#writing out of gender

[kentopedia]

nanami kento, who hates dating, and didn’t do much of it in his early twenties. but now, he’s almost thirty, watching all the people he works with settle down, have kids, and he thinks he wants that. so he might as well try.

so satoru sets him up on a few dates — friends of friends, he calls them. and at the end of every one of the dinners, kento goes home empty, exhausted, because he knows what they want is not the same.

still; he thinks maybe he’s being a little self-destructive, maybe too picky, maybe he just got so used to being alone. with satoru’s insistence, he gives all the women another call, invites them over to his apartment.

the first time was a disaster… kento had barely set the dinner on the table before his cat had hissed at her, scratched her down the arm in a thin gash. and though it did draw blood, it was hardly enough to warrant that reaction.

he didn’t even try to stop her as she picked up her bag and left, huffing like she’d been morally offend. kento, though, could only smile to himself in amusement.

because maybe kento was a poor judge of character, a man who was secretly hoping nothing would pan out — but his cat could certainly tell the good from the bad.

it became a little game to him, after that. seeing if anyone could win his pet over, and if they could, perhaps they were the one. his darling animal was a fickle thing anyway. a bit too defensive, quick to bite anything threatening after years on the streets.

naturally, no one came back twice.

he was close to giving up, accepting his solitude because he was tired of empty conversations over dinner. but then, he ventured out over the weekend to a new coffee shop, during hours he normally didn’t spend out of his home, and met you.

though you only talked for a moment, kento felt like maybe he’d known you in a past life. a part of him thought maybe it was strange, the way he kept coming back to talk to you, catching you at the end of your shift to see if you wanted to grab a coffee sometime.

by the second date, kento started to think you could turn out to be his best friend.

by the third date, kento wondered if soulmates were real.

on the fourth date, almost two months later, an appropriate time to get to know someone when you were as reserved as kento, he invited you over for dinner. it was, perhaps, the final confirmation he needed to let himself be with you.

he let you through the door, smiling softly as you told him about the book you were reading, and hung his coat on the rack. a moment later, you stopped, distracted, hands covering your mouth in a gasp.

“kento! she’s the cutest cat i’ve ever seen, you didn’t even show me pictures!” you exclaim, and, a few feet away, crouched down. “look at her pretty eyes…”

“careful,” kento said, “she’s not very—“

but the cat approached your outstretched hand, sniffed once, before letting you scratch her under her chin, purring loud enough for kento to hear across the room.

“shes such a sweetheart, you told me she was mean!” you smiled, making a cooing noise as you threaded your fingers through her fur. “kento’s a liar, isn’t he… you’re so precious.”

a few moments later, she snapped her jaw at you in a biting motion, and you only laughed, withdrawing your hand. “alright, i get it, i won’t bother you anymore.”

though she still brushed against your legs, just as she did kento’s, and seemed to communicate some sort of message to him.

“do you want any help cooking?” you ask, tucking your hair behind your ears. “i’m a disaster in the kitchen, but—“

“sure,” kento said, his chest tightening as he blinked back at you, only in his apartment for minutes and already looking as at home there. he wondered if it was possible to fall in love so quickly. “but only if you want to.”

[bluewolfangel01]

-Spoiler Warning for lesson 16 of og game-

Newly made headcanon that Mammon will check Mc's pulse mainly via their neck, when he has a nightmare about, he sleeping with, or he's hugging them (really just anytime he needs reassurance that Mc's alive or okay)

This happens after lesson 16 of course cause his brain chemistry has forever been altered since then.

Mc knows he does this, and very much allows him to do so.

[sockmeat]

Alastor gets horny for romance and it's a real treat to witness

The weather gets colder and his behavior gets so much stranger... To others, anyway. You're well aware of this little routine Alastor goes through every year

You know immediately why Alastor is suddenly so much more interested in travelling with you. Normally, he'd simply ask where you were going and send you off easily, but now he's insisting that he goes to your work with you to "protect" you even though you have nothing to worry about

He feeds you like he's an Italian grandma. If he's not with you, he's in the kitchen making something for you, but if he is with you, he's dragging you to the kitchen to make something for you

He gets increasingly nitpicky about your diet and lifestyle. Generally he's a normal amount of annoying with everything you do, but it gets crazy when he's in rut

Suddenly he's insisting that you work too much and he needs to pamper you

He only allows you to eat food that he's made, which tends to be from scratch. How is he supposed to know who made these noodles? Who the hell laid these eggs? Fuck this, he's getting a chicken.

You have a chicken now... Fat Nuggets has a buddy :)

No fast food for you!! Alastor insists he knows a better recipe and will make you forget about the nasty greasy food

He's crazy because he's right, guys

Somehow he does make the food better and now you can't look at it the same anymore

This is only unfortunate when you want a yummy 3 a.m. snack

But now it's 7 a.m. and you may as well have just gone to bed

It's yummy, but is it worth it?

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[aleixis]

isagi's the sweetest bf ever, and never forgets to get you flowers on anniversaries !!

even though he's stuck in blue lock, he always makes sure to deliver flowers to your house when the one year mark comes around <3 he'll spend the little free time he has on his phone, scouring through the collection of flowers at shops near your house and nearly dropping his phone on his face out of shock for how high shipping is, but he'll endure through !

he'll even consult the opinions of his fellow teammates, taking every chance he has to shove his phone into hiori or kurona's face, asking what they thought of a different shade of pink for the 4th time in a row. they might be a tiny bit sick of him constantly fawning over you, him constantly talking about you to them, but that doesn't mean he'll ever stop; over his dead body he wouldn't.

with the ring of a doorbell, you find a delivery worker with a large bouquet of multi-colored tulips on your doorstep. he asks, "from an isagi yoichi?" you smile in response, thanking him and taking the bouquet into your arms. the bouquet came with a small note attached, reading, "roses are red, violets are blue, no matter what flower, i choose you!"

bonus — your parents constantly tease you for the comically large bouquet you got from yoichi, and you still have no clue how he had the money to buy and ship a bouquet of that size !!

taglist : @why2277 @koffeekat @skullvgirl @saioratral @fishii28

[4acoffee]

continuation here

-

thinking about.

being Jing Yuan's first and only lover back when he was training under Jingliu.

say you come from a family where the eldest child is always blessed with the power of an aeon or something, but in your case your constitution is a little weaker or they in some sort of sick experiment gave you more power than what your body can handle and it leaves you sick every time you use your powers.

but say you study in the alchemy commission and slowly train your abilities. maybe you worked as a nurse or assistant just trying to figure yourself out, and one day the apprentice of the fuckin Sword Champion of the Loufu ends up in your care and he's so sweet and handsome with his honey eyes and boyish smile and he makes you laugh, but you send him off that day and think that's that.

but all of a sudden you find that he is finding every excuse to be able to see you and it's so obvious he has a little crush but he's just so cute that you can't help but fall so easily for him too

you bandage his hands after training and kiss his bruises better when he pouts and he brings you the prettiest jewelry from off world missions with his master and carves your initials together somewhere on the training ground with his favorite sword.

you make out in the dark alleys of the alchemy commission and explore what it is like to love and to care for someone in a way neither of you have experienced before and it's clear to everyone how smitten you both are with each other

then something comes up and you have to leave the loufu for your home planet and when you are saying goodbye, he is not just upset, he is bitter, a little resentful because he never even thought about leaving your side, and he never considered that it may be different for you

you don't want to leave him, but you have to because you have responsibilities on your own planet and maybe you never planned to stay on the loufu forever in the first place

jing yuan grows and more people leave him, but he stays, and the pain never goes away, but it grows duller with him.

you grow as well and you are weighed down by the responsibilities of your family and you realize that your beloved aeon is not what you thought and you and your most trusted friends leave to find a way to free your people.

you turn to the loufu for help because you know that he is the general now and you hope that even if he hates you, you trust that he will be kind enough to save your people.

just imagine you request to have an audience with him and he is shocked to see you back, standing before him in the seat of divine foresight with the conviction of a leader in your eyes, as if you didn't tear his heart out of his foolish chest centuries ago and squeeze it rotten and dry in your deceiving hands.

but he plays along, brings your group to a meeting room and you are there pleading your case.

.

"If you remember, my body did not well receive the blessing of our aeon as it has previously in my family.

"I remember, I was very well acquainted with your body, if you recall."

He preens shamelessly, in front of everyone.

[twentyfivemiceinatrenchcoat]

HOW DEEP IS YOUR DEVOTION? ; SATORU GOJO

synopsis; you’re his knight, and he’s your prince. if only it were that simple.

word count; 6.6k

contents; satoru gojo/reader, gn!reader, royalty au (..but no effort put into making it historically accurate in any way oops), knight!reader x prince!toru!!, childhood friends, mutual pining, fluffy overall, some hurt/comfort too, vague allusions to abuse (reader is punished by one of the castle maids as a child but it’s only really hinted at), knight!reader is horrendously devoted but prince!gojo is arguably worse, he would burn the world down if u asked nicely <3

a/n; big big BIG thank you to @/teddybeartoji for having the biggest brain in the galaxy and infecting me with this concept <33 if u pay attention while reading you can tell the exact moment i started slowly spiraling into insanity

you are five years old when you meet the prince.

five years old, a mere child, and too young to be blinded by such brilliance. too young to be where you are; curled up in a dark alley, back against a grimy brick wall, covered in bruises. like a beaten dog — scrawny and afraid. waiting for a strike that never comes.

the boy in front of you is also five years old, but you don’t know that. something in him looks older, somehow, something in the way he carries himself. like he doesn’t have anything to be afraid of. like he’s never even felt fear. he parts his lips and speaks like he has the right to, like he’s comfortable in his own skin, a radiance so blinding you could mistake him for the sun. too much for you to bear.

”does it hurt?”

the words fall on deaf ears. but you flinch, your body reacts, a tremble down your tiny spine. you hear the sound but not the words. too mesmerized, too paralyzed, unable to look away from the blue of his eyes, painted with rich watercolour hues. seeping into the world around you like ink on paper, cobalt and aquamarine and something else, something you’ve never seen before —

a blue so jarring it makes you shiver.

the boy has an innocent face. almost girlish, plump cheeks and long lashes, clean clothes and smooth skin. a little too pretty to be out here, you think, in this part of town — too pure to be anywhere near someone like you. he’s above you, that much you can tell. a pretty, innocent face, untouched by dirt or ache; the face of royalty. an entirely different species.

there’s something keen in his eyes, a contrast to his childlike features. a sharp gaze, something that sees through you, something that won’t look away. something mildly frightening. enough to have you cowering in fear, hugging your knees closer to your chest.

but then he smiles. and it’s sincere. sweet, vibrant, all honey and milk and a world you cannot reach.

a smile so captivating you take his outstretched hand, and let him drag you away to god-knows-where.

(that's how it begins. the dynamic that’ll follow you into your adult lives; satoru takes the lead, and you follow. no matter where he’s going.)

satoru gojo, as you soon come to learn, is the prince of the nation you reside in. the only child of the royal family, born with talent and prestige, fame and fortune, set to become king. a different species, indeed.

but he brings you home with him, to a castle so grand you feel as if your very presence is an insult to the architects who designed it, and convinces his parents to let you stay. it’s surprising, but you don’t protest; following him like a puppy at his trail. and he’s stubborn, insistent, demanding that he get to keep said puppy. 

the king and queen don’t care one way or another. they glance at you with apathy, and tell satoru to do what he wants — but convincing the scary and displeased castle maids takes some work. 

satoru doesn’t waver, though. he holds your hand in his, and demands that you be treated with respect.

and he wins. he always wins.

that’s how you become the prince’s playmate. raised alongside him, allowed to stay close, eat from the same food. he won’t settle for anything less. defending your honour, always, before you even know what honour means. before you care.

time passes slowly. joyously. every day is a new adventure, as you attempt to get used to the miracle that is your new life — sweet and silky, apricot blossoms and fresh peaches, duvet pillows and a bubbly laughter you didn’t know you still had. he coaxes it out of you, with every secret midnight outing, every bout of mischief he drags you both into. 

satoru has nice hands, uncalloused palms, fingers that grasp yours and don’t let go. he takes you outside, to see the stars, to catch fireflies in the dark of night on top of the hill that oversees the castle. to take a dip in the river just below it, gleaming a silver hue under the blue shade of the moon. you worry about getting in trouble, but he reassures you — the prince can do what he wants.

that might be true, but you are no prince. not even close. satoru may safeguard you, but all you’ll ever be in the eyes of the world is a stray he got to keep.

and one time, only one time, you do face the repercussions of your midnight outings. you, and you alone. a bad influence — seething words, buzzing in your ears. an angry castle maid, and a stinging pain in your cheek. blurry tears. 

but that’s an incident no one in the castle dares to speak of.

(you’ll never forget that look in his eyes.)

satoru is an odd boy. he keeps you close, always, clinging to you like he needs you to breathe. you don’t understand why, but you’ve learned not to question him. the castle guards all know you as the prince’s best friend, and some part of you knows that’s all you’ll ever amount to. but you don’t mind.

because you love him. at five years old, six years old, seven and beyond, you love him. satoru gojo, the kindest boy in the stratosphere. 

a boy who keeps finding you, no matter where you are, who tugs you along as naturally as the rise of the sun. who raids kitchen cabinets with you and always makes you laugh, little giggles and chuckles that have him beaming proudly. a boy who cleans your wounds with a serious expression, and tells you that he’ll protect you forever. 

(you tell yourself the same. that you’ll protect him forever and ever, until you run out of air to breathe. a boy so sweet you’d die for him.)

a pledge is made. you make it before you know what a pledge is. pledging to protect him, to become his sword, because even as a child you understand that his life will be difficult. you see it in the dullness that sometimes comes over his eyes, the apathy of his so-called parents, the hours he spends locked up with nothing but a pile of dusty books to keep him company. 

so you decide to become his knight. his, and his alone. 

it’s challenging. but you push through; training with another aspiring knight, miles better than you, black hair tousled by the breeze as he knocks you off your feet for the thirtieth consecutive time. wincing as the girl who sometimes watches your sparring patches you up, soft hands cleaning your wounds so tenderly that you almost choke up.

and eventually, as the apricot blossoms of the castle orchard wilt and bloom over and over in a flurry of pure white, your dream comes true. 

there’s something playful in satoru’s eyes, when he places his blade on the curve of your shoulder. something sweet and fond, and just a little bit ironic — as if you’re still seven years old, and playing house. 

you want to tell him that it isn’t a joke. that you’re serious, about this, that you’d tear your stomach open to keep him safe. but you know he’d just laugh. so you let the words clog up your throat, honey-sweet devotion sticking to the walls of your esophagus. breathing in through your nose, as he speaks. as the words you’ve waited to hear flow from his glossy lips.

when all is said and done, satoru smiles. he calls you his little knight, and you can tell that he’s teasing you. indulging you, as if he’s in on some joke that you aren’t. but you’ll take what you can get.

you call him my prince, expecting him to laugh it off, but his smile begins to fall. and a pang of ache rushes through your soul, instantaneous, guilty, although you don’t understand why.

so you keep calling him satoru. even though it’s more than a little unprofessional, and you become painfully accustomed to receiving a few judgemental looks here and there. a knight and a prince shouldn’t be so very close, they think, and you don’t disagree. but there’s nothing they can do about it, anyhow.

the prince and his knight can do what they want.

not much changes. you’re his knight, but he treats you the same as before. he’s playful, a little goofy, and you indulge him. as always. attached at the hip, bickering and bantering, bouncing off each other effortlessly. and satoru never bothers to hide your history, the soft spot he has for you; it’s in every fleeting glance, soft tilt of his head, teasing call of ah, there’s my favorite knight. 

(you’re no stranger to jealous looks. sometimes a pout on the lips of a pretty girl, a crease between the brows of one of your fellow knights. and sometimes a glare, from his fiancée — a woman he was engaged to before he was old enough to speak.

but you don’t mind. you’ve never cared what anyone but satoru thinks of you.)

satoru never loses his smile, that effortless air of confidence. the charm that makes people want to follow him, a charisma you know well. one you fell victim to at five years of age. he’s still just a prince, far from being a king, but he receives the same respect.

and that keen, sharp glimmer in his eyes never quite goes away; the hardened shell around his heart unbroken. you see it in fleeting glances, during meetings, ones he allows you to attend despite your status. when he speaks to a room of people with more power than you can imagine, his voice unwavering. back straight. elegant, serious, the presence of royalty — enough to receive respect without even trying. 

but he still shoots you a smile, easygoing, when your eyes meet. one only you can see.

as for you, the step into knighthood is a clumsy one. but you take your duties seriously, and adjust properly. a deep devotion runs through your veins, from your beating heart down to the tips of your fingers, where a sword lies clutched. you keep it close, always, ready to serve. to obey. to protect. 

all of it for one person.

all you do is for him. duels in his honour, beasts slain for his peace of mind, and he’s always there to welcome you back. wiping the blood from your cheek, tenderly, smearing his untainted skin with red; all while he looks at you softly, a coo or word of praise waltzing on the tip of his tongue. 

that’s only for when you remain unscathed, though, when the blood on your cheek isn’t your own. when you get hurt, it’s different — something begins to brew inside his eyes, and you can’t tell what it is. but he insists on bandaging you himself, paying no mind to your meek protests.

sometimes, you’re more reckless than usual. your injuries worse. sometimes he looks upset, angry with you, and doesn’t speak. you don’t, either.

a strange look comes over his eyes, every now and then. when you get down on one knee, to kiss his hand, the metal of the ring on his finger — and if you look up, you’ll see it. simmering inside those blue depths, something just as fond as it is sad. troubled, you think.

(something tells you he’d kneel, too, if only you’d let him.)

the bond between you remains intact. even as you begin to shoulder more responsibilities, more duties, even though you don’t have as much freedom as you used to. even though you seem to get less time to spend with each other every single day. but you stay together, even so; just like when you were children, running around and causing trouble, more than you could get away with now. 

despite everything, satoru has grown up into a fine man. and you couldn't be prouder.

“do you think i look good in black? be honest.”

you throw him a glance. curious, somewhat perplexed, eyeing him up and down.

satoru is wearing a white blouse, puffy sleeves and a low neckline, showing off the skin of his bare chest. no black colours to be seen. you think back to that banquet he attended last month, forced into an expensively tailored black coat. a corset around his waist. and then you hum.

“sure you do.”

”suguru said it makes me look like a try-hard,” he scoffs, crossing his arms. tilting his head in your direction. ”do you think he’s jealous?”

”definitely.”

a moment passes. 

satoru narrow his eyes, and gives you a dubious look. clicking his tongue. ”… something tells me you aren’t taking this seriously.”

”i am,” you assure him, a lazy smile at your lips. meeting his gaze, that displeased little pout. still smoothing a brush down the mane of your horse, the smell of hay soothing your muddled senses. ”just tired. you look good in anything. you know that.”

he hums. silent, the sound of a spring breeze filling in the gaps.

it’s late. outside the stables, the world is engulfed by a dark sky, almost too murky to see anything. hazy stars glimmer in the distance, and a sense of fatigue gnaws at your bones. it’s been a long day, and yet you’re here — doing even more work. just a little more.

and satoru’s right there with you. even though he’s just sitting there, on the floor, not lifting a finger to help. not that he has to. insistent on spending some quality time with you, keeping you company. just talking and munching on the food he snuck in, bread and cheese and an expensive bottle of wine, that he leaves completely untouched. he tries to leave some of everything else for you, though. keyword being tries.

a sense of peace simmers in the air. palpable, almost enough to taste, as midnight air streams in from the opened doors, chilly and pleasant on your skin. ruffling the thin fabric of your clothing.

and it’s nice, you think, just to have satoru there — talking about this and that, complaining about all the annoying people he had to meet yesterday, yawning every now and then. nostalgic. like this, it almost feels like you're still kids. back when you spent every single hour of the day by each other’s side.

it’s been a long time since you got the chance to speak like this. satoru’s been busy, and so have you. more so than usual.

”are they running you ragged?” he suddenly asks, and you don’t realize you’ve spent the last minute staring into space. resuming your brushing, with steady hands, but turning your head to meet his gaze.

”need me to…” he makes a slicing motion with his hand, right over his throat. a glint of mischief in his eyes. ”handle it?”

and you scoff. amused, but answering him seriously; unsure if his question is all-together humorous, if it doesn’t carry a hint of something genuine too. ”of course not.”

there’s a weariness in the way you blink. the way you pet the animal in front of you, having finished getting the dirt and blood clots out of her mane. she lays down in her stall, and you smile. turning around to rest your back against the wooden border between you, a respite for your aching bones.

it gets just a little bit tiring, sometimes. fighting, patrolling, helping townsfolk. protecting the castle, making sure everything is in order. killing whatever needs to be killed. cleaning the stained silver of your sword.

but…

”it’s my duty,” you answer, seriously, and it comes out sounding like a vow. because it is. 

you avoid his gaze, but you can feel it, as you pick up the wine bottle by your feet and pop the cork. soft moonlight flits in from the windows, illuminating the green glass. a chartreuse glow that reminds you of fireflies, shimmering in your grasp, and for some reason it soothes your heart.

satoru only hums, far from approving. popping a piece of cheese into his mouth. 

after a brief pause, he continues. ”you don’t have to be so serious all the time, you know.” his voice comes out a little raspy. it’s got a certain tilt to it, one that means he wants you to take him seriously. ”not around me.”

you take a sip of the wine. expensive, blood red. it’s too sweet for your taste, heavy on your tongue.

”… i’m less serious with you than i am with others.”

satoru sits up a little straighter.

”yeah?” he grins, a kind of satisfaction blooming in his eyes. cerulean and sweet. almost smug, you think, like the cat that got the cream. ”that’s good. you really should loosen up, though.”

a glance. fleeting, just to see him — but he isn’t looking at you. he’s looking outside, through the opened window, at the sway of the apricot trees. white petals flitting in, landing by his feet. in his hair.

when his eyes meet yours, they’re smoothed over by that something you can never put your finger on. a blend between longing and fondness. crinkled at the edges.

”you’ve got a pretty smile,” he exhales. ”be a shame not to show it off.”

when you look at him, really look at him, you see it. that fatigue. it slips out when he talks to you, a sincere way of speaking that never quite allows him to hide his emotions. you hear the hint of a yawn, can practically feel the weight on his shoulders. the weight of an entire nation. a weight he was always bound to carry.

(you could never bring yourself to be even remotely alright with it.)

“have you been doing okay?” you ask, and satoru blinks. there’s a soft look in your eyes, as they trail over the contours of his face, his lashes catching the light of the stars. an innocent, pretty face. but he looks tired. frail. like he hasn’t been sleeping properly.

something rotten bubbles up inside your throat.

”they’re running you ragged, too,” you say, hand settling on your hip. where your sword usually is. unconsciously, on instinct — or maybe just to make him laugh. ”need me to step in?”

satoru chuckles. husky, mellow. dripping with soft amusement.

”settle down, little knight.”

a moment passes. silent. his eyes flutter shut, for a second, and a breath slips from his lips. almost a sigh. in the distance, you hear the quiet coo of an owl. 

”of course,” he eventually answers, opening his eyes. and you think he looks a little resigned. but smiling. self-deprecating, you think, although he’d like you to assume otherwise. ”all of it is just preparation, anyhow.” 

a flimsy smile, as he looks into your knowing eyes. ”it’s what i was born for, wasn’t it?”

you purse your lips.

“… i don’t think so.”

another chuckle. a little delighted, this time. 

“yeah,” he cranes his neck, emitting a low groan. “me neither.” something sweet blossoms in his eyes, sweet like the crunch of the apple he bites into, juice dribbling down his chin. ”but it is what it is.”

a beat. you part your lips, trying to find the right words. ”tell me if there's anything i can do,” you settle on. the same words you always choose. ”anything at all.”

satoru smiles. “right.” his voice carries a teasing tilt; almost a purr. ”there’s nothing you wouldn't do for me, hm?” 

“— there isn’t.” you smile. “nothing at all.”

he blinks. a little dazed, for a second, and you watch as his ears redden. slight, enough for you to notice, but gone before you can bring it up. a contemplation smooths over his features. and a pleasant breeze flits in, ruffling his hair, apricot petals kissing up his skin. he looks at the apple in his hands.

then he sighs. placing his palms on his knees, and rising to his feet. his arms twitch, muscular beneath the flimsy blouse, and you gulp. although you aren’t sure why.

“alright, then.” his eyes flicker in the dim light, sharp and decisive. he crosses over to you with long strides. “there is something you can do.”

when he’s close enough, satoru reaches out his hand; opening his palm. a silent beckoning. you look at him, not saying a word. his expression is unreadable. 

then you intertwine your fingers with his. unquestioningly, even in the midst of your confusion.

(it reminds you of that day. when he pulled you up to your feet, held your hand in his and refused to let go. leading you to the promise of something better.)

no matter where he goes, you follow.

and satoru grins. it’s sweet, just like back then, a smile so vibrant you wish you could tuck it into your sleeve and keep it there forever. he curls his fingers around yours, gentle, fondness bubbling up inside his eyes. for a second, you think you see the sun.

“come with me.”

at first, you truly aren’t sure where he’s going to take you. hand in hand, you begin to walk, feeling the midnight breeze nip at your skin. beyond the castle walls, away from the hustle and bustle of the nearby town. satoru holds your hand and smiles, tousled tufts of white hair swaying with the wind, leading you to a place you know well. a place where the air tastes like freedom.

it’s the river you used to play by as children.

gleaming a solemn silver under the evanescent moon, framed by bushes of lilacs, blooming indigo and violet and pure white. butterflies flutter about, almost glittering, blue wings settling down on the leaves. the scent of nectar hangs heavy in the air. on top of the hill just above you, you think you can spot tiny little glowing dots; green and yellow, buzzing around. dancing merrily, now that there aren’t any troublemaker children left to trap them.

satoru lets go of your hand, to roll up his sleeves. the hems of his pants. then he’s taking a step forward, dangerously close to the edge of the river, and you can tell what he’s thinking.

“ah — wait —“ you stumble forward, to grab hold of his arm. a worried crease forms between your brows. “that's dangerous, satoru. you could slip and fall.”

he turns to face you, a teasing mirth in his eyes. smirking lightly. “oh? is that so?” he hums, a slight tilt of his head. then he’s stepping closer, so close you feel his warm breath on your skin, but you will yourself not to step back. “wanna know what i think?”

he leans forward, just a little further, warm air brushing against the shell of your ear. flushing beneath it. his voice comes out low, a sleepy lilt, dangerously raspy. hand ghosting over your waist.

”i think you’re too scared to get in.”

you blink.

”… really?” you deadpan, stepping back a tad. satoru looks pleased with himself.

“really,” he purrs. “you were always like that. could barely dip your toes in without shivering.” he reaches out to pinch your cheek, a coo on the tip of his tongue. ”scaredy-cat.”

you raise an unimpressed brow. satoru steps back, inching closer to the river, until a quiet splash tells you that he’s standing in the water. lapping up his bare legs, not enough to even reach his knees — it felt a lot scarier when you were smaller. he’s still holding your hand, very loosely, fingertips ghosting your own. 

“c’mon,” he coaxes. soft, encouraging, a playful glimmer in his eyes. teeth catching the light of the moon. “or is it too much for my brave knight to handle?”

satoru laughs, when that makes you furrow your brows, attempting to hide the flush of your cheeks. a warmth spreads through your chest at the term of endearment, and you bite your lip. melting a little. 

his knight. his favourite knight.

“... fine,” you tangle your fingers in his own. sighing deeply, taking a tentative step forward. “just be careful, okay? i don't want to deal with your whining if you hit your head.”

“ah, but you’d kiss it better, no? if i asked?” he flashes you a honeyed grin, eyes rich with amusement. you hope the darkness of the night is enough to hide the red of your ears.

a grumble buzzes in your throat, locked behind your pursed lips. something in your jaw goes tight.

the man in front of you softens. parting his glossy lips. he says your name; slowly, thoughtfully, as if savouring every syllable. dragging them out, speaking with a lilt that tells you he’s being sincere.

“— loosen up. it’s just you and me.”

so you do.

and it’s odd. how easy it is to get lost in him, the watercolour of his eyes, the brightness of his grin. how pliantly you let him whisk you away. before you know it, you’re playing in the water — because satoru splashed you, laughing at the shock on your face and the shiver of your spine, and you had no choice but to retaliate. 

the sound of his laughter fills the air, sweet and bubbly. deep and giddy. strands of hair stick to his wet skin, droplets running down his neck, but his grin never falters. bright and toothy, boyish. he looks younger than you ever remember him being. like there’s no weight on his shoulders, none at all, only soaked fabric weighing him down. a flimsy, see-through blouse.

you think it’s ridiculous. two grown adults, splashing each other like children. but his melodic giggles are contagious, and before you know it, you’re laughing too — and satoru looks at you like you hung all the stars in the sky. through dewy eyelashes, with cerulean eyes that melt into the pale blue of the moon and the silver of the river. filled with wonder.

a particularly ruthless splash knocks him off balance, and he has the instinct to reach for your arm; stumbling, slipping, dragging you down with him. you land on his chest, cheek against his neck, his pulse against your skin. erratic, joyous. fluttering happily. his chest is heaving, lifting you up and down, a little, rhythmic and comforting. 

a sudden yelp slips past your lips, as you get snapped back into reality, into the realization that you basically just pushed your own prince into a river and used his unfairly soft chest as a cushion. a mumbled string of apologies escapes you, as you attempt to get up, scrambling to find footing.

but satoru wraps his arms around you. tucking you under his chin, keeping you flush against his chest. nice and still. 

and then he sighs. a blissful little breath, fatigue seeping out of him. into the air. 

“stay like this, for a bit,” he rasps. ”it’s okay.”

his heartbeat resounds in your ear. warm and rapid, like claps of thunder, coaxing you into closing your eyes. satoru has always felt so very safe. the water of the river is cold, seeping through the fabric of your clothing and sticking to your skin, but…

(he’s warm.)

silence. and then, a whisper; frail, slipping past his lips, gently slicing the silence in half. softer than you've ever heard him speak.

“i missed this.”

…

nuzzling into his neck, you breathe him in. he smells like sandalwood and dried roses, buzzing with warmth, heavy arms around your waist. solid. when did he get so big? you used to be taller. 

then again — that was a long time ago, wasn’t it?

“… me too.”

“missed you,” he continues, his jaw on top of your head. it’s a sincere confession; childlike in its innocence. “missed hearing you laugh like that. feels like it’s been so long.” 

you stay silent. unsure of what to say. satoru continues, and you let his husky voice carry you away, the tremor of his chest running through your entire body. soothing like a lullaby. 

”we haven't had much time together, lately. i’ve been worried,” he admits, and something about it strikes you as rather sheepish. a little ashamed. ”it bothers me that i can't be there to watch over you. make sure you're treated with respect, you know.”

a sleepy chuckle. muffled into his shoulder, almost a scoff — slightly exasperated. little droplets cling to his skin, sticking to your lips.

”relax, your majesty,” you tease. ”i promise the other knights aren’t bullying me.” 

satoru pouts. you can hear it, when he speaks. ”i’m serious,” he huffs, squeezing you lightly. ”and it’s not them i’m worried about. suguru’s there.”

another scoff threatens to escape your throat. you want to tell him the only knight that should be suspected of bullying you is suguru himself, but before you can even think to part your lips satoru’s beaten you to it.

”they all treat you so carelessly.” there’s something cold to his voice, an irritation tugging at his teeth. oddly seething. ”like you exist to serve them. like you’re disposable.” 

a moment passes, heavy with a silence so thick you don’t dare break it. when he speaks again, it’s an order. a demand. 

”i want you to tell me if they go too far.”

silence. again. you can do nothing but gnaw at the flesh of your bottom lip. 

(he isn’t wrong. but that’s simply what it means to be a knight — half-human, half-weapon. an unattainable ideal, stuffed inside a suit of armor.

when a weapon breaks under the force of a slash, the only choice is to throw it away. that much you know.)

”it’s fine. i’m not that fragile,” you weakly protest, but it’s not enough. satoru huffs.

”you’re a human being,” he reminds you. strangely stern, for once. chastising. ”you deserve to be treated with respect. knight or not. fragile or not.”

a deep inhale. he breathes in, and the rise of his chest carries you with it. his voice buzzes with something, a slumbering kind of fury. one you haven’t heard in years. 

“if anyone gives you trouble — if anyone hurts you… if anyone makes you feel unsafe,” he almost spits the words, like they’re venomous, sacrilegious. ”tell me. i’ll destroy them.”

silence. and then, a chuckle.

that’s all you can manage; that one meek little breath. resisting the urge to cower, at the love that clings to every word he speaks. angered affection. a promise, dangerously genuine, like a growing wildfire. ”i can take care of myself, satoru,” you remind him. hoping it’ll soothe him. ”you know that.”

but his grip around you only tightens. gentle, even still. as if you’re made of glass, a firefly cupped in his palms. he lets the silence linger, for a moment.

and then; 

“i’d do it, you know.”

“… do what?” you ask, though some part of you already knows. 

satoru’s reply is instantaneous. an arrow hitting its target, cold and concise, decisive. frighteningly honest. almost a growl, flattened, a hint of teeth behind his soft lips. ”destroy them. anyone.”

”i’d tear this nation apart if you asked me to.”

…

(ah. that look in his eyes — one you remember well. strung together with blurred memories, the sting of a palm on your cheek, a castle maid you never saw again.)

you search for the words. biting back a gulp, hesitant. “… i wouldn’t.”

“i know.” satoru yawns, breathing you in, voice shifting back into the softness you’re so used to. your shoulders relax. “but i would. if that’s what you wanted.”

and it’s a little scary, the depths of his devotion. but you’re almost certain you’d do the same for him. maybe you're both a little sick in the head, a little too eager to serve your hearts on a silver platter.

“it bothers me, you know.” satoru breaks you out of your thoughts. gentle, a soft lull of his tongue. ”when you get hurt. when you fight for me.”

“i know,” you murmur. you’ve seen it in his eyes, a worry he’s not as good at hiding as he thinks. ”i want to, though.”

“and i want you to be safe.” a chuckle bubbles up in his throat, just a little bit rueful. “you never listen, do you? so stubborn, i swear. always worrying me.”

you bite down on your lip. he sounds… a little sad.

“… sorry.”

a moment’s pause. then he shakes his head; cradling you close. “it’s fine. i’m here. always,” his palm runs down the small of your back. ”in case anything happens.”

he inhales. ”and when i become king —” a beat. he swallows thickly. ”you’ll never have to worry again. no one will be able to touch you.”

”satoru,” you crack a small smile. amused. raising a single eyebrow. ”i’m not worried. i can protect myself.”

”i know. but i’m saying you don’t have to.”

and then he’s pulling back. just a little bit, just enough to see you. cheek smushed against his chest, comfortable and soft, more unguarded than he’s seen you these past few months. it’s enough to get his heart racing. enough to have him reaching out, fingertips ghosting over your hand, tangling your fingers together. bringing it to his glossy lips. a chaste kiss, brimming with unspoken murmurs of love.

”— i’ll protect you forever,” he vows. ”remember?”

there’s devotion in his eyes. heavy, a vow he’ll never quite be able to voice in full. something that makes the blue of his eyes glow even brighter, cerulean, aquamarine, a blue so jarring it makes your heart beat faster than it should.

you blink. starstruck, caught in a daze, lost within that sea of blue. distracted by his warm breath on your cold skin, the soft whisper voiced against your knuckle. something shy blossoms in your chest, enough to have you averting your gaze. 

“... you really don’t care about the dynamic here, do you?” is all you can reply. a meek scoff, a weak attempt at hiding how flustered you are. “i’m the knight. i’m your protector.”

“oh, i know.” a smile sticks to his lips, playful, the back of his hand caressing your cheek. a coo on his tongue. “my little hero. what would i ever do without you?”

a roll of your eyes. satoru chuckles. in the distance, you hear crickets chirping, a breeze rustling the lilac bushes all around you. he’s still cradling your cheek, smoothing over your wet skin, brushing a drop of water away with his thumb. clinging to your bottom eyelash.

“i don't get it, though.”

you blink. when you meet his eyes, satoru looks a little perplexed. muttering under his breath, absently rubbing circles over your cheekbone. you resist the urge to close your eyes again, biting back a blissful sigh.

”a prince shouldn’t care for his knight…” he repeats, like he’s heard the string of words a million times before. ”the idea of that. i don’t understand it. never have.”

the smile that blossoms on his lips is soft, indescribably so, as if he’s looking at the most precious thing in his life. rich and warm, like wine in your veins, nectar on your tongue, a chest pressed against your own. dripping with fondness.

satoru tilts his head, as if in confusion — but he’s smiling. “what’s so strange about wanting to protect the one dearest to my heart?” 

…

his hand slips from your skin, a warmth leaving your cheek. only to search for your hand, again, cradling it in his larger palm. placing it right over his chest, against the soaked material of his blouse. ”feel that?”

you do. a rhythmic rise and fall, a soft flutter from the depths of his ribcage. as if it’s itching to break out, out of the cage that binds it, the hardened shell around it. a heart too big for his body.

”it’s you,” satoru whispers. ”all for you.”

a moment passes.

silently, you lean forward; tucking yourself into his neck. into that comforting warmth, wet skin beginning to dry, the steady thrum of his heart right by your ear. you listen. not saying a word, afraid of what might leave the confines of your strangled throat. it feels as if your heart has begun to crawl upwards, sweet honey blocking your airways, and all you can do it feel it pulse. 

all while satoru gazes at you, fondly. placing a big palm on the back of your head.

fireflies dance in the distance. butterflies flutter about. strings of lilacs bloom under the glow of the moon. and satoru’s heartbeat never changes, never falls out of tune, a sound you would recognize even if the sky were to shatter, if the world were to end. the sound that saved you, the boy who dragged you out of hell. into his light. 

satoru gojo is everything. he’s the beat of your heart, the silver of your sword, the reason you believe in goodness. he’s your prince, your favorite person, and you’ll protect him until your very last breath. until the world runs out of oxygen.

a boy so sweet you’d die for him.

(a boy so sweet he wouldn’t want you to.)

a shiver runs down his spine — sudden, a shudder of his bones, and a quiet little sniffle. you feel it, hear it, and don’t attempt to bite back the fond smile that slips into the curve of your lips.

”c’mon,” you beckon, almost a coo, placing your palms on his chest to hoist yourself up. ”let’s go home.”

but satoru shakes his head. and then he traps you again, strong arms around your waist, pressing you against him. you could escape — you’re almost certain you’re stronger — but you don’t quite have the heart to. ”it’s fine,” he huffs. almost a whine. ”stay.”

”you’ll get sick.”

”i never get sick.”

a deep exhale. tumbling from your lips, just a little bit humorous. mostly exasperated. ”that can change,” you mumble, fingertips dancing along his exposed skin. absentmindedly.

a smile. one you can’t see, but you hear it clear as day. he sounds content, like he’s got everything he needs right in front of him. ”some things never change,” he informs you. pleased. ”just look at us.”

and he’s right. so you don’t say anything else. 

but your heartbeat quickens, only for a beat or two, and you’re almost certain he feels it. if he does, he opts not to tease you for once, and you’re grateful. and so the silence lingers. as if time has begun to freeze, into an eternal dusk, a string of silent seconds. broken only by low melodic chirping from faraway fields, his soft breaths in your ear. 

until satoru suddenly chuckles.

“hey,” he hums, shifting a little, the river swaying around you. pulling back to meet your gaze, eyes crinkled and voice raspy. “wanna know a secret?”

you raise your head. a dubious look on your face, one that has him breathing out an amused puff of air, like you’re getting ready to hear a bad joke. “... what is it?”

before the words have fully left your throat, he’s resting his forehead against yours — breath fanning over your lips. a pleasant shiver trails down your spine, at the close proximity, goosebumps spreading across your chilled skin. only exacerbated by the whisper that follows, so quiet you almost don’t know if you heard him correctly. childlike in its sincerity. a sunlaced smile woven in between the vowels.

“i think i was born to meet you.”

(a sentiment so sweet you barely even feel the warmth of his lips meeting yours.)

[starcurtain]

Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[da-birb-writes-sometimes]

OMG SAW UR ASKS WERE OPEN AND I RAN SO FAST HFJDJSBS

Anyways ok so imagine *trips over my own feet* imagine uhm baking cookies *stumbling* baking cookies with Lilia:3

No pressure ofc! I hope u will enjoy writing this if u do! And make sure to drink after and take care of urself!

Flour Belongs In The Cookies; Lilia Vanrouge

Content; Gender-neutral reader, fluff, some pining

Word Count; 650+

Author's Note; Cloudy, you do know how bad his cooking is, right? Besides that, I hope you enjoy what I did with this little prompt!

As a reminder, do not put my work — or others for that matter — into AI as it steals. Link to Masterlist

You knew full well going into this that Lilia … wasn’t the best person to leave around food. Well, you didn’t know to the full extent how ‘bad’, ‘revolting’, and ‘utterly cursed’ he was according to his dormmates (and adoptive family? Still trying to wrap your head around that one, to be honest). 

Yet, as you were both adding ingredients to the batch of cookies you were making, he had done nothing to tamper with the recipe or mess up by accident. Perhaps Silver, Sebek and Malleus were just overexaggerating it? Lilia has been completely fine, a great helper even! 

“So,” you cleared your throat, breaking the quiet (which was both comfortable yet awkward). “Why did you want to bake cookies with me? Not that I mind, just curious is all.”

Lilia looked up from the wet and dry ingredients he was combining and offered you a cheeky smile with a wink. “Hmm, do I need a reason to do so,” he breathed with a silent chuckle, sneaking some of the raw dough into his mouth.

You tutted, taking the bowl away from him. “I don’t need you getting sick from eating that now–”

But your attempt at lecturing was silenced by a small puff of flour being slapped gently on your cheek; a white handprint now on it. “RUDE!”

Lilia was having a good old laugh, from either getting flour on you, the shocked expression on your face, or a combination of the two (knowing him, it was bound to be the last one). He was actually getting pink in the face because of it; was he even taking breaks from laughing to breathe???

“Ah, lighten up! Plus,” he paused and covered your hand in flour and gently slapped it on his cheek, “there, we match now.” 

His magenta eyes were twinkling with mischief and you found yourself gently shaking your head and chuckling. Sighing, you picked up some flour with your hands and made it look like you were just going to cover the countertop with it, but you swerved, and slapped it into Lilia’s hair.

Lilia coughed, and rubbed at his eyes, trying to get the flour out of his eyes, but once he opened them again, you were gone. So we’re playing games now? But he just wheezed in delight and gave chase, a cup full of flour on hand so he could repay the favour. After all, since you both had matching handprints on your cheeks, you deserved to be bestowed some flour on your head.

“And here you were saying it was rude of me for that first move,” he called out into the dorm. They couldn’t have gotten far now.

He heard the curtains ruffle, and he floated over, not making a sound.

Peaking oh so carefully behind the curtains, he spotted you, silently giggling to yourself. And that’s when he made his move.

“Found you!~” And he sprinkled the flour over your head; much more gently than you did to him.

You groaned, knowing it would take a bit to get the flour out from everything… but the way Lilia floated overhead made it look like he was sprinkling snow… was he always this pretty? Even with him covered in flour, you still felt your heart flutter.

You mentally slapped your cheeks though, and got yourself up. 

“Guess you did… but that was fun,” you chuckled, dusting yourself off to the best of your ability.

The moment though was ruined by your smoke alarm going off; it was a wonder that those even worked, but hey, at least they worked.

Rushing to the kitchen, you opened up the oven to have a mass of black smoke smelling of burnt food of some sort enveloping the both of you.

“What happened?!” You coughed out, trying to open up the windows and doors to let out the smoke.

Lilia grimaced, “Ah… perhaps I set the oven too high.”

And even though you had fun making the now coal-like cookies, perhaps store-bought would have been better…

...

...

...

...

Tags; @afunkyfreshblog @eynnwwyjth @identity-theft-101 @ithseem @lucid-stories @ryker-writes @twistwonderlanddevotee @xxoomiii

[thatdeadaquarius]

Genshin Impact Sagau/Isekai:

You still have acces to characters! ...by possessing them. 👻

PART 2 (you're here!) / Part 1

All art by me! :] leave me a iced coffee?? :0

HEY!! REALLY QUICK PLEASE READ!

STOP tagging my posts as "Yandere Sagau", "Sagau Cult AU", "Sagau Imposter AU" or other related dark content tags.

I'm sick of seeing reblogs that tag my work as dark content, when I'm specifically trying to LIGHTEN UP THE SAGAU TAG 😭😭??

Please be more respectful of this. Actually read the work before you just tag it incorrectly. Tags do matter.

/nm /gen

☆

Sun: Gender Neutral Reader (they/them)

Planet: Misc. Genshin AUs

Orbit: Headcanons, Scenarios

Stars: Tighnari ft. Cyno, Alhaitham, Collei

Comets & Meteors:

Content Warnings: Mild violence (bandit attacks/non-graphic), Reader/you possess people non-consent (mild/consent given eventually)

& Trigger Warnings: Reader/"you" possess people non-consenually for short times, but given consent eventually.

(pls comment if any more!)

Edit 9/7/23: 1,000+ NOTES?? WHO WHAT WHEN WHERE WHY- THANK YOU???

Edit 12/24/23 + 4/5/24:

☆

My goofy ass forgot to put this here .-.

Anyway this is a full length fanfic now ;)

…mistakes were made.

bad decisions were had, and okay, mayyybbbeee you could’ve taken more precautions against people finding out you were “real”.

afterall, you did see the Eremites reaction, even if it was only two guys (one from each camp) that you possessed :/

word spreads quickly amongst the Eremites groups, you guess, bc next thing you knew, after you’d moved closer to floating around Gandharva Ville,

they’d called that entire bit of forest haunted.

BUT IN YOUR DEFENSE-!! how were you supposed to know they’d blab to the whole camp they didn’t remember the past 20 minutes after you unpossessed them?? and immediately be on guard and jump to possession?? (Irminsul works hard but eremites/sumeru people work harder u guess)

And by the time you were happily patrolling with Collei, the forest rangers were just so chill you didn’t really expect anybody would think a ghost was possessing them (or whatever you were now… maybe,, just code?? it’s unclear)

so when u start to see Tighnari squint at people who’ve technically just “woken up” after you possessed them, mumbling under his breath more and more as a file he carries around gets thicker and thicker-

you start to think,,, maybe.

okay, mayyybbbeee,

you’ve fucked up.

◇

You really can’t help it, first it was making sure Collei got back safely from patrols (she’s ur skrunkly okay, you can’t help it, you’re still aware she’s capable but- the urge to skrunkle overpowers you- )

but then-!! You managed to spot Cyno! :D its ur boy!! ur little meow meow, who can throw people over his shoulder!! He really doesn’t need you, hovering around, but eh ¯\_ (ツ)_/¯

what could it hurt! …it’s not like he can see, hear, or feel you anyway…

(unless u possess some animal/machine he thinks is friendly, which. sumeru is not exactly known for cuddly creatures. you don’t feel like experiencing death when possessing stuff just yet-)

imagine ur panic and shock as the General Mahamatra takes on a camp of criminals on the run, only for one of the old ruin machines (the ones that are just LEG and DEATH)

to hear the ruckus and come stomping around a thick patch of trees, it launched missiles!! You can’t warn Cyno, he can’t hear you!! No one can!!! The criminals are unconscious, there’s no other wildlife nearby they all ran off!!! FUCK-

You look at him and try to imagine his perspective as vividly as you can, he’s looking over the criminals, but now he’s turning, so people passed out and the tree-line got it-

Congratulations! You’ve possessed Cyno. 💀

It completely disorients you for a second, but then the panic of dodging the missiles comes back in time for you to make his body dive and roll off to the side, for as long as you can manage a roll too since you remember that’s the best way to dodge missiles in the game

…which works really well! bc he’s so fit and agile tbh

It was weird to finally run again after so long (two months now in teyvat?? wow)

with your feet suddenly in sandals, and feeling the breeze chilling your bare chest (Cyno’s chest??)

yeah its a shock considering most of the ppl you’ve possessed lately have been fully clothed rangers lol

you quickly imagine your ghostly form again, and just like that you’re drifting out of Cyno in ur “ghosty” form, having floated out and away from his back

Poor guy looks so fucking confused, and immediately is wielding his spear again, and is about to get out the crouch you put him in behind the dilapidated stone wall (dammit he better not waste ur efforts to keep him alive-)

until missiles slam and explode against it, he ducks back down (thank fuck) and Cyno just looks around one last time before hopping the wall and running to fight the thing

you notice that when the electro user goes to use his powers, they seem stronger than they were in his fight with the goons??

Maybe he was just going easier on them, since they are only human?

…so why does even Cyno look surprised when he goes to make a simple swipe with his charged spear and a bolt of lightning cracks out from his spear instead…?

…weird.

◇

Tighnari knows you’re here.

You figure he must have collected the reports of people “blacking out” or “sleep-walking” or whatever else and begun to suspect the worst.

…to be honest, you’re not sure what to do.

on one hand, it would be great to have someone know you actually exist, as yourself,

but on the other…

What would Tighnari think?

Of you possessing his rangers?? Temporarily taking ownership of someone without permission??? You’re afraid he’d think the worst of you…

tho u didn’t do so often, as u realized how messed up this could be, and u never did more than make them walk or talk normally for a few minutes before leaving them alone!

… afterall, you missed interacting with people. You were honestly a little worried abt going crazy, which is the only reason u were desperate enough to possess human people in the first place and continue doing so, just to talk to someone and have them look you in the face again like you really did exist as a person here-

(u thought u remember reading somewhere back on Earth that someone can only last 3 days of no other human contact until they start to lose it? but even if that’s not true, at the very least, u dont think talking one-sidedly to yourself all the time is healthy…)

so when Tighnari seems to get that file you’ve seen him adding onto, and gather up supplies, mentioning a day trip to Collei and the others to Sumeru City for some

“further research into these ‘blackouts’, and also contacting some of my colleagues who might know something…”

there’s no way you’re not going with him.

you feel increasingly anxious all day, and at one point when you were sure Tighnari was walled-in by books at the House of Daena, decide to go blow off the anxious energy by possessing an animal to get some food!

…you’re not really feeling comfortable enough to possess a living being into eating yet, that seems hella nonconsensual, and u kinda would be taking the joy of the meal from them tbh-

so u possess a cat!

a ginger cat, bc u like to think if u do anything weird, that ppl in Teyvat have the same type of cats back on Earth and excuse it as just:

“unhinged ginger cats being unhinged ginger cats yep makes sense” lol

you’d managed to be really cute (and wasn’t that weird, having to mimic animal behaviors like rubbing ur side against a person’s legs..)

and convince one of the cooks of Lambad’s Tavern to give u some leftovers, and been about to go off to try out sunbathing before the chore boy, little shit he is, tried to chase you off with a broom!! >:( the audacity!! you clearly have a little plate and everything!!

luckily, you’d finished eating, but still! Ouch!! those bristles fucking hurt-!!!

…you look and see a Sumeru-ified version of a skateboard, and u just know ur little cat face is just ✨v✨

and u steal the little shit’s skateboard as revenge! HAHA thats what you get animal abuser!!!

The kid’s yelling at you as you speedily skate away with ur little cat paws (LMAOO), but the cooks are calling him back in so he can’t pursue, (oh good u hear them get onto him for chasing u off)

and as u slow down to coast along the Sumeru streets,

you feel someone’s eyes staring you down.

You assume it’s just people being amused at a cat skateboarding, obv

but when you look just ahead of you to see a smiling Sumeru citizen or eremite-

Oh. It’s Alhaitham.

and he’s just… watching you.

he’s stopped reading whatever he’s got in his hand, and is slowlyyyy turning his head as you pass by…

You decide to just keep skating away. LMAO

◇

it’s already sunset by the you’re accompanying Tighnari back from Sumeru City, floating along behind him

and you’d been expecting a calm walk back, tbh you’d been feeling a little better bc the ranger hadn’t found much to identify you, yet, luckily-

but bc u can never catch a break:

Tighnari didn’t see the bandits dropping from the goddamn trees BEHIND HIM- and they had like claymores out- those were definitely gonna be killing blows-!!

so yeah.

You possessed Tighnari.

turns out ur pretty good at dodging bc this is second time now you’ve helped dive away for someone in an ambush, ur kinda proud of urself tbh💀

and as you make him take a few leaps back, ur ears twitch in the wind as you duck behind a tree, then float away and out of his body

The poor hybrid ranger visibly sways, then shakes his head out of it, and he flicks his ears in different directions, squinting into the woods, he’s pulled out his bow, so you’re at least reassured he’s aware there are enemies

Like Cyno last week, he too gives up and rolls for the next tree for cover and begins to shoot and take down the bandits

the rest of the week is kinda a blur after that, bc it’s mostly filled with Tighnari running in circles around the camp checking for blackouts, writing letters to Alhaitham and Cyno apparently, and you not possessing anybody out of paranoia :/

Most notably however,

you’ve unfortunately discovered one of the few drawbacks of ur possessions

(y’know, besides not existing essentially, what with no one being able to sense u outside of possessions)

apparently, if someone walks thru you, they accidentally force you to possess them 💀??

while it’d already happened once with a random ranger that you didnt notice was walking up behind you,

you didn’t want to test it again just yet bc it kinda made YOU nauseous and incredibly dizzy when this happened

(as in, u stumbled like a drunk after this poor ranger woman ran thru u, until you were so dizzy and the world spun sm u had to make her sit on the literal ground, luckily she just thought she was just really dehydrated when she came back into herself 😭)

so obviously, you’ve avoided crowds to keep this forced possession thingy from happening all the time

like at the Forest Rangers meetings or something, ur watching off to the side, instead of standing with them or beside them

so needless to say, after about a week and half since possessing Tighnari,

you definitely did not mean to possess Collei.

She’d been in her wheelchair today, the Eleazar flaring up and tiring her body out

so her wheels had been entirely silent when she rolled up to where you and Tighnari were leaning over some strange experiments of his- you were just trying to figure out what all these mirrors were for, didn’t he do plants more-?

you didn’t even know what the hell happened, you just felt that familiar dropping sensation, like a small drop on a rollarcoaster, blinked, and then suddenly you were sitting instead of standing/floating???

Oh god-

before you could even begin to process that Tighnari was in front of you instead of beside you, the world was shorter,

The fox-eared ranger yelled in triumph, grinning with sharp fangs and spinning around to look at you (Collei)-

“Ah-ha! It worked! Finally, I saw you! I saw you, I-?? Oh gods, Collei, NO-!”

And with quick reflexes, Tighnari’s summoned his bow, but he’s clearly confused on what to do about this situation, taking aim, but also holding the air glowing with dendro not as taunt as you’d seen him in the battle with the bandits

You scramble to raise your hands up, brown poofy sleeves rise to your command, light green hair you can feel on your shoulders, everything is familiar, but not-

“WAIT! I’m sorry!! This was an accident, I promise! I don’t intend to hurt Collei, or you!! Please, just, don’t shoot me, I think you’ll just hurt Collei instead…”

You talk him down and decide, that if he’s put this much effort into finding out about your existence, is an incredible leader and friend to everyone around him, and was able to accept the traveler and many other strange things that’ve (probably? maybe?) already happened in Sumeru (god fuck u dont even know where in the timeline you are)

that you can probably trust Tighnari with your existence, and your powers.

…He nearly passes out.

◇

Life has gotten a lot funnier, and happier, since you told Tighnari (and some of the more trustworthy rangers and Collei by proxy) about ur existence (or really, confirmed it)

He’d been wary at first, appropiately cautious and demanding answers, of which you were happy to give and explain yourself

luckily, after a whole lot of “hmm, I see, no, I think I’m understanding-” , finger on his chin and everything

he’s said it’s okay to hang around the rangers, so long as you don’t possess anyone anymore without them knowing about you/with permission (outside of emergency situations that is)

tho he did seem surprisingly understanding and accepting of you doing it before after you explained how u were just unbelievably lonely and were lowkey paranoid of going crazy-

The rangers seem to believe you’re some kind of god/spirit thing, as you had no explanation yourself as to what you were ¯\_ (ツ)_/¯

Tighnari’s also given you the rule to help out around here if you’re going to “ghost-laze around”, as he puts it lol

you’ve redirected ruin machines/feral animals away from rangers many times by now, to the many thanks and gratefulness of the rangers

you’ve even managed to even figure out how to push Collei’s wheelchair around when she uses it!

mostly by possessing tree after tree and using vines, or occasionally a fungi that can fly so you can nudge her along

she has insisted that you possess a ruin guard and carry her just to try it… however, Tighnari overheard her talking to the forest rangers’ dog (you) and immediately knew shit was up and banned you from doing it (at least not yet)

While most rangers are okay with you possessing them for a few minutes (and they’ve developed this bandana wrapped around their upper arms policy of “red = no possess, green = go ahead”)

Collei is the most okay with it and for longer, so you “won’t be that lonely ever again!” :’)

Tighnari is busy with stuff, so you can’t possess him as often, but the ranger has developed a theory that the more you possess someone, the more they can sense your feelings during possession/while floating around in ghost form too,

so he’ll occasionally feel you in the room with him, and start talking out loud in some one-sided convo to make you feel more included to make up for not being able to interact with him sometimes :)

(after taking you off his list of worries he’s still pretty swamped, not that he’ll tell you that, as he’s still not quite sure why he’s so, warm and safe feeling when you’re around, so willing to trust you so naturally, that it makes him want to at leats pretend to be worried abt a possessing ghost god/thing hanging out with the rangers now)

◇

basically everything is great!

the rangers are okay with you, they got a system to interact with you consensually, Tighnari and Collei are fond of you, you get to finally have something to do instead of floating around all the time (joining ranger missions)

and look!! they’ve even been kind enough to build you a little shrine or altar of sorts! Notes about Sumeru life, recipes for you to try, occasionally some books for you to read, and even some snacks/desserts for you to try out the next time someone possesses you and gives consent! (you leave them a little note stuck on their hand with your question for specific actions like that, if there isn’t another ranger there to ask for you when you unpossess them)

and everything is so cool, and everyone is so sweet and accepting

…Until Alhaitham shows up in Gandharva Ville, knocking on Tighnari’s door.

☆

AHHHH idk if this is any good! sorry it took so long, it was mostly the art 😭😭

anyway its not the best (the writing or the art) but i hope it’s at least some content to look at and be entertained for a minute!

also figured it was a good day to post what with the attack on our beloved Ao3 (tho i think it’s back up now?)

anyway, feel free to leave critiques on this one! (which I’ll probably turn this into a real fic one day soon, but not sure what to do with the plot/do a diff setup than this or what)

☆

sorry abt the radio silence! I just needed to close my mailbox bc i had a lot of stuff to answer, ur welcome to send submissions to chat/non-requests!

and also this took time to make (once again, mostly the art, bc thats how it always is with art isnt it 😭)

☆

Safe Travels Stranger,

💀♒

☆

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @justlostintheinternet   / @assassinsnake101 /@sun-wokung

If ur tag is here and didnt work, idk why!

Maybe see if your listed as a "searchable blog"?

[sualne]

have some trans swan lake barbies

[i-like-forcefem]

When browsing through the wares of a newly opened magic shop you passed by an item that caught your interest, a massive mirror

You peaked inside expecting to see yourself, but instead you saw, a girl? About your height, quite pretty, good taste in fashion… Maybe your mom when she was younger?

It feels weird, in a good way, to see this girl follow all your movements, you couldn’t help but smile, and her smile is radiant

You felt an odd sense of relief… until you looked down to see that, you’re you, of course you are

Why do you feel so sad?

…

“Quite the item isn’t it?”, the Witch tending the shop noticed your interest and started talking to you “a magic mirror that shows you what you’d look like if you were born the opposite sex”

You stare into it

Why do you feel this deep dread?

“But that’s not all it does!” The witch continues “want to see a magic trick?” The witch asks laying a hand on your back

You’re curious to see where this is going, so you nod your head

In one swoop the witch pushes you against the mirror and as you brace yourself to slam into it, stumbling on your feet across the floor, you find yourself slamming into the witch face first

She laughs “I probably didn’t need to push that hard”

As you lay on the ground you feel different, you look as you prepare to push yourself up from the ground you notice your hands… are they smaller?

As you get it up and oriented yourself you glance at the mirror, still the same showing girl you, but how did you get turned around did… did you get

“Sorry” the witch says as her laughter days down “that’s the first time I’ve pushed someone through a mirror, should’ve seen that coming”

You look down and see the dress you’re wearing

“Now cutie” the witch claps her hands, and jumps up! She has a grin you don’t trust “I hoped you enjoyed the trick! If you ever want to become a guy again And I hope you have some savings! Gender-bending magic is quite expensive!”

You stumble back, you can’t turn back? The mirror is showing yo- Girl You, not the real Guy You, so… that’s a no go? You’re way to poor for anything

“But don’t worry cutie, we pay quite well here and just so happen have an opening for a maid and I can assure you, you’ll look just adorable in the uniform”

[katsu2ji]

imagine telling sugawara all about your special interest and him just sitting there and genuinely listening to you. he loves the way your face lights up as you talk about the thing you love so much to the point that it’s sometimes all you can think about. he’d ask questions to keep you going and make the conversation feel less one sided, to show you that he truly cares. he doesn’t mind that you’re rambling, barely aware of how long you’ve been talking or whether or not he even knows what you’re talking about—the fact that you trust him enough to talk about your special interest with him, to share this part of you, is more than enough. he doesn’t care how “weird” or niche it is, he’s just happy to be there learning from you. if you feel guilty afterwards for info dumping and being “too much,” he wouldn’t hesitate to remind you that you are anything but. all he wants is for you to be happy, and seeing you this excited makes him the happiest man alive.

katsu2ji © 2024. please don't copy, modify, or do anything of the sort with my work! i work very hard and you simply do not have my permission.

[aleixis]

how do we feel about harem boy!ness x empress!reader !!!

okay so !!! imagine reader who's the ruler of an empire the size of an entire continent and half, she and her ruthless soldiers charging into battle after battle ! ness was a gift given from the emperor of münchen, michael kaiser ( ruler a recently conquered empire ), as a symbol of respect to your empire. ( u even make THE kaiser shiver in his boots omg just who are u !! )

you never really cared for partners, both romantically or in bed, but the gift was accepted as a courtesy. you were hesitant to accept at first, but your political advisor, ( isagi ) recommended you to accept. ness seemed compliant, almost eager to be gifted (honestly, he was just ecstatic that kaiser viewed him valuable enough to be a gift) ! he was so sweet and kind to you ever since your first meeting, even if you paid little to no attention towards him ! that just pushes him to yearn for your validation even more <3

soon enough, ness realizes that he's not the only one desperate for your affection. your harem of 4 other men ( i have no idea who to pick so just imagine its ur other favs ) haven't SLEPT in the same bed as you in a couple months, and they're all yearning for u :( ness has to join the 4 to win your heart over, but how ?!

the others have tried pretty much every trick in the book; seducing you ( which never works, you're always too busy drowning in work ), trying to make you jealous ( you don't care enough to be jealous ), winning you over with gifts ( nothing they gift you can compare to the entire world you have in your hands ), everything ! every move they'll make will spare nothing more than a glance and an occasional laugh from you, never anything more.

so, ness is desperate to change that ! he'll do anything in his power to catch your fancy <33

[grandwretch]

modern au; nonbinary steve

dustin bullies steve into playing their favorite MMO with them. to Dustin's disgust, Steve's favorite part is collecting all the different cosmetic items and making cool fantasy outfits for his avatar. unbeknownst to the party, steve creates an alt account where he can collect the female outfits and wigs, because there's a bigger selection and they're much prettier.

as Steve interacts w people on his new account, he realizes he likes it better-- for one, people pay attention to women in a way he isn't used to. not all of it is good attention, but steve relishes in it. also, he likes that people see him as a woman. he likes that they don't even think about it. quickly he joins a guild and actually starts playing the game in earnest, just so that he has these relationships with people who view and treat him as a woman.

he meets Eddie there. Eddie is charming and flirtatious with everyone, men and women, but it's clear that Steve is his favorite. Very carefully, Steve becomes closer and closer to Eddie-- close enough that Steve is full of guilt.

He feels like he's lying to Eddie about who he is, even though he's told the truth about everything but his gender. Even worse is the realization that he doesn't ever want Eddie to think of him as man-- which is confusing, because steve isn't exactly comfortable with someone he's falling in love with thinking of him as a woman.

Things get even worse when, after Steve drunk texts Eddie after a night out with Robin, they start sexting. Its fun, casual flirtation, nothing too serious, but Strve realizes he likes the idea of sex better as his alternate self. He likes pretending to have tits, he likes imagining what it would be like to have a cunt, he likes talking about wearing lingerie and being Eddie's good girl.

He thinks he can't come clean without losing the best thing he's ever had, so Steve pushes his guilt down and pretends he's not in love.

Of course he gets caught out, eventually. Dustin and Eddie become friends in real life and Eddie isn't an idiot. Steve is mortified and distraught, but once Eddie is sure that this wasn't all a cruel prank, he's quick to assure Steve that nothing has to change-- Knowing that in real life Steve has broad shoulders and a square jaw doesn't make him any more of a "man" than his online avatar makes him a "woman". Not if that's not what Steve wants.

So Steve doesn't have to give anything up. He gets to keep his amazing, supportive boyfriend. He gets to keep his pretty clothes and avatar. He gets to keep experimenting in the bedroom, finding out what makes him happy instead of what he thinks he should be doing.

And he gets more, things Steve never even dreamed of having: He gets to start buying pretty clothes in real life, too, and they hang next to his polos like they belong. He gets to grow out his hair. He gets to slowly find out what he likes, how he wants people to think of him, how he wants to think of himself.