.)

“Because,” Jon starts to say, but Georgie’s bulldozing on: “Martin is the newest addition to our squad and you brought him in, so, if anyone knows if you’re approachable or not, it’s him.”

“Martin is not a part of our friend group,” Jon says bewildered, then the realisation that Martin’s right in front of them sinks in. But the words are out in the open and the damage is already done.

“Jon!” Georgie exclaims, her voice filled with outrage (or at least something that comes close to outrage).

Martin smiles weakly and says: “It’s okay, Jon’s right. We’re not friends, or anything.”

It’s true, even though Martin had hoped that they could become friends. Or at least acquainted. Sometime in the future. (But Martin has to admit that Georgie thinking that Martin belongs to them in any kind of way – it felt nice. Nicer and bigger than it should probably have.)

“Oh,” Georgie says, brows even more furrowed than before, and a look of contemplation on her face that Martin can’t decipher. Then she shakes her head and Jane calls out for Jon and Georgie to collect their drinks.

They continue their argument while walking away, and Georgie sends him a soft smile and a wave over her shoulder before they grab their coffees and head for a table near the front of the café.

Martin tries not to look at them too much, or at all even, but he must have failed embarrassingly, because he notices Jon’s displeased face before he realises that someone has entered the café and beelines for the table Georgie and Jon sit at.

And that’s the moment Georgie’s and Jon’s conversation hits him full force. Jon’s soulmate has come into their life. Jon‘s soulmate has come into their life and the soulmate in question has just entered The Ceaseless Watcher. Which means one thing: Martin is not Jon’s soulmate.

Martin laughs lowly and self-deprecatingly and thinks: It’s just like him to get a soulmate who’s already bound to someone else. If he’d tell his mother, she’d probably tell him he had it coming without ever specifying why.

“Sounds exhausting,” Gerry says, both arms on the counter and more slumped against it than standing upright.

Martin shrugs his shoulders and says: “That’s just uni life.”

“It’s not,” Gerry retorts, pulling a face. “I’ve been lying on my bed the whole weekend, working on a few new songs. What you’re doing is the Martin way of life and, no offence, but it sounds exhausting. Three out of ten, wouldn’t recommend.”

“I kinda … take offence?” Martin’s voice goes up way too much at the end of the sentence, and Gerry waves his hand dismissively. “Did you just come by to insult me?”

Gerry grins and extends his arm to ruffle Martin’s hair (which is not something Martin expects other people to do and that’s why he doesn’t really know how to react to it), before he says: “Nah. Don’t. If it’s working for you, go ahead. – I’m here because my roommate and their girlfriend broke up, so I’m waiting for them to, I don’t know, cheer them up, I guess.”

“Oh,” Martin says eloquently. “I’m sorry?”

Gerry shrugs. “It’s alright, I think. They didn’t sound too upset on the phone.” Then his gaze falls on the giant clock on the wall behind the counter. “Should be here soon. Could you please ring up one regular latte macchiato and one decaf?”

Nodding, Martin punches the order into the register and Gerry reaches for his wallet. Then Martin steps over to the coffee machine to prepare the two different shots of espresso and heat and foam the soy-oat milk blend.

They exchange a few more quips while Gerry carries the hot beverages to a table next to the wall and gets back to the counter because they don’t want to disturb the other patrons by talking too loudly.

Gerry’s about to go on a tangent about the breaking of his G and B strings, when the bell above the door chimes and someone enters The Ceaseless Watcher.

Without intent or his own volition, a bright smile plasters itself onto Martin’s face, before he even turns towards the door – pavloved into customer friendliness – and sees Jon walk into the café. His smile falters a bit, but he manages to uphold it and greets: “Hey, Jon.”

Jon nods in reciprocation and says: “Martin, Gerry.”

“Oh, you know each other?” Martin asks, already one finger on the register to punch in Jon’s order, but Gerry’s hand makes an abortive gesture.

“Jon’s my roommate,” Gerry explains with another gesture towards the table where the two latte macchiatos wait for them. “Didn’t know you were acquainted.”

A blush creeps up Martin’s neck and he forces an embarrassed groan back down his throat. He’s torn between processing the information that Jon and Georgie broke up (apparently) and the realisation that Gerry used they/them pronouns for Jon.

“Well, we are,” Jon replies curtly and frees Martin from saying anything at all. Jon already turns to leave the counter when Martin squeezes out: “Jon, could I– would you– just a moment?”

Jon nods and Gerry walks to their table to give them a moment of privacy. But Martin doesn’t continue, because the questions that pile up in his mouth and block the way for the thing he actually planned to ask try to fight their way over his lips. Did Georgie and you really break up? Is it because of your soulmate? Are you alright? Is Georgie alright?

“Yes, Martin?” Jon looks vaguely annoyed. (Or maybe Jon looks obviously annoyed, but Martin doesn’t want to accept it because he’s a hopeless romantic and thinks that even if he is not Jon’s soulmate, Jon is still his and that must mean something, right? The universe wouldn’t be as cruel as to present Martin his soulmate only to make them hate him, right? – Yes, of course, Martin knows that soulmates don’t have to be romantic or even platonic, that a shared soulmark only means this person will have an impact on your life and that it is on them to find out what kind of impact that is. But Martin wants it to be positive. He desperately craves for it to be positive force in his life. And he doesn’t know what he’s going to do if this thing ends up being a giant fluke.)

Martin clears his throat and tries to ignore the burning behind his eyes.

“Just,” Martin swallows down everything that doesn’t have any place being in his mouth, “Gerry used they/them pronouns for you and … I don’t want to misgender you?”

Jon’s face doesn’t tell Martin anything. If Jon is pleased knowing that Gerry uses the right pronouns; if Jon is annoyed that Gerry made a capital t Thing out of Jon by using gender-neutral language; if Jon doesn’t really care either way. Jon just looks at him. It’s a bit unsettling.

“If you don’t want to talk to me about this, I get it,” Martin continues softly when Jon doesn’t say a thing and only studies Martin’s face. “You don’t have to. But I would like to, you know, respect it if you preferred a specific set of pronouns.”

Martin shrugs to shove the weight off his shoulders, but Jon’s stare turns disconcerting. Uncertainty making its way into Martin’s chest, until Jon says slowly: “I use he/him and they/them pronouns. At the moment it’s the latter.”

A nod in acknowledgment earns Martin something akin to a smile, the smallest of uplifts of the corners of Jon’s lips, and warmth spreads through Martin’s cheeks and chest.

They lift their hand in a wave goodbye until they seem to realise that they’re not actually leaving but rather sitting down at the table Gerry’s still waiting at, and duck their head in something Martin wants to call embarrassment.

For a few minutes while nobody walks up to the counter and everyone seems to be busy except Martin, Martin takes a plate out of one of the cupboards and places two pastries on it. Then, after a few pacing steps forward and back again and too much hesitation, he walks over to Gerry and Jon and places the plate on the table.

Jon opens their mouth to say something and Martin can see the questioning look on Gerry’s face. But he cuts the discussion short by blurting out: “On the house.”

In an attempt to mask the anxiety already spreading through him, Martin smiles his brightest smile, turns around and walks away. (Which: Who does something like that? Jon must suspect that Gerry has told Martin something Martin shouldn’t know about. Or they must think that Martin is an absolute court jester. And given Gerry’s face, at least Gerry suspects that Martin is not acting out of sheer courtesy.)

(Martin desperately wishes for the ground to open up and swallow him whole.)

Georgie and Jon are broken up for good, or that’s at least what Jon says to Martin. This is remarkable because of two things: First of all because it means that Jon is actually talking to Martin except for, you know, ordering coffee or awkward small talk while Martin prepares the beverage. And secondly because Martin didn’t think their split would actually last. Georgie and Jon are, even if it sounds impossible, the perfect pair and Martin isn’t sure how they managed to not be soulmates.

Since Martin tried to clarify Jon’s use of pronouns, Jon has significantly warmed up to Martin and Martin isn’t sure if it’s because of this or because Jon can’t spend as much time with Georgie anymore. (It’s not like they actually take a break from seeing each other. Gerry told Martin that Jon and Georgie went to an outing together on the same night they broke up.) Either way, Martin’s suddenly confronted with a Jon who asks him low-voiced how he’s doing and who hesitantly wants him to have a good day.

“He/him day,” Jon says instead of a greeting. He wipes sweat from his forehead and tries to tug every stray strand and wisp of hair behind his ears or underneath his hair tie – rather unsuccessfully.

Martin throws a glance behind Jon to assess the situation in the café and if he can risk leaving the counter for a moment. When he deems it safe, Martin says: “This reminds me … Wait a moment, I …”

He doesn’t finish his sentence, but instead walks into the little storage room in the back of the shop to fish a little box out of his bag and come back to the front of the café. A small blush blooming on his cheeks, Martin smiles at Jon and says: “Hey, Jon.”

Jon furrows his brow as if he hadn’t realised that he skipped an essential part of the conversation, then replies dutifully: “Hello, Martin.”

“So,” Martin begins, “I’ve been thinking. We’ve been talking about your pronouns and …” Martin trails off and presents the little box he retrieved from his bag. He opens it and showcases two braided bracelets, one in salmon pink and one in teal. “I heard about pronoun pins and bracelets? Had some yarn laying around and thought … if you want to, you could use them to indicate your preferred pronouns?”

At the end, Martin’s voice trails off and he sounds a lot less sure about his idea. His uncertainty is a mix out of ‘did I overstep’ and ‘am I too much’, but the way Jon’s furrowed brows melt into something entirely else lets Martin think that he’s not as much a burden as he feared.

Cautiously, Jon reaches for the bracelets, stopping mid-air to throw another glance at Martin who can’t stop himself from making a weird combination of nodding and shrugging.

Jon takes the two bracelets out of their box and Martin throws the empty box into a drawer underneath the counter. He runs them through his fingers, feeling the texture of the yarn and the structure of the fish braid pattern. Pocketing the salmon pink bracelet, he extends his right arm with the teal-coloured one towards Martin, asking: “Could you tie it?”

The uncoiling of the knot right underneath Martin’s midriff makes Martin smile and he takes the bracelet out of Jon’s hand to tie it around Jon’s wrist. He miscalculated quite a bit with his own wrist as reference, but he is able to comfortably wrap the bracelet around Jon’s wrist two times, before he ties it into a loose knot. The colour looks nice against the warm undertone of Jon’s skin and up-close Martin can see the smaller and bigger moles scattered across his lower arm.

Martin’s not sure if it is he who lets go of Jon’s arm first or Jon who takes his arm back, but he knows that he looks up from where he held Jon’s wrist just a few seconds ago and catches sight of Jon looking at him. It’s not a look Martin can decipher. As so often, Jon looks like he’s trying to make sense out of something Martin has said or done. (Or maybe he’s trying to make sense out of Martin as a whole. The same way Martin is still trying to grasp the essence of Jon.)

“This is really nice,” Jon says, and it sounds more like he’s turning every word three or four times before releasing it into the air between them; like he’s somehow forcing the words out after analysing and approving them, because they don’t want to be heard. But the way he cradles his wrist and the bracelet with such great care and a little disbelief shows clearly that he’s serious. Jon’s eyes snap upwards to look at Martin again, and Jon adds: “Thank you, Martin. That’s really,” he draws in a breath, “considerate.”

Not sure if he should dismiss Jon’s words or not, Martin ducks his head and turns towards the register: “Decaf or Regular?”

“Surprise me,” Jon replies with a shrug of his shoulders. Martin tilts his head in confusion and Jon clarifies: “Gerry and Georgie think I drink too much coffee, but I don’t necessarily like them interfering with my life choices, so we made the deal that every time we drink coffee together, we order one decaf and one regular and it’s a surprise who gets to drink the decaf.”

Chuckling lowly, Martin retorts: “That’s a nice tradition.”

Jon pays for his coffee and Martin turns around, reaching for the decaf beans, safely out of Jon’s sight. For the taste, he adds much more ground coffee than Elias normally allows him to use and sprinkles a bit of cocoa powder on top of the milk foam. Then he hands Jon the final product and smiles.

Their fingers almost touch when Jon takes the mug out of Martin’s hands and he starts to walk away for two and a half steps, before he turns back again and asks: “When does your shift end?”

“Oh,” Martin throws a glance at the clock behind him, “in about an hour? Why?”

Jon shifts his weight and replies: “I thought I could use a walk, and that, maybe, you could use a walk, too?”

This seems to cost even more surmounting than thanking Martin, but it fills Martin with warmth and the hope that Jon doesn’t hate him. (He should know by now that Jon doesn’t hate him, they’ve been friendly for quite a time now, but the fear that Jon [or anyone, really] could suddenly decide that Martin is too much and too overbearing is prevalent.)

He swallows all that down and says: “Yes, I’d like that.”

When Melanie and Georgie get together, Martin’s not entirely surprised. Actually, he’s not surprised at all because Jon himself has told Martin that Melanie had asked him about his feelings for Georgie. (I don’t get it, Martin, do I look like I would begrudge them their relationship? Do I look like a fragile thing that needs to be coddled? No, Gerry, shut it.) But part of Martin wonders if Jon’s really as alright with the situation as he makes it out to be. As far as Martin knows, Jon and Georgie had been dating for quite a while, and Melanie is Jon’s soulmate. It must be a horribly awkward situation to be in.

Somehow this hasn’t kept them from hanging out as a group, though. Melanie and Georgie are lying in the shadow of a tree, while Sasha and Tim rampage through the water, and Jon and Martin, they sit on the small landing stage, their feet dangling in the water.

Jon’s hand is resting right next to Martin’s and it would be so easy to reach out and grab it, to intertwine their fingers and just enjoy the weight of Jon’s hand in his. But they have never done something like this, Jon is an untouchable entity in the night sky, beautiful like the milky way but foreign and unjudgeable with his disconcerting stares and assessing questions and brutally honest words. And a mere mortal like Martin can’t just reach for the hand of a natural phenomenon like Jon Sims.

So, he takes his hands into his lap instead to keep himself from doing something ill-considered like taking Jon’s hand anyways.

For a moment, they watch Sasha and Tim, but when they head back to the picknick blanket Georgie and Jon had brought and where Georgie and Melanie are leisurely sitting, Jon indicates that they could go back to the others, too. So, they get up and walk back to the others. (Martin’s hand twitching to reach for Jon’s.)

“No way! You’re lying!” Tim’s voice is barely more than a whisper, while he’s scrubbing his hair as dry as possible with a towel.

Sasha’s hand reaches out for Tim’s ankle to direct his attention to her, and she says while signing simultaneously: “Nobody can hear shit of what you’re saying.”

“Louder?” Tim asks and it’s obvious that he tries to adjust his volume. But Sasha shakes her head. “Louder?” Sasha shakes her head again and Tim waves dismissively, before he continues to towel dry his hair.

“What’s going on?” Martin says, sitting down next to Sasha, quietly marvelling at the fact that Jon sits down next to him even though the space doesn’t necessarily allow it.

Melanie’s cheeks redden (a foreign and unsettling sight, if Martin is honest), and she seems to think about her answer for a moment, before she finally extends her legs, showcasing multiple sets of names written on her skin. Sasha’s, Tim’s, Georgie’s and Martin’s. But most prominently right in the middle Jonathan Sims in the same curvy scripture as the rest, but instead of a felt tip marker, it seems to come from under Melanie’s skin.

“Oh,” Jon says right next to Martin and Martin thinks: Oh, indeed.

That is, however, where the similarities between Jon and Martin end, because while Martin starts to panic at the obvious evidence of Melanie’s and Jon’s soulbond, Jon says: “Georgie, this is your handwriting.”

“Yes, it is,” Georgie replies cheerily, before pointing at the crook of her arm. “And you know what? That’s Melanie’s handwriting.”

“Congratulations,” Jon deadpans, but Martin can feel the rigid line of Jon’s shoulders relax.

Just for a moment, though, because Georgie says: “And you know what that means, Jon! There’s still someone out there waiting to be found by you!” And Jon is as tense as before.

“I hope not,” Jon replies, and Martin can’t help himself hoping that Jon is right. Because Melanie turning out not to be Jon’s soulmate doesn’t automatically turn Martin into Jon’s soulmate. Martin doesn’t even know what’s written on Jon’s body, and even if he knew he’s not sure he could remember the first thing he ever said to Jon.

Georgie only smiles, used to Jon’s antiques and clearly mentally occupied.

“You’re making such a big deal out of it,” Tim says while turning his C.I. back on. The volume of his voice adjusting to an appropriate level when he’s finally able to hear himself again. “Out of anything, really. Why don’t you just enjoy the knowledge that somewhere out there is someone who enjoys talking to you, like, without any obligation.”

Out of Jon’s sight, Georgie starts a countdown (three – two – one!) with her fingers, and as if she had given Jon a sign, he goes on a tangent about determinism. Martin has never been as in love with Jon.

Oh.

MartiniKolada: sos

MyKeaymicalRomance: what did you do?

MartiniKolada: i had an oh. oh. moment MartiniKolada: you know where you think oh. and then it hits you like oh. but it’s italic and the italicity of the moment hits you right in the face??

MyKeaymicalRomance: i don’t think italicity is a real word

MartiniKolada: italicness then??

MyKeaymicalRomance: maybe italicisation?

MartiniKolada: does it really matter???

MyKeaymicalRomance: probably not lol

MartiniKolada: as i was saying MartiniKolada: i just had the mortifying realisation that i think i love jon?? like, not likelike but lovelove?? and idk what to do, like, what WILL i do next? burst into a song or into tears??

MyKeaymicalRomance: oh, well, i think it’s probably too early to tell him

MartiniKolada: “probably” he says

MyKeaymicalRomance: well, what do you want me to say?

MartiniKolada: idk???

MyKeaymicalRomance: do you want me to come over after my class?

MartiniKolada: yes pls ))):

MyKeaymicalromance: k

#10

It’s October, and their semester break is over in two weeks. Martin’s already dreading having to go back to courses and classes because he’s not sure if the last few weeks of seeing Jon almost every day are over if they both have to pick up work again. (The good thing is that the others will come back from their visits home. Martin doesn’t know how it happened, but he’s grown close to Gerry and Jon’s squad and actually misses them.)

Now, however, he concentrates on the fact that Jon asked if he would like to stay overnight because Gerry’s away and he doesn’t want to be alone tonight. He said It’s eerily quiet and Martin didn’t need more to say Yes, I mean, yeah, no problem, I’d love to. Because: It’s not like Martin regrets agreeing to Jon’s request, it’s more that Martin’s utterly overwhelmed with the thought that he is going to spend time sleeping in the same room as Jon. (Embarrassing, right?)

“You seem distracted,” Jon states and reaches for the mousepad to pause the film they’re watching. Or in Martin’s case: attempt to watch.

It’s not a new development that Jon and Martin sit on Jon’s bed, huddled close together, to watch a movie or play a two-player game Jon has found on his hard drive. But it being old news doesn’t prevent Martin from marvelling at the way Jon’s thin frame fits in neatly with the curve of Martin’s fat stomach and thigh. And the way Jon seems to melt into Martin over the course of one evening, almost liquified at the end, nestled into Martin in a manner that Martin couldn’t recreate if he tried to; absolutely unretractable when Martin tries to reconstruct how he could find himself in a situation like this.

“A bit,” Martin agrees, studying the cursor now resting on the nose of the protagonist. “It’s nothing.”

“If you don’t want to watch a film, we don’t have to,” Jon says and it’s only because they’ve been spending so much time together that Martin recognises the defensive tone of Jon’s voice as concern. (A few months back he would have definitively thought that he had done something wrong and that Jon is annoyed with him. And the knowledge that the anxiety coiling underneath his midriff is with great certainty unfounded and only fabricated by his own brain makes warmth spread through his whole chest.)

“No, it’s alright, really, it’s nothing,” Martin repeats placatingly, already reaching for the mousepad to unpause the film.

But Jon catches his wrist mid-air and says lowly: “I hate when you do that.”

“What?” Martin’s hand sinks until it hits his stomach, but Jon’s hand remains wrapped around Martin’s wrist as if he needed to keep Martin by his side; as if Martin could somehow muster up the volition to get up and go.

Jon’s gaze is entirely on the junction of their skin, probably focusing on the way Martin’s skin tone clashes with the salmon pink of one of the two bracelets Jon’s wearing tonight. (Or probably not because Jon doesn’t really care for things like that.)

“Well,” Jon says to Martin’s wrist, “when you say it’s nothing even though it’s clearly something.”

Self-consciously, Martin contemplates for a hot second telling Jon the truth. That he just likes being with him even though Jon doesn’t feel the same way as Martin. That he likes how they fit together like matching salt and pepper shakers. That he likes the firmness of Jon’s hand around his when Jon excitedly grabs Martin’s hand and forgets to let go again. That he likes Jon’s distracted (and to be honest distracting) soliloquies and overexcited monologues.

Being honest, however, isn’t worth the awkwardness that will most likely be the result of confessing his feelings, so Martin deflects: “That implies that you’re always telling me right away when something’s bothering you. But that’s not what you do, is it?”

Jon pulls a face. “No.” He sighs. “No, it’s not.”

Without thinking, Jon shifts the weight of Martin’s wrist in his as if he’s trying to feel for Martin’s pulse. For a moment, they’re both silent, dwelling on thoughts they’re not ready to share, yet. Or maybe only Martin’s not ready to share, yet, because Jon concedes softly: “You’re right. So, if I were to share a matter that has been on my mind lately, would it be more encouraging or pressuring for you to hear about it?”

Martin weighs both options, partially occupied with the way Jon’s still holding onto his pulse. Then he concludes: “Both, probably? I mean, it could be both.”

“Do you want me to tell you anyway?” Jon asks, lifting his gaze and focusing on Martin’s face. (Jon has this incredibly unsettling habit of looking at people at precisely those moments it’s the most disconcerting, gaze unwavering and the only thing betraying his own nervousness is the way he fiddles with the hem of his sleeves or the jittery tapping of his fingers against the fabric of his trousers.)

And since Martin can’t refuse Jon anything, he nods.

“You know, this is probably ridiculous and you’re going to make fun of me, endlessly,” Jon says, a barely visible crinkle appearing between his brows, “but Georgie said that she doesn’t understand why we haven’t kissed, yet. And it’s been on my mind ever since. Should we be kissing, Martin?”

Martin almost chokes on air. “What?” He must have misheard. Or misunderstood. Because it’s absolutely impossible that Jon said this particular string of words without any hesitation.

“Well,” Jon says, obviously growing uncomfortable, “I told her that she should stop being presumptuous, because if you would want to kiss me you would say as much. But Georgie said she wouldn’t be surprised if you were to think that I’m kiss averse as some asexual people are and that you were ‘too bashful’ to ask for clarification.” Jon breathes in and out, once, then twice. Martin’s trying hard not to mcfucking lose it. “We’ve been dating for quite some time now and I hope you’d feel comfortable enough to ask me things like that instead of assuming my stance. However, I do see now that I should put my own house in order first rather than waiting for you to say something.” The crinkle between his brows smooths out. “So, the quintessence is that I would like to kiss you, Martin, and that I would like to know if you were amenable to this idea.”

Owlishly blinking, Martin tries to make sense of all the admittedly beautiful but absolutely impossible words that Jon has said just now. He’s not sure which part he should be concentrating on and his thoughts crash into each other, tumbling onto his tongue, only to get buried underneath a new load of thoughts just a nanosecond later.

The thing that actually makes it past Martin’s stupor is: “We’ve been what?”

Jon furrows his brows again and replies slowly: “Dating.”

“And you didn’t think I needed to know that??” Martin’s voice cracks, eyes wide and cheeks reddened. The pressure of Jon’s fingers around his wrist loosens and Martin wants nothing more than to hold on dearly, but at the moment he can’t do anything but stare at Jon’s face that shifts slowly into a look of embarrassment.

“Well, I thought– I didn’t,” he groans lowly. “I thought you knew.”

“How should I have known?” Martin doesn’t really want to argue about this, but the words tumble out of his mouth, absolutely unstoppable. “Did you send me a formal enquiry? Ask me to be your boyfriend while we were doing incredibly romantic things like shopping groceries? I would have said yes, don’t get me wrong, this is not a ‘I don’t want to be dating you’ because I do very much want to date you.”

Martin’s breath goes hard, and he attempts to focus on the blush that bloomed on Jon’s cheeks sometime around the mention of Martin calling himself Jon’s boyfriend and that deepened further when Martin stressed that he wanted to be Jon’s boyfriend as well. But then Jon’s smiling. Not a barely visible lift of the corners of his lips but a genuine smile that crinkles the corners of his eyes.

“I think,” Jon says, shifting the weight of Martin’s wrist again, so he can intertwine their fingers completely, “that everything we do together is inherently very romantic. Even grocery shopping.”

“Oh, my god,” Martin tries to hold back a giggle and fails, “you’re a sap! This is unbelievable. This should be illegal.” He wriggles his other hand out of the almost non-existing space between them and cups Jon’s hand in both of his. “You can’t just spring the fact on me that we’re dating, only to change your behaviour a hundred and eighty degrees and say things like, things like that!”

“I’m only adapting,” Jon replies, lifting Martin’s hands and pulling them in close. “I thought we were taking it slow because you never made a first move, and I didn’t want to be too much.”

“Then we’re in the same boat, huh,” Martin says while he’s watching Jon pressing small kisses on Martin’s knuckles. “So, what do we learn from this, Jon? Don’t talk to Georgie about those things, come talk to me.”

Jon snorts. “You’re one to talk. I can’t count the times Gerry told me to ‘go get my man he’s pining again.’ It was embarrassing.”

“Imagine how embarrassing that is for me?! I was literally gay on main while he thought we were already dating?!” Martin makes a suffering noise at the back of his throat, but Jon doesn’t stop pressing small kisses into his knuckles, so it’s not as bad as it could be. “We need to cut ties with Gerry but that shouldn’t be a problem, right?”

“No, that’s feasible,” Jon replies. “Very sensible.” He puts down their intertwined hands. “A thing that would be very sensible, too, is telling me about the reason you were distracted earlier.”

“It seems ridiculous now,” Martin says, but Jon nudges him with his shoulder to prompt him to go on. “I just thought about how hard it is to sit next to you and not kiss you.”

Jon lifts himself up on his elbow and murmurs: “That is a lie, Martin K. Blackwood.”

“Only half of it,” Martin replies softly, before he closes the gap between them and kisses Jon with as much care as he can conjure.

(The light shove Martin gets when he asks “so, we’re boyfriends now, huh?” is definitely deserved.)

#the magnus archives #fanfiction #jonmartin #jon sims x martin blackwood #wtgfs on the side #dating without knowing #softness #pure and unadultered softness #college au #schmok writes #i forgot to post this back in the day but since tma ends today #FLUFF for all of you!!

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inklingofadream · 3 years ago

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theory: part of the reason the backlash to Georgie cutting Jon off is so high is actually because there’s no in-podcast backlash to it*

and as audience members who know things aren’t nearly as much Jon’s fault as Georgie thinks (ie he can’t leave the Institute and he needs the Statements to. live.) OR as much Jon’s fault as JON thinks (because he’s got a terminal case of self-blame) Georgie is a handy character/injustice to latch onto.

Because even without knowing he’s being manipulated as much as he is, with JUST the information he has at the start of season 4, Jon should be able to realize that it’s unfair for her to cut him off. Not wholly unjustified, or something she doesn’t have a right to do, but definitely the kind of “life’s not fair” injustice that just happens sometimes and that it’s fine to be upset with. But instead Jon’s reaction is more *sigh* *Eeyore voice* “fair enough”

Like I love him, he’s my favorite Eeyore. But please stand up for yourself even a little bit, inside your own head! And that frustration/sympathy for Jon gets redirected at Georgie (as both a more real world relatable problem AND something you can rant about before the series ended without butting up against lore/red string conversations, so by the time the show DID end that vein of character hate was already well established)

*no backlash except that one conversation with Martin, in which Martin has a dubious number of legs to stand on even if we as an audience are inclined to side with him

#georgie barker #jonathan sims #tma #the magnus archives #tma meta #meta #ink post #ink meta #also side thought re: mid release reactions i wasnt there for. were there high key jon and georgie get back together shippers in s3 #like before jmart and wtgfs kind of ate everything. like did the release of dead woman walking and georgies lil thing about like #jon being one of the things that helped her get back to normal emotion wise after exiting The Depression. were they a big shipping faction

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bluejayblueskies · 3 years ago

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an ill-fitting definition

rating: M words: 4.3k relationships: jongeorgie, jontim, jonmartin, background wtgfs additional tags: canon compliant, pre-canon, scottish safehouse period, canon asexual character, fluff, kissing, implied sexual content, rumors and misconceptions

written for weeks two/three of @archivalpride for the prompts identity and doubt!

cw for misconceptions about asexuality, assumptions made about somebody’s sexuality, rumors and outing somebody without their knowledge, non-explicit/implied sexual content, mention of canonical character death, mention of canonical stalking and paranoia, gossip (including of the sexual nature), food, very mild blood, mild internalized acephobia

ao3 link in source

It’s three weeks and two days after they began dating, when Georgie picks up Jon’s hand where it’s clasped in hers and asks with plain curiosity in her voice, so does the ring, y’know, mean anything?, that Georgie hears the word asexual cross Jon’s lips for the first time.

It’s not a word she’s unfamiliar with; she’s run in enough LGBTQ spaces in her time in uni that she has a good idea of the breadth of identities that are out there. She rubs her thumb across Jon’s ring and thinks, in the voice of the gender and equality training instructor with sharp red heels and a “fun” black dress who’d stood in front of the seminar she’d been mandated to take for one of her courses:

Asexuality. A lack of sexual attraction. An aversion or repulsion to sexual activities.

It had been a small word on a large black-and-white slide, crammed in next to aromanticism and overcrowded by a myriad of other sexual identities discussed at length. It had been… quite a comprehensive training, Georgie thinks as she quits fidgeting with Jon’s ring and instead threads their fingers together. For a moment, she considers asking what he means anyway, but she quickly dismisses the thought. She wants to be supportive, and as Jon looks at her with open, trusting eyes and a faint smile, she decides that she knows enough. She doesn’t want to make it awkward, and with things like these, she’s found that asking Jon to explain his feelings in plain terms can be… well, awkward is certainly a word for it. Best just not to bring it up, she decides.

Still, she feels the need to ask, “Can I kiss you?” because the red no sex sign blinking on and off in her head is frustratingly vague on what, exactly, is contained within that stipulation. When Jon voices his assent, she tips her head up and presses a quick kiss to his chin before kissing him on the lips, wiping the disgruntled look off them.

So yes to kissing, she thinks, tucking that away next to no sex. Yes kissing, no sex. Yes holding hands, she adds as she squeezes Jon’s hand in hers and he smiles at her, warm and soft, that special side of Jon that she only sees on occasion. No pet names, she adds a week later when she tries out sweetheart and Jon’s nose wrinkles with displeasure. No foot rubs, when Jon swats at her and says, between giggles, that he’s awfully ticklish. Yes back rubs. Yes cuddling. No PDA. No touching with wet or sticky hands. Yes brushing hair.

That’s as far as she gets before, one year and two months after she begins dating Jonathan Sims, she stops. After which point she stops keeping track, because, well. There’s really no point anymore, is there?

“I’m sorry,” Jon says, burying his head in his hands.

“Hey, hey, hey,” Tim says quickly, holding his hands in the air in a placating gesture. He scoots a few inches away from Jon on the couch for good measure, unsure just how much space Jon needs right now. “It’s okay. You don’t have to apologize—I should apologize. I should have asked first.”

“It’s just—” Jon makes a frustrated noise, and when he takes his hands away his cheeks are dark and he won’t meet Tim’s eyes. “It’s complicated.”

“It’s okay,” Tim repeats, watching with a twisting feeling in his stomach as Jon apparently notices that the button of his trousers is still undone and quickly goes to redo it. His eyes follow the movements of Jon’s hands automatically, and just as automatically, he notes the distinct lack of a tent in the front of Jon’s trousers. The same… cannot be said for his own. Particularly after nearly twenty minutes of kissing, which Tim had very much enjoyed.

Christ, had Jon been uncomfortable with that as well? All in a rush, Tim says, “Was the kissing bad too?” Then, he winces—fuck, that sounded accusatory—and adds, “It- it’s okay if it was, I just- I didn’t know, and I don’t want to do something that makes you uncomfortable, Jon.”

“No, the- the kissing was fine, it’s just...” Jon makes an aborted motion with his hands, like he’s trying and failing to find the words.

“... complicated?” Tim supplies.

Jon nods mutely.

“That’s okay,” Tim says, and he finds that he means it. “We don’t have to do anything more than kissing if you don’t want to.”

“I- I don’t…” Jon worries his bottom lip between his teeth. He opens and closes his mouth a few times, like he’s searching for the right words, the crease in his forehead deepening every moment he fails to find them. Finally, he lets out a long, labored breath, pinches the bridge of his nose between his fingers, and says, “Yes, that… that might be best.”

Tim studies Jon’s face. It’s pinched and a bit stiff, like Jon would very much like to crawl out of his skin or melt into a puddle and disappear. “You sure?” he feels compelled to ask, placing a hand carefully on Jon’s knee. “You, uh. You seem a bit unsure.”

Jon sits there a moment more, spine straight and rigid, before melting slightly against Tim’s hand, his face slipping into something more relaxed but no less unhappy. “Yes.” He hesitates a moment, then says, a bit stiltedly, “I’m, um. I’m asexual. Since we’re already talking about this, I… I may as well get that out in the open as well.”

Oh. A few pieces slot into place, and Tim says with perhaps a bit more enthusiasm than necessary, “Oh. Why didn’t you tell—?” He cuts himself off and offers Jon a sheepish smile. “Sorry, sorry. That was rude of me. Thank you for telling me.”

“We’re dating,” Jon says bluntly. “It was going to come up eventually.”

“Still.” Tim shrugs, then reaches for Jon’s hand and holds it tightly in his. “Thanks.” He hesitates only a moment before leaning forward and pressing a quick kiss to Jon’s nose. Jon makes a disgruntled noise, which Tim thinks is adorable. Then, because it feels appropriate, he says, “Y’know, Danny… Danny was asexual. Aromantic too, actually. We had a big talk about it a few years ago where he sort of… laid it all out for me.” No sex, no romance, no thank you, had been the overall gist of it. Tim makes a new box for Jon and fills it in with the words no sex, yes romance, it’s complicated.

“Oh,” Jon says quietly, with that same sort of sadness in his eyes that he gets every time Tim mentions Danny, something much gentler than pity and significantly less cloying. If Tim notices the faint discomfort that accompanies it, something that whispers that isn’t my definition of asexuality, we’re not the same, you don’t understand if one were to listen closely enough, he doesn’t let on.

Tim does, however, notice the discomfort in Jon’s eyes—now mixed with anger—when two years, six months, and seven days later, he accuses Tim of murder. But by then, their days of hand-holding and nose-kissing are far, far behind them.

“Maybe he just needs to get laid,” Melanie says with a groan, lying on Georgie’s couch and staring at the ceiling. The Admiral is curled up on her lap, purring contentedly. She scratches absentmindedly under his chin.

“What, Jon?” Georgie appears in Melanie’s field of vision, wielding a damp wooden spoon and frowning.

“No. No.” Melanie shakes her head emphatically. “Martin. He’s been all… sulky lately. I think he’s still upset that Jon came to me instead of him for help, but I don’t know why he has to be all… touchy about it.”

“Ah. Well, you know, he is a bit hung up on Jon. At least, according to you.”

“I don’t see how that’s my problem,” Melanie says grumpily. “Besides, didn’t you say that Jon went on about Martin, like, all the time? Sounds like he’s got it bad as well. Maybe they could just… y’know.”

“Melanie.”

“What?” Melanie tries to shoot Georgie a glare, but it’s obstructed by the back of the couch. “I’m on my last nerve, Georgie!”

“I know, honey. But Jon’s really not… well, he’s not very open about these sorts of things. Getting him to talk about his feelings was like pulling teeth when we were together.”

“It still baffles me that you used to date.”

“He’s very sweet when you get to know him!” There’s a pause, a few clatters from the kitchen. “Besides, even if he and Martin got around to talking, Jon… well, he doesn’t.”

Melanie frowns. “Doesn’t what?”

“Have sex.”

“Really?” Melanie sits up, disturbing the Admiral, who lets out an irritated mrpp before adjusting himself accordingly and curling back up on her lap. “So when you were together…?”

Georgie shakes her head. “Nope. Never.”

“Huh.” Melanie thinks for a moment. “Is he like… religious or something?”

Georgie chuckles. “Jon? No, not at all. He’s asexual.”

“Isn’t that like… that thing that sponges are? Where they self-reproduce?”

“Seriously?”

Melanie scowls at the incredulous look Georgie’s giving her. “What? I’m not being a- a dick, I’ve just never heard of it before.”

“You were a YouTuber. Your job was to be internet famous.”

“Okay, now you’re just making fun of me.”

Georgie shoots Melanie a grin. “Sorry. Basically, it means that Jon doesn’t do sex. Like… at all. He just… doesn’t.”

“Huh,” Melanie says again.

“Yeah.” Georgie turns back to the stove. “Now, come here. Tell me if there’s too much salt?”

“Sorry Admiral,” Melanie whispers as she deposits him onto the floor and crosses the room to wrap her arms around Georgie’s waist from behind and take the bite of sauce on the spoon Georgie holds out for her. “Mm, tastes great. As always.”

And in the back of her mind, Melanie adds another line to the section labeled Jonathan Sims and writes, with careful handwriting, he doesn’t.

Although… according to Georgie, Jon doesn’t.

Martin pauses the tape and rubs his hands over his eyes. His cheeks are burning red, and he takes a few minutes to just breathe.

Doesn’t what? Doesn’t date? Doesn’t kiss? Doesn’t—

Martin stops that train of thought before it goes any further, the flush on his face growing in intensity. It’s none of my business, he tells himself as he ejects the tape and turns it over in his hands a few times before sliding it back into the small box it had come from.

He still can’t help but think about it. He thinks about it before the Unknowing, when Jon hesitates just a moment before wrapping him in a tight hug and whispering, I… I’ll be back, Martin. Then we can talk. He thinks about it when Jon’s in his coma, when Martin sits at his bedside and loses himself in daydreams and what-ifs. He thinks about it when Jon’s hand is clasped in his and he’s leading Martin out of cloying white fog and sea-salt air, his shirt speckled with bits of dark liquid that Martin tries to pretend isn’t blood. He thinks about it on the way to the safehouse, Jon leaning against his side, Martin’s hand clasped firmly in his.

He thinks about it a lot, in the confines of the wooden walls that let in the growing chill of the Scottish countryside.

Jon doesn’t.

He knows what Jon does. Jon makes him breakfast most days, eggs and toast and sometimes waffles, which Martin’s always considered a guilty pleasure but that he’s had more times in the past week and a half than he’s had for the past ten years. Jon puts his head on Martin’s shoulder when they sit on the couch and read, flipping through the dusty novels they’d found tucked in cardboard boxes underneath the bed that Jon had wrinkled his nose at but has been slowly making his way through nevertheless. Jon clings to Martin like his life depends on it when they sleep, and Martin will wake in the morning with one arm slung across his chest, a leg between his, and a sizeable portion of hair tickling at his nose.

And, nine days into their stay, Jon smiles at Martin as he shuffles into the kitchen in the morning, stands on his toes, and presses a soft kiss to Martin’s lips.

“Um,” Martin says eloquently, still half-asleep and trying to process what he’s 98% sure is their first kiss. He’d be 100% sure except for the fact that Jon kissed him like it was nothing, like it was easy, like it was something they do every morning.

The smile slips from Jon’s face, and he looks nervous. “I- I’m sorry, I should have asked first—”

“No, no, it’s- it’s okay,” Martin hastens to say, taking one of Jon’s hands in his and squeezing gently. “Just- just surprised, that’s all. I, um. I wasn’t sure if you wanted to kiss me, given that we haven’t…” He gestures absently, his face heating up. Stop talking, Martin. “Yeah,” he finishes lamely.

“Oh,” Jon says with a frown. “I… apologize for giving you that impression. I- I love you, Martin—I have no problems with kissing you.”

Warmth courses through Martin, as it always does when Jon tells him that he loves him. It all feels so unreal sometimes that he’s here, with Jon, away from it all and living in quiet domesticity. “Oh,” he says, face flushed. “A- all right, then. Great!”

“Great,” Jon echoes.

“Just- just thought maybe you didn’t—”

Martin clamps his mouth shut, face heating up more, this time in embarrassment. Shut up, Martin.

Jon raises an eyebrow. “Didn’t… what?”

“Um.” Martin rubs a hand across the back of his neck. “Kiss?”

Jon looks at Martin blankly. “Oh. Well, I- I do.”

“Right, yeah, I- I put that together. When we, um. You know.”

Jon looks amused. “Kissed?”

“Yep, that,” Martin squeaks out.

They look at each other for a moment before dissolving into giggles. Jon presses another kiss to Martin’s lips and finishes making the waffles and kisses Martin again when he hands Jon his tea, and it’s really quite lovely indeed.

So Martin adds Jon kisses to his mental list of Jon does and finds a sole remainder on the list of Jon doesn’t. And it’s fine with him, he decides, if Jon doesn’t want to have sex. He just wants Jon, in whatever way Jon will have him.

Jon doesn’t do sex, he thinks as he kisses Jon goodnight.

So, three days later, when they’re on the couch and they’ve kissed until Martin is red-faced and breathless and Jon pulls back with a pinched expression on his face, Martin assumes—with hot embarrassment coursing through him—that he’s somehow gone too far and strayed into sex territory and made Jon uncomfortable.

Then, Jon says with cheeks dark and eyes focused resolutely on Martin’s chest, “Martin, would… would you like to move to the bedroom?” and Martin’s thoughts grind to a halt.

“Sorry, what?” is all he can think to say.

Jon’s cheeks grow incrementally darker. “I am asking,” he says slowly, like the words are clunky and unwieldy in his mouth, “if you would like to have sexual intercourse. With me, of course, I- I hope that was implied.”

Martin’s aware that his mouth is quite literally hanging open in shock. He closes it quickly before swallowing and saying, “I… yeah, Jon, I- I’d love that, but I thought you—”

He clamps his mouth shut again, a touch too late. Jon’s forehead creases in confusion and he says, “I what?”

Martin hems and haws for a moment before biting the bullet and saying, all in a rush, “I thought you didn’t like sex.”

Jon’s frown deepens. “What? Why?”

And god, Martin doesn’t want to admit that he’s been thinking about office gossip for nearly a year, but he’s dug his grave—he may as well lie in it. He sighs, worries his hands on his lap, and says, “I… may have listened to a tape where Melanie said that Georgie said that you… didn’t.”

Jon looks at Martin blankly for a moment before his expression flattens into something that’s equal parts irritated and resigned. “Ah. Right. That… that makes sense, I suppose.”

“I’m sorry, Jon,” Martin says emphatically, placing his hand atop Jon’s and squeezing. “I- I didn’t mean to hear it; I was listening to the statements and it was just there.”

“No, it’s… it’s not your fault.” Jon sighs and rubs a hand across his eyes. “If it’s anyone’s fault, it’s mine.”

“What?”

Jon makes an aborted, dismissive gesture with his hand. “I’ve… never been good at explaining my own preferences. I never did with Georgie, just… told her I was asexual and left it at that. I suppose she took that to mean that I, er. Didn’t.”

Asexual. Martin has a vague notion of what that means—he’s been in enough online LGBTQ spaces to have encountered the word before, but he’s never really looked into it much himself. If pressed, he thinks he’d also assume it meant that Jon didn’t. Something a bit guilty twists within him at that thought, amplified by his next thought that Georgie shouldn’t have assumed, because, well, that’s a bit hypocritical, isn’t it? Still, he feels the need to voice it; he squeezes Jon’s hand again and says, “It’s not your fault that she just- just made assumptions about what you wanted, Jon.”

“Yes, but it’s my fault that I never corrected her.” Jon makes a face. “Or Tim, now that I think about it. I… I suppose I’m just not very good at talking about these things. Particularly because my own preferences are…” Jon’s pained expression deepens. “Christ, I don’t want to say complicated again, but there really is no other word for it.”

That’s not your fault either, Martin wants to say, but he knows Jon will just contradict him again, and he’ll repeat himself, and then they’ll just be talking in circles, and that won’t help anything. It’s frustrating, but it’s the truth. Still, Martin finds the words waiting on his lips when he opens his mouth, so he shuts it again and thinks for a moment, promising himself later. I’ll tell him later. Finally, he says carefully, “Do you… do you want to talk about it? We don’t have to if you don’t want to, but I don’t want to assume.” He lets out a humorless laugh. “Well, I don’t want to keep assuming, I suppose, given that I’ve already assumed quite a lot.” Quieter: “Sorry, again.”

“It’s fi—” Jon cuts off, takes a breath. “Th… thank you, Martin.” He hesitates a moment, then says haltingly, “I- I do want to talk about it, but I don’t—” He makes a frustrated noise. “—I don’t know how.”

“Okay,” Martin says after a moment. “You said it’s complicated, yeah?” When Jon nods mutely, he continues, “Would it help if you described how you feel right now? That’s- that’s less complicated, right?”

Jon’s mouth flattens into a thin line. “I… suppose.”

“All right, then.” Martin makes a go-on gesture, then rests his hand atop Jon’s and applies a gentle pressure.

Jon takes a few deep breaths, squints at nothing, makes a few wordless noises, then says bluntly, “I want to have sex with you.”

Martin tries really, really hard not to blush, but he doesn’t think he quite succeeds given how hot his face feels when he says, “Right, okay.” His voice is a bit higher-pitched than normal; he hopes that Jon doesn’t notice. “And, um. Do you always… want to have sex with me? Or just right now.”

Jon grimaces. “That’s where it gets complicated.” He makes an I-don’t-know gesture with his free hand and says, “No? Yes? I don’t know, Martin. I’m told that not wanting sex all the time is- is normal, that- that you have to be in the mood, but apparently I’m just supposed to know when I’ll be in the mood and when I won’t be, and that- that doesn’t really work for me.”

“Are you—” Martin cringes internally, but forces the words out. “—in the mood right now?”

“Well,” Jon grumbles, “not anymore, but I was. And it’s complicated, because even if I am, I- I don’t always want to be touched, but how do you explain that to someone, how- how do you tell someone that it’s mostly no but sometimes yes and there’s a very good chance that I might change my mind halfway through and decide that it’s no after all?”

“I think,” Martin says patiently, “that you just say that.”

Jon gives Martin a look. “Martin.”

“What? It’s true!” Martin gives Jon as reassuring a smile as he can muster. “It made sense to me, at least.”

“Yes, but that’s not—” Jon makes a frustrated noise. “It’s not whether or not it makes sense, it’s whether or not somebody is willing to put up with a sexual partner who doesn’t know whether or not they’re going to want to have sex on any given day, whether they- they’ll be repulsed or interested or want to give but not receive or the other way around or- or something else that I haven’t thought of but that will likely happen because consistency is, apparently, off the cards for me entirely.”

“Hey, hey,” Martin says gently, placing a hand on Jon’s shoulder and rubbing gentle circles with his thumb. “Jon, look at me.” When Jon looks, albeit reluctantly, Martin continues, “I can’t speak for other people, and I- I can’t tell you how to feel, but I can tell you how I feel, and I… I’m willing. No, more than willing—I love you, Jon, all of you, and if this is how you feel, then I love that about you too. Whatever you’re willing to give me, it… it’ll be enough. You’re enough.”

Jon’s cheeks darken and he looks away. After a long moment, he says in a stiff voice, “Well. Thank you, Martin.” Then, a bit softer: “I… I love you too.” He looks at Martin then and offers him a small, weak smile. “It’s… well, it’s still awkward, but it’s not quite as bad—talking about all of this—as I thought it would be.”

“Well, I’m glad you did. Talk to me about it, that is.”

Jon’s smile turns a bit hesitant. “So you would really be okay if I… if I never asked again? To, er. To have sex.”

“Yes,” Martin says, without hesitation.

“Oh,” Jon says quietly. “And- and if I said that I did? Want to? That… that would be okay too? Even if I’d already said that I didn’t?”

“Yep.”

Jon looks down at his hands where they’re twisted tightly in the hem of his jumper, then back up at Martin. “All right.” He hesitates a moment, then says, “And if… if I said that I wanted to have sex… now?”

Ah. It looks like Martin’s not done blushing quite yet. “Yep, that- that’s fine with me,” he squeaks out, then cringes internally. Fine? Really?

Thankfully, Jon doesn’t seem offended; if anything, he seems amused, his mouth quirking up into a small smirk. “All right, then.” He leans forward and presses a kiss to Martin’s lips, soft and chaste and ever-so-slightly lingering before he pulls away. “I, er. I think I’d like to just kiss for a bit, though.” His smile turns teasing. “Foreplay is very important, after all.”

Martin groans and gives Jon a look, his face likely fully tomato-red by now. “Jon.”

“Need to make sure we’re fully in the mood before beginning proceedings—”

“Yes, yes, you’ve made your point,” Martin says, a giggle slipping out around the words. Then, because he’s nothing if not a little mischievous himself, he leans forward and captures Jon’s lips in a kiss, significantly less chaste and a touch more insistent, pressing until Jon is leaned back against the arm of the couch and Martin is hovering over him. Martin disengages from the kiss so he can marvel at the flushed, wide-eyed expression on Jon’s face. “Like that?” he says innocently.

Jon blinks up at him for a few seconds, like he’s not entirely sure how to process everything in front of him, before he smiles, a warm, happy thing that captures Martin’s heart entirely and steals it away. “I do believe that was adequate, yes. Perhaps you should do it again though, just to make sure.”

So Martin does. I love him, he thinks as he kisses Jon on the couch and kisses him again on the bed, kisses him in the spot between his shoulder blades where he always carries tension and in the dip of his clavicle and on the inside of his thigh. And when he’s curled up next to Jon after, he presses another kiss to the crown of Jon’s head and wraps his arms around him and quietly discards his mental lists of does and doesn’t. He’ll start from scratch, he decides, and after a moment’s thought, he comes up with two more lists, upon which it’s surprisingly easy to add item after item after item.

Jon likes to be kissed. Jon likes eggs and toast, but not jam, and likes his tea black and slightly oversteeped. Jon doesn’t like wool because he finds it itchy. Jon doesn’t like white wine, but he likes red, the kinds that are too dry for Martin’s tastes.

Jon likes Martin, and Martin likes him too. So, so much. And even when things change, when Jon finds a white wine he likes at a restaurant they visit and he takes his tea once with honey and enjoys it and he goes through a period where he doesn’t enjoy open-mouthed kisses and Martin adjusts his lists accordingly, that remains.

#archivalpride #the magnus archives #jongeorgie #jontim #jonmartin #tma #jonathan sims #tim stoker #georgie barker #melanie king #martin blackwood #my fic #my writing

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bubonickitten · 3 years ago

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Who’s your favourite character in the magnus archives?

Ooooh that's a tough one. Probably sounds like a cop-out but I genuinely found things to like about all of the main cast?? One of the things I latch onto the most is character development, and they all had some really amazing journeys in that way.

My favorites to write and analyze in depth are Jon and Martin, so I might say they're my favorites...?

[TMA spoilers below the cut]

Like, Jon's ADHD ass is first of all very relatable but more than anything I love the GROWTH he goes through?? This man went through so much trauma and faced such unimaginable cruelty and he STILL never stopped caring. He hurt people, yeah -- p much everyone in the podcast does at one point or another -- but he acknowledged it when he did, and even when it would've been easy to just... give in and be monstrous, to just say "fuck it" and live up to the expectations everyone had of him, he made a concerted effort to do better, even when no one acknowledged his progress, even when no one was willing to support him or encourage him or believe he was worth saving.

And I can never say enough about Martin's diehard "so what if the universe doesn't care, that just means we have to pick up the slack" stance towards nihilism. It's not even toxic positivity, it's fully "yeah shit's fucked, the heat death of the universe is inevitable, but I'll STILL fight Jon's shitty self-esteem AND all fourteen, possibly fifteen cosmic evils on the hill of Our Experiences Matter, and the entire time I will be delightfully bitchy about it, no I do not take constructive criticism', who wants to go first?"

Of course I also love Georgie and Melanie and everything about WTGFs. And Gerry, my beloved. And, god, I love Tim and Sasha (I thrive on S1 before-shit-hit-the-fan archives crew content!! and everyone lives/nobody dies AUs, and literally anything involving reconciliation btwn Jon and Tim).

And Basira -- as much as I'd get mad at her sometimes, her words and actions always made sense to me within the context of her characterization and situation, and I love how she and Jon are sort of on the same wavelength re: dark humor and being incorrigible nerds. (I'm having a lot of fun writing them in my current time travel AU, because given the time to heal and the space to actually communicate, I feel they could be friends. Not outwardly affectionate per se, but like... idk, their platonic love language would probably be something like picking apart the flawed methodology of a shitty study and half-jokingly writing a scathing letter to the editor about how wrong the authors are until Daisy gets bored of being the third wheel and demands they all play Mario Kart or something.)

And I'm obsessed with Jon and Daisy' weird post-Buried friendship and just... they were literally the only two people in the Archives who really understood the struggle to resist feeding their respective patrons, but they also didn't make excuses for each other, and -- I genuinely loved the confirmation that Jon never actually forgave her and didn't sugarcoat her past actions. They probably never would have become friends under any normal circumstances, but given what they had to work with, they built something based on mutual support and accountability and a refusal to engage in the sort of denial that the people around them occasionally did.

In terms of side characters, I still maintain that if Adelard Dekkar knew Jonah's plans from the start he would've astrally projected himself into Elias' office and strangled him to death with his own tie, pseudo-immortality be damned. Replace every Chuck Norris joke ever written with Adelard Dekkar, I s2g.

I also must give an honorable mention to our second ever statement giver, the trope-subverting MVP of "I Am Not LOOKING, I Do Not See It", the king of NOT fucking around and finding out, our gentleman of perpetual staying in his own lane: Joshua Gillespie, gold medal winner of NOT being the first to die in a horror story. What a legend.

aaa I'm rambling. Basically there's a lot to love, both in an 'I am fond of this character's delightful quirks' way and in a 'wow this is good character development from a writing perspective' way.

#tma #tma spoilers

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sam-roulette · 4 years ago

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It may be like,, four days after the actual solstice but I’m still 🥺🥺🥺 about chinese melanie headcannon cause,, wtgfs rolling the dough balls with the admiral,,, melanie enjoying the feeling of kneading the flour with Georgie,, it’s time to spend!! With family!!

[Image ID: A waist up, stylized drawing of Melanie and Georgie, rolling pink dough into tangyuan. Georgie is a chubby white woman with blonde hair that falls to about her shoulders and fades into a light, dyed pink color. She is wearing a blue headband, brown horn rimmed glasses, and a light green hoodie; she holds the bowl of pink dough in one hand and looks at Melanie with a tender smile.

Melanie is a Chinese woman with lightly tan skin and brown hair to her shoulders. She wears a lilac t-shirt over a dark purple long-sleeved shirt and rolls several balls of pink dough between both of her palms, smiling. In front of both women is a brown table with a slab of mahjong paper over top, where the completed tangyuan balls are set. On the right side of the image is the Admiral, a small stylized orange tabby cat who is playing with one of the pink balls with large pupils indicating that he’s in an especially playful mood. End ID]

#magnuspod #tma #the magnus archives #melanie king #georgie barker #wtgirlfriends #wtgfs #not sam tag

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ghostbustermelanieking · 4 years ago

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63 for wtgfs please??? 💕

63. Routine Kisses Where The Other Person Presents Their Cheek/Forehead For The Hello/Goodbye Kiss Without Even Looking Up From What They’re Doing

“You off, then?” Georgie says, from her spot at the dining table. She’s got a little bit of disapproval in her voice, but it’s mostly masked; they’ve talked about this a dozen times, and Georgie knows Melanie doesn't have a choice but to go in, and that she's trying to distance herself as much as she can. She's trying, and that's something, and they both know this.

Melanie sighs theatrically and says, "Yeah, guess I have to be. I'm going to take my sweet time getting there, though." Georgie’s flat is a decent way away from the Institute, and that can be elongated in any number of ways. Melanie can almost see why Jon would've wanted to hide here while he was on the run from Daisy. (Aside from Georgie's excellent company, of course.)

"No harm in being late for work, right?" says Georgie. She's looking back at her laptop now, probably editing an episode, but she's smiling in a sideways sort of way. "What are they going to do, fire you?"

"Oh, ha ha. I've never heard that one before," says Melanie, but she is smiling back anyways. "Anyways. Dinner later?"

"Of course," says Georgie. "See you after work, hon."

She tips her head towards Melanie, expectantly, and it takes Melanie a moment to realize what she's doing. They're doing that married-couple thing where one half says Okay, honey, see you later and kisses the other on the cheek. It's corny, and Melanie should probably hate it, but she can't help being charmed by it instead.

She leans down and kisses Georgie's cheek. "See you then," she says, and heads for the door, biting back the urge to grin like an idiot.

Georgie taps on the doorframe and calls, "Hey, I'm back," before going in.

Melanie's sitting up groggily in bed, headphones on the pillow beside her, the Admiral curled on top of her arm. "Hey," she says, voice still thick with sleep. "How was the shop?"

"Oh, exciting as usual," Georgie says, leaning over to scratch the Admiral on the head. "How was your nap?"

Melanie groans. "I hate how sleepy these painkillers make me, and I'm sick to death of napping," she says. "I was listening to old episodes of your show, actually, before I went to sleep."

"Seriously?" says Georgie, laughing a little. "I thought you'd be sick to death of my voice by now."

"Never," says Melanie, her voice thick with conviction. She lifts her head up and Georgie leans down to kiss her forehead gently. Melanie reaches up to cup the side of Georgie's cheek. "Stay with me?" she says quietly, and Georgie immediately pushes aside the covers and the Admiral to crawl into bed beside her.

"How much time is too long for private contemplation?" Melanie whispers right in Georgie's ear, and Georgie has to jam a hand over her mouth to stifle the giggles. (She's pretty sure none of them can hear when she and Melanie go off on their own, but they're nice people, and she doesn't want to risk it.)

"I don't know. We've been down here a while," she says. "One of us should probably go out or something."

"No," Melanie says, dramatically, grasping at Georgie's hand like she's going off to sacrifice herself or something. (They've been here long enough that those jokes are funny again.) "It's a trick so Arun can trap you with another hymn. Don't fall for it!"

"I know how to avoid Arun, trust me." Georgie grabs one of Melanie's hands and kisses the back of it. "It'd only be for a minute, you know. They understand we need our time."

"Some more than others," Melanie mutters, but she's nodding. "All right. Fine. We can get some tins for dinner while we're at it. But I'm not going to let you just offer yourself up. You went last time, I can go this time."

"Are you sure?" Georgie says teasingly (although admittedly she's not going to complain about not having to leave the cot Melanie pilfered from the Archives; it's warm). "You're the one who prophesied the Rebeginning—isn't that what they're calling it? They'll never let you leave."

"Sure they will. I'm scary," says Melanie, pushing hair off Georgie's face. She shifts around on the cot, preparing to get up. "What kind of tin you want, babe?"

"Surprise me," says Georgie. She shifts around automatically to make room for the Admiral (who likes to come and burrow into someone's side when the other one gets up, he's been doing it since he was a kitten), before remembering and freezing in place. It's so hard to remember, after eight years with a cat, establishing a routine… it still hurts every time she forgets.

Melanie must recognize the little sound Georgie makes because she finds her hand and squeezes it. "He's okay," she says softly.

Georgie sighs a little. "Yeah, I know."

Melanie presses a brief kiss to her forehead before stepping away and reaching for her cane. "Back soon?" says Georgie.

"No promises," Melanie says dryly. "Get some sleep, honey. The hymns will wait."

Basira's voice comes echoing down the tunnel abruptly, when they're not far off at all from the gas main: "I think they've seen you both! They're headed this way."

"Shit," Georgie hisses softly, immediately grasping to turn off her torch. They knew this was a possibility, they've talked it out, but… after everything that's gone wrong so far, with Jon sneaking off, and Martin telling them to go early… well, she'd really hoped they wouldn't have to separate.

"Here, don't turn that off, you'll need that," says Melanie, grabbing the other end of the torch and switching it back on. From the expression on her face, Georgie can tell—she's nervous, too. She's holding on tight to Georgie's free hand.

Georgie looks over her shoulder, at the sounds echoing down the corridor. She's got to go and help Basira, it sounds like she's in over her head, but… "Are you sure you're going to be all right doing this?" she says softly—not because she doesn't think Melanie can do it, but because she can catalogue every single way this could go wrong. That Melanie could be hurt, could be killed, setting this off. (And she's not ready to sacrifice Melanie, maybe not even for this.)

"I'll be fine," Melanie says, in a too-firm voice, like she's trying to convince herself. "A-and you'll be fine, we'll all be fine, and then we'll get to go home, right? We're going to fix this."

For a moment, Georgie holds onto this: the idea that maybe they'll get out of this, that they'll have a home again that isn't these horrible tunnels. "Okay," she says. "Just… promise that you will."

"I will." Melanie turns her face up, in that habitual way they have when one of them leaves or returns, and says, "See you on the other side?"

Georgie grabs her and kisses her mouth, really kisses her, that desperate sort of movie kiss they'd have if this was a movie. (A kiss that could be goodbye, except she's hoping, desperately, that this isn't goodbye.) "I love you," she says. "Now, go, go, I'll hold them off."

She pulls the lighter from her pocket and presses it into Melanie's free hand; Melanie grips it tight and leans in to kiss Georgie hard, briefly. "I love you, too," she replies, her voice fierce.

And then they're turning away, back towards their respective jobs, whatever lies on the other side. Georgie runs towards Basira's voice, towards the ancient Archivists, and lets herself keep hoping the whole time that they might make it out.

"I'm back," Melanie calls out softly when she enters the flat, in case Georgie or the Admiral are asleep.

"Hey," says Georgie fondly. "We're over on the couch, c'mere. How was your appointment?"

"It was good. I mean, obviously still weird, but, uh, I think it's kind of helping both of us. At least that's what Laverne's said," says Melanie. "Have you missed me?"

"The Admiral has," Georgie says slyly. The Admiral throws in a lazy mrow of his own that probably means Georgie's just picked him up.

It's been six months since, six full months, and it's still fresh and new and amazing every time they get to do this. Come home to a flat, their flat, after having been out in the normal world, call hello to each other and the Admiral. Melanie doesn't think she'll ever get tired of it.

"Wish I could say the same," Melanie says, teasing, sinking into the couch beside Georgie. The Admiral crawls readily into her lap and she gives him a good scratch before leaning over to Georgie. "Hi," she says, leaning down to kiss Georgie's cheek.

"Oh, hi." Georgie kisses hers in reply. "I did miss you too, you know. At least a little."

"At least a little, hmm." Melanie snuggles into her side, under the reliable weight of her arm. "Well, I'm back."

"You're back," Georgie agrees, and kisses the top of her head.

#thanks for the prompt!!#tma fic #wtgfs #what the girlfriends #the magnus archives #i wrote this #this was almost just the 4 scenes but i couldn't resist writing a little 200 stuff #i wanna do something more complex w wtgfs post 200 but for now have this fluff #post 200

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melaniemonth · 4 years ago

Photo

[ID: a banner announcing the second week of melanie month 2021, romantic week. the background is navy blue, and there are grey dashed borders on the top and bottom. on either side are two flat colored moth vectors, aqua on the left, grey on the right. centered in the image are three lines of text: the top line reads “week two: romantic” in bold white text, the second line reads “april 9th-15th” in hot pink text bordered by lime green, and the third line lists the prompts “gender, georgie, other relationships” in white text bordered by pink. end ID]

Week Two: Romantic!

Our second week of Melanie Month is kicking off, which means it’s romance time!

Gender: Show us how you think Melanie would explore her gender identity and presentation!

Georgie: We all love wtgfs, and we want to see them from you! Reminder that @wtgfsweek is going on until the 11th, so if you want to tag your work for both of us we wholeheartedly encourage it!

Other relationships: If you think melanie would be cute with somebody else, don’t be afraid to share it here! Remember to check our carrd if you have questions about who falls under this prompt.

As always, these prompts are just guidelines! Feel free to take them anywhere you can think of!

If you have any questions that aren’t covered by our carrd please feel free to send an ask in! Reminder that if you don’t have an image description your work won’t be reblogged, and to dm us for one if you can’t write one yourself for any reason.

So excited to see what everyone comes up with!

-mod kate

#melanie king #wtgfs #what the girlfriends #georgie barker #the magnus archives #magnuspod #magpod #tma #annabelle cane #sasha james #melamonth2021

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thedreadvampy · 4 years ago

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Look, Riverdale and The Magnus Archives are good for the Exact Same Reasons

main characters utterly unhinged and prepared to throw down and/or commit crimes at the slightest provocations

core ships kept together through stubbornness, trauma and a desire to do ridiculous crimes (Jmart, WTGFS, Bughead, Jarchie, Beronica, Choni)

Gay But Homophobic characters (in TMA it's Peter in Riverdale it's everyone, mostly the writers, but especially Betty)

one side character is an uncanny meat man (in TMA it's Jared in Riverdale it's Tom Keller and his weird face)

murder clowns who are having fun with murders (Nikola, Penelope)

increasingly off the wall ways to die

ww2 ghosts

bad decisions on bad decisions by 90% of characters

there's a lot going on and I know that it's going to come together in a way that was broad strokes as predicted and heavy-handedly foreshadowed but in detail absolutely OFF THE CHAIN UNEXPECTED TURNS

I Just Like Them

both come out on Thursday thus guaranteeing me one day of aggressively opinionated blogging per week

Reasons TMA is better than Riverdale:

Eh, it's like competently written politically aware and emotionally charged or something

Very funny that Jonny's dumb podcast is the Big League Fandom

Reasons Riverdale is better than TMA

nobody cares what I have to say about Riverdale and nobody has ever got cross at me for blogging about it

Jon has never wrestled a bear. In contrast, Archie has wrestled both a bear and a man dressed as a bear in a semi-hallucinogenic Deadliest Game murder hunt.

#re tma 2 - absolutely every time i think about tma being like wtnv big I'm like #BUT JONNY MADE THAT #HE'S NOT A FAMOUS PERSON HE'S JUST MY BROTHER'S WEIRD FRIEND

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welcometogrouchland · 3 years ago

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i’d love to hear your thoughts on polyarchives

POLYARCHIVES GOOD I haven't read a good fic for them in a long while but it's just. So versatile?? Whether it's the "pre-established jontimsasha lets martin into the polycule and thus helps w/ his character arc about believing he's worthy of love", the "Jon opening up to the assistants and being more vulnerable gets him into the assistants polycule and thus helps w/ HIS character arc of learning to trust those around him", the "timsasha and jonmartin are established but decide to combine their forces for power", literally any combination it's excellent every single time. Also it fufills the fantasy of everyone in season 1 being able to band together against the inherent tragedy of tma as a narrative (since a big kick-off to the tragedy of the archives is everyone shutting each other out and failing to communicate, a thing that would (ideally) be lessened if everyone had a comitted bond with each other as a group". Also love when ppl do unusual polyarchives combos?? Stuff like jonsashamartin. Also when ppl add other characters to it like Jon+wtgfs, or (my self indulgent fav) timsasha+wtgfs (local qp side character power quartet) like that's so fun.

In conclusion, polyarchives is great, if these bitches can't unionize, at least let them kiss

#ramblings of a lunatic #the magnus archives #tma #jonathan sims #martin blackwood #sasha james #tim stoker #polyarchives #(the others only get a small mention so I'm not tagging them lol)#asks #THANK YOU FOR THIS #everybody should send me asks. please send me asks I can't keep playing the same guitar riff over and over again #my legs falling asleep

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inklingofadream · 4 years ago

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hmmm... serial killer!elias/kidnapped!jon au? any strong thots?

#caveat: daisira are bad guys #what if... detective wtgfs #tma #writing #concepts #mine #ooo 2 povs jonelias on one side having a psychological horror #and wtgfs on the other having a mystery thriller abt the case Getting Personal when georgies ex becomes a victim #feel like martin could have fun awkward coroner energy a la edrisa prodigalson

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bluejayblueskies · 4 years ago

Text

Written for @lesbianbirds for the @tma-valentines-exchange 2021!

Words: 8.5k Relationships: Melanie King/Georgie Barker, Jonathan Sims/Martin Blackwood Tags: AU - Cat Café, Fluff, No Fear Entities, Established Jmart, Getting Together WTGFs, First Kiss, First Date, Mutual Pining, He/They Pronouns for Jon

Summary:

From the first moment Melanie King from Ghost Hunt UK walks into Georgie’s café, Georgie is utterly smitten.

|| Ao3 ||

The coffee pot is empty. Again.

With a long, drawn-out groan, Melanie opens the cabinet above the kitchenette sink and pulls out the container of unbearably cheap coffee that Martin had picked out last month when he’d restocked the cabinets.

(“Melanie, I don’t drink coffee, how am I supposed to know what is and isn’t ‘a good brand’?” Martin had said, sounding affronted and snappish in that way he always gets when his beverage-purchasing decisions are questioned—though that typically only applies to tea.

“Martin,” Melanie said, trying to keep her voice calm and neutral despite forcing the words out through gritted teeth. “If it’s less than five pounds, it’s not good coffee.”)

Soon, she’s got a pot brewing. The smell of it is almost enough to drag her out of the mid-morning fog that’s got her eyes unfocusing on the screen, making her see things in the footage that aren’t there. Some people would say that none of the things they point to in their videos as proof of the supernatural are real, and while it’s true that artistic license is a good portion of the job, their footage is not tampered with. Ever. She just sometimes has to look at it for hours to find what she’s searching for.

Thus, coffee.

It warms her from the inside out as she sits back at her desk and begins to click through the footage, despite the acrid, sooty film it leaves on her tongue that has her grimacing. She almost doesn’t notice that she’s emptied her mug until she picks it up to take a sip and finds it absent of liquid.

She’s debating the pros and cons of having another cup less than an hour after the first when Martin’s voice drifts over from the doorway, sounding amused. “I thought you said you didn’t like that coffee?”

Melanie sets the mug down on the corner of her desk with a clink and says, “Yes, well, we do what we have to to survive around here, Martin. Even if it is suffering through some terrible coffee.”

When she turns to look at Martin, there’s a small smile on his face that one might call a smirk if they knew him well. “Think you could put that suffering on hold?” he says, leaning against the doorframe. “Jon’s café opened today, and I was planning on stopping by for lunch. They’ve got an espresso machine?”

Melanie’s nose wrinkles before she can help herself. “Ugh, sorry,” she says, waving a hand at Martin as if that can alleviate the small furrow that’s appeared in his brow. “It’s just—the first and only time I’ve ever seen your partner, they spent most of their time lecturing me on the inaccuracies of my show! Our show, Martin! While we were out recording something! On tape!” To herself, she mutters, “Part of me wants to release them as bloopers just to see what happens. ‘Ghost Hunt UK: Selfish Prick Edition.’”

“They did say they were sorry,” Martin says, sounding apologetic. “And- well, I mean, to be fair, a lot of the things they pointed out actually were facts we’d gotten wrong in the research, so…”

Melanie gives him a look that could cut through bone. “It still shouldn’t give them the right to just say whatever they—”

She cuts herself off and takes a deep breath. She’s already had this discussion with Martin at length; it doesn’t bear repeating. Her therapist, at least, has been trying to get her to stop dwelling on past angers. “Fine,” she says, hoping that her words don’t sound too forced. “Can you just- can you promise me this won’t turn into another attack on our legitimacy? Please?”

Martin’s smile is relief and delight in equal measure. “I promise,” he says in a way that from anyone else would seem empty but coming from Martin is binding and true. “They’ll behave.” He laughs lightly and continues, “Though they did just do this deep dive on London subterranean tunnels—checked out nearly every book in the library and everything. Maybe you could talk about the Millbank Prison tunnels we’re planning on exploring next week? Might be fun, to debate facts off-camera.”

“Sure,” Melanie says, entirely unconvinced. “That won’t go poorly at all.” Before Martin can respond, she pushes back from her desk with a small sigh and says, “All right, then. For you, Martin, I will visit Jon’s- what was it, a cat café?”

“And a bookstore!” Martin says cheerily, his cheeks flushing a light pink.

“Right,” Melanie says, suppressing another sigh. She does like cats, after all. And espresso. She could certainly use some right now. “I suppose we’re taking our lunch break now, then?”

“If you’re free.”

“Well, given that I’m my own boss, I can safely say that I am.”

Melanie slips on her coat and follows Martin out of her office and out of the building, leaving her empty coffee-stained mug balanced on the edge of her desk.

In retrospect, not setting up a gate to keep the cats out of the food preparation area was probably a bad idea. Georgie sighs and swipes the three muffins with bite marks in the sides of them into the bin, resolving to stop by the shop that night to pick up the requisite supplies to keep the fluffy, bread-loving felines she’d so dearly and painstakingly selected from the shelter from ravishing the food they were meant to be serving to the customers.

“That would be the Chairman,” Jon says, reaching around Georgie to slide the glass cover over the remaining muffins. “He can be quite clever when he puts his mind to it.”

“Hm, but not when he’s meant to be keeping out the pests, I suppose,” Georgie says with lips curled into a smile almost against her will. The cat in question is sat on the windowsill, carefully grooming his rich black fur in full view of passersby and the few customers sitting at the tables. It’s still early, Georgie tells herself, and they’re new—not a lot of built-up rapport yet. Give it time.

She’s never been known for her patience.

Jon’s just handed off a steaming mug of tea to a customer—oolong, she thinks—when he turns to her with eyes alight, like he’s just recalled something, and says, “I’m not sure if I told you, but Martin’s stopping by today. Have- have you met him yet?”

With careful neutrality, Georgie says, “I have.”

Jon seems to take that at face value, his face relaxing into a light smile as he busies himself with another cup of tea and says, “Well, he told me he’d stop by around lunch today, just to say hello and to see how the café is coming along. I’m sure he’ll be happy to see you again.”

Georgie’s… not quite so sure about that. The first and only time she’s ever seen Martin was when she, he, and Jon had gone out for drinks one night, about two weeks after Jon had started dating him. Martin had sipped his tonic, pressed himself closely against Jon’s side, and spent the entire night not-quite-so-subtly staring daggers at her every time she laughed at something Jon said or reached out to lightly squeeze his hand. She’s never found jealousy a particularly good look on a person. (Particularly when it’s completely unwarranted; she and Jon broke up years ago, before he’d even left uni, and the thought of her being some sort of romantic competition is honestly a bit laughable.)

And so maybe she’d never made an effort to reach out again, deciding that one awkward night of drinks was enough for her. Martin had certainly never made such an effort in return.

“Sure,” is all Georgie says before turning back to the muffins.

They take a few more orders, make a few more drinks, and chase the Chairman away from the muffins more than a few times. Jon tries to tell Georgie that they’re supposed to be putting three pumps of vanilla in their lattes, which is ridiculous—it’s always been two pumps, it’s not Georgie’s fault that Jon has a secret sweet tooth. The disagreement is teetering just on the line between bickering and fighting when the little bell above the door clangs. Georgie’s eyes automatically follow the sound.

The first person she sees is Martin, black-and-white scarf wrapped up to his chin and cheeks flushed a rosy red from the cold. His face splits into a wide, cheery grin as he spots Jon, and out of the corner of her eye, Georgie sees Jon soften. She recognizes the expression on his face from when they dated in uni; it’s the same as the one that would surface when the Admiral would jump on his lap or when Georgie would bring him tea or when he would spot her across the quad in between classes.

Being in love is a good look on Jonathan Sims, Georgie thinks absently, and not without fondness.

Then, Georgie’s eyes alight on a second figure, following Martin in through the doorway. Her coat is zipped all the way up to her chin, long black hair twisted up into two tight topknots messy enough that they appear to be born more out of convenience than out of fashion. She’s almost as tall as Martin, nearly as skinny as Jon, and Georgie thinks she sees a glint of metal on the side of her nose, on the shell of her ear. Her mouth is tilted into a frown but her eyes are curious as they wander about the café, landing first on the cats, then on the bookshelves lining the walls, and then on the coffee grinders and stainless steel water heaters behind the counter.

Her eyes find Georgie. And Georgie realizes with a start that she recognizes her.

“Jon,” Georgie says, but Jon’s already gone, stepping around the counter with a mug in their hand and an infatuated grin on their face directed entirely toward Martin—and maybe a bit toward the cat that’s decided to make its home in Martin’s arms. So Georgie follows him, brushing past the orange-furred Minister as she does so and trying not to sneak too many surreptitious glances at the woman she’s seen hundreds of times on her laptop screen, framed in neon greens and black-and-whites and sepia tones.

She clearly doesn’t succeed, from the way that Martin follows her gaze to the woman before saying abruptly, “Oh! Right, sorry—forgot. Er, Melanie, this- this is Georgie. Jon’s friend!”

Melanie—Melanie King of Ghost Hunt UK, standing here in the middle of her cat-café-slash-bookstore—regards Georgie with a look she can’t quite place. Then, Melanie holds out a hand. Her fingernails are painted a glittering green, Georgie thinks, then realizes she’s been staring at the hand altogether too long and reaches out to shake it.

“Right, Georgie. Georgie Barker. It’s… it’s nice to meet you.”

Huh. Her hand is softer than it looks on camera.

Before Georgie has time to unpack that thought, Melanie gives her that look again, and Georgie realizes that it’s scrutiny, with a bit of curiosity behind it. “Huh,” Melanie says, like Georgie’s just given her a puzzle to solve, a mystery to unravel. “You sound familiar.”

“Maybe I’ve just got one of those voices,” Georgie says with a disarming smile. She’s still holding onto Melanie’s hand. That’s a bit weird, isn’t it?

She lets go, though that doesn’t help the fluttering in the pit of her stomach. The butterflies climb up her throat, loosening her tongue, and she says without thinking, “Or maybe you’ve heard my podcast? What The Ghost? It- it runs every other Saturday.”

Melanie’s eyes grow just a bit wider then. “No,” she says disbelievingly. “Georgie? Martin, your partner’s best friend is What the Ghost? Georgie?”

Martin’s eyebrows dip into a frown. “Er… yes? Sorry, I- I suppose I never really mentioned it, did I? Sort of… assumed you already knew. Small ghost hunting world and all.”

Melanie looks at Georgie with a sharp, delighted glitter in her eyes. “Huh. Jonathan Sims’ ex is Georgie Barker from What the Ghost?. Who also owns a cat café. Stranger things, I suppose.”

“Slash bookstore,” Georgie says with a smile. “And besides, Jonathan never told me that Martin’s Melanie was Melanie King!”

“Oh, they talk about me?” Melanie says with a smirk.

“Only when absolutely necessary,” Jon says sullenly. Their grimace contrasts quite starkly with the trio of grey kittens they have cradled in their arms. One is valiantly trying to climb up into their hair. “Besides, I thought it was obvious. Martin does sound for Ghost Hunt UK, he has a coworker named Melanie, therefore Melanie is Melanie King of Ghost Hunt UK. It’s really not that much of a leap, Georgina.”

Georgie swats at Jon’s arm. “You never said she was a coworker! Jonathan Sims, this entire time you had a connection to Melanie King and you never said anything?”

Jon directs their sullen look at Melanie. “I wouldn’t say… connection, per se.”

“We’ve only met once, and they spent the entire time criticizing my setup and my story,” Melanie says, arms crossed and chin jutting out defensively, not dissimilar to a cat with its hackles raised.

“If that’s what you call fixing your facts, then fine,” Jon says with equal posturing, their mouth set into a firm line. “I admit that I should have waited until after we had left the shoot, but I will not apologize for correcting obvious mistakes!”

Melanie’s mouth opens, retort ready on her lips, when Martin says quickly, “Jon, why don’t you show me that book you were talking about? The, er, the one about the overlap between sea monster myths and geographical phenomena? I think you told me about the Scylla and Charybdis one last night, but I can’t quite remember what event you said it correlated with? A tsunami, maybe?”

Jon’s mouth opens, then snaps shut. They rub an absentminded thumb over the head of one of the kittens, chew on their bottom lip, and then say, “A hurricane, actually, which caused tsunami-like effects when it—here, I’ll just find the book for you. I think it’s in the back room.”

“That would be lovely,” Martin says, giving Georgie a wide—and not-too-subtly apologetic—grin before following Jon past the counter and into the smaller secondary part of the café meant only for books, the Minister trailing closely behind.

Melanie’s forehead is still set in a frown, but it softens a bit as she looks at Georgie and says, “Er. Sorry about that. Not my best first impression, arguing with someone else’s best friend in front of them.” Her lips curl into a smile, sharp and teasing yet warming Georgie to her core. “Maybe I can buy you a coffee to make it up to you?”

Georgie doesn’t really drink coffee, much preferring a strong green tea; the caffeine gives her headaches, and she’s always found it too bitter for her liking.

“That sounds lovely,” Georgie says. Then, with a teasing smile of her own, she slips back behind the counter and adopts her most put-upon customer service voice. “What can I get started for you?”

The next two months are… well, they’re really quite lovely. The café picks up after the first few days (which may or may not result from Georgie shameless plugging it on that week’s episode of What the Ghost?), all future muffins are saved from devastation by the cheap plastic gate Georgie picks up from the shop, and every day Jon talks her ear off about whatever book he’s last consumed.

When he’s not talking Martin’s ear off about it, that is. Because Martin stops by the café nearly every day, to the point where Georgie’s sure his bank account must be suffering from how many pounds he’s shelled out on coffee and sandwiches (which, as they’re set at Chelsea prices, are not cheap). He doesn’t seem to mind, though. He sits at the corner table, the one that lights up wonderfully in the noonday sun, with the Baroness sat upon his lap—a slim calico with a notch in one ear who’s taken a liking to Martin. Jon sits at the table across from him, both of them wearing those silly little infatuated smiles on their faces as they talk that Georgie is surprised haven’t faded even after nearly six months.

Maybe she should make more of an effort to get to know Martin. She doesn’t remember the last time she saw Jon quite so… peaceful.

And then, of course, there’s Melanie. Who accompanies Martin to the café sometimes, more and more as the weeks stretch on until it’s almost every day that Georgie gets to admire the sharp slant of her nose and the way that she smiles, like she’s just heard a joke and finds it very funny indeed. Georgie ends up hiring extra staff—Tim and Sasha, who interviewed together (which was strange) but who connected so well with Jon that she thought it a shame not to hire them both—and so she can take a few minutes off when Melanie stops by to talk. They talk about what places they’re planning on investigating and their most ridiculous episodes and the kinds of messages they’ve gotten from fans (ranging from flattery to outright hate mail). They talk about their favorite kinds of pastries and where they prefer to spend their Friday nights and their records for the number of drinks consumed in a single sitting (which Melanie wins by a large margin). They talk about their university years and their friends (because Jon’s really quite lovely once you get to know him, Georgie says, and What do you mean you don’t like Martin? What’s not to like? Melanie says) and their favorite childhood memories.

“My dad’s allergic to cats,” Melanie says one day, her fingers buried deep in the Chairman’s fur as she talks. “I always wanted one when I was growing up, got proper annoying about it for a while before he finally told me that it just wasn’t going to happen. We got a dog instead—Dandelion, she- she was wonderful, really, an old dog from a shelter—and then I moved away for uni, and the flat I’m in now isn’t pet-friendly, so…”

She makes a helpless gesture with her free hand. “This is nice, though,” she says and scratches the Chairman behind the ears. He makes a small, contented noise. “Shelter cats?”

“Yeah,” Georgie says, a hint of fondness slipping into her voice. “They’re all up for adoption, technically. We’ve only found homes for a few of them though, which if I’m being totally honest, I’m not too disappointed about.”

“They do grow on you,” Melanie says. The Chairman meows again, as if in assent.

“Mm,” Georgie says. Then, after a moment: “I’ve already got a cat at home, though, and he doesn’t take well to other cats. Tried once and it didn’t go well; had to have a friend take the new cat, felt right awful about it too.”

Melanie makes a sympathetic noise. Then, with a small smile on her face, she says, “What’s his name?”

“The Admiral.” At the look on Melanie’s face, Georgie laughs lightly and says, “Yes, yes, I know—I have a naming type. Jon’s already teased me more than enough for it—though I honestly think it’s rubbed off on him.” Her eyes light up, and she digs her phone out of her pocket. “Here, do you want to see a picture of him?”

She flips through the approximately two hundred photos of the Admiral on her phone before saying, nerves making her voice a bit too high, “I, er. I get off at five today. Do you… do you want to meet him? In person, that is.”

Melanie’s smile is like caffeine, sending her heart stuttering in her chest. “Do you even have to ask?”

So then Melanie’s in her flat, and she’s petting her cat, and she’s taking tea—black, just a bit of sugar—in the large yellow mug that Georgie likes, and she’s just so achingly beautiful that Georgie thinks she might die. Most of the time Melanie wears her hair up, in high ponytails or coiling braids or twin topknots, like the first time Georgie had seen her, stuck through with pencils or chopsticks or, on one memorable occasion, plastic forks.

(“Look,” Melanie had said, cheeks heating with embarrassment, “one of my chopsticks broke as soon as I got to work, and all we had were the forks. No, stop laughing at me—Georgina Barker, this is not funny!”)

But sometimes Melanie wears her hair down and Georgie realizes how long it is, brushing just above mid-back. It looks soft. Georgie finds herself wanting to run her fingers through it so badly that her hands twitch by her sides, but she doesn’t ask. She’s not that far gone yet.

It’s one night at Georgie’s flat, when Melanie’s got the Admiral on her lap and there’s a film going in the background that neither of them is paying any attention to, when Georgie realizes exactly how ‘far gone’ she really is. When Melanie says, haltingly, “So, you- you said you’d done a piece on the Black Lady of Bradley Woods, right?”

Georgie’s brow furrows as she thinks back. “A few seasons ago, I think.” She thinks she remembers Jon dragging up a history book for that one and lecturing her for a good hour and a half on the War of the Roses until she finally relented and changed the script to include a large section on it. “Why?”

“Oh, just- just wondering.” Melanie looks down at the Admiral; he gives a particularly contented purr and nuzzles into her hand, drawing a small smile to her face that Georgie immediately memorizes and files away for later. “I… I was thinking of doing a Ghost Hunt UK episode about it, actually?” she says, her cheeks coloring a light red. “And I thought—well, since you have some experience with the subject, maybe… maybe you would consider. Er. Guest-starring on the episode?”

Georgie’s mouth is suddenly very dry, her pulse quick as a hummingbird’s in her throat. Honestly, Georgina. It’s not like she’s asked you out on a date.

(Though Georgie would like that. She would like that very much.)

“Only if you’ll guest-star on What the Ghost?,” Georgie’s mouth says, entirely without her permission. But once it’s out there, Georgie finds that she really, really likes the idea of it. Them, tucked away in Georgie’s guest room that she’s converted into a studio, talking about ghosts and laughing and reading the horrible adverts she’s forced to incorporate—well. It sounds very lovely indeed.

“Oh, an ultimatum?” Melanie says, humored. Her smile is like wildfire, sending Georgie’s cheeks alight with flames that threaten to consume her utterly. “Well, then. I accept your terms, Georgie Barker. Perhaps you would like it in writing?”

“Oh, over a cup of tea would suffice,” Georgie says, and she knows that her face is nearly split in two by a grin and that she probably looks utterly ridiculous. But she can’t find it within herself to mind.

“I need your help.”

Jon nearly drops the stack of books they’re holding. The yelp they let out is quite undignified, and if asked, they will maintain that it never happened. (And since they’re in the back room of the café, there’s nobody around to hear it but the two of them.) “Jesus,” they say, shooting Melanie an irritated look softened by the shock still making their heart beat at a rapid-fire pace. Then, a bit petulantly: “Help with what? If I recall correctly, the last time I tried to help you, you decided you never wanted to speak to me again.”

“That wasn’t helping,” Melanie says through gritted teeth. “That was being condescending and rude in front of my coworkers.�� She takes a deep breath, lets it out, and says, “But this isn’t about that. Believe me, I would much rather not be talking to you about this—”

“Great,” Jon says flatly. “I’m charmed.”

“—but,” Melanie continues, the look on her face dreadfully pained, “you’re Georgie’s best friend, so I really don’t have any other options.”

With no small amount of apprehension, Jon says, “Help with what, Melanie?”

Melanie’s expression is not unlike that of someone who’s just sat down in the dentist’s chair to get a tooth pulled. “What’s Georgie’s favorite food?”

Jon just stares. “What?” they say after a long moment of silence.

Melanie makes a frustrated noise. “Fuck, Jon, do you want me to spell it out for you? Should have known this was a waste of my time—”

“I don’t think Georgie has a favorite food,” Jon says quickly when the bite to Melanie’s voice grows sharp at the edges. “Maybe- maybe lángos?” At Melanie’s blank stare, they continue, “It’s, er. It’s deep-fried flatbread? She always orders it from the takeaway Hungarian place she likes—er, Miko’s Kitchen, I think?”

“Takeaway,” Melanie echoes. “Yeah, that’ll do.” After a beat, she says, begrudgingly, “Thanks.”

“Right,” Jon says, equally as begrudgingly. They’re not really sure they want to know, but—

“Why do you ask?”

The tips of Melanie’s cheeks go pink, and she says brusquely, “No reason.” She spins on her heel and makes to leave; then with her back to Jon, she pauses and says, “Do not say anything to Georgie.”

“What?” Jon says, confused. “Why?”

But Melanie’s already gone.

Jon stares at the books in their hands, then at the door that leads to the rest of the café. They see Melanie disappear through the front door, the bell jingling behind her.

“What?”

Georgie’s always liked routines. They provide structure to life that she finds comforting, and there’s enough room for variation within them that she doesn’t get bored. Wake up, get dressed, go to the café, come home, do some work on the next What the Ghost? episode, and go to bed, with room in between for other things, like watching that newest documentary on seals with Jon or waking early for a run.

Her new routine goes like this:

Around noon on most days, Martin and Melanie come into the café, sending the bell over the door jingling and approximately ten cats meowling insistently at their feet until Martin scratches beneath each of their chins in turn and Melanie collects some of the treats that Georgie keeps behind the counter in her hand and tries to pretend like she doesn’t like the way that the cats rub against her arms and hands when she kneels down to feed them. Martin orders a cup of tea—usually black with milk and a sugar, but sometimes it’s Earl Grey or gunpowder green—and Melanie gets an espresso drink that makes Georgie’s head ache just looking at it.

And as she hands the mug of tea to Martin, she’ll say, conversationally, “So, Martin, what kind of tea does Melanie like?”

Or: “Is Melanie more of a savory or a sweet kind of person?”

Or: “What’s Melanie’s favorite movie? Does she enjoy movies? What kinds of movies?”

Today, Georgie hands Martin his tea—black with milk and a sugar, the usual, nothing noteworthy or special about it—and says, casually, “What’s Melanie’s type?”

Martin nearly drops his mug. “Sorry, what?”

Georgie’s face begins to heat, but she barrels on. “You know—her type. Men, women, blonde, brunette—who she likes.”

Martin’s staring at Georgie like she’s got three heads. “Uh. I have no idea?” His cheeks are tinged with pink, and Georgie does feel a bit bad for making him uncomfortable, but the curiosity burning up inside her is a powerful thing. It keeps her mouth closed and her expression encouraging as Martin stutters out, “I- er, I think she- well, that is to say, I’m fairly certain that she- er, that she doesn’t… date men? At- at least that’s what it seems like!” He rubs at the back of his neck. “Last year, this chap—Greg, maybe? I don’t know—asked her out for dinner after one of our shoots. He was nice enough, you know—strong jawline, that kind of ‘swooshy’ hair, nice teeth—”

Martin’s face flushes a deeper red, and he cuts himself off. “Right, anyway. She said no, like it was obvious—not in, like, a mean way! Just like she was surprised by the offer. And when I asked her about it—” Martin shrugs. “She said he ‘wasn’t her type.’”

“I see,” Georgie says, keeping her tone carefully neutral and trying very hard to pretend like butterflies haven’t taken residence in her stomach. “Thank you, Martin, that’s very helpful. Enjoy your tea!”

“Wait,” Martin says, his forehead wrinkling in confusion. “Why did you want to—?”

“Ah, sorry, I- I’ve got another customer to deal with,” Georgie says quickly, deliberately ignoring the fact that the till is being sufficiently managed by Tim at the moment. “Great seeing you, Martin!”

Georgie thinks Martin might have said her name again, maybe even asked her a question. But she turns and retreats to the other end of the counter before she can hear it, brushing a curious Chairman away from the gate as she does so. And if her cheeks are as red as the heat in her face leads her to believe, at least Tim doesn’t mention it.

It’s after the seventh time that Melanie corners Jon in the back room of the café and grills him for details about Georgie that Jon finally gets it.

“Oh,” Jon says, apropos of nothing, sitting tucked into Martin’s side on the couch in his flat, the drama that Martin had wanted to watch playing softly in the background. “Melanie likes Georgie.”

Martin makes a sputtering, choking noise at that, something in between surprise and disbelief. “Okay?” he says, in that confused-yet-intrigued voice he gets when Jon changes the topic in a way that makes perfect, logical sense to him but that Martin can’t quite follow.

“It’s just—” Jon makes a frustrated noise, waving his hands in the air absently. “All of a sudden, Melanie wants to talk to me, but only about Georgie, and only when Georgie’s not around. And it’s all what’s Georgie’s favorite food? and does Georgie like parks or museums better? and what kinds of flowers does Georgie like?”

Martin sighs. “Yeah, I know the feeling.”

“And when I tried to tell her that just because Georgie and I dated, it doesn’t mean I know what kind of flowers she likes, she got this weird look on her face and just- just left.” Jon pinches the bridge of their nose between their fingers. “And then today, she asked me if Georgie likes women.”

Martin lets out a stifled laugh. “Just like that?”

Jon nods mutely. “I suppose it’s rather ridiculous it took that for me to figure it out.”

Martin laughs again. “Maybe. I didn’t realize that Georgie liked Melanie until she asked me what Melanie’s type is. Nearly dropped my tea.”

Wait. What?

Jon shifts so that they can get a good look at Martin’s face. “Georgie likes Melanie?”

Martin’s expression folds into confusion, then realization, then something softer. “Oh. Yeah, she- she does. Huh.”

Jon considers, very briefly, making a joke about terrible taste. The amount of restraint they exercise to keep it in is truly monumental. They’re sure that Martin can see it written all over their face, though, given the chastising look Martin gives them.

“Sorry,” Jon says, though technically they’ve done nothing that warrants an apology. Then: “So I suppose we ought to tell them, then?”

“What?” Martin’s looking at Jon like they’ve just suggested they microwave the water for their tea. “No, no, we should definitely not tell them.”

Jon frowns, shifting in place so that they can more fully face Martin. “Why not? If there’s mutual attraction, I don’t see any problem with helping to- to push it along a bit. Lord knows we could have used the help.”

“Jon,” Martin says, not unkindly. “If Georgie would have suggested that you ask me out, or even told you that I liked you, what would you have done?”

“I—” Jon stops, sucks in a breath. “All right, fine, I probably would have reacted poorly, or more likely just wouldn’t have believed her. But, as Georgie keeps telling me, our experiences are not universal.” They cross their arms over their chest with a sigh. “I just hate that trope, where the entire plot revolves around some- some misunderstanding or intentional obfuscation of information that keeps the love interests apart.”

“I know,” Martin says gently. “And maybe you’re right. Maybe they’d take it well. But I honestly don’t think it’ll come to that. Melanie and Georgie aren’t nearly as emotionally repressed as we were—”

“Hey!”

“—and besides, even if we don’t tell them outright, it doesn’t mean we can’t nudge a bit here and there.”

“Nudge,” Jon echoes.

Martin gives them a conspiratorial grin.

“Martin,” Jon says, trying to keep their smile under wraps and failing miserably. “You know how bad I am at subtly.”

Martin takes Jon’s hand in his and squeezes before pressing a soft kiss across their knuckles. He doesn’t say a word.

Jon loses the fight with his lips, and they curl upward against his will. “Fine, fine. No promises, though.”

Martin hums, giving Jon’s hand another squeeze. “You know we’re going to have to rewind the movie, right?”

The groan Jon lets out is more than a little overdramatic. “Why you like this- this drivel, I’ll never understand.”

“Hey, this drivel won two BAFTAs.”

“Ugh. No accounting for taste, I suppose.”

The end of the movie is, predictably, bad. But when Martin presses a soft kiss to Jon’s forehead before standing to go wash their mugs, Jon can’t bring himself to mind.

It’s two and a half weeks later that Jon finally, inevitably, slips up. Which, in his defense, is twice the amount of time he thought it would take for either Georgie or Melanie to finally ask the other out. So really, it’s not his fault at all.

It goes like this:

On Saturday nights at eight, Jon goes to Georgie’s flat, they order pizza or Chinese or Indian, and they put on paranormal investigation videos. Technically, it’s research—coming up with new places or events to make a What the Ghost? about, seeing what the rest of the community is doing, familiarizing themselves with other people’s work in case they ever need to network. In reality, it usually devolves into Jon picking apart their research as sloppy, unsubstantiated, complete falsification of facts, an utter embarrassment to the field of paranormal research and Georgie complaining that that’s not even how ghosts work, you can’t use an EMF there because of the power lines, that’s not even an orb that’s a dust particle on your camera lens.

In short, it’s the highlight of their week. Jon had to cancel once, and Georgie never let him hear the end of it.

Tonight, they’re watching an investigation of the Cambridge Military Hospital, and Georgie’s nearly reached a fever pitch, her increasingly frustrated hand-waves having narrowly avoided knocking over their half-full wine glasses twice now.

“—and that’s just a few reasons why they’re doing it all completely wrong!” Georgie says, ending the sentence with a long, drawn-out groan. “I swear, one of the only respectable shows in this business is Ghost Hunt UK.”

Jon eyes Georgie with no small amount of skepticism. “Well. Respectable is pushing it a bit.”

Georgie spins and points a stern, accusing finger at Jon. “Do not start. Nit-picking aside, Melanie’s tactics are solid, and at least she doesn’t blatantly fabricate her results!”

“Just plays it up for the camera, then,” Jon says under their breath.

“Jonathan.”

Jon bites back a groan. “Fine.” Then, like pulling teeth: “I… suppose that, historical inaccuracies aside, if… if I had to choose a show that I believed to be the- the least fraudulent, I might—might—be inclined to pick Ghost Hunt UK. But I cannot excuse sloppy research, Georgina.”

Georgie’s sigh is labored. “I suppose that’ll have to do.” She turns back to the television, and as she does so, she says, “You know, I thought that since you two were spending more time together, you might have warmed up to her.”

Jon just stares at her. “What?”

Georgie shrugs, reaching for her wine glass. “She comes into the café all the time now. I assume you’re not meeting up in the back room to discuss your mutual love for weird, esoteric books, right?”

Jon’s face heats up, and they press their lips very firmly together. “I… no. I suppose not.”

Georgie hums, taking a sip of her wine. “I’m just glad you two are friends now. God knows it’ll make it less awkward when she comes over to record for the next episode of What the Ghost?.”

“The next episode of—?” Jon cuts off with a sigh. “Georgie, you didn’t tell me that you were bringing Melanie on as a guest star.”

Georgie looks at Jon then, a strange expression on her face. “Is there something wrong with that?”

Jon reaches for their own wine glass, guilt coiling in their stomach. “No, I- I’m sorry. You just never mentioned it.”

Georgie gives Jon an apologetic smile. “Sorry. I- I suppose I thought maybe she’d mentioned it to you?” A small laugh. “Unless you were actually talking about weird books.”

“No,” Jon says sullenly. “That would have been nice. That would have involved actually talking and not just being grilled for information about you, and what you like, and whether or not you would like her.”

Two and a half weeks of carefully maintained restraint crumbles in an instant, and Jon’s wince is full-body. Georgie’s eyes are burning into the side of Jon’s face, and they say quickly, “Er. Forget I said anything, please.” They gesture to the screen helplessly. “I- I think they’re analyzing their footage now.”

“Jon,” Georgie says, setting her wine glass down on the table with a clink. “What did you just say?”

“Georgie,” Jon says, “I am begging you.”

“Jonathan Sims.”

Well. So maybe it’s entirely their fault. In for a penny, in for a pound, they suppose.

So they send a silent apology to Martin, set their wine glass down again, and open their mouth to speak.

Martin’s got Jon’s head resting on his chest and his arm curled around Jon’s back, the linens soft beneath them and his mind half-drifted off to sleep, when Jon says, quietly, “Georgie knows.”

“Mm?” Martin says, not quite awake. Then, after an extended pause, the words register, and Martin says, “Oh. Did you—?”

He leaves the sentence unfinished, but Jon’s already nodding, the motion sending his hair tickling against Martin’s chin. “It was an accident,” he says, his voice small. “It- it just came up, I didn’t mean to—”

He cuts off with a wordless noise of displeasure. Martin’s arm tightens around Jon, his thumb rubbing small circles against Jon’s arm. “Hey, hey. It’s fine. You know I would never be mad at you for something like this, right?”

Jon makes a sound remarkably similar to a scoff. “Yes, I know. It’s not- I’m not guilty, just- just frustrated.” There’s a small pause. Then, Jon says, quieter, “I suppose I’m worried that Melanie’ll hate me for it. We- we’re not friends, per se, but she trusted me not to say anything to Georgie. She asked me not to say anything, and I- I did it anyway!”

“You didn’t mean to,” Martin says, pressing a kiss to Jon’s temple.

“I don’t think that matters much.”

Martin just hums. “What did Georgie say?”

Jon pauses for a moment. Then, with a small chuckle, he says, “Uh. I’m pretty sure it was something like, ‘Thank fuck, I’m asking her out tomorrow then’?”

Martin can’t help it; he laughs, more audibly than Jon, and soon they’re both giggling on the bed, Jon’s laughter a warm, rumbling feeling against Martin’s chest. “Well,” Martin says finally, once he’s gotten his breathing under control a bit. “I suppose that’s good, then.”

“Quite,” Jon says, an audible smile in his voice.

There’s quiet for a moment. Then, because Martin can’t resist: “So it really is that easy, then? One person can just ask the other out? Goodness, why didn’t we think of that?”

Jon makes a noise Martin could only describe as grumpy. “Go to sleep, Martin.”

“All right, all right,” Martin says, humored. Then, after a moment: “I love you.”

Martin can feel Jon smile against his chest. “I love you too.”

It’s not utterly freezing outside the next day, which Georgie is infinitely thankful for as she leaves the café in the hands of Jon and Sasha at quarter to five and makes the short commute to Melanie’s studio. She’d considered, briefly, just asking Melanie out at the café—pulling her aside to ask her a question, or possibly spelling it out in the windows if she was feeling bold—but it felt a bit too stale. And besides, Fridays were always busy days at the café, and between taking orders, restocking the pastries and sandwiches, and taking care of a mishap with a certain grey-haired, muffin-loving cat, Georgie had barely had time to flash Melanie a smile, much less ask her out on a date.

God, Georgie hasn’t been this nervous since uni.

Georgie’s been standing outside the studio for only a few minutes, debating whether or not to go inside or to just wait on the sidewalk for Melanie to come out, when a familiar voice says, “Georgie?”

The butterflies in Georgie’s stomach flutter, trying to climb up her throat and out of her mouth. She turns to see Melanie standing just a few feet away, her cheeks and nose dusted red from the chill and a hat pulled firmly down over her forehead and ears, a little logo of a ghost emblazoned upon the front of it.

The What the Ghost? logo.

Georgie honestly thinks that, in this moment, she might actually kiss Melanie King right here and now.

Instead, she says, “Are you off work?”

Melanie’s forehead creases, and it’s so cute. Georgie wants to reach over and smooth it flat again. She keeps her hands firmly in her pockets. “I have a few more things to do with the footage, but it shouldn’t take me more than half an hour, so- yeah, soon, I guess? Er, why?”

“Um.” Georgie shifts in place, the nerves in her stomach overtaking her quite suddenly. The words stick in her throat like honey, and she clears her throat once, like it’ll free them. “I’ve been, er. I’ve been wanting to try this new Indian place, over in Clapham? Martin, uh--he says you like Indian food?”

Melanie’s just staring at her. Georgie steels herself, tries to ignore the stutter of her heart in her chest, and says, “Also, there’s a new Paranormal Activity in cinemas, if you’d like to go with me. After dinner, that is.”

Georgie waits approximately a second and a half before saying, all in a rush, “A date, Melanie. Will you go on a date with me? Tonight, if you’re free.”

Then, Georgie clamps her mouth shut and waits. No matter how badly she wants to talk to fill the silence.

The silence that only lasts a few seconds before Melanie laughs, her face breaking into a smile of disbelief, and says, “Oh. Yes, I- that sounds lovely.” Then, enthusiastically. “Yes, absolutely.”

The butterflies flutter once more, excitation and elation filling her in equal measure. “Great. Do, uh. Do you want to meet there, or…?”

Melanie blushes, which is a sight that Georgie thinks she’ll treasure forever. “Why don’t you just come inside?” she says, opening the door to the studio. “We’ve got central heat and shitty coffee.”

“Ah,” Georgie says as she steps inside. “That explains the daily visits to the café, then.”

Melanie’s cheeks grow a more vibrant red, and she looks away quickly. “That’s not the only reason,” she mumbles. Then, louder, and a bit hesitantly: “Do- do you want to help me with the footage? It’ll, er. It’ll go faster with two sets of eyes, and Martin’s left already.”

“Yeah,” Georgie says, her throat so swollen with affection she can hardly breathe. “I- I can do that.”

Never, in a million years, would Georgie have said that her ideal date began sitting behind a desk in a too-cramped office, staring at a screen and pointing out little glitches in the editing to be smoothed out. But her hand brushes against Melanie’s every so often when she moves and her knee is pressed up against Melanie’s where she’s sitting next to her in a chair they’d dragged over from Martin’s office, so it’s really no wonder that Georgie’s cheeks are flaming and her heart is stuttering in her chest by the time they finally get to the actual date part of the night.

And it just feels so… easy. Georgie takes Melanie to the Indian place, and they sit and eat chicken vindaloo and paratha under the red-yellow glow of the lights, just low enough to feel romantic but not so much so that Georgie can’t see the way that Melanie’s eyes light up when she talks about her latest hiking trip at Beinn a’Chrulaiste in Scotland.

“I’ve always wanted to hike St. Kilda,” Melanie says, twisting her fork in her chicken absently, “but, y’know… it’s got the Lover’s Stone, which is super popular with couples, and it always just felt weird, I guess.”

“Maybe we could go someday,” Georgie says, because she’s always been a bit too bold for her own good.

Melanie looks surprised for a moment before a small, coy smile comes across her lips. “I dunno—hiking through the wilderness is quite a bit different than sitting in your bedroom talking into a microphone. D’you think you’d be up for it?”

“I’ll have you know,” Georgie says, stabbing her fork at Melanie for emphasis, “that I do field research too! Jon’s the one who does most of the ‘history’ bits of it.”

Melanie lets out a small, bitten-off groan. “Right. Yeah, that tracks.”

Georgie considers telling her that she’s very much like Jon, in a way. But she decides that bringing up exes is not exactly the best first-date conversation material. So she picks up on a story about her last field research trip out to Minsden Chapel and brushes the topic away for another day.

For another date.

Georgie can’t stop smiling.

The film is fine, if a bit trite. Melanie’s hand in hers, coming to rest there thirty minutes in, is much, much more than fine. And when Georgie can’t stop herself from flipping her hand over and twining their fingers together, she’s rewarded with a small squeeze and the faintest of smiles, caught out of the corner of her eye.

They live on completely opposite sides of London, it turns out—Georgie in Acton and Melanie in Dulwich—and so the grand gesture of walking Melanie to her doorstep and then leaning in for a kiss like some couple out of a rom-com is out of the question. Still, Georgie is nothing if not persistent. So when Melanie stops in a secluded spot just outside the cinema, makes a small, aborted gesture that’s almost a shrug and says, “Well, I- I suppose this is it, then. I, er. I had a nice time,” Georgie decides that she’s something of a hopeless romantic after all, and her hand squeezes tighter around Melanie’s when she goes to pull away.

“Yeah,” Georgie says, certain that she sounds utterly infatuated but unable to convince herself to care. “Yeah, me too.” A pause. “I’d love to do it again sometime.”

Melanie lets out a short, clipped laugh. “Yeah, that- that sounds lovely.”

Georgie can’t help herself. “Are you free tomorrow?”

Melanie’s look of surprise quickly morphs into an amused grin. “Tomorrow? God, am I that good of company?”

“Mm, just a bit,” Georgie says with a fond grin to match. Her other hand comes up to brush gently against the side of Melanie’s cheek, the pads of her fingers catching against a few stray strands of black hair that have fallen around the shell of her ear. She hears Melanie’s breath catch as she takes a small step closer, enough so that the space between them is filled with the tension of too close not close enough. Then, teasingly: ”How do you feel about coffee?”

Melanie’s laugh is closer to a snicker. “Oh, I think I’ll manage.” A pause. Then: “Won’t be as good as yours, though.”

Georgie’s heart does something funny at that, a twisting, swirling sensation in her chest. “Flatterer,” she says, but it comes out barely more than a whisper.

Were they always so close together?

Melanie looks at Georgie then, something hot and burning in her eyes that Georgie feels reflected in her own mind, body, and soul. Her hand squeezes around Georgie’s, just once, and she says, “I’d very much like it if you would kiss me now, Georgie Barker.”

And so Georgie threads her fingers gently in Melanie’s hair, leans in, and kisses her. And everything—the softness of her lips, the little sigh she gives into Georgie’s mouth, the feeling of her hair between Georgie’s fingers—is so, so much better than she’d ever imagined it to be.

She kisses Melanie, memorizing the feel of her lips beneath hers, and begins to chart her way forward to all the kisses to come. She envisions the little kisses, like this one, and the passionate kisses, and the chaste kisses to a forehead or temple or back of the hand, and the sleepy kisses in the morning when neither of them would be awake enough to do much else than smile against the other’s mouth and trade quiet hellos. And with each passing image, the ember in her chest grows more and more until it’s fully ablaze, heating her from the inside out with a burning desire for what’s to come.

Melanie squeezes her hand once more before departing, leaving Georgie with a quiet I’ll call you and a smile so soft Georgie fears she might break it if she holds it too close. Georgie stands outside the cinema for a moment more, watching until Melanie disappears into the shadows, with lips and palms burning with a quiet, comforting heat that she can feel despite the nip of winter air against her skin. Then, she turns and begins to make her way back to her flat, a nervous energy curling in her stomach as she walks that finally, when she opens the door to her flat to reveal a very insistent Admiral rubbing against her ankles and purring at the approximate volume of a chainsaw, resolves itself into a bubbling excitement.

She can’t wait to fall in love with Melanie King.

Georgie feeds the Admiral, flicks the lights off, and goes to bed. And if her dreams are full of inky-black hair and thin-fingered hands and soft lips, pressing warmly against hers, then she finds she really doesn’t mind much at all.

#tma #the magnus archives #tma fic #tma valentines exchange #wtgfs #jonmartin #melanie king #martin blackwood #jonathan sims #georgie barker #a plethora of cats!#my fic #my writing #happy valentine's day!! have some tooth-rotting fluff

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